
Pictured (L-R, standing): Play It Again’s Juli Netwon Griffith, SESAC’s Kelli Turner, Sony/ATV’s Dane Schmidt, Sony Music Nashville’s Steve Hodges, BMI’s Josh Tomlinson, ASCAP’s Beth Brinker, BMG’s Jake Gear, Tree Vibez Music’s Leslie DiPiero, Warner/Chappell’s Jessi Vaughn. (L-R, seated): SESAC writer Justin Wilson, BMI songwriter and Columbia Nashville recording artist Mitchell Tenpenny, ASCAP writer Jordan Schmidt. Photo: Steve Lowry
Riser House and Columbia Nashville artist Mitchell Tenpenny packed Tin Roof on Demonbreun in Nashville to celebrate his first No. 1 as an artist and a songwriter. The Sony/ATV writer commemorated the Platinum-certified hit with his co-writers Jordan Schmidt (Tree Vibez Music Publishing; Warner/Chappell; We-Volve Music) and Justin Wilson (BMG; Play It Again Music). The party was thrown by BMI, ASCAP and SESAC. Schmidt and Tenpenny produced the track.
BMI’s Josh Tomlinson helped keep the joyful and rowdy room on task as he led the event. As is tradition, BMI presented Tenpenny with a Taylor guitar.
“I have an innumerable amount of stories that I could talk about with Mitchell,” he said with a smirk. “Two summers ago I got a text that said ‘hey, do you want to come out on the bus with Mitchell to go down to Rome, Georgia with Jordan Rager?’ and I was like ‘yeah, sure sounds awesome!’
“It somewhere got lost in translation to me that it wasn’t a bus,” he continued. “It was a party bus. A full-blow, prom-style party bus. And then getting to Rome and just wanting to go to the green room so bad where there was air conditioning and then realizing that there was no air conditioning in the green room in Rome, Georgia. The most important part of that day, though, was Mitchell was [sick], but he was super concerned about everybody else and making sure they were having a good time.”
Tomlinson also quoted lyrics from the heartfelt track “Walk Like Him” on Tenpenny’s debut album, Telling All My Secrets, which reads:
I spend every day tryna make him proud
If I said that I didn’t, I’d be lying.
“All I can say today for a fact,” Tomlinson said. “All this stuff is fine, all this stuff is awesome, but Mitchell, this room is completely full of people who are so proud of you.”
ASCAP’s Beth Brinker was there to lend her always lovely sentiments about Schmidt, who was celebrating his fourth No. 1, and Tenpenny.
“The incredible things that have happened for Jordan Schmidt in the very small amount of time from 2015 when he joined the Tree Vibez family,” she said. “It’s incredible and clearly not stopping any time soon. It’s a testament to his hard work and his truly fresh take not just on production but on the craft of songwriting.”
Brinker also gave a shout out to First Tennessee Bank for their support of songwriters and music people.
SESAC’s Kelli Turner filled in for Shannan Hatch, who was on her way back from the Grammys.
“We’re thrilled to be here to celebrate Justin’s third No. 1 song!” she said. “Justin was one of the first songwriters that I met when I moved to Nashville. SESAC is so proud to represent you. We look forward to so many more awesome No. 1 songs and No. 1 parties.”
Pinnacle Bank’s David Smith announced that they would be making a donation to St. Jude Children’s Hospital in honor of “Drunk Me.” The CMA’s Brandi Simms expressed pride in the songwriters and presented them with their No. 1 medallions.
Country Aircheck‘s Lon Helton gave some perspective when he presented Tenpenny with his No. 1 plaque. “This is kind of a full-circle moment,” he said. “I don’t know how many of these No. 1 parties I attended with Mitchell’s grandmother, Donna Hilley. Those of you in this room that don’t know that name, you should. Back in the ’80s when there were very, very few women music executives in this city, Donna rose to become the CEO of Sony/ATV. So look her up, you need to know her.”

Pictured (L-R, standing): Sony Music Nashville’s Lauren Thomas, Christy Garbinski, Shane Allen, Jen Way, Jim Catino, Steve Hodges, Taylor Lindsey, Lyndsay Church, Olivia Laster. (L-R, seated): Justin Wilson, Mitchell Tenpenny, Jordan Schmidt. Photo: Steve Lowry
BMG Nashville’s Jake Gear stepped up to the podium and quickly ordered a round of tequila to toast the “Drunk Me” writers.
“I’ve been a Justin Wilson fan for quite a while now,” Gear said. “Justin, you have a gift of writing kick-ass country songs. Songs that make you proud of where you come from, songs that make you want to drink beer and songs that make you feel the nostalgic heart pains of love lost. You have another gift, your voice. But these gifts would be wasted if it wasn’t for your drive. Thank you for your hustle, thank you for not canceling co-writes last minute, thank you for always being open to new ideas.”
Play It Again Music and Magic Mustang’s Juli Newton Griffith echoed Gear’s sentiment about Wilson.
“I think most of you guys know how far Justin Wilson and I go back,” she said. “I signed Justin in 2013 and I absolutely adore Justin Wilson more than most people in this town. He works hard and creates good music, and that is what brought us here.”
She joined Play It Again President and CEO, Dallas Davidson, to present Wilson with a certified Platinum plaque. “That’s a non-recoupable plaque,” Davidson joked.
