We have no complaints about musical quality this week, since everyone is giving us their best.
From the pop end of the spectrum, we have a dandy collaboration between FGL and Tayla Parx. For bluesy finesse, check out Stoney LaRue & Tanya Tucker, or take a murder-fantasy ride with Lockwood Barr. For nostalgia, we have The Righteous Brothers teaming with Ronnie McDowell and John Schneider on an oldie rewrite.
And for true country excellence, we bring you our Disc of the Day winner, Chris Janson and our DisCovery Award honorees Carvin Walls.
LOCKELAND/Drive
Writers: Susie Brown/Kyndon Oakes/Mark Vikingstad; Producer: Michael Boris/Sean Spence; Publishers: none listed; Lockeland
– The title says it all: This is a roll-down-the-windows, put-the-pedal-down, shout-to-the-heavens, open-road rock, rock, rocker. If this doesn’t quicken your pulse, you need a heart transplant. Loved, loved, loved it.
CHRIS JANSON/Done
Writers: Chris Janson/Mitch Oglesby/Jamie Paulin/Matt Roy; Producer: Chris Janson/Tommy Cecil; Publisher: none listed; Warner Music
– Well done, son. The stately tempo, his expressive vocal, the rolling-similes lyric, the swirling production and the emotional heft of this love song are all in their perfect places. This is a smash.
RIGHTEOUS BROTHERS, JOHN SCHNEIDER, RONNIE McDOWELL/Country Heaven
Writers: none listed; Producer: none listed; Publisher: none listed; Debut (CDX)
– It’s a rewrite of the 1974 Righteous Brothers hit “Rock & Roll Heaven,” this time name-checking Conway, George, Tammy, Merle, Johnny & June, Patsy, Hank and Waylon. The massed-vocal choruses work especially well in the finale.
LOCKWOOD BARR/6 Feet Deep
Writers: Lockwood Barr/Tim McGeary; Producer: Matt Odmark; Publisher: none listed; LB
– Dark and swampy and bluesy. The intense vibe in the music is matched by a lyric with murder on its mind. Haunting and creative.
JEFF BATES/If I Get Drunk Tonight
Writers: none listed; Producer: none listed; Publisher: none listed; Skydancer
– It’s a slow jam with a midnight-misery feeling. He can’t shake her memory, and it is torturing him. As usual, Jeff’s voice is a gripping, compelling and spirit-capturing instrument. Last call for alcohol, bar patrons.
STONEY LaRUE & TANYA TUCKER/Meet Me in the Middle
Writers: Stoney LaRue/Gary Nicholson; Producer: Gary Nicholson; Publishers: none listed; One Chord Song
– Here’s a heartily recommended, bluesy, roadhouse bopper about making a relationship work. Tanya is a Grammy-nominee queen this week, and Stoney is always worth a listen. You’ll find this on Okie/Texas road-warrior LaRue’s new CD Onward, which also features such luminaries as John Cowan, The McCrary Sisters, Colin Linden, Kenny Greenberg and Mickey Raphael. In addition to producer Gary Nicholson, songwriting contributors include Shawn Camp, Lee Roy Parnell, Guy Clark, Merle Haggard and Jesse Winchester. Great stuff.
BRANTLEY GILBERT/Fire’t Up
Writers: Brantley Gilbert, Brandon Day, Justin Weaver; Producer: Brandon Day; Publisher: none listed; Valory Music Co.
– Let’s all get drunk and rowdy. The track rocks, and Brantley sings with charisma, as always.
JACKSON MICHELSON/Stay Over
Writers: none listed; Producer: none listed; Publisher: none listed; Curb
– Plaintive sounding, with a jittery rhythm track under a sexually frustrated storyline. His best effort to date.
