615 Indie Live will return on Feb. 7 for its second year to spotlight independent venues and local artists. The event is produced by the Nashville Convention & Visitors Corp in partnership with Music Venue Alliance Nashville.
There will be 15 venues hosting shows for the event, including 3rd and Lindsley, Acme Feed & Seed, Anzie Blue, Cannery Hall, Dee’s Country Cocktail Lounge, DRKMTTR Collective, Eastside Bowl, Mirror Mirror, Music Makers Stage at Delgado Guitars, Night We Met, Rudy’s Jazz Room, The 5 Spot, The Basement, The East Room and The End.
Performers across the day will include Amelia Day, Anastasia Elliot, Bones Owens, Boy Orbison, Brian Wright, Bryant Taylorr, Campanula, Charles Wigg Walker, Claire Ernst, Christina Vane with Joshua Hedley, Crystal Rose, Daphne, David Cook Quintet feat. Jeff Coffin w/ Miguel Alvarado, Jacob Jezioro & Jordan Perlson, DeeOhGee, DJ Nat Ward, Eddie Angel’s Guitar Party, Family Dog, Genevieve Heyward, Hayden Pattengale, Heavy Quitters, Hector Tellez Jr, Henri Herbert and The Fury, Hogslop String Band, Hussy Fit, JT Loux, Justin Webb & The Noise, Kenny Sharp, Laney Jones and The Spirits, Lilly Hiatt, Lilly Winwood, Lombardy, Marc Payne Quintet w/ Don Aliquo, Simon Mogul, Rob Linton & Josh Cook, Massie 99, New Translations, Plainview Vibes’ Bob Marley Birthday Bash, Rolling Stone Nashville Now with Noeline Hofmann, Rougarou, SWEETTALKER, TEN, Texas Chain Store Managers, The Brummies, The Minks, The Sewing Club, Thunder and Rain, Venus & the Flytraps and Zandi Hollup. More artists will be announced at a later date.
“Nashville’s independent venues have been critical to our band’s career from day one, so it’s an honor to be a part in celebrating and supporting them,” says Matthew Paige of DeeOhGee. “For bands like us, these spaces are like extensions of our homes; safe spaces to hone our craft, test new material, and connect with our community on any night of the week.”
“Nashville’s full of all kinds of artists, every genre you can imagine, and the level of talent here is something you just can’t find anywhere else,” shares Deana Ivey, President and CEO of the Nashville Convention & Visitors Corp. “Events like 615 Indie Live truly capture the spirit of Music City with independent venues lifting up local talent and our community coming together to celebrate it. We’re proud to help create a day where so many artists can shine, and we hope both visitors and locals discover something new to love about Nashville’s music scene.”
“While this is truly a celebration, it also serves as an important reminder of the vital role these spaces hold in our community, and the pressures mounting against them.” adds Chris Cobb, President of the Music Venue Alliance Nashville, and Co-Producer of the festival. “From skyrocketing operational costs like property tax, rent, and insurance, to shifting local regulations like parking, and a consumer base that is spending less in small venues, current times are extremely challenging. That is why an event like 615 Indie Live has never been more important and needed.”
Event passes are on sale now for $20 and will allow entry to all participating venues. Shows will take place starting at 12 p.m. and go until 2 a.m. Proceeds from ticket sales will benefit MVAN and its mission to advocate for Nashville’s independent venues, promoters, and festivals, which also includes the organization’s Emergency Relief Fund. Additionally, the festival will donate $2 per ticket this year to WNXP, to help raise money for the nonprofit radio station who lost its federal funding this year.
EqualizeHer Donates $25K To FAM Grant
/by Madison HahnenEqualizeHer has made a $25,000 contribution to fund FAM’s Family Support Grant.
“FAM has a deep belief that progress happens when caregivers are given the support, visibility, and community they need to thrive,” shares Haley Montgomery, Co-founder of Family Alliance in Music. “This partnership with EqualizeHer allows us to do just that by directly investing in caregivers whose contributions make the industry stronger and more sustainable.”
“We founded EqualizeHer with the goal of creating more opportunities for women in music, an industry where women’s voices and talents deserve greater recognition,” adds Alisha Ballard, Co-founder of EqualizeHer. “Too often music professionals put their careers on hold to navigate the challenges or caregiving, parenting, and family life. We are proud to support Family Alliance in Music and their pursuit of supporting music professionals and helping them make their careers a reality.”
