Back row (L-R): Earle Simmons (SunTrust), Dusty Miller (SunTrust), Ashleigh Overly (SunTrust), Jaron Boyer, Ray Fulcher, Adam Hambrick, Brock Berryhill, Tom Douglas, Steve Bogard (NSAI President), David Hodges, Ben Hayslip, Josh Miller, Matt Dragstrem, Tim Timmons, AJ Pruis, Bart Millard. Front row (L-R): Lindsay Gum (NSAI Director of Events and Pro Membership), Kelly Archer, Emily Shackelton, Jordan Schmidt, Tebey Ottoh, Bart Herbison (NSAI Executive Director), Zach Crowell, Ashley Gorley, Ben Glover, Matt McGinn, Matthew West. [Click photo to enlarge]
The Nashville Songwriter’s Association International (NSAI) held their Spring No. 1 Party on Monday April 23, recognizing 75 songwriters (23 songs) for their No. 1 achievements during the period of August 2017-December 2017.
At the brunch event, sponsored by SunTrust Bank and held at The Listening Room Cafe, the songwriters were presented plaques for topping the Billboard Country or Christian, Airplay, Digital, and Hot Charts and/or Mediabase Country Airplay Chart.
No. 1 songs and songwriters honored include:
“All The Pretty Girls” – Josh Osborne, Nicolle Galyon, Tommy Lee James (recorded by Kenny Chesney)
“Ask Me How I Know” – Mitch Rossell (recorded by Garth Brooks)
“Body Like A Back Road” – Josh Osborne, Sam Hunt, Shane McAnally, Zach Crowell (recorded by Sam Hunt)
“Broken Things” – AJ Pruis, Jason Houser, Matthew West (recorded by Matthew West)
“Dear Hate” – David Hodges, Maren Morris, Tom Douglas (recorded by Maren Morris feat. Vince Gill)
“Do I Make You Wanna” – Ashley Gorley, Jerry Flowers, Matt Jenkins, Zach Crowell (recorded by Billy Currington)
“Drinkin’ Problem” – Cameron Duddy, Jess Carson, Josh Osborne, Mark Wystrach, Shane McAnally (recorded by Midland)
“Even If” – Bart Millard, Ben Glover, Crystal Lewis, David Garcia, Tim Timmons (recorded by MercyMe)
“Every Little Thing” – busbee, Carly Pearce, Emily Shackelton (recorded by Carly Pearce)
“Fix A Drink” – Ashley Gorley, Chris DuBois, Chris Janson (recorded by Chris Janson)
“Flatliner” – Cole Swindell, Jaron Boyer, Matt Bronleewe (recorded by Cole Swindell)
“Found You” – Brock Berryhill, Jared Mullins, Kane Brown, Taylor Phillips (recorded by Kane Brown)
“Greatest Love Story” – Brandon Lancaster (recorded by LANCO)
“He Saw Jesus” – Brett James, Kathie Lee Gifford (recorded by Kathie Lee Gifford)
“Heartache On The Dance Floor” – Bart Butler, Brice Long, Jon Pardi (recorded by Jon Pardi)
“I’ll Name The Dogs” – Ben Hayslip, Josh Thompson, Matt Dragstrem (recorded by Blake Shelton)
“Light It Up” – Brad Tursi, Luke Bryan (recorded by Luke Bryan)
“More Girls Like You” – David Garcia, Josh Miller, Kip Moore, Steven Lee Olsen (recorded by Kip Moore)
“No Such Thing As A Broken Heart” – Brad Tursi, Jesse Frasure, Matt Ramsey, Trevor Rosen (recorded by Old Dominion)
“Small Town Boy” – Ben Hayslip, Kyle Fishman, Rhett Akins (recorded by Dustin Lynch)
“Somebody Else Will” – Adam Hambrick, Kelly Archer, Tebey Ottoh (recorded by Justin Moore)
“Unforgettable” – Ashley Gorley, Jesse Frasure, Shane McAnally, Thomas Rhett (recorded by Thomas Rhett)
“What Ifs” – Jordan Schmidt, Kane Brown, Matt McGinn (recorded by Kate Brown feat. Lauren Alaina)
“When It Rains It Pours” – Jordan Walker, Luke Combs, Ray Fulcher (recorded by Luke Combs)
Music Modernization Act Passes U.S. House With Unanimous Vote
/by Jessica NicholsonRep. Doug Collins, R-GA
The Music Modernization Act, (MMA) H.R. 5447, was adopted today (April 25) by a unanimous vote (415-0) by the U.S. House of Representatives. The bill now moves to the U.S. Senate, where a hearing is scheduled for May 15 in the Senate Judiciary Committee.
