
Pictured (L-R, back row): Blake Shelton, Keith Urban, Luke Combs, Country Music Hall of Fame and Museum CEO Kyle Young, Morgan Wallen, John Osborne, TJ Osborne, Chris Stapleton; (L-R, front row): Tanya Tucker, Tenille Townes, Carly Pearce, Ingrid Andress, and Lauren Daigle backstage at All for the Hall: Under the Influence, benefiting the Country Music Hall of Fame and Museum at Bridgestone Arena. Photo: Terry Wyatt/Getty Images for Country Music Hall of Fame and Museum
The seventh annual All For The Hall, benefiting the Country Music Hall of Fame and Museum, sold out Bridgestone Arena last night (Feb. 10). With Keith Urban serving as the host, the show was billed as All For The Hall: Under The Influence, and each special guest played a song of their own and a song that had influenced them. Urban was joined by Tanya Tucker, Blake Shelton, Luke Combs, Chris Stapleton, Carly Pearce, Morgan Wallen, Tenille Townes, Brother Osborne, Lauren Daigle, and Ingrid Andress throughout the night.
Urban kicked off the night with his 2016 No. 1 hit, “Wasted Time.” He then thanked the sold-out arena crowd for coming and supporting the County Music Hall of Fame. He also thanked Country Music Hall of Fame member Vince Gill for starting the campaign in 2005. The song that Urban chose to perform that had influenced him was Linda Ronstadt’s “Blue Bayou.”
Carly Pearce was next up with her first No. 1 “Every Little Thing,” and a Shania Train mega-hit that inspired her, “Man! I Feel Like A Woman.” Her self-titled, sophomore album will release this Friday (Feb. 14).

Pictured: Carly Pearce performs at All for the Hall. Photo: Jason Kempin/Getty Images for Country Music Hall of Fame and Museum
Morgan Wallen took it from there with his hit “Whiskey Glasses,” and chose the Eagles hit “Take It Easy” for his influenced pick. The lively crowd knew every word to both hits.
Tenille Townes followed Wallen with a heartfelt delivery of her song, “Somebody’s Daughter,” and then again with U2’s “I Still Haven’t Found What I’m Looking For.” She let the crowd know that she had come to All For The Hall as a fan years ago during a trip to Nashville with her mom, and that it was an honor to get to be performing during the benefit show.

Pictured: Tenille Townes. Photo: Jason Kempin/Getty Images for Country Music Hall of Fame and Museum
Blake Shelton was next up and was met with a thunderous applause. Everyone in Bridgestone Arena was standing and singing along to his Platinum-certified, 2002 single, “Ol’ Red.” He then performed Alan Jackson’s “Dallas.”
Urban made sure to brag on Shelton, saying that he flew in to Nashville to perform at All For The Hall and soon would be flying back out.

Pictured: Blake Shelton and Keith Urban. Photo: Jason Kempin/Getty Images for Country Music Hall of Fame and Museum
Ingrid Andress showed off her star power, singing her introductory single, “More Hearts Than Mine,” while the crowd sang along. She then lead the crowd in singing John Denver’s “Take Me Home, Country Roads,” with Urban adding pleasant harmonies.
Brothers Osborne started their high-energy performance with Merle Haggard’s “The Bottle Let Me Down.” They then played their “Ain’t My Fault,” with John Osborne and Urban dueling it out on guitar.
The talented backing band for the night included the legendary steel guitarist Paul Franklin. At one point, the whole band turned to watch Franklin shred on steel guitar. “This guy is a legend,” TJ Osborne said.
Lauren Daigle then appeared to sing her Grammy-winning “You Say,” only accompanied by a keyboard. Her stellar vocals then mastered Roberta Flack’s version of “Killing Me Softly.” A trumpet player joined her on-stage.

Pictured: Lauren Daigle. Photo: Jason Kempin/Getty Images for Country Music Hall of Fame and Museum
The stellar Chris and Morgane Stapleton were up next and held everyone’s attention with their harmonies and an acoustic guitar on “Millionaire.” Stapleton then went into Willie Nelson’s “Angel Flying Too Close To The Ground,” saying that Nelson was someone he and his father listened to while he was growing up.
