Pictured (L-R): Kyle Schlienger, Brett Young, Tyler Reeve, Trent Tomlinson. Photo: Peyton Hoge
During a time when uptempo, rock-tinged tracks dominate the country airwaves, Brett Young‘s gentle, R&B-inflected ballad “In Case You Didn’t Know,” gripped the chart pinnacle for two weeks. That feat was celebrated during a party held Monday, July 17 at the newly-opened FGL House, created in downtown Nashville by Young’s BMLG labelmates Florida Georgia Line.
“In Case You Didn’t Know” marked the first No. 1 song for Young’s co-writers Trent Tomlinson, Tyler Reeve and Kyle Schlienger. It was Young’s second chart-topper, following “Sleep Without You.”
Young, Tomlinson, Reeve and Schlienger penned the romantic ballad during a songwriting retreat in Puerto Vallerta, Mexico, in June 2015. For Young, that writing retreat yielded multiple benefits. Not only were his first two No. 1 hits, “Sleep Without You” and “In Case You Didn’t Know,” written during that trip, but he also signed the first draft of his recording contract with Big Machine Label Group during his stay.
The launch the celebration, black-and-white footage of the writing and demo recording sessions for “In Case You Didn’t Know” was shown, as the writers grappled with setting the perfect marriage of words, rhyme, melody and message.
Big Machine Music’s Mike Molinar praised the behind-the-scenes footage. “That video shows how incredible the whole songwriting process happens. Watching you put together those melodies and all of you jumping in and nipping and tucking every word, that is the magic of what you do. Brett, I’m honored to be your publisher, but I’m particularly honored to be part of this song. It’s an instant classic. By every metric, whether it’s airplay, sales, streams, total consumption, fan engagement, this is one best songs of the year, and it’s going to be in the pantheon of the all-time greatest country love songs.”
Big Machine Label Group founder and CEO Scott Borchetta was transparent in his bid for “In Case You Didn’t Know” to be in the running for CMA’s Single and Song of the Year categories. The first round of voting is now open for CMA members.
“When Mike Molinar came in and said we are going to pay for these writers to go down to Puerto Vallerta, I wasn’t laughing. I was like, ‘Mike, one condition. They better write a hit.’ You win. Not only did they write a hit, they wrote the Song of the Year, and I expect all of you to vote for it.”
Pictured (L-R): Back Row – ASCAP’s Michael Martin, Producer Dann Huff, BMLG’s Jimmy Harnen, Scott Borchetta, Laurel Kittleson and Big Machine Music’s Mike Molinar; Front Row – ASCAP’s Beth Brinker, Writers Kyle Schlienger, Brett Young, Tyler Reeve, Trent Tomlinson, BMI’s David Preston. Photo: Peyton Hoge
BMLG president Jimmy Harnen recalled that Young sent the song to him at 4 a.m. (Harnen displayed the email thread on a video screen during the party to prove it).
Young’s first single, “Sleep Without You,” was certified Gold.
“In Case You Didn’t Know,” has bested that mark, having been certified Platinum, and it is closing in on a double-Platinum certification.
BMLG’s promotion staff went into overdrive just before the No. 1 party, pushing Young’s latest single “Like I Loved You” to become the most-added song in the country on the day of his No. 1 party.
ASCAP’s Beth Brinker and Michael Martin offered Yeti coolers to celebrate ASCAP writer Kyle’s first No. 1, and gave one to ASCAP writer Young as well. Schlienger also serves as Young’s music director and bandleader.
“On Jan. 10 we celebrated his first No. 1 with ‘Sleep Without You’ and now we have the second. That’s like pitching a perfect game,” Martin said.
Brinker shared a humorous anecdote of Schlienger’s journey on the trip to Mexico.
“Kyle had never been out of the country. He was waiting for his passport up until that very morning. He got his passport in the mail that morning. He had never traveled with his rig as a producer. He didn’t have a traveling setup so Kyle put his desktop computer and two speakers in a giant blue suitcase with a blanket in it to go to Mexico.”
