
BMI has announced record-breaking revenues of $1.283 billion for its fiscal year, ending June 30, marking a 7% increase over the previous year. BMI distributed and administered $1.196 billion to its songwriters, composers and publishers, the company’s highest distributions ever. That number includes domestic and international royalties, as well as royalties from direct deals BMI administers on behalf of its publishers.
Distributions from direct deals grew $9 million during fiscal year 2019, for a total of $62 million, bringing in 5% of BMI’s total distributions.
BMI President & CEO Mike O’Neill, said, “BMI values the trust our affiliates place in us, and we are gratified to once again generate record revenues on their behalf. Our achievements are a direct result of the unrivaled creativity of the songwriters and composers we represent and the worldwide popularity of their music. We always strive to do better, and we will continue to work hard to champion the rights of our creators and protect the value of their copyrights.”
BMI’s total domestic revenue, encompassing digital, media and general licensing, topped out at $943 million, a $63 million, or 7%, increase. That growth was driven by a $47 million increase in digital revenue, up 22% year-to-year for a total of $262 million. New deals with the growing video-on-demand streaming market, including Twitch and Amazon Channels, as well as new licensees in the eFitness market, such as Peloton and Flywheel, helped drive that success.
General licensing, which is generated from businesses like bars and restaurants, hotels and fitness centers, along with other income, also posted record results of $169 million, an 8% gain year-to-year, representing 18% of BMI’s domestic revenue pie. The company added approximately 16,500 new businesses to its growing portfolio in this sector.
Revenue from cable and satellite sources once again generated the largest portion of BMI’s domestic revenue at 30%, while traditional radio and television accounted for 24% of the overall domestic total. Notably, BMI’s digital revenue has now grown to encompass 28% of the company’s total domestic revenue portfolio and is now the second biggest contributor to that total.
BMI’s international revenue also reached an all-time high of $340 million, an increase of $21 million, or 7% over the previous year. The strength of BMI’s repertoire of film, television and songs helped the company achieve these record results in spite of a negative foreign exchange hit of $23 million caused by the strengthening dollar overseas.
In addition, BMI saw its affiliate membership surpass one million for the first time ever, with over 90,000 new songwriters, composers and publishers joining the organization this year. Notable new signings included Lil Nas X, Kendrick Lamar, Brandi Carlile, Willie Colón, and Sarah Schachner, among others, while agreements were extended with Imagine Dragons, Eminem, Shakira, John Legend, Harry Gregson-Williams, Eric Church, P!nk, Rihanna, Ben Decter, J Balvin, Hozier, Halsey, Horacio Palencia, and many more.
Randy Travis To Be Honored With ASCAP Founders Award
/by Jessica NicholsonRandy Travis will be honored with the ASCAP Founders Award during the upcoming 57th annual ASCAP Country Music Awards. The exclusive, invitation-only gala, which celebrates the songwriters and publishers of ASCAP’s most-performed country songs of 2018, takes place on Monday, Nov. 11 and will include special guest performances to honor Travis.
“Randy Travis is the seminal country artist of a generation,” said ASCAP Chairman of the Board and President Paul Williams. “His meteoric rise to the top of the country charts was fueled by that unmistakable baritone and a talent for traditional country music that spoke to everyone. As a new artist, Randy garnered international attention at a time when such exposure for country artists was reserved for an iconic few. His music and devotion to classic country sounds are a cornerstone in the genre and it is an honor to present him with this year’s Founders Award.”
The Founders Award is one of ASCAP’s highest honors and is presented to songwriters and composers who have made pioneering contributions to music by inspiring and influencing their fellow music creators. Each recipient is a musical innovator who possesses a unique style of creative genius, which will enrich generations to come. Previous recipients include Rodney Crowell, George Strait, Alan Jackson, Ricky Skaggs, Jackson Browne, Garth Brooks, Emmylou Harris, Tom Petty and Neil Young, among others.