TAYLA PARX & FLORIDA GEORGIA LINE/Fight
Writers: Tayla Parx, Alysa Vanderheym, Tyler Hubbard, Josh Miller, Robin Oliver Frid; Producer: Alysa Vanderheym, Oliver “junior” Frid, Tayla Parx; Publisher: Taylor Monet Music/Warner-Tamerlane Publishing Corp., Castle Bound Music, Inc., Big Loud Mountain and T Hubb Publishing (All Rights Administered by Round Hill Works), Josh Miller Publishing Designee, Parx Publishing Designee
– Powerhouse pop songwriter/producer Parx is often underrated as a singer. Teaming up with country’s FGL really gives her a place to shine in that department. I can hear this tuneful outing as a big crossover success for both acts, with ease. Essential listening this week.
CARVIN WALLS/Sometimes I Lie
Writers: none listed; Producer: none listed; Publisher: none listed; Carvin Walls (CDX)
– It’s a male-female duo. Both of them phrase beautifully as country vocalists, and on the choruses, they soar with equal power. The lyric is about pretending to get over a heartbreak. The crisp production and soft-to-shouted audio dynamics are pretty special here. Lend this your ears.
BMG To Release Hank Williams Photo Book And Six-CD Set Of Remastered Live Recordings
/by LB CantrellOn Feb. 7, 2020, BMG will release a Hank Williams table-top book and six-CD set of remastered live recordings, titled Hank Williams: Pictures From Life’s Other Side—The Man and His Music in Rare Photos and Recordings.
The recordings have been pulled from a discovered collection of recorded broadcasts from a radio show Williams started hosting in 1951. Sponsored by Mother’s Best Flour Company, the 15-minute broadcasts were aired every weekday.
The find more than doubled the number of known Williams recordings; as the six-CD collection features 144 tracks representing the complete rundown of Williams’ performances from the existing transcription discs. Along with classics such as “Lovesick Blues,” “I Saw the Light,” “Cold Cold Heart,” and “I’m So Lonesome I Could Cry,” the Mother’s Best recordings represent the only known versions of dozens of Hank Williams performances.
The compilation was produced by Cheryl Pawelski, and each track was carefully restored and remastered by Michael Graves. Together, they earned Best Historical Album Grammy award for their work on Hank Williams’ The Garden Spot Programs, 1950 compilation in 2015.
The recordings are packaged in a slipcase with a book that chronicles Williams’ career in photographs. With the assistance of Grammy nominee Scott B. Bomar and Hank photo collector Ken Campanile, the 272-page hardbound volume was assembled by leading Hank Williams expert Colin Escott, who wrote the definitive biography of the American music icon and has won two Grammy awards for Best Historical Album for his production work on previous key Williams releases. Williams’ daughter, Jett Williams, contributed a foreword for the book.
To gather the photos, the team coordinated with Marty Stuart’s Congress of Country Music, the Grand Ole Opry Archives, the Center for Popular Music at Middle Tennessee State University, the Country Music Hall of Fame and Museum, the production company behind Ken Burns’ Country Music documentary, and various Hank fans and historians, including photos that had been saved by Hank Thompson, as well as fellow Grand Ole Opry star Little Jimmy Dickens. Additionally, fan photos were licensed from the Tom Sims Photo Archive, one of the world’s largest collections of country music photos.
Click here to pre-order Hank Williams: Pictures From Life’s Other Side—The Man and His Music in Rare Photos and Recordings.
Sony Music Nashville Promotes Two In Digital
/by Jessica NicholsonJaime Marconette, Jessica Valiyi
Sony Music Nashville has promoted Jaime Marconette and Jessica Valiyi to the position of Director, Digital Strategy, Sony Music Nashville.
Ed Rivadavia, Vice President, Digital Strategy for Sony Music Nashville, says, “I couldn’t be more proud of Jess and Jaime’s commitment to employing the full range of digital strategy and marketing activities – from social media, CRM, D2C, digital advertising, web and content development, and identifying new technologies – to maximize consumption-focused results.”
