
Chapter 670
When Dolly Parton beckons, we respond.
Hundreds of media and industry folks filled two sound stages at CTK Enterprises, the site of manager Danny Nozell’s offices, on Tuesday evening (May 16) for Dolly’s listening party. Billed as the superstar’s “Rockstar Album Launch Event,” the bash was a throwback to the kinds of parties that Music Row used to have in the pre-COVID days. And who can unite the community better than Dolly? Believe me, it was packed.
“How’d they get this many people in this little, bitty room,” quipped Miss Dolly as she took the stage. “I didn’t have this many people at my last concert!”
She confessed she was uncomfortable standing there and talking about the project. It is her hugely ambitious step into rock music.
“I hope you enjoy it,” she said. “Thanks for all of your help. I look forward to working with all of you.” The album isn’t due until Nov. 17, and she is planning an extensive publicity blitz about it, which will presumably include many of the media folks assembled there.
In the meantime, we got a healthy preview at the bash. To the accompaniment of “Rockstar,” her self-penned title tune from the collection, we gazed at a massive video screen showing a dazzling, behind-the-scenes documentary of her many rock-themed photo sessions. Dolly’s Creative Director Steve Summers garbed her in leather, fringe and sequins, posing on a motorcycle, a giant silver-glitter star and a leopard-print luxury car and smashing a guitar while smoke machines belched. Eye patch, pastel hair extensions, platform heels, sunglasses, rock/model glances, the works. Nozell’s newly famous brindle French bulldog Billy (Dolly’s “god-dog”) makes a cameo appearance.
Everyone applauded. That included such fabulons as Belmont’s Sarah Cates, Brittany Schaffer and Greg Jones; BMI’s David Preston, Clay Bradley and Leslie Roberts; Leslie Fram, R.J. Curtis, Marcus Dowling, Brian Mansfield, the Opry’s Dan Rogers and Gina Keltner; Sony’s Rusty Gaston and Dale Bobo; the ACM’s Damon Whiteside, Country Hall of Fame’s Michael Gray and Lisa Purcell; John Zarling, Robert Deaton, Tom Roland, the RIAA’s Jackie Jones, Jessica Nicholson, Alicia Warwick, Phyllis Stark and our own LB Cantrell.
A superb sound system blasted out such tracks as “Purple Rain,” “We Are the Champions,” “Don’t Let the Sun Go Down on Me” (Dolly with Elton John), “Wrecking Ball” (Dolly with Miley Cyrus), “Open Arms” (with Journey’s Steve Perry), “Night Moves” (with Chris Stapleton), “Let It Be” (with Paul McCartney & Ringo Starr) and “Free Bird” (with Skynyrd vets), among others.
The event had a timetable, so not all the tracks on the album could be showcased. Make that “albums.” The eventual “Rockstar” collection will be 30 songs on four vinyl discs or two CDs. There are nine Dolly originals and 21 rock oldies. The whole thing has a ‘70s-rock vibe, which is fine with me, since rock bands have now been obliterated from the charts by hip-hop and teen pop.
The black-walled, video-ready, jumbo sound-stage rooms were flanked by lit display cases containing white and silver Dolly costumes, and the stage featured a big silver signature Dolly logo. Catering was spare, but there were fully stocked bars. And the planners of the out-of-town party provided bus transportation to and from the Music City Center, so relax.
I am told there were party-favor Dolly gift bags. I didn’t get one.
Morgan Wade Slates Sophomore Project ‘Psychopath’ For August
/by Lorie HollabaughShe penned what would become the album’s title track as far back as the weeks leading up to her 2021 debut Reckless’ release. “When you look at the title, you don’t assume that’s a love song. But it is,” says Wade. “I kinda dig that.”
The 13-track LP, crafted with the help of A-list songwriters, musicians and Wade’s longtime producer Sadler Vaden, finds Wade peeling back layers of her psyche like never before.
“Regardless of what people say about Psychopath, I’m proud because I feel like it showcases where I’m at with my sophomore album,” she shares. “I have no choice but to be authentic. And I have to feel what I feel. And right now, I’m really feeling the music.”