Griffith also gave a shout out to Sony Nashville’s Randy Goodman and Steve Hodges, as well as Riser House’s Jennifer Johnson, and their teams.
Tree Vibez Music’s Leslie DiPiero was in attendance to honor Schmidt. She presented them with No. 1 hats. “We’re not as rich as Dallas just yet,” she quipped.
“Tyler and Brian want Jordan to know that they wish they could be here,” she said of Tree Vibez founders (and Florida Georgia Line members) Tyler Hubbard and Brian Kelley. “You were their first signing! We all believe that Jordan is stepping into the sweet spot of his career with not only writing but producing.
“His drive and talent are so ferocious,” she continued. “There are two important insights everybody needs to know about Jordan that I’ve observed in the past year and a half. He seems to be the first person everyone calls when they’re looking to write a hit and he appears to be the first person everyone calls when they’re about to throw a party!”
Sony/ATV’s Dane Schmidt was on hand to celebrate with his brother Jordan, as well as Tenpenny and Wilson. He made sure to thank Johnson, Kristen Ashley and JT Pratt (11/10 Management) and Enzo DiVincenzo (377 Management) along with the Sony Music Nashville team.
He also listed Hodges, Shane Allen, Lauren Thomas, Bo Martinovich, Lyndsay Church, Cliff Blake, Paige Elliot and Mark Jennings of the Sony Nashville promotion team.
Allen made sure to deliver the facts. “To come out with ‘Drunk Me’ and to have the biggest impact date of any song in two years, since Maren Morris’ ‘My Church,’ that’s a huge thing,” he said. “And then you come out with the album, Telling All My Secrets having had the biggest debut week for a debut artist of anybody in 2018.”
Allen also relayed that “Drunk Me” is industry veteran Blake’s final No. 1 after a career of promoting 70 No. 1 hits.
Johnson expressed her thanks and gifted the songwriters with a gift card to Nike, so that they could be as “swole” as Tenpenny.
“I want to especially thank the entire team at Riser House and Sony for working beautifully together,” she said.

Pictured (L-R): Justin Wilson, Mitchell Tenpenny, Jordan Schmidt. Photo: Steve Lowry
When it came time for the songwriters to speak, it was a brotherly love fest.
“Thank you guys,” Wilson said to his co-writers. “You love hard and you love fast. That’s lacking in a lot of places in the world today. I want to let you guys know that music heals and music saves and music is powerful. If not for this industry, I wouldn’t exist because I just need as much as all of us do. I’m a fan of everyone in this room, because all of us are stupid as hell for doing what we do.”
Wilson also mentioned that he had advised Tenpenny not to release “Drunk Me” as his debut single, because of its dark subject matter.
Jordan Schmidt showed his humor when it came time for him to speak.
“We’d written a few songs and Mitchell goes ‘I think I’m going to do the artist thing’ and he said ‘I’m going to cut ‘Drunk Me’ and I swear I’m going to make it No. 1,'” Schmidt said. “And I was like, ‘sure you are, buddy. You got this, man. All the way to the top, me and you.’ And then the guy freaking does it! And that’s Mitchell Tenpenny in a nut shell.
“Pretty much everybody knows that I wouldn’t be up here without Dane, so thank you,” Schmidt continued of his brother. He also thanked BMG, Kos Weaver, Jeff Braun, Alex Wright, and many more.
When Mitchell Tenpenny stepped up to the mic, he was smiling ear to ear.
“I went to probably a hundred of these when I was a kid and I’ve been dreaming of one day being up here so this is just a full-circle moment for me,” Tenpenny gushed. “I’m very grateful to see everybody out there, friends and family, you have no idea what it means.”
Tenpenny thanked his family, grandmother, Kristen Ashley, Matt Swanson and Jennifer Johnson and Riser House, Randy Goodman, Bo Martinovich and Sony/Columbia, Red Light, WME, his band, his girlfriend and many more.
“Justin Wilson is one of the best songwriters in Nashville,” Tenpenny said. “Yes, he is the drunkest songwriter in Nashville, but he is also one of the best. All you hear as an artist from songwriters is are you going to make my song a single. He was trying to make his song not a single because he believes in the artist side of it. That shows you Justin.
“This is one of my best friends in the entire world, Jordan Schmidt,” he continued. “There’s no denying his talent, the world knows it now. I was the first one who got him though, and I will always brag on that! He put out an amazing record. Same with Paul DiGiovanni who produced some on this record as well.”
In the spirit of “Drunk Me,” Tenpenny ended the celebration with, “thank you guys, thank you God, let’s go drink.”
Country Radio Hall Of Fame Class Of 2019 Revealed
/by Jessica NicholsonPictured (Clockwise, L-R): Charlie Monk, Mac Daniels, Bobby Denton, Kyle Cantrell, Gregg Dahl, Jeff Garrison
Six celebrated broadcasters will join the Country Radio Hall of Fame in 2019, as Grammy-winning duo Dan+Shay revealed this year’s inductees during today’s (Feb. 13) opening ceremonies for Country Radio Seminar (CRS).
