
Miranda Lambert. Photo: Robert Ascroft
In the aftermath of the AMA festivities, there’s a lot of Americana flowing through this week’s DISClaimer column.
Americana favorites Rhiannon Giddens, John Prine, Bernie Taupin and Ken Pomeroy are here. So is Music Row songwriting standout Dan Alley, who wins the DISCovery Award.
My enduringly precious Miranda Lambert has the Disc of the Day with her retro, change-of-pace ballad performance of “Two Things Can Be True” from her forthcoming Crisco album.
DAN ALLEY / “Losin’ End of Lovin’ You”
Writers: Dan Alley; Producer: Lukas Scott; Label: River House Artists
– Beautifully produced, featuring rippling acoustic guitar, sighing steel and heartache harmonies. Alley sings in a wonderfully honest, unaffected tenor tone with shades of mountain loneliness. He has been named MusicRow’s Breakthrough Songwriter of the Year due to his cuts by Luke Combs, Lainey Wilson, Jon Pardi, Luke Bryan, Hudson Westbrook and others. This demonstrates that he has the chops of an artist, himself.
MIRANDA LAMBERT / “Two Things Can Be True”
Writers: Brendan McLoughlin/Ilya Toshinsky/Jesse Frasure/Kris Wilkinson/Miranda Lambert/Natalie Hemby; Producers: Jesse Frasure, Miranda Lambert; Label: MCA
– Deliciously, lusciously “old school,” with a dreamy, echoey soundscape surrounding her softly sweet/sad ballad delivery. Somewhere Patsy Cline is smiling.
KEN POMEROY / “Sentimental Lady”
Writer: Robert L. Welch; Producers: Dakota McDaniel, Ken Pomeroy; Label: Rounder Records
– This folkie is a Native American singer-songwriter with a gentle, plain-spoken delivery. Her understated, whispery cover of the 1977 Bob Welch pop hit is a languid charmer. Pomeroy was named Emerging Artist of the Year at the Americana Music Awards last week.
JOHN PRINE / “Dogs In Burlington”
Writers: John Prine; Producer: Howie Epstein; Label: Oh Boy Records
– Gently rollicking, with plenty of backbeat rhythm and a silly-goofy, merriment lyric. Previously unreleased, this track by the Nashville Songwriters Hall of Fame member was cut during the sessions for 1996’s Lost Dogs and Mixed Blessing LP. The album’s 30th-anniversary reissue includes demos, acoustic renditions and/or alternate versions along with the original tracks, plus five previously unheard tunes.
EMILY ANN ROBERTS / “Lonely Boy”
Writers: Emily Ann Roberts/Frank Rogers/Ryan Beaver; Producer: Frank Rogers; Label: RECORDS Nashville/Sony Music Nashville
– This MusicRow award winner recently snagged a CMA New Artist of the Year nomination. Her new single is a lilting, smiling invitation to romance. The acoustic production scampers along delightfully behind her soaring, East Tennessee vocal twang. I remain a total fan of this lady.
RILEY GREEN / “Ten Pairs of Boots”
Writers: Chase McGill/Joe Fox/Josh Miller/Seth Ennis; Producers: Dann Huff, Riley Green; Label: Nashville Harbor Records & Entertainment
– A ballad meditation about growing up and growing older in his footwear. Low-key, relaxing, contemplative listening.
MONTE WARDEN & THE WAGONEERS / “Stout and High (Redux)”
Writer: Montgomery Warden; Producer: Brandi Warden; Label: Break A Leg Records
– Warden has re-recorded this 1988 Wagoneers chestnut. It now has even better snap, crackle and pop.
MICHELLE BRANCH & MAREN MORRIS / “Goodbye to You”
Writers: Michelle Branch; Producer: none listed; Label: MB
– Branch’s 2002 pop hit has been re-imagined as a duet. Both women have strong voices, and their combination gives the song a more “womanly” vibe than Branch’s youthful original.
JORDAN DAVIS / “What Do I Do If You Don’t”
Writers: Greylan James/Jacob Davis/Jordan Davis; Producer: none listed; Label: MCA
– “Mess” remains the chart-climbing single. This new track by Davis is a terrific thumper, laced with heartache. He sings with punchy intensity while the production pulses around him. Highly recommended.
