
The Academy of Country Music and the Black Music Action Coalition (BMAC) have announced the 20 members that will make up the inaugural class of their OnRamp program, a guaranteed income program for young Black members of the Nashville music community.
The OnRamp program aims to empower the next generation of leaders in the early stages of their careers by granting access to professional development opportunities, community mentorship, and other resources to increase personal growth and industry exposure, including exclusive ACM membership panels and tentpole live events as well as visibility with the ACM Board and other industry leaders.
Half of this year’s class are artists and the other half consists of industry members ranging from attorneys and audio engineers to publicists and business managers. These rising musicians and industry professionals were all carefully selected from a robust pool of applicants. The inaugural class will be celebrated at a launch event at the Academy’s Music City headquarters, surrounded by ACM and BMAC leadership, Board members and industry supporters.
OnRamp programming officially begins shortly after the launch event. The first installment of the program’s monthly stipend will be delivered to participants’ accounts following the celebration. Upcoming programming for participants includes a celebratory mixer, regular team mentorship sessions and intensive quarterly workshops, focusing on critical industry areas such as artist development and production.
“Getting on that Zoom call with the 20 participants selected as the inaugural class of the BMAC x ACM OnRamp program was a powerful moment for me. So often we just talk about the issues, debate the problems and ideate around solutions, but that often doesn’t translate into direct action. BMAC issued a call-to-action to Music Row last June, and in less than 12 months, BMAC and the ACM developed and provided seed funding for a program that will begin to create true access and provide resources to young Black aspiring artists and professionals,” says BMAC Co-Founder & Co-Chair Willie “Prophet” Stiggers. “We are celebrating the third anniversary of The Show Must Be Paused by pressing play on a guaranteed income and mentorship program that will begin to level the playing field for the next generation of Black creatives.”
“I’m thrilled to be officially kicking off our OnRamp program, in partnership with the team at BMAC, and so excited to formally welcome these exceptional young professionals to our inaugural class, on behalf of the Academy Board of Directors and Officers, our DEI Task Force, our membership, and our staff. I’ve been eagerly looking forward to this moment for many months now, since we started envisioning and developing this program with our LEVel Up Rising Leaders cohort, and I’m particularly proud of the Academy for continuing our commitment and taking another impactful step, on behalf of our industry and Nashville community, towards making country music a welcoming and rewarding place for everyone,” says ACM CEO Damon Whiteside.
OnRamp Inaugural Class:
Erica Baker, Attorney
Jasmine Bavaro, Management & Audio Engineer
Tylar Bryant, Artist
Tatyana Carter, Artist Manager
Carmen Dianne, Artist
Larysa Jaye, Artist
The Kentucky Gentlemen, Artist
Chasidy Lauderdale, Business Management
Cameron Leavy-Thorn, Music Business Student
Tae Lewis, Artist
Roz Malone, Musician
Daisha McBride, Artist
Kim Ortiz, Music Licensing
Nina Teapot Owens, Creative Consultant
Qualls, Artist
Nick Tabron, Artist
Kendall Warner, Artist
Dede Neahn West, Public Relations
Julie Williams, Artist
Amari Young, A&R
AIMP Wraps Global Music Publishing Summit
/by Lorie HollabaughPictured (L-R): Michael Lau, Marc Caruso, John Ozier, Tony D. Alexander
The Association of Independent Music Publishers (AIMP) wrapped a successful Global Music Publishing Summit earlier this week at the 3 West Club in New York City.
Highlights include a keynote from the iconic rapper and producer Doug E. Fresh and Songwriters Hall of Fame inductee David Porter, a legislative update from the leaders of the NMPA and RIAA, and panels on AI, queer trends in sync, the global success of independent publishers, and much more.
AIMP National Chair and New York Chapter President Michael Lau, former Nashville Chapter President John Ozier, Los Angeles Chapter President Marc Caruso, and Atlanta Chapter President Tony D. Alexander kicked off the event with an update on their Chapters and the national organization.