Tanya Tucker then stole the show during her performance. She picked several songs that had influenced her, performing snippets of George Jones’ “Grand Tour,” Loretta Lynn’s “Blue Kentucky Girl,” Merle Haggard’s “Workin’ Man Blues,” and Tammy Wynette’s “Stand By Your Man.” She also sounded wonderful on her recent Best Country Song Grammy winner, “Bring My Flowers Now.”

Pictured: Tanya Tucker. Photo: Jason Kempin/Getty Images for Country Music Hall of Fame and Museum
Cheers erupted as soon as Urban gave the first hint of Luke Combs approaching the stage. The star appeared to a thunderous applause, and performed his song, “Even Though I’m Leaving.” “It’s a casual Monday,” he said. Combs then closed the All For The Hall show with his version of Brooks & Dunn’s “Brand New Man.”

Pictured: Luke Combs. Photo: Jason Kempin/Getty Images for Country Music Hall of Fame and Museum

Pictured: Chris Stapleton and Morgane Stapleton. Photo: Jason Kempin/Getty Images for Country Music Hall of Fame and Museum

Pictured: Morgan Wallen and Keith Urban. Photo: Jason Kempin/Getty Images for Country Music Hall of Fame and Museum

Pictured: Ingrid Andress. Photo: Jason Kempin/Getty Images for Country Music Hall of Fame and Museum

Pictured (L-R): John Osborne and T.J. Osborne of Brothers Osborne. Photo: Jason Kempin/Getty Images for Country Music Hall of Fame and Museum

Pictured: Keith Urban. Photo: Jason Kempin/Getty Images for Country Music Hall of Fame and Museum

Pictured: Blake Shelton and Tanya Tucker. Photo: Terry Wyatt/Getty Images for Country Music Hall of Fame and Museum
Keith Urban, Luke Combs, Tanya Tucker, Blake Shelton Show Out For All For The Hall
/by LB CantrellPictured (L-R, back row): Blake Shelton, Keith Urban, Luke Combs, Country Music Hall of Fame and Museum CEO Kyle Young, Morgan Wallen, John Osborne, TJ Osborne, Chris Stapleton; (L-R, front row): Tanya Tucker, Tenille Townes, Carly Pearce, Ingrid Andress, and Lauren Daigle backstage at All for the Hall: Under the Influence, benefiting the Country Music Hall of Fame and Museum at Bridgestone Arena. Photo: Terry Wyatt/Getty Images for Country Music Hall of Fame and Museum
The seventh annual All For The Hall, benefiting the Country Music Hall of Fame and Museum, sold out Bridgestone Arena last night (Feb. 10). With Keith Urban serving as the host, the show was billed as All For The Hall: Under The Influence, and each special guest played a song of their own and a song that had influenced them. Urban was joined by Tanya Tucker, Blake Shelton, Luke Combs, Chris Stapleton, Carly Pearce, Morgan Wallen, Tenille Townes, Brother Osborne, Lauren Daigle, and Ingrid Andress throughout the night.
Urban kicked off the night with his 2016 No. 1 hit, “Wasted Time.” He then thanked the sold-out arena crowd for coming and supporting the County Music Hall of Fame. He also thanked Country Music Hall of Fame member Vince Gill for starting the campaign in 2005. The song that Urban chose to perform that had influenced him was Linda Ronstadt’s “Blue Bayou.”
Carly Pearce was next up with her first No. 1 “Every Little Thing,” and a Shania Train mega-hit that inspired her, “Man! I Feel Like A Woman.” Her self-titled, sophomore album will release this Friday (Feb. 14).
Pictured: Carly Pearce performs at All for the Hall. Photo: Jason Kempin/Getty Images for Country Music Hall of Fame and Museum
Morgan Wallen took it from there with his hit “Whiskey Glasses,” and chose the Eagles hit “Take It Easy” for his influenced pick. The lively crowd knew every word to both hits.
