
Pictured (L-R): BMI’s Clay Bradley, Troubadour John Fogerty, BMI’s Mike O’Neill and BMI’s Mason Hunter. Photo: Erika Goldring for BMI
An American music titan was saluted Monday evening (Sept. 8) as rock royalty John Fogerty was presented with BMI’s Troubadour Award.
“I hope I’m worthy of all this attention,” said the humble legend who has a catalog of immortal songs he wrote for Creedence Clearwater Revival as well as his solo albums. “I’m pretty overwhelmed.”

John Fogerty performs of “Up Around The Bend,” “Bad Moon Rising” and “The Old Man Down the Road” alongside his sons, Shane and Tyler Fogerty. Photo: Erika Goldring for BMI
Fogerty was saluted in song and speeches during an invitation-only two-hour cocktail party, banquet and ceremony. BMI’s Clay Bradley presided.
“You are in for a real treat, I promise you,” said Bradley when he took the stage. “The power of music can transcend time itself.”
A stellar lineup of talents sang Fogerty’s enduring classics. New sensation Jesse Wells kicked it off with “Have You Ever Seen the Rain.” Z.Z. Top’s Rock & Roll Hall of Fame member Billy Gibbons joined with Grammy winning La Marisoul for a Spanglish rendition of “Green River.” Classic rock vocalist Jay Buchanan turned in an electrifying version of “Fortunate Son.”
Writer David Wild gave the induction speech. “Legacy is the title of his new album,” Wilds said. Named for “a legacy you created, nurtured and ultimately won back. You won…a happy ending that you deserve, and that’s the most heartening legacy of all. These are songs that defined and graced all of our lives….songs made to outlive us, and what Troubadour could have a better legacy than that?” Fogerty battled in the courts for years to regain control of his copyrights, which was a symbolic victory for all music creators.

Pictured (L-R): BMI’s Clay Bradley, BMI’s Mike Steinberg, Billy F Gibbons, La Marisoul, The War And Treaty, Lainey Wilson, 2025 BMI Troubadour John Fogerty, Jay Buchanan, Jesse Welles, BMI’s Mike O’Neill and Mason Hunter. Photo: Erika Goldring for BMI
The evening’s celebratory mood was amped up by The War and Treaty, who offered a barn-burning “I Put a Spell on You” and a soul-saturated “Born on the Bayou.” Then Lainey Wilson capped the tribute music with “Proud Mary.”
All of the performances were given standing ovations. Interspersed among them were video congratulations from Chris Stapleton, Eric Church and Dolly Parton, among others.
The Troubadour Award recognizes songwriters who have made significant contributions to the music industry and whose work has endured over time. It celebrates songwriting prowess and impact. Prior recipients have been Lucinda Williams, John Hiatt, the late John Prine and attendees Gibbons, John Oates and Robert Earl Keen.

Pictured (L-R): BMI’s Mike O’Neill, 2025 Troubadour John Fogerty, 2024 Troubadour John Oates, 2023 Troubadour Billy F Gibbons, 2015 Troubadour Robert Earl Keen and BMI’s Clay Bradley pose at the ceremony in Nashville. Photo: Erika Goldring for BMI
“I can’t believe this is happening,” said honoree Fogerty. “Like many of you, I was captivated by music. This is a town that music has built…by people who were captivated by music like I was. I heard Hank Williams and Nashville became a symbol for me, a magical place.
“The main thing I want to say is I’ve been blessed. I don’t know what else to say. I love you all.”
For Legacy, John Fogerty re-recorded his classics with a new band including his sons Tyler and Shane. They joined him on stage to rip through a set including a thrilling “Up Around the Bend,” a long jam on “Old Man Down the Road” and the rousing, apocalyptic “Bad Moon Rising.” At age 80, Fogerty still sounded astounding, singing with passion in the same keys that the raspy rock tenor originally recorded his hits in.