SHABOOZEY & GUNNA / “High Noon”
Writers: Chadron Moore/Collins Chibueze/Jasiel Almon Robinson/Nevin Sastry/Sergio Giavanni Kitchens/Tyler Johnson; Producers: Julian Nixon, Mike Hector, Nevin Sastry, Sean Cook, Shaboozey, Tyler Johnson; Label: American Dogwood/EMPIRE
– A dark, doomy, neo-cowboy vibe permeates this drawling track. This one’s pretty much all attitude and no singing. The two rappers will perform the outlaw-revenge tale on the VMA’s on Sunday.
LACI KAYE BOOTH / “Hell Or Highwater”
Writers: Annika Bennett/Khal Yassein/Laci Kaye Booth; Producer: Ben West; Label: Lost Highway Records
– The gently rolling, country-rock production and her breathy, wafting vocal disguise a lyric about a bad-ass gal who loves ‘em and leaves ‘em. Highly listenable.
BERNIE TAUPIN & BRANDI CARLILE / “Come On California”
Writer: Bernie Taupin; Producer: Frank Liddell; Label: Vertigo Abbey Road Recordings
– The beautiful, slow waltz reflects Taupin’s experiences in his adopted homeland. He is an admirable communicator, but Carlile is wasted on a barely audible harmony vocal.
RHIANNON GIDDENS / “Hope Is the Thing With Feathers”
Writers: Emily Dickinson/Niwel Tsumbu/Rhiannon Giddens; Producers: Dirk Powell, Rhiannon Giddens; Label: Nonesuch Records
– The title tune of Giddens’ new collection is a fluttery soprano ode with folksong-like bird imagery. An attractive, fair-and-tender-maidens performance.
Industry Ink: Women’s Leadership Academy, FEMcountry, Ashley Cooke, Braxton Keith, Bill & Gloria Gaither
/by Madison HahnenCMA Women’s Leadership Academy Celebrates Tiffany Kerns
Members from all five CMA Women’s Leadership Academy classes recently gathered to recognize WLA Founder Tiffany Kerns and thank her for her years of work with CMA and the program. Kerns’ leadership and mentorship have helped support the careers of many women in the music industry while creating a strong and lasting community among WLA members.
FEMcountry Debuts At Parton’s Live At SongTeller Hotel
Pictured (L-R): Kylie Frey, Jo Dee Messina, Ruby Amanfu and Shelly Fairchild. Photo: Laura Estabridis
FEMco, the women-focused music platform founded by longtime industry executive Leslie Fram, has partnered with Dolly Parton’s SongTeller Hotel to launch FEMcountry at Parton’s Live, presented by Natural Life. The series opened earlier this week with a conversation featuring two-time Grammy-nominated artist Jo Dee Messina, followed by acoustic performances from Kylie Frey, Ruby Amanfu and Shelly Fairchild.
The event also featured a songwriter round that paid tribute to Parton, with Fairchild performing “Jolene,” Frey singing “9 to 5” and Amanfu performing “Why.” The event marked the first official songwriter round held at the venue. The next FEMcountry at Parton’s Live is scheduled for Oct. 20.
Ashley Cooke Performs On ‘Live With Kelly & Mark’
Ashley Cooke makes debut performance on Live with Kelly & Mark. Photo: Matt Leddo
On Monday (Sept. 21), Ashley Cooke appeared on Live with Kelly & Mark to perform her rising single “baby blues.” Co-host Kelly Ripa joined the theme by wearing baby blue. “baby blues” continues to gain momentum, with the song surpassing 63 million global streams.
Cooke recently kicked off her headlining tour, with upcoming dates in Maine, Connecticut, Illinois and more.
Braxton Keith Partners With Tru Western For New Cologne
Braxton Keith
Braxton Keith has partnered with Tru Western to launch Leather Vintage Label No. 5 Canyon Echoes, the latest addition to the brand’s fragrance collection. Inspired by an 889-mile journey through West Texas, including the Big Bend region and Chihuahuan Desert, the cologne features notes of Desert Acacia, Cactus Water and Amberwood.
“West Texas will always be home to me, and it’s a big part of who I am and the music I make,” says Keith. “That’s what made working with Tru Western on Canyon Echoes feel like such a natural fit. The brand celebrates the West in a way that feels authentic to where I come from, and this fragrance captures the landscape and spirit of a place that means a lot to me.”
