
A few weeks ago, Big Loud Records artist Morgan Wallen celebrated his biggest hit yet with “Whiskey Glasses,” which spent three weeks at No. 1 on the country charts. The track follows Wallen’s first chart-topper, “Up Down,” which featured Florida Georgia Line and went to No. 1 on both the Billboard Country Airplay chart and Mediabase/Country Aircheck chart.
“It’s one of the earlier songs I heard that were being pitched to me,” Wallen tells MusicRow of “Whiskey Glasses,” which was penned by Ben Burgess and “All About That Bass” writer Kevin Kadish. “As soon as I heard it, I thought it was unique and all the clever, double entendres. Also, just the feel and phrasing I thought was unique. The only thing we added in production was between the chorus and the ‘Whiskey Glasses’ line at the end, just a couple of little phrases to fill in the space there.”
For Big Loud’s Seth England, the early radio response was a surefire indicator of the song’s hit potential.
“Even when you get a song that is a three-week No. 1, that happens when, as they say, a song could work itself,” England tells MusicRow. “The research is through the roof in most markets so when you call the program director, sometimes they are almost cutting you off to tell you how well your song is researching. That was very much the case with ‘Whiskey Glasses.’ Many times they were calling us to tell us they were converting the song before we were calling them.”
Along the way, Wallen notched another No. 1 hit, as a co-writer on Jason Aldean’s “You Make It Easy” in 2018.
Wallen’s debut album for Big Loud Records, If I Know Me, has been a mainstay in the Top 5 country albums chart—topping off a wellspring of success for Wallen, who wasn’t exactly looking to be an artist before he signed with the label in 2016.
“Kevin Neal was the first person I met in Nashville, and I was still living in Knoxville at the time,” Wallen said. “He told me to move to Nashville, and he sent a couple of songs I had written around town, and sent them to Seth. I was really just looking for co-writers, really wasn’t looking for a record deal.”
“I’ll never forget the day he walked in the studio,” recalls England. “They said they had a kid from Knoxville with a lot of raw talent. We love working with all types of artists, but nothing makes us happier than developing something brand new. Morgan came in, and he looked like a member of Lynyrd Skynyrd or something with long, mangled hair.
But when he started singing, Joey [Moi] and I just looked at each other like, ‘What is this?’ And his focus and goals were aligned with what we do.”
Now, Wallen is as well-known for his “business-in-the-front, party-in-the-back” mullet as he is for notching a three-week No. 1.
“Not everybody likes it. Everybody at my label was like ‘No! We are not doing a mullet!’ But I was like, ‘Give it a chance. What could it hurt?’” Wallen says, noting he got the inspiration for the ‘90s throwback hairstyle after looking at old family photos. “I [looked at] my parents’ wedding photos and my dad had a mean mullet. My dad and I are very similar in looks and personality. If you put our pictures side by side of me at 26 and my dad at 26 it would be scary how we look alike. He had a perm in his. I don’t have a perm in mine—yet. It turned into this whole thing that I didn’t really mean to happen. I think that makes me like it even better, because I wasn’t doing it as a branding or business move. And it’s a throwback to earlier country singers.”
Underneath the striking mullet and sleeveless denim shirts is the heart of a songwriter, combined with the rawness of an artist who simply aspires to be himself, something that was evident when country radio received Wallen’s debut single, “The Way I Talk.” While the track only peaked in the 30s at country radio, it cemented the newcomer as a unique talent.
“When you sit with Morgan, his accent is Tennessee thick and authentic. I couldn’t stop picturing Morgan singing this song,” England says. “So many people to this day tell us they feel like it was a hit that never was. But it made people aware of him and he followed it up with uniquely branded material.”
Following in the wake of chart-toppers “Up Down” and “Whiskey Glasses,” Wallen’s hoping to continue his hot streak with his latest single, “Chasin’ You,” which he co-wrote alongside Craig Wiseman and Jamie Moore. The track marks the first that Wallen co-wrote with legendary Nashville songwriter Wiseman, a creator behind songs such as Tim McGraw’s “Live Like You Were Dying” and Brooks & Dunn’s “Believe.”
