
Treaty Oak Revival. Photo: Paige Williams
Treaty Oak Revival is set to hit the road next spring on their “West Texas Degenerate Tour.” Kicking off February 5th at the DCU Center in Worcester, Massachusetts, the 25-city trek will hit arenas and amphitheaters across the country, including Baltimore, Seattle, Portland and Nashville.
Ticket presales begin Thursday (Dec. 11) with general on-sale following on Friday (Dec. 12). The tour features support from Wade Forster, William Clark Green, Laredo, Huser Brothers, Gannon Fremin & CCREV, and Parker Ryan, varying by date.
“Our fans have shown up for us in ways we never expected, and this tour feels like the best way to pay that back,” shares the band. “We’re still the same degenerates, just a whole lot louder, and we’re ready to raise hell with everyone who walks through those doors.”
The band released their recent album, West Texas Degenerate, on Nov. 28. To date, the group has garnered over 1.4 billion global streams, 6.8 million monthly Spotify listeners, two self-released, RIAA gold-certified albums and five platinum singles.
“West Texas Degenerate Tour” Dates:
Feb. 5, 2026 – Worcester, MA – DCU Center
Feb. 6, 2026 – Atlantic City, NJ – Hard Rock Live at Etess Arena
Feb. 7, 2026 – State College, PA – Bryce Jordan Center
Feb. 12, 2026 – Baltimore, MD – CFG Bank Arena
Feb. 13, 2026 – Charleston, WV – Charleston Coliseum
Feb. 14, 2026 – Columbia, SC – Colonial Life Arena
Feb. 19, 2026 – Columbus, OH – Schottenstein Center
Feb. 20, 2026 – Evansville, IN – Ford Center
Feb. 21, 2026 – Lexington, KY – Rupp Arena
Mar. 12, 2026 – Springfield, MO – Great Southern Bank Arena
Mar. 13, 2026 – North Little Rock, AR – Simmons Bank Arena
Mar. 14, 2026 – Bossier City, LA – Brookshire Grocery Arena
Mar. 26, 2026 – Greensboro, NC – First Horizon Coliseum
Mar. 27, 2026 – Knoxville, TN – Food City Center
Apr. 26, 2026 – Sacramento, CA – Golden 1 Center
Apr. 30, 2026 – Seattle, WA – WAMU Theater
May 1, 2026 – Spokane, WA – Numerica Veterans Arena
May 2, 2026 – Portland, OR – Veterans Memorial Coliseum
May 14, 2026 – Southaven, MS – BankPlus Amphitheater
May 15, 2026 – Birmingham, AL – Coca-Cola Amphitheater
May 16, 2026 – Nashville, TN – Bridgestone Arena
May 29, 2026 – Macon, GA – Atrium Health Amphitheater
July 1, 2026 – Morrison, CO – Red Rocks Amphitheatre
July 11, 2026 – Lincoln, NE – Pinnacle Bank Arena
July 18, 2026 – Salt Lake City, UT – Utah First Credit Union Amphitheatre
Caroline Fields To Head 2PM Sharp’s Nashville Office
/by Lorie HollabaughCaroline Fields
Caroline Fields has been hired to lead 2PM Sharp Publicity’s Nashville office, as first reported by Billboard.
Prior to joining 2PM Sharp, Fields served as director of publicity at BBR Music Group/BMG Nashville, where she worked publicity campaigns for artists including Blake Shelton, Lainey Wilson, Jelly Roll, Jason Aldean, Parmalee, Alexandra Kay, K. Michelle and more. A University of Tennessee graduate, she also previously held publicity roles at Absolute Publicity and AristoMedia Group.
Executives Lindsay Galin and Jeff Raymond launched 2PM Sharp in 2024. The Nashville office is 2PM Sharp’s fourth location, with offices in London and more than 20 publicists in New York and Los Angeles as well. The PR agency works with a variety of actors, musicians, athletes, filmmakers and comedians, in addition to corporate work, and in crisis management and awards campaigns.
Reach Fields at cfields@2pmsharp.com.
Clint Black To Release Memoir
/by Madison HahnenClint Black will release his memoir, KILLIN’ TIME: My Life and Music, on May 19 via Harper Influence, an imprint of HarperCollins Publishers. Maddie Pillari, Editor, will edit the book.
KILLIN’ TIME showcases Black’s journey from a tough childhood on the outskirts of Houston to his rise as a country music superstar and icon. Taking from decades of songwriting, performing, and personal trials, the memoir gives an unfiltered, behind-the-scenes account of the highs and lows that shaped his career and life. Black has sold over twenty million records, notched twenty-two number one singles, and has won countless awards.
