
George Strait performs onstage during the 11th Annual ACM Honors at the Ryman Auditorium on August 23, 2017 in Nashville, Tennessee. Photo: Terry Wyatt/Getty Images for ACM
This year’s Academy of Country Music “Honors” event was the most star-studded in the organization’s history.
Staged at the Ryman Auditorium on Wednesday evening (Aug. 23), the 2017 edition of this annual show featured appearances by superstars Alan Jackson, Dolly Parton, George Strait, Reba McEntire, Toby Keith and Brad Paisley, as well as a bevy of younger hit makers. This was the 11th ACM Honors presentation.
“Tonight’s honorees are so iconic, they only need one name – Reba, Toby, Dolly and George,” said Maren Morris, who introduced the show with Thomas Rhett.
McEntire was presented with a Mae Boren Axton Award for outstanding service to the ACM. Hillary Scott sang “The Night the Lights Went Out in Georgia” to salute the Hall of Famer. Scott then teamed with Karen Fairchild on “Does He Love You,” which McEntire originally sang with Scott’s mother, Linda Davis. Then Kimberly Schlapman sang lead on “Little Rock” with Scott and Fairchild providing trio harmonies on the chorus.
“The Academy of Country Music has been so sweet to me,” said McEntire. “For you girls, my buddies, to sing my songs, that meant so much to me. Mae has always been my guardian angel. I miss her so much. And I’m so proud to be getting this award with her name on it.”

Alan Jackson performs onstage during the 11th Annual ACM Honors at the Ryman Auditorium on August 23, 2017 in Nashville, Tennessee. Photo: Terry Wyatt/Getty Images for ACM
“There are few artists who manage to write their own legacies,” said Jimmy Webb in saluting Keith. “He’s a master songwriter.” Webb presented the star with a Poet’s Award.
“I was a songwriter before I was an artist,” said Toby Keith. When the ‘artist’ is done, I will still be a songwriter. And I want to thank God for letting me be a songwriter.”
Keith then rocked and roared through “Should’ve Been a Cowboy” and “Who’s Your Daddy,” demonstrating that his vocal power is the equal of his composing gifts.
Lady Antebellum presented the Gene Weed Milestone Award to Kelsea Ballerini for scoring No. 1 records with her first three singles.
“When I moved to Nashville, I was 15,” Ballerini recalled. “I didn’t know how to start. I watched music videos. I looked at the end for the names of the songwriters.
“Thank you, Nashville, for being so nice to me. And thank you, ACMs.” Ballerini sang her new hit “Legends,” plus a medley of her milestone makers “Love Me Like You Mean It,” “Dibs” and “Peter Pan.”

Maren Morris performs onstage during the 11th Annual ACM Honors at the Ryman Auditorium on August 23, 2017 in Nashville, Tennessee. Photo: Terry Wyatt/Getty Images for ACM
Chris Janson presented a second Poet’s Award to the late Shel Silverstein (1930-1999). “He ignited my creativity, like he’s done for so many writers,” said Janson.
He flew through Silverstein’s “A Boy Named Sue” in double time, then rocked “The Cover of Rolling Stone” with boundless stage energy and hot harmonica work. Janson drew a standing ovation, one of many that evening.
Susan Nadler accepted on behalf of her old friend: “His presence is still so strong, I dream about him once a month,” she said. “Shel was an original and an originator. And I wish we had more like him today.”
Paisley noted that we usually honor Parton for her songs. “Tonight, it’s her heart we’re celebrating. If you’re ever in need, there’s no better friend than Dolly Parton. She knows how to speak to people in their happiest day or in their darkest moment.”

Singer-songwriter Chris Stapleton performs onstage during the 11th Annual ACM Honors at the Ryman Auditorium on August 23, 2017 in Nashville, Tennessee. Photo: Terry Wyatt/Getty Images for ACM
Paisley sang “My Tennessee Mountain Home” in her honor. Parton was given the Gary Haber Lifting Lives Award for her Imagination Library literacy program and for coming to the aid of people in the wake of the East Tennessee wildfires this year.
“I’m blessed to be in a position to help inspire kids and to help victims of the fire to see a better and a brighter day,” said Parton. “The best way you can help us now is to come back to the Smokies. We’re open for business.”
The digital version of her debut children’s album, I Believe In You, comes out this week. Proceeds will go to the Dollywood Foundation.
