Alicia Pruitt Launches Madfun Entertainment With Red Light Management

Alicia Pruitt

Alicia Pruitt, longtime Warner/Chappell Nashville senior A&R executive, has launched Nashville-based talent management company Madfun Entertainment, in partnership with Red Light Management.

Madfun will provide full service talent management, serving artists and songwriters across the music industry. With a roster including up-and-coming Atlantic Records Recording artist Josie Dunne, Pruitt will represent, promote, and guide talent through every stage of their career.

Pruitt will continue consulting with Warner/Chappell, and supporting songwriters Chris Stapleton, Kacey Musgraves, Brantley Gilbert, and Lauren Alaina. Since joining Warner/Chappell in 2005, Pruitt has signed new talent, secured top cuts for the publisher’s songwriters, and furthered songwriters’ and artists’ careers.

She can be reached at alicia.pruitt@redlightmanagement.com or 615-635-0522.

DISClaimer: Brothers Osborne, Lauren Jenkins Offer Top Tracks

Brothers Osborne, Lauren Jenkins

It’s Star Time here at DISClaimer.

Sorry, indies, but the major labels and established names rule the roost today. And with artists like Lauren Alaina, Tim McGraw and Morgan Wallen in the mix, that’s a good, good thing.

Big Machine newcomer Lauren Jenkins nails down the DisCovery Award.

But what is even more exciting is the latest in an unbroken string of audio triumphs for Brothers Osborne. Their new tune easily captures the Disc of the Day prize.

MORGAN WALLEN/Whiskey Glasses
Writers: Ben Burgess/Kevin Kadish; Producer: Joey Moi; Publishers: 2016 Warner-Tamerlane Publishing Corp./Mr. Buck Lucky/Bump Into Genius Music (BMI), Sony/ATV Allegro/Over-Thought Under-Appreciated Songs (ASCAP); Big Loud
– A bodacious, boozy. boyish delight. His drawl is completely endearing. The track burbles along with verve. The tongue-in-cheek, heartache lyric is splendid. I have liked just about everything this fellow has dished out. Keep ‘em coming. I hope you become a big star.

RASCAL FLATTS/Back To Life
Writers: none listed; Producer: Rascal Flatts; Publishers: none listed; Big Machine
– A positive power ballad about how much he loves her. Tuneful. Well produced.

CALE DODDS/What We Gonna Do About It
Writers: Cale Dodds/Corey Crowder/Tyler Hubbard; Producer: Corey Crowder; Publisher: none listed; Warner Bros.
– Infectiously rocking. The track is a little “busy” sounding, but the spirit of the thing is so full of bright optimism that it’s hard to resist.

TIM MCGRAW/Neon Church
Writers: Ben Goldsmith/Ben Stennis/Ross Ellis; Producers: Byron Gallimore/Tim McGraw; Publishers: none listed; Columbia
-Echoey and atmospheric, this is an ode to the warm glow of a barroom where you can go to heal a broken heart. Tim’s vocal is processed in a cool kinda way, and the track swirls around it like a smoky halo. I’m in.

LAUREN JENKINS/Give Up The Ghost
Writers: Jenkins/Emily Shackelton; Producer: Julian Raymond/Lauren Jenkins/Scott Borchetta; Publisher: none listed; Big Machine
– It has a peppy rhythm track laid under a minor-key melody, which makes for ear-catching listening. Her slightly bruised vocal begs him to leave the memory of a previous lover behind and cling to her instead. A promising debut.

YouTube video

 

LAUREN ALAINA/Ladies In The ’90s
Writers: Alaina/Jesse Frasure/Amy Wadge; Producer: none listed; Publisher: none listed; Mercury
– It’s a big ol’ bounce party with Lauren recalling growing up in the ‘90s, when there were so many more female role models on the radio. She name checks tunes by Shania, Faith, Britney, Deana, TLC, the Chicks, Reba, the Spice Girls and more as she romps through this audio delight. “I want to feel like ladies in the ‘90s,” she rejoices, remembering when “females were unstoppable.” There are millions of country listeners who feel this way, despite the pseudo-science of radio programming that disenfranchises them.