“It was a big day for me just writing with him,” Wallen recalls. “It verified to me that I could hang, you know? It gave me more peace about moving to Nashville. He’s been like a mentor and second father to me throughout the years. It’s cool to see our relationship grow out of songwriting and to being friends.”
Wallen found subtle ways to pay homage to his Tennessee roots throughout the track. “There are a lot of East Tennessee references like the Chattanooga freight. Not all of it is literal …the Los Angeles part is just to signify they were gone, but the ‘guitar town’ line is obviously me, and where I ended up.”
Wallen has tours lined up with Luke Combs and Florida Georgia Line. The FGL tour is special, given that Wallen toured with them in 2017, and is now revisiting some of the venues he previously played before being able to count the three-week No. 1 “Whiskey Glasses” among his credits.
“I end my set with that now, and it’s a great note to end on,” he says. “Back then, I had 15 minutes and I didn’t have any hits. It’s been a mind-blowing difference. Every show, the venue has been 90% full when I go out to play, and we are the first of three acts on the bill. That’s special.”
George Strait Extends “Strait To Vegas” Shows To 2020
/by Jessica NicholsonGeorge Strait will expand his “Strait To Vegas” shows into 2020, with two shows at T-Mobile Arena on Friday, Jan. 31 and Saturday, Feb. 1. Tickets go on sale on Friday, Aug. 23 at 10 a.m. local time via straittovegas.com. American Express® Card Members can purchase tickets before the general public beginning Friday, Aug. 16 at 10am through Thursday, Aug. 22 at 10 p.m.
Next month, the iconic country entertainer will release a limited-edition re-issue of his 1995 Strait Out of the Box: Part 1, exclusively with Walmart beginning Sept. 13. That same day, he will celebrate the release of the official soundtrack for Country Music–A Film By Ken Burns, which features Strait’s classic “Amarillo By Morning.”
Earlier this year, Strait released his 27th No. 1 country album, with Honky Tonk Time Machine on MCA Nashville.
Americana Announces 2019 Lifetime Achievement Award Honorees
/by LB CantrellPictured (L-R, top row): Felice & Boudleaux Bryant, Elvis Costello Maria Muldaur; (L-R, bottom row): Delbert McClinton, Mavis Staples
The Americana Music Association has announced this year’s slate of Lifetime Achievement Award honorees for its 18th annual Americana Honors & Awards show on Sept. 11. This group of top-honor recipients includes Felice and Boudleaux Bryant (President’s Award), Elvis Costello (Songwriting), Delbert McClinton (Performance) and Maria Muldaur (Trailblazer). Mavis Staples will be making her Honors & Awards debut as the Association recognizes her incomparable career.
As previously announced, Rhiannon Giddens and the late Frank Johnson will both be honored with the inaugural Legacy of Americana Award, presented in partnership with the National Museum of African American Music. Staples and this year’s honorees will be celebrated at the prestigious ceremony held at the Ryman Auditorium, which serves as the hallmark event of the association’s 20th annual AMERICANAFEST, taking place Sept. 10-15 in Nashville.
“We are beyond humbled to honor this group of incredibly venerable musicians,” said Jed Hilly, Executive Director of the Americana Music Association. “All of these artists are luminaries in their own right and have helped to build a perennial foundation for Americana music to prosper as an art form today. Our community looks forward to welcoming them with open arms on our biggest night of the year in September.”
In addition to these top Lifetime Achievement Awards, the association also honors distinguished members of the music community with six member-voted annual awards, revealing the winners on Americana music’s biggest night at the Ryman Auditorium. View this year’s nominees here.
The 2019 President’s Award will be posthumously given to Felice and Boudleaux Bryant, a groundbreaking husband-and-wife pairing who were known as Nashville’s first professional songwriting team. Felice had dreamed of her fateful encounter with her soon-to-be husband Diadorius Boudleaux Bryant when the two first met in 1945. The songwriting power couple went on to pen almost 6,000 songs together over the next three decades, selling over 200 million records with cuts by the Grateful Dead, Roy Orbison, Simon & Garfunkel and most notably, the Everly Brothers. With timeless classics like “Bye Bye Love” and “All I Have to Do Is Dream” under their belts, it’s no surprise that the Bryants’ musical contributions have also been largely recognized with inductions into the Songwriters Hall of Fame and the Country Music Hall of Fame and Museum.