Maren Morris and Kelsea Ballerini co-hosted a non-ACM segment, “XQ Super School Live.” Hume Fogg High School students were brought in to be the audience for Hunter Hayes as he sang “The Best In You” to and for them. This performance will become part of a special which will air, commercial free, on all of the networks Sept. 8.

Kimberly Schlapman, Jimi Westbrook, Karen Fairchild, and Phillip Sweet of Little Big Town perform onstage during the 11th Annual ACM Honors at the Ryman Auditorium on August 23, 2017 in Nashville, Tennessee. Photo: Terry Wyatt/Getty Images for ACM
Back to the ACM’s business at hand, Cassadee Pope presented the Tex Ritter Award to the CMT-TV series Nashville. The show’s stars Charles Esten and Clare Bowen sang its soundtrack song “Sanctuary.”
Executive producer Steve Buchanan accepted, saying, “Keeping this show real and honest has always been our goal. We do this because we love music and we love this city.”
A Glen Campbell Tribute segment was introduced by Morris singing “Galveston.” A video of last year’s ACM Honors show followed, featuring Blake Shelton (“Southern Nights”), Dierks Bentley (“Gentle On My Mind”), Keith Urban (“Wichita Lineman”) and Toby Keith (“By the Time I Get to Phoenix”).
Bobby Bones presented a Mae Boren Axton Award to Bob Kingsley, who is the ACM’s longest serving board member. He first joined the board in 1967. Thomas Rhett sang “Die a Happy Man” and “Craving You” for the honoree.

Bob Kingsley accepts the Mae Boren Acton Award onstage during the 11th Annual ACM Honors at the Ryman Auditorium on August 23, 2017 in Nashville, Tennessee. Photo: Terry Wyatt/Getty Images for ACM
“To receive this award gives me a chance to express my love and appreciation for the people who’ve contributed to the ACM down through the years,” said Kingsley.
Ross Copperman presented the Songwriter of the Year award to Lori McKenna, who penned this year’s so memorable “Humble and Kind.” Little Big Town (for whom she co-wrote “Girl Crush”) sang a soulful rendition of their current “When Someone Stops Loving You,” which she also co-wrote.
“It’s such an honor to be part of this,” said McKenna. “The thing about songwriters is, we don’t define ourselves by gender or race or anything else. We just call ourselves songwriters. Thank you to Nashville for accepting me as a Bostonian who writes country songs.”
Jason Aldean presented the Cliffie Stone Icon Award to George Strait. To salute the superstar, Chris Stapleton offered “When Did You Stop Loving Me” and Alan Jackson sang “Marina Del Ray” and “The Fireman.”

CMT’s Nashville wins the Tex Ritter Film Award during the 11th Annual ACM Honors at the Ryman Auditorium on August 23, 2017 in Nashville, Tennessee. Photo: Terry Wyatt/Getty Images for ACM
“When I first started out on the road, I thought I had maybe five years to sing my songs,” reflected Strait. “Well, now it’s been 30 years, and I still love it. I’ve been with the same record company my whole career. I signed with them in 1980, and I’ve been here longer than any of ‘em.”
He drew wild applause when he sang “Here for a Good Time” as the evening’s finale. The ACM Honors show will air as a CBS special on Sept. 12.
Brett Young hosted the pre-telecast honors. During the Studio Recording Awards, Glenn Worf (bass) and Jay Joyce (producer) were absent. Accepting were Dan Dugmore (steel/specialty instrument), Dave Cohen (keyboard), Miles McPherson (drums), Tom Bukovac (guitar), Chuck Ainlay (engineer) and Danny Rader (guitar).

Lori McKenna accepts the Songwriter of the Year honor at the ACM Honors in Nashville. Photo: Terry Wyatt/Getty Images for ACM
During the Industry Awards, Sally Williams (Ryman Auditorium), David Kells (Bridgestone Arena), Lenore Kinder (talent buyer), Ed Warm (promoter, Joe’s Live) and Chas Smith (The Joint at the Hard Rock Hotel & Casino in Las Vegas) were all attending winners. The also awarded Red Rocks Amphitheatre, Tortuga Music Festival and Foxwoods Resort & Casion had no representative present.
The house band and sound included Steve Hinson, Frank Liddell, Jeff King, Nick Buda, Charles Judge, Chip Matthews, Tim Marks and Carl Miner. The capacity Ryman audience included both fans and music-industry professionals. Videos of earlier ACM telecasts were screened during the brief set changes.