Travis has been an ASCAP member for nearly four decades. He’s sold more than 25 million albums, earned seven Grammys, 11 ACMs, 10 American Music Awards, eight Dove Awards, five CMA Awards and two People’s Choice Awards. He’s also collected 22 No. 1 singles such as “On the Other Hand,” “Forever and Ever, Amen,” “Diggin’ Up Bones” and “I Told You So,” “Look Heart, No Hands,” “Whisper My Name,” and “Three Wooden Crosses,” which hit No. 1 on both the Christian and country charts. Travis also earned roles in movies and television shows including Touched By An Angel.
The Music of Randy Travis Tour begins on October 16 in Indianapolis, with guest vocalist James Dupré and Travis’s longtime touring band Steve Hinson, Dave Johnson, Lance Dary, Bill Cook, Joe Van Dyke and Herb Shucher, rejoining “Hoss,” as they affectionately call Travis, on the road for the first time since his stroke in 2013.
‘The CMA Awards’ To Be Broadcast In Germany
/by Lorie HollabaughThe CMA Awards are coming back to Germany. The show will be broadcast by VOX, Mediengruppe RTL’s free-to-air-TV channel, and in addition, Mediengruppe RTL has licensed CMA’s other two TV properties, CMA Fest and CMA Country Christmas for RTLplus. The three shows will also be available at Mediengruppe RTL’s video streaming service TVNOW.
“We are thrilled to be bringing the CMA Awards and our other TV properties to Germany,” said Country Music Association CEO Sarah Trahern. “With the ever-increasing demand for country music in Europe, we’re excited for international viewers to have the opportunity to experience these shows that are so important to the country music community.”
This new deal was brokered through the Bertelsmann Content Alliance by Hartwig Masuch, BMG Chief Executive Officer, which made its largest label acquisition to date in 2017 when the company acquired Nashville’s Broken Bow Music Group with the vision to develop country’s popularity internationally.
“The CMA Awards is one of the most glamorous and high-profile events in TV worldwide,” says Bernd Reichart, Mediengruppe RTL Deutschland Chief Executive Officer. “We are very pleased to be bringing it to a German TV audience through Vox.”
The CMA Awards has not been broadcast in Germany, Europe’s biggest music market and the fourth biggest in the world, since 2012. The news that the CMA Awards is to return to Germany comes as the CMA prepares a special country focus at this year’s Reeperbahn Festival (Sept. 18-21) with a panel and networking reception and an artist showcase. The showcase, titled “Neon Nashville” will take place on Wednesday, Sept. 18 and will display the diversity of some of country’s rising artists including BMG’s Blanco Brown, whose viral hit ‘The Git Up’ has claimed the top spot in charts across the globe and spawned more than one billion views across social platforms. The Reeperbahn Festival initiative has been driven by CMA’s German Task Force, which has been set up in response to increase interest in the genre in Germany.
RTL Radio is also set to launch a new 24/7 online radio station in October, which will feature the biggest contemporary country hits together with the best country songs of the past decade. The station, available online and via the RTL Radio app, is presented by Germany’s well-known breakfast show DJ Arno Müller, a passionate fan of modern country music.
BMI Sets Revenue Records with $1.283 Billion
/by Jessica NicholsonBMI has announced record-breaking revenues of $1.283 billion for its fiscal year, ending June 30, marking a 7% increase over the previous year. BMI distributed and administered $1.196 billion to its songwriters, composers and publishers, the company’s highest distributions ever. That number includes domestic and international royalties, as well as royalties from direct deals BMI administers on behalf of its publishers.
Distributions from direct deals grew $9 million during fiscal year 2019, for a total of $62 million, bringing in 5% of BMI’s total distributions.
BMI President & CEO Mike O’Neill, said, “BMI values the trust our affiliates place in us, and we are gratified to once again generate record revenues on their behalf. Our achievements are a direct result of the unrivaled creativity of the songwriters and composers we represent and the worldwide popularity of their music. We always strive to do better, and we will continue to work hard to champion the rights of our creators and protect the value of their copyrights.”