Ella Langley Reclaims The No. 1 Spot On The MusicRow Radio Chart
/by John Nix ArledgeElla Langley. Photo: Caylee Robillard
Ella Langley reclaims the No. 1 position on the MusicRow Radio Chart this week with “Loving Life Again.”
The track, off of her recent album Dandelion, was written by Langley, Ernest Smith and Devin Dawson.
Langley and Brooks & Dunn are set to headline the 2027 edition of Two Step Inn, which returns April 17–18 at San Gabriel Park in Georgetown, Texas.
“Loving Life Again” currently sits at No. 6 on the Billboard Country Airplay as well as the Mediabase chart.
Click here to view the latest edition of the MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.
Mitchell Tenpenny Comes Full Circle With Riser House Entertainment [Exclusive]
/by Lauryn SinkMitchell Tenpenny. Photo: Sarah Partain
Mitchell Tenpenny is kicking off a new chapter of his career today with the release of his single “Ain’t My Problem.” The track marks his first radio single released solely via Riser House Entertainment. The song will officially impact country radio on Monday (Sept. 28).
The brand-new track was written alongside Chris DeStefano, Andy Albert and Thomas Archer during a beach writers’ retreat. Tenpenny recalls wanting to get the inevitable beach song out of the way early, but with a different approach. Rather than writing explicitly about the beach, he wanted to capture the carefree feeling of leaving life’s worries behind. The song came together quickly, but it wasn’t until the group listened back to their work after the retreat that it began to stand out. While the track offers a lighthearted take on letting go of everyday worries, Tenpenny says it also carries a more personal message about protecting mental health and learning you can’t fix every problem.
The decision for this to be the song to launch his new chapter came easily. Tenpenny says the song is different than anything he has sent to radio before and fits well into his live set. “I wanted a song live that gets everyone to be lost in the moment,” he says. “I know we all have lives and things going on outside, but at a concert is your place to be free. I’ve always felt that when I go to shows, so I wanted that live, but didn’t have it in my set.“
Tenpenny’s new single also marks a new phase for Riser House, the label he co-founded in 2017. After years of releasing music through a joint venture between Riser House and Columbia Nashville, Tenpenny is now releasing music solely through Riser House, bringing his career full circle.
Jennifer Johnson, President of Riser House, recalls that early in his career, Tenpenny’s music was gaining momentum faster than Riser House’s small team could handle alone. Sony’s early confidence in Tenpenny and his team gave them the support they needed to foster that growth.
“Things were going so fast, and doing so well, we did not have the team to support the velocity of the growth that he had,” she says. “And so when Sony came into conversation with us, it made perfect sense, and truly they were the best partners we could have ever had.”
Tenpenny is looking forward to building on the platform he has already grown through a more focused approach. “I’m excited to be here, to be back home. I love Sony, but it’s just time to come back home.”
Pictured (Back Row, L-R): Lauren Spahn (Buchalter), Brandon Perdue (Riser House SVP A&R + Publishing), Alex Heimerman (Riser House Head of Marketing and Label Strategy), Kristen Ashley (Red Light Management) and Allie Vidunas (Red Light Management). (Front Row, L-R): Shane Allen (Riser House EVP Promotion and Artist Brand Strategy), Mitchell Tenpenny and Jennifer Johnson (Riser House President).
The full-circle moment extends to the team surrounding Tenpenny as well. Tenpenny first met Shane Allen, who is now Riser House EVP Promotion and Artist Brand Strategy, during his early radio run, when Allen was part of the Columbia team working his music. He was instrumental in breaking Tenpenny’s first single at radio, and now the pair is working together again.
“It is just great how this has come full circle,” Allen shares. “I remember back when I was at Columbia with Sony, us just wanting Mitchell so bad and lobbying to have him signed to the Columbia imprint. I enjoyed the way that Mitchell worked and his deep desire to support radio. It just made sense to do it again with folks who I really appreciate in the business.”
With the new chapter officially started, Tenpenny is already looking ahead to more new music. He says work is well underway on his next record, with a number of songs already completed and more writing still to come. As his life has changed in recent years, so has the perspective he brings into the writing room.