The Virginia native has been no stranger to the road throughout the first quarter of 2023 on her headlining “No Signs Of Slowing Down Tour,” which sold out 35 shows. Wade also appears on Diplo’s new album Thomas Wesley: Chapter 2 – Swamp Savant, and will join Turnpike Troubadours and Eric Church for select dates throughout summer and fall in addition to a fall headline run in Europe.
T.G. Sheppard Honored With Tennessee Music Pathways Marker
/by Lorie HollabaughT.G. Sheppard has been honored by the Tennessee Department of Tourist Development with the unveiling of a Tennessee Music Pathways marker in his hometown of Humboldt, Tennessee.
On the day of the unveiling of the marker, Sheppard served as Grand Marshall in the West Tennessee Strawberry Festival. After both events, the country hitmaker and SiriusXM host was also presented by the City of Humboldt’s Mayor, Marvin Sikes, and President of the West Tennessee Strawberry Festival and Humboldt Alderman, Shane Lynch, with a proclamation declaring May 12, 2023 as T.G. Sheppard Day in Humboldt, Tennessee and announcing that Eastend Drive would be named “T.G. Sheppard Way.”
“Being from Humboldt, Tennessee is something I am very proud of and always have been,” shares Sheppard. “Some of my fondest memories are from growing up there. When I left home to chase this crazy dream, I always knew Humboldt was my home. It’s such an honor to have the Tennessee Music Pathways marker unveiled at Downtown Green Space Park and to have Eastend Drive named T.G. Sheppard Way. It was an additional honor to be the Grand Marshall in the West Tennessee Strawberry Festival and to be a guest speaker at the Governor’s Luncheon, and to top it off, Mayor Sikes proclaimed May 12, 2023, as T.G. Sheppard Day. What an incredible day that I will always remember.”
“I am honored and excited to have T.G. Sheppard be our Grand Marshall for the 85th West Tennessee Strawberry Festival, receiving the much-deserved recognition from his hometown for his major accomplishments in the music industry,” says Lynch, 85th West Tennessee Strawberry Festival President.
Sheppard continues to bring some of the hottest names in country as his special guests on The T.G. Sheppard Show on SiriusXM’s Prime Country. Airing weekly, he curates some of the biggest hits from the ’80s and ’90s and shares behind-the-scenes stories with the most recognizable names in country from that era. With a different guest each week, Sheppard has recently shared exclusive interviews with Reba McEntire, Lee Greenwood, Clint Black, Tracy Lawrence, Barbara Mandrell, The Bellamy Brothers, Travis Tritt and more. Upcoming guests will include Aaron Tippin, Lee Roy Parnell, Sonny LeMaire of Exile and more.
Renowned Nashville Music Exec. Richard Landis Passes
/by Lorie HollabaughRichard Landis
Veteran singer-songwriter, session musician, producer and label head Richard Landis has passed away. He was 77.
Throughout his career Landis served as an executive at Capitol Records, Giant Records and BNA, and had over 40 years of professional credits and chart success with artists including Juice Newton, The Oak Ridge Boys, Earl Thomas Conley, Eddie Rabbitt, Kenny Rogers, Lorrie Morgan, Doug Supernaw, Neil Diamond, Poco and Vince Gill. Landis also produced the last record of Roy Rogers career, Tribute.
Landis grew up in the borough of Queens, New York and attended the prestigious High School of Music & Art in Manhattan. He was first encouraged to move to Nashville in the ’90s by Joe Galante, then head of RCA. Galante was one of the biggest champions of Landis’ career, hiring him to produce many artists on his roster.
He partnered with Galante and the late Stan Moress in the publishing company, Route 66 Music. From 1993 to 2000, Landis and James Stroud co-owned Nashville’s Loud Recording, as well as an overdub and mixing suite next door called Too Loud. In 2007, Landis opened his own studio, Fool on the Hill, in Berry Hill, which he later sold to Peter Frampton.
