Lance Miller has signed with Still Working Music, in partnership with StyleSonic Music and BMG.

Miller co-wrote the No. 1 country hit and 2014 SESAC Song of the Year, Jerrod Niemann’s “Drink to That All Night.” His songs have also been recorded by Tim McGraw, Luke Bryan, Justin Moore, Thomas Rhett, and Lee Brice.  He has toured as a solo act with Faith Hill and Tim McGraw, and others, and can be heard as a background vocalist on many records including singing background on “A Horse Called Music” with Merle Haggard on Willie Nelson’s Heroes album. He also appeared on the cable TV series Nashville Star.

“Lance is such a multi-faceted and talented songwriter and musician; we are honored to have him writing songs for us and join our roster,” said Roy Orbison Jr. “Lance brings an everyday positive attitude, pro ethic and cutting edge skill; it’s a simple joy welcoming Lance to our Still Working family!”

“We are grateful to our friends at Still Working to be partnering with a great writer like Lance Miller. I have wanted to work with Lance for a long time and am thrilled for Tim McGraw to join us in championing this talented writer,” said BMG’s Kos Weaver.

The Americana Music Association has named Buddy Guy as its 2018 Americana Lifetime Achievement Award recipient for Instrumentalist. The honor will be presented at the 17th annual Americana Honors & Awards which will be held Wednesday, Sept. 12 at the Ryman Auditorium.

A seven-time Grammy winner and Rock and Roll Hall of Fame inductee, Guy, 81, began his career playing on Chess Records sessions with Chuck Berry, Howlin’ Wolf and Muddy Waters and later released his own recordings including “Damn Right I’ve Got the Blues” and “Born to Play Guitar.”

“Buddy Guy’s incomparable musical craftsmanship has been lovingly shared with us over the years,” said Jed Hilly, Executive Director of the Americana Music Association®. “As a community who reveres and honors groundbreaking artists and their work, we are humbled to present Buddy with this Lifetime Achievement honor in recognition and thanks for his musical and artistic contribution.”

His upcoming release, the aptly titled The Blues is Alive and Well, (June 15) will feature Mick Jagger, James Bay and more.

 

Following the announcement of this year’s nominees for the 30th annual MusicRow Awards, we take a closer look at the Breakthrough Artist-Writer of the Year category.

CATEGORY 3: BREAKTHROUGH ARTIST-WRITER

Voted by MusicRow’s subscribed members to honor a Nashville songwriter and artist who for the first time wrote or co-wrote a Top 10 song, which they also recorded.

The MusicRow Awards will be presented at a private ceremony.

See the full list of nominees.

Winners are determined solely by MusicRow subscribers. Voting closes on May 25 at 5 p.m. If you do not have a subscription, you may subscribe to receive a ballot.

Jordan Davis took his self-penned debut single, “Singles You Up,” straight to No. 1 at radio. Davis co-wrote all 12 tracks on his album Home State (UMG Nashville), which marks the highest-selling debut release for a solo country artist this year, moving 10,739 units its first week. The Louisiana native recently wrapped his first headlining tour and will hit the road with Jake Owen this summer, stopping at minor league baseball parks across the country.

Devin Dawson blends pop influences but stays grounded in country’s storytelling tradition on his debut album Dark Horse (Warner Music Nashville). He is a co-writer on every track, including “All On Me,” which reached No. 1 on the MusicRow chart. The album was produced by Jay Joyce, who is nominated for MusicRow Producer of the Year. Dawson is currently on tour with Brett Eldredge as well as playing his own headlining dates.

Russell Dickerson notched his first No. 1 as an artist and as a songwriter when “Yours” reached the top of the radio charts earlier this year. The Triple Tigers Records artist had written the song almost four years earlier with friends and fellow Belmont alumni Parker Welling and Casey Brown, who also earned 2018 MusicRow Awards nominations. The trio re-teamed to write Dickerson’s follow-up single, “Blue Tacoma,” which is currently climbing the charts. He will support Lady Antebellum and Darius Rucker on their summer tour and play select dates on Thomas Rhett’s outing.

Jordan Walker earned his first No. 1 as co-writer of the Luke Combs’ smash “When It Rains It Pours,” which also yielded nominations for Combs and their collaborator Ray Fulcher. Walker is half of the rising BBR Music Group duo Walker McGuire, along with Johnny McGuire. Walker co-wrote every track on the duo’s self-titled debut EP, including new single “Lost.”

Morgan Wallen scored back-to-back No. 1s on the MusicRow chart in recent weeks. In March, he had his first hit as a co-writer of Jason Aldean’s “You Make It Easy.” A month later, Wallen returned to the winner’s circle with his first No. 1 as a recording artist thanks to the catchy summer song “Up Down” featuring pals Florida Georgia Line. The track is on Wallen’s debut album, If I Know Me, released via Big Loud Records.

In 2016, more than 13 million viewers tuned in as Mississippi native Trent Harmon was crowned as the Season 15 winner of American Idol, beating out hundreds of other contestants.