“I think it’s some of the most real stuff I’ve ever written,” he says. “I think it’s kind of impossible not to when life happens as fast as it does and changes, like getting married and having a baby. A lot of things get put into perspective quickly.”
For Tenpenny, that new perspective has also brought a renewed focus on authenticity. As the industry continues to change alongside social media and technology, he says he wants to return his attention to the foundation that started his career.
“I want to get back to the song again,” he says. “I’m born and raised here [in Nashville]. I grew up on a song and I’m all for promoting songs in every way possible, but it’s got to start there. It’s got to start with a song.”
DISClaimer Single Reviews: Miranda Lambert Delivers ‘Echoey Soundscape’
/by Robert K OermannMiranda Lambert. Photo: Robert Ascroft
In the aftermath of the AMA festivities, there’s a lot of Americana flowing through this week’s DISClaimer column.
Americana favorites Rhiannon Giddens, John Prine, Bernie Taupin and Ken Pomeroy are here. So is Music Row songwriting standout Dan Alley, who wins the DISCovery Award.
My enduringly precious Miranda Lambert has the Disc of the Day with her retro, change-of-pace ballad performance of “Two Things Can Be True” from her forthcoming Crisco album.
DAN ALLEY / “Losin’ End of Lovin’ You”
Writers: Dan Alley; Producer: Lukas Scott; Label: River House Artists
– Beautifully produced, featuring rippling acoustic guitar, sighing steel and heartache harmonies. Alley sings in a wonderfully honest, unaffected tenor tone with shades of mountain loneliness. He has been named MusicRow’s Breakthrough Songwriter of the Year due to his cuts by Luke Combs, Lainey Wilson, Jon Pardi, Luke Bryan, Hudson Westbrook and others. This demonstrates that he has the chops of an artist, himself.
MIRANDA LAMBERT / “Two Things Can Be True”
Writers: Brendan McLoughlin/Ilya Toshinsky/Jesse Frasure/Kris Wilkinson/Miranda Lambert/Natalie Hemby; Producers: Jesse Frasure, Miranda Lambert; Label: MCA
– Deliciously, lusciously “old school,” with a dreamy, echoey soundscape surrounding her softly sweet/sad ballad delivery. Somewhere Patsy Cline is smiling.
KEN POMEROY / “Sentimental Lady”
Writer: Robert L. Welch; Producers: Dakota McDaniel, Ken Pomeroy; Label: Rounder Records
– This folkie is a Native American singer-songwriter with a gentle, plain-spoken delivery. Her understated, whispery cover of the 1977 Bob Welch pop hit is a languid charmer. Pomeroy was named Emerging Artist of the Year at the Americana Music Awards last week.
JOHN PRINE / “Dogs In Burlington”
Writers: John Prine; Producer: Howie Epstein; Label: Oh Boy Records
– Gently rollicking, with plenty of backbeat rhythm and a silly-goofy, merriment lyric. Previously unreleased, this track by the Nashville Songwriters Hall of Fame member was cut during the sessions for 1996’s Lost Dogs and Mixed Blessing LP. The album’s 30th-anniversary reissue includes demos, acoustic renditions and/or alternate versions along with the original tracks, plus five previously unheard tunes.
EMILY ANN ROBERTS / “Lonely Boy”
Writers: Emily Ann Roberts/Frank Rogers/Ryan Beaver; Producer: Frank Rogers; Label: RECORDS Nashville/Sony Music Nashville
– This MusicRow award winner recently snagged a CMA New Artist of the Year nomination. Her new single is a lilting, smiling invitation to romance. The acoustic production scampers along delightfully behind her soaring, East Tennessee vocal twang. I remain a total fan of this lady.
RILEY GREEN / “Ten Pairs of Boots”
Writers: Chase McGill/Joe Fox/Josh Miller/Seth Ennis; Producers: Dann Huff, Riley Green; Label: Nashville Harbor Records & Entertainment
– A ballad meditation about growing up and growing older in his footwear. Low-key, relaxing, contemplative listening.
MONTE WARDEN & THE WAGONEERS / “Stout and High (Redux)”
Writer: Montgomery Warden; Producer: Brandi Warden; Label: Break A Leg Records
– Warden has re-recorded this 1988 Wagoneers chestnut. It now has even better snap, crackle and pop.
