Industry Ink: Song Suffragettes, RCA Inspiration, Jennie Smythe, Lisa Chader, Lucia Folk

Song Suffragettes Gets Presenting Sponsor

Pictured (L-R): Song Suffragettes’ Todd Cassetty; Song Suffragettes’ Kasey Tyndall, Candi Carpenter, Kalie Shorr; The LSSW Group’s Leslie Schwartz, Eden Lopez, Liz Weikes, Paula Steinberg; Song Suffragettes’ Kaity Rae, Ashley Elle; Song Suffragettes’ Helena Capps

All-female musical collective Song Suffragettes announced its first presenting sponsor, The LSSW Group at J.P. Morgan Securities. Based in New York, the four female partners of The LSSW Group serve wealth management and investment needs of the music industry.

“Song Suffragettes hit the five-year mark this year and given the continued success of the show, we’ve been looking for sponsors to assist as we grow our all-female performance brand,” says Todd Cassetty, founder of Song Suffragettes. “After meeting Eden Lopez, Leslie Schwartz, Paula Steinberg and Liz Weikes, working with The LSSW Group made perfect sense. This relationship will help us evolve new female-centric initiatives, and it is the glowing definition of women supporting women.”

 

Justin Tomlinson Returns To RCA Inspiration

Justin Tomlinson

RCA Inspiration has appointed Justin Tomlinson as Associate Director of Digital Marketing. Tomlinson will lead strategic implementation of digital marketing campaigns for all RCAI artists, and ensure marketing campaigns support all promotion and consumption efforts.

Most recently, Tomlinson worked at Sony Music Nashville, overseeing day-to-day digital strategy for the roster. His career has also included time at BET Networks, RCA Inspiration/Sony Music, and Sony Music as Digital Strategy Manager.

 

Girlilla Marketing’s Jennie Smythe Shares Cancer Battle

Girlilla Marketing CEO/founder Jennie Smythe opened up about her battle with breast cancer in an article from People Magazine. Smythe shared how a routine mammogram likely saved her life and detailed her courageous battle against the disease.

 

Lisa Chader, Lucia Folk Launch The Change Agent-cy

Chader, Folk

Former CMT/Viacom executives Lucia Folk and Lisa Chader have announced the launch of The Change Agent·cy – a consulting firm that guides entertainment and corporate clients in supporting the causes and charities they care about in measurable, impactful ways. The Change Agent·cy serves as a resource on social and civic issues, advising on comprehensive, integrated social impact strategies and advocacy, providing constituents the necessary tools to take positive action while strengthening, and remaining true to, their overall brands.

Folk is President and CEO of The Change Agent·cy; Chader serves as Chief Communications Officer.

Using a multi-tiered, scalable approach, The Change Agent·cy offers a variety of services including corporate social responsibility planning, marketing, PR and events; reputation, image management and artist development related to social causes; streamlined processes for charity request fulfillment; and more. A menu of services can be accessed at thechangeagentcy.com.

CMA Fest 2019 Yields Over $2.2 Million For Music Education

This year’s CMA Fest featured over 300 artists performing on 11 stages around the city, and every artist participating donated his/her time during the four-day festival to help support music education around the country.

Thanks to the generosity of not only the artists performing at CMA Fest but the fans in attendance, a portion of the net proceeds totaling over $2.2 million has been donated to the CMA Foundation. Since its inception in 2011, the CMA Foundation has invested over $27 million towards their mission of ensuring every child has access to high-quality music education and providing educators with the resources they need to create and sustain thriving programs.

“CMA is thrilled to be donating more than $2.2 million this year to the CMA Foundation,” says Sarah Trahern, CMA Chief Executive Officer. “We wouldn’t be able to make this investment without the continued support from our artist community as well as our dedicated fans.”

The 49th annual CMA Fest will take place June 4–7, 2020.

Live Nation Entertainment Inks Booking Deal With Nashville’s The Basement East

Live Nation Entertainment has inked an exclusive multi-year booking agreement with Nashville’s The Basement East. As part of the venture, promoter Richard Sloven joins Live Nation Nashville’s team as Talent Buyer/Promoter.