The FAM grant supports parents and caregivers working in all areas of the music business, including artists, songwriters, crew, managers, executives, and small business owners, who face challenges balancing work and family life. The grant prioritizes fertility assistance, needs-based support for touring professionals facing family-related hardship, family caregiving assistance, and small business initiatives that create family-supportive employee benefits.
Applications for the Family Support Grant are open now (Nov. 26) through Dec. 1 at 11:59 p.m. CST. Recipients will be notified in mid-January 2026. Full guidelines and the application form are available here.
26th Annual Nashville Unlimited Christmas Concert For Room In The Inn Set For Dec. 9
/by Madison HahnenThe SteelDrivers. Photo: Glenn Rose
Dave Pomeroy has set his 26th annual Nashville Unlimited Christmas Concert for Tuesday, Dec. 9 at Christ Church Cathedral.
Confirmed on the lineup so far are The SteelDrivers, Charlie McCoy, The McCrary Sisters, Rob Ickes, Tuba Christmas, Kanude, Wolf & Gypsy, Antsy McClain, and the Vanderbilt Blair Big Band, led by Ryan Middagh, with more to be announced and surprose special guests.
“Nashville Unlimited Christmas celebrates the season with great holiday music while raising much-needed funds and increasing awareness of the great acts of love, kindness and understanding done for our community by Room In The Inn over the years,” says Pomeroy. “We urge all Nashvillians to come share in the true spirit of Christmas.”
Attendance is free and open to all, with a suggested $20 minimum donation, which will go towards the Room In The Inn.
For more information, contact Room In The Inn at 615-251-7019, Christ Church Cathedral at 615-255-7729 or Dave Pomeroy at 615-579-5227.
NMAAM Unveils Strategic Plan For National Cultural Impact & Institutional Growth
/by LB CantrellTomicka Delgado, William Jeffries III and Dexter D. Evans
The National Museum of African American Music (NMAAM) has announced a comprehensive strategic plan that aims to expand from 125,000 to 250,000 annual visitors while establishing the museum as the definitive voice on African American music heritage nationwide.
Built around three foundational pillars—Educate & Entertain, Sustainability and National Impact—the plan leverages NMAAM’s unique position as the Home of Black Music Month and the only museum dedicated to the complete story of African American music’s influence on global culture.
“Our three-pillar approach focuses on where musical genius is discovered and developed, where cultural investment creates lasting impact and where American culture gains its authoritative voice,” says Executive Director William Jeffries III. “This strategic framework transforms NMAAM from a preservation-focused museum into an amplification engine for African American musical brilliance.”
The strategic plan will be implemented by NMAAM’s executive leadership team, including Executive Director William Jeffries III, who has secured $5 million in transformational Lilly Endowment funding and brings more than 20 years of cultural institution experience. Deputy Director, Operations & Culture Tomicka Delgado ensures operational excellence and visitor experience optimization through guest services, facility management and organizational culture. Deputy Director, Strategy & Advancement Dexter D. Evans leads cultural programming, strategic partnerships and institutional growth.
“This leadership team brings proven expertise in cultural programming, strategic advancement and operational excellence,” shares Board Chair Stacey Koju, partner at Spencer Fane. “Their combined experience positions NMAAM to execute this ambitious strategic plan while maintaining the authentic storytelling that makes us essential to understanding America’s musical foundation.”
Country Music Hall Of Fame & Museum Earns National Accreditation For Fourth Time
/by Lorie HollabaughCountry Music Hall of Fame and Museum archivists process artifacts in the museum’s archives. Photo: Courtesy of the Country Music Hall of Fame and Museum
The Country Music Hall of Fame and Museum has achieved accreditation again from the American Alliance of Museums, which distinguishes museums that achieve their mission and goals and operate according to the museum field’s highest standards and best practices.
This is the The Country Music Hall of Fame and Museum’s fourth consecutive accreditation since gaining the designation in 1987. Only about 500 museums have achieved accreditation four times, and of the nation’s estimated 33,000 museums, approximately 1,100 are currently accredited—roughly 3% nationwide. All museums must undergo a reaccreditation review process every 10 years to maintain this status. The process assesses museums’ work in public trust and accountability, mission and planning, leadership and organizational structure, collections stewardship, education and interpretation, financial stability and facility management. To earn accreditation, a museum first must conduct a year of self-study and then undergo a site visit by a team of peer reviewers.
“Reaccreditation validates our everyday commitment to our mission,” says Kyle Young, CEO of the Country Music Hall of Fame and Museum. “It confirms that we have an important and unduplicated collection, we use best museum practices to care for these holdings and we make these treasures available to the largest possible audience. Scholarship and continuous improvement are at the heart of everything we do as we work to preserve the history of country music and teach its cultural importance.”