MICHELLE BRANCH & MAREN MORRIS / “Goodbye to You”
Writers: Michelle Branch; Producer: none listed; Label: MB
– Branch’s 2002 pop hit has been re-imagined as a duet. Both women have strong voices, and their combination gives the song a more “womanly” vibe than Branch’s youthful original.
JORDAN DAVIS / “What Do I Do If You Don’t”
Writers: Greylan James/Jacob Davis/Jordan Davis; Producer: none listed; Label: MCA
– “Mess” remains the chart-climbing single. This new track by Davis is a terrific thumper, laced with heartache. He sings with punchy intensity while the production pulses around him. Highly recommended.
SHABOOZEY & GUNNA / “High Noon”
Writers: Chadron Moore/Collins Chibueze/Jasiel Almon Robinson/Nevin Sastry/Sergio Giavanni Kitchens/Tyler Johnson; Producers: Julian Nixon, Mike Hector, Nevin Sastry, Sean Cook, Shaboozey, Tyler Johnson; Label: American Dogwood/EMPIRE
– A dark, doomy, neo-cowboy vibe permeates this drawling track. This one’s pretty much all attitude and no singing. The two rappers will perform the outlaw-revenge tale on the VMA’s on Sunday.
LACI KAYE BOOTH / “Hell Or Highwater”
Writers: Annika Bennett/Khal Yassein/Laci Kaye Booth; Producer: Ben West; Label: Lost Highway Records
– The gently rolling, country-rock production and her breathy, wafting vocal disguise a lyric about a bad-ass gal who loves ‘em and leaves ‘em. Highly listenable.
BERNIE TAUPIN & BRANDI CARLILE / “Come On California”
Writer: Bernie Taupin; Producer: Frank Liddell; Label: Vertigo Abbey Road Recordings
– The beautiful, slow waltz reflects Taupin’s experiences in his adopted homeland. He is an admirable communicator, but Carlile is wasted on a barely audible harmony vocal.
RHIANNON GIDDENS / “Hope Is the Thing With Feathers”
Writers: Emily Dickinson/Niwel Tsumbu/Rhiannon Giddens; Producers: Dirk Powell, Rhiannon Giddens; Label: Nonesuch Records
– The title tune of Giddens’ new collection is a fluttery soprano ode with folksong-like bird imagery. An attractive, fair-and-tender-maidens performance.
Cowgirls At The Cowboy Returns To Wyoming In October
/by Lauryn SinkCowgirls At The Cowboy will return to Jackson Hole, Wyoming on Oct. 22-24.
Jenny Tolman is once again curating the event. The festival kicks off Thursday with a Songwriter Showcase featuring Nashville hitmaker Jessi Alexander, Lily Meola and Tolman. Friday night will feature performances from Tolman and Mackenzie Carpenter. Emmylou Harris will headline the event on Saturday night.
Tickets are on sale now. Now in its fifth year, Cowgirls At The Cowboy is designed to celebrate strong women in music. In previous years, performers have included Ella Langley, Trannie Anderson, Avery Anna, Ashley McBryde, Lauren Alaina and more.
Rachael Lampa Inks With Centricity Music
/by Lorie HollabaughMatt Ewald, John Stokes, Caren Seidle, Rachael Lampa, Camy McArdle and Chad Segura. Photo: Courtesy of Centricity Music
Christian artist Rachael Lampa has signed an exclusive worldwide recording and publishing contract with Centricity Music.
Lampa signed her first record deal at just 14. Her 2000 debut, Live For You, led to appearances on The Tonight Show and The View, features in Billboard, People and Seventeen, Dove Award recognition, and tours with artists including Amy Grant, Michael W. Smith and TobyMac. After releasing three albums, she stepped away from the spotlight, later performing as a backing vocalist for Jordin Sparks, Lauren Daigle and Hozier. She competed as a member of a cappella vocal group The Collective on NBC’s The Sing-Off. While building a family and co-founding People Loving Nashville, a nonprofit serving the city’s unhoused community, Lampa rediscovered her voice during the pandemic. She returned with “Perfectly Loved,” inspired by women she met through prison ministry. The song became her first No. 1 single in 22 years, and earned a K-LOVE Fan Award.