“We are an important step closer to the adoption of this landmark copyright reform legislation,” said Nashville Songwriters Association International (NSAI) President Steve Bogard. “I’ve seen too many of my colleagues give up writing songs professionally because of unfairly low streaming royalties and other changes in the era of digital music delivery. The MMA gives us tools to move toward better compensation from streaming companies, while giving songwriters and music publishers control of digital mechanical music licensing.”
The Music Modernization Act would change a 1909 mechanical royalty standard to one that reflects a song’s worth in today’s marketplace. The bill also creates a new Music Licensing Collective governed by songwriters and music publishers, and mandates equitable distribution to songwriters of any unclaimed funds.
Other portions of the bill include:
“This is an historic day for music creators,” said SoundExchange’s CEO Michael Huppe. “Today’s overwhelming support in the House for the Music Modernization Act reflects the bill’s widespread consensus, both across the aisle and across the music industry. This legislation stands to benefit artists, songwriters, labels, publishers, studio producers and others – many of whom are represented by the SoundExchange Companies.
Huppe continued, “The Music Modernization Act includes provisions SoundExchange has advocated for over many years, as we work to advance fair treatment for all creators involved in bringing our music to life. We are grateful that lawmakers in the House worked to update our nation’s copyright laws for the digital age, and we look forward to working with the Senate to get this legislation passed quickly. Music creators have waited long enough.”
“The House passage of the Music Modernization Act is truly historic for songwriters and the entire music ecosystem which they fuel,” said NMPA’s David Israelite. “The MMA improves how songwriters are paid and how their work is valued, both of which are long overdue. The bill also helps digital streaming companies by giving them access to all the music their consumers want to enjoy.”
Israelite added, “I am immensely grateful to Congressmen Doug Collins and Hakeem Jeffries who have seen this process through from the beginning and have stood by songwriters through a complex and lengthy collaboration process, and to Chairman Goodlatte and Ranking Member Nadler for getting this bill to the House floor. Today’s vote sends a strong message that streaming services and songwriters can be on the same side – pushing for a better future for all. We now look forward to the Senate advancing the MMA and it ultimately becoming law.”
Photos: Lee Ann Womack, Randy Rogers, Jackie Lee, Cassadee Pope, Chris Young
/by Eric T. ParkerLee Ann Womack, Randy Rogers, Jackie Lee Sing In Support Of MusiCares
Pictured (L-R): Susan Stewart, recording artist Randy Rogers, Lee Ann Womack, artist/host of Nash FM’s Ty, Kelly and Chuck Chuck Wicks, Jackie Lee and MusiCares Debbie Carroll. Photo: Mickey Bernal/WireImage
Lee Ann Womack, Randy Rogers and Jackie Lee offered musical entertainment for a MusiCares event, hosted at Alan Jackson’s AJ’s Goodd Time Bar on Tuesday night (April 24). The acoustic evening featured food from Party Fowl, tequila from George Strait’s Codigo, brew from Yazoo and a silent auction from many artists, including Shore Fire Media clients.