As one of the most-visited museums in the country, the Country Music Hall of Fame and Museum welcomed nearly 1.5 million visitors in 2024 and offered more than 2,000 in-person and virtual educational programs. The museum’s collection facilities, including the Frist Library and Archive, house the world’s largest assemblage of country music artifacts and serve as a research hub for understanding the genre’s history and impact. Its galleries present half a dozen rotating exhibits per year as well as a regularly refreshed permanent core exhibition.
Stephen Wilson Jr. Rocks Headline Ryman Debut
/by Madison HahnenStephen Wilson Jr. Photo: Jace Kartye
Stephen Wilson Jr. took the Ryman Auditorium stage for his first of two sold-out shows on Sunday night (Nov. 23) for his Ryman headline debut. In a personal tribute to his late father and his own childhood, the stage was transformed into a makeshift boxing ring with ropes, corner stool, entrance bell and all, which set the tone for a night rooted in memory, grit, and heart.
He opened with “Calico Creek,” easing the crowd into his world of guitar riff and powerhouse vocals.
“This hillbilly’s been dreaming about this day for 20 years,” Wilson said from stage. “My dream’s have officially out dreamt me.”
HARDY & Stephen Wilson Jr. Photo: Jace Kartye
“Billy” followed, before launching into “Cuckoo,” which had the fans clapping along without hesitation. Wilson then previewed new material with “Preacher’s Kid,” a track from his forthcoming album. After introducing the band, he slid into “Patches” and “Grief Is Only Love,” both magnified by his vocal echoes.
One of the night’s most defining moments came during “The Devil,” performed entirely a cappella. The crowd fell into a hush before joining him for a singalong. “Not Letting Go” closed the first portion of the show, after which the band slipped quietly offstage.
The audience erupted when HARDY emerged as a surprise guest. With just two voices and a pair of guitars, they performed “Father’s Søn.” Wilson then remained alone for a solo acoustic rendition of “I’m a Song,” his father’s favorite, serving as an intimate, tender moment.
The band returned for a high-energy run through of his latest release “Gary,” followed by the nostalgic “Year to Be Young 1994,” as well as an atmospheric cover of Nirvana’s “Something in the Way.” The crowd’s energy swelled through “Holler from the Holler,” sending Wilson offstage to roaring applause.
He returned for a final encore solo, closing the night with a soulful take on Ben E. King’s “Stand by Me.” As the lights came up, Wilson took in every moment feeling the gratitude by the crowd’s standing ovation, and ended the night by throwing some guitar picks into the crowd.
Photo: Jace Kartye
Stephen Wilson Jr. & HARDY. Photo: Jace Kartye
Lainey Wilson, Riley Green & Creed To Headline Country Thunder Saskatchewan 2026
/by Lorie HollabaughLainey Wilson, Riley Green and Creed are set to headline Country Thunder Saskatchewan 2026, which returns for its 43rd year July 9-12.
Other artists set to perform include Cameron Whitcomb, Gavin Adcock, Max McNown, The Dead South, Kalsey Kulyk, Noeline Hofmann, Sasha, Dasha, Sully Burrows, Zach McPhee, Robyn Ottolini, Logan Layman and many more. On top of the talent packed lineup, this year’s event will introduce Buckin’ Thunder, a refreshed bull-riding showcase that brings the thrill of the rodeo to Craven Valley. Fans can purchase tickets at countrythunder.com/sk and take advantage of the $20 payment plan.
“We’re thrilled to bring this level of talent back to Saskatchewan,” says Troy Vollhoffer, CEO, Country Thunder. “Country Thunder is all about creating an unforgettable weekend filled with high-energy performances, memorable moments and the unique atmosphere that only Craven Valley can provide. We’re thrilled to add an additional value to ticket holders with our brand-new bull riding event. We can’t wait to see the fans back in the valley, making the most of every minute.”
Rob Bowman Releases ‘Land Of A Thousand Sessions’
/by John Nix ArledgeSix-time GRAMMY-nominated music scholar Rob Bowman has released Land Of A Thousand Sessions: The Complete Muscle Shoals Story 1951–1985 today (Nov. 25).
In partnership with Malaco Records, Bowman spotlights Muscle Shoals’ nine historic recording studios and how they became a central force in American popular music. The book traces the city’s influence across soul, including work with Aretha Franklin and Etta James, as well as pop and rock through The Rolling Stones, Paul Simon and Bob Seger, and country music with Willie Nelson, Hank Williams Jr. and Mac Davis.