“Rachael is an artist whose extraordinary voice is matched by the depth, honesty and purpose behind her songs,” says Matt Ewald, Centricity Music Vice President, A&R. “We are honored to welcome her to Centricity and to come alongside her in this meaningful new chapter as both a recording artist and songwriter. ‘Permission’ is a beautiful introduction to music that we believe will meet people with grace, truth and hope.”
“Rachael has entered this season with a clear sense of who she is and what she wants her music to carry into the world,” adds Ashley Munn, Smallbone Management. “Partnering with Centricity is exciting because of their passion for her heart and for what she wants to share with the world. That’s why the first release with ‘Permission’ is such a great start to signify where she is at in her own life as she creates new music.”
Her debut single for the label, “Permission,” is out tomorrow, (Sept. 25). The track, which she penned alongside Andrew Ripp and Ethan Hulse, is written from the perspective of God to His children.
“God’s voice is gentle, accepting and inviting. And I think God has more access to our hearts when we are willing and curious enough to stop hiding and really come to Him just as we are, right where we are,” Lampa says about the single. “I just love when that truth unlocks something that was stuck in us and puts that light back in our eyes when we realize it’s true.”
‘Backstage Access Presents: Music City’ Event Set For November
/by Lorie HollabaughLee Brice & Carly Pearce
Backstage Access Presents is bringing its destination-driven event series to the heart of country music with “Backstage Access Presents: Music City,” taking place Nov. 15–18 in Nashville.
The three-day experience will feature performances and appearances from Lee Brice, Carly Pearce, Chase Rice, Flatland Cavalry, Matt Stell, Charlie Worsham, John Cooper Albright, Presley Aaronson, Boomtown Saints, Six One Five Collective, Braison Cyrus, Sam Drysdale, Mack Geiger, Erin Grand, Braden Hull, Brandon Helder, Jordan Dane Johnson, Jet Jurgensmeyer, Alannah McCready, Lilly Moss, Tori Rose, MaRynn Taylor and XOLEX.
“Backstage Access Presents: Music City” will bring artists, industry leaders, partners, and guests together in intimate settings throughout Nashville during one of country music’s biggest weeks of the year. Through showcases, songwriter rounds, hospitality experiences and behind-the-scenes access, the event is designed to remove the barriers that often separate artists, decision-makers and audiences, and create space for conversations and relationships to develop organically.
Programming will unfold across Nashville over three days, with intimate artist performances and songwriter rounds, hospitality experiences with brand partners, Music Row gatherings, and late-night events. The experience will culminate during CMA Awards night with a private watch party and celebration.
The Music City installment builds on the foundation established by Backstage Access Presents: Napa Valley, which debuted in April and was set among Napa Valley’s wineries and estates, pairing intimate performances with culinary and wine experiences while connecting artists with radio programmers, music supervisors, industry leaders, brand partners, and tastemakers.
Rather than recreating Napa Valley in a new location, “Backstage Access Presents: Music City” is being shaped around the city itself – its listening rooms, songwriter culture, iconic venues, hospitality and the relationships that have long made Nashville one of the world’s most influential music communities. The three-day experience is intended to give guests a closer look at the artists, stories and people shaping country music today.
“Napa Valley showed us just how powerful it can be when you bring great artists and great people together in an environment that feels personal and allows real relationships to develop,” says Bobbii Jacobs, Founder of Backstage Access Presents. “Bringing that experience to Nashville during CMA Awards week felt like a natural next step. Music City is built on songs, stories and relationships, and that’s really at the heart of what Backstage Access Presents is all about. We’ve put together an incredible mix of established artists and emerging talent, and we’re excited to create three days where people can discover new music, reconnect with longtime friends and build relationships that continue well beyond the event.”
Bailey Zimmerman Celebrates ‘Chevy Silverado’ & ‘Backup Plan’ At Double No. 1 Party
/by Madison HahnenPictured (L-R, back row): Warner Records Nashville’s Cris Lacy, Warner Chappell’s Bryce Gravitt, BMI’s Mason Hunter, Sony Music Publishing’s Dale Bobo, Little Louder’s Jefferson Brown and ASCAP’s Duane Hobson; (L-R, front row): Gavin Lucas (ASCAP), Heath Warren (BMI), Bailey Zimmerman (BMI), Austin Shawn (Producer), Tucker Beathard (BMI) and Studio Bank’s Ron Cox. Photo: Katie Mathis for BMI
BMI’s lobby was filled yesterday afternoon (Sept. 23) as industry members gathered to celebrate Bailey Zimmerman and his chart-toppers “Chevy Silverado” and “Backup Plan,” featuring Luke Combs.