Lee Ann Womack performs. Photo: Mickey Bernal/WireImage
Randy Rogers performs. Photo: Mickey Bernal/WireImage
Jackie Lee performs. Photo: Mickey Bernal/WireImage
Cassadee Pope Showcases Stage Production And Surprise Guests At Nashville Show
Pictured (L-R): Chris Young and Cassadee Pope. Photo: PFA
Cassadee Pope performed an 11-song set Tuesday night (April 24) at the Hutton Hotel’s Analog hall. The set included a surprise performance by Chris Young for the Grammy-nominated, No. 1 duet “Think of You,” in addition to stand-out tracks “Alien” and Pope’s latest single in nearly two years “Take You Home,” all produced by Corey Crowder. Pope’s girlfriends joined her on stage after a medley of pop tunes ending with a performance of Justin Timberlake’s “Can’t Stop the Feeling,” including Maren Morris, Lindsay Ell, Kalie Shorr, Mickey Guyton, Maggie Rose, Natalie Stovall, Kelleigh Bannen and Hannah Ellis. Pope will tour with her four-piece band, including a stop at CMA Fest’s Riverfront Stage after wrapping three appearances on The Voice as a key adviser for coach Kelly Clarkson’s team earlier this month.
Cassadee Pope with backup celebrity power from Maren Morris, Lindsay Ell, Kalie Shorr, Mickey Guyton, Maggie Rose, Natalie Stovall, Kelleigh Bannen and Hannah Ellis. Photo: PFA
The Oak Ridge Boys, Trea Landon Perform At BMI Series
/by Jessica NicholsonPictured (L-R): BMI’s Mason Hunter, Duane Allen, William Lee Golden, 95.5 NASH Icon’s Lisa Manning, Richard Sterban, BMI’s Branden Bosler, BMI’s Jody Williams, Joe Bonsall and Lightning Rod Records’ Logan Rogers.
Despite poor weather, Music Row tastemakers, family and friends packed out the BMI lobby rather than the rooftop on April 24 to enjoy the first of several summer shows to be held at BMI.
Hosted by BMI with the help of event sponsors George Dickel Tennessee Whisky, NASH FM 103.3 and 95.5 NASH ICON, attendees were treated to special performances from up-and-coming Warner recording artist Trea Landon and legendary group The Oak Ridge Boys.
Pictured: The Oak Ridge Boys perform to an engaged crowd at Rooftop On The Row.
The Oak Ridge Boys performed several of their greatest hits before playing a few new tracks off their latest 17th Avenue Revival, produced by BMI songwriter Dave Cobb. Food and beverages were provided by sponsors George Dickel Tennessee Whisky, Texas Roadhouse, Topo Chico, Sam Adams and Twisted Tea, with a few lucky attendees receiving Yeti Rambler tumblers.
Upcoming BMI shows include Charlie Worsham and Lucie Silvas (May 22), Travis Denning and Riley Green (June 20), Morgan Wallen and Kalie Shorr (July 17), Mitchell Tenpenny and Lindsay Ell (Aug. 21).
Pictured: Trea Landon performs in the BMI lobby.
AIMP Announces Initial Agenda for Second Annual Indie Music Publishing Summit
/by Lorie HollabaughRegistration for the event is now open with full-priced tickets at $429, increasing to $529 after May 4, which includes a one-year Professional membership in the organization. Current Premier Professional and Professional members receive a 30% and 20% discount, respectively, off the non-member price; codes are available in the member section of aimp.org, and discounts are also available for members of the event’s promotional partners.