WALKER HAYES/’90s Country
Writers: none listed; Producer: none listed; Publishers: none listed; Monument
– More nostalgia for the ‘90s. The track is strictly cheesy, contemporary country hip-hop, and he doesn’t really sing (does he ever?). But what he’s name checking is reminiscence all the way — titles made famous by Kershaw, Chesney, Strait, Mary Chapin, Ricochet, Shania, John Michael, Shenandoah, David Lee, Deana, Lonestar and the like. Each line is a country flashback, even if it’s a pop single. Jaunty and engaging.

BROTHERS OSBORNE/I Don’t Remember Me (Before You)
Writers: John Osborne/TJ Osborne/Shane McAnally/Matt Dragstrem; EMI
– This change-of-pace ballad confirms the fact that this duo is one of the most creative record makers in country music today. TJ’s vocal here is a masterpiece of subtle shading. In the song’s lyric, he doesn’t recall what a wild man he used to be, because he’s found true love. Exquisite listening. Proud to be a huge, huge fan of these boys.

YouTube video

 

WATERLOO REVIVAL/Wonder Woman
Writers: George Birge/Cody Cooper/Marv Green/Ryan Tyndell; Producer: Jason Massey; Publisher: none listed; Show Dog
– Bland pop. Soft rock that went out of favor 30 years ago.

DOLLY PARTON/A Woman’s Right
Writers: none listed; Producer: none listed; Publisher: none listed; WNYC
– This single is drawn from an album of songs celebrating the 27 amendments to the Constitution. The other participants are alt rockers, but there’s our Dolly chirping about women winning the right to vote (the 19th amendment, adopted in 1920, thanks to the state of Tennessee). Naturally, being Dolly, she adds wit and humor to her lyrics. Lively fun, and it will become ever more timely as we approach the 100th anniversary of the Suffrage Amendment.

Nashville’s Musical History Explored In New Don Cusic Book

A new book on Nashville’s music history, Nashville Sound: An Illustrated Timeline, is out now by noted author and songwriter Don Cusic. The Reedy Press book explores Nashville’s rich history in music that encompasses not only country but also gospel, contemporary Christian, R&B, rock, and classical music and follows the development of music and the music industry in Nashville from the nineteenth century until today.

Several signing events highlighting the new book have been scheduled, including during the Southern Festival Of Books on Oct. 14 in Nashville.

Presentation and Book Signings:
Saturday, October 13, from 7:30 to 8:30 p.m.
The Churchill Society of Tennessee
Brentwood Country Club
Tickets are $75 and may be purchased at churchillsocietytn.org/2018-banquet#3f967c4a-2fec-4a0a-be7c-6c7d8f8bad7b
Presentation will focus on Winston Churchill’s love of music, but he will also talk about Nashville Sound

Presentation and Book Signing
Sunday, October 14, from 2 to 3:30 p.m.
Southern Festival of Books
Nashville Public Library
Special Collections Room
Free and open to the public

Presentation
Wednesday, October 17, from 10 to 11 a.m.
Belmont University Library
Free and open to the public
This is a student convocation

Presentation
Wednesday, October 17, from 5:30 to 7:30 p.m.
Tennessee Historical Society
Fort Negley Park
Free and open to the public

Book Signing
Friday, October 26, from 9 to 10:30 a.m.
Bellevue YMCA
Free and open to the public
Fiftyforward Group at Bellevue YMCA

Presentation
Friday, February 8, 2019, time TBD
Tennessee State University
Free and open to the public
This is a presentation to the African-American Conference.

BREAKING: President Signs Music Modernization Act Into Law

President Trump signed the Hatch-Goodlatte Music Modernization Act into law on Thursday, Oct. 11. Among the artists in attendance were Big & Rich’s John Rich, as well as Kid Rock, CCM band MercyMe, Doobie Brothers and Steely Dan guitarist Jeff Baxter, The Beach Boys’ Mike Love, Craig Morgan, and Rock Hall of Famer Sam Moore.

Last month the Senate unanimously passed the MMA and then House of Representatives unanimously approved an updated version of the bill, sending it to the president’s desk.

According to Nashville Songwriters Association International (NSAI) Exec. Director Bart Herbison, now that the MMA is officially law, NSAI and other songwriter organizations will begin selecting songwriter board and committee members for the new Music Licensing Collective (MLC), which will begin operation on Jan. 1, 2021.

