Bobby Karl Works The Room: Hootie & The Blowfish Close Out Team UMG Show At CRS

First Row (L-R): Jeannie Sullivan, Jill Burnett, Mike Dungan, Royce Risser, Sally Green, Anna Johnson, Summer Harlow. Second row (L-R): Ashley Laws, Mara Sidweber, Katie Dean, Donna Passuntino, Jack Christopher. Third row (L-R): Charlie Dean, Darius Rucker, John Trapane, Michelle Tyrrell, Mike Krinik, Annie Sandor, Katelyn Lester, Connor Brock. Fourth row (L-R): Dean Felber, Chris Schuler, Donna Hughes, Brent Jones, Trudie Daniell, Kaileen Mangan, Miranda McDonald, David Friedman, Jackie Stevens, Megan Youngblood, Jimmy Rector. Fifth row (L-R): Cindy Mabe, Jordan Davis, Kassi Ashton, Caylee Hammack, Adam Hambrick, Brandon Lay, Chris Fabiani. Sixth row (L-R): Mark Bryan, Briana Galluccio, Nick Kaper, Travis Denning, Jim Sonefeld, Chris Stapleton, Vince Gill

BOBBY KARL WORKS THE ROOM

Chapter 614

The highlights of this year’s UMG show for CRS came from the company’s new acts as well as its established stars.

In the former category were such relative newcomers as Brandon Lay, Jordan Davis, Caylee Hammack and Kassi Ashton. Not to be outshone, proven hit makers such as Eric Church, Little Big Town, Dierks Bentley and Chris Stapleton blazed just as brightly. And then there was the enduring brilliance that is Country Music Hall of Famer Vince Gill.

As always, the event took place at the hallowed Ryman Auditorium. The venue won its 11th Pollstar Award this week as America’s No. 1 concert hall (nine of those wins have been consecutive). Fifteen artists performed at the two-hour lunchtime showcase on Thursday, Feb. 14.

“On behalf of our entire staff, welcome to the 10th Team UMG at the Ryman,” greeted host Royce Risser. “This show has really become a marquee event of CRS.”

Do you know a more lovable label promotion exec? I didn’t think so.

“It’s Valentine’s Day,” Royce continued, “and the world has had a love affair with this group since the day they started.”

Cue LBT, who introduced a new song, the strikingly feminist “God For the Daughters.” It drew a huge cheer from the radio tastemaker women, as well as the men.

Jon Pardi was up next, introducing the strummy bopper “Tequila Little Time With You.” Dierks Bentley was charming, breezy and philosophical on his fine new tune, “Living.”

Kassi Ashton, who was introduced at this CRS event last year, delivered an ear-opening ballad with a Valley-of-the-Dolls theme, “Pretty Shiny Things.” Backing her on guitar was Luke Laird, who won a Grammy Award earlier this week for co-writing “Space Cowboy” with Kacey Musgraves.

Reigning CMA Entertainer of the Year Keith Urban sang his lilting new song “We Were.” He performed it with its studio track via his phone, complete with technical glitches. Then he forgot the words. The crowd loved him dearly anyhow.

In a ballad-heavy day, newcomer Brandon Lay rocked out, delivering “Still Rock & Roll” with an endearingly youthful swagger. Maddie & Tae offered the swirly pop of their current single, “Die From a Broken Heart.” Staging his Team UMG debut was a visibly nervous Adam Hambrick, who nonetheless delivered a jaunty “Rockin’ All Night Long.”

Throughout the show, Royce dished out snarky, humorous comments about the radio folks, as well as his roster. Travis Denning got him back: “Doesn’t Royce look like a cute, Build-a-Bear Teddy Bear?” he asked the crowd. “I mean, 247 pounds of stuffing and five pounds of bull.” On his honky-tonker “After a Few,” Travis showed he has guitar chops as well as the vocal goods.

Undeterred, Royce compared bearded Jordan Davis to Big Foot, calling him “the Eighth Wonder of the World” during his intro. Jordan wowed the crowd with a dreamy, wistful, romantic ballad, “Slow Dance in the Parking Lot.” Earlier this week, Davis picked up the Breakthrough Artist of the Year honor at the MusicRow CountryBreakout Awards.

“This is one of the coolest things we get to do,” he told the CRS audience. “It’s so great to see so many familiar faces.”