The first half of the afternoon focused on “Chevy Silverado,” co-written by Zimmerman, Gavin Lucas, Heath Warren, Ilsey Juber and Tucker Beathard. Serving as emcee, BMI’s Mason Hunter welcomed the writers.
Pictured (L-R, back row): Worktape Music’s Travis Gordon, Warner Chappell’s Benji Amaefule, BMI’s Mason Hunter, Little Louder’s Jefferson Brown and Warner Records Nashville’s Cris Lacy; (L-R, front row): Jon Sherwood (BMI), Jimi Bell (BMI), Bailey Zimmerman (BMI), Austin Shawn (Producer), Tucker Beathard (BMI) and Studio Bank’s Ron Cox; Photo: Katie Mathis for BMI
Also sharing their stories about the crew were ASCAP’s Duane Hobson, Sony Music Publishing’s Dale Bobo and Warner Chappell’s BJ Hill.
Warren was up first to express his gratitude, noting “It takes a village for songwriters to get to the top of the mountain and to get to celebrate these things.”
“Bailey, thanks for putting your heart into the songs that we do. If you didn’t stick your neck out all of the time for us, none of this would matter,” Lucas said.
“He knew what he wanted to do with it,” recalled Beathard when Zimmerman initially sent him the tune. “I was very grateful to be a small piece of the ride.”
“It’s one of my favorite things when we get to celebrate things like this,” said Zimmerman.
Next up on the agenda was “Backup Plan,” co-penned by Beathard, Jimi Bell and Jon Sherwood. Up on the mic to share their congratulations was Hunter, Little Louder’s Jefferson Brown, Warner Chappell’s Benji Amaefule, Worktape Music’s Travis Gordon and Warner Records Nashville’s Cris Lacy.
Studio Bank’s Ron Cox also went onto the stage to announce the company’s donation on behalf of the writers to Wags N’ Walks Nashville.
The producer of both tracks Austin Shawn took the mic next, sharing “It never gets old. Making music is not easy by any means. There’s a lot of ups and downs. To see these songs and the work you put in be celebrated is a big deal.”
“This song is a reminder and an important message,” an emotional Bell shared. “At the end of the day, we channel these things.”
“It takes having a community. Isn’t a sole individual experience. We all help each other out and we all carry each other’s burdens,” noted Sherwood.
Pictured (L-R): The Core’s Simon Tikhman, The Core’s Tracy Martin, The Core’s Chief Zaruk; Front Row L-R: Gavin Lucas (ASCAP), Heath
Warren (BMI), Bailey Zimmerman (BMI), Austin Shawn (Producer) and Tucker Beathard (BMI); Photo: Katie Mathis for BMI
Pictured (L-R): The Core’s Simon Tikhman, The Core’s Tracy Martin, The Core’s Chief Zaruk; Front Row L-R: Gavin Lucas (ASCAP), Heath
Warren (BMI), Bailey Zimmerman (BMI), Austin Shawn (Producer) and Tucker Beathard (BMI). Photo: Katie Mathis for BMI
Jim Selby Elected To ASCAP Board Of Directors
/by Madison HahnenJim Selby
ASCAP President and Chairman of the Board Paul Williams has revealed that Jim Selby has been elected to the organization’s Board of Directors as a publisher member. ASCAP is the only U.S. performing rights organization governed by a board elected by its songwriter, composer and publisher members.
“The ASCAP Board cares deeply about making decisions that are in the best interests of the membership as a whole,” says Williams. “As a global publishing leader, Jim has the expertise to tackle the complex issues facing music creators and publishers in today’s market, from both the challenges and opportunities of AI to licensees who want to pay songwriters less. He will be an invaluable voice on the ASCAP Board in our mission to advocate for and protect our more than one million members.”
Selby serves as President, Global Music Publishing at BMG, overseeing the company’s publishing operations worldwide.
He took on the position following the combination of Concord and BMG, helping lead the integration of their global publishing businesses. Selby played a key role in developing the structure and strategy for the combined organization and bringing together teams across North America, the U.K., Europe, Latin America and Asia-Pacific.