Two on-air personalities and four off-air broadcasters will be honored. The 2019 Country Radio Hall of Fame Class includes Radio category honorees include Mac Daniels (KPLX and KSCS/Dallas) formerly KALM, KBOX/Dallas, KPLX, WMXQ/Washington, KASE & KVET/Austin, WYCD/Detroit, iHeartMedia, KSKS/Fresno, and NASH-FM/San Francisco, Bobby Denton (WIVK/Knoxville), Jeff Garrison (KCYY/Cox Media), formerly KKBQ, WESC, WFNQ/Greenville, KMLE/Phoenix, KILT, and Gregg Lindahl (Cox Media) formerly KOMA/Oklahoma City, WSM-AM/FM, WKY, WSOC-A/F/Charlotte, KUPL/Portland, and WKXK/Chicago.
The Air Personality category includes Charlie Monk (SiriusXM’s “Willie’s Roadhouse”) formerly of WGEA/Geneva, AL, WMTS; and Kyle Cantrell (SiriusXM) formerly WMTS/Murfreesboro, WSM-AM/Nashville, and WKDF/Nashville.
The Country Radio Hall of Fame is dedicated to the recognition of those individuals who have made significant contributions to the radio industry over a 20-year period, 15 of which must be in the country format. The Country Radio Hall of Fame Induction and Dinner will be held in Nashville on Wednesday, June 19, at a location to be announced soon.
About the 2019 Inductees:
Air Personality Category:
Charlie Monk is the longtime host on SiriusXM’s “Prime Country” format, a role that barely scratches the surface of his contribution to the country radio/music industry. His broadcast career was launched in 1956, sweeping floors at WGEA/Geneva, AL. He quickly segued to an on-air position, and then worked in several Alabama markets, including Troy, Mobile, and Tuscaloosa. He moved to Nashville in 1968 to program WMTS and then branched into publishing, where he wrote songs recorded by Eddy Arnold, Jerry Reed, Charley Pride, Jimmy Dean, and others. Wearing his publisher hat, Monk fostered the careers of Randy Travis and Kenny Chesney. In 1969, Monk teamed with industry friends to found Country Radio Seminar (CRS). He’s served on the CRS Board from the beginning and currently is a Director Emeritus. With CRS celebrating its 50th anniversary in 2019, Monk is the only person who can boast of attending every single one.
After getting his radio start at WMTS/Murfreesboro, TN in 1980, Kyle Cantrell quickly rose to host mornings there, before joining the staff of WSM-AM/Nashville, handling a variety of air shifts. In 1983, Cantrell expanded his duties, adding music oversight of WSM’s network operation, Music City Radio Network (MCRN). He also hosted a nationally syndicated weekend oldies show, airing across 85 stations. In 1985, Cantrell began serving as an announcer for the Grand Ole Opry, a role that he continues to this day. He was named WSM AM Program Director in 1993, moving the station’s music focus to Classic Country – the nation’s first such country outlet. In 2002, Cantrell began working for Sirius Satellite radio on its Classic Country channel. He continued with local radio joining WKDF/Nashville, where he remained until taking a fulltime position at SiriusXM and has since handled programming chores for Bluegrass Junction and Roadhouse channels. Cantrell added T2K programming duties in 2013, as well as Enlighten, SiriusXM’s Gospel brand.
Radio Category:
Mac Daniels has been working in radio for more than 40 years, beginning his career while still in high school, at Country/Gospel KALM/Thayer, MO, where he doubled as a salesperson. Drawn more to programming, Daniels was named for overnights at KBOX/Dallas while still in his teens. In 1980, Daniels segued to newly launched country outlet KPLX/Dallas and stayed for the next 14 years initially handling part-time air shifts, while helping establish the station’s research department. Daniels took on overnights, then evenings, soon adding Music Director responsibilities. During his time at KPLX, Daniels was honored with the Billboard Major Market Music Director of the Year six times and won the CMA MD of the Year trophy twice (1989, 1990). Major market programming opportunities followed, as Daniels eventually programmed nationally respected brands such as WMZQ/Washington, KASE & KVET/Austin, and WYCD/Detroit. In 2004, he was given Regional Programming responsibilities, based in Austin again, where he doubled as OM for the six-station Austin Cluster for iHeartMedia. Programming stints included KSKS/Fresno and NASH-FM/San Francisco, upon its 2013 launch. Daniels’ career came full circle in 2016 when he was named PD for Cumulus-owned country combo KPLX and KSCS/Dallas, where he remains. KPLX is the highest Cumulus country station in America and has been honored with an NAB Marconi Award.
Bobby Denton spent his entire 49-year career at WIVK/Knoxville, helping build the station into the iconic radio brand it is today. Denton started on the air and rose to a leadership position at WIVK and, its parent company, Dick Broadcasting where he was elevated to VP in 1981. In that role, Denton was responsible for the company’s radio stations in Knoxville, Nashville, Greensboro, NC, Colorado Springs, CO, and Birmingham, AL. Denton helped WIVK in garnering numerous industry awards, including eight CMA Station of the Year honors; five ACM Station of the Year trophies, and four Marconi Awards. In addition to this year’s inclusion in the Country Radio Hall of Fame, Denton is also a member of the Opryland Disc Jockey Hall of Fame, and the Tennessee Radio Hall of Fame. Denton enters the Country Radio Hall of Fame posthumously, after passing away following a short bout with cancer in 2014.
