
Pictured (L-R): Co-writers Justin Ebach (SESAC), Brett Young (ASCAP), Kelly Archer (BMI). Photo: Terry Wyatt
As equity would have it, the first No. 1 party of 2017 was hosted by ASCAP, BMI and SESAC and was a first for many of the copyright shareholders on Brett Young’s “Sleep Without You.”
The celebration not only recognized Young’s first No. 1 as an artist on Big Machine Records and as a songwriter with Big Machine Music, but first No. 1’s co-writers Justin Ebach and Kelly Archer. Archer’s co-publishers, Red Creative Group and Downtown Music Publishing Nashville, and Ebach’s publisher, Word Country, all celebrated their first No. 1’s as well.
Remarks were heavily directed at Big Machine Label Group’s Laurel Kittleson, A&R Manager. Young was the first artist Kittleson brought to sign. Credit was also given to ShowbizRo’s Liz Morin and Ronna Reeves for their early work with Young.
Additional remarks and gifts were made at the ceremony from Pinnacle Bank’s Ron Cox, Country Aircheck’s Lon Helton and the CRB’s Holly Lane, who noted “Sleep Without You” had notched 99.16 million impressions to date.

(L-R): Back Row – BMLG Records’ Leah Fisher, Angie Coonrod, Lauren Longbine, Liz Gregg Santana, Matthew Hargis, Andrew Thoen. Front Row – BMLG Records President Jimmy Harnen, Justin Ebach, Brett Young, Kelly Archer, BMLG President & CEO Scott Borchetta. Photo: Terry Wyatt
ASCAP’s Mike Sistad hosted the event at The Westin Nashville’s L27 rooftop bar, welcoming his company’s Michael Martin to the stage with the support of First Tennessee Bank to present Young’s first No. 1 ASCAP guitar.
“This has happened really quick, it’s insane,” said Martin. “Through his honest lyrics, west coast music and southern style, he’s created this whole thing called ‘Caliville.’”
Mike Molinar of Big Machine Music presented plaques and remarks before BMLG CEO Scott Borchetta and the label group’s Exec. VP and label President Jimmy Harnen.
“As the kids say, [Brett] gives you all the feels. He understands the swoon…and he is sweeping the country music audience off their feet.”
Producer Dann Huff offered praise for the newcomer. “This is an extremely special No. 1 for me. You are one special human being and artist. You have a gift that I know you’ve worked so hard at, but it is so transcendent to hear you sing and it’s an honor to be a part of your music.”
Young concluded, “I thought for my whole life I would play baseball. God decided I wasn’t going to do that, and the only thing I loved that much was music. Making that a career seemed as ridiculous as making baseball a career…I played in [Beverly Hills] every week, and one week I meet this gentleman from Atlanta named Ruddy Polhill. His wife Rhonda emailed me…and said we’re in this position we would like to help you. That literally changed everything. I made a record at Blackbird in Nashville and met a lot of people and realized I needed to move here. It’s not about your money—it’s about you believing in me, so thank you so much.
“Overnight success is a funny thing. Anyone that calls it that can…This is a 14-year success. But in that moment [when Jimmy Harnen offered me a record deal], it felt like the very beginning. So to Laurel for bringing this to Jimmy…For Liz and Ronna for bringing this to Laurel…to Jimmy for believing in it enough…and to Scott for believing in Jimmy enough to let all this happen, thank you guys so much!”

Pictured (L-R): Producer Dann Huff; publisher Big Machine Music’s Mike Molinar; co-writers Justin Ebach, Brett Young and Kelly Archer; and ASCAP’s Mike Sistad. Photo: Terry Wyatt.
Shannan Hatch from SESAC presented plaques on behalf of Franklin Synergy Bank and her writer, Ebach.
“Each No. 1 party has something special about it, but this has so many special things about it,” said Hatch. “It’s the first for all the writers, the artist, and the song went No. 1 while Justin and his bride Janine were on their honeymoon in Las Vegas. You absolutely can’t plan to celebrate such monumental moments in life at the same time.”
Janine Appleton, Ebach’s wife and publisher at Word Country, continued the celebration with plaques and lively jest.