“For decades, co-owners Dave Brown and Mike Grimes have fueled the Nashville live music scene, not only by giving Nashvillians the chance to see great touring acts, but also by thoughtfully nurturing local artists,” said Brian Traeger, Live Nation President – Tennessee. “Over the last two years, along with General Manager Tara Charles and Talent Buyer Richard Sloven, they have successfully raised the bar in all areas at The Basement East, from programming and customer service to aesthetics and acoustics. We are thrilled to deepen our relationship with this incredible team and important venue and so happy to welcome Richard to the Live Nation family.”

“We are very excited to be partnering in this joint venture with Live Nation. With Richard Sloven continuing his role at ‘The Beast,’ we are certain it will serve all involved and bring even more amazing live music to the Nashville community,” says Mike Grimes of The Basement East.

The Basement East has fortified the Nashville music scene since opening its doors in 2015, and hosts an ongoing lineup of sought-after performers. Known as ‘The Beast,’ the venue serves as the sister club to The Basement’s original 8th Avenue venue.

 

Bob Kingsley Celebration Of Life Set For November 14

Arrangements for the celebration of life for National Radio Hall of Famer and Country Top 40 host Bob Kingsley have been announced. The celebration will be held in the CMA Theater in the Country Music Hall of Fame Nov. 14 at 1 pm CT with a reception to follow. In lieu of flowers, the family requests donations can be made in Kingsley’s name to the Country Music Hall of Fame and Museum or the Grand Ole Opry Trust Fund.

Radio legend Kingsley, whose voice was synonymous with country music, died on Thursday, Oct. 17 at his home in Weatherford, Texas, while receiving treatment for cancer. He was 80.

Those wishing to attend the celebration of life are requested to RSVP here.

Chris Janson Celebrates Success And Stays True To His Roots On ‘Real Friends’ [Interview]

Chris Janson just released Real Friends, his third album for Warner Music Nashville, and his current single, “Good Vibes,” is currently sitting atop both the Mediabase and Billboard country radio charts. He recently played a sold-out, headlining show at Nashville’s Ryman Auditorium, and in January, he’ll embark on his headlining Real Friends Tour.

But his goal is simple: he just wants to make people feel good, and stay true to himself.

“With ‘Good Vibes,’ we wanted to make it a mission to put people in a better mood, so when they hear it, that’s hopefully what happens,” Janson says during an interview at the Warner Music Nashville office.

“It reminds me how blessed I am and how I can bless others. It’s just a great message, and walking it like you talk it is so important. We all go through ups and downs in our life, and it’s a reminder that it’s a privilege to just be doing life, you know? I’m blessed to be able to be doing music for a living, and to have the platform to speak to so many people. It sort of became the narrative of the whole record, to be honest.”

The Warner Music Nashville team celebrates the No. 1 success of “Good Vibes.”

“Good Vibes” follows Janson’s critically-acclaimed, Gold-selling ballad “Drunk Girl,” his Gold-selling, No. 1 hit “Fix A Drink” and his breakthrough No. 1 hit, 2015’s “Buy Me A Boat,” which was certified 2x Platinum.

The new album is filled with songs that meet that purpose. “Beer Me” is country radio-ready fare, while the guitars and rhythm section fire a little harder on the chest-thumping ode to tight-knit, rural communities, “Country U.S.A.” A horn section sets the pace on the tribute to small-town love on “Mine Does.”

With Real Friends, Janson eschewed the typical Nashville recording process—write songs, make work tapes, give them to the label, narrow down the songs for the album, and go into one of Nashville’s top-line recording studios.

“I’m just not the kind of guy who enjoys going into a professional studio and doing it like everybody else does it. I don’t like that vibe,” he says. Instead, Janson recorded the album at his home studio, with wooden floors and surrounded by his hunting gear, fishing poles, and cigars. “It’s just my room in the house where I can just chill.”