Confirmed AIMP Indie Music Publishing Summit Panel Agenda (more speakers to be added):
AIMP leadership kickoff address:
Alisa Coleman – AIMP NY Executive Director (ABKCO Music)
Michael Eames – AIMP President, Los Angeles (PEN Music Group)
John Ozier– AIMP Nashville Executive Director (ole)
CISAC Cross Industry Projects Update:
Teri Nelson Carpenter, President & CEO of Reel Muzik Werks, LLC and Vice President of AIMP
Digital Tools of the Trade:
John Raso, SVP of Client Services at HFA
International State of the Industry:
Teresa Alfonso, CEO of Teddysound, President of the Spanish Association of Music Publishers, and Executive Board at IMPF (Spain)
Ger Hatton, EU Specialist and IMPF Secretary General (Europe)
Jennifer Mitchell, CEO of Red Brick Songs and member of the CMPA Board of Directors (Canada)
Mary Megan Peer, Deputy CEO and President of Asia Pacific & Strategic Markets at peermusic (Asia)
Chris Butler, Group Head of Publishing & Rights at The Music Sales Group and President of ICMP Board of Directors (UK) (moderator)
Music Supervision Abroad:
How to navigate blanket licensing, multi-territorial licenses, and getting your music into commercials, TV shows, and films from overseas.
Nicky Bignell, BBC
Catherine Grimes, BBC
New Revenue Models for Songwriters and Music Publishers:
Chantal Epp, Clicknclear
Mark Greenburg, Tresona
Deborah Evans, Tracklib
U.S. Music Supervisors panel:
Ricki Askin, Vice
Megan Currier, Search Party
U.S. State of the Industry:
Michelle Lewis, Songwriter & Co-Founder of SONA
MaryJo Mennella, CEO of MNM and Pulse
Alison Smith, EVP of Broadcast Music Inc.
Kelli Turner, EVP, Operations, Corporate Development and CFO, SESAC
Amelia Wang Binder, Vice President, Industry & Government Affairs, NMPA
Teri Nelson Carpenter, President & CEO of Reel Muzik Werks, LLC and Vice President of AIMP (moderator)
In Pictures: Change The Conversation, ASCAP, BMI, SESAC
/by Jessica NicholsonNielsen’s Erin Crawford Speaks At Change The Conversation
Pictured (L-R): Beverly Keel, Tracy Gershon, Lydia Schultz and Erin Crawford
Change the Conversation co-founders Beverly Keel and Tracy Gershon, SESAC’s Lydia Schultz and Nielsen Entertainment’s Erin Crawford hosted “The Power of Female Country Artists” at this month’s Change the Conversation event. The conversation included more than 75 attendees at the CMA office on Music Row.
ASCAP Gives Back To Room In The Inn
Pictured (L-R): ASCAP’s Robert Filhart, Room In The Inn’s Maggie Sananikone, Josh Martin, Marla Cannon-Goodman, ASCAP’s Mary Self, Room In The Inn’s Jonathan Mowry
Inspired by Country Music Hall of Fame member and lifelong ASCAP member Don Schlitz, ASCAP will feature writers to perform at the Room In The Inn shelter once a month throughout 2018, while ASCAP staff volunteers serve the guests.
In April., the series featured songwriter Marla Cannon-Goodman and songwriter-artist Josh Martin. ASCAP’s Mary Self and Robert Filhart were on hand to serve the guests alongside Room In The Inn staff and volunteers.
Nashville Bands Nightingail, Sun Seeker Join BMI’s Eastside Sounds
Pictured: BMI’s Nina Carter and Alt 97.5’s Jessica Kelley pose with Nightingail and Sun Seeker before the show. Photo: Emily Quirk
Nightingail and Sun Seeker rocked the Basement East Monday night (April 23) in the latest installment of BMI and Alt 97.5’s Eastside Sounds series. Indie-folk songwriter Alicia Gail kicked off the night as Nightingail, followed by a high-energy performance from Nashville-based alt-rockers Sun Seekers who debuted a few new tracks throughout their set. Each night offers free admission, a “happy half-hour” open bar sponsored by Bulleit Bourbon before the show, and two up-and-coming acts from Nashville’s emerging alternative scene.
Nashville Startup RootNote Announces Inaugural Artist Investments
/by Lorie HollabaughFounded by brothers Jason and Jeremy Burchard, RootNote works with entrepreneurial artists helping them build companies around their music, investing in them for equity, and supporting their long-term growth. In addition to capital, RootNote will help these artists and their existing teams develop tailored growth strategies and connect them with a network of forward-thinking industry professionals.