Tenille Townes followed Wallen with a heartfelt delivery of her song, “Somebody’s Daughter,” and then again with U2’s “I Still Haven’t Found What I’m Looking For.” She let the crowd know that she had come to All For The Hall as a fan years ago during a trip to Nashville with her mom, and that it was an honor to get to be performing during the benefit show.
Pictured: Tenille Townes. Photo: Jason Kempin/Getty Images for Country Music Hall of Fame and Museum
Blake Shelton was next up and was met with a thunderous applause. Everyone in Bridgestone Arena was standing and singing along to his Platinum-certified, 2002 single, “Ol’ Red.” He then performed Alan Jackson’s “Dallas.”
Urban made sure to brag on Shelton, saying that he flew in to Nashville to perform at All For The Hall and soon would be flying back out.
Pictured: Blake Shelton and Keith Urban. Photo: Jason Kempin/Getty Images for Country Music Hall of Fame and Museum
Ingrid Andress showed off her star power, singing her introductory single, “More Hearts Than Mine,” while the crowd sang along. She then lead the crowd in singing John Denver’s “Take Me Home, Country Roads,” with Urban adding pleasant harmonies.
Brothers Osborne started their high-energy performance with Merle Haggard’s “The Bottle Let Me Down.” They then played their “Ain’t My Fault,” with John Osborne and Urban dueling it out on guitar.
The talented backing band for the night included the legendary steel guitarist Paul Franklin. At one point, the whole band turned to watch Franklin shred on steel guitar. “This guy is a legend,” TJ Osborne said.
Lauren Daigle then appeared to sing her Grammy-winning “You Say,” only accompanied by a keyboard. Her stellar vocals then mastered Roberta Flack’s version of “Killing Me Softly.” A trumpet player joined her on-stage.
Pictured: Lauren Daigle. Photo: Jason Kempin/Getty Images for Country Music Hall of Fame and Museum
The stellar Chris and Morgane Stapleton were up next and held everyone’s attention with their harmonies and an acoustic guitar on “Millionaire.” Stapleton then went into Willie Nelson’s “Angel Flying Too Close To The Ground,” saying that Nelson was someone he and his father listened to while he was growing up.
Tanya Tucker then stole the show during her performance. She picked several songs that had influenced her, performing snippets of George Jones’ “Grand Tour,” Loretta Lynn’s “Blue Kentucky Girl,” Merle Haggard’s “Workin’ Man Blues,” and Tammy Wynette’s “Stand By Your Man.” She also sounded wonderful on her recent Best Country Song Grammy winner, “Bring My Flowers Now.”
Pictured: Tanya Tucker. Photo: Jason Kempin/Getty Images for Country Music Hall of Fame and Museum
Cheers erupted as soon as Urban gave the first hint of Luke Combs approaching the stage. The star appeared to a thunderous applause, and performed his song, “Even Though I’m Leaving.” “It’s a casual Monday,” he said. Combs then closed the All For The Hall show with his version of Brooks & Dunn’s “Brand New Man.”
Pictured: Luke Combs. Photo: Jason Kempin/Getty Images for Country Music Hall of Fame and Museum
Pictured: Chris Stapleton and Morgane Stapleton. Photo: Jason Kempin/Getty Images for Country Music Hall of Fame and Museum
Pictured: Morgan Wallen and Keith Urban. Photo: Jason Kempin/Getty Images for Country Music Hall of Fame and Museum
Pictured: Ingrid Andress. Photo: Jason Kempin/Getty Images for Country Music Hall of Fame and Museum
Pictured (L-R): John Osborne and T.J. Osborne of Brothers Osborne. Photo: Jason Kempin/Getty Images for Country Music Hall of Fame and Museum
Pictured: Keith Urban. Photo: Jason Kempin/Getty Images for Country Music Hall of Fame and Museum
Pictured: Blake Shelton and Tanya Tucker. Photo: Terry Wyatt/Getty Images for Country Music Hall of Fame and Museum
Craig Wiseman To Be “Roasted And Toasted” As T.J. Martell 2020 Ambassador Of The Year
/by Lorie HollabaughCraig Wiseman will be roasted and toasted as The T.J. Martell Foundation 2020 Ambassador Of The Year at this year’s charity event set for April 14. Special guests who will be “roasting and toasting” the guest of honor will be announced soon.