Elvis Costello, this year’s recipient of the Lifetime Achievement Award for Songwriting, is well-known for his unapologetically fervent approach to lyrics. Since his pub-rock debut in the late ‘70s, Costello’s punk moxie and ability to meld an array of influences have made him one of the most innovative songwriters to come along since Bob Dylan. Backed by his famous band the Attractions, he quickly made a name for himself with albums that dove into several genres from garage-rock and reggae to soul and more. Costello’s solo endeavors have found him collaborating with T Bone Burnett, Paul McCartney and the late Allen Toussaint. Whether he was exploring a rootsier palette alongside Burnett, practicing classical compositions with the Brodsky Quartet or self-producing with the Imposters, this incomparable songwriter’s musical versatility is anchored by his distinctive take on love and politics, running an unmistakable common thread throughout his body of work.
Nobody knows how to light up the stage quite like multi-Grammy winner Delbert McClinton, who will be receiving the 2019 Lifetime Achievement Award for Performance. From his early bands The Straitjackets and The Rondels to his current iteration with the Self-Made Men + Dana, he continues to sell out concert halls coast to coast. Following his rise as a prominent figure in the flourishing Texas music scene of the mid-‘70s and ‘80s, McClinton’s impact ultimately expanded beyond state lines. The roots music veteran began his highly lauded career as a professional harmonica player before becoming a formative artist who has since recorded award-winning as well as chart-topping works, including his funk-inflected staple “Giving It Up for Your Love” (1980). McClinton has graced many distinguished stages throughout the last six decades, lending his palpable energy and dynamic stage presence to performances on Saturday Night Live and Austin City Limits, to name a few. As Lyle Lovett lovingly puts it, “If we could all sing like we want to, we’d all sound like Delbert McClinton.”
After coming up through the folk music revival of the 1960s, Maria Muldaur, this year’s Americana Trailblazer Award recipient, performed with a handful of groups including Jim Kweskin & The Jug Band where she became instrumental in reinvigorating Appalachian roots music and preserving its place outside of the great American songbook. After their disbandment and a divorce from her then-husband Geoff who was also in the group, she found an opportunity to reassess her own artistic vision. In 1973, Muldaur’s solo debut signaled the start of a promising path for someone who was willing to carve out her own space in the music industry, beginning with her Grammy-nominated classic, “Midnight at the Oasis.” What followed was a fruitful journey that saw Muldaur delving into the growing umbrella of Americana music, seamlessly switching lanes from folk and country to gospel and blues with masterful ease. The latter became a particular sweet spot that’s led to critically acclaimed collaborations with blues titans Dr. John, Bonnie Raitt and Mavis Staples. Today, Muldaur continues to charm audiences by sharing passionate matters of the heart with her alluring voice.
2007 “Spirit of Americana” Free Speech Award Honoree Mavis Staples will be recognized at this year’s Americana Honors & Awards as the Association celebrates her nearly seven-decade career and inspiration as an enduring pillar of hope and justice. Since her breakthrough as a family member of the uplifting gospel group The Staple Singers during the divisive Civil Rights Movement to her revered solo career today, the 80-year-old soul icon understands what it means to carry on. Staples has constantly used her commanding voice—both in action and in song—to instill perseverance in listeners across multiple generations, while also reminding America that the fight for true equality is still alive and well, and so is she. The Kennedy Center Honoree’s latest album, “We Get By,” serves as a touchstone for her timely message of love, faith and joy.
As previously announced, Rhiannon Giddens and the late Frank Johnson, a pioneering American folk musician and brass band leader from the Antebellum era, will be honored with the inaugural Legacy of Americana Award. In partnership with the National Museum of African American Music, this new award aims to shine a light on both of these musicians’ unparalleled influences on American roots music.
Tickets for the Americana Honors & Awards are exclusively available for purchase by AMERICANAFEST Conference Registrants. For more information on the association or to purchase passes to AMERICANAFEST, please visit americanamusic.org.
