One Vision Music Group Adds Cody Belew To Roster

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Cody Belew

One Vision Music Group has signed singer/songwriter Cody Belew to its roster.

The Arkansas native competed during the third season of NBC’s The Voice, landing in the Top 8 finalists. He moved to Nashville in 2012 and has co-written with Mike Reid, Deana Carter, Tia Sellers, Waylon Payne, and more. One of his original songs, “The Choice A Lonely Heart Makes,” was featured on The CW series Roswell, New Mexico.

“Cody Belew is a talent that is beyond measure. I am honored to join Cody on his musical journey to share his message with the world.” said Cory B. Savage, CEO Visionary Media Group/One Vision Music Group.

One Vision Music Group’s roster also includes American Idol finalist Kree Harrison.

ASCAP CEO Elizabeth Matthews Advocates For Consent Decree Reform

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ASCAP CEO Elizabeth Matthews spoke on behalf of the performance-rights organization at the U.S. Department of Justice virtual workshop on Competition in Licensing Music Public Performance Rights that took place on July 28 and 29, 2020, organized by Makan Delrahim, Assistant Attorney General for Antitrust, US Department of Justice.

In a recent joint open letter, Matthews and BMI President & CEO Mike O’Neill responded to work by the U.S. Department of Justice (DOJ) to determine whether a possible modification or cessation is necessary for the consent decrees that have governed music licensing since 1941.

At the virtual workshop this week, Matthews upheld that modification needs to be made, stating: “One of the primary reasons the marketplace is no longer working for songwriters and composers is that both ASCAP and BMI operate under consent decrees that were entered into in 1941 when the marketplace was entirely different.”

She also pointed out the fact that many of today’s ASCAP licensees are powerful mega-technology and media companies, which themselves face very little regulations.

Matthews said, “Facebook, Amazon, Apple, Netflix & Google, they are smart, savvy, all lawyered up and wildly under-regulated. I have yet to sit in a negotiation with one of these licensees and not feel as though songwriters’ hands were tied behind their backs due to these consent decrees. It’s crazy to think that songwriters are more regulated in 2020 than Facebook.

“Today, ASCAP and BMI are not allowed to compete on a level playing field with their unregulated counterparts like SESAC and GMR, and that has created market wide imbalances and confusion,” Matthews explained. “The consent decrees are wildly outdated and need to be harmonized and simplified. At a minimum, the ASCAP and BMI decrees should be modified to be the same. Today, ASCAP and BMI are not even on a level playing field with one another which distorts the marketplace. To prepare for a new world order of global distribution, live data exchanges, demand and supply side pricing and experimental licensing initiatives, we have to be able to compete and innovate in a global market. All we ask of the licensee community and the DOJ is that you help us modernize our outdated consent decrees.”

Mathews concluded her remarks, “All we ask of the Department of Justice and the licensee community is please don’t leave songwriters and composers back in 1941. Please work with us to modernize these decrees.”

Read Matthews’ full remarks here.

BMI’s O’Neill also attended the virtual workshop and also offered caution to the industry. See MusicRow‘s coverage here.

Country Music Hall Of Fame And Museum Extends Closure To The Public Through Aug. 31

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The Country Music Hall of Fame and Museum has announced it will remain closed to the public through Aug. 31, 2020.

“The museum’s top priority is the health and safety of our guests and our staff. That guides our decisions about opening, closing and every other consideration,” said Kyle Young, CEO, Country Music Hall of Fame and Museum. “We look forward to the day when guests from all over the world can explore our galleries again, but the continued increase of COVID-19 cases across the nation causes us to feel that it is wise to remain closed at present, to protect employees and visitors.”

Though the museum is closed to the public, there are several programs available online, including Songwriter Sessions (on Tuesdays at 8 p.m. CT via Instagram Live), the museum’s Voices in the Hall podcast led by Museum Senior Director, Producer, and Writer Peter Cooper, and past performances and interviews from the museum’s archives, which are also available on the museum’s website.

