CMT’s #NextWomen Of Country Inducts Nine For 2018 During Brunch Soirée

Artists and songwriters attend CMT’s 5th Annual Next Women Of Country Event. [CLICK TO ENLARGE]

Photos: Rick Diamond/Getty Images for CMT

CMT’s Sr. VP of Music Strategy Leslie Fram welcomed a packed house to the fifth annual Next Women of Country brunch at City Winery on Tuesday, Nov. 7.

With co-host Raelynn, the fairy godmother (as Fram was referred to as) announced 11 performances, introduced Nashville’s first female Mayor Megan Barry who announced the class of nine Next Women of Country inductees, welcomed 2018 Next Women mentor Nicolle Galyon and gave the CMT Impact Award to Kelsea Ballerini.

Among the new class were performers was the a potent delivery of sass, sarcastic and swag from new UMG recording artist Kassi Ashton (“Taxidermy”) and the mesmerizing Warner storyteller who earned the only standing ovation, Ashley McBryde (“Girl Goin’ Nowhere”). A grateful Warner Music Nashville artist Bailey Bryan (“Trying To Find My Way”) was also inducted alongside Black River Record’s bluesy Abby Anderson (“With The Radio On”), raw songwriter for Word Country Hannah Ellis (“Never In Love”), and CMT’s discovery artist Kalie Shorr who performed a cover of Taylor Swift’s “Look What You Made Me Do” with Lindsey Ell (Class of 2014) and Kelleigh Bannen (class of 2013) to kick off the event.

Additional non-performing 2018 inductees included indie Erin Enderlin, whose album Whiskeytown Crier released in September. Sony’s The Sisterhood (Ruby Stewart & Alyssa Bonagura) were also present as inductees, as was SMACK Records’ Jo Smith.

CMT’s Next Women of Country 2018 inductees with Mayor Megan Barry

CMT’s Next Women of Country 2018 inductees with Leslie Fram

“Can you believe it’s been five years,” exclaimed a deservingly proud Fram. “Next February we will start our fourth Next Women of Country tour, plus our digital series and of course so much more. We couldn’t have done it without every single person in this room, the CMT staff, and the artists.”

The first songwriter round included six performers, including McBryde and Ellis.

2014 inductee Danielle Bradbery previewed “Worth It,” a track from her I Don’t Believe We’ve Met project, due out in December. 2017 inductees Monroe (Whitney Duncan, Ashlee Hewitt & Shelby McLeod) performed a new song “Coke and Rum” while Jillian Jaqueline promoted her latest single, “God Bless This Mess.” The Voice contestant Natalie Stovall, urged the audience to continue watching her TV program because she’ll be able to release new music after the season, including “Wine Or Whiskey,” a song she performed at the afternoon event.

Nicolle Galyon

Mayor Megan Barry

RaeLynn introduced mentor Galyon, who gave a short speech for her 2018 responsibility, which include meeting with the songwriter and artist class of 2018 to offer advice.

“I’m a mentor because I’m the oldest one here,” joked Galyon. “Most everything I know about being a woman in the music business is simply by watching other women in the music business. I learned from Natalie Hemby that the end of a record/publishing deal is usually the beginning of something better for you. I learned from Jessi Alexander the year you have a baby could possibly be the biggest year of your career. I learned from Lori McKenna that how you treat people in this town will be your greatest success. Being a mentor to me feels more like being a bridge between those women.”

Pictured (L-R): Nicolle Galyon, Kelsea Ballerini, Leslie Fram

A surprised Ballerini was presented with the CMT Impact Award for a female artist who has unapologetically impacted songwriting, recording, radio airplay, record sales, media impressions and touring in county music over the past year.

“They told me I was presenting Leslie [Fram] an award,” exclaimed Ballerini, who will be up for CMA Female vocalist the next evening, and was the recipient of ASCAP’s Vanguard award the previous night. “I’m just stoked to be a chick in country music right now. It’s the best time.”

The event concluded with the final songwriter round of five performers, including Anderson, Ashton and Bryan.