Jeff Garrison’s journey to the Country Radio Hall of Fame started in Nacogdoches, TX in 1983, working every possible air shift for country and Top 40 formats. He quickly gravitated to programming in 1985, and then moved to Houston in 1993, signing on KKBQ. Garrison moved to WESC and WFNQ/Greenville, SC in 1994, then KMLE/Phoenix in 1996, before returning to Houston, and the programming helm at KILT. In addition to his day-to-day responsibilities, Garrison took on VP/Country Programming for KILT parent company CBS Radio, with oversight of 23 country outlets nationwide. Since 2013, Garrison has called San Antonio home, programming KCYY, and serving as format leader for Cox Media’s six country stations. Garrison has also given back to the country industry, serving on the ACM and CMA board of directors.
Gregg Lindahl has handled responsibilities at every level in radio, starting as an on-air personality before rising to MD, PD, and GM during 20 years at 10 country stations in seven markets. His career included 15 years at the corporate level, leading a market research company while pioneering digital initiatives. Like many radio professionals of his generation, Lindahl started while attending high school in Ortonville, MN. In 1980, he moved to KOMA/Oklahoma City, launching it as a country station. A move to legendary country brands WSM-AM/FM followed and included WSM-FM’s move to country. Lindahl returned to Oklahoma to program WKY and soon became the station GM. His managerial career continued at WSOC-A/F/Charlotte, KUPL/Portland, and WKXK/Chicago – which he flipped to country in 1995. In 1995, Lindahl joined Cox Media, serving as President for Eagle Research, and later VP/Interactive and New Technologies, and SVP/Digital Strategy. Lindahl has served on the CMA Board of Directors, the CRS agenda committee, and has been called upon for core moderator duties at recent CRS events.
MusicRow Pics: MusicRow’s 17th Annual CountryBreakout Awards
/by Sherod Robertsonhttps://musicrow.com/author/sherod_robertson/
MusicRow Magazine, Nashville’s leading music industry publication, is proud to reveal the winners for its 17th Annual Meet & Greet and CountryBreakout Awards.
The private event, held Wednesday morning (Feb. 13) at The Listening Room Cafe, presented the winners to a packed house, including country radio broadcasters and industry affiliates ahead of the 2019 Country Radio Seminar (CRS).
Sponsored by business management firm Vaden Group/Elliott Davis, the event was hosted by MusicRow Publisher/Owner Sherod Robertson and MusicRow Chart Director Alex Kobrick.
This year’s award winners were determined by airplay accumulations on the MusicRow CountryBreakout Chart in 2018. In addition to celebrating this year’s honorees, guests were entertained with performances from Sea Gayle Records’ CJ Solar and independent artist Chance McKinney.
2019 MusicRow CountryBreakout Award Winners:
Independent Artist of the Year – CJ Solar
Reporter of the Year – Derek Beck
Songwriter of Year–Shane McAnally
Label of the Year – Capitol Records Nashville
Male Artist of Year – Jason Aldean
Female Artist of the Year – Kelsea Ballerini
Group/Duo of the Year – Florida Georgia Line
Breakout Artist of the Year – Jordan Davis
Attendees also received the newly-revealed MusicRow Magazine Country Radio print issue featuring Curb Records’ Dylan Scott on the cover.
Click here for more in-depth coverage from the legendary ‘Bobby Karl’ working the room at this annual event, which celebrates radio success on the MusicRow country radio chart.
Pictured (L-R): MusicRow Chart Director Alex Kobrick, KRGI/Grand Island, NE’s Derek Beck, and MusicRow Publisher/Owner Sherod Robertson. Photo: Haley Crow/MusicRow
Pictured (L-R): The Vaden Group’s Heather Campbell with Sea Gayle Records’ CJ Solar. Photo: Haley Crow/MusicRow
Chance McKinney performs at MusicRow‘s 17th Annual CountryBreakout Awards. Photo: Haley Crow/MusicRow
Pictured (L-R): John Schneider and Robert Oermann. Photo: Haley Crow/MusicRow
Pictured: The Band Steele with MusicRow Chart Director Alex Kobrick (center). Photo: Haley Crow/MusicRow
Pictured (L-R): Shane Owens and Rich Eckhardt. Photo: Bev Moser/Moments By Moser Photography
Pictured (L-R): Manager Shellie Brown, Plowboy Records artist Marty Brown, and Plowboy Records President Shannon Pollard. Photo: Haley Crow/MusicRow
Pictured (L-R): Kevin Ray Lawson, MusicRow Independent Artist of the Year winner CJ Solar, and Chance McKinney. Photo: Haley Crow/MusicRow
Pictured (L-R): Jessie Runion, MusicRow Chart Director Alex Kobrick, and Shane Runion. Photo: Haley Crow/MusicRow
Pictured (L-R): Toad, Stoney’s Rockin’ Country; Katlyn Lowe; Jim Della Croce, Pathfinder Management. Photo: Haley Crow/MusicRow
Pictured (L-R): Renegade Radio Nashville’s Kaptain Jack and MusicRow Chart Director Alex Kobrick. Photo: Haley Crow/MusicRow
Country radio broadcasters, artists and industry affiliates enjoy the 17th Annual CountryBreakout Awards. Photo: Haley Crow/MusicRow
On The Cover: 2019 ‘MusicRow’ CountryBreakout Awards Issue
/by Haley CrowDylan Scott is featured as the cover artist for MusicRow Magazine’s 2019 CountryBreakout Awards Issue, which is available now.