“Dale Mathews had the vision to expand Word Publishing into a multi-genre entity, which is why I stand before you,” explained Appleton on behalf of CEO Rod Riley. “We as publishers are only as good as the songs we bring to folks, so thank you Ebach for making my job a little easier.
“Laurel is the reason I found out about Brett. When Kelly Archer pulled Ebach in on this co-write I was like if Laurel believes in [Brett], I’m in,” said Appleton.
“I grew up in an atmosphere where dreaming was okay…so thank you to my parents,” Ebach offered. “I want to thank my two kids. Through all the ups and downs of the industry…my kids give me a reason and purpose to get up every day. Thank you all so much, I’m so grateful!”

Pictured (L-R): Justin Ebach (SESAC), Brett Young (ASCAP), Kelly Archer (BMI). Photo: Terry Wyatt
BMI’s David Preston spoke with the support of Pinnacle Bank on behalf of Archer, presenting her first No. 1 Epiphone guitar and silver BMI cups for all.
“Never in my life at BMI have I ever seen our office so excited for any one songwriter to have their first No. 1,” cheered Preston. “All you new writers out there, if you’re looking for an example of somebody to set your sights on and show you the way, Kelly Archer is a great example of the determination and grit it takes to make it in this city.”
Jeremy Stover from Red Creative Group offered plaques and remarks and plaques.
“When Steve Markland and I decided to partner on this Kelly publishing deal, we were both very excited,” remarked Stover. “She’s from Vancouver, B.C. and such a hard worker…Kelly, what you came [to Nashville] to do, you did it!”
Downtown Music Publishing’s Steve Markland then took the stage with plaques.
“Kelly Archer is on fire!” Markland led the audience in cheering. “If you’ve been around our office, about twice a week you hear [that]. It only means Kelly got another cut or her song had a great week on the chart.”
Through her speech, Archer offered thanks for everyone on her journey since her move to Nashville in 2001 and through five publishing deals.
“A lot of things had to go right for this to happen…and I would also have to say, a lot of things had to go wrong to feel the amount of gratitude having everyone here,” she poignantly said. “About two and a half years ago I signed a co-venture publishing deal with Steve Markland and Jeremy Stover…You guys came in at a time I was lacking a lot of confidence. I had been through a few deals and spinning—trying to figure out my purpose in Nashville, living far away from my family…I will always appreciate [their] confidence in my abilities.
“My mom will always be the one who thinks my songs are better than anyone. Everyone needs someone in their life who thinks that.”
Archer raised her glass to the late Andrew Dorff, who had texted a congrats to her before his untimely passing in December.
Archer’s mother concluded the event on stage saying it’s true, she can’t sleep without her husband of 47 years. “I already have a song for when we reach our 50th anniversary. It is going to be “In Case You Didn’t Know.”
“In Case You Didn’t Know” is Young’s follow-up single, and was most added on the first MusicRow CountryBreakout chart of 2017. Young’s self-titled, 12-track album will be available by Big Machine Records Feb. 10.
Exits Announced As Show Dog Restructures
/by Jessica NicholsonGeneral Manager George Nunes, East Coast Promotion Director Jean Williams, Southeast Promotion Director Chris Waters, West Coast Promotion Director Dave Dame, and Promotion Coordinator Katie Kettelhut have exited. They can be reached at the information below:
General Manager, George Nunes, george.nunes1@gmail.com
East Coast Promotion Director, Jean Williams, mattandjeanw@gmail.com
Southeast Promotion Director, Chris Waters, getchriswaters@icloud.com
West Coast Promotion Director, Dave Dame, davedame@pacbell.net
Promotion Coordinator, Katie Kettelhut, Kmkettelhut@gmail.com
Vice President, Promotion Rick Moxley will stay on at the label, and can be reached at rick.moxley@showdogmail.com.
Jake Owen Signs With WME
/by Jessica NicholsonJake Owen
Jake Owen has signed with WME for agency representation in all areas, including music, television, endorsements and more. The change is made from Dale Morris & Associates after a recent switch in management from Morris Higham Management to Good Company Entertainment with former Sony Music executive Keith Gale.
The RCA Nashville recording artist had six No. 1 singles to date – including the recent summer anthem, “American Country Love Song” as well as the Double Platinum-certified “Barefoot Blue Jean Night” and Platinum-certified “Beachin’,” “Anywhere with You,” “Alone with You” and “The One That Got Away.”