With over 350 cuts, 125 singles, and 27 No. 1 songs to his credit, Wiseman is one of the most celebrated songwriters in Nashville with a long list of genre-defining hits like Tim McGraw’s “Live Like You Were Dying,” Kenny Chesney’s “The Good Stuff,” and Blake Shelton’s “Boys ‘Round Here.” The recipient of ASCAP’s first-ever Heritage Award as the most-played country songwriter of the century, he was also named the Songwriter of the Decade by the Nashville Songwriters Association International.
Presented as part of the Nashville Comedy Festival, sponsorship opportunities, tables, and individual tickets are now available and benefit cancer research through the T.J. Martell Foundation. Hosted at Nashville’s ZANIES Comedy Night Club, doors open at 4:45 p.m. with all the fun beginning at 5:30 p.m.
For the seventh year in a row, the event celebrates an individual who has risen to the top of their field through commitment, dedication, and perseverance. This recognition is presented to a gifted professional who is respected by seasoned industry veterans and serves as a mentor to the next generation of rising young executives who are following in their footsteps. Past “Ambassador of the Year” honorees who have been roasted and toasted include Shane McAnally (2019), Jay Williams (2018), John Esposito (2017), Mike Dungan (2016), Ali Harnell (2015), and Rob Beckham (2014).
On The Row: Curb Records’ Filmore Talks Building A Fanbase And Confessional Songwriting
/by Jessica NicholsonFilmore. Photo: Haley Crow/MusicRow
Missouri native and Curb Records artist Filmore announced his signing to the label in early 2019, but the singer-songwriter has been steadily building his following through touring and strong streaming numbers for the past few years. He melds country sensibilities with masterly pop grooves and the occasional rap verse in a style reminiscent of Sam Hunt. His recent hit “Other Girl” has earned more than 14 million on-demand streams, and follows last year’s breakthrough hit “Slower,” which has earned more than 26 million streams. He has also released the track “My Place.”
Filmore (full name: Tyler Filmore) grew up in Wildwood, Missouri, and moved to Nashville eight years ago. He began writing songs, both for other artists and for himself, and releasing his own music, before signing with Creative Artists Agency and spending more time on the road.
“I didn’t want to sign a record deal for a very long time. I wanted to build it up on my own, to prove my value,” Filmore says. “Curb stepped in and put gas on the fire and it keeps getting better. I’m enjoying every minute right now.”
Pictured (L-R): Filmore with MusicRow Magazine Publisher/Owner Sherod Robertson. Photo: Haley Crow/MusicRow
Filmore recently visited the MusicRow Magazine offices to perform a trio of songs, including “Other Girl,” “Country Song,” and “Love That About You,” with each song drawn directly from Filmore’s own experiences.
“It’s really cool to be playing here. One day, hopefully I’ll have the cover,” he said, before introducing two fellow musicians, including one of his producers and co-writers John Luke Carter, as well as musician/tour manager BC Taylor.
“This is about a girl I don’t like, but it is a love song,” he said, introducing “Love That About You.” “I used to live off of 8th [Ave. in Nashville] and she used to make me go get a Sprite from a drive-thru because apparently fountain drinks taste way better than from a can or a bottle,” he said, referencing one of the song’s lyrics, before adding, “She’s no longer in the picture, and we don’t care about it.”
Pictured (L-R): BC Taylor, John Luke Carter, and Filmore. Photo: Haley Crow/MusicRow
He also recalled his journey as a kid who began singing as a way to get out of schoolwork, to finding his true creative calling.
“In fifth grade they offered an extra recess time if you joined the choir, so I did that, and it just stuck. I played sports, but I was always in choir, too.” After high school, he enrolled at University of Missouri—”I would have moved to Nashville after high school, but I followed a girl to college,” he noted.
He majored in vocal performance and business, balancing his studies with playing music.
“At school, I did operas, musicals, did Bye Bye Birdie. Then on Fridays and weekends, I had a group of buddies and we would tour the Northeast because you could play colleges and make some cash.”
