
As independent music venues across the United States have seen massive loss of business over the past few months due to the COVID-19 pandemic, more than 600 artists, including several artists with Nashville ties, have teamed to issue a letter to Congress, urging legislators to offer financial support for independent venues and promoters across the United States.
Artists with Nashville ties including Miranda Lambert, Chris Stapleton, Brothers Osborne, Kacey Musgraves, Randy Travis, Brandi Carlile, Alabama, Jason Isbell, Tanya Tucker, Lucinda Williams, The Black Keys’ Patrick Carney, Willie Nelson, Kesha, Soccer Mommy, Boy Named Banjo, Alabama Shakes’ Brittany Howard, and The Cadillac Three joined artists including Cher, Joni Mitchell, Lady Gaga, Coldplay, Led Zeppelin’s Robert Plant, Billie Eilish, Bon Iver and more.
Among the industry executives who also signed the letter to Congress are Recording Academy president Harvey Mason Jr., Academy of Country Music CEO Damon Whiteside, Americana Music Association Executive Director Jed Hilly, and Rock and Roll Hall of Fame and Museum president Greg Harris.
The National Independent Venue Association (NIVA) now has nearly 2,000 members in all 50 states and Washington, D.C. and includes Nashville’s 3rd & Lindsley, Cannery Ballroom, Drkmttr Collective, Exit/In, Mercy Lounge, Rudy’s Jazz Room, Springwater Supper Club & Lounge, Station Inn, The 5 Spot, The End, The East Room, and The High Watt. According to a recent poll of NIVA members, 90% of independent venues report that they could permanently close in coming months without federal funding. Even as some venues are allowed to reopen at partial capacity, those revenues are not enough to meet fixed costs such building rent, utilities, payroll, and taxes. According to NIVA, every dollar spent on a ticket to an event at a small venue generates total of $12 in economic activity in a community’s hotels, taxis, restaurants and more.
NIVA President Dayna Frank, who is also the president of First Avenue Productions in Minneapolis, said, “The potential collapse of the independent arm of our industry cannot be exaggerated. Indie venues are the safe places that allow artists to grow, explore, and intertwine the musical culture of their city and their artistic community with their own inner voice. We are steadfast launching pads, sounding boards, and cheerleaders for the greatest talent in the world…before the world has ever heard of them. We’re incredibly grateful for these emerging artists and legends who are putting a spotlight on the need to #SaveOurStages. We want nothing more to welcome them and their fans back when it’s safe to do so, which is why we’re working so hard to secure our survival.”
Read the full letter below:
We, the undersigned artists, respectfully submit this letter in support of NIVA’s request for federal assistance for independent music venues and promoters across the United States.
We will know America is “back” when our music venues are filled with fans enjoying concerts safely. The live music experience is inextricably tied to our nation’s cultural and economic fabric. In fact, 53% of Americans – that’s 172 million of us – attended a concert last year.
We urge you to remember we are the nation that gave the world jazz, country, rock & roll, bluegrass, hip hop, metal, blues, and R&B. Entertainment is America’s largest economic export, with songs written and produced by American artists sung in every place on the globe. All of these genres of music, and the artists behind them, were able to thrive because they had neighborhood independent venues to play in and hone their craft, build an audience, and grow into the entertainers that bring joy to millions.
Independent venues give artists their start, often as the first stage most of us have played on. These venues were the first to close and will be the last to reopen. With zero revenue and the overwhelming overhead of rent, mortgage, utilities, taxes and insurance, 90% of independent venues report that if the shutdown lasts six months and there’s no federal assistance, they will never reopen again.
We are asking you to support NIVA’s request for assistance so these beloved venues can reopen when it’s safe and welcome us and our fans back in. The collapse of this crucial element in the music industry’s ecosystem would be devastating.
Independent venues are asking for an investment to secure their future, not a handout. One Chicago report found that every dollar small venues generate in ticket sales results in $12 of economic activity. If these independent venues close forever, cities and towns across America will not only lose their cultural and entertainment hearts, but they will lose the engine that would otherwise be a driver of economic renewal for all the businesses that surround them.