Ashley McBryde, HARDY, Hailey Whitters Among AIMP Nashville Awards Winners

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The winners for the 5th annual AIMP Nashville Awards were announced Thursday (July 30). This year’s AIMP Nashville Publisher of the Year award went to SMACKSongs, a co-publisher of the song “One Night Standards,” which was named AIMP Nashville Publisher’s Pick. Ashley McBryde, a co-writer of the track as well as its recording artist, was named AIMP Nashville Artist-Writer of the Year, while Hailey Whitters took home AIMP Nashville Rising Artist-Writer of the Year. The AIMP Nashville Songwriter of the Year award went to HARDY, while AIMP Nashville Rising Songwriter of the Year went to Allison Veltz Cruz. The AIMP Song of the Year was “The Bones,” co-written and recorded by Maren Morris, while National Music Publishers’ Association (NMPA) President and CEO David Israelite was honored as AIMP Nashville Song Champion of the Year.

Though the awards show could not take place in-person this year due to the COVID-19 pandemic, several artists still celebrated with virtual performances on social media. Whitters performed “Beer Never Broke My Heart,” Tenille Townes offered “Prayed for You,” Ryan Hurd played “The Bones,” Kylie Morgan sang “One Man Band,” Matt Stell offered “Heartache Medication,” and Runaway June performed “10,000 Hours.”

“The AIMP Nashville Awards committee would like to congratulate all this year’s winners and nominees on their accomplishments in this unpredictable time,” said Ree Guyer, Vice President of the AIMP Nashville Chapter and Co-Chair of the AIMP Nashville Awards. “While we wish we were celebrating together at the Ryman, we are proud to honor these deserving independent publishers, writers, and artists who created the music that has been getting us through this difficult time.”
“Hearty congratulations go out to all our AIMP Nashville Awards honorees, from executives who have helped pave the way forward for independent music publishers, to artists and writers who have created some truly incredible music, to the publishers themselves who make sure they are paid fairly for their work,” said John Ozier, President of the AIMP Nashville Chapter. “Here’s hoping we’ll be able to see everyone in person next year!”

See the full list of nominees and winners below:

AIMP Nashville Publisher of the Year
Big Machine Music Publishing
Kobalt Music
Curb Word Entertainment
Winner – SMACKSongs
Peermusic
Downtown Music

AIMP Nashville Rising Songwriter of the Year
Winner – Allison Veltz Cruz
Alysa Vanderheym
Hunter Phelps
Jameson Rodgers
Jennifer Denmark
Sam Sumser

AIMP Nashville Rising Artist-Writer of the Year
Winner – Hailey Whitters
Kylie Morgan
Matt Stell
Runaway June
Ryan Hurd
Tenille Townes

AIMP Nashville Songwriter of the Year
Ashley Gorley
Winner – HARDY
Luke Combs
Laura Veltz
Hillary Lindsey
Jordan Schmidt

AIMP Nashville Artist-Writer of the Year
Winner – Ashley McBryde
Brothers Osborne
HARDY
Luke Combs
Morgan Wallen
Old Dominion

AIMP Nashville Song Champion of the Year
Alex Heddle
Brad Peterson
Winner – David Israelite
Greg Gallo
Lee Krabel
Stephanie Cox

AIMP Nashville Publisher’s Pick
“God And Country Music” (Barry Dean, Lori McKenna, Luke Laird) independently published by Creative Nation. Recorded by George Strait.
Winner – “One Night Standards” (Ashley McBryde, Nicolette Hayford, Shane McAnally) independently published by SMACKSongs, River House Artists, Canned Biscuit Songs. Recorded by Ashley McBryde.
“Seeing Other People” (Emily Falvey, Jason Afable, Matt McGinn) independently published by SMACKSongs, McGinntellectual Property, Rarespark Media Group. Recorded by MacKenzie Porter.
“Small Town Hypocrite” (Caylee Hammack, Jared Scott) independently published by Plaid Flag Music. Recorded by Caylee Hammack.
“To Hell And Back” (Jessie Jo Dillon, Maren Morris, Laura Veltz) independently published by Big Machine Music, Big Yellow Dog, Revelry Music, Kobalt Music. Recorded by Maren Morris.
“Wish For The World” (Aaron Eshuis, Joe Clemmons, Ryan Hurd) independently published by Big Machine Music, Mojo Music & Media. Recorded by Ryan Hurd.