Singer-songwriter Thomas Rhett performs onstage during the 11th Annual ACM Honors at the Ryman Auditorium on August 23, 2017 in Nashville, Tennessee. Photo: Terry Wyatt/Getty Images for ACM

Reba McEntire, Dolly Parton and George Strait backstage at ACM Honors. Photo: Terry Wyatt/Getty Images for ACM

Brad Paisley and Dolly Parton backstage at ACM Honors. Photo: Terry Wyatt/Getty Images for ACM

Kelsea Ballerini and Brad Paisley backstage at 2017 ACM Honors. Photo: Terry Wyatt/Getty Images for ACM

Brett Young and Lady Antebellum’s Dave Haywood backstage at 2017 ACM Honors. Photo: Terry Wyatt/Getty Images for ACM
DISClaimer: Americana Saviors
/by Robert K OermannCome and save us, please, Americana music.
Country has created a radio format that’s almost unlistenable, with faceless men singing songs about nothing. Hip-hop all sounds the same. The pop teen-queens are just for kiddies. It seems that the only real, authentic artists are plying their trade in Americana.
We have two groups that are so strong that they are sharing the Disc of the Day prize today. They are Jason Isbell & The 400 Unit and The Jerry Douglas Band. Buy them both.
The DisCovery Award contest is among Paul Childers, The Hymn River Suite and our winner, the gripping Rod Melancon.
ROD MELANCON/With The Devil
Writers: Rod Melancon; Producer: Brian Whelan; Publishers: Rod Melancon, SESAC; Blue Elan (track)
– The album is aptly titled Southern Gothic, because the songs of this Louisiana native are dark and sometimes scary. Stark drum beats and spare electric guitar licks accent this spooky, dryly-sung saga of a serial killer. Elsewhere on the collection are rage, restlessness, psychedelia, yearning and righteously rocking grunge rock. Highly recommended.
JASON ISBELL & THE 400 UNIT/Hope The High Road
Writers: Jason Isbell; Producer: Dave Cobb; Publishers: Southeastern, BMI; Southeastern
– Americana king Isbell returns with a collection titled The Nashville Sound. This melodic, jangling country rocker urges romantic reconciliation while conceding none of his fierce integrity and individuality. Urgent and essential. All of the musical conversations on this album will remain with you long after the speakers go silent.
HYMN RIVER SUITE/Enough
Writers: none listed; Producers: Wes Sharon, Justin Mathenia, Amy Snyder; Publishers: none listed; CEN (track)
– This is a Midwestern brother-sister duo comprised of Justin Mathenia and Amy Snyder. Its Hundred Proof CD kicks off with this rouser. They do their best to stir up excitement, but the band sounds sort of thin. More production, please.
THE JERRY DOUGLAS BAND/Hey Joe
Writers: Billy Roberts; Producer: Jerry Douglas; Publisher: Third Palm, BMI; Rounder (track)
– Just because he’s with The Earls of Leicester and Alison Krauss & Union Station, don’t expect Jerry’s new band to come out with any kind of traditional sounding CD. The dobro master leads the group through a lickety-split acoustic take on this Jimi Hendrix/Leaves/Cher classic from the ‘60s, embellished with jazzy horns, no less. Elsewhere on the album, you’ll find a soul/blues version of a Tom Waits tune, a bebop jazz outing, complex time signatures and an almost symphonic feeling. Ear tickling in the extreme.
AMANDA ANNE PLATT & THE HONEYCUTTERS/Birthday Song
Writers: Amanda Anne Platt; Producers: Amanda Anne Platt & Tim Surrett; Publishers: Birdie May/Asheville Forest, SESAC; Organic (track)
– I have always liked this band. Formerly known as The Honeycutters, the new billing and album title accurately reflects the fact that Platt has always been the centerpiece as its singer, songwriter and producer. This kickoff track has a laid-back, meditative, philosophical, conversational vibe that is extremely endearing. This sidles right up to you and becomes your instant buddy. I remain a fan.
PAULA COLE/God Bless The Child
Writers: Billie Holida/Arthur Herzog Jr.; Producer: Paula Cole; Publishers: none listed; 675 (track)
– The “Where Have All the Cowboys Gone” and “I Don’t Want to Wait” hit maker of the ‘90s is back with a self-produced collection called Ballads. It covers standards (”Blue Moon:”), torch tunes (”I Cover the Waterfront”), folk (”The Lonesome Death of Hattie Carroll”), country classics (”Ode to Billy Joe”), jazz chanteuse chestnuts (”What a Little Moonlight Can Do”) and more. This version of Billie Holiday’s 1939 gem demonstrates the clarity of tone and sure footed phrasing she brings to all 20 tunes. It’s the American songbook of the Gershwins, Jerome Kern, Johnny Mercer, Frank Loesser, Rodgers & Hart, Hoagy Carmichael and Johnny Green, plus a whole lot more.