His fifth studio album, American Love, includes his current single, “If He Ain’t Gonna Love You.”
Additionally, the avid golfer with a 2 handicap, Owen is set to receive the Arnie Award (named after the late Arnold Palmer) in February as part of Golf Digest’s “Golfers Who Give Back” event during the Pebble Beach Pro-Am. His work includes establishing the Jake Owen Foundation, which has raised over $1.4 million dollars to date for St. Jude Children’s Research Hospital and local children’s charities in his home state’s Indian River County area.
Angaleena Presley to Release Second Solo CD in April
/by Lorie HollabaughAngaleena Presley is set to release her second solo outing, Wrangled, on Mining Light Music/Thirty Tigers April 21st. Produced by Presley and Oran Thornton, the project features 12 tracks, all of which were co-written by Presley.
A highlight of the album is a song Presley penned with dear friend Guy Clark, “Cheer Up Little Darling.” The tune is the last song Clark completed before his death, and features Shawn Camp playing Clark’s No. 10 guitar and his mandola, which Clark had been learning to play during the last year of his life.
The new CD is the followup to Presley’s acclaimed 2014 CD American Middle Class.
Artist Updates: Cyndi Lauper, Sundance Head, Ricky Skaggs
/by Jessica NicholsonCyndi Lauper Set For Austin City Limits Debut
Cyndi Lauper will make her debut performance on Austin City Limits (ACL) on Saturday, Jan. 14 on PBS. She will perform songs from her 2016 country project Detour, which features collaborations with artists Emmylou Harris, Vince Gill, Willie Nelson, Alison Krauss and more.
To see Lauper’s performance of “Heartaches By The Number,” watch below:
Sundance Head To Join Blake Shelton Tour
Sundance Head, Photo: NBC.com
The Voice coach Blake Shelton has added Season 11 champion Sundance Head to his 2017 Doing It To Country Songs tour. Also performing on the 13-date run is Season 2 contestant and Shelton’s labelmate RaeLynn, making this tour Shelton’s most Voice-packed endeavor yet.
“I’m excited to get back out on the road and bring new music from If I’m Honest, some previous hits and a few surprises,” said Shelton. “Having RaeLynn on the tour again is terrific, and I’m thrilled Sundance is joining and bringing his incredible musical talents.”
“I’m just elated and really excited about being able to perform with a great entertainer and learn something from him while I’m on the road. It’s going to be the most fun thing I’ve ever done,” added Head.
Ricky Skaggs, Bruce Hornsby Team For Tour
“I always get excited when I know I’m gonna get to tour with my good friend Bruce Hornsby,” says Skaggs. “Fireworks always happen!”
Hornsby adds, “The level of virtuosity required to play bluegrass music with Ricky Skaggs and Kentucky Thunder requires a good deal of practice; I always have to prepare a good deal, practicing with the metronome at break-neck speed, crazy tempos, to be able to hang with those guys.”
2017 “Ricky Skaggs & Bruce Hornsby with Kentucky Thunder” Tour Dates:
DISClaimer: Dwight Yoakam Returns To ‘Grass Roots on New CD
/by Robert K OermannDwight Yoakam
To refresh your head and restore your spirit, I recommend a stroll through the field of bluegrass.
The sounds of The Infamous Stringdusters, of Jerry Salley, of Kristin Scott Benson with Claire Lynch, of Jeff White and of Adam Steffey will greet you on your journey like kindly companions. Lend all of them your ears.
Our Disc of the Day belongs to Dwight Yoakam. His debut bluegrass collection is a perfect fit for his singing and songwriting. The DisCovery Award goes to Volume Five. The band’s album is called Drifter, and it’s a winner.
BRYAN SUTTON/The More I Learn
Writer: Bryan Sutton; Producer: Byran Sutton; Publisher: Deepwood BMI, Sugar Hill (track)
-Sutton has entered the top-30 on the bluegrass chart with this title tune of his current CD. His gentle, rippling guitar work is matched by his tender, soft vocal delivery of this philosophical ditty. This goes down smooth and easy.