Landis began producing music for Juice Newton in 1981. They released her multi-Platinum album, Juice, which charted two No. 1 singles. Landis also produced Lorrie Morgan’s top 10 album, War Paint in 1994. That same year he was one of the producers on CMA Album of the Year, Common Thread: The Songs of the Eagles, producing the last track on the album, Morgan’s cover of “The Sad Café.” He also produced Morgan’s signature hit “Something in Red.”
An accomplished pianist and a passionate NY Yankees fan, Landis also cherished his beloved dog Rowdy, who was a fixture in the studio and is being cared for by friends. Funeral arrangements are pending.
Bobby Karl Works The Room: Dolly Tosses A Rock & Roll Party
/by Bobby KarlChapter 670
When Dolly Parton beckons, we respond.
Hundreds of media and industry folks filled two sound stages at CTK Enterprises, the site of manager Danny Nozell’s offices, on Tuesday evening (May 16) for Dolly’s listening party. Billed as the superstar’s “Rockstar Album Launch Event,” the bash was a throwback to the kinds of parties that Music Row used to have in the pre-COVID days. And who can unite the community better than Dolly? Believe me, it was packed.
“How’d they get this many people in this little, bitty room,” quipped Miss Dolly as she took the stage. “I didn’t have this many people at my last concert!”
She confessed she was uncomfortable standing there and talking about the project. It is her hugely ambitious step into rock music.
“I hope you enjoy it,” she said. “Thanks for all of your help. I look forward to working with all of you.” The album isn’t due until Nov. 17, and she is planning an extensive publicity blitz about it, which will presumably include many of the media folks assembled there.
In the meantime, we got a healthy preview at the bash. To the accompaniment of “Rockstar,” her self-penned title tune from the collection, we gazed at a massive video screen showing a dazzling, behind-the-scenes documentary of her many rock-themed photo sessions. Dolly’s Creative Director Steve Summers garbed her in leather, fringe and sequins, posing on a motorcycle, a giant silver-glitter star and a leopard-print luxury car and smashing a guitar while smoke machines belched. Eye patch, pastel hair extensions, platform heels, sunglasses, rock/model glances, the works. Nozell’s newly famous brindle French bulldog Billy (Dolly’s “god-dog”) makes a cameo appearance.
Everyone applauded. That included such fabulons as Belmont’s Sarah Cates, Brittany Schaffer and Greg Jones; BMI’s David Preston, Clay Bradley and Leslie Roberts; Leslie Fram, R.J. Curtis, Marcus Dowling, Brian Mansfield, the Opry’s Dan Rogers and Gina Keltner; Sony’s Rusty Gaston and Dale Bobo; the ACM’s Damon Whiteside, Country Hall of Fame’s Michael Gray and Lisa Purcell; John Zarling, Robert Deaton, Tom Roland, the RIAA’s Jackie Jones, Jessica Nicholson, Alicia Warwick, Phyllis Stark and our own LB Cantrell.
A superb sound system blasted out such tracks as “Purple Rain,” “We Are the Champions,” “Don’t Let the Sun Go Down on Me” (Dolly with Elton John), “Wrecking Ball” (Dolly with Miley Cyrus), “Open Arms” (with Journey’s Steve Perry), “Night Moves” (with Chris Stapleton), “Let It Be” (with Paul McCartney & Ringo Starr) and “Free Bird” (with Skynyrd vets), among others.
The event had a timetable, so not all the tracks on the album could be showcased. Make that “albums.” The eventual “Rockstar” collection will be 30 songs on four vinyl discs or two CDs. There are nine Dolly originals and 21 rock oldies. The whole thing has a ‘70s-rock vibe, which is fine with me, since rock bands have now been obliterated from the charts by hip-hop and teen pop.
The black-walled, video-ready, jumbo sound-stage rooms were flanked by lit display cases containing white and silver Dolly costumes, and the stage featured a big silver signature Dolly logo. Catering was spare, but there were fully stocked bars. And the planners of the out-of-town party provided bus transportation to and from the Music City Center, so relax.
I am told there were party-favor Dolly gift bags. I didn’t get one.
Brooke Eden Readies New EP, ‘Outlaw Love’
/by Lorie HollabaughBrooke Eden attends the 34th Annual GLAAD Media Awards. Photo: Ilya S. Savenok/Getty Images for GLAAD
Brooke Eden gets personal with the release of her upcoming new EP, Outlaw Love, due out on Friday, June 9.