Caylee Hammack was making her debut on the Ryman stage, as well as at UMG’s musical cafeteria. She delivered the hot tempo tune “Family Tree” with impressive aplomb, working the stage like a seasoned pro. Caylee has spent two-and-a-half years entertaining the tourists at Rippy’s, Tootsie’s and Honky Tonk Central.

Chris Stapleton was searing and white-hot on “Millionaire,” performing solo with just his own acoustic guitar. Eric Church was greeted with wild whistles and cheers. He was bluesy and sexy on “Heart Like a Wheel,” accompanied by the backup vocals of Joanna Cotton.

Vince Gill is now a member of The Eagles. But he’s still working on solo tracks for MCA. He brought everyone to the edge of tears with a paean to his mamma called, I think, “The Bottom of My Heart.”

“I love seeing these young people come out on this stage – it’s beautiful,” Vince reflected. “Forty-five years ago, I made my first record…I’ve been with MCA for 30 years….I feel grateful for everything that I have been given. So thank you for all those wonderful years.”

His heart-tugging performance drew a standing ovation.

The finale of Team UMG’s show is traditionally a superstar surprise. This year, it was Hootie & The Blowfish. The rock vets are newly signed to the company.

“We’ve been a band since we’ve been 18, 19,” said lead singer Darius Rucker. “We’re 50-something now. We want to thank Mike [Dungan] for giving us the chance to do this one more time.”

The band closed the show with their churning pop-rock classics “I Only Want to Be with You” and “Hold My Hand.” A standing ovation ensued.

Spotted in the cheering throng were Dale Dodson, Donna Hughes, Diane Cox, Paula Jones, Brent Jones, Mike James, Jimmy Rector, Ree Guyer, Bob DiPiero, Dan Hill, Steve Lowery, Melinda Newman, Shane Barrett, Phyllis Stark, Scott Musgrave, Clay Myers, Becca Wells, Brenden Oliver, Walter Campbell, John Reynolds, Hunter Kelly, Brandi Simms, Charlie Cook, David Friedman, Angela Strader and Rachel Whitney.

Industry Ink: Logan Mize, Aaron Watson, AIMP Nashville, ASCAP, Bluewater Music

MusicRow‘s Sherod Robertson with Logan Mize

Big Yellow Dog’s Logan Mize Reaches 100 Million Milestone

Logan Mize’s new single “Better Off Gone” is off to a strong start, notching its second week in a row as one of country radio’s most-added songs. It’s a notable achievement for an independent artist, and comes right on top of the news that Mize has topped 100 million streams with his album Come Back Road (Big Yellow Dog Music).

Big Yellow Dog Music co-founder Carla Wallace presented Mize with a plaque marking the 100 million milestone during an intimate celebration and CRS performance supported by Bose, and gushed, “Logan has a unique voice I can’t live without.”

The Clearwater, Kansas, native is currently on tour with Russell Dickerson and Carly Pearce on the Way Back Tour, and he’ll return to Europe as part of the C2C Country to Country 2019 tour in March.

Pictured, (Front Row, L-R): Gwen Foster, Bree Wagner, Jeff Davis, Aaron Watson, Greg McCarn, JR Hughes. (Back Row, L-R): Craig Allen, Ryan Huffstettler, Travis Moon, JJ Jobe, Tony Morreale, Justin Ragland, Travis Daily, Louis Stokes, Scott Husky, Melissa Lagarde, Brent Michaels, Brian Mo, Anthony Genaro, Drew Bland

Aaron Watson Celebrates Valentine’s Day With Country Radio Programmers

Aaron Watson and BIG Label Records caught up with some country radio friends on Valentine’s Day (Feb. 14) in Nashville while in town for CRS.

PIctured (L-R): Dale Bobo (Big Deal Music), Mark Brown (Round Hill Music), Tim Hunze (ole), John Ozier (AIMP Nashville President, ole), David Macias (Thirty Tigers), Ree Guyer (AIMP Nashville Vice President, Wrensong), Michael Martin (ASCAP), Chris Van Belkom (Combustion Music), Brad Peterson (Regions Bank)

AIMP Nashville Hosts Thirty Tigers/Triple Tigers Panel

The Association of Independent Music Publishers (AIMP)’s Nashville Chapter recently hosted a Thirty Tigers/Triple Tigers panel, on Tuesday (Feb. 12). Dubbed “Thirty Tigers/Triple Tigers Discuss the Process of Breaking Artists,” the sold-out event featured speaker David Macias, co-founder and President of Thirty Tigers. Thirty Tigers is a diverse entertainment company that specializes in marketing services, music distribution, management, promotion, and publishing for independent artists. Triple Tigers serves as their record label, and is a joint venture between themselves and Triple 8 Management.