BMI’s total domestic revenue, encompassing digital, media and general licensing, topped out at $943 million, a $63 million, or 7%, increase. That growth was driven by a $47 million increase in digital revenue, up 22% year-to-year for a total of $262 million. New deals with the growing video-on-demand streaming market, including Twitch and Amazon Channels, as well as new licensees in the eFitness market, such as Peloton and Flywheel, helped drive that success.
General licensing, which is generated from businesses like bars and restaurants, hotels and fitness centers, along with other income, also posted record results of $169 million, an 8% gain year-to-year, representing 18% of BMI’s domestic revenue pie. The company added approximately 16,500 new businesses to its growing portfolio in this sector.
Revenue from cable and satellite sources once again generated the largest portion of BMI’s domestic revenue at 30%, while traditional radio and television accounted for 24% of the overall domestic total. Notably, BMI’s digital revenue has now grown to encompass 28% of the company’s total domestic revenue portfolio and is now the second biggest contributor to that total.
BMI’s international revenue also reached an all-time high of $340 million, an increase of $21 million, or 7% over the previous year. The strength of BMI’s repertoire of film, television and songs helped the company achieve these record results in spite of a negative foreign exchange hit of $23 million caused by the strengthening dollar overseas.
In addition, BMI saw its affiliate membership surpass one million for the first time ever, with over 90,000 new songwriters, composers and publishers joining the organization this year. Notable new signings included Lil Nas X, Kendrick Lamar, Brandi Carlile, Willie Colón, and Sarah Schachner, among others, while agreements were extended with Imagine Dragons, Eminem, Shakira, John Legend, Harry Gregson-Williams, Eric Church, P!nk, Rihanna, Ben Decter, J Balvin, Hozier, Halsey, Horacio Palencia, and many more.
Little Big Town Sets New Album ‘Nightfall,’ Headlining Tour For January
/by Jessica NicholsonLittle Big Town will release its ninth studio album, Nightfall, on Jan. 17, 2020, following a once-in-a-lifetime performance at Carnegie Hall in New York City on Jan. 16. The performance marks the first mainstream country performance at Carnegie Hall since Alan Jackson in 2013.
The show launches their accompanying 30+ date headlining The Nightfall Tour, which follows the Carnegie Hall show with two stops at The Apollo on Jan. 17-18. Caitlyn Smith will open each show, with the exception of Carnegie Hall.
Pre-sales for the tour launch at Noon EST today (Sept. 9) and run through Thursday evening. American Express® Card Members can purchase tickets in select markets before the general public beginning Wednesday, September 11 at 10am local time through Thursday, September 12 at 10pm local time. Tickets go on sale everywhere Friday, September 13th at 10am local time. Carnegie Hall will follow an hour later at 11am EST.
The quartet released its new song, “Over Drinking,” to all DSPs last night. The song, penned by Jesse Frasure, Cary Barlowe, Hillary Lindsey, Ashley Gorley, and Steph Jones is the first official single off of Nightfall. The group will be performing the song for the first time, this Thursday in the 8am hour on NBC’s TODAY.
Jason Aldean To Release New Album ‘9’ In November
/by Jessica NicholsonJason Aldean will release his upcoming ninth album, aptly titled 9, on Nov. 22, via Broken Bow Records.
“Early on I always thought if we ever got to make nine albums, I’m going to call it ‘9.’ It was my baseball number growing up, and it’s just kind of always been my lucky number,” says Aldean, the reigning ACM Artist of the Decade. “I remember cutting the first album and thinking ‘that’s forever away,’ and now here we are. I don’t know, it’s really special we made it this far – so, it’s more for me than anybody else – but, it means a lot.”