The banquet crowd was spellbound, reveling in an intimate mini concert by a songwriter’s songwriter, an American original, a national treasure and a true, modern Troubadour. Notable musicians in attendance included Elizabeth Cook, Fats Kaplan, Jeff Hanna, Dave Pomeroy, Liz Rose, Ray Kennedy, Carmella Ramsey, Matraca Berg, Steve Fishell, Kenny Vaughan, Bob DiPiero and 2025 Americana Lifetime Achievement honoree Regina McCrary, as well as Keen, Gibbons and Oates.
The event was the unofficial kick-off of the Americana Music Association’s annual celebration week. Known as AmericanaFest, it takes place in various Nashville venues Sept. 9-13.
Trisha Yearwood Unveils New Holiday Album & Tour
/by LB CantrellTrisha Yearwood will embrace the magic of the holidays this season with a new album, Christmastime, arriving Nov. 7 via Virgin Music Group and Gwendolyn Records. The project follows her recently-released The Mirror which marked the first album fully co-written and co-produced by the Grammy winner.
Produced by Grammy Award winner Don Was and featuring lush arrangements composed by the legendary David Campbell, Christmastime showcases Yearwood’s powerhouse vocals across a collection that blends beloved classics, reimagined hits and some brand new originals.
Included on the album is an orchestral update of “Christmastime Is Here” from A Charlie Brown Christmas, a soulful new take on Elvis Presley’s classic “Blue Christmas” and a cinematic reimagining of “Pure Imagination” from Willy Wonka and the Chocolate Factory, as well as “My Favorite Things,” “You’re A Mean One, Mr. Grinch,” “Simple Gifts,” “It’s Just Another New Year’s Eve,” “Cool Yule,” “Santa Claus is Coming to Town,” “Years” and “Candy Cane Lane.”
The album also features “Merry Christmas, Valentine,” a heartfelt original co-written and performed with Garth Brooks.
To celebrate the release, Yearwood will embark on the “Christmastime with Trisha Yearwood: 12 Days of Christmas Tour,” performing alongside local symphonies across the country. The limited run begins Dec. 2 in Nashville and will visit major cities including Newark, Atlanta, Pittsburgh and Detroit before wrapping Dec. 20, in Louisville, Kentucky. Tickets go on sale Friday, Sept. 12.
“Christmas has always been one of my favorite times of year, and these songs mean so much to me,” said Yearwood. “To be able to perform them with a full symphony brings the magic to another level. I can’t wait to share this music and celebrate the season with fans on tour.”
“Christmastime with Trisha Yearwood: 12 Days of Christmas Tour” Dates:
Tuesday, December 2, 2025 – Nashville, TN – Schermerhorn Symphony Center
Wednesday, December 3, 2025 – Nashville, TN – Schermerhorn Symphony Center
Friday, December 5, 2025 – Newark, NJ – New Jersey Performing Arts Center
Saturday, December 6, 2025 – Springfield, MA – MGM Symphony Hall
Wednesday, December 10, 2025 – Atlanta, GA – Atlanta Symphony Hall
Thursday, December 11, 2025 – Clearwater, FL – Ruth Eckard Hall
Friday, December 12, 2025 – Naples, FL – Hayes Hall
Saturday, December 13, 2025 – Fort Lauderdale, FL – Broward Center for the Performing Arts
Wednesday, December 17, 2025 – Grand Rapids, MI – DeVos Performance Hall
Thursday, December 18, 2025 – Pittsburgh, PA – Heinz Hall
Friday, December 19, 2025 – Detroit, MI – Orchestra Hall
Saturday, December 20, 2025 – Louisville, KY – Palace Theater
Christmastime Track Listing:
1. “Christmastime is Here”
2. “Blue Christmas”
3. “Cool Yule”
4. “My Favorite Things”
5. “You’re a Mean One, Mr. Grinch”
6. “Years”
7. “Santa Claus is Coming to Town”
8. “Merry Christmas, Valentine”
9. “Candy Cane Lane”
10. “Pure Imagination”
11. “It’s Just Another New Year’s Eve”
12. “Simple Gifts”
RCA Records & Bourne Creatives Launch Joint Venture
/by Lauryn SinkDylan Bourne. Photo: Luis Garcia-Cano
RCA Records has teamed up with Bourne Creatives to sign and develop new artists across all genres.