Marconette became a member of the Digital Strategy team at Sony Music Nashville in 2014. Before that, Marconette was employed by AristoMedia in Nashville, and Stanford University’s Department of Music in Stanford, California. Serving on the board of Nashville’s young professionals organization SOLID in 2014, he is from Palo Alto, California, and holds a Master of Science in Integrated Marketing Communications from Northwestern University in Evanston, Illinois. An active CMA and ACM member, Marconette completed his undergrad work with focuses in History and Psychology at The College of William & Mary in Williamsburg, Virginia.
Prior to joining Sony Music Nashville in December 2017, Valiyi served as the Digital & eCommerce Manager in the Marketing Department at Big Machine Label Group since 2014. She launched digital campaigns across the entire BMLG roster. An Indianapolis native, Valiyi graduated from Indiana University’s Kelley School of Business in 2010. Previous stints include Radio Promotions & Marketing at Emmis Communications and Procurement at Roche Diagnostics, one of Fortune Magazine’s 100 Best Companies To Work For. She is an active member of WMBA (Women’s Music Business Association), Country Music Association, Academy of Country Music, and a SOLID alumni.
Marconette can be reached at jaime.marconette@sonymusic.com and Valiyi at jessica.valiyi@sonymusic.com.
Blanco Brown Makes Grand Ole Opry Debut
/by Jessica NicholsonPictured: Blanco Brown & DJ
(C) Grand Ole Opry, photo by Chris Hollo
Blanco Brown recently made his Grand Ole Opry debut performance on Tuesday night (Nov. 19), performing his smash hit “The Git Up.” He became the first artist to perform on the Grand Ole Opry stage accompanied by a DJ. He performed tracks including “Temporary Insanity,” “TN Whiskey” and “The Git Up,” from his album Honeysuckle & Lightning Bugs (BBR Music Group).
After the performance, he met with Grand Ole Opry member Charley Pride and asked Pride to sign his jacket. He also performed at an Opry Debut After Party at Ole Red and signed albums for fans.
“What an incredible moment, I can’t believe it was the first time since the Opry started in 1925 that an artist has performed using 808’s,” said Brown. “I make music to spread joy and seeing the Ryman Auditorium filled with people smiling and dancing with me was something I’ll never forget. I want to thank the Grand Ole Opry for opening their hearts to me and allowing me to share my purpose with their audience.”
Pictured: Jon Loba (BBR Music Group), Dan Rogers (Grand Ole Opry) Blanco Brown, Jordan Pettit (Grand Ole Opry) (C) Grand Ole Opry, photo by Chris Hollo
Industry Pics: Blake Shelton, Randy Travis, Gabby Barrett
/by Jessica NicholsonWMN At ‘The Voice’
Pictured: Justin Newell, Tom Martens, Anna Cage, Chad Schultz, Blake Shelton, Bridget Herrmann, Lou Ramirez, Kati Salverson, and Mark Niederhauser.
Warner Music Nashville execs recently visited Blake Shelton at The Voice on Tuesday, Nov. 19.
SOURCE Nashville Welcomes Randy And Mary Travis
Pictured: Catherine Moore, Alicia Lanier-Jones, Mandy Gallagher-Morrison, Kari Barnhart, Mary Travis, Lisa Harless, Suzanne Lee, Becky McIntosh, Claire Cook-Taylor. Photo: Alison Webber/ASCAP
Randy Travis and wife Mary Travis were the guest speakers at Thursday’s (Nov. 21) SOURCE Nashville monthly luncheon at ASCAP entitled “Braving The Storms Of Life: An intimate interview with Randy and Mary Travis.” Lisa Harless, Regions Private Wealth MGMT Wealth Advisor Sr. VP, Entertainment and Sports Division, conducted the interview.
Gabby Barrett Visits ACM
Pictured: Brooke Primero, ACM SVP, Marketing; Gabby Barrett; Tom Lord, Red Light Management. Photo: Michel Bourquard/Courtesy of the Academy of Country Music
Weekly Radio Report (11/22/19)
/by Alex ParryClick here or above to access MusicRow’s weekly CountryBreakout Radio Report.
