Pictured (L-R): Songwriter Jordan Schmidt (ASCAP/Tree Vibez Music), Artist/Songwriter Morgan Wallen (BMI/Big Loud), Jason Aldean, Florida Georgia Line’s Brian Kelley (BMI/Big Loud) and Tyler Hubbard (BMI/Big Loud), Michael Knox (Producer). Photo: Steve Lowry
Chapter 598
The party was billed as a celebration of the 20th No. 1 hit by Jason Aldean, but the real attraction for me was a look at the latest country-star honky-tonk on Lower Broadway.
The first thing to know is that Jason’s joint is HUGE. It’s a $32 million investment for its owners and encompasses 27,000 square feet, six bars, multiple music stages and three rooftop venues.
Décor touches include stone-walled lighted stairways, rustic wood walls, tin ceilings, neon signs, video walls showing sporting events, antique metal ad logos and a Jason photo wall of his memories. We partied on the top level, which featured a vintage Ford pickup shell mounted on a seven-foot-tall ledge.
This floor featured two levels of rooftop, each with its own bar. Half of the rooftop area is covered, which was good, because it rained briefly.
ASCAP and BMI hosted the event, while RIAA president Mitch Glazier surprised Aldean with the news that “You Make It Easy” is the first country song to reach Platinum status in 2018. He was also awarded a Gold certification for his recently-released album Rearview Town, making it the first country album released this year to reach that mark.
Jason’s 20th No. 1 is “You Make It Easy,” penned by Tyler Hubbard, Brian Kelley, Morgan Wallen and Jordan Schmidt. Florida Georgia Line’s Kelley and Hubbard, who are both signed to Big Loud for publishing, were on hand to celebrate the chart-topping single, and to support co-writer Schmidt, who is signed to FGL’s publishing company Tree Vibez.
Following multiple plaque presentations, Aldean mingled freely with the guests. That was good, too. Brandi Simms, Earle Simmons, Chris Parr, Chris Oglesby, Jody Williams, Andrew Kintz, Clarence Spalding, Lisa Konicki, Michael Knox, Brendan Oliver, David Preston, Tom Roland, Kos Weaver and more mingled along with the star. We all got party favors, little sacks full of “whiskey stones.” They bore Jason’s Georgia-shaped logo.
The Ford truck isn’t the only vehicle on display. Floors two and three of the venue are combined into one massive entertainment space, and it features a 1961 “Big Green Tractor” bar. What must be the largest John Deere machine ever manufactured is situated with its giant rear tires, up-high seat and front section intact. Where the motor should be is a rack of liquor bottles. Oh, heck, the rest is too complicated to describe. Just go see it. This level also features a roof bar.
The first floor features a 1960 chopped, powder-blue Cadillac mounted above the bar. Like the other levels, this one also has an excellent stage for performances.
Since the venue is officially called Jason Aldean’s Kitchen + Rooftop Bar, I thought it was odd that no food was served. Just for the record, the menu includes catfish sliders, steak, pork chops, salmon, meatloaf, pot roast, salads, burgers, hot chicken, mac & cheese, hot dogs, fried bologna and pasta.
I am told that Jason Alden’s Kitchen + Rooftop Bar has been packed with fans ever since it had its soft opening last spring.
Pictured (L-R): Rick Shedd (BBRMG), Jason Aldean, Mitch Glazier (RIAA President), Liz Kennedy (RIAA Director, Communications), Jon Loba (BBRMG). Photo: Steve Lowry
Adam Hood’s ‘Somewhere In Between’ Coming In October
/by Jessica NicholsonAs a writer for Grammy award-winning producer Dave Cobb‘s Low Country Sound, Adam Hood is most known for his songs recorded by Miranda Lambert, Brent Cobb, Anderson East, Lee Ann Womack and Little Big Town, and after years of writing for others, Somewhere in Between, is an album that finally finds Hood telling his own story. Due Oct. 12 on Hood’s label Southern Songs, the deeply autobiographical record features Hood writing or co-writing 10 of the record’s 11 tracks alongside friends Pat McLaughlin, Brent Cobb, who appears on the electrified “She Don’t Love Me,” and Josh Abbott.