He finished his three-song set with “Other Girl,” noting that he will soon release more music in the coming weeks, including a stripped down version of “Other Girl,” accompanied by piano and strings.
“It’s not about a side chick,” he clarifies of the song’s title, “but it’s about just being in a good relationship.”
Filmore has been opening shows on Lauren Alaina’s headlining That Girl Was Me Tour. He will perform at C2C Festival in Berlin, Germany on March 6-8 and in London March 13-15.
Filmore with MusicRow Magazine staffers.
Bobby Bones To Host New Weekly ‘Opry’ Show On Circle
/by Lorie HollabaughPhoto credit: Taylor Kelly
Bobby Bones has signed on as host and executive producer of Opry, a new weekly, one-hour Circle Network TV program featuring exclusive highlights from the Grand Ole Opry stage each week. Beginning Feb. 26 at 8 p.m. CT, Opry will bring the Grand Ole Opry experience to viewers nationwide with the week’s live-recorded performances, backstage conversations with Opry performers, comedy and more. A new one-hour episode will premiere each Wednesday at the same time, and Opry will re-air each Wednesday night at Midnight ET/11 p.m. CT.
“Bobby is a terrific entertainer and music enthusiast who has been a friend of the Grand Ole Opry for many years, and a fan for much longer,” said Scott Bailey, president of Opry Entertainment. “As both an executive producer and host, Bobby will have the opportunity to collaborate with our Grand Ole Opry team and present the Opry in a way that will complement the live radio broadcast by providing an insider’s unique perspective into what goes on behind the curtain of country’s most famous stage.”
“As a kid from Mountain Pine, Arkansas who grew up listening and loving the Opry with my grandma…I’m very honored by this opportunity. The rich history and tradition is second to none, and I’m thankful the Opry has not only trusted me to play music and tell jokes on its famed stage so many times, but to also invite me into this next chapter along with so many great country artists,” Bones said.
Concord Promotes Eight Execs, Including Nashville’s Kennard, Kirkpatrick
/by Jessica NicholsonBrad Kennard has been promoted to Sr. VP, A&R, while Kourtney Kirkpatrick has been promoted to VP, Synchronization.
Kennard has nearly 25 years of experience in the music publishing industry and has worked at organizations including Razor & Tie Music (which Concord acquired in 2017), Big Yellow Dog Music, Song Garden Music, Carnival Music and Curb Music Publishing. In his new role, he will continue supporting the careers of Concord’s current roster, including Marcus King, Ruston Kelly, Keb’ Mo’, Tofer Brown, Sean McConnell, Jeremy Lutito, Ruelle, Caroline Spence, Andrew Petroff, Mindy Smith and others.
Kirkpatrick joined Concord Music Publishing in 2017, when the company acquired Razor & Tie Music. In her four years at R&T, Kourtney pitched the catalog and developed writers such as sync giant, Ruelle. Previously, she worked to start and build the sync department at indie publisher, Big Yellow Dog. As VP, Synchronization, Kourtney will supervise the Television and Trailer/Promo departments, overseeing the creative pitching for each in North America.
Concord also announced the promotions of Alanna Goracy (NY) to VP, Production & Development, KIDZ Bop; Charles Graytok (NY) to VP, Finance; Bevis Hungate (London) to VP, Rental Services; Casey McLain (NY) to VP, Retail & Systems Operations; Mason Williams (LA) to Sr. VP, Catalog A&R; and Jeremy Yohai (NY) to Sr. VP, A&R.
“Concord’s culture of growth over the past few years has presented opportunities and challenges for many on our global team,” said Concord CEO Scott Pascucci. “To those that have not only confronted those challenges but have overcome them, and to every staff member that shows up every day to succeed, we thank you. It was my pleasure to announce 48 promotions this year, eight of them at VP level or above. Good luck to all of you in your new roles.”