Miranda Lambert, Midland, Chris Young, Lauren Alaina Added To ACM Honors
/by Lorie HollabaughPreviously announced appearances include this year’s ACM Entertainer of the Year Keith Urban, Chris Janson, Maddie & Tae, Barbara Mandrell, Ashley McBryde, Tenille Townes and Trisha Yearwood.
As previously announced, Special Award recipients to be celebrated at the 13th Annual ACM Honors include Brooks & Dunn and Martina McBride (ACM Cliffie Stone Icon Award),Rodney Crowell, Kye Fleming and Billy Joe Shaver (ACM Poet’s Award), Gayle Holcomb (ACM Gary Haber Lifting Lives Award), Miranda Lambert (ACM Gene Weed Milestone Award), Kacey Musgraves (ACM Jim Reeves International Award), and A Star Is Born (ACM Tex Ritter Film Award). The evening will also honor winners of the Industry and Studio Recording Awards, along with Songwriter of the Year Award winner, Shane McAnally.
Industry Pics: Midland, Matt Stell, Jordan Davis, SESAC
/by Jessica NicholsonMidland Lets It Roll For The Recording Academy
Pictured (L-R): Jess Carson, Mark Wystrach, Cameron Duddy and Grammy Museum Executive Director Scott Goldman. Photo: Courtesy of the Recording Academy, by Alison Buck, Getty Images.
Midland recently participated in two Recording Academy events, including performing at the 25-year anniversary gala for The Recording Academy’s Texas chapter in Austin, followed by a performance at downtown Los Angeles’ Grammy Museum. The trio will release their sophomore album Let It Roll on Aug. 23.
Matt Stell Makes CMA Visit
Pictured (L-R): Justin Tomlinson – Sony Music Nashville, Manager, Digital Strategy, Brenden Oliver – CMA, Sr. Manager of Awards & Industry Relations, Brendan Rich- Management, Wide Open Music, Brandi Simms – CMA, Sr. Director of Awards & Industry Relations, Matt Stell, Angela Strader – CMA, Awards & Industry Relations Coordinator, Ash Bowers- Manager, Wide Open Music, Liz Cost- Sony Music Nashville, Senior Director, Marketing
RECORDS/Arista Nashville artist Matt Stell visited the CMA staff last week, to perform tracks including his hit “Prayed For You,” which is featured on this recently-released Everywhere But On EP.
Jordan Davis Celebrates Platinum Success
Back Row (L-R): UMG Nashville EVP A&R Brian Wright, UMG Nashville SVP A&R Stephanie Wright, MCA Nashville’s Kaileen Mangan, MCA Nashville’s Miranda McDonald, Jordan Davis, UMG Nashville VP Promotion Chris Schuler, MCA Nashville’s Briana Galluccio, UMG Nashville EVP Promotion Royce Risser, UMG Nashville COO Mike Harris
Front Row (L-R): UMG Nashville VP Promotion David Friedman, MCA Nashville’s Donna Jo Passuntino, MCA Nashville SVP Promotion Katie Dean, UMG Nashville Chairman/CEO Mike Dungan, UMG Nashville President Cindy Mabe, MCA Nashville’s Michelle Tyrell, UMG Nashville’s Taylor Sloane
MCA Nashville’s Jordan Davis celebrated several accomplishments earlier this month including his second consecutive No.1 hit single “Take It From Me” reaching Platinum certification by the RIAA. Jordan’s debut album, Home State, features “Take It From Me” as well as his other No.1 Platinum hit “Singles You Up,” and his current single “Slow Dance In A Parking Lot,” which is nearing Top 30 at country radio.
In addition, several members from iHeartRadio surprised Jordan with his Best New Artist Award which he won earlier this year as part of the iHeartRadio Music Awards. Other Best New Artist winners in their respective genres include Ella Mai, Marshmello and lovelytheband.
SESAC’s Cathy Grizzell Celebrates 40-Year Anniversary
Pictured (L-R): SESAC President and COO Kelli Turner, Chairman and CEO John Josephson, Cathy Grizzell, and songwriter Rob Hatch.