PAUL CHILDERS/Music Pulls You Through
Writers: Paul Childers; Producer: Paul Childers/Ace Lutz; Publishers: none listed; LP (track)
– This Nashville singer-songwriter is only 22, but there is striking maturity to be found on his disc debut, Naked Poetry. This jazzbo, horn-bedecked, soul goover is pop paradise. And, yes, those are his own Strat lead-guitar lines that you hear on this CD. A strikingly accomplished first-time effort.
SLAID CLEAVES/Take Home Pay
Writers: Slaid Cleaves/Rod Picott; Producer: Scrappy Jud Newcomb; Publisher: Magic Rat/Welding Rod, BMI; Candy House
– This soft-voiced Americana veteran has been in the trenches for years. He’s one of the genre’s finest songwriters, as this portrait of an aging manual laborer makes plain. You’ll find it on Slaid’s latest collection, Ghost on the Car Radio.
ALAN RHODY/I’ll Be True To You
Writers: Alan Rhody; Producer: Alan Rhody; Publishers: Sony/ATV, BMI; Ashwood (track)
– Music City troubadour Alan Rhody has a new CD titled Farther On. It features his songwriting collaborations with Guy Clark, Murray McLauchlan and Don Henry, as well as a feast of solo works. Not the least of the latter is this No. 1 hit sung by The Oak Ridge Boys in 1978. Rhody’s guitar-vocal version is stunning, revealing just how powerful the original, long version of the song really was/is. This fellow is one of those rare individuals who can hold you completely spellbound with just his axe and his voice.
MICHAEL HURLEY & JON NEWFELD/Pastures Of Plenty
Writers: Woody Guthrie; Producer: Jon Newfeld, Joe Seamons, Bill Murlin; Publishers: Woody Guthrie/Ludlow, BMI; Smithsonian
– On the double CD Roll Columbia, you’ll find members of R.E.M., The Decemberists and Black Prairie plus a host of Americana solo acts reinterpreting 26 Woody Guthrie songs. Among his so-called Northwest songs are some of his best known — “Hard Travelin,” “Roll On Columbia” (the state song of Washington), “Grand Coolee Dam,” “Talking Columbia,” “It Takes a Worried Man” and the like. Here, Greenwich Village folk vet Michael Hurley sings another of Guthrie’s timeless tunes. Guess what? Things aren’t much different for migrant agricultural workers today.
Black River Publishing Signs Songwriter/Producer Bobby Huff
/by Jessica NicholsonPictured (L-R): Black River Entertainment’s Gordon Kerr, Attorney Jim Zumwalt, Attorney Lauren Kilgore, Bobby Huff, and Black River’s Dave Pacula, Eric Hurt, and Katie Barolak. Photo: Courtesy of Black River Entertainment
Songwriter, producer and musician Bobby Huff has signed with Black River Publishing’s roster.
“Bobby Huff is a true triple threat – a hit songwriter, producer and musician with a long list of credits in Country, Rock, Pop, Christian and Film/TV,” says Black River Publishing VP Dave Pacula. “We are so proud to welcome Bobby to the Black River family and look forward to sharing much success in the next chapter of his outstanding career.”
Prior to moving to Nashville, Huff lived in Los Angeles for several years, which has allowed him to foster writing relationships in a myriad of musical genres. He has written with, and for, artists including Reba McEntire, Billy Currington, Chris Lane, Simple Plan, Casting Crowns and KISS’ Gene Simmons. Huff has produced projects from artists including Halestorm, Tim Finn, Saliva, Rod Stewart, Papa Roach and more.
“I’m very proud to be working with Black River Entertainment,” says Huff. “It feels like a natural fit for me as I’ve worked with many of the people here on different projects over the years.”
Huff jokingly adds, “I guess it just took me a while to fool them in to letting me in the building every day!”
Complimenting his writing and production credits, Huff has found success in the film and television space with placements including “Winter Light,” the Tim Finn track he produced that is featured in the end credits of the 2005 film adaptation of The Chronicles of Narnia: The Lion, The Witch and The Wardrobe. Additional placements spanning across networks including ABC, FOX, Disney, ESPN, HBO, NBC, and CBS, are Grey’s Anatomy, American Idol, Clifford the Big Red Dog, Teen Beach Movie 2, and most recently, in the film Tomorrowland.