“This is the story of a dreamer with a persistent soul. After ten years of playing clubs in Texas, I never knew if I’d get the chance to record my music in Nashville. And then, in one year, my life changed forever,” says Black. “If my story—this crazy, 40-year rollercoaster ride, can inspire that young singer-songwriter rinsing and repeating every day, or reinforce the person struggling through a seemingly endless grind in the pursuit of a dream, well, then, I’ll know my life has made a difference.”
“Clint Black is part of the fabric of America,” says Harper Influence Publisher Lisa Sharkey. “An icon in the world of country music, Clint’s talent spans nearly 40 years of our culture. His tough Texas upbringing and his rise to the pinnacle of his craft coupled with his love story with wife and actress Lisa Hartman will leave you with a new appreciation for this extraordinary man and his music.”
“This is more than a musician’s memoir; it’s the definitive account of a transformative era in country music.” adds Pillari.
Pre-order for the book is available now.
Michael Huppe & Gene Simmons Testify Before Congress For American Music Fairness Act
/by Madison HahnenKISS founder Gene Simmons testifies before the Balancing the Interests of Local Radio, Songwriters, and Performers in the Digital Age hearing held by the U.S. Senate Committee on the Judiciary’s Subcommittee on Intellectual Property. Photo: Thomas Brenner
Yesterday (Dec. 9), Gene Simmons and SoundExchange President and CEO Michael Huppe appeared before Congress in support of the American Music Fairness Act (S.326), which would require AM/FM radio stations to pay artists royalties when their songs are played on the air.
Simmons and Huppe spoke during the Balancing the Interests of Local Radio, Songwriters, and Performers in the Digital Age hearing held by the U.S. Senate Committee on the Judiciary’s Subcommittee on Intellectual Property.
“American artists have never been paid for radio airplay,” Simmons addressed Senators. “Not one cent … Meanwhile, radio made $14 billion this year. Billion with a B. They play our songs. People tune in to hear our songs. Advertisers pay big money to reach those listeners. And the artists who created the music that makes it all work? They get bupkis. I don’t know about you, but where I come from, that’s called robbery.
“The American Music Fairness Act is the answer to this injustice,” he continued. “It’s not complicated. It simply says that when radio makes money playing our music, the people who created that music should get a fair cut. That’s capitalism. That’s the American way. I’ve devoted my life to the pursuit of capitalism. I’m not ashamed to say that. The free market made KISS possible. It made America the greatest country on Earth. And it should work for artists today, too. In America, you get paid for your work.”
“Congress has stepped up time and again to modernize the law to ensure that artists are paid when their music is played on digital, satellite, and streaming services, but it has yet to fix this problem for FM radio,” shared Huppe. “We’re asking you to finally close this glaring loophole in our copyright law which has been giving one of the oldest music delivery platforms a free ride for far too long.”
“Even Russia and China pay,” Huppe continued. “We are in the company of the most notorious abusers of property rights in the world—joining North Korea, Iran, and Cuba. Because we don’t pay artists for radio in the U.S., other countries use that as an excuse avoid paying Americans. It’s gotten so bad that countries like France will actually collect American royalties yet give those royalties to French artists. Americans are losing out on hundreds of millions of dollars overseas every year – on top of what they’re losing here at home.”
Full testimony and video of the hearing are available here.
The American Music Fairness Act was first introduced in 2022 . In 2023, Senators Padilla and Blackburn officially introduced the bill. Since then, there have been multiple hearings and bill re-introductions.
John Lomax III Makes Grand Ole Opry Debut
/by Lauryn SinkJohn Lomax III & Riders In The Sky. Photo: James Tristan Redding
John Lomax III recently made his Grand Ole Opry debut, becoming the oldest performer to debut on the stage.
He joined Riders In The Sky to sing “The Streets Of Laredo,” a track originally published by his grandfather in 1910.
“It’s a thrill and honor to represent the Lomax family in paying tribute to the Opry on their 100th year,” shares Lomax. “And it’s beyond my wildest dreams to have Ranger Doug’s Riders backing me. It is a tremendous honor for the Grand Ole Opry to recognize the Lomax family for our 149 years of finding, recording, preserving and presenting the music of America.”
Hangout Festival Cancels 2026 Event
/by Madison HahnenAlabama’s Gulf Shores will not be hosting Hangout Festival in 2026, Gulf Shores Mayor Robert Craft revealed during last night’s (Dec. 8) city council meeting.