SESAC’s Chief Human Resources Officer Cathy Grizzell recently celebrated 40 years with the company, during a gathering in Nashville. The party included a performance from affiliate Rob Hatch.
ACM Lifting Lives Announces 2019-2020 Board Officers
/by Lorie Hollabaugh“I’m honored to have served on both the Academy of Country Music and ACM Lifting Lives boards for many years and be a part of their continuous growth. As Chairman, my aim will be to continue the good work of those who have served before me, improving lives through the power of music. I want to thank the artists who year in and year out generously give their time to Lifting Lives and the ACM board. I look forward to working closely with Lyndsay Cruz, Executive Director, and the entire ACM team, to help Lifting Lives make an even bigger impact in 2020,” said ACM Lifting Lives Chairman Paul Barnabee.
Chairman of the Board-Paul Barnabee, FBMM
Vice-Chairman-Troy Vollhoffer, Premier Global Production
Vice-President-Lorie Lytle, Fridrich & Clark Realty
Treasurer-Dwight Wiles, Wiles+Taylor & Co.
Secretary-Taylor Wolf, ACM Lifting Lives
Cody Jinks’ New Album ‘After The Fire’ Set For October
/by Lorie HollabaughCody Jinks will release his latest album, After The Fire, Oct. 11. The project, on Jinks’ own Late August Records, is the followup to his 2018 critically acclaimed album Lifers.
The 10-song collection will be the debut offering from Jinks’ own label. The country outlier has sold more than 300,000 albums through his tenacious grassroots approach and currently streams 40 million songs per month.
Fresh off of his recent sold-out (in one hour) show at Colorado’s famed Red Rocks Amphitheater, Jinks continues to tour heavily with two consecutive nights this week in Boston, upcoming shows with Lynyrd Skynyrd, and upcoming dates in Detroit, Indianapolis, Minneapolis, Dallas, Fort Worth, Oklahoma City, Nashville, Pittsburgh, and the West Coast. He is also gearing up to announce the formation of the Official Cody Jinks “Fam” Club.
CCM Exec Launches Artist Management Company Kickstand Entertainment
/by Jessica NicholsonShane Boyd (L), founder and president of Kickstand Entertainment, welcomes singer/songwriter Joel Vaughn (R) to the Kickstand artist roster.
Christian music industry executive Shane Boyd has launched the full-service artist management firm Kickstand Entertainment. The company’s first clients include Fair Trade Music Publishing singer-songwriter-producer Carter Frodge (formerly with the band Everyday Sunday), as well as Joel Vaughn, who has had three Top 20 singles, as well as a track included on the soundtrack for God’s Not Dead–A Light In Darkness.
In the ’90s, Boyd worked as a sound engineer and road manager, before spending 13 years working in radio promotions in the Christian rock and CHR formats. His label clients included Fair Trade Services, Gotee Records, Inpop Records, VSR Music Group, and Slospeak Records.
“Serving in different roles in the Christian music industry for more than two decades, I felt like it was time to put my experience—and the relationships I have built along the way—to work for artists I believe in,” Boyd said. “Through Kickstand, I hope to help new artists build long-lasting ministries, as well as to assist in furthering the careers of established talent. I couldn’t be happier to be starting this journey with Carter and Joel.”
Industry Ink: Bandtwango, Anacrusis, Sony Music Nashville
/by Jessica NicholsonBandtwango Teams With Legends Bank For Artist Showcase
Each showcase will feature new artists performing “in the round,” with the first showcase featuring Kathleen Regan, Dakota Danielle, Melanie Meriney, Krista Angelucci, Gabe Walsh and sisters Nik & Sam. Upcoming monthly showcases will be held Aug. 14, Sept. 18, Oct. 23, Nov. 13 and Dec. 11.
Anacrusis Holds “Summer Camp” Songwriters Retreat
Back row: Chase Coy, Scott Shirock (KiND), Liz Rogers (Anacrusis), Carla Cappa (CAPPA), Larry Florman (Them Vibes), Drew Southwell (Trove). Front row: Kevin Kolk, Ben Bishop (Obeds), Jake Ohlbaum (The Foxies), Alex Haddad (Them Vibes), James Droll, Jeff Carl, Charlotte Sands.