The round also spotlighted Carly Pearce (“Every Little Thing”) a 2017 inductee whose current Gold-certified single is at No. 3 and the debut BMLG album hit the sales charts last month at No. 4. Pearce’s 2017 classmates Runaway June (“Wild West”) concluded the round, and event. A music video for “Wild West” will debut on CMT this Saturday (Nov. 11). Lauren Alaina, whose movie Road Less Traveled premieres Friday (Nov 10) on CMT, was also in attendance.

Superstars Set To Perform On ‘CMA Country Christmas’

Iconic entertainer Reba McEntire will lead an evening of superstar performances as host of CMA Country Christmas.

Joining her on the show will be Kelsea Ballerini, Luke Bryan, CB30, Dan + Shay, Brett Eldredge, Alan Jackson, Lady Antebellum, Little Big Town, Dustin Lynch, CeCe Winans, Trisha Yearwood and Chris Young. The sold out, eighth annual event will be recorded at Nashville’s Grand Ole Opry House on Nov. 14 and air Monday, Nov. 27, 8/7c on the ABC Television Network.

Coinciding with Reba hosting the show for the first time, fans can expect a new look and feel this year. She will perform a song from her new Nash Icon Records album, My Kind of Christmas, which features collaborations with Vince Gill and Amy Grant, Lauren Daigle, Darius Rucker, and Kelly Clarkson and Trisha Yearwood.

CMA Country Christmas is a production of the Country Music Association. Robert Deaton is the Executive Producer, Paul Miller is the Director, and Jon Macks is the writer.

Warner Music Nashville Promotes Ben Kline, Victoria Nugent

Ben Kline, Victoria Nugent

Warner Music Nashville has promoted two executives. Ben Kline will transition from VP, Revenue & Artist Services to SVP, Global Revenue & Touring. Meanwhile, Victoria (Torie) Nugent moves from Senior Director to VP, Research & Analytics. Both positions will report to COO Matt Signore.

Kline will now oversee WMN’s full-service International Department in its marketing efforts and global release strategies for Warner Music Nashville artists including Blake Shelton, Brett Eldredge, Charlie Worsham, Dan + Shay, RaeLynn and more. Established in early 2017, WMN’s International Department bolsters international relations for the WMN roster while working with Warner Music Group counterparts in more than 50 territories across the globe. Kline will additionally lead the effort as the label continues to develop a touring department that will maximize the opportunities for WMN artists on the road.

“Ben has always been the head of revenue and this promotion acknowledges our commitment to driving the business from every revenue source, everywhere in the world. In order to do that we need a fully-staffed team here in Nashville completely connected to all our affiliations,” said Signore.

Nugent will continue to provide the entire WMN team with insights into fan demographics and behavioral data. She will also offer an increased focus on broader industry and genre-level trends, while also assisting the WMN Finance team with ROI and marketing spend analysis.

“Torie is the perfect partner to this effort, as data will be critical to evaluating the viability of all opportunities,” Signore says. “She has the unique ability to combine marketplace and competitive data with her knowledge of our artists and marketing strategy to form strong analysis for decision-making.”

Signore says, “I’m incredibly fortunate to be on the same team with Ben and Torie. In addition to being top notch execs, they are amazing human beings and true friends.”

Parallel Music Publishing Renews Agreement With Blake Chaffin

Pictured (Front row, L-R): Blake Chaffin; Denise Stevens, Partner, Loeb & Loeb; Chip Petree, Partner, Ritholz, Levy, Fields; (Back row, L-R): Tim Hunze, Parallel Music Publishing; Travis Myatt, Parallel Music Publishing

Parallel Music Publishing recently renewed its agreement with rising songwriter Blake Chaffin. His growing list of singles includes Logan Mize’s “Can’t Get Away from a Good Time,” written with Mize and Kelly Archer; and Brantley Gilbert’s current single, “The Ones That Like Me,” written with Gilbert and Bobby Pinson. It was recently announced that Gilbert’s 2018 tour will share the same title.

Chaffin has accumulated notable cuts including “Still Yours” on Ryan Beaver’s album, Rx , written with Luke Dick; and “Down Home,” written with Brent Cobb, who recorded it for his album Southern Family.

“I owe so much to Tim Hunze and the rest of the team at Parallel for sticking with me, to get to this point,” said Chaffin. “I’m honored to be a part of the songwriting community in Nashville. I like playing with words for a living.”