With respect and solidarity, we, as artists and as community members ourselves, urge you to pass federal legislation that will help #SaveOurStages.
Industry Ink: Scotty McCreery, Darius Rucker, Clint Black, Johnny & The Mongrels
/by Lorie HollabaughScotty McCreery Has Zoom Celebration For “In Between”
Pictured (L-R): Annie Brooks, Hope Garrison, Kevin Herring, Parker Fowler, Laura Hostelley, Raffaella Braun, Scotty McCreery, Julianna Vaughn, Diane Lockner, Norbert Nix
Scotty McCreery recently celebrated his third No. 1 “In Between” with his team during a Zoom call. “In Between” is the third single from McCreery’s 2018 album, Seasons Change, which debuted at No. 1 on the Billboard Country Albums Chart. It follows his back-to-back No. 1s, the Platinum-certified hit “This Is It” and Double-Platinum “Five More Minutes.” Produced by Frank Rogers, McCreery co-wrote the song alongside Rogers, Jessi Alexander and Jonathan Singleton.
“Earning a No. 1 record on ‘In Between,’ which is a song that defines me, is amazing. I loved writing this song with Frank, Jessi and Jonathan and telling my story,” said McCreery. “Earning three No. 1 songs in a row is the perfect way to celebrate Seasons Change and how that album changed my life. I want to thank country radio for supporting my music, my fans for believing in me from day one, and both my management team Triple 8 Management and my record label Triple Tigers Records for always having my back and working side by side with me every day.”
Darius Rucker, Clint Black Celebrate Early Father’s Day On Opry
Cllnt Black and Darius Rucker perform at the Grand Ole Opry. Photo: Courtesy Grand Ole Opry
Opry members/dads Clint Black and Darius Rucker performed together for the 4,929th consecutive Saturday night (June 20) broadcast of the Grand Ole Opry over Father’s Day weekend.
Johnny & The Mongrels Sign With so much MOORE For Publicity
Johnny & The Mongrels (L-R): Jeff Bostic and Johnny Ryan. Credit: Jim Mimna
Blues-rockers Johnny & The Mongrels have retained so much MOORE media for publicity. Their debut album, Creole Skies, will be released on July 17. The New Orleans-influenced band has been described as “the perfect combination of a funk-filled heart and a deep bayou soul,” and its founders, currently based in Fort Collins, Colorado, are singer/songwriter Johnny Ryan and singer/bassist/songwriter Jeff Bostic.
Grand Ole Opry, Ryman Auditorium To Reopen For Daytime Tours This Friday
/by Lorie HollabaughPhoto: Courtesy Ryman Auditorium
Nashville continues its quest to get back to business with the launch of Phase 3 this week, and local institutions the Grand Ole Opry and the Ryman Auditorium are finally reopening their doors to the public for daytime hours beginning this Friday (June 26).
Backstage tours of the Grand Ole Opry House will reopen for a weekend run this weekend Friday, June 26–Sunday, June 28 at 10 a.m. before beginning daily tours on July 2, giving an intimate look at the people, places, and stories behind the show that made country famous. Self-guided tours of the Mother Church will also be available Tuesday-Sunday from 10 a.m – 3 p.m.
Best-in-class safety procedures and training are being implemented at both venues to help promote guest safety. Both Ryman Auditorium and the Grand Ole Opry House will strictly adhere to operating plans developed with Vanderbilt Health that meet or exceed CDC and local health department safety guidelines.
To ensure safe social distancing, both venues are operating with limited capacity inside the buildings, staff will wear PPE and receive temperature checks, each guest will receive health screenings before the tour, and guests will be required to wear masks. There will be hand sanitizer stations throughout the building for guests to use, with frequent cleaning of high touchpoint areas, and guests will be positioned at least six feet apart while entering and exiting.