Pictured (L-R): Back Row – BMLG Records’ Matthew Hargis, Michelle Krammerer, Liz Santana, Leah Fisher, Angie Coonrod, Stella Prado, Lauren Longbine, BMLG’s Scott Borchetta and Andrew Thoen. Middle Row – Writers Kyle Schlienger, Brett Young, Tyler Reeve, Trent Tomlinson. Front Row – BMLG Records’ Jimmy Harnen. Photo: Peyton Hoge [Click Photo To Enlarge]
BMI’s
David Preston was on hand to honor 20-year BMI songwriter Tomlinson and 10-year BMI writer Reeve with their first No. 1 single. BMI presented them with Epiphone guitars and No. 1 mint julep cups to honor their first No. 1 singles. “Hopefully this will be the first of a whole collection,” Preston said.
MusicRow Magazine owner/publisher Sherod Robertson was also on hand to present Young and his co-writers with MusicRow Challenge Coins to commemorate the song going to No. 1 on the MusicRow CountryBreakout Chart.
Others on hand to celebrate the song included the CMA and Country Radio Broadcasters, as well as the song’s producer, three-time CMA Producer of the Year winner Dann Huff and engineer Justin Niebank.
“We wanted to write great songs but we also wanted to go on vacation so we all win,” Young quipped as he took the mic to thank his manager Enzo DeVincenzo, Borchetta, Harnen, Martin, Molinar, his co-writers, and others in his team. “My promo team is the best in the world,” he said to the cheers of the audience. “I’m living the dream. Everybody’s belief and support has been unreal.”
Review: The SongBird Tour
/by Robert K OermannThere’s a new moneymaking option in town for Nashville’s sizable songwriting population.
With songwriters’ royalty income plummeting, live performances have become increasingly attractive to this community. But the number of local venues willing to book songwriting talent is small. And few songwriters have either the name recognition or the inclination to go on the road beyond Middle Tennessee.
Enter SongBird Tours, a novel tourism idea that features Music City tunesmiths entertaining visitors as they ride around town. Each two-hour tour spotlights notable sites in Nashville’s songwriting history, an explanation of how songwriting and publishing works, a Q&A session and a song-swapping session featuring the city’s most talented composers and lyricists.
I decided this was worth investigating. So we boarded a vehicle about the size of a large airport shuttle bus on Hayes Street last week. The rear was outfitted with a small stage, two bolted-down stools and a large video screen.
One stool is occupied by a “name” writer. On the day I took the tour, this was prolific hit craftsman Trey Bruce. The other is occupied by a talented, lesser-known songwriter, in my case, Greg Allen.
Because of the configuration, ticket buyers ride backwards. Nobody seemed to mind.
As we headed up Music Square West, our guide pointed out spots where hits by stars such as Taylor Swift, Roy Orbison, Kris Kristofferson, Tammy Wynette and others were written. Each building or house was shown on the video screen (as well as out your window), followed by a brief video clip of the song in performance.
After we left Music Row, we headed out Franklin Pike, past the homes of Earl Scruggs, Jack White, Martina McBride and others. At this point, the tour became a song showcase. Trey sang hits like “Whisper My Name” (Randy Travis), “You Can’t Lose Me” (Faith Hill), “Amen Kind of Love” (Daryle Singletary), “How Your Love Makes Me Feel” (Diamond Rio), “Someone Else’s Dream” (Faith Hill) and other hits he’s written, accompanied by clever stories.
Songwriters Trey Bruce and Tommy Conners
Interestingly, the tourists on board responded equally strongly to Greg’s unknown tunes, including “Pictures,” “I Just Hold the Pen,” “Moonshine,” “The Good Lord Gives, the Bottle Takes Away” and “This Heartache’s on You.” All of them sounded like hits to both me and them. He was also a strong performer. I am told that other tours have showcased up-and-coming Belmont writers and new publishing-company signees as foils for the established hit writers.
Back on Music Square East, the sites included locations associated with the songs of Garth Brooks, Alan Jackson, Randy Travis, Dolly Parton and others (again complete with video illustrations). Throughout the tour, the historical stories related were factual. So were the explanations of how the business works. Believe me, this is not always the case on Nashville tour buses.