Along the way, this three-time ACM Entertainer of the Year has earned 23 No. 1 singles. He’s earned more than15 billion streams and sold more than 18 million albums. His 2019 Ride All Night Tour will conclude on Oct. 11, before he returns to Las Vegas Dec. 6-8 for Jason Aldean: Ride All Night Vegas at Park Theater at Park MGM.
Aldean has previewed the album today (Sept. 9) via four tracks, including “Blame It On You,” “I Don’t Drink Anymore,” “Keep It Small Town,” and the album’s lead single “We Back,” which was released to both digital platforms and radio today.
“When I came into country music and made my mark, it was with a banger,” Aldean adds. “But we haven’t put out a lot of that stuff over the last couple years. So we got this song and to me it just says what it says: ‘Thought we were gone, but you’re wrong – now it’s on.’”
Industry Pics: ASCAP, BMI, Vince Gill, Grand Ole Opry
/by Jessica NicholsonASCAP Debuts “East Of Center” Showcase Series
Pictured (L-R): Kimberly Kelly, ASCAP’s Beth Brinker, Mercy Bell
East of Center, a new eclectic eastside songwriter showcase series presented by ASCAP, launched Wednesday, Sept. 4th at Dee’s Country Cocktail Lounge and featured emerging songwriter-artists Mercy Bell and Kimberly Kelly.
“Paying homage to the old East Nashville that served as home to Townes Van Zandt, Guy and Susannah Clark and so many other legendary ASCAP songwriters, this showcase series is designed to feature the unique storytelling of Americana, indie, folk and traditional country and western singer-songwriters and troubadours. We are excited to create an outlet that celebrates that history while also spotlighting up-and-coming artists,” said ASCAP Associate Director of Membership Beth Brinker.
BMI Partners With SynchBig!
Pictured: Michael August (Demolition), Spencer Nohe (BMI), Alissa Moreno (BAAM Collective), Keelan Donovan, Jamie Dryburgh (Demolition), Gatlin, Jason Walker, Anna Mae, Ashleigh Ellis (BAAM Collective). Not pictured: Maylyn, Tim Halperin, Eric Daigle (Purplebeat)
On Wednesday, Aug. 28 at The Back Corner, BMI partnered for the first time on SynchBig!, a showcase series which was designed to highlight some of Nashville’s top synching artists. The highly anticipated event brought together songwriters, producers, artists, publishers, labels, licensing companies and others, with performers including Keelan Donovan (Big Yellow Dog), MAYLYN (Purplebeat), Jason Walker (Curb|Word), Anna Mae (Prescription Songs), and BMI artists Gatlin and Tim Halperin.
Kicking off the evening, BMI’s Spencer Nohe told the crowd, “Music for sync is such an important part of the livelihoods of many of our songwriters and publishers in Nashville. Our hope for this showcase series is to help support and elevate the community.”
Other partners of the event include Demolition Music, BAAM Collective, and Purplebeat.
Vince Gill Offers Fans Listening Party For New Album OKIE
Vince Gill. Photo: Chris Hollo/Grand Ole Opry
Grand Ole Opry and Country Music Hall of Fame member Vince Gill performed on the Opry on both Friday and Saturday nights this weekend. After his Friday performance, Gill invited fans to an exclusive album listening event held in the Opry House’s Studio A where he played recorded tracks and shared stories behind the songs of his new album OKIE.
Brantley Gilbert Gets “Fire’t Up” For New Tour
/by Jessica NicholsonIt won’t be too long before Brantley Gilbert brings the music from his recently announced upcoming fifth studio album, Fire & Brimstone (Oct. 4) to the masses. Gilbert has announced his upcoming Fire’t Up Tour, which will launch in January and is named after the first track on his upcoming 15-song project.
Chase Rice, Dylan Scott and Brandon Lay have signed on as openers for the tour.
“I truly feel like we’re at the point that we can let the music take us where it is meant to go, so with every new album we like to change up our show and make it something that plays to those stories and characters,” shares Gilbert. “We’ll of course still do the hits our fans love, but we are looking at this as an opportunity to turn up the heat a bit and give the songs on Fire & Brimstone a chance to really rock.”