A Louisiana native with a lifelong passion for country music, Scott is the total package—a powerful singer with a deep, resonating drawl; an old-soul songwriter with a young spirit; a heartthrob with an easy smile; and a dreamer who followed his father’s footsteps to Nashville. Prior to landing his record deal, he learned the basics of singing and playing guitar from his dad—a former guitar player for country legends Freddy Fender and Freddie Hart.
Scott launched onto the country music scene with “Making This Boy Go Crazy,” the debut single from his self-titled EP. His follow-up, the infectious “Crazy Over Me,” debuted at No. 14 on the Billboard Country Digital Song Sales chart and hit the Top 40 on Billboard’s Country Airplay chart. Scott’s debut album for Curb Records, DYLAN SCOTT, landed in the Top 5 of Billboard’s Country Albums chart, and its romantic standout RIAA Platinum-certified single, “My Girl,” became his first career No. 1 at country radio.
Continuing the momentum, his latest single, “Hooked,” has been streamed nearly 100 million times and is certified Gold. Fans have streamed Scott’s songs an impressive 545 million times and counting, and sales have topped 4 million song equivalent sales—figures that continue to grow by leaps and bounds. Scott’s headlining Nothing To Do Town Tour kicked off in January in New York City.
MusicRow’s 2019 CountryBreakout Awards Issue honors the artists, label imprint, and songwriter who have garnered the most spins on the MusicRow CountryBreakout Chart over the past year, as well as Reporter of the Year which was selected by MusicRow from its weekly reporting panel of over 80 country stations in the secondary radio market. In addition to winner-profiles, the issue includes interviews with incoming CRS leader RJ Curtis and outgoing leader Bill Mayne. Also profiled are BBR’s Granger Smith and Jon Loba, Nash Nights Live‘s Elaina Smith, Big Machine Radio’s Becca Walls, and MusicRow chart reporter Arnie Andrews (WCOW-COW97, Sparta, Wisconsin).
Copies of the 2019 MusicRow CountryBreakout Awards Issue print magazine can be purchased here, or received with the purchase of a yearly MusicRow Magazine subscription.
Fifth Annual “The First And The Worst” Event To Feature Desmond Child, Jamie Floyd, Laura Veltz
/by Jessica NicholsonFor the fifth year, songwriters will come together to share the very first songs, and the very worst songs, they’ve ever written. Dubbed “The First And The Worst,” the annual event supports the work of Music Health Alliance, and will be held March 26 at Nashville’s City Winery.
Grammy-winning songwriter Desmond Child, “The Blade” writer Jamie Floyd, and “Speechless” co-writer Laura Veltz will take part in this year’s event. Child has earned more than 80 Billboard Top singles spanning five decades (including classics “Livin’ On A Prayer,” “Dude Looks Like A Lady,” and “Livin’ La Vida Loca”). Floyd has penned songs including Ashley Monroe’s “The Blade” and has appeared on the talent competition Real Country and the documentary The Last Songwriter. Veltz’s hits include the No. 1 Dan + Shay hit “Speechless,” as well as hits for Maren Morris, Eli Young Band and Chris Young. The event will be hosted by the Country Music Hall of Fame and Museum’s Peter Cooper.
“The First & Worst has become a cornerstone of the foundation of Music Health Alliance,” said Music Health Alliance Founder & CEO Tatum Allsep. “In the last five years, this event has raised over $500,000 for our programs and services enabling access to life-saving healthcare for the music industry in their most vulnerable time of need.”
Individual tickets are on sale now, priced at $75 for balcony seats at citywinery.com. Sponsor tables start at $250 and can be purchased by contacting Music Health Alliance’s Shelia Shipley Biddy at shelia@musichealthalliance.com. Funds raised will help Music Health Alliance protect, direct & connect music industry professionals with medical and financial solutions.
Big Deal Music Group Inks Deal With Exactuals
/by Jessica NicholsonExactuals, a provider of solutions for complex payments and metadata issues in the entertainment industry, has partnered with Big Deal Music Group. Exactuals will provide advanced analytics services to Big Deal via its payer and payee portal dashboards to glean trends from real-time data for its entire roster and enable complete transparency for its artists. The portals are built on Exactuals’ flagship Software as a Service (SaaS) platform PaymentHub, which also enables secure, accurate, transparent, and fast payments for complex transactions such as residuals and royalties.
“At Big Deal, we put our all into creating the most value for our artists and songwriters, whether that be through exposure, sync placements, royalties, or more,” said Perrie Jones, Jr., Vice President, Creative Development at Big Deal. “Our partnership with Exactuals helps us do just that, ensuring that our roster and business partners have 24/7 access to the most up-to-date royalty activity data.”
“Big Deal works with a large roster of highly talented artists who generate mountains of payment data. PaymentHub empowers Big Deal’s leadership to create actionable insights from this data,” said Mike Hurst, CEO and Co-Founder of Exactuals. “The heart of our mission at Exactuals is to simplify the complex financial side of the industry, allowing publishers and rights-holders to focus on landing placements and growing their business rapidly. We are thrilled to enable Big Deal to serve its client base with a truly differentiated service.”
With PaymentHub, Big Deal can track payment data and conduct in-depth analysis in real time for its entire roster, which includes artists and songwriters such as Beach House, John Ryan, Teddy Geiger, Jake Sinclair, Julian Bunetta, Caroline Rose, Dan Wilson, Dave Sitek, Kamasi Washington, Lucy Dacus, My Morning Jacket, Nick Lowe, Pavement, Rosanne Cash, Sharon Van Etten, Sleater-Kinney, St. Vincent, and more.