Anacrusis recently hosted a week-long “summer camp” songwriters retreat at a cabin on Smith Lake, Alabama, sponsored in part by Pinnacle Bank and BMI. The focus of the week was writing for sync, and the 12 writers worked alongside 6 music supervisors to write and record 14 songs that are 100% controlled by Anacrusis, completed and ready to actively pitch.
Music supervisors from brands including Microsoft and McDonalds were involved each day, providing briefs for current campaigns, and then following up to work with the artists and producers at the end of the sessions to give specific feedback. The songwriters that attended the retreat were Drew Southwell (Trove), Jeff Carl, James Droll, Carla Cappa (CAPPA), Charlotte Sands, Ben Bishop (Obeds), Chase Coy, Kevin Kolk, Scott Shirock of KiND, Jake Ohlbaum of the Foxies, and Larry Florman and Alex Haddad of Them Vibes.
Sony Music Nashville Teams With JW Marriott Nashville For ‘Soundtrack By JW’
JW Marriott will offer guests a fresh take on an old-school experience by offering them access to Sony’s Bluetooth Turntable, Sony Headphones, and a choice of four vinyl collections that have been curated to include tracks from some of Nashville’s favorite country artists including Dolly Parton, Johnny Cash, Luke Combs, Miranda Lambert, and Old Dominion. Soundtrack by JW collection cases include Current Country, Country Women, Legends & Superstars, and Outlaw Country to fit guests’ unique musical tastes.
“We value our partnership with JW Marriott Nashville going back to Old Dominion’s performance at the property in 2018 during their grand opening celebration,” said Nicole Marinake, Senior Director, Partnership Marketing, Sony Music Nashville. “This latest program further demonstrates the property’s commitment to music and providing one-of-a-kind experiences for their guests.”
Jerrod Niemann Extends Tallboys And Short Stories Tour Through November
/by Lorie HollabaughPlaying intimate venues and bars across the country, Niemann performs a curated setlist filled with hits spanning his nearly decade-long career, including his latest patriotic release, “Old Glory,” along with covers of classics that helped mold him into the artist he is today.
Tickets for select dates go on sale beginning Friday (Aug. 16).
SEPTEMBER
6 | Jackson, TN – Hub City Brewing
26 | Moorhead, MN – Bluestem Amphitheater
27 | Cedar Rapids, IA – McGrath Amphitheatre
28 | Altoona, WI – River Prairie Center
OCTOBER
10 | Perris, CA – Lake Perris Fairgrounds
11 | San Diego, CA – Moonshine Flats
NOVEMBER
1 | Yorktown, TX – 5D Steakhouse & Lounge
2 | Edinburg, TX – H-E-B Park
7 | Foxborough, MA – Six String Grill & Stage
8 | Laconia, NH – Granite State Music Hall
9 | Oneonta, NY – Foothills Performing Arts & Civic Center
14 | Overland Park, KS – Kanza Hall
16 | Fort Smith, AR – TempleLive
Morgan Wallen Discusses His Three-Week No. 1 Hit, Staying Authentic, And The Return Of The Mullet [Interview]
/by Jessica NicholsonA few weeks ago, Big Loud Records artist Morgan Wallen celebrated his biggest hit yet with “Whiskey Glasses,” which spent three weeks at No. 1 on the country charts. The track follows Wallen’s first chart-topper, “Up Down,” which featured Florida Georgia Line and went to No. 1 on both the Billboard Country Airplay chart and Mediabase/Country Aircheck chart.
“It’s one of the earlier songs I heard that were being pitched to me,” Wallen tells MusicRow of “Whiskey Glasses,” which was penned by Ben Burgess and “All About That Bass” writer Kevin Kadish. “As soon as I heard it, I thought it was unique and all the clever, double entendres. Also, just the feel and phrasing I thought was unique. The only thing we added in production was between the chorus and the ‘Whiskey Glasses’ line at the end, just a couple of little phrases to fill in the space there.”
For Big Loud’s Seth England, the early radio response was a surefire indicator of the song’s hit potential.