Teaming up with friend and producer Oran Thornton (Miranda Lambert ‘Revolution,’ Eric Church ‘Caught In The Act: Live,’ Angaleena Presley ‘Wrangled’), Hood recorded most of the album live at Nashville’s Sound Emporium Studios over two quick days. His goal was to create something that reflected the raw, real sound of his concerts, where overdubs and unlimited takes are never an option. The result is a record that reflects Hood’s Opelika, Alabama-bred working class roots, mixing the upbeat thrill of roadhouse roots-rock songs with the contemplative, stripped-down sway of country ballads.
Joining him in the studio were guitarist Pat McLaughlin, bassist Lex Price, and drummer Jerry Roe. Hood celebrates America’s rural pockets with songs like “Keeping Me Here” and “Real Small Town,” two songs filled with images of main streets, open landscapes, hard times, and good people. A dedicated family man, Hood wrote “Locomotive” — a heartland anthem, full of Telecaster twang and sunny swagger — after watching his young daughter develop her motor skills while playing with a set of blocks, and balancing his life as a relentless road-warrior, Hood penned highway ballad “Downturn” about a life filled with wanderlust and long drives from gig to gig.
Somewhere In Between Tracklist:
1. Heart of a Queen (Adam Hood, Ben Danaher)
2. She Don’t Love Me (ft. Brent Cobb) (Adam Hood, Brent Cobb, Josh Abbott)
3. Alabama Moon (Adam Hood, Pat McLaughlin)
4. Downturn (Adam Hood, Jason Eady)
5. The Weekend (Adam Hood, Pat McLaughlin)
6. Bayou Girl (Willis Alan Ramsey)
7. Easy Way (Adam Hood, Pat McLaughlin)
8. Locomotive (Adam Hood, Jason Saenz)
9. Keeping Me Here (Adam Hood, Jason Saenz, Oran Thornton, Jared Hicks)
10. Real Small Town (Adam Hood, William Clark Green)
11. Confederate Rose (Adam Hood, Pat McLaughlin)
Bobby Karl Works Jason Aldean’s 20th No. 1 Celebration
/by Bobby KarlPictured (L-R): Songwriter Jordan Schmidt (ASCAP/Tree Vibez Music), Artist/Songwriter Morgan Wallen (BMI/Big Loud), Jason Aldean, Florida Georgia Line’s Brian Kelley (BMI/Big Loud) and Tyler Hubbard (BMI/Big Loud), Michael Knox (Producer). Photo: Steve Lowry
Chapter 598
The party was billed as a celebration of the 20th No. 1 hit by Jason Aldean, but the real attraction for me was a look at the latest country-star honky-tonk on Lower Broadway.
The first thing to know is that Jason’s joint is HUGE. It’s a $32 million investment for its owners and encompasses 27,000 square feet, six bars, multiple music stages and three rooftop venues.
Décor touches include stone-walled lighted stairways, rustic wood walls, tin ceilings, neon signs, video walls showing sporting events, antique metal ad logos and a Jason photo wall of his memories. We partied on the top level, which featured a vintage Ford pickup shell mounted on a seven-foot-tall ledge.
This floor featured two levels of rooftop, each with its own bar. Half of the rooftop area is covered, which was good, because it rained briefly.
ASCAP and BMI hosted the event, while RIAA president Mitch Glazier surprised Aldean with the news that “You Make It Easy” is the first country song to reach Platinum status in 2018. He was also awarded a Gold certification for his recently-released album Rearview Town, making it the first country album released this year to reach that mark.