The Turn It Up! Ryman’s Rock Legacy exhibit will make its debut when the Ryman reopens for daily tours. The exhibition showcases the Ryman’s rich past that extends far beyond country, and features artifacts from Elvis Presley, Peter Frampton, Jerry Lee Lewis, Roy Orbison, John Mellencamp, Wilco, Neil Young, Steve Miller Band, Grace Potter, Drive-by Truckers, Bruce Springsteen and more. Tours of the Ryman begin with a stop in the state-of-the-art Soul of Nashville experience where guests experience a magical journey complete with holograms, special effects, multidimensional film images and archival footage to bring the history of the Ryman to life.
Night-time activities available to the public at both venues remain paused and will resume in accordance with Nashville’s Roadmap to Reopening, and backstage tours of the Ryman will not be offered at this time.
John Prine’s "I Remember Everything" Debuts At No. 1
/by Jessica NicholsonJohn Prine. Photo: Danny Clinch
The late John Prine‘s last recorded song, “I Remember Everything,” has debuted at No. 1 on Billboard‘s Rock Digital Song Sales Chart, earning the highest-charting single of Prine’s career as a performer.
The song debuted at the conclusion of the virtual tribute “Picture Show: A Tribute Celebrating John Prine,” that was held earlier this month, and featured performers including Kacey Musgraves, Vince Gill, Jason Isbell and Amanda Shires, and more. Since the tribute show premiered, it has been viewed more than 500,000 times and raised more than $400,000 for NAMI, Alive, Make the Road New York and MusiCares.
Prine wrote “I Remember Everything” alongside Pat McLaughlin and recorded it last year in his living room, with producer Dave Cobb and engineer Gena Johnson.
Already a two-time winner in the category, Prine is once again nominated for Artist of the Year at the 2020 Americana Honors & Awards, which will take place Sept. 16 at Nashville’s historic Ryman Auditorium.
Anthem, Wrensong Sign Deal With Mother-Daughter Songwriters EmiSunshine, Alisha Hamilton
/by Jessica NicholsonEmiSunshine, Alisha Hamilton
Anthem Entertainment and Wrensong have signed mother-daughter songwriters EmiSunshine and Alisha Hamilton to a global publishing deal.
Music listeners first became aware of EmiSunshine in 2014 when, at 9 years old, she performed a rendition of the Jimmie Rodgers classic “Blue Yodel No. 6.” Her family posted a video of the performance on YouTube and it went viral, earning more than one million views. In 2017, Rolling Stone named her as one of the “10 New Country Artists You Need To Know,” and in 2018, she was featured in the Elvis Presley documentary The King. EmiSunshine was also selected as the 2019 recipient of the ASCAP Foundation Desmond Child Anthem Award and recently collaborated with Rock n’ Roll Hall of Fame member Bootsy Collins on the song “Stars.”
EmiSunshine said, “Being included with such a prestigious roster of writers is such a huge honor and I’m more than excited to be a part!”
Hamilton added, “Being accepted as a writer is all I ever dreamed of! I can’t imagine a better place to create new music.”
Ree Guyer, President and Owner of Wrensong Entertainment, said, “Emi and her mom, Alisha, have been writing together since Emi was four years old. They are a magical writing team. Emi has a bright future as an artist/writer who is a storyteller to her peers and thinks outside the box. We are so pleased to be working with Emi and Alisha making their dreams come true.”
Tim Wipperman, President of Anthem Music Publishing Nashville, added, “Emi is an Artist/Writer brought into the family by Ree Guyer and our Wrensong J/V. She is an amazing young artist, and she and her mother Alisha have created a compelling body of music to propel that artistry forward. Look out world! Here they come.”
Nashville Artists Support NIVA In Asking Congress To Support Independent Music Venues
/by Jessica NicholsonAs independent music venues across the United States have seen massive loss of business over the past few months due to the COVID-19 pandemic, more than 600 artists, including several artists with Nashville ties, have teamed to issue a letter to Congress, urging legislators to offer financial support for independent venues and promoters across the United States.
