MusicRow’s 20th Annual CountryBreakout Award Winners [Full List]

In place of the annual Country Radio Meet & Greet and CountryBreakout Awards, MusicRow is virtually announcing the winners of the 20th annual CountryBreakout Awards today (Feb. 23). Follow along on all of MusicRow‘s online platforms, including Twitter, Facebook, and Instagram.

Now in its 20th year, the MusicRow CountryBreakout Awards celebrate those who have dominated country radio’s secondary market. Winners in eight categories are determined by spins on the secondary market stations that report to the MusicRow CountryBreakout Radio Chart panel each week.

Each winner is featured in MusicRow‘s Country Radio & Streaming issue, also out today (Feb. 23).

The winners for the 2022 CountryBreakout Awards will be updated live below:

Reporter of the Year – WDHR’s Jeff Meek

Songwriter of the Year – Josh Osborne

Label of the Year – Capitol Records Nashville

Independent Artist of the Year – James Robert Webb

Breakout Artist of the Year – Priscilla Block

Group/Duo of the Year – Dan + Shay

Female Artist of the Year – Miranda Lambert

Male Artist of the Year – Luke Combs

NSAI Adds Four To Team

Pictured (L-R): Jill Moody (Director of Membership), Lyndsie McClure (Director of Development), Savannah Grimm (Membership Communications and Content Manager), Sydney Zuyus (Marketing and Graphic Design Coordinator)

The Nashville Songwriters Association International (NSAI) has added four to its team.

Jill Moody has come on as Director of Membership and Lyndsie McClure as Director of Development. Additionally, NSAI has expanded the Marketing and Communications team with the addition of Savannah Grimm, Membership Communications and Content Manager, and Sydney Zuyus, Marketing and Graphic Design Coordinator.

Moody brings more than 17 years of experience in event production, management, and booking to the team at NSAI. Formerly the Director of Programming at Analog at Hutton Hotel, she will now oversee the NSAI Membership team, facilitating day-to-day membership services, specialty member events, and enhancing industry relations. She can be reached at jill@nashvillesongwriters.com.

McClure has spent over a decade building client relationships, managing corporate partnerships, and executing events across a variety of industries. As the Director of Development, McClure brings her appreciation for music and extensive experience together to increase support for the premiere association dedicated to protecting and uplifting songwriters. Reach her at lyndsie@nashvillesongwriters.com.

Grimm joins the team as the Membership Communications and Content Manager, applying 8+ years of experience gained during her time at iHeart Media from her role as Music Director, content creator and on-air personality. At NSAI, Grimm’s responsibilities include development and production of creative and educational content, facilitating member communications, social media management, and meeting with members. She can be reached at savannah@nashvillesongwriters.com.

Zuyus’ prior experience includes time at MONQ as Web & Graphics Coordinator, as well as freelancing in various capacities for names such as Nickelodeon, United Way, Steel City Arts Foundation, and more. As Marketing and Graphic Design Coordinator, her day-to-day responsibilities include web and graphics design, event asset development, social media management, and assisting with sponsorship fulfillment. Reach her at sydney@nashvillesongwriters.com.

Weekly Register: Cody Johnson Claims Top Country Streaming Song

Cody Johnson. Photo: Chris Douglas

Cody Johnson shoots up to No. 1 on the top country streaming songs this week. The singer-songwriter’s current single, “Til You Can’t” rises from its former spot at No. 5, gaining 6.2 million streams, according to MRC Data. Since the track’s October release, it has accumulated 111 million streams RTD.

Jordan Davis and Luke Bryan‘s “Buy Dirt” maintains its No. 2 spot with 5.9 million streams. Walker Hayes‘ “Fancy Like” drops to the third position with 5.7 million streams. The viral country artist also takes up the fourth spot as “AA” adds 5.7 million streams this week. Rounding out the top five is Chris Stapleton‘s “Tennessee Whiskey,” which earns 5.2 million streams.

Meanwhile, there are no changes in the top five consumed albums this week. Morgan Wallen‘s Dangerous: The Double Album takes first with 42K in total consumption (1.9K album only/51 million song streams). Taylor Swift comes in at No. 2 as Red (Taylor’s Version) earns 24K in total consumption (5.4K album only/24 million song streams). Combs occupies the third spot with What You See Is What You Get adding 18K, as well as the fifth spot with This One’s For You gaining 15K. Hayes remains at No. 4 as Country Stuff: The Album adds 15K.