“The Hangout Music Festival will not occur in 2026,” he said. “We will not have an event in 2026. We are already approving the event in 2027. We delayed too long, or they did, in their application to be able to get the kind of acts that we required them to have to be successful in 2026. We will refuse to let them go back to the acts that we’ve had before. So they couldn’t do it and so they canceled the 2026 event.
“They’ve got time now to pursue the type of talent we want on our beaches, to invite the right audience that we want on our beaches, that we proved last time, the last event, that could happen,” he continued. “We’re determined if it’s going to happen, it’s going to happen that way again.”
In a new statement released today (Dec. 9) by Craft, he states:
“The city’s initial 10-year franchise agreement for the Hangout Music Festival was scheduled to conclude following the 2025 event. The city elected to defer consideration of the requested extension until the festival’s outcomes could be evaluated, with input from our residents.
This year’s festival received overwhelming community support, and in late July, the City Council approved a two‐year extension. However, the compressed timeline created by this decision did not provide organizers sufficient runway to produce a successful festival in 2026. As a result, the producers have elected not to proceed with a 2026 event.
We’re thankful that festival leadership has taken our community’s comments about the event seriously and is committed to delivering a world-class festival. We appreciate that they are being thoughtful in creating a lineup that will be impactful to our local economy. All parties are focused on planning a strong and well‐executed music festival, and we look forward to welcoming them back in 2027.”
“The decision to not move forward with a festival for 2026 was tied to Hangout Festival and the permitting approval timeline for the site,” shared AEG. “We will share news about future events at the site at the appropriate time.”
CMA Presents Several Industry Honors
/by Lauryn SinkPictured (L-R): Sarah Trahern (CMA CEO), Tony Conway and Jennie Smythe (CMA Board Chairman). Photo: Jamie Schramm/CMA
The Country Music Association presented a few special honors last week during its Board of Directors meeting and during a special moment of remembrance at the Grand Ole Opry.
Dr. Chayim Newman. Photo: Jamie Schramm/CMA
At the CMA Board dinner on Thursday, Dec. 4, Tony Conway, President, Conway Entertainment Group, Ontourage Management, received the 2025 J. William Denny Award, presented by CMA Board Chairman Jennie Smythe, Founder and CEO, Girlilla Marketing. The award is presented in recognition and appreciation of a lifetime of dedication, distinguished service, and meritorious contributions to the CMA Board of Directors. Conway served on the CMA Board from 1984-2021, including as Chairman in 1996. He has received the CMA’s President’s Award and the CMA Touring Lifetime Achievement Award.
Dr. Chayim Newman, Co-Founder, Amber Health, was presented with the CMA Chairman’s Award by Smythe. Awarded only at the discretion of the sitting Chairman, this recognition is reserved for individuals whose exceptional service to CMA merits recognition. Dr. Newman is a clinical psychologist who co-founded Amber Health and the Tour Health Research Initiative (THRIV). Beyond his clinical work, he actively mentors and advocates for the well-being of music professionals, showing up in meaningful ways across the country music community.
Pictured (L-R): Charlie Chase, Lorianne Crook and Sarah Trahern. Photo: Chris Hollo/Grand Ole Opry
The following evening, Dec. 5, at the Grand Ole Opry, Jim Owens was honored posthumously with the Joe Talbot Award. Sarah Trahern, CMA Chief Executive Officer presented the award to his widow, Lorianne Crook, during the Opry celebration. This award is presented in recognition of outstanding leadership and contributions to the preservation and advancement of country music’s values and tradition. The award may be presented to a person in recognition of an initiative or long-term contribution deemed by the CMA Board of Directors to qualify for this award. Known as “Gentleman Jim,” he built a historic library of thousands of hours of programs and photographs that continues to preserve, showcase and connect generations of country music artists and fans worldwide. His work has supported countless artists, songwriters, and production teams while contributing to major productions, museums, and documentaries that celebrate the genre’s legacy.
“This past week, we celebrated individuals whose leadership and dedication have shaped the heart of Country Music,” says Trahern. “Tony, Chayim, and Jim have each preserved our legacy, supported countless artists, and inspired future generations in ways that will continue to echo for years to come. Honoring their contributions is not only a recognition of their work, but a celebration of the spirit that continues to drive our genre forward.”
Weekly Register: Treaty Oak Revival Joins Top 5
/by Lauryn SinkTreaty Oak Revival. Photo: Paige Williams
Ella Langley has held on to the top spot on the singles chart this week with “Choosin’ Texas” earning 11 million streams, according to Luminate data. On the albums chart, Morgan Wallen has held onto the top spot with I’m The Problem gaining 71K in total consumption.