Land Of A Thousand Sessions also features extensive research, archival insights and exclusive interviews with Mick Jagger, Keith Richards, Mavis Staples and more.
For more information, click here.
Grand Ole Opry To Celebrate 100th Anniversary With Livestream
/by Madison HahnenThe Grand Ole Opry will celebrate its 100th anniversary of its 1925 inaugural broadcast this Friday (Nov. 28) with a worldwide livestream of two shows.
“It’s truly amazing to me to think that what began as a regional radio broadcast on Nov. 28, 1925 is thriving more today than ever before and that exactly 100 years after that first performance, fans will be able to see and hear the celebration wherever they are around the globe,” says Opry Executive Producer Dan Rogers. “Families will be able to come together this Thanksgiving weekend and celebrate 100 years however they want—by tuning in on WSM or Sirius XM radio or by watching via Opry social media and YouTube. We promise a show that rises to the occasion of having been a century in the making.”
Performers across the two shows that evening will include Bill Anderson, Kathy Mattea, Trace Adkins, Anderson, Mandy Barnett, T. Graham Brown, Steven Curtis Chapman, Henry Cho, John Conlee, Dailey & Vincent, The Gatlin Brothers, Vince Gill, The Isaacs, Jamey Johnson, Dustin Lynch, Mattea, Charlie McCoy, Scotty McCreery, Gary Mule Deer, Lorrie Morgan, Riders In The Sky, Ricky Skaggs, Don Schlitz, Connie Smith, Marty Stuart, Pam Tillis, The Whites, Mark Wills and Suzy Bogguss.
The livestream will be available on Facebook, X, Instagram, TikTok and YouTube. Tickets to attend the show in person are also available now.
615 Indie Live Unveils Initial Lineup
/by Madison HahnenThere will be 15 venues hosting shows for the event, including 3rd and Lindsley, Acme Feed & Seed, Anzie Blue, Cannery Hall, Dee’s Country Cocktail Lounge, DRKMTTR Collective, Eastside Bowl, Mirror Mirror, Music Makers Stage at Delgado Guitars, Night We Met, Rudy’s Jazz Room, The 5 Spot, The Basement, The East Room and The End.
Performers across the day will include Amelia Day, Anastasia Elliot, Bones Owens, Boy Orbison, Brian Wright, Bryant Taylorr, Campanula, Charles Wigg Walker, Claire Ernst, Christina Vane with Joshua Hedley, Crystal Rose, Daphne, David Cook Quintet feat. Jeff Coffin w/ Miguel Alvarado, Jacob Jezioro & Jordan Perlson, DeeOhGee, DJ Nat Ward, Eddie Angel’s Guitar Party, Family Dog, Genevieve Heyward, Hayden Pattengale, Heavy Quitters, Hector Tellez Jr, Henri Herbert and The Fury, Hogslop String Band, Hussy Fit, JT Loux, Justin Webb & The Noise, Kenny Sharp, Laney Jones and The Spirits, Lilly Hiatt, Lilly Winwood, Lombardy, Marc Payne Quintet w/ Don Aliquo, Simon Mogul, Rob Linton & Josh Cook, Massie 99, New Translations, Plainview Vibes’ Bob Marley Birthday Bash, Rolling Stone Nashville Now with Noeline Hofmann, Rougarou, SWEETTALKER, TEN, Texas Chain Store Managers, The Brummies, The Minks, The Sewing Club, Thunder and Rain, Venus & the Flytraps and Zandi Hollup. More artists will be announced at a later date.
“Nashville’s independent venues have been critical to our band’s career from day one, so it’s an honor to be a part in celebrating and supporting them,” says Matthew Paige of DeeOhGee. “For bands like us, these spaces are like extensions of our homes; safe spaces to hone our craft, test new material, and connect with our community on any night of the week.”
“Nashville’s full of all kinds of artists, every genre you can imagine, and the level of talent here is something you just can’t find anywhere else,” shares Deana Ivey, President and CEO of the Nashville Convention & Visitors Corp. “Events like 615 Indie Live truly capture the spirit of Music City with independent venues lifting up local talent and our community coming together to celebrate it. We’re proud to help create a day where so many artists can shine, and we hope both visitors and locals discover something new to love about Nashville’s music scene.”