HomeGrown Trio Inks Publishing Deal With Warner Chappell Nashville

Pictured (L-R): Ben Vaughn (WCM), Tom Becci (Red Light), Katelyn O’Donoghue, Kasey O’Donoghue, Liam O’Donoghue, Christina Wiltshire (WCM), Autumn House (Red Light)

Warner Chappell Music (WCM) Nashville has signed a worldwide publishing deal with Australian group, HomeGrown Trio.

The band, comprised of siblings Katelyn, Kasey, and Liam O’Donoghue, moved halfway around the world to Nashville in 2021 and landed an opening slot on the Jonas Brothers’ fall tour.

Growing up in Northern Queensland, Australia, the trio found their love for music on their family’s massive cattle ranch. They participated in competitions and festivals around Australia, building up a local fan base in the process.

The siblings appeared on The Voice Australia in 2018 where they earned a four chair turnaround from the coaches, ultimately choosing Joe Jonas as their coach. Jonas later signed them to his record label, Let’s Get It Records.

Christina Wiltshire, A&R Director, WCM Nashville shares: “I started following HomeGrown Trio a few years back, when they still lived in Australia. I was instantly drawn to their artistic, yet commercial songwriting and effortless sibling harmonies. When I finally got to meet them, their warm personalities and strong work ethic stood out to me. It just felt right!”

“We’re so excited to be working with Warner Chappell. Moving to Nashville has always been a dream of ours and to be here, working with such an amazing team is an honor,” the band adds. “We can’t wait to continue working and elevating our music among the incredible roster of writers and producers. They have made us feel right at home and we’re over the moon to be a part of the Warner Chappell family.”

HomeGrown is currently serving up a series of singles with plans for their forthcoming debut EP, in partnership with Universal’s Republic Records and Universal Nashville, to be released in 2022.

The band is managed by Tom Becci and Autumn House of Red Light Management.

AIMP To Host David Israelite for an NMPA Publishing Update Webinar

The AIMP LA Chapter will welcome NMPA President & CEO David Israelite to a special webinar this Thursday, Feb. 24. The webinar will take place at 3 p.m. CT. Registration is free for AIMP members and $5 for non-members. To register click here.

The webinar will provide attendees with updates on the most recent legislative and industry developments affecting publishers, songwriters, and the users of their works. With the music industry continuing to evolve and with the upcoming CRB Phono IV hearings, this conversation will be timely and important.

Israelite has held his position as President and CEO of the National Music Publishers’ Association (NMPA) since February 2005. He is responsible for overseeing all aspects of NMPA’s operations, from legal strategy and implementation to government affairs and advocacy.

Under his leadership, the NMPA has achieved many successes on behalf of publishers, including the largest CRB rate increase in history, groundbreaking industry collaboration in royalty rate agreements, landmark settlements and model licenses with streaming platforms, and raising the profile of the publishing community. Additionally, Israelite was instrumental in guiding the effort to modernize copyright laws culminating in the Music Modernization Act (MMA) and the subsequent creation of the Mechanical Licensing Collective (MLC).

Sara Evans, Justin Moore Among Lineup For Amp At Dant Crossing 2022 Season

Sara Evans & Justin Moore

Sara Evans and Justin Moore have been announced as part of the lineup for The Amp at Dant Crossing’s 2022 season.

Just south of Lexington and Louisville, Kentucky, the Amp at Dant Crossing is ramping up to be one of Kentucky’s premier music and event venues. The 2,000-seat amphitheater kicked off its grand opening in summer of 2021 with a sold-out show by Little Big Town ,and featured shows from Better Than Ezra, Phil Vassar, Mark Wills and more through the season.

The Amp will continue to announce talent for its upcoming summer lineup. To purchase tickets, click here.

The Amp at Dant Crossing 2022 Lineup:
May 13 – Sara Evans
Aug. 26 – Justin Moore

Walker Montgomery Slates New ‘Rust’ EP For March

Walker Montgomery. Photo: David McClister

Walker Montgomery is gearing up for the release of his sophomore Play It Again Entertainment EP, Rust, on March 25. The project’s debut track, “Blue Eyed Blue Jean Gone,” is available now.

Written by Jameson Rodgers, Ben Hayslip and Jessi Alexander, the newest track follows the releases of “Out of Nowhere,” “She Don’t Know,” and the feel-good “Bad Day To Be A Beer.”

The new project was produced by multi-award-winning hit songwriters The Peach Pickers (Rhett Akins, Dallas Davidson, Hayslip) who have nearly 80 No. 1s between them and multiple songwriting awards.