“Even when you get a song that is a three-week No. 1, that happens when, as they say, a song could work itself,” England tells MusicRow. “The research is through the roof in most markets so when you call the program director, sometimes they are almost cutting you off to tell you how well your song is researching. That was very much the case with ‘Whiskey Glasses.’ Many times they were calling us to tell us they were converting the song before we were calling them.”
Along the way, Wallen notched another No. 1 hit, as a co-writer on Jason Aldean’s “You Make It Easy” in 2018.
Wallen’s debut album for Big Loud Records, If I Know Me, has been a mainstay in the Top 5 country albums chart—topping off a wellspring of success for Wallen, who wasn’t exactly looking to be an artist before he signed with the label in 2016.
“Kevin Neal was the first person I met in Nashville, and I was still living in Knoxville at the time,” Wallen said. “He told me to move to Nashville, and he sent a couple of songs I had written around town, and sent them to Seth. I was really just looking for co-writers, really wasn’t looking for a record deal.”
“I’ll never forget the day he walked in the studio,” recalls England. “They said they had a kid from Knoxville with a lot of raw talent. We love working with all types of artists, but nothing makes us happier than developing something brand new. Morgan came in, and he looked like a member of Lynyrd Skynyrd or something with long, mangled hair.
But when he started singing, Joey [Moi] and I just looked at each other like, ‘What is this?’ And his focus and goals were aligned with what we do.”
Now, Wallen is as well-known for his “business-in-the-front, party-in-the-back” mullet as he is for notching a three-week No. 1.
“Not everybody likes it. Everybody at my label was like ‘No! We are not doing a mullet!’ But I was like, ‘Give it a chance. What could it hurt?’” Wallen says, noting he got the inspiration for the ‘90s throwback hairstyle after looking at old family photos. “I [looked at] my parents’ wedding photos and my dad had a mean mullet. My dad and I are very similar in looks and personality. If you put our pictures side by side of me at 26 and my dad at 26 it would be scary how we look alike. He had a perm in his. I don’t have a perm in mine—yet. It turned into this whole thing that I didn’t really mean to happen. I think that makes me like it even better, because I wasn’t doing it as a branding or business move. And it’s a throwback to earlier country singers.”
Underneath the striking mullet and sleeveless denim shirts is the heart of a songwriter, combined with the rawness of an artist who simply aspires to be himself, something that was evident when country radio received Wallen’s debut single, “The Way I Talk.” While the track only peaked in the 30s at country radio, it cemented the newcomer as a unique talent.
“When you sit with Morgan, his accent is Tennessee thick and authentic. I couldn’t stop picturing Morgan singing this song,” England says. “So many people to this day tell us they feel like it was a hit that never was. But it made people aware of him and he followed it up with uniquely branded material.”
Following in the wake of chart-toppers “Up Down” and “Whiskey Glasses,” Wallen’s hoping to continue his hot streak with his latest single, “Chasin’ You,” which he co-wrote alongside Craig Wiseman and Jamie Moore. The track marks the first that Wallen co-wrote with legendary Nashville songwriter Wiseman, a creator behind songs such as Tim McGraw’s “Live Like You Were Dying” and Brooks & Dunn’s “Believe.”
“It was a big day for me just writing with him,” Wallen recalls. “It verified to me that I could hang, you know? It gave me more peace about moving to Nashville. He’s been like a mentor and second father to me throughout the years. It’s cool to see our relationship grow out of songwriting and to being friends.”
Wallen found subtle ways to pay homage to his Tennessee roots throughout the track. “There are a lot of East Tennessee references like the Chattanooga freight. Not all of it is literal …the Los Angeles part is just to signify they were gone, but the ‘guitar town’ line is obviously me, and where I ended up.”
Wallen has tours lined up with Luke Combs and Florida Georgia Line. The FGL tour is special, given that Wallen toured with them in 2017, and is now revisiting some of the venues he previously played before being able to count the three-week No. 1 “Whiskey Glasses” among his credits.
“I end my set with that now, and it’s a great note to end on,” he says. “Back then, I had 15 minutes and I didn’t have any hits. It’s been a mind-blowing difference. Every show, the venue has been 90% full when I go out to play, and we are the first of three acts on the bill. That’s special.”