Eden revealed the announcement over the weekend at the 2023 GLAAD Media Awards in New York City. She presented the closing remarks at the awards ceremony, where she was nominated for Outstanding Breakthrough Artist.
“This EP is the most personal group of songs I’ve ever released. It takes you from the beginning of my and Hilary’s relationship with ‘Whispering’ to our first dance song ‘All My Life,'” says Eden. “The Outlaw Love EP is a look into our unique relationship in country music and a new definition of what it means to be an outlaw.”
The four-song EP produced by Lindsay Rimes includes the title track “Outlaw Love,” which claps back at anyone who thinks they have the right to tell you who to love, “Chills,” which channels her R&B and pop influences, “Whispering,” with its twangy beat, and the harmonious “All My Life.”
Eden will share some of the new tunes when she performs at the Concert For Love & Acceptance at Nashville’s Wildhorse Saloon during CMA Fest on June 7.
Chase Rice Premieres New Docuseries On ‘I Hate Cowboys & All Dogs Go To Hell’
/by Lorie HollabaughChase Rice records for his forthcoming album in his den-turned-vocal booth. Photo: Kaiser Cunningham
Chase Rice is taking fans behind the scenes of the making of his latest album, I Hate Cowboys & All Dogs Go To Hell, with a new 10-part docuseries, out now.
The short films chronicle the two weeks spent crafting the project at Rice’s home-turned-studio with producer Oscar Charles. Rice and Charles turned his rural home into their 24/7 workspace, bringing in a live band to capture an authentic sound over the course of an immersive two-week session—all of which was captured on camera for fans to witness.
The episodes feature cameos by songwriters John Byron and Blake Pendergrass, plus artists Lee Brice, Boy Named Banjo, Read Southall, Elvie Shane, Hannah Dasher and more. The 10 installments, directed by Kaiser Cunningham, will air each Tuesday beginning with episodes one through three this week.
Rice is currently on his “Way Down Yonder Tour” and recently released his new single, “Bad Day To Be A Cold Beer,” which he wrote alongside Pendergrass, Byron, and Justin Thomas.
Shania Twain, The Lumineers, Kendrick Lamar, More To Headline Austin City Limits Music Festival
/by Lorie HollabaughShania Twain
The Austin City Limits Music Festival has announced its day-by-day lineup at Zilker Park in Austin, Texas on Oct. 6-8 and Oct. 13-15.
Kendrick Lamar, The Lumineers, Kali Uchis, Maggie Rogers and more perform on Friday of both weekends, while Foo Fighters, Shania Twain (Weekend One only), Alanis Morissette and The 1975 (Weekend Two only) and more will light up the stages on Saturday. Sundays of both weekends will feature sets from Mumford & Sons, Odezsa, Hozier, Yeah Yeah Yeahs and many more.
Various ticket packages are on sale now at aclfestival.com. Three-day general admission tickets, and a limited number of three-day Platinum tickets and hotel packages are available.
Hulu returns as the official streaming destination of ACL Festival and will air three days of select live performances, interviews and much more during Weekend One. A full broadcast lineup and schedule will be announced later this summer.
BMG Nashville Signs Hunter Metts
/by LB CantrellPictured (L-R): Shelter Music Group’s James Robinson, Jackson Stubner, BMG’s Kelsey Niccoli, Hunter Metts and BMG’s Chris Oglesby
BMG Nashville has signed artist, songwriter and producer Hunter Metts to a global publishing agreement.
Metts grew up in a musical family and began to play piano at age 10, eventually picking up a guitar and starting to writing songs. He gained national attention as a contestant on American Idol in 2021. Since his time on the show, Metts has continued to write and perform his own music as well as write and produce music for other artists. He has released several songs independently, including “Nothing to Lose” and “Paper Moon.”
“Signing an artist like Hunter is a dream come true. His music is so unbelievably emotive—it makes you nostalgic while also sounding like nothing you’ve ever heard before. Hunter has an understanding of songwriting, production and artistry that is beyond his years, and BMG is so excited to be a part of his journey,” says Kelsey Niccoli, Sr. Creative Director, A&R, BMG Nashville.