AIMP Nashville Song of the Year
“10,000 Hours” (Dan Smyers, Jason Boyd, Jessie Jo Dillon, Jordan Reynolds, Justin Bieber, Shay Mooney) independently published by Big Machine Music. Recorded by Dan + Shay and Justin Bieber.
“Beer Never Broke My Heart” (Jonathan Singleton, Luke Combs, Randy Montana) independently published by Big Machine Music, 50 Egg Music. Recorded by Luke Combs.
“Heartache Medication” (Barry Dean, Jon Pardi, Natalie Hemby) independently published by Creative Nation, Song Factory, Pulse Nation, MV2 Entertainment. Recorded by Jon Pardi.
“One Man Band” (Brad Tursi, Josh Osborne, Matthew Ramsey, Trevor Rosen) independently published by Wrensong Entertainment, Anthem Entertainment, Twelve6 Entertainment, SMACKSongs. Recorded by Old Dominion.
“Prayed For You” (Allison Veltz Cruz, Ash Bowers, Matt Stell) independently published by Big Deal Music, Wide Open Music, Endurance Music Group. Recorded by Matt Stell.
Winner – “The Bones” (Jimmy Robbins, Maren Morris, Laura Veltz) independently published by Big Yellow Dog, Big Machine Music, JRM Publishing, Round Hill Music. Recorded by Maren Morris.

AIMP Nashville Awards winners will receive their awards by mail. Voting was open from July 20 through July 24 for all AIMP Professional members of the Nashville Chapter, as well as AIMP Premier Professional members.

Luke Bryan, Darius Rucker To Play Opry Aug. 15

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Luke Bryan and Darius Rucker are set to step into the circle together for the Grand Ole Opry’s 4,937th consecutive Saturday night broadcast on Saturday, Aug. 15. The Opry will air on Circle TV and SiriusXM as well as the Opry’s flagship home 650 WSM AM and wsmonline.com.

Bryan just celebrated the 25th No. 1 single of his career, “One Margarita,” from his upcoming seventh studio album Born Here Live Here Die Here, due out Aug. 7.

Rucker is also releasing new music on Aug. 7 with his single “Beers and Sunshine,” a feel-good summer tune relishing slowing down to enjoy the simple things in life when the world feels out of control. Tonight Rucker will hosts his 11th annual “Darius & Friends” concert benefiting St. Jude Children’s Hospital at 7 p.m. CT. Pay-per-view tickets are on sale now at LivexLive.com/Darius.

This Saturday (Aug. 1), award-winning songwriter/multi-Grammy winner Rodney Crowell,  Opry and Country Music Hall of Fame member Vince Gill, and Opry and Country Music Hall of Fame member and Grammy Lifetime Achievement Award winner Emmylou Harris will step onto the Grand Ole Opry stage at 7 p.m. CT.

GoFundMe Set Up For Music Industry Veteran Duane Hobson, Son Gary Following Tragic Loss

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Duane Hobson, a longtime Sony Music employee (1998-2016) and industry veteran, tragically lost his wife, Julie Hardy Hobson, on July 14, following a valiant fight with cancer. She was 35 years old.

The Hobsons were a loving couple and parents to an adorable three-year-old son, Gary, and Duane is now faced with the daunting task of raising Gary as a single parent.

“Duane worked with me in A&R for the majority of his time at Sony,” recalls Renee Bell, former Executive VP of A&R at Sony Music. “He was the glue for our department. He was my right hand “go-to” man. Am heartbroken Gary and he are having to go through this tragic loss.”