Midland Leads The Big Gig For The Hall
/by Jessica NicholsonPictured (L-R): Cameron Duddy; Lisa Purcell, VP of Development, Education and Community Outreach at the Country Music Hall of Fame and Museum; Mark Wystrach; Jess Carson. Photo: Jason Kempin/Getty Images for the Country Music Hall of Fame and Museum
Big Machine Records trio Midland led the Big Gig, the Country Music Hall of Fame and Museum’s annual members-only concert last night (Feb. 12). The trio performed for more than 600 museum members.
From now until Thursday, Feb. 28, 2019, the museum is offering 10 percent off both individual and family memberships. Annual museum membership benefits include: unlimited free museum admission; performances and special events; unique programs for all ages; and discounts on dining, shopping, and tours of Hatch Show Print and Historic RCA Studio B.
Industry Ink: Kinkead Entertainment, 117 Management, KORE PR, Music Rights Administration Group
/by Jessica NicholsonPaul Bogart
Bogart Signs With Kinkead, 117 Management
Paul Bogart has signed with The Kinkead Entertainment Agency, as well as with Zach Farnum’s 117 Management.
Bogart most recently released his acclaimed album, Leather, in 2017, produced by Trent Willmon. Kinkead and 117 join Willmon, Pepper Meiler/9,000 Miles New Media and 117 Publicity on the Paul Bogart team.
Glen Templeton Inks Deal With KORE PR
Alabama native Glen Templeton has signed with KORE PR for public relations representation. His new album Run With Me is in the works, with his new radio single to be released in March.
Music Rights Administration Group To Hold Launch Meeting Feb. 20
Music Rights Administration Group will hold a kick-off meeting at ASCAP’s Nashville office on Feb. 20 from noon until 1 p.m.
The Publishers Administration Network and Music Row Administration Group have joined forces to create Music Rights Administration Group, open to anyone who works with music rights issues, including publishers, administrators, labels, artists managers and more. The Feb. 20 meeting will introduce the group’s new coordinator, Concord Music’s Brian Buchanan, and will update attendees on the Music Licensing Collective Coalition.
ASCAP will provide lunch for the event, and RSVPs are being accepted at shirleyhutchins@aol.com
Glen Templeton
Glen Templeton Inks Deal With KORE PR
Alabama native Glen Templeton has signed with KORE PR for public relations representation. His new album Run With Me is in the works, with his new radio single to be released in March.
Music Rights Administration Group To Hold Launch Meeting Feb. 20
Music Rights Administration Group will hold a kick-off meeting at ASCAP’s Nashville office on Feb. 20 from noon until 1 p.m.
The Publishers Administration Network and Music Row Administration Group have joined forces to create Music Rights Administration Group, open to anyone who works with music rights issues, including publishers, administrators, labels, artists managers and more. The Feb. 20 meeting will introduce the group’s new coordinator, Concord Music’s Brian Buchanan, and will update attendees on the Music Licensing Collective Coalition.
ASCAP will provide lunch for the event, and RSVPs are being accepted at shirleyhutchins@aol.com
Country Music Hall Of Fame’s Peter Cooper To Lead ‘Voices In The Hall’ Podcast
/by Jessica NicholsonThe Country Music Hall of Fame will give listeners a deeper look into the stories behind the stars that help create the wide tapestry of country music in a new podcast series premiering Feb. 22, titled Voices In The Hall. The podcast is hosted by the museum’s senior director, producer and writer Peter Cooper and recorded inside the museum’s Audio Lab.
The first season includes interviews with Dierks Bentley, Mary Chapin Carpenter, Rosanne Cash, Dave Cobb, Jessi Colter, Larry Gatlin, Emmylou Harris, Sierra Hull, Ricky Skaggs, Ray Stevens, and Charlie Worsham.
Mitchell Tenpenny Packs Tin Roof To Celebrate “Drunk Me”
/by LB CantrellPictured (L-R, standing): Play It Again’s Juli Netwon Griffith, SESAC’s Kelli Turner, Sony/ATV’s Dane Schmidt, Sony Music Nashville’s Steve Hodges, BMI’s Josh Tomlinson, ASCAP’s Beth Brinker, BMG’s Jake Gear, Tree Vibez Music’s Leslie DiPiero, Warner/Chappell’s Jessi Vaughn. (L-R, seated): SESAC writer Justin Wilson, BMI songwriter and Columbia Nashville recording artist Mitchell Tenpenny, ASCAP writer Jordan Schmidt. Photo: Steve Lowry
Riser House and Columbia Nashville artist Mitchell Tenpenny packed Tin Roof on Demonbreun in Nashville to celebrate his first No. 1 as an artist and a songwriter. The Sony/ATV writer commemorated the Platinum-certified hit with his co-writers Jordan Schmidt (Tree Vibez Music Publishing; Warner/Chappell; We-Volve Music) and Justin Wilson (BMG; Play It Again Music). The party was thrown by BMI, ASCAP and SESAC. Schmidt and Tenpenny produced the track.
BMI’s Josh Tomlinson helped keep the joyful and rowdy room on task as he led the event. As is tradition, BMI presented Tenpenny with a Taylor guitar.