Jason’s 20th No. 1 is “You Make It Easy,” penned by Tyler Hubbard, Brian Kelley, Morgan Wallen and Jordan Schmidt. Florida Georgia Line’s Kelley and Hubbard, who are both signed to Big Loud for publishing, were on hand to celebrate the chart-topping single, and to support co-writer Schmidt, who is signed to FGL’s publishing company Tree Vibez.
Following multiple plaque presentations, Aldean mingled freely with the guests. That was good, too. Brandi Simms, Earle Simmons, Chris Parr, Chris Oglesby, Jody Williams, Andrew Kintz, Clarence Spalding, Lisa Konicki, Michael Knox, Brendan Oliver, David Preston, Tom Roland, Kos Weaver and more mingled along with the star. We all got party favors, little sacks full of “whiskey stones.” They bore Jason’s Georgia-shaped logo.
The Ford truck isn’t the only vehicle on display. Floors two and three of the venue are combined into one massive entertainment space, and it features a 1961 “Big Green Tractor” bar. What must be the largest John Deere machine ever manufactured is situated with its giant rear tires, up-high seat and front section intact. Where the motor should be is a rack of liquor bottles. Oh, heck, the rest is too complicated to describe. Just go see it. This level also features a roof bar.
The first floor features a 1960 chopped, powder-blue Cadillac mounted above the bar. Like the other levels, this one also has an excellent stage for performances.
Since the venue is officially called Jason Aldean’s Kitchen + Rooftop Bar, I thought it was odd that no food was served. Just for the record, the menu includes catfish sliders, steak, pork chops, salmon, meatloaf, pot roast, salads, burgers, hot chicken, mac & cheese, hot dogs, fried bologna and pasta.
I am told that Jason Alden’s Kitchen + Rooftop Bar has been packed with fans ever since it had its soft opening last spring.
Pictured (L-R): Rick Shedd (BBRMG), Jason Aldean, Mitch Glazier (RIAA President), Liz Kennedy (RIAA Director, Communications), Jon Loba (BBRMG). Photo: Steve Lowry
Rhett Walker Band’s Self-Titled EP Out Today
/by Lorie HollabaughThe six-song EP features the debut single “Say Hello,” and its follow-up, “Like Your Father Does,” which the band debuted on the Grand Ole Opry, their tenth appearance on the show, earlier this summer. The EP is the follow-up to their albums Come To The River (2012) and Here’s To The Ones (2014).
In support of the new album release, yesterday the band performed “Say Hello” on Nashville’s “Today In Nashville,” which aired live on the NBC affiliate WSMV. This fall, they will hit the road with 7eventh Time Down and visit cities including Fayetteville, NC, New Bedford, MA, Paoli, PA and more through October 28.
September 20 Rome City, IN
September 21 Point Pleasant, WV
September 22 Paoli, PA
October 3 Winston Salem, NC
October 6 Fayetteville, NC
October 11 Spencer, WV
October 12 Ephrata, PA
October 18 Collinsville, IL
October 19 Clinton, MO
October 20 Paragould, AR
October 25 New Bedford, MA
October 26 Auburn, ME
October 27 Montgomery, NY
October 28 Sewell, NJ
Sony Music Nashville Elevates Alli Champagne To Director, Legal & Business Affairs
/by Jessica NicholsonAlli Champagne
Alli Champagne has been promoted to Director, Legal & Business Affairs, at Sony Music Nashville. Reporting directly to SVP, Legal & Business Affairs Angie Magill, Champagne will continue handling contract negotiations in connection with the label’s artist roster, serving as counsel to all label departments, and as Sony Music Nashville’s Radio Compliance Officer.
Champagne, who joined Sony Music Nashville in 2014, was previously with Viacom/CMT’s Legal & Business Affairs team, prior to which she practiced entertainment law and copyright infringement litigation for various Nashville based law firms. Champagne is a Music Business graduate of Belmont University, as well as Pepperdine University School of Law where she received Certification in Entertainment, Intellectual Property, & Technology Law, and served as editor for the Journal of Business, Entrepreneurship and the Law.