A GoFundMe campaign has been started by Bell and Whitney Daane to help Duane be able to take the time needed to grieve and also help his little boy, Gary, transition to their “new normal” without his mother. $5,665 of the $20,000 goal had been raised as of Wednesday evening (July 29).

Former Sony Music Chairman & CEO Joe Galante adds, “Duane has always been hard-working, creative, fun; and, he has a great heart. He will need all the help his friends and family can provide, having lost Julie: his partner, friend, wife and the mother of his son. It’s up to all of us to provide whatever help we can.”

To donate, visit gofundme.com.

 

Lauren Alaina Details Upcoming EP, ‘Getting Over Him’

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Lauren Alaina is releasing a new song “Run,” from her upcoming new EP, Getting Over Him, on Friday (July 31). The track was co-written by Alaina, Ben Johnson and Kennedi.

“We are all running. Constantly. Non-Stop,” said Alaina. “Even in this quarantine, we are all still the busiest we’ve ever been. Life just keeps going and going and going in unbelievable paces as we try to race ourselves to the next thing. My idea with the song was to refer to examples of all things that run because no matter what your walk of life is we are all racing to the next thing. We are all trying to get where we are going. We all get our hearts broken. We all have these childhood dreams. We ‘run’ to make it all happen.”

Due out Sept. 4, Getting Over Him features two duets, including the title track duet with her labelmate/friend Jon Pardi. The Georgia native also enlisted international pop star Lukas Graham to duet with her on the vulnerable and heartbreaking “What Do You Think Of?”

“Lukas Graham’s vocal on this is ridiculous,” Alaina said. “I am the most nervous about releasing this one because I was so vulnerable when I wrote it. Most of my songs come from more of a sassy and empowered place and this song comes from a really broken place. But I think it’s important because it is a part of who I am. It’s a part of what I went through. And if I am going to be honest in my music I have to share songs like that too.

“Music is my lifeline,” said Alaina. “Music literally pulls me out of everything I ever go through [career,  heartbreak, family, self-worth, love] and I feel really empowered with this music. I feel like this music shows my personal growth and my emotional growth. This EP of songs is all about loving myself through other people not loving me and not staying with me. It’s about me being able to get back to that same confident girl I wrote about on Road Less Travelled and to hold on to that confidence. I get to celebrate that with this music and I am so excited. I can’t wait for the fans to hear it.”

Getting Over Him EP Track Listing:
1. Run (Lauren Alaina/Ben Johnson/Kennedi)
2. If I Was A Beer (Lauren Alaina/David Garcia/Hardy)
3. Bar Back (Lauren Alaina/David Garcia/Hilary Lindsay)
4. Getting Over Him (duet with Jon Pardi) (Lauren Alaina/Paul DiGiovanni/Emily Weisband)
5. See You In Your Hometown (Lauren Alaina/Ben Johnson/ Kennedi)
6. What Do You Think Of? (duet with Lukas Graham) (Lauren Alaina/Johan Carlsson/Asia Whiteacre)

The Foxies Members Julia Bullock, Jake Ohlbaum Sign With Round Hill Music Nashville

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Pictured: Bullock, Ohlbaum

Julia Bullock and Jake Ohlbaum of the Nashville-based alternative pop band The Foxies have signed co-publishing deals with Round Hill Music Nashville. The signings follow on the heels of the release of their recent EP, Growing Up Is Dead.

The Foxies are a power trio built on thrashing punk energy and the hypnotic pageantry of electronic pop. Their new EP features tracks that capture that energy as well as the strength and unpredictability of the band’s live shows. Preaching empowerment and individuality, tracks like the lead single “Anti Socialite” stake a claim for the castaways of a world gone social-media mad. The band garnered attention with previous singles “Be Afraid Boy,” and “Chewing Gum” and has played everywhere from the Sundance Film Festival to Bonnaroo, SXSW and Lightning 100’s Live On The Green.