DWIGHT YOAKAM/These Arms
Writer: Dwight Yoakam; Publisher: ƒigs D/Bicycle, BMI; Producers: Gary Paczosa, Jon Randall Stewart & Dwight Yoakam; Sugar Hill (track)
-Flatt Lonesome’s rendition of Dwight’s oldie “You’re the One” led its being named Song of the Year at the IBMA awards. So his releasing a bluegrass collection couldn’t be more timely. It’s called Swimmin’ Pools, Movie Stars and contains this sprightly, tuneful reworking of his 1998 country single. Davey Faragher’s tenor harmony voice and Stuart Duncan’s greased-lightning fiddle work compliment the star’s performance brilliantly. The collection also contains Dwight’s fabulous bluegrass version of Prince’s “Purple Rain,” by the way.
JEFF WHITE/Run Little Rabbit Run
Writer: David Akeman; Publisher: Fort Knox, BMI; Producer: Jeff White; JW (track)
-This is an old Stringbean tune, given a sizzling, mountain-wildfire arrangement by White and his sellar cohorts Charlie Cushman, Michael Cleveland, Vince Gill and Barry Bales, with a harmony-vocal assist from Shawn Camp. It’s at No. 11 and rising fast on the current bluegrass hit parade. Hot stuff.
THE INFAMOUS STRINGDUSTERS/Gravity
Writers: The Infamous Stringdusters; Publisher: The Infamous Stringdusters, BMI; Producer: The Infamous Stringdusters & Billy Hume; Compass (track)
-This ridiculously gifted group is sort of a fusion of bluegrass and jam-band styles. Billed as “The Future of Bluegrass,” the band drops its new Laws of Gravity collection tomorrow (Jan. 13). This enchanting track captures how deeply involving this act’s music can be. It’s a swooning dream that mixes fluid vocals with a stirring, complex instrumental smoke cloud. Essential listening.
MAC WISEMAN/I Sang the Song
Writer: none listed; Publisher: none listed; Producer: none listed; Mountain Fever
-At age 91, this Bluegrass Hall of Fame member continues to amaze. The title tune of his latest collection is nothing short of his life story in one elegant lyric. He’s called “The Voice with a Heart” with good reason.
TRINITY RIVER BAND/Come Back Train
Writer: Jerry Salley/Cassidy Lynn Alexander; Publisher: none listed; Producer: Joshua Harris & Sarah Harris; Orange Blossom
-This family band is celebrating its 10th album, Things We Do For Dreams. This single from it has just entered the Bluegrass Unlimited chart. The song is as cool as the breeze. Alas, there’s not a vocalist in the group who’s electrifying enough to truly bring it life.
ADAM STEFFEY/Dear John
Writers: Aubrey A. Gass/Tex Ritter; Publisher: Tex Ritter, ASCAP; Producer: Adam Steffey; Mountain Home
-This East Tennessee native is one of the bluegrass genre’s hottest mandolin pickers. His warm mountain baritone croons this 1951 Hank Williams oldie with ease, and his dazzling fingers do the rest of the work. The track is new this month on the bluegrass chart. It comes from his CD Here to Stay.
KRISTIN SCOTT BENSON AND CLAIRE LYNCH/When Fall Comes to New England
Writer: Cheryl Wheeler; Publisher: Penrod And Higgins/Amachrist, ASCAP; Producer: Kristin Scott Benson; Mountain Home
-Benson is the banjo player in The Grascals. On her solo CD, Stringworks, you’ll find this lilting little slice of paradise. The divine Claire Lynch sings lead while the banjo wizard conjures her instrumental magic. Lynch, by the way, has her own new CD, North By South. More on that in another column.
VOLUME FIVE/I Am A Drifter
Writers: Donna Ulisse/Marc Rossi; Publisher: Uncle Hadley/Marc My Words, ASCAP; Producer: Volume Five & Aaron Ramsey; Mountain Fever
-These relative newcomers have entered the bluegrass top-10 with this wandering-boy song. They sound like they have it all going on — a yearning, melancholy, soulful lead singer backed with the silvery fiddle of a crack, five-piece acoustic ensemble. Stardom awaits these guys.