On the songs chart, Wallen holds the next three positions. “I Got Better” comes in at No. 2 with 9.4 million streams. His duet with Tate McRae, “What I Want,” takes the No. 3 spot with 8.5 million streams this week. At No. 4 is “I’m The Problem,” which garnered 7.7 million streams this week. At No. 5 is Shaboozey’s “A Bar Song (Tipsy)” with 6 million streams.
On the albums chart, Wallen also holds the No. 2 spot with One Thing At A Time gaining 27K in total consumption. Treaty Oak Revival’s West Texas Degenerates has taken the No. 3 spot with 27K in total consumption. At No. 4 is Brenda Lee with Rockin’ Around the Christmas Tree garnering 24K in total consumption. Rounding out this week’s chart is Gene Autry’s Rudolph the Red-Nosed Reindeer with 22K in total consumption.
Max McNown Inks With Sony Music Publishing In Partnership With Tooth & Nail
/by Lauryn SinkPictured (Front Row, L-R): Tom Luteran (SMP), Max McNown, Tooth and Nail’s Brandon Ebel (Tooth & Nail), Rusty Gaston (SMP). (Back Row, L-R): Leslie Roberts (BMI), Caty Bier (Tooth & Nail), Greg Johnson (Columbia Records).
Max McNown has inked a global publishing agreement with Sony Music Publishing Nashville in partnership with Tooth & Nail Publishing.
“I’m incredibly grateful to be joining the team at Sony Music Publishing,” shares McNown. “You can feel how much they truly care about their artists and how hard they work every day to support honest, authentic artistry. Every dream starts with a song, and Sony creates the space for those songs to grow.”
McNown has garnered over 500 Million worldwide streams to date since his 2023 breakout with “A Lot More Free,” which has been certified Platinum. His track “Better Me For You (Brown Eyes)” charted earlier this year and earned a Gold certification.
“After meeting with several publishers, Max and I immediately felt at home with Sony Music Publishing,” says Brandon Ebel, Founder and President Tooth & Nail Publishing. “Their passion for Max’s music and their alignment with his long-term artistic vision made the decision clear.”
“Max is an artist whose music resonates across multiple genres and generations,” adds Tom Luteran, Sony Music Publishing Nashville Vice President, Creative A&R. “He is the type of artist whose songs will continue to make a major impact on the charts throughout his career. I couldn’t be happier to be working with this amazing, energetic, emerging superstar.”
Mavericks Frontman Raul Malo Dies Following Battle With Cancer
/by Lorie HollabaughRaul Malo. Photo: Michael Weintrob
Raul Malo, the unmistakable voice and charismatic frontman of the Grammy-winning band The Mavericks, has passed away after a battle with cancer. He was 60.
The son of Cuban parents who came to the U.S. in search of a better life, Malo was born in Miami in 1965. He founded The Mavericks with drummer Paul Deakin and bassist Robert Reynolds in 1989, and the band’s genre-defying gumbo of rock and country swirled with Latin horns and beats soon caught the ears of Nashville. After releasing an indie album, they signed with MCA Nashville in 1991, and subsequently released their 1992 debut “From Hell To Paradise.” 1994’s What a Crying Shame yielded the singles “There Goes My Heart” and “O What a Thrill,” which built on their growing popularity.
A talented songwriter and musician, Malo and the band’s 1995 album Music for All Occasions yielded their biggest country hit, “All You Ever Do Is Bring Me Down,” which was penned by Malo and Al Anderson and featured colorful accordionist and singer Flaco Jiménez. The song hit No. 13 on Billboard’s Hot Country Songs chart and became the Mavericks’ signature song during their legendary live performances. The album also helped fuel the band’s consecutive CMA wins for Vocal Group of the Year in 1995 and 1996, and its first Grammy win for Best Country Performance by a Duo or Group With Vocal, for “Here Comes the Rain.”
Malo dominated any stage he stepped on with his inimitable soaring vocals and swaggering style, and the group weathered many changes through the decades and recorded and toured together for over 30 years. Malo’s hits include “Here Comes the Rain,” “What A Crying Shame,” “Dance The Night Away” and “Back In Your Arms Again,” and he also helped write and produce country artist Rick Trevino’s song “In My Dreams” in 2003. The Mavericks disbanded in 2000 for a time, and Malo then pursued a solo career and released nine albums of his own. He also played with the Los Super Seven, a Grammy-winning Latin American collective.
The Mavericks reunited in 2011 and signed with Big Machine Label Group, releasing two albums for the Nashville label, 2013’s In Time and 2015’s Mono. The group has been actively touring and recording since, and in 2018, they won a Grammy for their self-released album Brand New Day in the Americana category. The group lineup of Malo, Deakin, keyboardist Jerry Dale McFadden and guitarist Eddie Perez released their latest album, Moon & Stars, in 2024.