We had a delightful pit stop at the Music Row songwriter watering hole Bobby’s Idle Hour. The tourists used the restrooms, grabbed a quick brew and chatted with each other, our hosts and the bar patrons. “Bobby” is dead, by the way. “Lizard” now runs the legendary Idle Hour spot.
Back on board as we headed toward downtown, the songwriters resumed song swapping and talking about their lives. The guide talked about who had served time on Lower Broadway (Dierks Bentley, Terri Clark, Willie Nelson, etc.) and told us about Tootsie’s Orchid Lounge.
Next came more songs and witty chit-chat. When they started the Q&A, the fans asked surprisingly informed questions about the songwriting process and/or the publishing business.
When we arrived back at Hayes Street, the songwriters posed for selfies and answered more questions. The host sold merch.
SongBird Tours is the brainchild of veteran Music Row personality Patsy Bruce (who was once married to Trey’s father, Ed Bruce). She says she got tired of misinformation about the songwriting and publishing communities and came out of retirement to correct it.
The bus holds 30 people at a time. Tickets are $45 per person. That means the participating songwriters certainly earn more than the 50 bucks they can usually count on for a night’s work in most Nashville venues.
There are three tours a day, seven days a week. It’s a B.Y.O.B. thing, if the fans wish to imbibe.
The tour’s slogan is “The most intimate listening room in Nashville is on wheels.” That means that you’re supposed to stop using your device and/or talking while the songwriters perform. They tell this to the riders at the outset, and everybody respected it on the tour that I attended.
Frankly, I enjoyed my afternoon on the bus. So did the mostly Canadian fans who were on board with me. I think you would, too.
Country Music Hall Of Fame And Museum Appoints Eight To Key Leadership Team
/by Jessica NicholsonPictured (Front row, L-R): Ali Tonn, Mark DeLelys, and Kayla Ott. Back row (L-R): Leigh Ann Wise, Suzanne Tolbert, Donovan Sargent, Andrea Rizk, and Lee Boulie. Photos by Donn Jones Photography
The Country Music Hall of Fame and Museum has tapped eight employees as members of its newly-formed Key Leadership Team.
“Collaborating across divisional and departmental lines has always been a hallmark of our museum,” says Museum CEO Kyle Young. “As we have scaled to meet the demands of our new physical footprint, we have added new staff, expanded existing programming and launched several new institutional initiatives. In order to maintain our culture of collaboration – and to focus on speed, efficiency and integration across the organization – I am happy to tap the following staff for the Key Leadership Team. The name of this newly-formed working committee speaks for itself.”
Members of the team include:
• Lee Boulie – Director of Digital and Library Collections
• Mark DeLelys – Director of Merchandising and Retail Development
• Kayla Ott – Director of Marketing
• Andrea Rizk – Director of Communications
• Donovan Sargent – Director of Information Technology
• Suzanne Tolbert – Director of Museum Sales and Guest Relations
• Ali Tonn – Director of Education and Public Programs
• Leigh Anne Wise – Director of Operations
Tickets On Sale For 15th Annual SOURCE Hall Of Fame Awards
/by Jessica NicholsonPresented by Springer Mountain Farms, individual tickets are $75 for SOURCE members and $85 for the general public. The annual event honors and inducts a select group of women into the SOURCE Awards Hall of Fame. This year, the event will also celebrate two milestone anniversaries—the 35th Anniversary of the Bluebird Café and the 125th Anniversary of the Ryman Auditorium.
SOURCE Nashville previously announced this year’s Hall of Fame inductees to be Amy Kurland, Bluebird Café; Bonnie Sugarman, Agency of Performing Arts (APA); Joyce Rice, First American National Bank, BMI; Judith Newby, Top Billing, J.P. Newby Management, Tapped Into; Martha Moore, WLAC Radio, MCA/ABC Records, PolyGram Records, So Much MOORE Media; Susan Turner, Capitol Records, RCA Records, Moress/Nanas/Peay Management Co., Shindler/Turner Promotions and Turner & Associates; and Lula Naff, Posthumous, Ryman Auditorium, Lyceum Bureau.