Janson assembled a mix of musicians, artists and producers for the album, which he co-produced alongside Brock Berryhill, Zach Crowell, and Tommy Cecil. The album marks songwriter Cecil’s first album credit as a producer; he also co-wrote four tracks on the album.

“We didn’t overthink things with this,” Janson says. “We just wrote the songs, produced them right then and had a song done by that afternoon. The drummer we used had never played on a major record before. I just loved his drumming. He played on a demo and I was like, ‘This guy kills it so let’s just use him,’ and he played on the whole record.”

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Janson’s labelmate and fellow Grand Ole Opry member Blake Shelton joins in on the album’s title track.

“I’m a huge believer that if you speak it, it can happen. And even if it doesn’t happen—which, sometimes, it doesn’t—at least you spoke it. Cris Lacy [Warner Music Nashville’s Exec. VP, A&R] at the label asked [Shelton’s producer] Scott Hendricks to ask Blake. Thankfully, he was like, ‘Hell, yeah, I’ll be glad to,’ and it was that simple.”

In “Say About Me,” Janson references a Kid Rock poster hanging on a teenager’s wall. Though the rapper/songwriter doesn’t sing on the album, Kid Rock owns the car Janson is sitting in for the cover shot of the Real Friends album.

“He lent me the car, which used to be Hank [Williams] Jr’s. Again, it epitomizes real friends. I mean, he’s a real friend of mine and he’s a great human. Everybody came together collectively that just made this whole album happen. The whole record was just that casual.”

Pictured: WMN’s Shane Tarleton, Chris Janson and WMN’s Cris Lacy.

Much like his two previous major label albums, Janson draws from his life as an artist, a husband, and a father to four kids, centering many of the songs on the values he tries to live his life by—providing the best life for his family (“Done”), and leaving behind a legacy (“Hawaii On Me”). Janson’s wife Kelly Lynn contributes to the writing of “Hawaii On Me,” a track that was written well before Janson was signed with Warner Music Nashville in 2015.

“She told me the story of a father who was dying and his last wishes were to go to Hawaii and celebrate on his behalf, like they did every year before. So I took the idea and ran with it. It was super emotional for me, because I’m a dad and I love my kids so much and my family comes first, no matter what.”

Janson had previously pitched the song to Tim McGraw and says McGraw recorded a version of it, though it didn’t make that album. “Cris has always just loved that song and always had it kind of on the back burner so she brought it to me again, and it felt right to record it now.”

While Janson has often publicly shared his story of years spent struggling to survive in Nashville, simultaneously trying to provide for his family while pursuing that often elusive dream of stardom, as well as his more free-wheeling days like those he immortalized on his early single “Better I Don’t,” his new album finds him appreciating the success he’s found as a bona fide hitmaker with an electrifying stage show.

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When you start out from the bottom, son/You scream when you’re on top, he sings on “Say About Me” (the album ends with a remixed version featuring Offset).

“When I first wrote it, I was like, ‘Damn, that might come off a little cocky.’ But really it’s about dreaming big and winning big. I sing about sleeping in my car. I know what living in a trailer park feels like, and I’m cool with that. There’s nothing wrong with that, by the way. That’s a great way of life. My point is, I know both sides of the game. I know what it’s like to be on top of the mountain and at the bottom of it, and what it’s like to not even have a shot at getting to the mountain. So, I’m real thankful for where I’ve come from and where I am, and I don’t want to stop now.”

While country music is rife with songs that detail the aspirations and hardships of everyday people, it is less often that the genre’s songs celebrate—much less offer frank details about—the good life once some money rolls in.

To be sure, on songs like “Waitin’ On Five” and “Normal People,” Janson make it clear he’s still the same music-loving entertainer that was singing in bars for tips. But in songs like “Check” and “Say About Me,” he’s equally comfortable dropping in details like Bentleys and 350s, and 40-acre lots.