ASCAP Nashville To Host Urban Songwriters, Producers Mixer

ASCAP will hold a mixer for songwriters and producers in the urban music community, presented by Muziqueen, slated for Feb. 25 from 4 p.m.-6 p.m. at its Nashville office (located at 2 Music Sq. W.). Admission is free. RSVP at eventbrite.com.

Curse of Lono

Bluewater Music’s Curse Of Lono Earns UK Americana Honor

Bluewater Music client Curse of Lono picked up the Emerging Artist of the Year Award at the 2019 UK Americana Awards.

Selected by Bob Harris OBE, the award celebrates the breakthrough artist, duo or group that has particularly impressed the legendary music broadcaster throughout the year.

Bluewater Music signed Curse of Lono and founder, Felix Bechtolsheimer for worldwide administration in 2018. Curse of Lono’s 2018 album, As I Fell, debuted in the top 10 on the Official Americana Album Chart and has picked up critical acclaim across Europe.

The group will perform stateside throughout 2019 with their debut performance confirmed for SXSW in March.

‘Billboard’ Reveals 2019 Power 100 List

Billboard has named its 2019 Power 100 List, ranking the top influencers in the music industry. Unlike years prior, Billboard left out executives from selected brands and branding companies, like Citi, American Express and MAC Presents. Women represent 20 percent of the Power 100—compared to 17 percent in 2018.

Billboard made a disclaimer about the change on their website, reading: Although executives rise, fall and drop off the Power 100 every year due to performance, a handful who have perennially appeared on previous lists were not included this year due strictly to an editorial decision to refocus the Power 100 on core music-industry companies. As a result, executives from brands and branding companies, such as Citi, American Express and MAC Presents, and music bookers from the morning and late-night talk and entertainment shows were not considered for inclusion. Dick Clark Productions executives also were not considered this year because they share a parent company with Billboard.

This year’s top 10 includes:
1. Chairman/CEO, Universal Music Group Chairman/CEO, Lucian Grainge
2. Live Nation Entertainment President/CEO, Michael Rapino
3. Spotify Founder/CEO, Daniel Ek; Spotify Chief Content Officer, Dawn Ostroff; Spotify CFO, Barry McCarthy; Spotify General Counsel/VP Business and Legal Affairs, Horacio Gutierrez; Spotify Global Head of Music, Nick Holmstén
4. The Azoff Company Chairman/CEO, Irving Azoff; Full Stop Management Partner, Jeffrey Azoff
5. Sony Music Entertainment CEO, Rob Stringer
6. Warner Music Group CEO, Steve Cooper; WMG CEO of Recorded Music, Max Lousada
7. Apple VP Apple Music and International Content, Oliver Schusser; Apple Global Head of Business Development and Music Partnerships, Amanda Marks; Apple Music Global Creative Director/Host, Zane Lowe; Apple Music Global Creative Director, Larry Jackson; Apple Music Global Director of Original Content, Bebhinn Gleeson; Apple Music Global Director of Editorial, Rachel Newman
8. Sony/ATV Music Publishing Incoming Chairman/CEO, Jon Platt
9. Atlantic Records Chairman/CEO, Craig Kallman; Atlantic Records Chairman/COO, Julie Greenwald; Atlantic Records President of Black Music, Mike Kyser; Atlantic Records President of West Coast, Kevin Weaver
10. Universal Music Group CFO/Executive VP/President of Operations, Boyd Muir; UMG Executive VP, Michele Anthony; UMG Executive VP Business and Legal Affairs/General Counsel, Jeffrey Harleston; UMG Executive VP Digital Strategy, Michael Nash

Nashville-based executives in the 2019 Power 100 List include (by ranking):
36. Universal Music Group Nashville Chairman/CEO, Mike Dungan; Universal Music Group Nashville President, Cindy Mabe
37. Sony Music Nashville Chairman/CEO, Randy Goodman
51. Big Machine Label Group Founder /President/CEO, Scott Borchetta
55. Concord CEO, Scott Pascucci; Concord Chief Label Executive, Tom Whalley; Concord Chief Publishing Executive, Jake Wisely
66. Paradigm Talent Agency Music Executive Leadership Group, Marty Diamond, Corrie Christopher Martin, Matt Galle, Jonathan Levine
69. Warner Music Nashville, Chairman/CEO, John Esposito
92. Sandbox Entertainment President/CEO; Monument Records Co-President, Jason Owen

Elijah Woods x Jamie Fine Set To Release Debut EP On Big Machine

New pop duo Elijah Woods x Jamie Fine, known for their work on Canadian music competition The Launch, will release their debut EP, 8:47, on March 8 via Big Machine Records.