“I am beyond excited for everyone to hear this new music,” shares Montgomery. “We have been working for almost two years now to get just the right songs together for this EP, and I cannot wait for everyone to hear how my music has grown and evolved over these past few years. Getting to record and include a song like ‘Blue Eyed Blue Jean Gone’ on this EP,  written by some of the best songwriters in Nashville like Jameson, Ben and Jessi, is a big honor.”

Rust EP Track List:
1) Rust – Written by: Ashley Gorley, Nicolle Galyon, Brandon Lay
2) My Hometowns Fault – Written By: Rhett Akins, Jessi Alexander, Jameson Rodgers, Warren Haynes
3) Blue Eyed Blue Jean Gone – Written by: Jameson Rodgers, Ben Hayslip, Jessi Alexander
4) She Don’t Know – Written By: Dallas Davidson, Kyle Fishman, Michael Ray
5) Out Of Nowhere – Written by: Corey Crowder, Jared Mullens, Morgan Wallen, Joey Hyde
6) Bad Day To Be A Beer – Written by: Brock Berryhill, Cole Taylor, Dallas Davidson, Ray Fulcher

J.T. Harding: ‘This Is The Book I Wish I Had When I Tried To Get Into The Music Business’ [Interview]

J.T. Harding. Photo: Fred Hayes

Hit country songwriter J.T. Harding has celebrated his fair share of successes, with seven No. 1s under his belt, including “Somewhere In My Car” (Keith Urban), “Somewhere With You” (Kenny Chesney), “Sangria” (Blake Shelton), “Alone With You” (Jake Owen), “Beers and Sunshine” (Darius Rucker), “Smile” (Uncle Kracker), and “Different For Girls” (Dierks Bentley).

With quite the wild story to tell and plenty of experience as a songwriter in the country music industry, the accomplished tunesmith has put it all to paper in his new book, Party Like A Rockstar: The Crazy, Coincidental, Hard-Luck, and Harmonious Life of a Songwriter. The engaging page-turner is available everywhere books are sold today (Feb. 22).

Described as a memoir, a self-help book, and a how-to guide for aspiring songwriters, Party Like A Rockstar chronicles Harding’s life from being adopted at a young age, growing up in southern Detroit in a family of sports fanatics, and discovering his love for music.

“Like most kids, I was jumping around to the radio and putting KISS makeup on while listening to my KISS and Journey records,” Harding shares with MusicRow. “One day, like an alien landing, MTV came blasting into my living room and I felt like Dorothy going from black and white Kansas to technicolor Oz. I could not believe MTV. I wanted to crawl inside the TV and get into that world.”

J.T. and his band. Photo: Courtesy of J.T. Harding

Soon after in middle school, Harding put a band together with some of his friends. Together they entered into Battle of the Bands competitions, but Harding had a hunch that the only way to truly succeed was for them to write their own songs.

“I’ve always tried to write my own songs. I didn’t want to end up playing cover songs in a Holiday Inn with the smell of stale beer and full ashtrays. Which is funny because that’s where I met Uncle Kracker, at a Holiday Inn lobby,” he quips. “Regardless, I just knew that I wanted to [write songs]. I looked on the back of all my CDs, and they all said Sunset Boulevard. That’s where all the record companies were, so I went out to LA and lived in the most unglamorous corner of Sunset Boulevard for years. It was awful, but I made it through.”

Throughout its pages, Party Like A Rockstar shares some of the many playful stories of Harding’s life, including how he cleverly distributed his first demo. “I was living in LA and I didn’t know where to take my demo. I couldn’t get meetings with anybody, so I borrowed a FedEx jacket from someone I knew. Like Obi-Wan Kenobi just walking into the Death Star, I walked past every security gate, every A&R guy, and I put my demo in every single mailbox.”

The book also shares the stories behind Harding’s many country hits, including how he and his co-writers came up with titles, lyrics, and the thoughts that went into them. Party Like A Rockstar also takes readers through Harding’s worldwide travels with modern day rockstars like Linkin Park, and how he made his way to Music City to write for some of today’s biggest country acts.

“This is the book I wish I had when I tried to get into the music business because I didn’t know how to. I just wanted to write songs and be on the radio, but all I had were interviews with rockstars, which is like deciphering hieroglyphics in a dark room,” Harding jokes. “There’s not a magic button to songwriting. I’d have more hits if there was a magic button, but I poured my heart into this book in a very simple way. This is how I feel you can make songs stand out.

“I hope people will be inspired that [even though] you do get turned down over and over again, along the way you’ll find people that encourage you. You have to write a lot of bad songs before you get to some of those good ones, so just keep writing.”

Within the book, Harding also shares some of his hard-learned lessons and advice for budding songwriters.