“I have an innumerable amount of stories that I could talk about with Mitchell,” he said with a smirk. “Two summers ago I got a text that said ‘hey, do you want to come out on the bus with Mitchell to go down to Rome, Georgia with Jordan Rager?’ and I was like ‘yeah, sure sounds awesome!’
“It somewhere got lost in translation to me that it wasn’t a bus,” he continued. “It was a party bus. A full-blow, prom-style party bus. And then getting to Rome and just wanting to go to the green room so bad where there was air conditioning and then realizing that there was no air conditioning in the green room in Rome, Georgia. The most important part of that day, though, was Mitchell was [sick], but he was super concerned about everybody else and making sure they were having a good time.”
Tomlinson also quoted lyrics from the heartfelt track “Walk Like Him” on Tenpenny’s debut album, Telling All My Secrets, which reads:
I spend every day tryna make him proud
If I said that I didn’t, I’d be lying.
“All I can say today for a fact,” Tomlinson said. “All this stuff is fine, all this stuff is awesome, but Mitchell, this room is completely full of people who are so proud of you.”
ASCAP’s Beth Brinker was there to lend her always lovely sentiments about Schmidt, who was celebrating his fourth No. 1, and Tenpenny.
“The incredible things that have happened for Jordan Schmidt in the very small amount of time from 2015 when he joined the Tree Vibez family,” she said. “It’s incredible and clearly not stopping any time soon. It’s a testament to his hard work and his truly fresh take not just on production but on the craft of songwriting.”
Brinker also gave a shout out to First Tennessee Bank for their support of songwriters and music people.
SESAC’s Kelli Turner filled in for Shannan Hatch, who was on her way back from the Grammys.
“We’re thrilled to be here to celebrate Justin’s third No. 1 song!” she said. “Justin was one of the first songwriters that I met when I moved to Nashville. SESAC is so proud to represent you. We look forward to so many more awesome No. 1 songs and No. 1 parties.”
Pinnacle Bank’s David Smith announced that they would be making a donation to St. Jude Children’s Hospital in honor of “Drunk Me.” The CMA’s Brandi Simms expressed pride in the songwriters and presented them with their No. 1 medallions.
Country Aircheck‘s Lon Helton gave some perspective when he presented Tenpenny with his No. 1 plaque. “This is kind of a full-circle moment,” he said. “I don’t know how many of these No. 1 parties I attended with Mitchell’s grandmother, Donna Hilley. Those of you in this room that don’t know that name, you should. Back in the ’80s when there were very, very few women music executives in this city, Donna rose to become the CEO of Sony/ATV. So look her up, you need to know her.”
Pictured (L-R, standing): Sony Music Nashville’s Lauren Thomas, Christy Garbinski, Shane Allen, Jen Way, Jim Catino, Steve Hodges, Taylor Lindsey, Lyndsay Church, Olivia Laster. (L-R, seated): Justin Wilson, Mitchell Tenpenny, Jordan Schmidt. Photo: Steve Lowry
BMG Nashville’s Jake Gear stepped up to the podium and quickly ordered a round of tequila to toast the “Drunk Me” writers.
“I’ve been a Justin Wilson fan for quite a while now,” Gear said. “Justin, you have a gift of writing kick-ass country songs. Songs that make you proud of where you come from, songs that make you want to drink beer and songs that make you feel the nostalgic heart pains of love lost. You have another gift, your voice. But these gifts would be wasted if it wasn’t for your drive. Thank you for your hustle, thank you for not canceling co-writes last minute, thank you for always being open to new ideas.”
Play It Again Music and Magic Mustang’s Juli Newton Griffith echoed Gear’s sentiment about Wilson.
“I think most of you guys know how far Justin Wilson and I go back,” she said. “I signed Justin in 2013 and I absolutely adore Justin Wilson more than most people in this town. He works hard and creates good music, and that is what brought us here.”
She joined Play It Again President and CEO, Dallas Davidson, to present Wilson with a certified Platinum plaque. “That’s a non-recoupable plaque,” Davidson joked.
Griffith also gave a shout out to Sony Nashville’s Randy Goodman and Steve Hodges, as well as Riser House’s Jennifer Johnson, and their teams.
Tree Vibez Music’s Leslie DiPiero was in attendance to honor Schmidt. She presented them with No. 1 hats. “We’re not as rich as Dallas just yet,” she quipped.
“Tyler and Brian want Jordan to know that they wish they could be here,” she said of Tree Vibez founders (and Florida Georgia Line members) Tyler Hubbard and Brian Kelley. “You were their first signing! We all believe that Jordan is stepping into the sweet spot of his career with not only writing but producing.
“His drive and talent are so ferocious,” she continued. “There are two important insights everybody needs to know about Jordan that I’ve observed in the past year and a half. He seems to be the first person everyone calls when they’re looking to write a hit and he appears to be the first person everyone calls when they’re about to throw a party!”
Sony/ATV’s Dane Schmidt was on hand to celebrate with his brother Jordan, as well as Tenpenny and Wilson. He made sure to thank Johnson, Kristen Ashley and JT Pratt (11/10 Management) and Enzo DiVincenzo (377 Management) along with the Sony Music Nashville team.
He also listed Hodges, Shane Allen, Lauren Thomas, Bo Martinovich, Lyndsay Church, Cliff Blake, Paige Elliot and Mark Jennings of the Sony Nashville promotion team.