Big Machine President/CEO/Founder Scott Borchetta served as executive producer and lead mentor on the show.

The eight-track EP features the duo’s CRIAA Platinum-certified hit “Ain’t Easy,” as well as the Gold-certified “Better Off” and a new track, “You.” The duo won the iHeartRadio Much Music Video Awards’ Best New Canadian Artist honor, and were nominated for a 2019 Juno Award for Breakthrough Group of the Year. “Ain’t Easy,” which hit the Top 40 on U.S. pop radio, was penned with producer Ryan Tedder, Camila Cabello, Zach Skelton and Tom Mann.

They are preparing to hit the road on Marianas Trench’s Suspending Gravity Tour, which launches March 6 in Windsor, Ontario.

8:47 EP TRACK LIST
1. “Humming” | Jamie Fine, Elijah Woods
2. “You” | Jamie Fine, Elijah Woods
3. “Problem” | Jamie Fine, Michael Allen Lewis
4. “Better Off” | Jamie Fine
5. “Love Strong” | Jamie Fine, Elijah Woods
6. “Mediate” | Jamie Fine, Elijah Woods
7. “Ain’t Easy” | Elijah Woods, Jamie Fine, Camila Cabello, Tom Mann, Zach Skelton, Ryan Tedder
8. “8:47 (Outro)” | Jamie Fine

Weekly Chart Report (2/15/19)

Click here or above to access MusicRow’s weekly CountryBreakout Report.

DISClaimer: Kacey Musgraves, Ingrid Andress Bring Star Power

Country’s big guns are out for Country Radio Seminar.

Today’s stack of platters is loaded with star power, with some of today’s hottest hit makers next to living legends.

I am happy to report that — at least this week in “DisClaimer” — we have gender parity. The four finest releases are split between two female and two male acts. The women are Kree Harrison and Kacey Musgraves. The men are the newly stellar duo Dan + Shay and a trio consisting of Florida Georgia Line and Hardy.

The Disc of the Day award goes to Grammy queen Kacey Musgraves. The DisCovery Award also goes to a galentine, Ingrid Andress.

CHRIS JANSON/Good Vibes
Writers: Chris Janson/Ashley Gorley/Zach Crowell; Producers: Chris Janson & Zach Crowell; Publishers: none listed; Warner Bros.
– Not as innovative as his earlier efforts, but it is irresistibly merry and smiley. Ya gotta love this guy.

KREE HARRISON/I Love The Lie
Writers: Chris Stapleton/Morgane Stapleton/Liz Rose; Producers: Jordan Lehning/Skylar Wilson; One vision
– Everything works here — her silvery vocal delivery, the super hooky song, the steel guitar solo and the superb, rolling-rumble production. Rock on, sister.

GEORGE STRAIT/Every Little Honky Tonk Bar
Writers: George Strait/Bubba Strait/Dean Dillon; Producers: Strait/Chuck Ainlay; Publishers: none listed; MCA Nashville
-A hillbilly toe tapper with tightly-packed lyrics portraying your favorite roadhouse. I particularly like the “answering” steel and the super-close vocal harmonies.

INGRID ANDRESS/Lady Like
Writers: Derrick Southerland, Ingrid Andress, Sam Ellis; Producer: Sam Ellis; Publishers: none listed; Atlantic
– Cool, offbeat, tomboy lyrics. She sounds like a comer to me. Lend her your ears.

FLORIDA GEORGIA LINE & HARDY/Y’all Boys
Writers: Jesse Frasure/Ashley Gorley/Michael Hardy/Brett Tyler; Producers: Joey Moi/FGL; Producers: Warner-Tamerlane/Telemitry Rhythm House/Songs of Roc Nation/Songsofgroceries/Round Hill Songs II/Caleb’s College Fund/Relative/Songs of Kobalt/Extremely Combustible/Music of One77, BMI/ASCAP; BMLG
-The dense production holds audio delights around every corner. The good ol’ boy lyrics sound like retreads, but there’s no getting around the overall sonic splendor.