SOURCE Hall of Fame inductees are nominated and inducted based upon peer recommendations, biographies, accomplishments, reputation, the number of years each individual has worked within the entertainment industry, and level of community involvement.
No. 1 Party: Romance Tops The Charts On Brett Young’s “In Case You Didn’t Know”
/by Jessica NicholsonPictured (L-R): Kyle Schlienger, Brett Young, Tyler Reeve, Trent Tomlinson. Photo: Peyton Hoge
During a time when uptempo, rock-tinged tracks dominate the country airwaves, Brett Young‘s gentle, R&B-inflected ballad “In Case You Didn’t Know,” gripped the chart pinnacle for two weeks. That feat was celebrated during a party held Monday, July 17 at the newly-opened FGL House, created in downtown Nashville by Young’s BMLG labelmates Florida Georgia Line.
“In Case You Didn’t Know” marked the first No. 1 song for Young’s co-writers Trent Tomlinson, Tyler Reeve and Kyle Schlienger. It was Young’s second chart-topper, following “Sleep Without You.”
Young, Tomlinson, Reeve and Schlienger penned the romantic ballad during a songwriting retreat in Puerto Vallerta, Mexico, in June 2015. For Young, that writing retreat yielded multiple benefits. Not only were his first two No. 1 hits, “Sleep Without You” and “In Case You Didn’t Know,” written during that trip, but he also signed the first draft of his recording contract with Big Machine Label Group during his stay.
The launch the celebration, black-and-white footage of the writing and demo recording sessions for “In Case You Didn’t Know” was shown, as the writers grappled with setting the perfect marriage of words, rhyme, melody and message.
Big Machine Music’s Mike Molinar praised the behind-the-scenes footage. “That video shows how incredible the whole songwriting process happens. Watching you put together those melodies and all of you jumping in and nipping and tucking every word, that is the magic of what you do. Brett, I’m honored to be your publisher, but I’m particularly honored to be part of this song. It’s an instant classic. By every metric, whether it’s airplay, sales, streams, total consumption, fan engagement, this is one best songs of the year, and it’s going to be in the pantheon of the all-time greatest country love songs.”
Big Machine Label Group founder and CEO Scott Borchetta was transparent in his bid for “In Case You Didn’t Know” to be in the running for CMA’s Single and Song of the Year categories. The first round of voting is now open for CMA members.
“When Mike Molinar came in and said we are going to pay for these writers to go down to Puerto Vallerta, I wasn’t laughing. I was like, ‘Mike, one condition. They better write a hit.’ You win. Not only did they write a hit, they wrote the Song of the Year, and I expect all of you to vote for it.”
Pictured (L-R): Back Row – ASCAP’s Michael Martin, Producer Dann Huff, BMLG’s Jimmy Harnen, Scott Borchetta, Laurel Kittleson and Big Machine Music’s Mike Molinar; Front Row – ASCAP’s Beth Brinker, Writers Kyle Schlienger, Brett Young, Tyler Reeve, Trent Tomlinson, BMI’s David Preston. Photo: Peyton Hoge
BMLG president Jimmy Harnen recalled that Young sent the song to him at 4 a.m. (Harnen displayed the email thread on a video screen during the party to prove it).
Young’s first single, “Sleep Without You,” was certified Gold.
“In Case You Didn’t Know,” has bested that mark, having been certified Platinum, and it is closing in on a double-Platinum certification.
BMLG’s promotion staff went into overdrive just before the No. 1 party, pushing Young’s latest single “Like I Loved You” to become the most-added song in the country on the day of his No. 1 party.
ASCAP’s Beth Brinker and Michael Martin offered Yeti coolers to celebrate ASCAP writer Kyle’s first No. 1, and gave one to ASCAP writer Young as well. Schlienger also serves as Young’s music director and bandleader.
“On Jan. 10 we celebrated his first No. 1 with ‘Sleep Without You’ and now we have the second. That’s like pitching a perfect game,” Martin said.
Brinker shared a humorous anecdote of Schlienger’s journey on the trip to Mexico.