Dylan Bourne, who formed Bourne Creatives in 2020, will helm the venture. With roots in both Los Angeles and Nashville, his background includes management, label and publishing experience.
This partnership will expand upon RCA’s A&R reach and focus on helping artists build a creative and strategic foundation from the ground up. Independent of this joint venture, Bourne Creatives will continue working with its existing management roster of artists.
“Our ability to identify and cultivate talent in their early stages, paired with the proven artist development team at RCA Records, will provide the tools to build sustainable careers with both cultural and commercial impact,” shares Bourne.
“Dylan and his team have a keen eye for talent discovery and an expertise in grassroots artist development that will enhance our capabilities across multiple genres,” adds John Fleckenstein, COO, RCA Records.
Emily Ann Roberts Readies ‘Memory Lane’ EP Due In October
/by Lauryn SinkEmily Ann Roberts will release her next EP, Memory Lane, on Oct. 3, marking her debut project with RECORDS/Sony Music Nashville.
The seven-song project features “Easy Does it,” “The Fence” and “Scratching Out A Living,” which Roberts debuted earlier this year along with a few new tracks.
Robert released her latest track, “Jack and Jill Daniels,” last Friday (Sept. 5)
“As far back as I can remember I have loved hearing a good story. And while honesty is the best policy, some of the best stories stretch the truth a little bit,” shares Roberts about the song. “I was at a retreat writing with Ryan Beaver, Jeremy Spillman, and Trent Willman in January when this song was born. Ryan and Jeremy had the idea that maybe Jack Daniels was created to help him move on from Jill, and the rest is history.”
Memory Lane Track List:
1. “Memory Lane”
2. “Jack & Jill Daniel’s”
3. “Easy Does It”
4. “Pretty In Pink”
5. “Scratching Out A Living”
6. “The Fence”
7. “Bus to Augusta”
Luke Bell’s Unreleased Recordings Set For Release In November On ‘The King Is Back’
/by Lorie HollabaughThirty Tigers is posthumously releasing Luke Bell‘s The King Is Back, a 28-song album of the unreleased recordings that would have made up Bell’s sophomore album, on Nov. 7.
Three years ago, the Wyoming-born singer/songwriter tragically passed away at age 32. The collection captures Bell in his artistic prime, spinning stories about blue-collar workers, heartbroken ramblers, and the personal struggles that bind us together. The project was assembled by Luke’s mother Carol Bell and manager Brian Buchanan, and was produced by Andrija Tokic, Stephen Daly, Justin Frances and Luke Bell, who wrote every song.
The album’s title track “The King Is Back” was just released alongside a video featuring footage of Bell and his best friend, his dog Bill, at the historic TE Ranch west of Cody, Wyoming where he lived and worked during his musical off seasons.
Bell was raised in Cody, Wyoming, and independently released two albums before signing with Thirty Tigers for his self-titled debut, which established him as one of the strongest new voices in country. Bell tragically lost his father to cancer in 2015 and began struggling with severe mental illness, which made it increasingly difficult to play shows and continue living in Nashville. He was ultimately diagnosed as bipolar, and spent the following years tirelessly grappling with his illness, leading to hospitalizations and even a stint in jail. On August 26, 2022, Bell was found dead in Tucson, Arizona, after going missing.
The King Is Back is available for pre-order including a double LP pressed on cloud colored vinyl in a deluxe gatefold jacket, and includes a 24-page lyric booklet with photos and heartfelt liner notes written by Carol Bell. All proceeds from the album release will support The Luke Bell Memorial Affordable Counseling Program, a non-profit founded by Carol and Jane Bell that supports Big Horn Basin residents by providing up to 10 therapy sessions.