RIAA Issues Statement Regarding Ask Musicians For Music Act
/by Lorie HollabaughMitch Glazier, Chairman and CEO of the Recording Industry Association of America, has issued a statement regarding the introduction of the Ask Musicians for Music Act of 2019 (the “AM/FM Act”) by House Judiciary Committee Chairman Jerrold Nadler (D-NY) and Senator Marsha Blackburn (R-TN):
“We applaud Chairman Nadler and Senator Blackburn for their leadership in introducing bipartisan, bicameral legislation to ensure creators receive fair market value for their music on all platforms. By requiring broadcasters to get permission from music creators to use their music in the same way broadcasters are entitled to give permission for the use of their signal – the AM/FM Act addresses inequities in law that should be fixed.
“Introducing the AM/FM Act on the same day the House Judiciary Committee marked up the Satellite Television Community Protection and Promotion Act of 2019 (the “STCPP Act”) underscores a core principle: both broadcasters and creators deserve the same rights when it comes to the use of their property. The current state of the law granting broadcasters that right while denying it to creators is unjust and skews the market. We look forward to working with Chairman Nadler, Senator Blackburn and the entire music community to pass this bill.”
Hit Producer Tay Keith Partners With Save The Music Foundation, Audiomack To Give Back To Tennessee Students
/by LB CantrellBefore graduating from Middle Tennessee State University just last December, hip-hop producer Tay Keith has earned a Grammy nomination, multiple Platinum records and endless acclaim and notoriety. His production credits include Drake’s Platinum “Nonstop,” BlocBoy JB’s 3x-Platinum “Look Alive,” Travis Scott’s 5x-Platinum “Sicko Mode,” and more. Beyond that, the Memphis, Tennessee native has worked with Beyoncé, Lil Wayne, Cardi B, DJ Khaled and more.
Tomorrow (Nov. 22), Tay Keith will appear at Maplewood High School in Nashville to host a master class to celebrate the Keys + Kids Piano Grant, in partnership with streaming platform, Audiomack, and the Save The Music Foundation. The school will receive a digital hybrid piano and keyboards for students to realize their full potential through the power of making music.
“We teamed up with Audiomack to do a giveaway for a high school music program, and they brought me in to set the example and show [the students] that it’s possible to make things happen with school still in the picture,” Tay Keith tells MusicRow. “Students that chase their dreams in music a lot of times tend to drop out. I personally feel like I can show them that it’s possible, there are other ways to do it.”
Tay Keith
Notably, Tay Keith was Grammy-nominated and well on his way to more success during his last semester at MTSU. He has said on multiple occasions that finishing his education was very important to him.
“Honestly, I feel like if this opportunity would have presented itself to me when I was coming up, it would have driven me in a more motivated direction just on the simple fact that I really didn’t have a sense of direction creating music when I was younger. It kind of just worked out [for me], but I feel like if I would have had someone to talk to me in high school about my options, that could have motivated me to go a little bit harder. I would have had that sense of direction of what I wanted to do. It wasn’t until my upper class years when I actually had already solidified my position in the music industry that I knew that was what I wanted to do,” he says.
Maplewood High School students at the event tomorrow will hear Tay Keith’s story, and will receive some instruments. Students will then have the opportunity to ask him questions about his career path to success. To conclude the event, there will be a student performance on the donated piano.
The Erv Woolsey Co. Inks Deal With Ian Munsick
/by Jessica NicholsonErv Woolsey, Ian Munsick, Allen Mitchell, Caroline Rudolph. Photo: Sean Sheetz
The Erv Woolsey Co. has announced a partnership with Caroline Rudolph, CEO and executive creative director of Not A Public Figure Management, to represent country up-and-comer Ian Munsick.