Hunze added, “I’m so impressed with what we’ve been able to achieve in the first deal and I can’t wait to see what we can accomplish with this new one.”

Parallel’s current roster includes Chaffin, Alex Hall, Lance Carpenter, Jennifer Schott, Jesse Lee, Michael Lotten, and Michael White. The company has scored No. 1 hits with Kelsea Ballerini’s “Love Me Like You Mean It,” Michael Ray’s “Kiss You In The Morning” and The Band Perry’s “Better Dig Two.”

Fifth Annual Leadership Music Virtual Food Drive Launches Today

For the fifth year, Leadership Music is organizing a Virtual Food Drive to benefit Second Harvest Food Bank of Middle Tennessee. This year’s drive begins today (Nov. 7) and continues through Friday, Nov. 17. Over the past four years, Leadership Music alumni and friends have supplied more than 240,000 meals for the 1 in 7 people who are hungry in Middle Tennessee. For every dollar donated, Second Harvest can provide four meals.

“The Leadership Music family and friends on Music Row are always incredibly generous in supporting our mission through their Virtual Food Drive,” says Jaynee Day, president and CEO of Second Harvest and a member of Leadership Music’s Class of 2012. “This drive continues to set the bar as one of our top Virtual Food Drives year after year.”

To donate, click on the link below and contribute in one of two ways: either by “shopping” for a certain category of food (peanut butter, pasta, etc.) or making a straight contribution ($50, $75, etc.). If you are a Leadership Music alum, you may donate through your class year. If you are a Friend of Leadership Music, you may donate through the tab Friends of Leadership Music.

To donate, visit shfbmt.convio.net/goto/leadershipmusic2017

Date Set to Reveal 60th Grammy Awards Nominations

The Recording Academy™ will kick off the 60th GRAMMY Awards® nominations by revealing nominees in the four General Field categories (Best New Artist, Record Of The Year, Song Of The Year, and Album Of The Year) live on CBS This Morning, Tuesday, Nov. 28 at 8:30 a.m. ET.

Immediately following, at 8:45 a.m. ET, the Recording Academy will announce nominations across all 84 categories via press release, GRAMMY.com, and the Recording Academy’s social media platforms.

Dylan Scott Celebrates Platinum Status

Pictured (L-R): Benson Curb (VP of Sales, Curb Records), Taylor Childress (VP and GM, Curb Records), Dylan Scott, Ryan Dokke (VP of Promotion, Curb Records), Mike Curb (Chairman, The Curb Group), Mike Rogers (National Director of Promotion, Curb Records), Jeff Tuerff (VP of Marketing, Curb Records). Photo: Randy Powers

Curb Records artist Dylan Scott celebrated his first career RIAA Platinum-certified single for his No. 1 debut single “My Girl,” which earned over 1 million combined sales and streams in the U.S. alone. A celebratory shindig was held at Nashville’s Musicians Hall of Fame & Museum yesterday (Nov. 6).

Last month, Scott released the holiday album Merry Christmas, which includes new versions of five traditional Christmas songs, including “Winter Wonderland,” “Jingle Bell Rock,” “The Christmas Song,” “White Christmas” and “Santa Claus Is Coming to Town.” He is currently touring with Justin Moore as the featured supporting artist on his Hell On A Highway Tour.

Dualtone Taps Daniel Higbee as VP, Synch

Daniel Higbee

Dualtone Music Group, an Entertainment One Company, announces that Daniel Higbee has joined the company as VP of Synch. Higbee will be based in Los Angeles and will report to Nashville-based Dualtone President Paul Roper.

In this newly-created role, Higbee will initiate all pitching and placement efforts for licensing in Film, TV and Advertising for Dualtone’s catalog and the Dualtone Songs publishing roster, which includes Chuck Berry and The Wild Reeds. Higbee will also be signing talent.

Prior to joining Dualtone, for almost 10 years Higbee held various titles including Head of Film/TV and SVP of Creative at Secret Road, a boutique music services company. At Secret Road he helped sign and pitch a growing roster of independent acts including The Civil Wars, Joseph, Josh Ritter and Ingrid Michaelson. Prior to Secret Road, Higbee held creative positions at synch company Sugaroo! and freelanced for music supervisor Jennifer Pyken, assisting her with television projects Las Vegas and LOST.