“It’s a meaningful way for Luke to give back to his community,” Carol says of the album’s charitable purpose. “A lot of Luke’s songs feature brave, cocksure characters who are hiding some kind of pain, and I think Luke was writing about himself, even though the songs weren’t always autobiographical. I also see traces of Luke in funny songs like ‘Orangutang,’ which might be about a Wyoming kid who wound up in Nashville, feeling like an ape who just escaped the zoo. The willingness to be silly and ridiculous, for the sake of fun – that’s very much like Luke, too. He changed the way we see the world. He helped us see people we didn’t always notice before, and he helped remind us how much they matter.”
On Sept. 11 at AmericanaFest in Nashville, Western AF will present a tribute to Luke Bell at The Basement East featuring many of Luke’s peers as well as his sister, Jane Bell.
Noah Hicks Readies New Project ‘Small Town Does’ For October
/by Lorie HollabaughNoah Hicks will release his new project, Small Town Does, on Oct. 10 via Nashville Harbor Records & Entertainment. A new single from the album, “Country Tonight,” is out now.
“Country Tonight” finds Hicks itching to ditch the hustle and bustle of the city for the calm of the country, as he seethes with pent-up longing to escape from the concrete jungle and return to his red dirt roots. Infused with southern grit, Small Town Does features hard-working anthems and slow-rolling backroad ballads across its eight songs co-written by Hicks, and includes previously-released tracks “Small Town Does” and “Get Enough,” in addition to “Country Tonight.” Among the writers contributing to the album are Zach Abend, Lindsay Rimes and Jeremy Stover.
“This project means a lot to me,” shares Hicks. “It’s made up of songs I’ve written over the last couple of years, and I think it does a good job of telling you a little more about me and the life I’m living. It’s important to me to keep giving fans new music, and I’m excited to see what they think of Small Town Does!”
Next month, Hicks will embark on his headlining “Small Town Does Tour” which will kick off on the album’s release day (Oct. 10) in Nashville before visiting cities including Chicago, Baltimore, Philadelphia and more, and wrapping in Athens on Nov. 5.
Small Town Does Track List:
1. “Country Tonight” (Noah Hicks, Zach Abend, Troy Cartwright)
2. “Better Bad Habit” (Noah Hicks, Zach Abend, Jordan Walker, Justin Wilson)
3. “That Fire” (Noah Hicks, Paul DiGiovanni, Jeremy Stover, Cole Taylor)
4. “Small Town Does” (Noah Hicks, Zach Abend, Cole Taylor)
5. “The Best For Me” (Noah Hicks, Paul DiGiovanni, Jeremy Stover, Cole Taylor)
6. “Might As Well Be Gone” (Noah Hicks, John Pierce, Lindsay Rimes)
7. “Get Enough” (Noah Hicks, John Pierce, Lindsay Rimes)
8. “More People Don’t” (Noah Hicks, Will Bundy, Jeremy Stover, Cole Taylor)
Weekly Register: Zach Top Breaks Into Top Five
/by Lauryn SinkMorgan Wallen has maintained his spot atop the country albums and streaming songs charts this week, according to Luminate data. His duet with Tate McRae, “What I Want,” remains at No. 1 on the songs chart with 13 million streams this week adding to its 311 million total, while his I’m The Problem record holds its top position on the albums chart with 105K in total consumption.
On the albums chart, Wallen takes the No. 2 spot with One Thing At A Time garnering 35K in total consumption. BigXThaPlug holds the No. 3 spot with I Hope You’re Happy gaining 30K in total consumption. Zach Top takes the No. 4 spot with Ain’t In It For My Health garnering 28K in total consumption. Rounding out the albums chart is Wallen’s Dangerous: The Double Album with 27K in total consumption.
On the songs chart, Wallen holds the top four positions. “I Got Better” takes the No. 2 spot with 12 million streams this week. “I’m The Problem” and “Just In Case” come in at No. 3 and No. 4 respectively with 11 million streams each this week. At No. 5 this week is BigXThaPlug and Bailey Zimmerman’s “All The Way” with 9.6 million streams.