Higher streaming royalties resulting from the marketplace rate standards included in the MMA will come over time when the next Copyright Royalty Board proceeding occurs in four years or when ASCAP or BMI have rate court proceedings under the terms of the MMA. Agreements reached with streaming companies or court proceedings could result in higher streaming rates.

The MMA changes the standard by which songwriter streaming rates are established replacing an outdated 1909 law that governs songwriter mechanical or sales royalties, and changes consent decree regulations from 1941 that govern songwriter performance royalties. The new law requires the random selection of judges when performing rights societies ASCAP or BMI go to a rate court proceeding; presently those judges are appointed for life. The MMA also eliminates the Notice of Intent (NOI) program administered by the U.S. Copyright Office that shifted the digital mechanical licensing burden back to songwriters, and guarantees streaming royalty payments to artists whose recordings were done before 1972 who now are not required to be paid due to a loophole in the Copyright Act. The MMA also stipulates direct streaming royalty payments to record producers and engineers.

President Donald Trump signs the Hatch-Goodlatte Music Modernization Act into law on Oct. 11, 2018.

“Now the job of utilizing the tools found in the Music Modernization Act begins,” said Herbison. “NSAI and other songwriter organizations will immediately select songwriter board and committee members for the new Music Licensing Collective that commences operation on January 1, 2021. We have two years to build the first-ever songwriter, music publisher run mechanical licensing collective. This will be the first collection agency that pays songwriters 100 cents from every royalty dollar since the digital streaming companies will pay operational costs of the MLC.”

“The MMA is now law!” said Steve Bogard, writer of 10 No. 1 songs and President of NSAI. “We have worked on elements of this legislation for 15 years. With the passage of this law, every professional songwriter in America, including myself, who has suffered devastating economic losses in the era of digital music delivery, can now breathe a sigh of relief and be optimistic about the future of our profession. Along with the songs that bear my name, this is my proudest career accomplishment. It is not too bold to say this is the most important songwriter legislation ever adopted by Congress. When we negotiate our digital rates or go to trial-type proceedings, we expect rates that are much fairer based on what the market should pay.”

“With the president’s signature today, the MMA is officially the law of the land,” said Recording Academy President/CEO Neil Portnow. “As we celebrate the harmony and unity that got us here, we applaud the efforts of the thousands of performers, songwriters, and studio professionals who rallied for historic change to ensure all music creators are compensated fairly when their work is used by digital and satellite music services. We thank the members of Congress who championed this issue throughout the past several years to bring music law into the 21st century.

“Today, President Trump signed the bi-partisan Hatch-Goodlatte Music Modernization Act (The MMA), which will finally bring music copyright laws into the digital age,” said John Josephson, Chairman and CEO, SESAC. “We applaud everyone’s hard work and tireless efforts on this legislation, especially the Senators who worked diligently to get the bill passed then adopted by the House. We’re grateful for our committed songwriting and publishing community whose focus and passion have strengthened our industry for generations to come.”

“The signing of the Music Modernization Act into law, by the President, is the culmination of a gargantuan struggle that was resolved by an unparalleled alliance between all music industry stakeholders and the relevant tech companies,” said Richard James Burgess, CEO of A2IM. “In this digital age, more music is enjoyed by more people than at any time in the history of humankind. The signing of this bill represents a significant step towards better lives for music creators and those that support them. A standing ovation is greatly deserved for all involved in this historic achievement.”

Pictured (L-R): Steve Bogard (President, NSAI), Darius Rucker, Bart Herbison (Executive Director, NSAI), Congressman Doug Collins (GA), Lee Thomas Miller (Former President, NSAI) at the Nashville Songwriter Awards

“The Music Business Association applauds and congratulates its members and valued partners across the industry on their extraordinary and unprecedented efforts to bring the groundbreaking Music Modernization Act to fruition,” said James Donio, President of the Music Business Association. “What an amazing achievement for creators and their commercial partners to have come together in solidarity, and joined with Congress, to make long overdue copyright reform a reality. This is the start of an exciting new era for the entire business of music. Bravo!”