Fire & Brimstone features collaborations with Lindsay Ell, Willie Nelson, Alison Krauss, Jamey Johnson, Lukas Nelson and Colt Ford.
Shortly after the album’s October release, Gilbert will set sail for his Second Annual Kick It in the Ship cruise. He will be joined by Rice, LANCO, Diamond Rio, Tyler Farr, Danielle Bradbery, Jon Langston, Colt Ford, Tyler Rich, SixForty1, Trea Landon, Sam Grow, Tyler Braden, Brian Davis, Tyler Booth and more as they rock the high-seas from Miami to Cozumel this November.
2020 “Fire’t Up Tour” dates are as follows:
Thu 1/23/2020 -London, ON Budweiser Gardens
Fri 1/24/2020- Oshawa, ON Tribute Communities Centre
Sat 1/25/2020- Mashantucket, Conn. Foxwoods Resort
Thu 1/30/2020- Moline, Ill. TaxSlayer Center
Fri 1/31/2020- Highland Heights, Ky. BB&T Arena
Sat 2/1/2020- Salem, Va. Salem Civic Center
Thu 2/6/2020- Green Bay, Wis. Resch Center
Fri 2/7/2020- Minneapolis, Minn. Target Center
Sat 2/8/2020- Milwaukee, Wis. Fiserv Forum
Thu 2/13/2020- Greensboro, N.C. Greensboro Coliseum Complex
Fri 2/14/2020- Louisville, Ky. KFC Yum! Center
Sat 2/15/2020- Chattanooga, Tenn. McKenzie Arena at UTC
Thu 2/20/2020- Evansville, Ind. The Ford Center
Fri 2/21/2020- North Little Rock, Ark. Verizon Arena
Sat 2/22/2020- Tulsa, Okla. BOK Center
Thu 2/27/2020- Toledo, Ohio Huntington Center
Fri 2/28/2020- Youngstown, Ohio Covelli Centre
Sat 2/29/2020- Pikeville, Ky. Appalachian Wireless Arena
Thu 3/19/2020- Nampa, Idaho Ford Idaho Center Amphitheater
Fri 3/20/2020- Portland, Ore. Moda Center
Sat 3/21/2020- Tacoma, Wash. Tacoma Dome
Thu 3/26/2020- Ontario, Calif. Citizens Business Bank Arena
Fri 3/27/2020- Fresno, Calif. Save Mart Center
Sat 3/28/2020- Las Vegas, Nev. The Chelsea at the Cosmopolitan
Thu 4/16/2020- Greenville, S.C.^ Bon Secours Wellness Arena
Fri 4/17/2020- Tuscaloosa, Ala.^ Tuscaloosa Amphitheater
Sat 4/18/2020- Orange Beach, Ala.^ The Wharf Amphitheater
Thu 4/23/2020- Florence, S.C.^ Florence Civic Center
Fri 4/24/2020- Charleston, W. Va.^ Charleston Civic Center
Sat 4/25/2020- Knoxville, Tenn.^ Knoxville Coliseum
Thu 4/30/2020- Lincoln, Neb. ^ Pinnacle Bank Arena
Fri 5/1/2020 -Sioux Falls, S.D.^ Denny Sanford PREMIER Center
Sat 5/2/2020- Grand Forks, N.D.^ Alerus Center
Fri 5/8/2020- Morrison, Colo.^ Red Rocks Amphitheatre
Features opener Chase Rice (^): All other dates feature Dylan Scott
Maddie & Tae Plot New EP Release For October
/by Lorie HollabaughMaddie & Tae are releasing part two of their album on Oct. 18 with the new EP Everywhere I’m Goin’. The new EP was produced by Jimmy Robbins and Derek Wells, and is anchored by the new single “Bathroom Floor,” written by Maddie & Tae along with Josh Kerr.