JERRY SALLEY/All Dressed Up
Writers: Jerry Salley/Dianne Wilkinson; Publisher: Den What/Christian Taylor, SESAC/BMI; Producer: Jerry Salley; Very Jerry (track)
-Singer-songwriter Jerry Salley has issued his first bluegrass-gospel CD, Gospel From My Grassroots. It contains his heart-in-throat performance of this cowritten tale of a simple man who is headed for Heaven. Joe Mullins & The Radio Ramblers won an IBMA Award last fall for their version of the song. For extra treats on Jerry’s collection, check out the triple harmonizing on Jerry’s rousing “Mountain View Missionary Baptist Church,” Steven Curtis Chapman’s guest turn on their cowritten classic “His Strength Is Perfect,” bluegrass queen Dale Ann Bradley’s gossamer voice on “Send the Angels Down” and the thrilling, gospel-quartet tune “The Cross on the Right.”
Maria Pallante Joins Association Of American Publishers
/by Jessica NicholsonMaria Pallante
The Association of American Publishers (AAP) has hired former United States Register of Copyrights, Maria A. Pallante, as its President and CEO, succeeding Tom Allen who is retiring from the same position. Pallante will join AAP on Jan. 17, 2017.
Pallante exited her role leading the U.S. Copyright Office on Oct. 29, 2016 after five years when she was reassigned in October 2016 by new Librarian of Congress Carla Hayden. Pallante resigned after declining the offer of a new role as digital strategy consultant. Pallante was regarded by the music community as being compassionate to artists and songwriters.
“Maria is a creative, forward-thinking leader who has earned the deep respect of Members of Congress as well as intellectual property experts around the world,” said YS Chi, Chairman of the AAP Board of Directors. “The Board believes she is an excellent choice for President and CEO as she brings to AAP considerable expertise in many of the issues facing the publishing industry.”
“I am deeply inspired by the values of the American publishing industry,” Pallante said. “Publishers promote literature, literacy, education, and research around the world, while advocating for free speech, creating jobs, and making considerable contributions to the global marketplace. It will be a privilege to represent these interests in matters of policy, trade and business.”
During her tenure at the U.S. Copyright Office, Pallante was a key advisor to the U.S. Congress, working with lawmakers to evaluate the efficacy and balance of the Copyright Act and to address issues at the intersection of law, business, and technology. Pallante and her staff produced policy studies, legislative recommendations, and strategic plans, working with a vast stakeholder community and thousands of public comments.
Prior to her appointment as Register, Pallante held two senior positions in the U.S. Copyright Office: Deputy General Counsel (2007–2008) and Associate Register and Director of Policy and International Affairs (2008–2010). From 1999 to 2007, she was intellectual property counsel and director of licensing and branding for the worldwide network of Guggenheim Museums, headquartered in New York. Earlier in her career, she worked briefly for the Authors Guild and National Writers Union, respectively, and was in private practice in Washington, DC.
Mike Sebastian Exits Given Music Publishing
/by Jessica Nicholson“I’ve enjoyed starting and growing this company with Cindy and Jim. I wish them all the best in their future endeavors. I’m looking forward to pursuing other opportunities,” said Sebastian.
Owen added, “We are grateful to Mike for his contribution in launching this division of our company. We will be cheering him on as he pursues his next chapter.”
Sebastian can be reached at mike.sebastian64@comcast.net or 615-430-2491.
Owen can be reached at cindy@givenentertainment.com or 615-490-3973.
Performer Lineup Revealed For Sundance ASCAP Music Café
/by Jessica NicholsonASCAP’s 19th annual Sundance ASCAP Music Café will run from Jan. 20-27 at Rich Haines Gallery during the 2017 Sundance Film Festival in Park City, Utah. ASCAP performances will begin each day at 2 p.m.
Featured performers at the 2017 Sundance ASCAP Music Café include: Peter Bradley Adams, Michael Franti, Rooney, Clare Bowen (of CMT’s Nashville) and Café alum Josh Kelley.
A special “Bluebird Café Series” lineup on Jan. 25-26 will include JT Harding, Rivers Rutherford, and rising artist Brett Young. Also on the schedule are Wilder Adkins, The Album Leaf, Zac Clark, Lee DeWyze, Fantastic Negrito, Brent Faiyaz, Jim and Sam, Andy Shauf, Niia, SadGirl, R.LUM.R, Jack Savoretti, Antonique Smith, Southern Avenue, Nakhane Touré (from the film The Wound), Ernst Reijseger (from the film Walking Out), and Marlon Williams.