Champagne can be contacted at alli.champagne@sonymusic.com.
The War And Treaty’s ‘Healing Tide’ Rolls In Today
/by Lorie HollabaughThe 11 songs on Healing Tide were written solely by Michael and feature Tanya (vocals), Michael (vocals, piano, Wurlitzer, Rhodes) and Miller (guitars, banjo) as well as Brady Blade (drums), Adam Chaffins (bass), Jim Hoke (organ, saxophone, autoharp, harmonica), Russ Pahl (pedal steel, banjo), Sam Bush (fiddle), Bill Huber (trombone), Matt Slocum (cello) and special guest vocalist Emmylou Harris on “Here Is Where the Loving Is At.”
The duo will tour throughout 2018 including upcoming festival stops at Fayetteville Roots Festival, Moon River Music Festival and a triumphant return to AmericanaFest in Nashville, where the two first made headlines after a breakthrough performance at the 2017 Americana Music Festival & Conference when they stepped in to fill in for an ill Buddy Miller.
Centricity Music’s Caitie Hurst Releases Debut EP
/by Jessica NicholsonCentricity Music artist Caitie Hurst releases her first EP today (Aug. 10), How Could I Be Silent. Each of the project’s seven tracks were written or co-written by Hurst.
Hurst worked with several producers and writers including Cody Fry (Ben Rector), Ground Control (Apollo LTD), Colby Wedgeworth (Jordan Feliz, Zach Williams), Justin Morgan (Audio Adrenaline), and Riley Friesen (Brandon Heath, Matt Hammitt). The title track has made its way to the No. 2 spot on the CHR Indicator chart, and currently stands at No. 4 on the Hot AC chart.
Hurst will go on tours this fall with both NewSong and Unspoken, followed by a slot on For King and Country at Christmastime’s tour.
How Could I Be Silent Track Listing:
1. How Could I Be Silent
2. Walkin’ On The Water
3. Nothing To Hide
4. Answers
5. Lights
6. Wanderer
7. Signs
Tri Star To Host American Red Cross Blood Drive August 21
/by Lorie HollabaughBlood donations are currently being distributed to hospitals faster than donations are coming in, and more donations are needed now to help prevent the suffering a blood shortage can cause, so Tri Star is encouraging members of the Nashville music community to come on over to their offices at 11 Music Circle South and help. The goal for this year’s drive is to fill 33 slots and gather 27 units of blood.
The Red Cross Blood Drive truck will be located in the back parking lot of the Tri Star offices, and a schedule sign-up sheet with appointment times is available here. Food will be served during the drive as well, and industry members are encouraged to come by and participate. For any questions, contact Morgan Nellis at morgan@team-tristar.com or (615) 513-0712.
Industry Ink: PLA Media, FBMM, Copperline Music Group
/by Jessica NicholsonPLA Media Signings
They join PLA Media’s additional clients, which include Johnny Cash Museum, Patsy Cline Museum and Tina Turner Museum, Jesse Rice, and actor/musician Tim Williams.
Promotions At FBMM
Flood, Bumstead, McCready & McCarthy has promoted Emma DeWeese and Jana Horvath to account executive, and Brianna Joyce and Ashley Kennedy to senior account assistant.
“Emma, Jana, Brianna and Ashley have mastered the ins and outs of the music industry. Their drive to accommodate our clients’ personal financial needs is invaluable,” said Jamie Cheek, president of FBMM. “We are fortunate to have such bright, motivated individuals on our team, and we look forward to seeing them continue to grow in their careers at FBMM.”
DeWeese began working at FBMM in 2016 and is now an account executive. Before working for FBMM, she served as an intern for The Agency Group, CEG Presents, Urban Expositions and Foundations Artist Management. Horvath joined the FBMM team in 2014 and has been promoted to account executive. She served as an office manager and bookkeeper at Marking Impressions Corp. prior to her time at FBMM.