Artists with Nashville ties including Miranda Lambert, Chris Stapleton, Brothers Osborne, Kacey Musgraves, Randy Travis, Brandi Carlile, Alabama, Jason Isbell, Tanya Tucker, Lucinda Williams, The Black Keys’ Patrick Carney, Willie Nelson, Kesha, Soccer Mommy, Boy Named Banjo, Alabama Shakes’ Brittany Howard, and The Cadillac Three joined artists including Cher, Joni Mitchell, Lady Gaga, Coldplay, Led Zeppelin’s Robert Plant, Billie Eilish, Bon Iver and more.
Among the industry executives who also signed the letter to Congress are Recording Academy president Harvey Mason Jr., Academy of Country Music CEO Damon Whiteside, Americana Music Association Executive Director Jed Hilly, and Rock and Roll Hall of Fame and Museum president Greg Harris.
The National Independent Venue Association (NIVA) now has nearly 2,000 members in all 50 states and Washington, D.C. and includes Nashville’s 3rd & Lindsley, Cannery Ballroom, Drkmttr Collective, Exit/In, Mercy Lounge, Rudy’s Jazz Room, Springwater Supper Club & Lounge, Station Inn, The 5 Spot, The End, The East Room, and The High Watt. According to a recent poll of NIVA members, 90% of independent venues report that they could permanently close in coming months without federal funding. Even as some venues are allowed to reopen at partial capacity, those revenues are not enough to meet fixed costs such building rent, utilities, payroll, and taxes. According to NIVA, every dollar spent on a ticket to an event at a small venue generates total of $12 in economic activity in a community’s hotels, taxis, restaurants and more.
NIVA President Dayna Frank, who is also the president of First Avenue Productions in Minneapolis, said, “The potential collapse of the independent arm of our industry cannot be exaggerated. Indie venues are the safe places that allow artists to grow, explore, and intertwine the musical culture of their city and their artistic community with their own inner voice. We are steadfast launching pads, sounding boards, and cheerleaders for the greatest talent in the world…before the world has ever heard of them. We’re incredibly grateful for these emerging artists and legends who are putting a spotlight on the need to #SaveOurStages. We want nothing more to welcome them and their fans back when it’s safe to do so, which is why we’re working so hard to secure our survival.”
Read the full letter below:
Siblings Willie And Bobbie Nelson To Release Dual Memoir
/by Jessica NicholsonWillie Nelson, along with his sister and family band member Bobbie Nelson, will share a memoir centering on their lifelong bond, titled Me And Sister Bobbie: True Tales of the Family Band.
The book, set to publish Sept. 15 via Random House, shares the siblings’ story of being abandoned by their parents as young children and their resulting tight-knit, eight-decade bond. The dual memoir, told in alternating chapters, shares recollections of their personal lives and careers. Bobbie, a pianist and singer, joined Nelson’s band in the ’70s, and has collaborated with Willie on albums of gospel music, including I’d Rather Have Jesus (1986), Gospel: Old Time Religion (1992), How Great Thou Art (1996), and Farther Along: The Gospel Collection (2013). In 2008, she released her own album, Audiobiography.
Additionally, a picture book from Willie and Bobbie, penned with Chris Barton and tentatively titled Sister, Brother, Family: Our Childhood in Music, is set to released in Fall 2021. The book will be edited by Frances Gilbert, Editor-in-Chief of Doubleday Books for Young Readers.
Wiseman, Combs, McAnally Take Top Three On MusicRow Top Songwriter Chart
/by LB CantrellCraig Wiseman remains in the No. 1 position on the MusicRow Top Songwriter Chart this week for the ninth consecutive week.
Luke Combs takes the No. 2 spot this week with co-writer credit on the No. 1 song in the country, “I Hope You’re Happy Now” (Carly Pearce and Lee Brice), as well as his own “Does To Me” and “Six Feet Apart.” Shane McAnally rounds out the top three on the MusicRow chart with an arsenal of charting songs, including: “Cheatin’ Songs” (Midland), “Hard To Forget” (Sam Hunt), “Nobody But You” (Blake Shelton and Gwen Stefani), “Champagne Night” (Lady A), “One Night Standards” (Ashley McBryde), “Some People Do” (Old Dominion), and “The Other Girl” (Kelsea Ballerini x Halsey).