Black River Publishing is home to writers including Huff, Josh Kerr and Forest Glen Whitehead, songwriters/artists Ben Caver, Eddie Garcia, Nikita Karmen, John King, Scott Stepakoff, Anna Vaus, Nick Wayne and Painted West, songwriters/Black River recording artists Abby Anderson, Carolina Story, Jacob Davis, and Hannah Kerr, and the catalogs of songwriter/Black River Recording artist Kelsea Ballerini, songwriter/producer Doug Johnson and songwriter Josh Osborne.
Music City Hitmakers, BMI Add Writers To Cheekwood’s Songwriters Under The Stars
/by Lorie HollabaughHitmakers Marcus Hummon, Jessi Alexander, Kyle Jacobs, Rivers Rutherford, Chris DeStefano and Hillary Lindsey have already been announced for the in-the-round setup backed by a symphony. Tickets for the Friday night show are available here. Saturday night is sold out.
“We are so excited to have these great emerging songwriters join our annual Songwriters Under The Stars this weekend,” says producer Charles Dixon. “We’ve always been very passionate about supporting the new generation of hit-makers and this is the perfect way to include them in our show.”
Michael Ray Launches Get To You Tour This Fall
/by Lorie HollabaughDevin Dawson will join him on select dates of the tour.
Tickets for the new dates go on sale beginning Friday, Aug. 25 at MichaelRayMusic.com.
“I had such an amazing time on the Think A Little Less Tour last year as it was really the first opportunity since we started this journey to really get out there and see what our fans wanted to hear and experience,” said Ray. “Since, I’ve been out opening for some incredible acts from Alabama and Sam Hunt to Darius Rucker; I treated every date we played as a chance to learn something – whether it was backstage training or standing sidestage just taking it all in – having those experiences have all led to this tour, and I can’t wait to share it with fans.”
2017 Get To You Tour dates:
10/05/17 – Tuscaloosa, AL -Druid City Music Hall
10/06/17 – Anderson, SC – Wendell’s Dippin Bran
10/12/17 – Nacogdoches, TX – Banita Creek Hall
10/14/17 – San Antonio, TX – Cowboys Dance Hall
10/19/17 – Lexington, KY – Manchester Music Hall
10/20/17 – Dubuque, IA – Q Casino
10/21/17 – Medina, OH – Thirsty Cowboy
10/27/17 – Rochester, NY – Anthology
10/28/17 – Sayreville, NJ – Starland Ballroom
11/24/17 – Holiday, FL – The Stockyard
11/25/17 – Lake Buena Vista, FL – House of Blues – Orlando
12/01/17 – Charlotte, NC – Coyote Joe’s
12/02/17 – Savannah, GA – Saddlebags*
12/07/17 – Louisville, KY – Headliners Music Hall
12/09/17 – Warrendale, PA – Jergel’s Rhythm Grille
*Denotes dates Devin Dawson will not appear on.
Lee Brice Becomes A Partner In American Born Whiskey
/by Lorie HollabaughJoined by fellow partners Milestone Brands LLC, a premium spirits company based in Austin, Texas, Brice is now an investor in American Born Whiskey, an 83-proof whiskey blend of corn and rye grains. The Southern-made product is bottled in the Nations neighborhood of Nashville, not far from the family farm that serves as Brice’s home and workspace. In the two-year agreement, Brice will also serve as a liaison for Milestone Brand’s American Born Moonshine and Dulce Vida Spirits tequila.
“I believe in family, hard work, and that the American way is about quality and doing your best,” says the country chart-topper, whose 2014 hit, “Drinking Class,” connects traditional American values with another one of the country’s pastimes: a well-deserved night at the bar, following a long day at work. “It’s how I was raised and who I am. I’ve finally found a whiskey that reflects the same values, so when it’s time to wind down after a show or dive into writing music, you’ll find me sipping on a glass of American Born.”
“Lee Brice is our brand’s dream ambassador; his passion, integrity, and commitment to both his music and fans align with the vision for American Born Whiskey,” said Milestone Brands LLC CEO, Eric Dopkins. “We’re excited to bring great country music, Nashville whiskey and a feel-good time to our fans across the country!”