The duo’s current single “Die From A Broken Heart,” continues to strike a deep connection, tallying over 75 million global streams, helping to propel the pair as the Best Streaming Country Female Duo of all time with 686 million streams worldwide. Meanwhile, “Die From A Broken Heart’s” videos have mounted over 17.4 million views total, catapulting Maddie & Tae as the top video streaming female artist(s) on Billboard’s Top 200 Streaming Chart for current tracks for multiple weeks.
The EP follows the album’s first part released earlier this year, and is a continuation of stories of love, loss and redemption. The project features the title track and “Trying On Rings,” a true-to-life reflection for Marlow and her fiancé. The two also reunite with former tourmate Dierks Bentley on a vocal firepower duet, “Lay Here With Me,” and rounding out the project is “Ain’t There Yet,” an honest interpretation of healing after heartbreak.
“We are so excited to keep telling our story through this next collection of songs,” said Marlow. “We are so proud to have co-written all of these songs as well. This project as a whole is super personal, but these five songs in particular take you on an even deeper dive into our lives.”
“We were absolutely blown away by the reaction to the first part of the album,” adds Dye. “Hearing our fans relate to our stories is something that will never get old. We can’t wait to continue to show more of our hearts and journey through this next chapter of music.”
Ruston Kelly’s ‘Dirt Emo Vol. 1’ Coming In October
/by Lorie HollabaughRuston Kelly will release his new album, Dirt Emo Vol. 1, on Oct. 11 via Rounder Records. The eight-track project consists of Kelly’s favorite emo songs, including a rendition of Dashboard Confessional’s “Screaming Infidelities,” featuring the band’s lead singer Chris Carrabba, which is premiering today.
“I don’t play country, this stuff is dirt emo. It’s like crying in a barn or angsting in your room with a banjo,” said Kelly of the new music.
In addition to “Screaming Infidelities,” the project also includes Kelly’s previously released versions of The Carter Family’s “Weeping Willow” and Taylor Swift’s “All Too Well.”
The release of Dirt Emo Vol. 1 adds to a landmark year for Kelly, whose full-length debut album, Dying Star, was released last fall on Rounder. A track from the album, “Mockingbird,” is nominated for Song of the Year at the upcoming 2019 Americana Music Association Honors & Awards.
In celebration of the new release, Kelly will continue his extensive Brightly Burst headline tour this fall including stops at Atlanta’s Terminal West, Austin’s Scoot Inn, Los Angeles’ Troubadour (two nights), New York’s Bowery Ballroom, Boston’s Brighton Music Hall and several others.
Guitar Center Research Study Highlights Positives Of Music Lessons For Kids
/by Lorie HollabaughGuitar Center has released a new research study it commissioned through an independent researcher on the effects of music lessons on children.
The new study explores the effects of supplemental music lessons on the development of children ages 7 to 17 that could be the key to their ongoing success. The online study, commissioned in July 2019, surveyed a total of 2,323 parents of adolescent children ages 7-17 who were currently participating in private music lessons through either a national music store, local independent music store, music institute, or with a private independent music instructor.
The study finds that students participating in supplemental music lessons enjoy a variety of positive effects and healthy habits including self-imposed limitation of screen time, increased problem-solving skills, time management and prioritization, increased self-awareness and social skills, and more.
“A growing number of parents, researchers and technology advocates acknowledge that limiting screen time in favor of other pursuits such as music aids in the healthy development of children,” said Donny Gruendler, Guitar Center Vice President of Education. “In this study, we found that students in outside of school supplemental music lessons are far more likely to balance their own screen time rather than doing it simply because they are made to do so by a parent or caregiver. That is, regularly scheduled music lessons can help build healthy after-school habits and time-management skills that students may otherwise forgo in favor of other leisure pursuits. Altogether, such habits result is a number of additional beneficial life skills and reinforces what we’ve known for some time: studying and playing music has benefits far beyond the mere learning of playing a musical instrument, and its ripple effects result in happier, healthier, more balanced children.”