DOLLY PARTON/Red Shoes
Writers: Dolly Parton/Linda Perry; Producer: Linda Perry; Publishers: Velvet Apple/Dark Robot/Peer, BMI; RCA/Dolly
– Tucked in among her classics in the show-stopping Grammy telecast medley was this riveting gem from Dolly’s Dumplin’ soundtrack. Perry’s production builds nicely as the superstar relates her empowering lyric.

ADAM HAMBRICK/All You, All Night, All Summer
Writers: Adam Hambrick/Pete Good/AJ Babcock; Producers: Andrew DeRoberts/Paul DiGiovanni; Capitol/Buena Vista
-It’s February, so Adam thinks we need a sunshine song. It’s a catchy dandy, full of bright production touches and featuring a boyish, upbeat, tenor vocal. I remain a fan.

KACEY MUSGRAVES/Rainbow
Writers: Natlie Hemby/Shane McAnally/Kacey Musgraves; Producers: Ian Fitchuk, Daniel Tashian & Kacey Musgraves; Publishers: none listed; MCA
– Wow. As we saw on the Grammy Awards where she triumphed, it’s just Kacey’s poignant voice and Ian’s piano. But what an enchanting spell they cast. The sweet ballad of perseverance offers strength and encouragement to the oppressed and downtrodden everywhere. Country music needs this song.

DAN + SHAY/All To Myself
Writers: none listed; Producers: none listed; Publishers: none listed; Warner Bros.
-An intoxicating romantic cocktail, mixed with twirling rhythm and delicious melody. A stone smash.

JASON ALDEAN/Rearview Town
Writers: Kelley Lovelace/Bobby Pinson/Neil Thrasher; Producers: EMI Music Publishing/Sea Gayle Music Publishing/peer music; Publishers: Michael Knox; BBR
– Lots and lots of people will relate to this lyric. There’s not much to the tune or the production, so it’s left to Jason’s vocal performance to carry the day. And it does.

Chris Stapleton, Kacey Musgraves, Brad Paisley, Ryman Auditorium Win At 30th Annual Pollstar Awards

Nashville did not go unrepresented at the 30th annual Pollstar Awards on Wednesday night (Feb. 13) at the Pollstar Live! conference in Los Angeles. Wins from Chris Stapleton, Kacey Musgraves, Brad Paisley, the Ryman Auditorium and more Nashvillians brought home hardware.

Stapleton won the Best Country Tour award for his All-American Roadshow Tour. His 63-city North American tour started in May of 2017, and according to Pollstar, grossed 32.7 million in 2018. Stapleton’s All-American Roadshow Tour has featured Brothers Osborne, Lucie Silvas, Anderson East, Brent Cobb, Margo Price and Marty Stuart thus far, and its extension into 2019 is set to feature Cobb, Price, Stuart and Brothers Osborne as well as The Marcus King Band and Kendell Marvel.

Swift took home the award for Best Pop Tour for her Reputation Stadium Tour
. The tour ranked at second, just under Ed Sheeran, on Pollstar‘s Year-End Top 100 Worldwide Tours for 2018, and grossed $345.1 million. Louis Messina of Messina Touring Group accepted Swift’s award on her behalf, as well as the Bill Graham Award for Promoter of the Year that he won.

Musgraves earned the 
Best Support/Special Guest award for her support of the Harry Styles: Live tour. Musgraves, as well as Stapleton, accepted the award via pre-recorded video. Paisley
 took home Best Brand Partnership/Live Campaign for his work with Nationwide Insurance.

The Ryman Auditorium won 
Theatre of the Year for its ninth consecutive year. The Nashville gem has won the honor 11 times in total.

Stacey Vee of the AEG subsidiary Goldenvoice took home Talent Buyer of the Year after booking the massive country festival Stagecoach.