A New Level: Russell Dickerson Talks Career Highs & What Comes Next [Interview]
/by LB CantrellRussell Dickerson
When Russell Dickerson posted a quick video from a hotel gym earlier this year, he didn’t expect it to launch the biggest single of his career. “Happen To Me,” built around a playful nod to Cyndi Lauper’s “Girls Just Wanna Have Fun,” quickly became more than a viral moment. It scored his highest streaming debut to date with more than 175 million global streams, landed at No. 1 on SiriusXM’s The Highway and the UK Country Radio Airplay Chart, and now sits at No. 2 on the Billboard Country Airplay chart.
At his Famous Back Home album release event in August, Dickerson was surprised with an RIAA Gold plaque for the track—a milestone he admits still feels surreal.
Triple Tigers Co-President Annie Ortmeier, Russell Dickerson and Co-President Kevin Herring at Dickerson’s Famous Back Home release party
“I thought ‘Bones’ was the single,” he says, recalling how he fought to make it the lead. But when the lighthearted “Happen To Me” caught fire, Dickerson leaned in, letting fan response rather than a marketing plan set the tone. “It was an instant grat track. We just threw up a video for fun,” he says. “Next thing you know, it’s my biggest song yet. You hope for those moments, but you can’t manufacture them.”
That moment marks a new chapter for an artist who’s been quietly stacking wins for nearly a decade. With five multi-Platinum No. 1 hits, a reputation for tireless touring and a catalog built around love and optimism, Dickerson has carved out his own lane in a crowded landscape. Famous Back Home captures both sides of that story: the family man who still writes about life with his wife and sons at the center, and the entertainer who wants his shows to feel as big as any in the format.
Co-produced with longtime collaborator Josh Kerr and featuring his first outside cuts, the record finds Dickerson stretching sonically without abandoning the hooks and heart that built his career. Songs like “Sippin On Top of the World” lean into sludgy guitars and arena-ready choruses, while “Never Leave,” written by Josh Miller, Greylan James and Matt Roy, show off his sincerity. “Never Leave” made its way to Dickerson after Thomas Rhett came over to Dickerson’s house to preview his then-unreleased album. When the song didn’t appear on the track list, Dickerson wasted no time cutting his own vocal—and then landed a guest appearance from Vince Gill.
“I knew as soon as Thomas didn’t use it, I wanted it,” Dickerson says with a laugh. “And then Vince Gill ended up on it. That’s a bucket list moment.”
Russell Dickerson
Even as the album experiments with sounds and collaborators, Dickerson says he avoided chasing the brooding, minor-key trends dominating much of country radio. “It’s so easy to get pulled toward whatever’s hot,” he admits. “But I’ve learned to trust my instincts. I want to stand out, not blend in. Positivity is my lane.”
He points to Luke Bryan, Thomas Rhett and even Christian newcomer Forrest Frank as examples of artists building long careers on good vibes rather than heartbreak. “That’s what keeps fans coming back,” he says. “It feels true to who we are.”
That commitment to connection runs through the album’s live DNA. Dickerson road-tested songs like “Dust” and “Bones” acoustically for VIP audiences long before release day, watching for the moments that made people sing back. He talks about hauling full production rigs into undersized venues, ignoring budget lines for confetti cannons and treating every show like the biggest of his career.
“Every show counts,” he says. “Once people get in the door, we want to give them the best night of their lives. That’s how you build lifelong fans.”
The approach seems to be working. With the venue sizes increasing, Dickerson has hit the road with what he calls his most confident show yet. Famous Back Home feels like the soundtrack to that climb—a project rooted in the same sincerity that powered “Yours” and “Blue Tacoma,” but with a bigger sonic and emotional scope.
With “Happen To Me” racing up the charts and the album introducing a broader sound, Dickerson says his ultimate goal hasn’t changed: keep growing the live show, keep making music that reflects his life and protect his time with his family along the way.
“Success for me is being able to say no when I need to,” he explains. “To keep building this thing, but not at the expense of the people I love.”
He grins, thinking about the next benchmark. “I’ve always said arenas are the dream. And when we get there, maybe stadiums after that. We’ll see. For now, we’re just going to keep taking the next step.”