In addition, AIMP Leadership also announced their stance on AI as part of the Human Artistry Campaign.
AIMP leaders state, “As publishers and songwriters, we are concerned about ensuring the value of the human voice, the human heart and emotion, and that any technology is used as a positive tool for ideation and not to attempt to replicate or replace that which a human songwriter is instrumental in creating. The AIMP stands with our industry counterparts in supporting the Human Artistry Campaign, a coalition of voices dedicated to keeping humans at the center of musical expression and artistry. We encourage all of you to join us and lend your support to this coalition so that as technology advances, we can ensure the future of the human creator.”
Video recordings of each panel will also be available shortly at aimp.org for AIMP members only. More information regarding next year’s event will be announced soon.
Anne Wilson Plots 20-Date ‘My Jesus Tour’ For Fall
/by Lorie HollabaughAnne Wilson is launching her first-ever headlining tour, the “My Jesus Tour,” with special guest Josh Baldwin this fall.
The 20-stop tour begins on Sept. 28 in Houston and spans the country with stops in Austin, Atlanta, Charlotte, Indianapolis, Jacksonville, Detroit, Chicago and more through Oct. 29. Fans can sign up for a pre-sale code here to purchase tickets early starting June 23, and general on-sale begins June 26.
“The ‘My Jesus Tour’ is a dream come true and I can’t wait for y’all to experience it! Each night will be full of songs and moments of worship,” shares Wilson. “I’m so grateful to have Josh Baldwin joining me and I’m looking forward to sharing the songs from my record My Jesus. I can’t wait to witness what God does through it. Get ready and we’ll see you this fall!”
“I have loved Anne’s music from afar, and then through getting to know her, I’ve been really moved by her story,” expresses Baldwin. “I am excited to be a part of these nights to gather for songs, stories and worship. This tour is going to be so special and I’m looking forward to being part of it.”
Wilson’s tour, aptly named after her life-changing debut single and subsequent Grammy-nominated album, My Jesus, will offer fans a special evening as she shares chart-topping hits like “My Jesus,” “Hey Girl” and many more.
The tour announcement comes on the heels of Wilson’s release of “Seventh of June,” a deeply personal tribute to her beloved late brother Jacob. The Capitol Christian Music Group artist also recently announced the expansion of her team, aligning with Universal Music Group Nashville for new music and The Neal Agency for booking.
Bryan Martin Announces Headline Tour & Releases New Single
/by Liza AndersonBryan Martin
Bryan Martin has announced his headlining “Goin For Broke Tour” and released the tour’s namesake single.
The single—written by Martin, Gary Garris and Josh Mirenda—reflects on Martin’s relentless pursuit of his dreams, fueled by a resilient spirit and a burning desire to leave it all on the line. The track arrives as his first release following his full-length album, Poets & Old Souls, which has amassed more than 60 million worldwide streams.
The upcoming North American journey will include shows in Tulsa, Baltimore, Atlanta, Indianapolis, Cincinnati and more with additional dates to come. For more information, click here.
Eric Church Joins Buyer Group Acquiring NBA Charlotte Hornets
/by Steven BoeroEric Church. Photo: Joe Pugliese
Hornets Sports & Entertainment (HSE) has announced that country music star Eric Church is set to be a minority owner of NBA team the Charlotte Hornets, as a group named the Buyer Group is acquiring the NBA franchise from majority stakeholder Michael Jordan.
The Buyer Group is led by Gabe Plotkin and Rick Schnall. Plotkin, who acquired a minority stake in the Hornets in 2019, has been an alternate governor on the NBA Board of Governors since 2019, and is the Founder & Chief Investment Officer of Tallwoods Capital LLC. Schnall is Co-President of Clayton, Dubilier & Rice LLC, where he has worked for 27 years, and has been a significant minority owner of the Atlanta Hawks as well as an alternate governor on the NBA Board of Governors since 2015. Schnall is in the process of selling his investment in the Hawks, which is expected to be completed in the next several weeks.