In addition, an invitation-only ASCAP Composer-Filmmaker Cocktail Party, a networking time for music creators and film makers, will take place on Tuesday, Jan. 24.
ASCAP Assistant Vice President and Sundance ASCAP Music Café producer Loretta Muñoz commented, “For 19 years, ASCAP and Sundance Institute have shared a unique, enduring vision dedicated to the discovery, development and support of great art and the artists who create it. The Sundance ASCAP Music Café honors that vision by highlighting some of our incredibly talented ASCAP members while celebrating music’s essential role in the art of filmmaking. The Music Café continues to be a highlight of our year. We welcome Sundance Film Festival filmmakers and festival-goers to stop by, experience and discover.”
Brett Young Celebrates First No. 1 With Co-writers On “Sleep Without You”
/by Eric T. ParkerPictured (L-R): Co-writers Justin Ebach (SESAC), Brett Young (ASCAP), Kelly Archer (BMI). Photo: Terry Wyatt
As equity would have it, the first No. 1 party of 2017 was hosted by ASCAP, BMI and SESAC and was a first for many of the copyright shareholders on Brett Young’s “Sleep Without You.”
The celebration not only recognized Young’s first No. 1 as an artist on Big Machine Records and as a songwriter with Big Machine Music, but first No. 1’s co-writers Justin Ebach and Kelly Archer. Archer’s co-publishers, Red Creative Group and Downtown Music Publishing Nashville, and Ebach’s publisher, Word Country, all celebrated their first No. 1’s as well.
Remarks were heavily directed at Big Machine Label Group’s Laurel Kittleson, A&R Manager. Young was the first artist Kittleson brought to sign. Credit was also given to ShowbizRo’s Liz Morin and Ronna Reeves for their early work with Young.
Additional remarks and gifts were made at the ceremony from Pinnacle Bank’s Ron Cox, Country Aircheck’s Lon Helton and the CRB’s Holly Lane, who noted “Sleep Without You” had notched 99.16 million impressions to date.
(L-R): Back Row – BMLG Records’ Leah Fisher, Angie Coonrod, Lauren Longbine, Liz Gregg Santana, Matthew Hargis, Andrew Thoen. Front Row – BMLG Records President Jimmy Harnen, Justin Ebach, Brett Young, Kelly Archer, BMLG President & CEO Scott Borchetta. Photo: Terry Wyatt
ASCAP’s Mike Sistad hosted the event at The Westin Nashville’s L27 rooftop bar, welcoming his company’s Michael Martin to the stage with the support of First Tennessee Bank to present Young’s first No. 1 ASCAP guitar.
“This has happened really quick, it’s insane,” said Martin. “Through his honest lyrics, west coast music and southern style, he’s created this whole thing called ‘Caliville.’”
Mike Molinar of Big Machine Music presented plaques and remarks before BMLG CEO Scott Borchetta and the label group’s Exec. VP and label President Jimmy Harnen.
“As the kids say, [Brett] gives you all the feels. He understands the swoon…and he is sweeping the country music audience off their feet.”
Producer Dann Huff offered praise for the newcomer. “This is an extremely special No. 1 for me. You are one special human being and artist. You have a gift that I know you’ve worked so hard at, but it is so transcendent to hear you sing and it’s an honor to be a part of your music.”
Young concluded, “I thought for my whole life I would play baseball. God decided I wasn’t going to do that, and the only thing I loved that much was music. Making that a career seemed as ridiculous as making baseball a career…I played in [Beverly Hills] every week, and one week I meet this gentleman from Atlanta named Ruddy Polhill. His wife Rhonda emailed me…and said we’re in this position we would like to help you. That literally changed everything. I made a record at Blackbird in Nashville and met a lot of people and realized I needed to move here. It’s not about your money—it’s about you believing in me, so thank you so much.
“Overnight success is a funny thing. Anyone that calls it that can…This is a 14-year success. But in that moment [when Jimmy Harnen offered me a record deal], it felt like the very beginning. So to Laurel for bringing this to Jimmy…For Liz and Ronna for bringing this to Laurel…to Jimmy for believing in it enough…and to Scott for believing in Jimmy enough to let all this happen, thank you guys so much!”