“This is an exciting moment,” said Jeremy Burchard. “Our goal is to provide a structure that allows artists to have the creative control and career autonomy they desire while still having access to the support and knowledge of the traditional music industry.”
“The beauty of the model is that it allows artists to still work with all the traditional components of the music industry, from major labels to publishers and sync licensing companies,” Jason Burchard said. “But it also opens up possibilities to work with outside capital, brands, and other partners. We want to ‘grow the pie’ in a global way.”
RootNote is also announcing the opening of its first round of capital raise. While the company’s inaugural three investments are already funded, RootNote is raising $400,000 to expand the team and make four additional investments into artists in 2019. Officially founded in September 2016, RootNote joined 12 other music startups as the sole Nashville company to participate in the Project Music Portfolio music tech accelerator program.
Spotify Offers Upgrades For Free Tier Users
/by Jessica NicholsonSpotify’s mobile device free tier got new updates this week, allowing for greater discovery of new tunes and access to up to 15 playlists, including RapCaviar and New Music Friday. Users can also play songs on demand for the first time.
The mobile free tier will offer the same options found on the premium tier, including the same daily-mix playlists such as Discover Weekly and Release Radar, as well as a simplified home screen. Among the differences in the free and premium tiers are absence of ads, offline access to music, and more control for users.
New licenses from labels allow Spotify to offer 40 hours of personal music recommendations per week on the free tier.
During a recent revealing of the new features in New York, Spotify’s Troy Carter noted the service creates partnerships with artists, which come with financial benefits, particularly for younger artists.
“When you’re looking at the old model with physical, you get a one-time payment,” Carter said. “With streaming, there’s a string of perpetual payments. Artists who are not locked into the CD model understand it better.”
Spotify’s execs also announced Data Saver, a toggle switch that optimizes the listening experience to use less mobile data when listening to music.
GoFundMe Account Set For Nashville Music Industry Member Sharita Henderson
/by Jessica NicholsonSharita Henderson
Nashville music industry member Sharita Henderson, part of Cumulus Nashville’s pop station Nash FM 92Q Promotions Department, was with her friends at the Waffle House in Antioch on Sunday, April 22, when gunman Travis Reinking opened fire on the restaurant, killing four people and also injuring several others, including Henderson.
Henderson was shot several times, and required numerous surgeries at Vanderbilt. She is now listed in stable condition.
A GoFundMe account has been set up to support Henderson, with 100 percent of the money raised going directly to cover her medical expenses. The fund, which has a goal of $10,000, had raised nearly $7,800 by Wednesday morning (April 25).
To donate to the fund, visit gofundme.com.
Drake White To Release ‘Pieces’ EP In May
/by Jessica NicholsonDrake White will release his new EP, Pieces, the followup to his debut album, Spark, digitally via BMLG Records on May 4.
Produced by songwriter busbee, White co-penned two tracks featured alongside three additional outside cuts.
“I love writing that’s very simple, but it’s like, ‘Oh, I know exactly what you’re talking about,’ explained White. “I’m infatuated with words and trying to arrange them in a way that would make my heroes proud.”