“Kyle had never been out of the country. He was waiting for his passport up until that very morning. He got his passport in the mail that morning. He had never traveled with his rig as a producer. He didn’t have a traveling setup so Kyle put his desktop computer and two speakers in a giant blue suitcase with a blanket in it to go to Mexico.”
Pictured (L-R): Back Row – BMLG Records’ Matthew Hargis, Michelle Krammerer, Liz Santana, Leah Fisher, Angie Coonrod, Stella Prado, Lauren Longbine, BMLG’s Scott Borchetta and Andrew Thoen. Middle Row – Writers Kyle Schlienger, Brett Young, Tyler Reeve, Trent Tomlinson. Front Row – BMLG Records’ Jimmy Harnen. Photo: Peyton Hoge [Click Photo To Enlarge]
MusicRow Magazine owner/publisher Sherod Robertson was also on hand to present Young and his co-writers with MusicRow Challenge Coins to commemorate the song going to No. 1 on the MusicRow CountryBreakout Chart.
Others on hand to celebrate the song included the CMA and Country Radio Broadcasters, as well as the song’s producer, three-time CMA Producer of the Year winner Dann Huff and engineer Justin Niebank.
“We wanted to write great songs but we also wanted to go on vacation so we all win,” Young quipped as he took the mic to thank his manager Enzo DeVincenzo, Borchetta, Harnen, Martin, Molinar, his co-writers, and others in his team. “My promo team is the best in the world,” he said to the cheers of the audience. “I’m living the dream. Everybody’s belief and support has been unreal.”
Play It Again Music Publishing Names Alex Torrez As VP, A&R
/by Jessica NicholsonPictured (L-R): Alex Torrez, Kirby Smith
Play It Again Publishing (PIA) owner Dallas Davidson announced today the addition of industry veteran Alex Torrez as the company’s VP of A&R.
“Having someone like Alex on the Play It Again team is a huge asset to our writers and artist,” said Davidson. “He brings an insight into this business that you can only achieve from years of experience. I’m thrilled to announce Alex Torrez as Play It Again’s VP of A&R.”
Along with adding Torrez to the staff, PIA has promoted Houston-native Kirby Smith to Creative Coordinator.
“We feel like we’re all a family here and we’re all after the same goal, and that goal is to make an impact on music,” said Davidson. “We don’t have fences around this company. I don’t care if they write a rap song, a pop song or a country song. This is all about music at Play It Again. We’re not focused on one certain genre. I want our writers to feel as creative as they can.”
PIA’s roster includes writers Brian Kolb, Houston Phillips, Kyle Fishman and artist newcomer Trea Landon.
RodeoHouston To Debut Rotating Main Stage For 2018
/by Lorie HollabaughDesigned and fabricated by TAIT, the leading producer of live entertainment equipment in the world, the stage will feature the latest technology to boost concert presentation and fan experience. It is star-shaped with five star points, and each star point can be raised individually or jointly and can be lowered to the arena surface or raised to create an elevated performance position. The stage’s 48-foot diameter round rotating performance area enables the artist to be closer to the audience, and it has a 22-foot-tall motion controlled LED backdrop video screen.
Tickets for the two Garth Brooks performances set for Feb. 27 and March 18, 2018 will go on sale to the public at 10 a.m. on Saturday, Sept. 9, 2017. A minimum of 18,000 tickets will be available for purchase, and these tickets will be located in the Loge and Upper Level sections of NRG Stadium. Tickets for the remaining RodeoHouston performances will go on sale following the official lineup announcement which is scheduled for January 2018.
The 2018 Houston Livestock Show and Rodeo is scheduled for Feb. 27 – March 18.
The Gambler Sits In For One More Deal: Kenny Rogers Announces Farewell Concert Celebration In Nashville
/by Lorie HollabaughThis once-in-a-lifetime event will also feature the final performance together by Kenny Rogers and Dolly Parton, singing one of pop music’s most beloved duets of all time.
“As I’m bringing this chapter of my career to a close, this will be an unforgettable way to celebrate with my talented friends, who I’m so grateful to have crossed paths with,” says Kenny Rogers. “It means so much that they would feel compelled to do this for me. Of course, the night would not be the same without Dolly Parton being part of it. We’ve enjoyed a special friendship for decades, and I’ll forever look back fondly on the many collaborations, performances, and laughs we’ve shared as some of the most extraordinary moments of my career. I know it will be a moving experience for us standing on that stage together for one last time.”