Dualtone’s active roster includes The Lumineers, Shakey Graves, Langhorne Slim, The Wild Reeds, Mt. Joy, Wild Child and Robert Earl Keen.

Grammy Music Education Coalition To Boost Public School Music Programs In Nashville, New York, Philadelphia

In a push to increase the number of students in America’s public school system who make playing music an active part of their educational experience, the Recording Academy has launched the Grammy Music Education Coalition. The nonprofit includes more than 30 music education programs, including the National Association for Music Education (NAfME), the NAMM Foundation (National Association of Music Merchants), VH1 Save The Music Foundation, and Lang Lang International Music Foundation.

The program focuses on underserved communities, and will initially offer services in three districts, including Nashville (Metropolitan Nashville Public Schools’ Music Makes Us), New York City (New York City Department of Education) and Philadelphia (The School District of Philadelphia). The school systems will receive customized funding and strategic services based on the school system needs assessments.

“The GRAMMY Music Education Coalition has one mission—to increase the number of students actively making music across the country with particular emphasis on underserved communities,” said Recording Academy President/CEO Neil Portnow. “The partnerships we are creating with school districts, teachers, parents and youth are designed to drive systemic change across geographies and communities nationwide.”

One of the GMEC’s first initiatives is to partner with Disney/Pixar’s film Coco, which launches Nov. 22, to bring learning content to teachers and youth. The movie follows 12-year-old Miguel, a talented guitarist who dreams of becoming a great musician. The movie’s team will donate 300 Cordoba guitars to the GMEC’s initial three school system recipients. Guitar Center will also donate 300 Cordoba Guitars. Additionally, GMEC will also collaborate with Berklee College of Music to offer educational materials via the school’s online music education resource Berklee Pulse.

 

Bobby Karl Works The 2017 ASCAP Country Music Awards

Big Machine artist Brett Young opens the show with his hit “Sleep Without You.” Photo: Ed Rode

BOBBY KARL WORKS THE ROOM

Chapter 578

It was a dark and stormy night.

The weatherman had warned us about Monday evening (Nov. 6), but we donned our finest apparel and headed for the annual country-music ASCAP awards banquet nevertheless.

Traffic was gridlocked at a standstill as we approached the Ryman Auditorium via Commerce Street during rush hour at 5:00 p.m. So we parked at the Public Library and walked the rest of the way. This turned out to be a dud idea.

Inside the Ryman, the event was enlivened by lots of star music makers. The key names to note here are those of Vince Gill, Old Dominion, Dierks Bentley, Keith Urban, Kelsea Ballerini, Brett Young and Jimmy Webb, all of whom serenaded us during the fiesta.

Ashley Gorley set a new ASCAP record by winning his fifth ASCAP Country Songwriter of the Year Award. Warner/Chappell repeated as Country Publisher of the Year for the fifth consecutive time. This made it two-for-two thus far in this year’s Country Music Week celebrations, since Warner/Chappell also claimed the same honor at SESAC’s gala on Sunday.

Penned by Dave Kuncio and Josh Mirenda, Bentley’s hit “Somewhere on a Beach” was named the ASCAP Country Song of the Year. Matthew Ramsey of Old Dominion won the Country Artist-Songwriter of the Year prize. His winning tunes were the hits he co-wrote for the band, “Snapback” and “Song for Another Time,” plus the Sam Hunt hit “Make You Miss Me.”

One unusual aspect of the ASCAP awards was the way in which presentations were shared among various company execs. Nashville VP and all-around good-guy Michael Martin was front and center. But such national honchos as Paul Williams, Elizabeth Matthews, John Titta and John Johnson took turns at the podium, as did such Music City ASCAP figures as Mike Sistad, Beth Brinker, Kele Currier, Evyn Mustoe Johnston and Robert Filhart.

Pictured (L-R): ASCAP President and Chairman Paul Williams, Vince Gill, Founders Award honoree Rodney Crowell and Keith Urban. Photo: Ed Rode

Brett Young kicked the ceremony off energetically with his career launching “Sleep Without You.” Then Williams took the stage. “Welcome to the 55th annual ASCAP Country Music Awards: Give yourselves a hand,” he said in greeting the Ryman crowd of 1,000.