Along with Church, the Buyer Group will also include Dan Sundheim, Ian Loring, Dyal HomeCourt Partners, North Carolina native recording artist J. Cole and several local Charlotte investors, including Amy Levine Dawson and Damian Mills.
As part of the transaction, Jordan will retain a minority ownership share of the team. The transaction is subject to the approval of the NBA Board of Governors. Along with the Hornets, HSE ownership includes the Greensboro Swarm (NBA G League) and Hornets Venom GT (NBA 2K League), as well as managing and operating Spectrum Center, each of which is included as part of the sale.
C’ing Jerome Signs With Average Joes Entertainment
/by Lorie HollabaughCountry singer-songwriter and rapper C’ing Jerome has signed with Average Joes Entertainment.
The 27-year-old Texan has already garnered over two million streams worldwide during his independent career. He’s enjoyed success from hits like “Barn Don’t Close,” “Beautiful Day” and “Funky Town Lullaby,” and his talent was quickly noticed by artist and Average Joes Co-Owner Colt Ford, who offered him a deal with the label. Jerome’s debut single, the aptly titled “Average Joe,” is available now on major streaming platforms.
“When we first met C’ing Jerome, we knew he was special. His talent and work ethic are something to behold,” says Average Joes’ President, Forrest Latta. “We’re excited to welcome him to the Average Joes family, and look forward to a bright future.”
“‘Average Joe’ captures and explains my everyday life,” shares Jerome. “In other words, what you see is what you get with me. I wake up in the morning with my little girl, run my businesses, make music and end my night at the ranch with my horses. Even though my audience knows me through my music, I am truly just your everyday ‘Average Joe.'”
ASCAP Introduces Slate Of AI Initiatives For Creatives
/by Lorie HollabaughASCAP is introducing a slate of AI initiatives to help music creators navigate the future while protecting their work. These newly announced initiatives include adoption of a set of key ASCAP AI principles, creator education, startup incubation and policy development.
“ASCAP has been adapting to disruption for more than 100 years. AI doesn’t scare us because we see technology as an opportunity to innovate for our songwriter, composer and music publisher members. The future is bright and we have our helmets on to fight the fight to protect the rights of music creators,” says ASCAP Chief Executive Officer Elizabeth Matthews.
With the following AI initiatives, ASCAP plans to educate and inspire its members, champion music creator rights and help shape how new technologies are deployed and licensed across industry sectors.
In 2019, ASCAP launched the ASCAP Lab to drive innovation for its next century of growth. The multi-pronged effort is designed to explore how advanced technologies, new business approaches and creative collaboration can drive value for ASCAP music creator members and licensees. In each of the last three years, the ASCAP Lab has run an accelerator program in partnership with the NYC Media Lab, led by the NYU Tandon School of Engineering, exploring new technologies such as the metaverse, augmented reality, spatial audio and computer vision, helping to incubate more than a dozen startups and university research projects.
The 2023 ASCAP Lab Music and AI Challenge is designed to identify creative, cutting-edge concepts at the intersection of music and artificial intelligence, enabling ASCAP to work closely with the tech community to help guide the development and application of this game-changing technology for the benefit of music creators. Five teams have been selected to receive grants and mentorship to develop and expand upon their emerging technologies during the 12-week challenge.
This year’s teams for the ASCAP Lab Music and AI Challenge include:
Throughout and after the 12-week challenge, the teams will share their stories, progress and innovations with ASCAP members, some of whom will be involved in the mentoring and beta-testing processes of the program.
In addition to the ASCAP Lab Music and AI Challenge, the PRO is also bringing back the ASCAP Experience, the company’s signature event created to inspire, educate and connect songwriters and composers.