Tickets for the Blackbird Presents show go on sale July 21 at 10 a.m. CT online at Ticketmaster.com, by phone at 800-745-3000, all Ticketmaster locations and the Bridgestone Arena box office. A portion of the ticket proceeds will benefit the T.J. Martell Foundation and the Kenny Rogers Children’s Center.
Industry Ink: Sam Hunt, Scott Borchetta, Sandi Spika Borchetta, Tony Martin, Ruthie Collins
/by Lorie HollabaughUMG Team Celebrates In Tampa With Sam Hunt
Pictured (L-R): UMGN’s Brian Wright, UMGN’s Cindy Mabe, UMGN’s Mike Dungan, Sam Hunt, UMGN’s Royce Risser, UMGN’s Mike Harris, Homestead / Red Light Management’s Brad Belanger. Photo: UMG Nashville
Universal Music Group Nashville visited with Sam Hunt after his sold-out show at Tampa’s MidFlorida Credit Union Amphitheatre last Friday night (July 14). The multi-platinum selling star performed for a crowd of more than 19,000 over the weekend. Hunt’s latest smash single, “Body Like A Back Road” recently broke the Billboard Country Hot 100 record for the longest running No. 1 by a solo male artist, with 23 weeks at the top spot and counting. The song has remained in the Top 5 on Billboard’s Country Airplay Chart for 16 consecutive weeks, longer than any other song in the 25-year history of the chart. It has also accumulated over 249 million streams, and is currently the No. 1 most-streamed country song, most-downloaded country song and the No. 3 most-downloaded song across all genres of 2017.
Scott And Sandi Spika Borchetta Honored By Starkey Hearing Foundation
Tony Martin Racks Up Some Million-Air Awards
Pictured (L-R): BMI’s Phil Graham and Leslie Roberts, Ole’s Mike Whelan, Tony Martin, John Ozier, Ben Strain, Emily Olson and BMI’s Mason Hunter
Tony Martin was presented last week with an impressive number of BMI Million-Air awards. Each of the certificates represent Martin’s songs reaching a milestone number of radio spins. His song “Just to See You Smile” has achieved five million spins, “I’ll Think of a Reason Later” reached three million spins, “Perfect,” “I Just Keep Looking,” and “No Place That Far” have all hit 2 million spins, and “Banjo”, “You Look Good In My Shirt” and “Time is Love” have all achieved their first million spins.
Ruthie Collins Co-Hosts New DIY Show Home.Made
Kane Brown Surprised With Second Gold Record During Industry Gathering For “What Ifs”
/by Eric T. ParkerKane Brown first hears the news of his Top 20 “What Ifs” single’s RIAA Gold certification. Photo: Alan Poizner
Country newcomer Kane Brown was invited to a industry gathering at WME for what he thought was an event honoring his agent, Rob Beckham, on Monday, July 17.
When Sony Nashville’s Randy Goodman welcomed the crowd after Brown’s arrival, the program immediately revealed the true purpose behind the gathering: Brown’s latest single, “What Ifs,” was announced to have earned Gold certification.
“We’ve been giving out Gold and Platinum records on behalf of the industry for almost 60 years,” said the RIAA’s Liz Kennedy. “In the last six months, only four country songs have been released and certified in our program. One of those songs was Kane Brown’s…”
To a standing ovation, Brown walked before the gathering to accept his plaque for the song he co-wrote with Matt McGinn and Jordan Schmidt, featuring Brown’s middle school pal and UMG Nashville breakout star Lauren Alaina, who was not in attendance.
“I just want to say thanks to everybody that has been behind,” said the reserved Brown, naming a few executives he spotted in the audience from UMPG, Sony and WME. “I wouldn’t be where I’m at today if it wasn’t for y’all. And thank you for believing in me even with all the hate on Facebook.” [laughs]
Pictured (L-R): WME’s Braeden Rountree, EFG Management’s Martha Earls, Kane Brown, RIAA Director of Communication and Gold & Platinum Awards Program Liz Kennedy and Sony Music Nashville Chairman & CEO Randy Goodman. Photo: Alan Poizner
Goodman introduced a sizzle reel he described as showing the breadth of what Brown has been up to.