NMPA President & CEO David Israelite said, “The Music Modernization Act is finally the law of the land. We are incredibly grateful for the Members of Congress who passed the MMA and the President for signing it. Songwriters have for too long labored without seeing fair rates and receiving all that they deserve, and for the first time in history, the music industry has partnered with the tech industry to fix these systemic problems. As we embark on supporting and helping build the critical structures within the MMA, we are humbled by the extraordinary progress propelled by compromise and the unprecedented political involvement of music creators. Today is about their future and this bill stands as a great statement on what can be done when we work together.”

“Thanks to the unrelenting efforts of our ASCAP music creator and publisher members, industry partners and champions in Congress, a more sustainable future for songwriters is finally within reach,” said ASCAP CEO Elizabeth Matthews. “The MMA’s unanimous passage in the House and Senate proves that the power of music is a great unifier. ASCAP is gratified to have stood alongside creators, music publishers, and many more to make this dream a reality.”

John Rich and Craig Morgan in Washington, D.C. at the signing of the MMA.

“A young songwriter once wrote, ‘You give a little love and it all comes back to you; You’re gonna be remembered for the things that you say and do.’ Decades later, this could not be more true,” says ASCAP Chairman of the Board and President Paul Williams. “Songwriters across this country now and in the future will remember those who fought so hard for the Music Modernization Act—both in Congress and across the music industry. On behalf of the music community, we are so thankful for the love and will return the favor with music for generations to come.”

“This is truly a historic moment for the music industry, especially for the American songwriters and composers at its core, who will see significant and deserved benefit from this legislation,” says BMI President and CEO Mike O’Neill. “Passage of the Orrin G. Hatch-Bob Goodlatte Music Modernization Act was a hard-fought process that hinged on tremendous collaboration and unprecedented support among diverse stakeholders who ultimately united to safeguard the future of music. We are gratified by this extraordinary outcome that recognizes the essential contributions of creators and streamlines the use of their music across businesses. While BMI will keep advocating to protect the livelihood of music creators in the digital age, we thank Congress and the President for taking this important step in implementing the most meaningful music licensing reform in decades.”

Michael Eames, President of the Association of Independent Music Publishers (AIMP); Alisa Coleman, AIMP New York Executive Director; and John Ozier, AIMP Nashville Executive Director, have issued a joint statement, saying, “Today marks a historic step forward for independent music publishers, songwriters, and the entire music industry, as President Trump has signed the MMA into law. This marks the first significant federal legislation since 1998’s Digital Millennium Copyright Act (DMCA) to address the needs of rights-holders in today’s online age. We can look forward to a variety of long-overdue reforms that will make it easier to negotiate for and collect fair royalty rates while also establishing once and for all that digital services must pay for the use of pre-1972 recordings. In addition, it ensures independent publishers and songwriters a seat at the table for the new mechanical licensing collective. The AIMP is committed to ensuring that the independent publishing community and songwriters are represented fairly in the implementation and enforcement of the MMA, and we look forward to working with our partners across the music and technology industries as we move ahead in this new era. We offer our sincere gratitude to David Israelite and his team at NMPA, to the NSAI and SONA, to Senator Orrin Hatch and Congressmen Bob Goodlatte and Doug Collins, and to all parties from all sides who fought to provide a balanced outcome for all involved.”

MercyMe with manager Scott Brickell & Vice President Mike Pence as the Music Modernization Act is signed on Oct. 11, 2018.

RaeLynn Releases New “Tailgate” Video

RaeLynn has released a new video for her made-for-football-season single “Tailgate.” The clip captures that fun feeling of Fall in the air and features cameos from some of her country friends. The song, penned by Canaan Smith, Corey Crowder and Florida Georgia Line’s Tyler Hubbard, racked up more than five million on-demand streams before traditional radio airplay.

She’ll no doubt play the new song during the stops on her upcoming SiriusXM The Highway Presents: RaeLynn mini-tour which kicks off tomorrow at Joe’s Live Rosemont in Chicago, and includes stops at the Cannery Ballroom in Nashville on Nov. 1 and the House of Blues in Houston on Dec. 12. She’s also set to join Kane Brown for his Live Forever Tour in January.