“There’s tons of that in rap and hip hop, right? But for some reason, they don’t talk about it as much in country—and this is coming from a proud country music singer—I live it, breathe it and love it. But I get annoyed with that. It’s like, ‘Man, isn’t it awesome to dream big and win big?’ Everybody knows Luke Bryan is rich, and that’s cool, because he’s the most down-to-earth, nicest guy. It’s about being thankful, being humble. He’s very much that guy, and I want to try to build my career like that.

“I said when I was nine years old, I wanted to own as much land as Ted Turner, and I plan to do that someday. Having cool cars and cool jewelry and cool property, or whatever it may be in life, whatever people aspire to, those are some of the things I aspired to as a poor kid. So when you get it, you should celebrate it. As long as you’re doing it with a humble heart, it can be really inspiring to people. Because, hey, when I see Keith Urban doing good and whipping up in a cool car—because he’s known for having cool cars—it inspires me to keep working hard.”

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Janson’s also found along the way that some aspirations aren’t what he thought they would be—like that Bentley he sings about in “Say About Me.”

“I always thought, ‘Man, if I could just get that car,’ and then I got that car. It felt validating for five minutes, and then I was on to the next thing. I didn’t even keep it a year. I sold it, because I didn’t know anything about it. I realized I’m just not a Bentley driver guy. I bought such a nice car, that I was afraid to drive it. So it just sat there. That’s the funny part.

“I just dream big and win big for the right reasons now, honestly. I appreciate the cool stuff and the flamboyancy you can have in life with success, but I try to keep focused on the right things. I just try to keep things basic.”

That’s not to say Janson doesn’t have some more career ambitions he’s ready to chase down.

“George Strait is my bucket list—I want a George Strait cut. And a Kenny Chesney cut. Those are big—I’m still working on those,” he says with a laugh.

Eric Church, Darius Rucker, Luke Combs To Lead UK’s C2C Festival

The headliners have been announced for next year’s Country 2 Country (C2C) festival, to be held March 13-15, at London’s 02 Arena, Dublin’s 3Arena, and Glasgow’s SSE Hydro.

Eric Church, Darius Rucker and Luke Combs are set to headline this year’s event. Others on the bill include The Cadillac Three, Charles Esten, Abby Anderson, Eric Paslay, Tenille Townes, Old Dominion, Runaway June, Brett Young, Tanya Tucker, and Jordan Davis.

Tickets will go on sale Friday, Nov. 1 at 10 a.m.

Weekly Register: Luke Combs Returns To No. 1

Photo (c) 2019 David Bergman for Sony Records Nashville

Luke Combs returns to the top on this week’s country albums chart, according to Nielsen Soundscan. Combs’ This One’s For You moved 19.5K in total consumption to land at the No. 1 spot. Cody Jinks debuts at No. 2 with After The Fire, moving 14.9K.

Dan+Shay‘s self-titled project is at No. 3 with 13.8 in total consumption, while last week’s No. 1 album, Brantley Gilbert‘s Fire & Brimstone, falls to No. 4 in its second week, with 11.3K. Morgan Wallen‘s If I Know Me rounds out the Top 5 with 11K.

Dan+Shay, alongside Justin Bieber, remain at No. 1 on the top country streaming songs chart, as their new single “10,000 Hours”earning 16.5 million streams. Diplo (ft. Morgan Wallen) is at No. 2 with “Heartless” earning 6.6 million streams. Wallen also takes the No. 3 spot, as “Whiskey Glasses” earns 5.3 million streams.

Maren Morris‘ “The Bones” is at No. 4 with 5.3 million streams, while Blanco Brown‘s “The Git Up” falls to No. 5 this week with 5.2 million streams.

Keith Urban Adds Eric Church To New Version Of “We Were”

Keith Urban released a brand-new version of his hit single “We Were” today featuring labelmate and friend Eric Church.  Church wrote the song with Ryan Tyndell and Jeff Hyde, and adds his own unmistakable vocals to the mid-tempo, nostalgic track, available today exclusively for streaming only at strm.to/WeWereFtEricChurchPR.