The 30th annual Pollstar Awards winners:
Major Tour of the Year: Ed Sheeran | ÷ Tour
Best Rock Tour: Foo Fighters | Concrete and Gold Tour 2018
Best Hip-Hop/R&B: Beyoncé & Jay-Z | On The Run II Tour
Best Pop Tour: Taylor Swift | Reputation Stadium Tour
Best Country Tour: Chris Stapleton | Chris Stapleton’s All-American Road Show Tour
Best Latin Tour: Shakira | El Dorado World Tour
Best Comedy Tour: Kevin Hart | The Kevin Hart Irresponsible Tour
Best Support/Special Guest: Kacey Musgraves | Harry Styles – Harry Styles: Live
Best Residency: Bruce Springsteen | Walter Kerr Theatre
Best Attraction: America
Best Non-Music Tour of the Year: Becoming: An Intimate Conversation With Michelle Obama
Best New Headliner: Greta Van Fleet
Music Festival Over 30K Capacity: Coachella | Indio, CA
Music Festival Under 30K Capacity: Newport Folk Festival | Newport, RI
Nightclub of the Year: 9:30 Club | Washington, D.C.
Theatre of the Year: Ryman Auditorium | Nashville, TN
Arena of the Year: Madison Square Garden Arena | New York, NY
Best Outdoor Concert Venue: Red Rocks Amphitheatre | Morrison, CO
Best New Concert Venue: The Rooftop at Pier 17 | New York, NY
Venue Executive of the Year: Laurie Jacoby, Madison Square Garden
Talent Buyer of the Year: Stacy Vee, Goldenvoice
Bill Graham Award-Promoter of the Year: Louis Messina, Messina Touring Group
International Promoter of the Year: Barrie Marshall, Marshal Arts Ltd
Bobby Brooks Award – Agent of the Year: Marty Diamond, Paradigm Talent Agency
International Booking Agent of the Year: Emma Banks, Creative Artists Agency
Booking Agency of the Year: Paradigm Talent Agency
Rising Star: Lesley Olenik, Live Nation
Personal Manager of the Year: Coran Capshaw, Red Light Management
Road Warrior: Gus Brandt | Foo Fighters, Pharrell Williams/NERD, Conan O’Brien
Best Production/Transportation Company: Upstaging, Inc.
Best Brand Partnership/Live Campaign: Nationwide Insurance w/ Brad Paisley
Best Touring Musician: Elton John
Marketing/PR Exec: Allison McGregor, Creative Artists Agency
Best Hang: Austin City Limits Music Festival
The Lifer: Frank Riley, High Road Touring
The Unavailable Award: Bob Roux, Live Nation
Most Frequently Name-Dropped: Michael Rapino, Live Nation
The Back In My Day: Ron Delsener, Live Nation
Most Dreaded Phone Call: Irving Azoff, Full Stop Management
Most Terrifying Agent: Marsha Vlasic, Artist Group International

Kacey Musgraves Won A Grammy For Album Of The Year, But Will Country Radio Catch On?

Kacey Musgraves. Photo: Grammys

On Sunday (Feb. 10), Kacey Musgraves stood on the Grammys stage, looking confident, even regal, offering an elegant rendition of “Rainbow,” an uplifting song from her genre-bending fourth studio album Golden Hour.

By the time she took the stage, Musgraves had earned two honors already that day, with “Space Cowboy” being named Best Country Song, and “Butterflies” earning the Best Country Solo Performance.

By the end of the night, Musgraves had earned not only Best Country Album, but the coveted, overall Album of the Year honor for Golden Hour.

It was a stunning victory for an album that, to date, hasn’t had a single reach the Top 50 on the country radio charts.

Beverly Keel—MTSU’s Recording Industry department chair, Change the Conversation co-founder, and esteemed music journalist—notes the similarities between Musgraves’ album sweep and the success of one of Musgraves’ UMG Nashville labelmates.

“It reminds me of when Chris Stapleton swept the CMA Awards a few years ago. Then he started getting some radio airplay, and then he became far more mainstream to the casual listener. I want Kacey’s music to get heard on every possible platform. This is the last and biggest platform so I am ever hopeful.”

The disparity between accolades, album sales and radio airplay has been a constant since Musgraves released her debut album Same Trailer, Different Park, which earned Musgraves her first—and so far, only—Top 10 single on the Billboard Country Airplay chart.

The album went Platinum and earned Musgraves her first Grammy for Best Country Album in 2014, as well as her first Best Country Song honor for “Merry Go ‘Round.” That year, she also earned Song of the Year at the CMAs for “Follow Your Arrow.” Though an award winner, “Arrow” peaked at No. 43 on the Country Airplay chart.

Similarly, Golden Hour had previously been named Album of the Year at the CMA Awards in November, with little support from country radio.

Immediately following Musgraves’ Album of the Year crowning, MCA Nashville released the soothing “Rainbow” to country radio.