YouTube video

 

RaeLynn  Tour Dates:
Oct. 12: Joe’s Live Rosemont @ Chicago, IL
Nov. 1: Cannery Ballroom @ Nashville, TN
Dec. 12: House of Blues @ Houston
Jan. 10: Infinite Energy Arena @ Duluth GA*
Jan. 11: Pensacola Bay Center @ Pensacola FL*
Jan. 12: Columbus Civic Center @ Columbus GA*
Jan. 17: Silverstein Eye Centers Arena @ Independence MO*
Jan. 18: Landers Arena @ Southaven MS*
Jan. 19: Lloyd Noble Center @ Norman OK*
Jan. 24: Von Braun Arena @ Huntsville AL*
Jan. 25: Colonial Life Arena @ Columbia SC*
Jan. 26: Amway Center @ Orlando FL*
*with Kane Brown

Music Row’s United Artists Tower To Become 184-Room Boutique Hilton Hotel

50 Music Square West, Nashville, Tennessee.

Nashville’s United Artists Tower, owned by Sai Ram 009 LLC and located at 50 Music Square West, is set to become a 184-room boutique upscale hotel under Tapestry Collection by Hilton Brand. Work on the 56,700-square-foot building is slated to begin at the end of this year, with an opening set for 2020.

The hotel will feature a 360-degree rooftop bar, and the owners are enthusiastic about revitalizing the property and reinforced the importance of partnering with individuals, like Hotel Equities and Tapestry Collection by Hilton, who share in their desire to provide a unique experience for visiting guests, and to pay homage to the building’s history.

The octagon-shaped United Artists Tower was originally constructed in 1974 by two members of Elvis Presley’s backup band, The Jordanaires, and served as office and recording studio space for decades. At nine stories tall, it remains the tallest building on Music Row, affording 360 degree views of Music City.

“We are proud to partner with this ownership group and Hilton,” said Joe Reardon, Sr. VP of Business Development for HE. “During initial conversations about the project, we were impressed with the passion and enthusiasm the owners displayed in regard to preserving the unique and important history of the building. We felt aligned with them right away and share in their excitement to bring the new hotel to Music Row.”

“We are excited to partner with Hotel Equities to revitalize a building with such a storied past into a vibrant hotel that will be an ideal addition to the growing Tapestry Collection portfolio,” said Jenna Hackett, global head, Tapestry Collection by Hilton. “The original style and offerings of this forthcoming hotel will truly encapsulate the spirit of the city and will be one of the first Tapestry Collection properties in the great city of Nashville.”

Ed Sheeran Joins Devin Dawson’s Bluebird Cafe Show

Devin Dawson had planned for three songwriters to join him for his Bluebird Cafe show in Nashville last night (Oct. 9), including his “I Can’t Trust Myself Alone With You” duet partner Jillian Jacqueline, as well as British singer-songwriter Amy Wadge and former Evanescence vocalist and “Placebo” co-writer David Hodges.

However, Dawson and company got a surprise when pop superstar Ed Sheeran was spotted in the tiny crowd packed into the Bluebird Cafe. Wadge co-wrote Sheeran’s 2014 Grammy-winning hit “Thinking Out Loud,” and he joined in for a performance of the song. Sheeran performed at Nashville’s Nissan Stadium on Oct. 6.

“Last night I played The Bluebird Cafe for the first time,” said Dawson. “For a guy who has revered Nashville, country music and songwriting for so long, this was such a HUGE moment for me. I was surrounded by the people I love and admire and we poured our hearts and souls out like only the Bluebird’s atmosphere would allow. We told stories, played songs people recognized and also surprised everyone with songs (and guests) they might not have expected. The imperfections were perfect and the vibe was truly abundant. Thank you so much to The Bluebird Cafe and my Nashville family for yet another reminder that I am indeed in the right place at the right time. What a surreal night I will never forget!”

 

Country Music Is China’s Fourth Most Popular Genre, According To 2018 IFPI Report

The 2018 Music Consumer Insight Report has been issued by IFPI (The International Federation of the Phonographic Industry), finding country music is China’s fourth most popular genre. Country did not make the world’s top genres, however singer/songwriter came in at No. 6.

“This report looks at how music soundtracks the many parts of our day and how this love of music is also driving fans’ growing adoption of technologies. From smartphones to smart speakers, music is a force ushering in these connected devices that are being taken up globally,” says Frances Moore, Chief Executive, IFPI.