“It’s nice to step back and take a look at the enormity of the body of work that Kane Brown has already produced with records, at radio and on the road,” said Goodman. “We thought we had it updated, but as of today, [“What Ifs”] went Top 20, and by the end of the day today we’re 15 stations away from being locked.”
The single also marks the Academy of Country Music New Male Vocalist and CMT Music Awards Breakthrough Video of the Year nominee’s first Top 20 hit, with more than 66 million streams to date. His debut single, “Used to Love You Sober,” was certified Gold earlier this year from his debut album, released at No. 1 on the Billboard Top Country Albums and Top 10 on the Billboard 200 charts in December 2016. The album earned Brown the fourth best-selling new artist debut in album sales across all genres.
In addition to headlining the Monster Energy Outbreak Ain’t No Stopping Us Now and the Hometown Proud Tours, Brown has earned opening slots for Florida Georgia Line and Jason Aldean.
Pictured (L-R): Sony Music Nashville’s Jim Catino, Caryl Healey, Ken Robold and Randy Goodman; EFG Management’s Martha Earls; Kane Brown; RIAA Director of Communications and Gold & Platinum Program Liz Kennedy; Sony Music Nashville’s Steve Hodges and Alaina Vehec. Photo: Alan Poizner [Click for full size]
Pictured (L-R): Universal Music Publishing Group’s Kent Earls, Sony Music Nashville’s Jim Catino, Ken Robold and Randy Goodman; EFG Management’s Martha Earls; Kane Brown; and, Sony Music Nashville’s Steve Hodges; WME’s Braeden Rountree and Rob Beckham. Photo: Alan Poizner [Click for full size]
War Memorial Auditorium To Launch ‘House Concerts’ Series
/by Jessica NicholsonThe Sept. 7 line-up includes Martina McBride; songwriter Josh Osborne; singer, songwriter, and record producer Shane McAnally; Ryan Kinder, and Denim.
Tickets for all 10 shows in the Nashville House Concerts series are $25 each and go on sale today at 10 a.m. at WMArocks.com, by phone at 615-782-4030, and at the TPAC Box Office, 505 Deaderick St., in downtown Nashville. For groups of 10 or more, call 615-782-4060.
“We are really excited to work with Storme and Joe in presenting a show that celebrates the Nashville music community in such an intimate format,” said Brent Hyams, Chief Operating Officer for the Tennessee Performing Arts Center and War Memorial Auditorium. “This is going to be fun.”
The live musical variety show is a uniquely Nashville experience to showcase a diverse blend of talent from chart-topping artists, music legends, rising stars and accomplished songwriters. Every show promises musical performances, imaginative interviews, surprise guests and unpredictably funny experiences.
“This is about Nashville, its music and the moment. And no two moments will ever be the same. Rising stars, established legends, songwriters and entertainers of all types will share this iconic space together with the audience,” Warren said. “And the audience will always play a key role in each show. Joe and I will more than likely embarrass ourselves on a regular basis. We’re kind of like the weird uncles you only have over for holiday dinners – fun to be around for a while but you’re not real sorry when we leave.”
“Imagine the coolest living room you’ve never been to,” continues Denim. “There is a bar, comfy couches, an all-star band and a denim-wrapped baby grand piano. Musical guests and comedians from across all genres drop in to tell stories, sing songs and make jokes. All the while, Storme and I make the audience feel like companions at home, in between two plants, on a Thursday night live!”
Sponsored by Coca-Cola, the series’ concerts will take place on the first Thursday of each month, from Sept. 2017 to June 2018. Each runs from 7-9 p.m.
Dates for the 10-show, monthly series include:
Sept. 7, 2017
Oct. 5, 2017
Nov. 2, 2017
Dec. 7, 2017
Jan. 4, 2018
Feb. 1, 2018
March 1, 2018
April 5, 2018
May 3, 2018
June 7, 2018