Pictured (L-R): Producer Dann Huff; publisher Big Machine Music’s Mike Molinar; co-writers Justin Ebach, Brett Young and Kelly Archer; and ASCAP’s Mike Sistad. Photo: Terry Wyatt.
Shannan Hatch from SESAC presented plaques on behalf of Franklin Synergy Bank and her writer, Ebach.
“Each No. 1 party has something special about it, but this has so many special things about it,” said Hatch. “It’s the first for all the writers, the artist, and the song went No. 1 while Justin and his bride Janine were on their honeymoon in Las Vegas. You absolutely can’t plan to celebrate such monumental moments in life at the same time.”
Janine Appleton, Ebach’s wife and publisher at Word Country, continued the celebration with plaques and lively jest.
“Dale Mathews had the vision to expand Word Publishing into a multi-genre entity, which is why I stand before you,” explained Appleton on behalf of CEO Rod Riley. “We as publishers are only as good as the songs we bring to folks, so thank you Ebach for making my job a little easier.
“Laurel is the reason I found out about Brett. When Kelly Archer pulled Ebach in on this co-write I was like if Laurel believes in [Brett], I’m in,” said Appleton.
“I grew up in an atmosphere where dreaming was okay…so thank you to my parents,” Ebach offered. “I want to thank my two kids. Through all the ups and downs of the industry…my kids give me a reason and purpose to get up every day. Thank you all so much, I’m so grateful!”
Pictured (L-R): Justin Ebach (SESAC), Brett Young (ASCAP), Kelly Archer (BMI). Photo: Terry Wyatt
BMI’s David Preston spoke with the support of Pinnacle Bank on behalf of Archer, presenting her first No. 1 Epiphone guitar and silver BMI cups for all.
“Never in my life at BMI have I ever seen our office so excited for any one songwriter to have their first No. 1,” cheered Preston. “All you new writers out there, if you’re looking for an example of somebody to set your sights on and show you the way, Kelly Archer is a great example of the determination and grit it takes to make it in this city.”
Jeremy Stover from Red Creative Group offered plaques and remarks and plaques.
“When Steve Markland and I decided to partner on this Kelly publishing deal, we were both very excited,” remarked Stover. “She’s from Vancouver, B.C. and such a hard worker…Kelly, what you came [to Nashville] to do, you did it!”
Downtown Music Publishing’s Steve Markland then took the stage with plaques.
“Kelly Archer is on fire!” Markland led the audience in cheering. “If you’ve been around our office, about twice a week you hear [that]. It only means Kelly got another cut or her song had a great week on the chart.”
Through her speech, Archer offered thanks for everyone on her journey since her move to Nashville in 2001 and through five publishing deals.
“A lot of things had to go right for this to happen…and I would also have to say, a lot of things had to go wrong to feel the amount of gratitude having everyone here,” she poignantly said. “About two and a half years ago I signed a co-venture publishing deal with Steve Markland and Jeremy Stover…You guys came in at a time I was lacking a lot of confidence. I had been through a few deals and spinning—trying to figure out my purpose in Nashville, living far away from my family…I will always appreciate [their] confidence in my abilities.
“My mom will always be the one who thinks my songs are better than anyone. Everyone needs someone in their life who thinks that.”
Archer raised her glass to the late Andrew Dorff, who had texted a congrats to her before his untimely passing in December.
Archer’s mother concluded the event on stage saying it’s true, she can’t sleep without her husband of 47 years. “I already have a song for when we reach our 50th anniversary. It is going to be “In Case You Didn’t Know.”
“In Case You Didn’t Know” is Young’s follow-up single, and was most added on the first MusicRow CountryBreakout chart of 2017. Young’s self-titled, 12-track album will be available by Big Machine Records Feb. 10.
Nashville’s Pancake Pantry Under New Ownership
/by Lorie Hollabaugh“I am honored to be trusted with the future of this iconic landmark and am excited to play a part of Nashville’s rich history,” said Keltner in an email. “Pancake Pantry is a local treasure and I intend to carry on the Baldwin family’s legacy and preserve this special ‘Nashville tradition.'”
H.G. Hill Realty Co. still owns the building housing the restaurant.