Following that release, Malo shared with fans that he had been diagnosed with colon cancer, and after undergoing liver tumor surgery and chemotherapy, in September revealed that the cancer had progressed to leptomeningeal disease, a complication of advanced cancer where fluid surrounds the brain and spinal cord.
Last week just days before Malo’s death, the band carried on with the planned “Dance The Night Away” tribute shows at Nashville’s Ryman Auditorium. The band issued a statement following his passing, saying: “It’s with the deepest grief we share the passing of our friend, bandmate and brother Raul Malo. Anyone with the pleasure of being in Raul’s orbit knew that he was a force of human nature, with an infectious energy. Over a career of more than three decades entertaining millions around the globe, his towering creative contributions and unrivaled, generational talent created the kind of multicultural American music reaching far beyond America itself.”
Malo’s wife Betty also posted a statement on socials: “My love… our boys’ father… a devoted son and brother… and a friend to so many, gained his angel wings. He was called to do another gig — this time in the sky — and he’s flying high like an eagle. No one embodied life and love, joy and passion, family, friends, music, and adventure the way our beloved Raul did, Now he will look down on us with all that heaven will allow, lighting the way and reminding us to savor every moment. Dino, Victor, Max and I — along with our entire family — thank all of you for your love and support through all of this. We felt every bit of it.”
Treaty Oak Revival Slates ‘West Texas Degenerate Tour’ For Next Spring
/by Lauryn SinkTreaty Oak Revival. Photo: Paige Williams
Treaty Oak Revival is set to hit the road next spring on their “West Texas Degenerate Tour.” Kicking off February 5th at the DCU Center in Worcester, Massachusetts, the 25-city trek will hit arenas and amphitheaters across the country, including Baltimore, Seattle, Portland and Nashville.
Ticket presales begin Thursday (Dec. 11) with general on-sale following on Friday (Dec. 12). The tour features support from Wade Forster, William Clark Green, Laredo, Huser Brothers, Gannon Fremin & CCREV, and Parker Ryan, varying by date.
“Our fans have shown up for us in ways we never expected, and this tour feels like the best way to pay that back,” shares the band. “We’re still the same degenerates, just a whole lot louder, and we’re ready to raise hell with everyone who walks through those doors.”
The band released their recent album, West Texas Degenerate, on Nov. 28. To date, the group has garnered over 1.4 billion global streams, 6.8 million monthly Spotify listeners, two self-released, RIAA gold-certified albums and five platinum singles.
“West Texas Degenerate Tour” Dates:
Feb. 5, 2026 – Worcester, MA – DCU Center
Feb. 6, 2026 – Atlantic City, NJ – Hard Rock Live at Etess Arena
Feb. 7, 2026 – State College, PA – Bryce Jordan Center
Feb. 12, 2026 – Baltimore, MD – CFG Bank Arena
Feb. 13, 2026 – Charleston, WV – Charleston Coliseum
Feb. 14, 2026 – Columbia, SC – Colonial Life Arena
Feb. 19, 2026 – Columbus, OH – Schottenstein Center
Feb. 20, 2026 – Evansville, IN – Ford Center
Feb. 21, 2026 – Lexington, KY – Rupp Arena
Mar. 12, 2026 – Springfield, MO – Great Southern Bank Arena
Mar. 13, 2026 – North Little Rock, AR – Simmons Bank Arena
Mar. 14, 2026 – Bossier City, LA – Brookshire Grocery Arena
Mar. 26, 2026 – Greensboro, NC – First Horizon Coliseum
Mar. 27, 2026 – Knoxville, TN – Food City Center
Apr. 26, 2026 – Sacramento, CA – Golden 1 Center
Apr. 30, 2026 – Seattle, WA – WAMU Theater
May 1, 2026 – Spokane, WA – Numerica Veterans Arena
May 2, 2026 – Portland, OR – Veterans Memorial Coliseum
May 14, 2026 – Southaven, MS – BankPlus Amphitheater
May 15, 2026 – Birmingham, AL – Coca-Cola Amphitheater
May 16, 2026 – Nashville, TN – Bridgestone Arena
May 29, 2026 – Macon, GA – Atrium Health Amphitheater
July 1, 2026 – Morrison, CO – Red Rocks Amphitheatre
July 11, 2026 – Lincoln, NE – Pinnacle Bank Arena
July 18, 2026 – Salt Lake City, UT – Utah First Credit Union Amphitheatre