As an independent artist, Munsick has accumulated more than 6 million streams on Spotify and 110,000 monthly listeners.
Munsick recently won Song of the Year at the iHeartRadio Rocky Mountain Country Music Awards, for “Horses Are Faster.” He was also a finalist in the annual NSAI Song Contest presented by CMT. He is set to release an album next year.
“Allen Mitchell and I have known Caroline for several years and have followed her and Ian’s progress closely. I’ve always felt she had a good ear for new, fresh-sounding artists who still have the ability to carry the traditional torch,” artist manager Woolsey notes. “After hearing Ian’s new music and spending some time with him, we jumped at the opportunity to be a part of the journey!”
“I couldn’t name a more capable team. Erv’s immense respect and knowledge, Allen’s experience, my creative guidance and, most importantly, Ian’s talent will bring a great deal to the country music table,” Rudolph says. “It’s a full-circle moment for me to be in a partnership with an industry legend who I’ve been learning from since first moving to Nashville. This feels like home.”
Sony Music Nashville Promotes Courtney Beebe
/by Jessica NicholsonCourtney Beebe
Allen Brown, Senior Vice President, Media, for Sony Music Nashville, has announced the promotion of Courtney Beebe to Associate Director, Media at Sony Music Nashville. Most recently Manager of Media, Beebe joined the Sony Music Nashville media team in September of 2018. She will continue to report to Brown.
“I have been a huge Courtney believer since I first worked with her as a member of the Communication Department at the Country Music Association,” said Brown. “As she has presented from day one with our team, Courtney has a collaborative spirit and strong ability to craft a compelling narrative that has contributed immensely to the advancement of our artists as well as our label group as a whole.” Brown continued, “She has strong relationships with impactful traditional and non-traditional media partners, and the track record that demonstrates it.”
“I can’t imagine a more exciting team to be a part of at this moment than Sony Music Nashville. Being a member of this innovative, talented group has been an immense honor and incredible learning experience. I am beyond grateful to learn every day from Allen Brown, and the larger SMN family who consistently strive to challenge the norm,” said Beebe.
Beebe joined Sweet Talk Publicity in 2017 as Publicist and worked with artists including Dustin Lynch, Morgan Wallen, and Home Free, in addition to celebrity fitness trainer Erin Oprea and TC Restaurant ownership group for FGL House, among others. Prior to joining Sweet Talk, Beebe was the Communications Manager and Managing Editor of CMA Close Up magazine at the Country Music Association, where she worked with national media crews, and initiated high-profile digital media strategies including the Social Pavilion and Blogger Platforms on the CMA Awards Red Carpet. She was also instrumental in the development of the CMA Foundation media outreach.
Beebe, who graduated with a B.A. from the School of Journalism and Mass Communication at the University of North Carolina, moved to Nashville in 2012 and began working as a Content Marketing Specialist at Lotos Nile.
She can be reached at courtney.beebe@sonymusic.com.
DISClaimer: Chris Janson Offers “True Country Excellence” With New Single “Done”
/by Robert K OermannFrom the pop end of the spectrum, we have a dandy collaboration between FGL and Tayla Parx. For bluesy finesse, check out Stoney LaRue & Tanya Tucker, or take a murder-fantasy ride with Lockwood Barr. For nostalgia, we have The Righteous Brothers teaming with Ronnie McDowell and John Schneider on an oldie rewrite.
And for true country excellence, we bring you our Disc of the Day winner, Chris Janson and our DisCovery Award honorees Carvin Walls.
LOCKELAND/Drive
Writers: Susie Brown/Kyndon Oakes/Mark Vikingstad; Producer: Michael Boris/Sean Spence; Publishers: none listed; Lockeland
– The title says it all: This is a roll-down-the-windows, put-the-pedal-down, shout-to-the-heavens, open-road rock, rock, rocker. If this doesn’t quicken your pulse, you need a heart transplant. Loved, loved, loved it.