Brice is set to release his fourth album on Nov. 3. The self-titled album includes the new leadoff single, “Boy,” which has already reached the Top 20 on the country charts.
Chris Young Readies Seventh Album For October Release
/by Lorie Hollabaugh“I think the experimentation I did on I’m Comin’ Over was the most I had really done,” said Young. “So with Losing Sleep it was about continuing that. There’s stuff like the lead track, which is really different sonically from a lot of things in my catalog – and there are going to be things that feel more familiar, too. Each song has a unique vibe and life to it.”
The 32-year-old joins Jason Aldean as special guest on his They Don’t Know Tour through October and will resume his own headlining dates later this year.
Tim McGraw To Develop New Signature Clubs With Snap Fitness
/by Lorie HollabaughMcGraw’s signature clubs will be customized to reflect his independent style and hometown values, and plans for the clubs include custom equipment and workout programs based on McGraw’s own workout routines and music. Fitness is a big part of McGraw’s life as he uses it to help meet the demands of his rigorous tour schedule.
“Physical fitness is something I value – it can help you live your best life,” said McGraw. “Working out becomes a habit when it’s an easy part of everyday life, and that’s why I’m partnering with Snap Fitness. These gyms will help folks who are short on time find their fit. They’re encouraging communities that support people who are working toward their own fitness goals.”
“Tim’s passion for helping people get healthy is authentic to his core,” said Peter Taunton, founder of Snap Fitness. “His values align with ours: to help people achieve their health and wellness goals. Having Tim’s involvement will help encourage and motivate more people to start exercising and pay better attention to their health and well-being.”
Snap Fitness has 2,000 clubs open or in development in 19 countries. The franchise was founded in 2003 by Taunton.
ACM Honors Show Shines With Stars
/by Robert K OermannGeorge Strait performs onstage during the 11th Annual ACM Honors at the Ryman Auditorium on August 23, 2017 in Nashville, Tennessee. Photo: Terry Wyatt/Getty Images for ACM
This year’s Academy of Country Music “Honors” event was the most star-studded in the organization’s history.
Staged at the Ryman Auditorium on Wednesday evening (Aug. 23), the 2017 edition of this annual show featured appearances by superstars Alan Jackson, Dolly Parton, George Strait, Reba McEntire, Toby Keith and Brad Paisley, as well as a bevy of younger hit makers. This was the 11th ACM Honors presentation.
“Tonight’s honorees are so iconic, they only need one name – Reba, Toby, Dolly and George,” said Maren Morris, who introduced the show with Thomas Rhett.
McEntire was presented with a Mae Boren Axton Award for outstanding service to the ACM. Hillary Scott sang “The Night the Lights Went Out in Georgia” to salute the Hall of Famer. Scott then teamed with Karen Fairchild on “Does He Love You,” which McEntire originally sang with Scott’s mother, Linda Davis. Then Kimberly Schlapman sang lead on “Little Rock” with Scott and Fairchild providing trio harmonies on the chorus.
“The Academy of Country Music has been so sweet to me,” said McEntire. “For you girls, my buddies, to sing my songs, that meant so much to me. Mae has always been my guardian angel. I miss her so much. And I’m so proud to be getting this award with her name on it.”
Alan Jackson performs onstage during the 11th Annual ACM Honors at the Ryman Auditorium on August 23, 2017 in Nashville, Tennessee. Photo: Terry Wyatt/Getty Images for ACM
“There are few artists who manage to write their own legacies,” said Jimmy Webb in saluting Keith. “He’s a master songwriter.” Webb presented the star with a Poet’s Award.
“I was a songwriter before I was an artist,” said Toby Keith. When the ‘artist’ is done, I will still be a songwriter. And I want to thank God for letting me be a songwriter.”
Keith then rocked and roared through “Should’ve Been a Cowboy” and “Who’s Your Daddy,” demonstrating that his vocal power is the equal of his composing gifts.
Lady Antebellum presented the Gene Weed Milestone Award to Kelsea Ballerini for scoring No. 1 records with her first three singles.
“When I moved to Nashville, I was 15,” Ballerini recalled. “I didn’t know how to start. I watched music videos. I looked at the end for the names of the songwriters.
“Thank you, Nashville, for being so nice to me. And thank you, ACMs.” Ballerini sang her new hit “Legends,” plus a medley of her milestone makers “Love Me Like You Mean It,” “Dibs” and “Peter Pan.”