“Tonight is also a celebration of how music can lift us up. And God knows we need it. I believe what you do is holy work. One thing you find in this town is authenticity. It’s in the songs you write, and it’s in the way you treat people.”

Johnson presented the Partners in Music Award to Varnell Enterprises, which has been promoting concerts since 1946, everyone from Roy Acuff to Garth Brooks. The latter offered video greetings from his tour, which has played to six million fans to date. Jim Varnell accepted the honor.

Seth Ennis introduced songwriter Jamie Moore singing “May We All,” which was one of ASCAP’s five most performed songs of 2016. Moore totally nailed his version of the FGL hit.

The prestigious Founders Award went to Rodney Crowell. He was serenaded by Urban with “You Win,” which they co-wrote back in 2001. Gill sang “Oklahoma Borderline,” which was the first song he ever co-wrote with Crowell (and the late Guy Clark). Gill then drew a standing ovation for his prayer-at-twilight rendition of “Til I Gain Control Again.” Steuart Smith made the presentation.

“I’m very grateful; I’m very humbled,” said Rodney. “It’s a gift that we get to do the work that we do. We should all protect it with everything in our hearts.” He then shared with the crowd the fact that he was wearing John Lennon’s suit from the movie It’s a Hard Day’s Night. The place went ape.

LANCO introduced Scooter Carusoe doing a solo version of his top-five ASCAP contender “I Wanna Be That Song” (popularized by Brett Eldredge).

ASCAP CEO Elizabeth Matthews and Vanguard Award honoree Kelsea Ballerini. Photo: Ed Rode

ASCAP CEO Matthews announced that the Vanguard Award was going to Ballerini. Hillary Lindsey made the presentation, saying, “Her innate ability to write a song absolutely blows my mind….She is one of the most loving, kind and infectious spirits I’ve ever met. This is so, so well deserved.”

“This is awesome!” said Ballerini. “Thank you so much!” She particularly expressed gratitude to Sistad for listening to her “bad” songs when she was just 14. Ballerini sang “In Between” from her just-released sophomore CD Unapologetically.

The Sisterhood members Ruby Stewart and Alyssa Bonagura did the introduction for “Lights Come On,” the third of ASCAP’s top-five country contenders. By the way, Ruby is the daughter of Rod Stewart while Alyssa is the daughter of Kathie Baillie and Michael Bonagura of Baillie & The Boys. Songwriters Jimmy Robbins, Jordan Schmidt, Brett Warren and Brad Warren offered a rocking version of their Jason Aldean hit.

Gorley’s ASCAP Songwriter of the Year honor was presented by newly minted Country Music Hall of Fame member Don Schlitz. He has won this ASCAP honor four times in the past.

“The business of songwriting always reminds us that we’re never all alone,” said Don. “This honor is unique because in the history of ASCAP, this songwriter is receiving this for the fifth time. I thought four times was the limit.

“We celebrate him because he celebrates us. For the fifth time, he represents us. How lucky are we?”

Mike Wilson of the charity My Life Speaks talked of Ashley’s commitment to the poor children in rural Haiti. “Thank you for bringing light to a dark place,” Wilson said.

“I have to thank God for many more blessings than I deserve,” said Ashley Gorley in accepting. “There’s been some tragic stuff, [so] first responders…really, really need to be celebrated. For anybody else who goes unnoticed and unrecognized, a medal for you guys.”

Let me interject at this point to say that an hour spent sitting on the wood Ryman pews is like four ordinary hours. As the show passed the 90-minute mark, the balcony emptied and the floor seating had large areas of empty real estate. But on we went.

Midland introduced the fourth top-five contestant, “Snapback.” Old Dominion’s Brad Tursi, Matthew Ramsey and Trevor Rosen co-wrote it and sang it, splendidly. Then Ramsey was announced by Phil Vassar as the winner of his ASCAP award.

“Seventeen years ago, Phil took me out on the road,” Matthew recalled. “Mike Sistad listened to my songs and helped me get going in Nashville….Thank you for helping me get to the moon.”