“What a treat to get to work with writers like Julia and Jake,” said Round Hill’s Mark Brown. “Their music is so fresh, and their approach is so free. I think they are special, and I am really looking forward to working with them.”

“I’ve been a personal fan of The Foxies for years and am thrilled to have the opportunity to work with Julia and Jake,” added Round Hill’s Bob Squance. “Their abilities as artists and songwriters are incredible and I can’t wait for the world to hear what they’ve been working on.”

“From day one, we have always told ourselves that the key to achieving longevity as a band is to find our champions, and we have found them in Round Hill,” Bullock said. “They take the time to know us as artists and as people and because of that, we have the type of relationship that many songwriters work their whole lives to find.”

“To find a team like Round Hill that supports me as a songwriter, producer and artist is truly more than I could have predicted for this year,” added Ohlbaum. “Mark and Bob are such incredible creative resources and we are excited to have them in our corner.”

Dennis Quaid Signs With UTA

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Dennis Quaid has signed with UTA for representation in all areas, including music and touring.

Quaid recently co-founded the podcast content studio, network and production company Audio Up (which he runs alongside CEO Jared Gutstadt) and launched the podcast The Dennissance on the platform. Quaid also co-hosts The Pet Show with Jimmy Jellinek; Uncle Drank: The Totally Hammered Podcast alongside Gary Busey, which will debut in October with Warner Records set to release the soundtrack; and Make It Up As We Go, which he is executive producing and is due to release this fall.

As a musician and songwriter, Quaid released his debut album, Out of the Box, in 2018. He is currently developing The Charley Pride Story, which he will produce with Ben Howard’s Third Coast Content production company. He is also set to star in the Ronald Reagan biopic Reagan.

As an actor, Quaid is known for his roles in The Rookie, The Day After Tomorrow, Traffic, Vantage Point, Frequency, The Parent Trap, Soul Surfer, The Right Stuff, and Breaking Away. More recently, his latest big-screen credits include starring roles in Sony’s thriller The Intruder, Universal’s A Dog’s Journey and A Dog’s Purpose, and Roadside Attractions’ I Can Only Imagine, among others.

Quaid is managed by George Freeman and represented by attorney Stewart Brookman at Hansen Jacobsen and Adkins Publicity’s Scott Adkins.

BMI President/CEO Mike O’Neill Champions Consent Decree Reform

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BMI President & CEO Mike O’Neill participated in an industry workshop this week organized by Makan Delrahim, Assistant Attorney General for Antitrust, US Department of Justice, to discuss consent decree reform.

In a recent open letter, O’Neill and ASCAP CEO Elizabeth Matthews highlighted the four key protections that BMI and ASCAP put forth to facilitate an orderly transition to a free market, including a path to ultimate termination of the decrees. He also highlighted the need to avoid Congressional regulation of performing rights.

O’Neill also provided the following caution to the industry:

“We have to be vigilant. As we’ve seen, some organizations are using this moment to their advantage. Unregulated parties and licensees are using this review of our consent decree to try to increase regulations on BMI and ASCAP, not for the benefit of songwriters and composers, but we believe for their own benefit. Frankly, this is just amazing to me and completely contradictory to what the DOJ is trying to do overall with consent decrees. Issues like 100% licensing, length of songwriter contracts and similarly situated licenses are coming into play. Issues that are more about regulating the marketplace through our consent decrees than the actual consent decrees themselves.”

Mike Steinberg, BMI’s Executive Vice President of Creative & Licensing, took part in a subsequent panel on alternative licensing options. Steinberg made the case that the free markets, and not the consent decrees, spark innovation, competition and the ability to even further meet the diverse needs of our songwriters, composers, publishers and licensees.

Stuart Rosen, BMI’s Senior Vice President and General Counsel, also took part in a panel on Licensing to Music Users highlighting how BMI and ASCAP’s proposed changes to their decrees will provide pro-competitive benefits for the entire marketplace.