Joyce also has been with FBMM since 2016 and is now a senior account assistant. Her previous work experience includes serving as an accounts payable specialist at Endless Edge and finance specialist at Fox Chapel Yacht Club. Kennedy came to FBMM in 2016 and is now a senior account assistant. She has nine years of professional experience in the music industry. Before her time at FBMM, she worked at Vector Management as an executive assistant and helped manage day-to-day operations for artists.
Copperline Music Group Signs Ciera Mackenzie
Ciera Mackenzie
Copperline Music Group has signed up-and-coming singer-songwriter Ciera Mackenzie to a label deal.
“Working with Ciera has been quite inspirational,” says Copperline Music Group’s Rusty Harmon. “She embodies all of the elements of success: talent, determination, maturity, and work ethic. We are anxious to get this started!”
The singer-songwriter has opened for established acts Big & Rich, Trick Pony, Tracy Lawrence, Joe Diffie, and Mark Chesnutt, and has headlined events such as NAMM, Nashville Rising Star, and the Airborne Annual Convention. Previously featured on Radio Disney, the Oklahoman will release a new self-penned single later this year.
Weekly Chart Report (8/10/18)
/by Alex ParryClick here or above to access MusicRow’s weekly CountryBreakout Report.
Music Expo Announces Panelists For Inaugural Nashville Conference
/by Jessica NicholsonMusic Expo Nashville’s programming will include a combination of keynote presentations, live demos, panels and educational workshops with tracks covering business, technology and creative.
Highlights thus far include:
“The Singers Ultimate Challenge: Developing Your Vocal Identity” – Producer and Owner of Decapo Music, Jonell Polansky will share tips on how to demystify the vocal recording session. Working with artists to develop their “vocal identity” is Polansky’s specialty, and she will discuss how to empower a great vocal performance in the studio, develop a ‘vocal vocabulary,’ and work with a variety of personalities.
“The Changing Business & Craft of Nashville Songwriting” Presented by Song Assembly – Grammy award-winning songwriter Steve Leslie will lead a panel to discuss hot button issues; writing with the artist, publishers as A&R, track guys and union demos, how technology affects the craft and country radio singles and the album cut. The panel will consist of professional songwriters from the glory days of the 1990’s and the new young guns.
“Making The Most With Minimal Gear” – Producer/Engineer Hayley McLean will demonstrate, with a live track, how to build a professional sounding recording with limited resources and edit with a basic interface, Wave plugins and basic software synths. Her trial and error process of creative software manipulation is a skill she’s put to work on many projects with award-winning Producers and Engineers.
“Breaking Into The Music Business and Staying There” – MusicRow Magazine’s Sherod Robertson will moderate a Q&A with Grammy Award-winning Recording Engineer Zach Allen to discuss how to prepare for a recording session, how to speed up workflow in the studio, the Do’s and Don’ts in the recording studio, and how to use technical problems as opportunities.
“Making Your Mix Standout” – Award-winning Producer/Engineer and Songwriter Robert Venable (Kelly Clarkson, Twenty One Pilots, Megadeth) will discuss his proven techniques to take a mix to the next level and make it stand out, applicable to any independent artist.
“The Craft of Writing a Country Song: How To Tell a Story with Words & Music” Presented by Song Assembly – Songwriter Steve Leslie will discuss how to develop a story-song that connects with listeners and provide an overview of the principles covered in his online songwriting course at www.songassembly.co. As a hitmaker in Nashville for 25+ years, will share tips on storytelling from his perspective, working and living in Music City – a place that’s famous for songwriting.
“Brand Your Band to Get More Fans” – Brian Bauer (Bauer Entertainment Marketing) will moderate the discussion with brand experts Logan Crowell (Record Realization/HOME), artist/producer/label owner Vian Izak (Vohnic Music LLC), and alt-Rock duo Ariel Bloomer and Shawn Jump (Icon for Hire).