‘Robert Earl Keen & Friends: Applause For The Cause’ Raises $3 Million For The Texas Hill Country
/by Lorie HollabaughPictured: Community Foundation of the Texas Hill Country’s Austin Dickson, Buc-ee, Buc-ee owner Arch “Beaver” Aplin III and Robert Earl Keen gather together during ‘Robert Earl Keen & Friends Applause for the Cause Benefit’ at White Water Amphitheater in Canyon Lake, Texas. Photo: Erika Goldring
“Buc-ee’s Presents Robert Earl Keen & Friends: Applause For The Cause” on Aug. 28 was a raging success, raising three million dollars for the Community Foundation of the Texas Hill Country in the wake of the region’s devastating July 4 floods.
The star-studded benefit at Whitewater Amphitheater outside of New Braunfels saw a special set swap between Keen and Tyler Childers, a revisiting of The Marfa Tapes songs from Miranda Lambert, Jon Randall, and Jack Ingram, two touching tributes to Charlie Robison, and countless, whole-crowd sing-alongs. From the stage, Keen reiterated the charge he gave himself and everyone in his orbit since July 4: “Do as much as you can, for as long as you can.”
Cross Canadian Wagweed performs during ‘Robert Earl Keen & Friends Applause for the Cause Benefit’ at White Water Amphitheater. Photo: Erika Goldring
Financial services company Thrivent offered concertgoers a unique opportunity to write messages of gratitude for first responders and connected on-site directly with Texas Search and Rescue volunteers. Along with its clients, Thrivent has raised and donated nearly one million dollars to help support flood relief efforts in the region.
“Behind all the money collected and volunteer time on the ground, there is an immense sense of community and connection here,” says Thrivent Community Engagement Leader Amber Schraeder. “As the residents cried, we cried. As they prayed and hoped for recovery, we prayed and hoped with them. As the Hill Country recovers, we will be here to recover with them.”
Under the supervision of BetterUnite, Applause For The Cause raised 3 million dollars through ticket sales, merchandise purchases, a pre-party auction, and online donations throughout the live stream. For those who missed out on the live stream, Applause For The Cause can be re-watched on demand on Robert Earl Keen’s YouTube channel, merch can still be purchased here, and direct donations can still be made to the Community Foundation of the Texas Hill Country here.
BMI Honors Troubadour John Fogerty
/by Robert K OermannPictured (L-R): BMI’s Clay Bradley, Troubadour John Fogerty, BMI’s Mike O’Neill and BMI’s Mason Hunter. Photo: Erika Goldring for BMI
An American music titan was saluted Monday evening (Sept. 8) as rock royalty John Fogerty was presented with BMI’s Troubadour Award.
“I hope I’m worthy of all this attention,” said the humble legend who has a catalog of immortal songs he wrote for Creedence Clearwater Revival as well as his solo albums. “I’m pretty overwhelmed.”
John Fogerty performs of “Up Around The Bend,” “Bad Moon Rising” and “The Old Man Down the Road” alongside his sons, Shane and Tyler Fogerty. Photo: Erika Goldring for BMI
Fogerty was saluted in song and speeches during an invitation-only two-hour cocktail party, banquet and ceremony. BMI’s Clay Bradley presided.
“You are in for a real treat, I promise you,” said Bradley when he took the stage. “The power of music can transcend time itself.”
A stellar lineup of talents sang Fogerty’s enduring classics. New sensation Jesse Wells kicked it off with “Have You Ever Seen the Rain.” Z.Z. Top’s Rock & Roll Hall of Fame member Billy Gibbons joined with Grammy winning La Marisoul for a Spanglish rendition of “Green River.” Classic rock vocalist Jay Buchanan turned in an electrifying version of “Fortunate Son.”
Writer David Wild gave the induction speech. “Legacy is the title of his new album,” Wilds said. Named for “a legacy you created, nurtured and ultimately won back. You won…a happy ending that you deserve, and that’s the most heartening legacy of all. These are songs that defined and graced all of our lives….songs made to outlive us, and what Troubadour could have a better legacy than that?” Fogerty battled in the courts for years to regain control of his copyrights, which was a symbolic victory for all music creators.