Williams returned to the stage to say, “Music, which should be a safe haven, has been senselessly violated…by horrific acts.” He asked for a moment of silence for the 58 lives taken in Las Vegas as well as for the members of the Nashville music community we’ve lost during the past year.

Then Jimmy Webb sat at the piano and said, “I love being in Nashville and being around songwriters. It’s like going to a revival and being recharged.” He then paid homage to Glen Campbell, saying, “This man took my songs into the mainstream of American music. He was a great and worthy star.” Webb sang “By the Time I Get to Phoenix” in tribute to the late Campbell.

Pictured (L-R): ASCAP Vice President of Nashville Membership Michael Martin, Songwriter-Artist of the Year Matthew Ramsey (of Old Dominion) and Phil Vassar. Photo: Ed Rode

We’d been there since 5:00 p.m. without dinner. The show was now heading into its second hour. The remaining natives were getting restless.

Carly Pearce introduced “Somewhere On a Beach.” Bentley and the song’s writers Dave Kuncio and Josh Mirenda gave the top award winner a good-natured spin.

“I’d like to thank the city of Nashville for shining a spotlight on songwriters,” said Kuncio. “Thank y’all so much for believing in me,” added Mirenda.

Among the many other songwriters receiving ASCAP accolades during the event were Jon Nite, Chris DuBois, Chris DeStefano, Jerry Flowers, Jeremy Stover, Josh Osborne, Corey Crowder, Craig Wiseman, Marc Beeson, Matt Jenkins, Marla Cannon Goodman, Abe Stoklasa, Ben Hayslip and Zach Crowell.

Twinkling stars in attendance included John & Martina McBride, Dan + Shay, Billy Currington, Desmond Child, Brett James, Buzz Cason, Tyler Hubbard, Brian Kelley, Rudy Perez and Michael Ray.

We headed for the exits around 9:15 p.m. and discovered it was raining. The idea of walking to the after-party at The Stage on Broadway was immediately tossed out. Besides, by then we’d already schmoozed an army of fabulons. Read on.

Tim Nichols, Tim Wipperman, Mark Bright, Mark D. Sanders, Robert Ott, Bobby Rymer, Sally Williams, Herky Williams (ask him about his new TV gig), Dale Dodson, Mary Matthews, Scott & Sandi Borchetta, Ron & Regina Stuve, Rod Essig, Carla Wallace, Celia Froelig, Jimmy Harnen, Terry Wakefield, and Cyndi Foreman worked the room.

So did Ree Guyer, Lisa Harless, Sarah Cates, Leslie DiPiero, Bart Herbison, LeAnn Phelan, John Briggs, Tony Brown, Stuart Dill, Walter Campbell, Andrew Kintz, Ken Levitan, David Crow, Debbie Carroll, Jewel Coburn & Jason Morris, Whitney Daane, Wayland Holyfield, Chris Farren, Connie Harrington, Gary Velletri, Kos Weaver, Kevin Lamb and Blake Chancey

By the time we got to the car, it was pouring a river of water with thunder and lightning as the accompaniment. At 9:30, we pulled into the Broadway McDonald’s. We dined on lukewarm burgers and fries. I was careful not to drip catsup on my tux, since BMI was still to come.

Songwriter Jamie Moore performs his Top Five song “May We All” (recorded by Florida Georgia Line). Photo: Ed Rode

Publisher of the Year Warner Chappell’s Ben Vaughn, Songwriter of the Year Ashley Gorley, Song of the Year songwriters Dave Kuncio and Josh Mirenda, Publisher of the Year Warner Chappell’s Jon Platt. Photo: Ed Rode

ASCAP Board member Jimmy Webb performs “By the Time I Get to Pheonix” in tribute to his longtime collaborator and friend, Glen Campbell, and the members of the music community who passed in 2017. Photo: Ed Rode

Songwriter-Artist of the Year Matthew Ramsey and Brad Tursi of Old Dominion perform their Top Five song “Snapback.” Photo: Ed Rode

ASCAP CEO Elizabeth Matthews, Songwriter of the Year Ashley Gorley, ASCAP President and Chairman Paul Williams and ASCAP EVP of Membership John Titta. Photo: Ed Rode