Penske Media Makes Equity Investment In Music Business Worldwide
/by Lorie HollabaughPenske Media Corporation has announced a strategic equity investment in London-based Music Business Worldwide, which first entered into a global content partnership with Rolling Stone and Rolling Stone owner PMC in November 2018. With the addition of MBW to PMC’s family of brands, PMC will enable MBW to collaborate more closely with PMC’s portfolio of 19 media brands, particularly Rolling Stone, PMC’s music analytics platform Alpha Data, and Variety.com. The deal expands PMC’s investment in the music business, with the combination of MBW’s editorial voice and Alpha Data’s analytics providing deeper insights and breadth of analysis.
“Five years into MBW’s story, we are confident that in PMC we have found the perfect partner with which to join forces,” said MBW Founder and Publisher Tim Ingham. “PMC’s brands, content and people are defined by quality, with the power to lead industry conversations across entertainment. MBW is excited to work closely with Alpha Data to generate must-read industry insights, and we look forward to building on our alliance with Rolling Stone, exploring further strategic opportunities that bring tangible value to the music business.”
Since its founding in 2015, MBW has become a source of dependable breaking news and influential analysis for execs across the music industry. This more comprehensive partnership paves the way to launch innovative content and revenue models driven by both MBW’s respected coverage and PMC’s ability to utilize innovative technology to scale quality content.
“We continue to be impressed with Tim and MBW’s strong relationships and expertise in covering the business of music,” said PMC Chairman and CEO Jay Penske. “In particular, Tim and his talented team have tapped into a top tier global audience with quality well above and beyond offerings by competitors. We see significant potential in what we will build together.”
PMC made a strategic investment in state-of-the-art music analytics service Alpha Data in 2018 and in 2019 launched the Rolling Stone Charts powered by Alpha Data, customized for specific content verticals that incorporate digital and physical sales as well as on-demand streaming activity. In December 2017 Rolling Stone joined PMC and the brand relaunched with a revamped print magazine and website, innovative live events schedule, and larger roster of editorial talent.
Alex And Drake White Unveil New Nashville Event Space Whitewood Hollow
/by Lorie HollabaughPhoto: Courtesy Whitewood Hollow
Drake White and his wife, artisan chef and event planner Alex White, will open a new event space, Whitewood Hollow, this month. The 2,500 square-foot space is housed in an oak-covered barn on a 6.5-acre patch of rolling Tennessee countryside, located at 6249 Old Hickory Blvd. in Whites Creek, Tennessee.
The picturesque venue was six years in the making and is an ideal spot for weddings, vegan and farm-to-table dinners, photo shoots, and other special events, and was created by Alex with the encouragement and close collaboration of Drake. Alex began her journey as a chef and caterer as the owner of Milk and Honey Food Company, a catering company that was founded not only upon Alex’s love for food, but also upon her dedication to help those in need.
“I’ve always enjoyed preparing meals, entertaining, and cooking for friends and family,” said Alex. “I envisioned a place with my own kitchen space, cozy sitting areas, live music, string lights, fresh flowers, and large farm tables. A place where people could be gathered around those tables to share stories and fellowship, pray, laugh, cry, and maybe even enjoy a nice dinner, glass of wine, or cup of coffee together.”
Photo: Courtesy Whitewood Hollow
The Whites were intricately involved with every step of the building process, from helping choose the barn’s red oak exterior to making sure the porch was constructed with maximum sunset-watching potential in mind, and they turned the barn into an extension of their unique personalities, creating a place inspired by community, faith, love, and a whole lot of Appalachian soul.
“Whitewood Hollow came from a question I asked Alex nearly six years ago, while she was struggling with her job as an elementary school teacher,” Drake remembers. “I asked her, ‘What do want to do?! What would make you jump out of bed every day with power and purpose?!” Alex has a servant’s heart with a passion for food and loving people. Thus, the idea of serving great food and hosting magical events in a barn that would leave a lasting impact in people’s lives was born.”
Photo: Courtesy Whitewood Hollow
Photo: Courtesy Whitewood Hollow
Photo: Courtesy Whitewood Hollow
SiriusXM Makes $75 Million Investment In SoundCloud
/by Jessica NicholsonSiriusXM has invested $75 million in audio platform SoundCloud, which will use the additional investment to enhance its product development and services.