Maren Morris performs onstage during the 11th Annual ACM Honors at the Ryman Auditorium on August 23, 2017 in Nashville, Tennessee. Photo: Terry Wyatt/Getty Images for ACM
Chris Janson presented a second Poet’s Award to the late Shel Silverstein (1930-1999). “He ignited my creativity, like he’s done for so many writers,” said Janson.
He flew through Silverstein’s “A Boy Named Sue” in double time, then rocked “The Cover of Rolling Stone” with boundless stage energy and hot harmonica work. Janson drew a standing ovation, one of many that evening.
Susan Nadler accepted on behalf of her old friend: “His presence is still so strong, I dream about him once a month,” she said. “Shel was an original and an originator. And I wish we had more like him today.”
Paisley noted that we usually honor Parton for her songs. “Tonight, it’s her heart we’re celebrating. If you’re ever in need, there’s no better friend than Dolly Parton. She knows how to speak to people in their happiest day or in their darkest moment.”
Singer-songwriter Chris Stapleton performs onstage during the 11th Annual ACM Honors at the Ryman Auditorium on August 23, 2017 in Nashville, Tennessee. Photo: Terry Wyatt/Getty Images for ACM
Paisley sang “My Tennessee Mountain Home” in her honor. Parton was given the Gary Haber Lifting Lives Award for her Imagination Library literacy program and for coming to the aid of people in the wake of the East Tennessee wildfires this year.
“I’m blessed to be in a position to help inspire kids and to help victims of the fire to see a better and a brighter day,” said Parton. “The best way you can help us now is to come back to the Smokies. We’re open for business.”
The digital version of her debut children’s album, I Believe In You, comes out this week. Proceeds will go to the Dollywood Foundation.
Maren Morris and Kelsea Ballerini co-hosted a non-ACM segment, “XQ Super School Live.” Hume Fogg High School students were brought in to be the audience for Hunter Hayes as he sang “The Best In You” to and for them. This performance will become part of a special which will air, commercial free, on all of the networks Sept. 8.
Kimberly Schlapman, Jimi Westbrook, Karen Fairchild, and Phillip Sweet of Little Big Town perform onstage during the 11th Annual ACM Honors at the Ryman Auditorium on August 23, 2017 in Nashville, Tennessee. Photo: Terry Wyatt/Getty Images for ACM
Back to the ACM’s business at hand, Cassadee Pope presented the Tex Ritter Award to the CMT-TV series Nashville. The show’s stars Charles Esten and Clare Bowen sang its soundtrack song “Sanctuary.”
Executive producer Steve Buchanan accepted, saying, “Keeping this show real and honest has always been our goal. We do this because we love music and we love this city.”
A Glen Campbell Tribute segment was introduced by Morris singing “Galveston.” A video of last year’s ACM Honors show followed, featuring Blake Shelton (“Southern Nights”), Dierks Bentley (“Gentle On My Mind”), Keith Urban (“Wichita Lineman”) and Toby Keith (“By the Time I Get to Phoenix”).
Bobby Bones presented a Mae Boren Axton Award to Bob Kingsley, who is the ACM’s longest serving board member. He first joined the board in 1967. Thomas Rhett sang “Die a Happy Man” and “Craving You” for the honoree.
Bob Kingsley accepts the Mae Boren Acton Award onstage during the 11th Annual ACM Honors at the Ryman Auditorium on August 23, 2017 in Nashville, Tennessee. Photo: Terry Wyatt/Getty Images for ACM
“To receive this award gives me a chance to express my love and appreciation for the people who’ve contributed to the ACM down through the years,” said Kingsley.
Ross Copperman presented the Songwriter of the Year award to Lori McKenna, who penned this year’s so memorable “Humble and Kind.” Little Big Town (for whom she co-wrote “Girl Crush”) sang a soulful rendition of their current “When Someone Stops Loving You,” which she also co-wrote.
“It’s such an honor to be part of this,” said McKenna. “The thing about songwriters is, we don’t define ourselves by gender or race or anything else. We just call ourselves songwriters. Thank you to Nashville for accepting me as a Bostonian who writes country songs.”
Jason Aldean presented the Cliffie Stone Icon Award to George Strait. To salute the superstar, Chris Stapleton offered “When Did You Stop Loving Me” and Alan Jackson sang “Marina Del Ray” and “The Fireman.”