“While this is truly a celebration, it also serves as an important reminder of the vital role these spaces hold in our community, and the pressures mounting against them.” adds Chris Cobb, President of the Music Venue Alliance Nashville, and Co-Producer of the festival. “From skyrocketing operational costs like property tax, rent, and insurance, to shifting local regulations like parking, and a consumer base that is spending less in small venues, current times are extremely challenging. That is why an event like 615 Indie Live has never been more important and needed.”
Event passes are on sale now for $20 and will allow entry to all participating venues. Shows will take place starting at 12 p.m. and go until 2 a.m. Proceeds from ticket sales will benefit MVAN and its mission to advocate for Nashville’s independent venues, promoters, and festivals, which also includes the organization’s Emergency Relief Fund. Additionally, the festival will donate $2 per ticket this year to WNXP, to help raise money for the nonprofit radio station who lost its federal funding this year.
Julien’s Auctions ‘Played, Worn, & Torn’ Wraps In Nashville
/by Lorie HollabaughPictured: (L) Kirk Hammett 1985 Gibson Custom Michael Schenker Flying V; (R) Chappell Roan 2024 “Guts” World Tour Stage-Worn Costume
Julien’s Auctions’ two-day annual “Played, Worn, & Torn” auction recently concluded in Nashville at the Musicians Hall of Fame & Museum, showcasing over 800 pieces of historical musical memorabilia from the biggest names in entertainment.
The final day of the auction included an array of treasures, from stage-played guitars and assorted gear to handwritten lyrics, iconic fashions, artwork, home decor, sports memorabilia and assorted personal artifacts.
Throughout the event, the auction block showcased items from music legends and contemporary superstars including Prince, Michael Jackson, Chappell Roan, Sabrina Carpenter, Olivia Rodrigo, Lady Gaga, Taylor Swift, Ozzy Osbourne, Madonna, Bon Jovi, Janet Jackson, The Beatles, Elvis Presley, Adam Clayton, Queen, Johnny Cash, Whitney Houston, Bob Dylan, the Grateful Dead, David Bowie, Tom Petty, The Rolling Stones, Duran Duran and The Ramones, among many other treasures.
Among the auction highlights were Janet Jackson’s 1993-1994 “Janet World Tour” Stage-Worn Ensemble, which earned $28,800 at nearly triple the estimate, and Chappell Roan’s 2024 “Guts World Tour” stage-worn costume, which captured $16,000, shattering estimates.
“Wrapping up Day 2 of ‘Played, Worn, & Torn’ has been nothing short of remarkable,” says Martin Nolan, Executive Director and Co-Founder, Julien’s Auctions. “The excitement surrounding The Kirk Hammett Collection—more than 100 pieces from one of rock’s most iconic guitarists—was unparalleled, and the passion for items tied to artists like Chappell Roan and Janet Jackson shows just how vibrant and far-reaching today’s music culture is. What makes this auction truly special is the incredible group of charities we were able to support, including MusiCares, Teen Cancer America, Gibson Gives, and St. Jude Children’s Research Hospital. These past two days have been a tribute to creativity, legacy, and community, and we’re deeply grateful to the fans, collectors, and partners who helped bring it all to life.”
The enthusiasm over the Kirk Hammett Collection drove the collection to a complete sell-out, raising much-needed funds for MusiCares, and several of the additional lots sold benefit philanthropic causes including Gibson Gives, St. Jude’s Children’s Hospital, and Springfield Black Tie, Missouri’s premier LGBTQ+ Gala supporting the local LGBTQIA+ community.
Highlights of the auction’s final day included:
Madonna 1988-1989 “Express Yourself” MTV Video Music “Moonman” Award ($16,000)
Prince 1998 NBA All-Star Game-Worn Custom-Made Ensemble with Photo ($12,800)
Bon Jovi Franck Muller 18k Yellow Gold “Master Banker” Wristwatch, ($7,680)
Amy Winehouse Studio Played Nord Electro 2 Keyboard with Stand ($6,400)
John Mayer Signed PRS Silver Sky Electric Guitar, Black Tee Satin ($6,400)
Sabrina Carpenter “Manchild” Music Video-Worn Peasant Top ($6,400)
Olivia Rodrigo 2021 “Variety” Magazine-Worn Moschino Crochet Set with Magazine ($5,760)
A-ha 1985 “Take On Me” Original Music Video Artwork ($5,120)
Rihanna 2009 “Hard” Music Video-Worn Bryce Aime Dress ($4,480)
Slash Signed and Illustrated Top Hat ($4,480)
Lady Gaga 2017 Worn Yuki for Rembrandt Caftan ($3,200)
Taylor Swift 2008 Used and Signed Drum Stick ($1,920)