The weekly MusicRow Top Songwriter Chart, published every week, uses algorithms based upon song activity according to airplay, digital downloaded track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.
Click here to view the full MusicRow Top Songwriter Chart.
Hannah Anders Signs With Spectra Music Group
/by Lorie HollabaughHannah Anders has signed a label deal with Spectra Music Group. Anders’ debut single, “Break Us,” co-written alongside Mark Addison Chandler, is set to be released July 17.
Spectra Music Group has been championing artists and celebrating chart-topping successes since 1997. The New York based company has a global presence, expanding across twenty subsidiary labels encompassing over 400 artists around the world. Anders has also aligned with Nashville-based Burning Ground Entertainment, and KORE Public Relations to help guide her career.
“God had a better plan for my year than I ever could have imagined,” said Anders, who is based in Nashville. “I am so proud to announce that I’ve signed with Spectra. Every artist needs someone who believes in them, and while I was wondering if I’d ever take that next step in my career, they were watching and waiting for the right time. I’m grateful that this is the moment they chose. Trust the process, trust hard work, and more than anything else, trust that perseverance, dedication and a little stillness will always serve you. I can’t wait to see what this next chapter will bring, and I’m honored to share it with all of you.”
Weekly Register: Luke Combs, Gabby Barrett Continue Country Chart Reigns
/by Jessica NicholsonPhoto (c) 2019 David Bergman for Sony Records Nashville.
Luke Combs remains at the pinnacle of the country albums chart this week, according to Nielsen Soundscan. Combs’ What You See Is What You Get earned 25K this week in total consumption.
The top debut is Gone West with Canyons entering at No. 28 with 6.1K (3.8K album only/2.3M song streams).
See this week’s Top 5 country albums below (total consumption/album only/song streams):
STREAMING SONGS
“I Hope,” the lead single from Gabby Barrett‘s debut Warner Music Nashville album which released June 19, continues to reign atop the Country On-Demand Streaming Songs chart, with 9.7 million streams this week.
Maren Morris‘ newly-released track, “Just For Now,” earns this week’s top debut, entering at No. 55 with 2.5 million streams.
See this week’s Top 5 streams below (streams this week/streams to date):
Rascal Flatts To Release New EP In July
/by Lorie HollabaughThey performed their brand new single, the title track, “How They Remember You,” and their hit “I Won’t Let Go” for Today‘s Citi Music Series this morning from the Opry stage in Nashville. Produced by Dann Huff, the poignant new single was co-written by Marc Beeson, Josh Osborne, and Allen Shamblin and debuts today at No. 24 on the Billboard country chart.
“We are so excited about our new EP and single, ‘How They Remember You,’” said Rascal Flatts member Gary LeVox. “It’s a song about what kind of impact and legacy you want to leave in life. It’s a fantastic song to celebrate 20 years of making music together. It’s an incredible message with a melody to match and we hope the fans love it, and that whatever legacy we all leave behind, it’s beautifully impactful.”
The three co-produced tracks throughout the new EP, which includes songs co-written by Thomas Rhett, Rhett Akins, Josh Osborne, Jesse Frasure, Ashley Gorley and more.
How They Remember You Track List:
1. How They Remember You – (Marc Beeson, Josh Osborne, Allen Shamblin)
2. Feel It In The Morning – (Zach Beeken, Jared Keim, Jenn Schott, Will Weatherly)
3. Quick, Fast, In A Hurry (featuring Rachel Wammack) (Kelly Archer, AJ Babcock, Pete Good, Brandon Ratcliff)
4. Looking Back – (Rhett Akins, Jesse Frasure, Ashley Gorley, Thomas Rhett)
5. Warmer- (Fancy Hagood, David Hodges, Brett McLaughlin)
6. Sip Away -(Zach Beeken, Jacob Durrett, Jared Keim, Garrett Nichols, Jason Sellers)
7. Through The Years – (Steve Dorff, Marty Panzer)