CMT’s Nashville wins the Tex Ritter Film Award during the 11th Annual ACM Honors at the Ryman Auditorium on August 23, 2017 in Nashville, Tennessee. Photo: Terry Wyatt/Getty Images for ACM
“When I first started out on the road, I thought I had maybe five years to sing my songs,” reflected Strait. “Well, now it’s been 30 years, and I still love it. I’ve been with the same record company my whole career. I signed with them in 1980, and I’ve been here longer than any of ‘em.”
He drew wild applause when he sang “Here for a Good Time” as the evening’s finale. The ACM Honors show will air as a CBS special on Sept. 12.
Brett Young hosted the pre-telecast honors. During the Studio Recording Awards, Glenn Worf (bass) and Jay Joyce (producer) were absent. Accepting were Dan Dugmore (steel/specialty instrument), Dave Cohen (keyboard), Miles McPherson (drums), Tom Bukovac (guitar), Chuck Ainlay (engineer) and Danny Rader (guitar).
Lori McKenna accepts the Songwriter of the Year honor at the ACM Honors in Nashville. Photo: Terry Wyatt/Getty Images for ACM
During the Industry Awards, Sally Williams (Ryman Auditorium), David Kells (Bridgestone Arena), Lenore Kinder (talent buyer), Ed Warm (promoter, Joe’s Live) and Chas Smith (The Joint at the Hard Rock Hotel & Casino in Las Vegas) were all attending winners. The also awarded Red Rocks Amphitheatre, Tortuga Music Festival and Foxwoods Resort & Casion had no representative present.
The house band and sound included Steve Hinson, Frank Liddell, Jeff King, Nick Buda, Charles Judge, Chip Matthews, Tim Marks and Carl Miner. The capacity Ryman audience included both fans and music-industry professionals. Videos of earlier ACM telecasts were screened during the brief set changes.
Singer-songwriter Thomas Rhett performs onstage during the 11th Annual ACM Honors at the Ryman Auditorium on August 23, 2017 in Nashville, Tennessee. Photo: Terry Wyatt/Getty Images for ACM
Reba McEntire, Dolly Parton and George Strait backstage at ACM Honors. Photo: Terry Wyatt/Getty Images for ACM
Brad Paisley and Dolly Parton backstage at ACM Honors. Photo: Terry Wyatt/Getty Images for ACM
Kelsea Ballerini and Brad Paisley backstage at 2017 ACM Honors. Photo: Terry Wyatt/Getty Images for ACM
Brett Young and Lady Antebellum’s Dave Haywood backstage at 2017 ACM Honors. Photo: Terry Wyatt/Getty Images for ACM
Tyler Childers Sells Out Three-Show Run At Nashville’s The Basement
/by Jessica NicholsonTyler Childers
Tyler Childers has sold out three upcoming shows at Nashville venue The Basement, set for Sept. 11, 18 and 25. According to the venue, this is the first time a three-show residency has sold out. Childers will play an additional September show at The Basement on Sept. 14, as part of AmericanaFest.
Childers’ recent album, Purgatory, was produced by David Ferguson and Sturgill Simpson and recorded at Nashville’s The Butcher Shoppe studio.
Purgatory, which released on Hickman Holler Records/Thirty Tigers, recently debuted at No. 1 on Billboard‘s Heatseekers Album chart, and landed at No. 17 on the country albums chart, and No. 4 on the Americana/folk albums chart.
Indie Distribution Company Caroline Adds Regional Promotion Director John Mayer
/by Lorie HollabaughJohn Mayer
Veteran radio programmer John Mayer has joined independent distribution company Caroline as a Regional Promotion Director. Mayer will be based in Nashville and report to Senior Vice President of Promotion, Marni Halpern.
Prior to Caroline, Mayer worked at iHeartMedia for 10 years, most recently as the Program Director of WFLZ in Tampa, and previously as the Program Director of WRVW in Nashville. Additionally, he has held positions at iHeartMedia as a Music Director, in marketing, and as on-air talent. Mayer has a Master’s degree from Quinnipiac University in broadcast journalism.
“We are excited to grow the Caroline team with someone like John whose passion and belief in our commitment to artist development will take our artists to the next level,” said Jacqueline Saturn, General Manager Caroline/Harvest Records “We wanted this position to be based in Nashville, the home of some of our most important label partners and artists, as well as the creative community that continues to grow at a rapid pace.”
“Music is all I ever wanted to do and I couldn’t be happier to further pursue that dream with an unbelievable company with an incredible ever-building roster of artists,” said Mayer. “I can’t wait to work more closely with Jacqueline, Piero, Marni, and a team that is second to none,” said John.