“I feel like I found people who understand me and my sound, who are truly invested in the trajectory of my life and career,” adds Metts.
Metts’ frequent collaborators include Benjamin Francis Leftwich, Henry Brill, Tristan Bushman, Chandler Leighton, Dave Thomas Jr, Caleb Hearn, Cody Lovaas, Anna Hamilton, Luke Niccoli, Jonah Kagen and more.
Matt Schuster Aligns With WME & Extended Play
/by LB CantrellPictured (L-R): WME’s Nate Towne, WME’s Braeden Rountree, Matt Schuster, WME’s Morgan Kenney and Extended Play’s Eric Parker. Photo: Courtesy of WME
Rising country singer-songwriter Matt Schuster has added to his team, signing with WME for global booking representation and Extended Play for management.
Schuster, an Illinois native, moved to Nashville less than a year ago and has since grown an impressive fanbase. Averaging 10 million monthly streams, four of Schuster’s songs have landed on the Spotify Country Global Top 200 Chart and garnered over 75 million streams.
“When I first heard Matt’s music, I knew that I needed to work with him, and meeting him solidified that even more,” shares Morgan Kenney, WME Agent. “He’s an incredibly talented artist with a heart of gold. I consider it an honor to be able to book his tour so others can see what I see. Matt Schuster is a name for those to remember.”
“It’s a great privilege for me to learn from and work alongside Morgan, Braeden [Rountree], Nate [Towne] and Aaron [Tannenbaum],” shares Eric Parker, Extended Play Founder & CEO. “With their guidance, I believe Matt is poised to take a big step forward in his career.”
Schuster, who also recently signed a publishing deal with UMPG, just celebrated his first major label cut with Bailey Zimmerman recording “Chase Her” for his Religiously. The Album.
“I’m thrilled to have the opportunity to work with such an amazing team,” says Schuster. “Their passion for music is contagious and I’m excited to see them play a pivotal role in bringing my live shows to life.”
Schuster will take CMA Fest‘s Maui Jim Reverb Stage on June 9 before appearing at various fairs and festivals throughout the summer.
CRB Announces 2023–2024 CRS Agenda Committee
/by Liza AndersonCountry Radio Broadcasters (CRB) has unveiled the 2023–2024 CRS Agenda Committee, who will work together to create the agenda for the annual three-day event.
Shelley Hargis (BMG/BBR Music Group) will serve as Agenda Chair, with Krista Hayes (Cumulus Media Nashville) and Jesse Tack (WUBE/Hubbard) serving as the committee’s Co-Vice Chairs.
“After attending CRS for 26 years, I am MORE passionate and excited about both CRS and the country industry than ever,” says Hargis. “I am honored to be a part of the Agenda Committee, and thrilled with the group we have coming together to build a fantastic CRS 2024!”
New committee members include Sally Allgeier (Red Street), Kevin Callahan (Pamal Broadcasting), Victoria Cappelli (AEG), Paisley Dunn (Seven Mountains Media), Nathan James (DBC Radio/WUBB), Brittani Koster (Big Loud), Charlie Maxx (Forever Media/WXCY), Gemma McInturff (Spotify), Caitlin Fisher (Cox Media Group), Jennifer Shaffer (BMG/BBR Music Group/Wheelhouse Records), Kathleen Shea (SiriusXM), Bryan Webb (Today’s Country Radio/The Kelleigh Bannen Show) and Adam Wilbur (Compass Media Networks).
Returning to the committee will be Emily Cohen (Amazon Music), Karina Farias-Dey (Edison Research), Tim Foisset (Warner Music Nashville), Alek Halverson (iHeartMedia/KAJA), Nicole Michalik (Beasley/WXTU), Ashley Morrison (iHeartMedia/WFUS) and Nick Steele (Audacy/KWJJ).
Additionally, Foisset will lead the agenda content for the Digital Music Summit, which will return on the first day of CRS 2024, taking place Feb. 28–March 1.