“I heard that my buddy Eric was a writer on ‘We Were,’ so I thought ‘hey, what a cool opportunity for people to get to hear a writer singing,’” said Urban. “I think this guy could be really big!!!!!”

“We Were” is Urban’s 40th Top 10 single on Billboard’s Country Airplay Chart, marking another in a long line of Top 10 hits, including a record setting streak of 38 – the longest by any artist on Billboard’s Country Airplay Chart.

He recently announced his European tour, his first in more than a decade, which will kick off in Amsterdam on May 2. Church, meanwhile, recently topped the charts with his reflective track “Some Of It” and is currently on the road with his Double Down Tour, featuring back-to-back nights of marathon shows in nearly 30 markets

Zach Crowell Heads To No. 2 Slot On ‘MusicRow’ Top Songwriter Chart

Zach Crowell moves into the No. 2 spot this week on the MusicRow Top Songwriter Chart, just behind Ashley Gorley at No. 1. Crowell’s rise comes from co-writer credits on Chris Janson’s “Good Vibes,” Dustin Lynch’s “Ridin’ Roads” and the new Sam Hunt tune “Kinfolks.”

Ross Copperman drops down to No. 3, Laura Veltz moves up to No. 4 and Blanco Brown moves down to No. 5 this week.

Josh Osborne leaps from No. 27 to No. 8 on the chart, with co-writer credits on “One Man Band” (Old Dominion), “Mr. Lonely” (Midland) and “Kinfolks” (Sam Hunt).

The MusicRow Top Songwriter Chart, published every week, uses algorithms based upon song activity garnered from airplay, digital downloaded track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the first songwriter chart of its kind.

Click here to view the full MusicRow Top Songwriter Chart.

Brett Eldredge Bringing His Holiday GLOW Back For 10-Date Tour In December

Brett Eldredge is bringing back his annual Glow LIVE holiday tour this year for a 10-date run which includes two shows in Nashville at the Ryman Auditorium, two Chicago Theater appearances, and two dates at New York’s Beacon Theater. Eldredge will also make stops spreading holiday cheer in Louisville, Atlanta, Columbus and Boston on the tour.

Audiences at the Glow LIVE shows will begin their evenings with a special appearance from comedian Barry Rothbart, and the shows will feature seasonal selections from Glow as well as other holiday hits.

“Since I was a kid, I’ve had the Christmas music spirit running heavily through my veins,” Eldredge said. “It’s my favorite thing in the world. Now taking my own Christmas tour out on the road at this huge level is a dream. I can’t wait to see everyone dressed up, relaxed and ready to sing the Christmas classics with me!”

Tickets for the run will go on sale to the general public on Friday, October 25 and will be available to purchase on bretteldredge.com. In the New York City and Chicago area, Chase will hold an exclusive pre-sale for cardholders from October 23-25 for both Beacon Theatre and Chicago Theatre shows; limited presale tickets are available. Additionally, Chase Sapphire cardholders will have the opportunity to purchase limited VIP Experience packages by visiting chase.com/experiences. Eldredge’s email list will have exclusive access to pre-sale tickets for all dates, excluding New York City and Chicago, beginning Tuesday, October 22.

GLOW Live Show Dates:
Dec. 4: Ryman Auditorium – Nashville, TN*
Dec. 5: Ryman Auditorium – Nashville, TN*
Dec. 8: Louisville Palace Theater – Louisville, KY*
Dec. 10: Coca-Cola Roxy – Atlanta, GA*
Dec. 12: Palace Theatre – Columbus, OH*
Dec. 14: Boch Center Wang Theatre – Boston, MA*
Dec. 17: Beacon Theatre – New York, NY+
Dec. 18: Beacon Theatre – New York, NY+
Dec. 20: Chicago Theatre – Chicago, IL+
Dec. 21: Chicago Theatre – Chicago, IL+
*Email subscriber presale on 10/22 at bretteldredge.com
+ No email subscriber presale; Chase cardholder presale on 10/23