Allen made sure to deliver the facts. “To come out with ‘Drunk Me’ and to have the biggest impact date of any song in two years, since Maren Morris’ ‘My Church,’ that’s a huge thing,” he said. “And then you come out with the album, Telling All My Secrets having had the biggest debut week for a debut artist of anybody in 2018.”
Allen also relayed that “Drunk Me” is industry veteran Blake’s final No. 1 after a career of promoting 70 No. 1 hits.
Johnson expressed her thanks and gifted the songwriters with a gift card to Nike, so that they could be as “swole” as Tenpenny.
“I want to especially thank the entire team at Riser House and Sony for working beautifully together,” she said.
Pictured (L-R): Justin Wilson, Mitchell Tenpenny, Jordan Schmidt. Photo: Steve Lowry
When it came time for the songwriters to speak, it was a brotherly love fest.
“Thank you guys,” Wilson said to his co-writers. “You love hard and you love fast. That’s lacking in a lot of places in the world today. I want to let you guys know that music heals and music saves and music is powerful. If not for this industry, I wouldn’t exist because I just need as much as all of us do. I’m a fan of everyone in this room, because all of us are stupid as hell for doing what we do.”
Wilson also mentioned that he had advised Tenpenny not to release “Drunk Me” as his debut single, because of its dark subject matter.
Jordan Schmidt showed his humor when it came time for him to speak.
“We’d written a few songs and Mitchell goes ‘I think I’m going to do the artist thing’ and he said ‘I’m going to cut ‘Drunk Me’ and I swear I’m going to make it No. 1,'” Schmidt said. “And I was like, ‘sure you are, buddy. You got this, man. All the way to the top, me and you.’ And then the guy freaking does it! And that’s Mitchell Tenpenny in a nut shell.
“Pretty much everybody knows that I wouldn’t be up here without Dane, so thank you,” Schmidt continued of his brother. He also thanked BMG, Kos Weaver, Jeff Braun, Alex Wright, and many more.
When Mitchell Tenpenny stepped up to the mic, he was smiling ear to ear.
“I went to probably a hundred of these when I was a kid and I’ve been dreaming of one day being up here so this is just a full-circle moment for me,” Tenpenny gushed. “I’m very grateful to see everybody out there, friends and family, you have no idea what it means.”
Tenpenny thanked his family, grandmother, Kristen Ashley, Matt Swanson and Jennifer Johnson and Riser House, Randy Goodman, Bo Martinovich and Sony/Columbia, Red Light, WME, his band, his girlfriend and many more.
“Justin Wilson is one of the best songwriters in Nashville,” Tenpenny said. “Yes, he is the drunkest songwriter in Nashville, but he is also one of the best. All you hear as an artist from songwriters is are you going to make my song a single. He was trying to make his song not a single because he believes in the artist side of it. That shows you Justin.
“This is one of my best friends in the entire world, Jordan Schmidt,” he continued. “There’s no denying his talent, the world knows it now. I was the first one who got him though, and I will always brag on that! He put out an amazing record. Same with Paul DiGiovanni who produced some on this record as well.”
In the spirit of “Drunk Me,” Tenpenny ended the celebration with, “thank you guys, thank you God, let’s go drink.”
Jason Isbell and The 400 Unit, Father John Misty Plot Co-Headlining Tour
/by Jessica NicholsonThis summer, Father John Misty and Jason Isbell and The 400 Unit will launch a co-headlining run of shows. The tour will begin on June 5 in San Diego, with stops that include Berkeley, Seattle, Minneapolis, Chicago, Detroit, Brooklyn, Philadelphia, Dallas and Houston, before wrapping up in Tulsa, Oklahoma on June 29. Support for these dates will come from Jade Bird (June 6th-25th) and Erin Rae (June 27th-29th).
Jason Isbell and The 400 Unit are touring in support of their album The Nashville Sound, which earned Grammys for Best Americana Album and Best American Roots Song for “If We Were Vampires, as well as their project Live From The Ryman. Father John Misty is currently supporting God’s Favorite Customer, which released in 2018.
Jason Isbell and The 400 Unit, Father John Misty Summer 2019 Tour dates:
June 6 – San Diego, CA – Cal Coast Credit Union Amphitheater*
June 7 – Santa Barbara, CA – Santa Barbara Bowl*
June 8 – Berkeley, CA – Greek Theatre*
June 9 – Bend, OR – Les Schwab Amphitheater*
June 11 – Redmond, WA – Marymoor Park Concerts*
June 14 – Minneapolis, MN – The Armory*
June 15 – Chicago, IL – Huntington Bank Pavilion at Northerly Island*
June 16 – Milwaukee, WI – BMO Harris Pavilion*
June 17 – Detroit, MI – Fox Theatre*
June 19 – Brooklyn, NY – Celebrate Brooklyn! Performing Arts Festival*
June 20 – Canandaigua, NY – Constellations Brands – Marvin Sands Pavilion*
June 21 – Columbia, MD – Merriweather Post Pavilion*
June 22 – Philadelphia, PA – Metropolitan Opera House*
June 24 – Richmond, VA – Altria Theater*
June 25 – Cary, NC – Booth Amphitheatre*
June 27 – Irving, TX – Pavilion at Toyota Music Factory**
June 28 – Houston, TX – White Oak Music Hall – Lawn**
June 29 – Tulsa, OK – BOK Center**
* with Jade Bird
** with Erin Rae