TRACKLIST:
1. “Girl in Pieces” (busbee, Brad Tursi, Troy Verges)
2. “Grandpa’s Farm” (Brent Cobb, Adam Hood, Jason Saenz)
3. “Happy Place” (Drake White, busbee, Josh Osborne)
4. “Nothing Good Happens After Midnight” (Dan Isbell, Heather Lynn Morgan, Lindsay Rimes)
5. “The Best is Yet to Come” (Drake White, busbee, Josh Kear)
NSAI Honors Top Country, Christian Songwriters With Massive No. 1 Party
/by Jessica NicholsonBack row (L-R): Earle Simmons (SunTrust), Dusty Miller (SunTrust), Ashleigh Overly (SunTrust), Jaron Boyer, Ray Fulcher, Adam Hambrick, Brock Berryhill, Tom Douglas, Steve Bogard (NSAI President), David Hodges, Ben Hayslip, Josh Miller, Matt Dragstrem, Tim Timmons, AJ Pruis, Bart Millard. Front row (L-R): Lindsay Gum (NSAI Director of Events and Pro Membership), Kelly Archer, Emily Shackelton, Jordan Schmidt, Tebey Ottoh, Bart Herbison (NSAI Executive Director), Zach Crowell, Ashley Gorley, Ben Glover, Matt McGinn, Matthew West. [Click photo to enlarge]
At the brunch event, sponsored by SunTrust Bank and held at The Listening Room Cafe, the songwriters were presented plaques for topping the Billboard Country or Christian, Airplay, Digital, and Hot Charts and/or Mediabase Country Airplay Chart.
No. 1 songs and songwriters honored include:
“All The Pretty Girls” – Josh Osborne, Nicolle Galyon, Tommy Lee James (recorded by Kenny Chesney)
“Ask Me How I Know” – Mitch Rossell (recorded by Garth Brooks)
“Body Like A Back Road” – Josh Osborne, Sam Hunt, Shane McAnally, Zach Crowell (recorded by Sam Hunt)
“Broken Things” – AJ Pruis, Jason Houser, Matthew West (recorded by Matthew West)
“Dear Hate” – David Hodges, Maren Morris, Tom Douglas (recorded by Maren Morris feat. Vince Gill)
“Do I Make You Wanna” – Ashley Gorley, Jerry Flowers, Matt Jenkins, Zach Crowell (recorded by Billy Currington)
“Drinkin’ Problem” – Cameron Duddy, Jess Carson, Josh Osborne, Mark Wystrach, Shane McAnally (recorded by Midland)
“Even If” – Bart Millard, Ben Glover, Crystal Lewis, David Garcia, Tim Timmons (recorded by MercyMe)
“Every Little Thing” – busbee, Carly Pearce, Emily Shackelton (recorded by Carly Pearce)
“Fix A Drink” – Ashley Gorley, Chris DuBois, Chris Janson (recorded by Chris Janson)
“Flatliner” – Cole Swindell, Jaron Boyer, Matt Bronleewe (recorded by Cole Swindell)
“Found You” – Brock Berryhill, Jared Mullins, Kane Brown, Taylor Phillips (recorded by Kane Brown)
“Greatest Love Story” – Brandon Lancaster (recorded by LANCO)
“He Saw Jesus” – Brett James, Kathie Lee Gifford (recorded by Kathie Lee Gifford)
“Heartache On The Dance Floor” – Bart Butler, Brice Long, Jon Pardi (recorded by Jon Pardi)
“I’ll Name The Dogs” – Ben Hayslip, Josh Thompson, Matt Dragstrem (recorded by Blake Shelton)
“Light It Up” – Brad Tursi, Luke Bryan (recorded by Luke Bryan)
“More Girls Like You” – David Garcia, Josh Miller, Kip Moore, Steven Lee Olsen (recorded by Kip Moore)
“No Such Thing As A Broken Heart” – Brad Tursi, Jesse Frasure, Matt Ramsey, Trevor Rosen (recorded by Old Dominion)
“Small Town Boy” – Ben Hayslip, Kyle Fishman, Rhett Akins (recorded by Dustin Lynch)
“Somebody Else Will” – Adam Hambrick, Kelly Archer, Tebey Ottoh (recorded by Justin Moore)
“Unforgettable” – Ashley Gorley, Jesse Frasure, Shane McAnally, Thomas Rhett (recorded by Thomas Rhett)
“What Ifs” – Jordan Schmidt, Kane Brown, Matt McGinn (recorded by Kate Brown feat. Lauren Alaina)
“When It Rains It Pours” – Jordan Walker, Luke Combs, Ray Fulcher (recorded by Luke Combs)