Pictured (L-R): BMI’s Clay Bradley, BMI’s Mike Steinberg, Billy F Gibbons, La Marisoul, The War And Treaty, Lainey Wilson, 2025 BMI Troubadour John Fogerty, Jay Buchanan, Jesse Welles, BMI’s Mike O’Neill and Mason Hunter. Photo: Erika Goldring for BMI
The evening’s celebratory mood was amped up by The War and Treaty, who offered a barn-burning “I Put a Spell on You” and a soul-saturated “Born on the Bayou.” Then Lainey Wilson capped the tribute music with “Proud Mary.”
All of the performances were given standing ovations. Interspersed among them were video congratulations from Chris Stapleton, Eric Church and Dolly Parton, among others.
The Troubadour Award recognizes songwriters who have made significant contributions to the music industry and whose work has endured over time. It celebrates songwriting prowess and impact. Prior recipients have been Lucinda Williams, John Hiatt, the late John Prine and attendees Gibbons, John Oates and Robert Earl Keen.
Pictured (L-R): BMI’s Mike O’Neill, 2025 Troubadour John Fogerty, 2024 Troubadour John Oates, 2023 Troubadour Billy F Gibbons, 2015 Troubadour Robert Earl Keen and BMI’s Clay Bradley pose at the ceremony in Nashville. Photo: Erika Goldring for BMI
“I can’t believe this is happening,” said honoree Fogerty. “Like many of you, I was captivated by music. This is a town that music has built…by people who were captivated by music like I was. I heard Hank Williams and Nashville became a symbol for me, a magical place.
“The main thing I want to say is I’ve been blessed. I don’t know what else to say. I love you all.”
For Legacy, John Fogerty re-recorded his classics with a new band including his sons Tyler and Shane. They joined him on stage to rip through a set including a thrilling “Up Around the Bend,” a long jam on “Old Man Down the Road” and the rousing, apocalyptic “Bad Moon Rising.” At age 80, Fogerty still sounded astounding, singing with passion in the same keys that the raspy rock tenor originally recorded his hits in.
The banquet crowd was spellbound, reveling in an intimate mini concert by a songwriter’s songwriter, an American original, a national treasure and a true, modern Troubadour. Notable musicians in attendance included Elizabeth Cook, Fats Kaplan, Jeff Hanna, Dave Pomeroy, Liz Rose, Ray Kennedy, Carmella Ramsey, Matraca Berg, Steve Fishell, Kenny Vaughan, Bob DiPiero and 2025 Americana Lifetime Achievement honoree Regina McCrary, as well as Keen, Gibbons and Oates.
The event was the unofficial kick-off of the Americana Music Association’s annual celebration week. Known as AmericanaFest, it takes place in various Nashville venues Sept. 9-13.
Zack Dyer Signs With UMPG Nashville
/by Madison HahnenZack Dyer & Sam Nasr.
Zack Dyer has inked an exclusive worldwide publishing deal with Universal Music Publishing Nashville.
Dyer hails from Minnesota and first made his mark in Music City with a Tim McGraw cut in 2020. He has also penned songs cut by Jake Owen, Jon Pardi, Max McNown, Seaforth, Drew Green, Graham Barham, Sophia Scott and more. He recently received his first RIAA-certified Platinum single for Tyler Braden’s “Devil You Know.”
“Zack is a truly special talent whose songs connect the moment you hear them,” says Sam Nasr, Manager, A&R, UMPG Nashville. “The possibilities are endless for him, and we’re excited to help take his career to the next level!”
“So pumped to officially join the Universal family,” adds Dyer. “From the very first meeting, Sam and the entire UMPG team made me feel right at home. Their belief in me as a songwriter means the world, and I couldn’t imagine a better crew to chase this dream with. Sam is an absolute rockstar and having her in my corner is truly a songwriter’s dream. I can’t wait to roll up my sleeves and get to work with the UMPG fam.”