“We timed the release of “Rainbow” following the Grammy performance for immediate airplay because we felt the performance would be a moment for both Kacey and this amazing album, and it was,” says MCA Nashville VP, Promotion Katie Dean.

The timing is unique, as Musgraves’ Grammy wins kicked off the week leading into the annual Country Radio Seminar—the place where Musgraves first made a stir among country programmers with a debut performance of “Merry Go ‘Round” back in 2012.

According to Mediabase, the song had 37 adds in its first week as a single at country radio. A recent ad for “Rainbow” touted the song as the third most-added track at country radio this week, with 54 stations adding the song to their rotation. “Rainbow” entered at No. 58 on the Billboard Country Airplay Chart dated Feb. 16.

On the MusicRow CountryBreakout Chart, “Rainbow” is the second most-added song for the week and has the second-highest spin increase, behind George Strait’s “Every Little Honky Tonk Bar.”

Dean notes that 16 stations began playing the song early, though she says Musgraves’ Grammy sweep “absolutely” affected the number of first-week adds the single earned on country radio.

“We are very optimistic about the strong start at country radio. Many stations are playing ‘Rainbow’ in all dayparts, while other stations have additional songs from the album in rotation as well,” Dean adds. “Ultimately, listener reaction is key for any single to climb the chart, but radio definitely understands that Kacey is poised for global superstardom.”

Even after earning the Grammy’s top album honor—an achievement very few country artists have done (the short list including names like Taylor Swift, Glen Campbell and the Dixie Chicks)—Musgraves has a fight on her hands in getting “Rainbow” to become a country radio hit, given the dearth of female artists having country radio hits in recent years.

After 22 weeks on the Country Airplay chart, Carrie Underwood’s “Love Wins” is at No. 13. Other females in the Top 50 this week include Kelsea Ballerini’s “Miss Me More” (No. 18), Maren Morris’ “Girl” (No. 27), Runaway June’s “Buy My Own Drinks” (No. 31), Lindsay Ell with Brantley Gilbert on “What Happens In A Small Town” (No. 32), Maddie & Tae’s “Friends Don’t” (No. 33), Carly Pearce’s “Closer To You” (No. 39) and Lauren Alaina’s “Ladies In The ‘90s” (No. 48).

Keel is cautiously optimistic about the chances for radio success for “Rainbow,” and says, “Country needs to embrace it and promote it. Country music is at its most successful when it embraces a big-tent philosophy, like in the ‘90s when we had every sound and every look.

“This is an album that will stand the test of time,” Keel says. “It will be just as beautiful and important 10 years from now as it is now. And it had critical acclaim, national TV exposure—everything but the radio component. Kacey will bring more fans to country music so I think it’s a boost for country music, and I’m glad Kacey’s album is getting another listen at country radio.”

YouTube video

CAA Signs Willie Jones

Pictured (L-R): John Huie (CAA), Jonnie Forster (4 SOUND LA), Michael Bryan (CAA), Willie Jones, Madison Lee (CAA), Marc Dennis (CAA)

CAA has signed Willie Jones.

Jones recently signed to Black River Entertainment, with a full-length album slated to release in the fall.

Jones, who is managed by 4 SOUND LA’s Jonnie Forster, released his first single, “Runs In Our Blood,” last year. Jones has toured on the MAGcon Tour featuring artists including Cameron Dallas, Nash Grier, Shawn Mendes and more.

Jones is set to perform at Ole Red in Nashville today, Feb. 14.

Ashley Gorley, Jon Nite, Matt Jenkins, Cassadee Pope Bring ASCAP ‘I Create Music’ EXPO To Bluebird Cafe

Pictured (L-R): Michael Martin, ASCAP VP of Membership; Erika Wollam Nichols, GM, The Bluebird Café; Mike Sistad, ASCAP Senior Creative Director; Ashley Gorley, Cassadee Pope, Jon Nite, Matt Jenkins; Holly Chester, ASCAP Membership Manager. Photo: Ed Rode.

ASCAP songwriters Ashley Gorley, Jon Nite, Matt Jenkins, and Cassadee Pope brought the ASCAP “I Create Music” EXPO In The Round event to the Bluebird Cafe last night (Feb. 13) to promote the PRO’s upcoming EXPO in Los Angeles this May.

The songwriters were happy to talk about their experiences with ASCAP and at the EXPO, and honored to play their hits at the intimate venue. ASCAP’s Mike Sistad was on hand to introduce the writers and give some information about the conference.