In his current role at BMG, Selby focuses on expanding the company’s global publishing roster and catalog, developing opportunities for songwriters and composers, and growing its presence in key markets.
Before joining BMG, Selby was Chief Publishing Officer at Concord, where he oversaw the company’s global publishing operations and strategy. During his time at Concord, he also held leadership roles including General Manager of Record Labels, Chief Operating Officer and Chief Revenue Officer. Earlier in his career, Selby served as CEO and General Manager of Naxos of America and held various executive positions across the music industry. His experience spans creative strategy, business operations, technology and commercial development.
Selby previously served as Chairman of the A2IM Board of Directors. He currently sits on the NMPA Executive Board, CMRRA CPC Board and ICMP Board, where he works on issues affecting music publishers and songwriters.
NSAI Celebrates The Hitmakers At Nashville Songwriter Awards [Recap]
/by Lauryn SinkNashville Songwriter Award winners and honorees. Photo: Jason Davis
The ninth annual Nashville Songwriter Awards lit up the Ryman Auditorium Tuesday night (Sept. 22) for an evening celebrating the hitmakers behind some of this year’s biggest tracks. Presented by the Nashville Songwriters Association International (NSAI) and City National Bank, the event recognized 42 individuals for their exceptional contributions to the craft.
Riley Green & Hannah McFarland. Photo: Jason Davis
Songwriter-Artist of the Year of the year winner Riley Green opened the night with a performance of “Don’t Mind If I Do” with special guest Hannah McFarland. “My favorite part of country music is songwriting. I’ve always considered myself a songwriter first. I’ve been really fortunate over the last few years to have some major tours, CMA awards, ACM awards–accolades I never thought I would achieve. But, I truly appreciate this as much as anything,” Green shared as he accepted the award.
Lee Thomas Miller took the stage to present the President’s Keystone Award to Paul Williams. The beloved Muppet character Gonzo honored Williams with a performance of “I’m Going To Go Back There Someday.”
Lee Thomas Miller and Paul Williams. Photo: Jason Davis
Williams shared his gratitude for people of the Nashville songwriting community, stating, “We share the privilege of working in the world of empathy, ideas, creativity and the elements of kindness. That is what I’ve found in Nashville. At a time when I desperately needed it, I found acceptance and respect.”
Blake Pendergrass was honored with the Songwriter of the Year Award, and celebrated with Ethan Burdick’s rendition of his first major-label cut, “865,” Warren Zeiders’ performance of “Betrayal” and Vincent Mason‘s “Wish You Well.”
“The Gambler,” written by Don Schlitz, was given the Legendary Song Award. Steve Earle was on-hand to pay homage to the iconic song, and Stacey Schlitz, was present to accept the award on behalf of her late husband.
Vince Gill is presented with NSAI’s 2026 Kris Kristofferson Lifetime Achievement. Photo: Jason Davis
Lisa Kristofferson took the stage to present this year’s Kris Kristofferson Lifetime Achievement Award to Vince Gill. She shared kind words of Gill’s relationship with Kris and the respect they shared for each other as songwriters. Rodney Crowell performed “One More Last Chance” and Ashley McBryde performed “Hill People.” For the final portion of the segment, Chris Stapleton, Ricky Skaggs, Sonya Isaacs and Andrea Zonn joined together on stage for a stunning rendition of “Go Rest High On That Mountain,” earning a standing ovation from the audience.
Throughout the evening, 11 songs and their respective songwriters were recognized with a peer-voted 10 Songs I Wish I’d Written award. For each honored song, nearly all were performed by the songwriters themselves, giving those in attendance an inside look at what the song sounded like the day it was created.
The song receiving the highest number of votes—and earning Song of the Year—was “Choosin’ Texas,” written by Joybeth Taylor, Luke Dick, Miranda Lambert and Ella Langley. The team took the microphone to share their gratitude for the track’s unprecedented success.
The Nashville Songwriter Awards will return to the Ryman Auditorium on Sept. 21, 2027.
Blake Pendergrass and Lee Thomas Miller. Photo: Jason Davis
Andrea Zonn, Chris Stapleton, Ricky Skaggs and Sonya Isaacs perform “Go Rest High On That Mountain.” Photo: Jason Davis
ERNEST. Photo: Jason Davis