CHRIS JANSON/Done
Writers: Chris Janson/Mitch Oglesby/Jamie Paulin/Matt Roy; Producer: Chris Janson/Tommy Cecil; Publisher: none listed; Warner Music
– Well done, son. The stately tempo, his expressive vocal, the rolling-similes lyric, the swirling production and the emotional heft of this love song are all in their perfect places. This is a smash.
RIGHTEOUS BROTHERS, JOHN SCHNEIDER, RONNIE McDOWELL/Country Heaven
Writers: none listed; Producer: none listed; Publisher: none listed; Debut (CDX)
– It’s a rewrite of the 1974 Righteous Brothers hit “Rock & Roll Heaven,” this time name-checking Conway, George, Tammy, Merle, Johnny & June, Patsy, Hank and Waylon. The massed-vocal choruses work especially well in the finale.
LOCKWOOD BARR/6 Feet Deep
Writers: Lockwood Barr/Tim McGeary; Producer: Matt Odmark; Publisher: none listed; LB
– Dark and swampy and bluesy. The intense vibe in the music is matched by a lyric with murder on its mind. Haunting and creative.
JEFF BATES/If I Get Drunk Tonight
Writers: none listed; Producer: none listed; Publisher: none listed; Skydancer
– It’s a slow jam with a midnight-misery feeling. He can’t shake her memory, and it is torturing him. As usual, Jeff’s voice is a gripping, compelling and spirit-capturing instrument. Last call for alcohol, bar patrons.
STONEY LaRUE & TANYA TUCKER/Meet Me in the Middle
Writers: Stoney LaRue/Gary Nicholson; Producer: Gary Nicholson; Publishers: none listed; One Chord Song
– Here’s a heartily recommended, bluesy, roadhouse bopper about making a relationship work. Tanya is a Grammy-nominee queen this week, and Stoney is always worth a listen. You’ll find this on Okie/Texas road-warrior LaRue’s new CD Onward, which also features such luminaries as John Cowan, The McCrary Sisters, Colin Linden, Kenny Greenberg and Mickey Raphael. In addition to producer Gary Nicholson, songwriting contributors include Shawn Camp, Lee Roy Parnell, Guy Clark, Merle Haggard and Jesse Winchester. Great stuff.
BRANTLEY GILBERT/Fire’t Up
Writers: Brantley Gilbert, Brandon Day, Justin Weaver; Producer: Brandon Day; Publisher: none listed; Valory Music Co.
– Let’s all get drunk and rowdy. The track rocks, and Brantley sings with charisma, as always.
JACKSON MICHELSON/Stay Over
Writers: none listed; Producer: none listed; Publisher: none listed; Curb
– Plaintive sounding, with a jittery rhythm track under a sexually frustrated storyline. His best effort to date.
TAYLA PARX & FLORIDA GEORGIA LINE/Fight
Writers: Tayla Parx, Alysa Vanderheym, Tyler Hubbard, Josh Miller, Robin Oliver Frid; Producer: Alysa Vanderheym, Oliver “junior” Frid, Tayla Parx; Publisher: Taylor Monet Music/Warner-Tamerlane Publishing Corp., Castle Bound Music, Inc., Big Loud Mountain and T Hubb Publishing (All Rights Administered by Round Hill Works), Josh Miller Publishing Designee, Parx Publishing Designee
– Powerhouse pop songwriter/producer Parx is often underrated as a singer. Teaming up with country’s FGL really gives her a place to shine in that department. I can hear this tuneful outing as a big crossover success for both acts, with ease. Essential listening this week.
CARVIN WALLS/Sometimes I Lie
Writers: none listed; Producer: none listed; Publisher: none listed; Carvin Walls (CDX)
– It’s a male-female duo. Both of them phrase beautifully as country vocalists, and on the choruses, they soar with equal power. The lyric is about pretending to get over a heartbreak. The crisp production and soft-to-shouted audio dynamics are pretty special here. Lend this your ears.