However, though he had just been crowned the new American Idol, complete with a recording contract with BMLG’s Dot Records and the release of the singles “Falling” and  “There’s A Girl,” Harmon (and his fans) would have a long wait for a full-fledged album, as Harmon wrestled with obstacles both personally and professionally.

The Dot imprint folded, and Core Media Group filed for a Chapter 11 restructure.

“For the past two years, the fans have been thinking that any day now, I’m going to put a record out,” Harmon tells MusicRow. “Quite honestly, I didn’t know when the album would happen. I just kept writing and trying to make the best songs I could.”

Harmon put the time of uncertainty over the past two years to good use, setting an ambitious goal of writing one new song every day for a year.

“I learned I could write and every once, in a while write a good song. It’s a muscle, just like every athlete needs to exercise a muscle to strengthen it. I got to where I could write songs faster. You gain confidence from consistence.”

On Friday (May 18), Harmon saw the release of his full-length album, You Got ‘Em All, after he joined BMLG’s Big Machine Records imprint.

Showing up, taking the risk, and putting in the work day after day might not always guarantee success in the fickle music industry, but so far the ethic has proven profitable for Harmon, whether he was auditioning for Idol, or showing up in the writing room in the wake of a painful romantic breakup.

Days before a scheduled writing session at Word Entertainment with Justin Ebach and Jordan Minton, Harmon received the news that his girlfriend Kathleen Couch was moving to Thailand to pursue her dream of teaching.

“I was tempted to cancel the write, and I had never canceled a write before. As a new artist in town, you can’t afford to go around canceling writing sessions. If you could phone one it in one time, that would be the day, but I went anyway. Once we sat there for a second, it all just came pouring out, and the song was done in 45 minutes. We didn’t try to write a happy song that day.”

Showing up and working through the tumultuous time via song resulted in his latest single, the arresting ballad “You Got ‘Em All.” Once in the studio to record “You Got ‘Em All,” BMLG’s Scott Borchetta, who served as a mentor to Harmon during the Idol competition, continued to champion and guide Harmon.

“We only did two passes of the song, top to bottom. I’ve never done that in the studio. Usually that’s one of the perks of being able to record, doing a line at a time and being able to get each line just right. With his song, Scott said, ‘What if we take it top to bottom and see what we get?’ The first take was good; it wasn’t great. Then he said, ‘Now take five minutes and I want you to go back to that place where you were when you wrote that song, right after she left. Sing that vocal the way you sang it on that tape that day.’ The next take we did, that was the take we sent to radio.”

By Harmon’s own admission, some of the most personal yet universally affecting songs are written from places of pain, not joy. The majority of the songs on You Got ‘Em All are vehicles of inspiration, determination, and above all, triumph–perfect emotional foils for Harmon’s powerful voice.

“First Five Minutes,” which Harmon penned with Paul DiGiovanni and Adam Hambrick, explores the rush of a new love, while “On Paper” captures the determination to follow that love through, disregarding any naysayers.

The centerpiece of that theme is “Hold On,” one of the few tracks on the 11-song album Harmon didn’t have a hand in writing. Penned by Chris Stapleton and Jim Beavers, the song hinges on the lyric When it feels like hope is gone/the remedy is you and me gotta hold on.

“I got Chris’ work tape at some point while we were filing through songs. I listened to it and the hook of the song was just so applicable to right now, and to any time. It’s like a ‘Lean On Me’ type of lyric. And Chris is not a bad co-writer to have on an album,” he quipped.

While American Idol introduced Harmon’s voice and music to music audiences, and earned him a major label recording contract, the talent competition also prepared him for another breakthrough moment, when Harmon introduced his new single “You Got ‘Em All” before thousands of country music programmers during Nashville’s Country Radio Seminar. Harmon planned to perform a piano-vocal rendition of the song, when technical issues with the piano threatened to derail his performance.

“I remember thinking I have one job today—to nail this song. There was a lot of temptation in that moment to do the song on guitar or do another song.” Instead, Harmon stuck to his guns, and waited until the technical issues were resolved. “I thought, everyone has put too much effort into this for this song not to be delivered so I stayed calm.

“There is nothing more nerve-wracking than someone counting down backward from 60. If nothing else, it prepared me for that one moment.”

Harmon’s commanding performance more than held the attention of the radio programmers, silencing the room as he poured his pain into the power ballad and earning a standing ovation.

Today, Harmon is seeing the fruits of his perseverance. In addition to release of his debut album, Harmon recently returned to the stage of American Idol to discuss his debut album and to give advice to the finalists (including the season 16 winner Maddie Poppe). His relationship with Couch has also returned to more stable ground.

“We are in a great place,” he says. “I don’t know what will happen with us, I don’t think anybody does. We talk quite often. I do anticipate her going back overseas soon. Maybe at some point, we are together down the road, if we were meant to be, and I sure hope we do. I love her to death, and right now we are two young people who are not holding each other back from what we want to do.

“It has been a pretty interesting past two years, but it’s a great place to develop as an artist. I’m somebody who likes to fulfill all my promises and I said an album will come out, and finally it’s happening.”