“If you’re looking to do country music, to be a songwriter in the country genre, or to be discovered in the country world, I truly believe you have to get to Nashville. It’s a full contact sport here,” Harding sums. “Even though we have the internet and there’s people getting discovered on TikTok, I can’t think of any country star or hit country songwriter that isn’t [in Nashville] pretty much all the time.

“The second piece of advice is something that I did and something everyone here does,” he continues. “We first come to town and we all think, ‘If I can just write a song with someone that’s already having hits, then I’ll be good to go.’ I wanted to write with Hillary Lindsey, who wrote ‘Jesus, Take The Wheel’ and Craig Wiseman, who had 20 No. 1 hits [at the time], but that’s not how it happens. You meet your own tribe—people that are at your same level—and you rise together.”

Harding adds, “There’s so much value in the way that a new writer sees the world and the music that they’re influenced by. Find your tribe and come up together. Make a noise so loud that I’m begging to write with you.”

J.T. Harding dons a special version of his book, Party Like A ROWstar, with MusicRow‘s Lydia Farthing.

Aiming to serve up plenty of entertainment and laughs along the way, Harding also hopes that people find relatability and inspiration through Party Like A Rockstar, and that readers walk away with the confidence that they can find their way through the music industry, too.

“People should buy this book because I truly think it’s better than a backstage pass,” he explains simply. “More so than ever, people are interested in how songs get written. Songland was gigantic on NBC, and now everyone’s talking about the Beatles documentary on Disney+. They see these guys sitting around writing songs. That’s how it happens, and now you could have it in your hands!”

To celebrate the release of Party Like A Rockstar, Harding will host a book release show at The Listening Room at 1 p.m. on Feb. 26. With every ticket, attendees will receive a copy of the book.

Party Like A Rockstar: The Crazy, Coincidental, Hard-Luck, and Harmonious Life of a Songwriter is available everywhere now.

Tune In To Learn The 2022 CountryBreakout Award Winners Tomorrow

In place of the annual Country Radio Meet & Greet and CountryBreakout Awards, MusicRow will announce the winners of the 20th annual CountryBreakout Awards virtually starting at 9:00 a.m. TOMORROW (Feb. 23).

Now in its 20th year, the MusicRow CountryBreakout Awards celebrate those who have dominated country radio’s secondary market. Winners in eight categories are determined by spins on the secondary market stations that report to the MusicRow CountryBreakout Radio Chart panel each week.

Winners will be revealed on all MusicRow online platforms, including Facebook, Instagram and Twitter on Feb. 23.

MusicRow CountryBreakout Awards Schedule of Announcements:
9:00 a.m.: Reporter of the Year
9:30 a.m.: Songwriter of the Year
10:00 a.m.: Label of the Year
10:30 a.m.: Independent Artist of the Year
11:00 a.m.: Breakout Artist of the Year
11:30 a.m.: Group/Duo of the Year
12:00 p.m.: Female Artist of the Year
12:30 p.m.: Male Artist of the Year

Each winner will be featured in MusicRow‘s Country Radio & Streaming issue, out Wednesday (Feb. 23).

Kerry Wolfe Named Director Of Promotion At Stone Country Records

Kerry Wolfe

Veteran radio executive Kerry Wolfe has joined Stone Country Records as Director of Promotion for the label, effective March 1. He will report directly to Stone Country Records VP of Promotion & Marketing Matt Galvin.

Over the course of his four decade career, Wolfe has spent over 30 years with iHeartMedia (Milwaukee), rising to Senior VP of Programming where he oversaw stations across multiple formats. He led iHeartMedia’s six-station cluster to consistent ratings success, most recently commanding a combined 33% share of audience in the 2020 Nielsen ratings.

Wolfe’s leadership efforts have resulted in his stations receiving five CMA Awards, an ACM Award, and multiple Country Aircheck Large Market Station of the Year awards. Wolfe has been named one of Radio Ink’s Top 25 Country Program Directors, as well as a Country Aircheck Large Market Programmer of the Year multiple times.

“What’s unique about Kerry joining the Stone Country Records team is that both Matt Galvin and I previously worked as midwest reps for other labels,” shares SVP of Promotion & Marketing April Rider. “Like many other reps, Matt and I just adored Kerry as a PD and so appreciated his passion for our artists and their music. The fact that Kerry was always accessible to us even when we weren’t VPs really meant the most to us! We are thrilled to work with him as he starts this new chapter of his career on our side of the fence.”

“I can’t wait to get going! I look forward to working with all of our great radio partners and the incredible artists on the label,” adds Wolfe. “This is going to be fun!”

Wolfe can be reached at Kerry@stonecountryrecords.com.