As a result of the investment, the U.S.-based SiriusXM will be a minority stakeholder in Berlin-based SoundCloud, while SoundCloud’s Board of Directors will expand to include two individuals designated by SiriusXM.
In 2019, SiriusXM acquired streaming music platform Pandora as part of a $3.5 billion all-stock transaction. The SoundCloud investment also follows a successful ad sales relationship between SoundCloud and Pandora, which started in 2019. This agreement enables advertisers and brands to purchase SoundCloud’s U.S. ad inventory directly through Pandora, leveraging the company’s direct sales capabilities, audio platform and vast data. The combined U.S. audience for SoundCloud and Pandora reaches more than 100 million unique listeners.
SoundCloud rounded out 2019 with $200 million in forward revenue run-rate in the fourth quarter of 2019.
“SoundCloud’s three consecutive years of strong financial performance directly reflect the success of our creator-led growth strategy,” said Kerry Trainor, Chief Executive Officer, SoundCloud. “We have an exciting roadmap focused on deepening the connections between creators and listeners that fuel creator discovery, career growth and the evolution of music culture on SoundCloud. We’ve built a great relationship with SiriusXM through our highly successful Pandora ad sales agreement, and their investment gives us added capital flexibility to accelerate our vision and take advantage of strategic opportunities as they arise.”
“SoundCloud’s unique platform serves a vital role in today’s music ecosystem where new artists are discovered and build their fan base, and established artists experiment and connect directly with their fans in highly effective ways,” said Jim Meyer, Chief Executive Officer of SiriusXM. “We admire SoundCloud’s loyal and growing audience, its offering for creators, and its reputation and popularity in global music communities. We believe this is another opportunity to continue creating value for SiriusXM stockholders by investing in expanding digital audio platforms.”
The Raine Group served as financial advisor to SoundCloud, and Morrison & Foerster as its legal counsel. Allen & Company LLC served as financial advisor to SiriusXM, and Weil, Gotshal & Manges LLP as its legal counsel.
Weekly Register: Luke Combs Continues Country Albums Reign
/by Jessica NicholsonLuke Combs. Photo: Jim Wright
Luke Combs‘ What You See Is What You Get remains atop this week’s country albums chart, according to Nielsen Soundscan. The Columbia Nashville/River House Artists project moves 25K in total consumption this week. His debut album This One’s For You is at No. 2, with 17K. Warner Music Nashville’s Blake Shelton is at No. 3 with Fully Loaded: God’s Country moving 15.8K. Morgan Wallen‘s If I Know Me (Big Loud) is at No. 4 with 13.1K. Shelton’s Warner Music Nashville labelmates Dan + Shay round out the Top 5 with the self-titled effort moving 11.5K.
Justin Bieber and Dan+Shay continue to own the on-demand country streaming song chart, with 11 million streams of “10,000 Hours” this week. Maren Morris‘ current country radio leader “The Bones” is at No. 2 with 7.5 million streams this week. Diplo‘s “Heartless,” ft. Morgan Wallen and Julia Michaels is at No. 3 with 7.4 million streams. Old Dominion‘s “One Man Band” is at No. 4 with 6.7 million streams, followed by Warner Music Nashville newcomer Gabby Barrett with “I Hope” earning 6 million on-demand streams.
Maddie & Tae Celebrate Gold Status For “Die From A Broken Heart”
/by Jessica NicholsonPictured (L-R): Mercury Nashville VP of Promotion Damon Moberly, Red Light Management’s Haley McLemore, UMG Nashville SVP of A&R Stephanie Wright, Maddie Marlow, Tae Dye, UMG Nashville EVP of A&R Brian Wright, UMG Nashville EVP of Promotion Royce Risser. Photo: Chris Hollo
Maddie & Tae recently celebrated the Gold RIAA certification for their single “Die From A Broken Heart,” just prior to their performance on the Grand Ole Opry on Feb. 7. The song has earned more than 130 million streams and has nearly broken into the Top 30 at country radio.
The track is featured on the duo’s upcoming album The Way It Feels, set for April 10 via Mercury Nashville.