“Fourteen years ago we launched our first ASCAP ‘I Create Music’ EXPO in Los Angeles,” Sistad said. “We felt there was a need for a music conference dedicated to the art-craft and business of songwriting, and boy were we right. That first year we had Tom Petty as our keynote, and we were off and running.

“From the start we presented panel discussions on everything from music publishing, music marketing, music placements,” he continued. “Everything a songwriter would need to know to move his or her career forward. We also have song feedback panels and one on one sessions.”

Ashley Gorley. Photo: Ed Rode

Six-time ASCAP Country Songwriter of the Year, Ashley Gorley, played some of his numerous hits, including Blake Shelton’s “I Lived It,” Thomas Rhett’s “Marry Me,” Jon Pardi’s “Dirt On My Boots” and Trace Adkins’ “You’re Gonna Miss This.”

“ASCAP does lots of things,” Gorley said. “It’s tricky to explain what they do. They have EXPO, they have panels, they have writers’ nights, they listen to new writers’ songs. One of the things they do is figure out ways to pay us for songs that are on the radio, which is a great job. We love it. But there’s a lot that goes into that and they’re trying to fight battles for us and figure out how we can get what our songs are truly worth.

“I wrote this next song with a guy named Dallas Davidson,” he continued. “We sat down and said we want to write someone’s favorite song today. We want to pinpoint somebody finding their favorite song on the radio and that’s it.” He then started into Luke Bryan’s No. 1, “Play It Again.”

“I don’t know what to play after your super smashes,” Nite joked after Gorley played one of his 38 No. 1 hits.

“Well, you can play some of yours!” Gorley jested with a smile.

“What do I do? I’ll just play a medley of mine,” Jenkins teased Nite.

Nite, who will be a panelist at the EXPO this year, had just gotten back in town after attending the Grammys, where he had been nominated for Best Country Song. He played that Cole Swindell hit, “Break Up In The End,” as well as Keith Urban and Miranda Lambert’s “We Were Us,” Urban’s “Break On Me,” David Nail’s “Whatever She’s Got” and Lee Brice’s “Boy.”

“I’m excited to go out and talk to young songwriters,” Nite said. “I remember sitting in these seats right here and watching Jeffrey Steele just shred and sing higher than I could ever dream of singing; and Bob DiPiero and all these guys who were the class before us. Just trying to figure out how terrible my songs were in comparison to how good theirs were. They’d play songs like ‘What Hurts The Most’ and I’d go back home and be like ‘Woah, there’s another level you’ve got to get to, big man!'”

Pictured (L-R): Ashley Gorley, Cassadee Pope, Matt Jenkins, Jon Nite. Photo: Ed Rode

Matt Jenkins played a sampling of his No. 1’s, like his clever Old Dominion hit “Song For Another Time,” Sam Hunt and Keith Urban’s “Cop Car,” Dustin Lynch’s “Where It’s At” and a pretty, mild version of Florida Georgia Line’s “Confession.” Jenkins also performed a song called “Fade Into You” that felt appropriate to play at the Bluebird because it had been featured on the TV show Nashville. Pope provided the female harmonies reminiscent from the duet on the show.

“This was a song I wrote with Shane McAnally and Trevor Rosen that I really loved,” he said. “We write tons of songs, aiming for radio a lot of the time, but sometimes you write songs that you love hoping that they maybe could find a home. This had been around for a minute and the show Nashville was getting rolling and they found this song. I think they sang this at the Bluebird [on the show.] I never play this song out but it feels decently appropriate in the house.”

With the reverence of the Bluebird in mind, Pope played both songs she’d written and songs she wished she’d written, a couple of which show up on her recently released album, Stages.

“I love to write songs and it’s very therapeutic, but I also love to take advantage of living here and being exposed to these amazing, amazing songs,” she said before she went into her wistful “Take You Home” penned by Paul DiGiovanni, Ben Hayslip and Emily Weisband.

Pope also played “One More Red Light,” “Alien” and the tender “If My Heart Had A Heart”—written by CMT’s Next Women of Country tourmate Hannah Ellis with Josh Kerr and Matt McGinn—as well as her hit “Wasting All These Tears.”

The ASCAP “I Create Music” EXPO will take place May 2-4. Tickets are available now. Purchasers can receive a discount with the code: BLUEBIRD.