The report also notes the average consumer spends 2.5 hours listening to music each week, globally, among many other statistics. The report was put together by an online population of 16-64 year olds in 20 territories between April-May 2018, which accounted for 91.3 percent of global recorded music market revenues in 2017.

Industry Ink: Warner/Chappell Production Music, CMHoF, Anita Cochran

Warner/Chappell Production Music’s Kautz Joins Production Music Association Board

Warner/Chappell Production Music’s Director of Operations, Marcia Kautz, is now a board member of the Production Music Association.

“The Production Music Association has long been the advocate of the production music industry as a whole,” says Marcia. “I am excited to have been elected to the board and to get started with the excellent team of professionals that drive this industry.”

Kautz is Director of Operations for Warner/Chappell Production Music, a leader in worldwide music licensing. Her responsibilities span the departments of finance, human resources, operations, licensing administration, and business development. She has over 20 years of music industry experience, ranging from record label admin to publishing and finance. Her varied experience from within multiple aspects of the industry informs her leadership, whether working closely with staff or overseeing large-scale licensing and revenue opportunity negotiations with partners and clients.

 

Country Music Hall of Fame and Museum Adds Director Of Public Relations

The Country Music Hall of Fame® and Museum has added Kelly McGlumphy to the museum’s staff, as director of public relations. In her role, McGlumphy leads the communications efforts for the Country Music Hall of Fame and Museum, Hatch Show Print, RCA Studio B, the Haley Gallery, and the CMA Theater. Her responsibilities include the overarching strategy and management of media relations and corporate communications for the organization.

She has nearly two decades of experience in the non-profit, agency and corporate sectors, McGlumphy most recently served as public relations senior manager for GOJO Industries, where she was responsible for public relations and social media strategy for the GOJO and PURELL brands. The Cleveland native began her career in media relations for the Rock and Roll Hall of Fame and Museum. McGlumphy, who is accredited by the Public Relations Society of America, holds a bachelor’s degree in communications from John Carroll University and a master’s degree in integrated marketing communication from West Virginia University.

 

Anita Cochran Performs “Fight Like A Girl” on Good Morning America

Good Morning America’s Robin Roberts with Anita Cochran Photo: ABC/Paula Lobo

Two weeks after completing her final chemotherapy treatment and mere hours before Anita Cochran performed her new power anthem “Fight Like A Girl”on Good Morning America she found herself in the hospital after sustaining a fall on the rainy streets of New York City and breaking two ribs.

Cochran, true to the words of her own song, ‘fought like a girl’ through the pain and no sleep for what would become one of her most emotional and powerful performances of her career as she rallied breast cancer patients and patients right in the middle of Times Square. Good Morning America and ABC News saying, “The singing sensation and breast cancer survivor rocks Times Square with her inspiring anthem.”

 

Atlantic’s First Female A&R Exec Dorothy Carvello Releases #MeToo Story In Book, ‘Anything For A Hit’

Dorothy Carvello has come a long way from her first post as secretary for Ahmet Ertegun, Atlantic Record’s co-founder and president, who signed such notable acts as Aretha Franklin and Led Zeppelin, negotiated distribution deals with Mick Jagger, and added Neil Young to Crosby, Stills & Nash. Carvello’s career led her to becoming the first female A&R executive at Atlantic Records, and one of the few women ‘in the room’ at RCA and Columbia.

In her book Anything For A Hit: An A&R Woman’s Story of Surviving the Music Industry, released in September, Carvello speaks her truth regarding the daily abuse and harassment she faced working under Ahmet Ertegun, as well as other kingmakers of the music industry.

The book claims to feature never-before-heard stories about artists such as Michael Jackson, Madonna, Steven Tyler, Bon Jovi, INXS, Marc Anthony, Phil Collins, and others. It touts its release as a must-read for anyone who has ever wondered what it’s really like to be a woman in a male-dominated industry.

Carvello penned the book before the #metoo movement launched, and recounts personal stories about her experience as a woman in a male-saturated music industry. She specifically focuses on the sexual harassment and abuse she received daily while working as Ertegun’s secretary.

Carvello’s book is available now for purchase on Amazon.