This year, ASCAP will host a panel dedicated to AI in Los Angeles on June 21. “Intelligently Navigating Artificial Intelligence” brings together experts from the creative, tech and business fields for a state-of-the-union on AI in music. The session will educate ASCAP member attendees on the potential of AI to change how music is made and consumed, how ASCAP is addressing these evolving opportunities and challenges and how to make informed decisions about using AI tools while protecting one’s intellectual property. Panelists include Lucas Cantor, Composer, ASCAP member; Rachel Lyske, CEO of DAACI; and Nicholas Lehman, Chief Strategy & Digital Officer, ASCAP.
“As the only creator-first US PRO, ASCAP always places our members at the core of everything we do and listening to them informs our strategy,” says Nick Lehman. “Our members are telling us that they want ASCAP to help them navigate technology disruption, advocate for better regulation in AI and pursue compensation if their music is used in AI-generated content.”
Brad Paisley, Kimberly Williams-Paisley & Zanies To Present Comedy Show Benefitting The Store
/by Steven BoeroCountry music superstar Brad Paisley, actress and best-selling author Kimberly Williams-Paisley and Zanies will hold “Groceries with Dignity & Comedy Without” on Wednesday, July 5 at Zanies in Nashville.
The evening will include Grammy-nominated comedian and Nashville native Nate Bargatze and will feature a night of improv with Brad, Saturday Night Live alum Kevin Nealon and Groundlings Alumni, an improvisation and sketch comedy group that is Hollywood’s foremost comedy training ground and a springboard for countless careers.
Proceeds from the event will go to The Store. Founded by Brad and Kimberly, The Store is a free, referral-based grocery store, which aims to empower low-income individuals and families in the Nashville area. The Store operates with the mission of allowing people to shop for their basic needs in a way that protects dignity and fosters hope.
Tickets are available now through Zanie’s website.
The night of comedy will follow Brad’s headline concert, Let Freedom Sing! Music City July 4th, in the heart of downtown Nashville. The event will present one of the country’s largest July 4th fireworks show synchronized to live music from the Grammy-winning Nashville Symphony, and will feature charitable partner The Store. This is the second time Brad has headlined the July 4 concert for the city.
Thomas Rhett’s ‘Angels’ Rises To The Top Of The MusicRow Chart
/by LB CantrellThomas Rhett tops the MusicRow CountryBreakout Radio Chart this week with “Angels Don’t Always Have Wings.”
Previously titled “Angels,” the track first appeared on Rhett’s most recent album Where We Started and was written by Rhett, Julian Bunetta, Jaten Dimsdale and Josh Thompson.
Rhett recently celebrated his last seven No. 1 hits, adding to 20 throughout his career. To commemorate 20 chart-topping tunes, Rhett is releasing a retrospective vinyl collection of the hit songs, which will release Sept. 29 via The Valory Music Co.
Click here to view the latest edition of The MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.
Triston Marez Signs With Erv Woolsey Co.
/by Lorie HollabaughPictured (L-R): EWC’s Clint Woolsey and Erv Woolsey, Triston Marez, EWC’s Allen Mitchell
Texas artist Triston Marez has signed with Erv Woolsey Co. for management. The rising artist is gearing up for the release of his brand new six-song EP, produced by Jake Gear.
Marez first began playing guitar at age six, performing a Buck Owens song at his first grade talent show. His love of the genre grew from there, and he continued to craft his sound, infusing modern country with a timeless swagger. Marez released his self-titled album in 2021, collaborating with Ronnie Dunn on the track “Where The Neon Lies.” Fans will get a first taste of Marez’ upcoming latest project with the Jon Pardi-penned “Too Soon For Goodbye,” out now.
L.A.-based Cinq Music Group and Boom Music Group in Nashville will release Marez’s new music through a marketing and distribution partnership to further amplify the 60-million plus global streams the Houston native has already amassed independently.
“Triston puts in the hard work it takes in this business, from the grind of playing the honky tonks on Broadway when he first arrived in Nashville at 17 years old, to burning up the highways across the country touring the last few years,” shares Woolsey. “It’s his time to shine and I’m excited for his future!”
“Being a part of a team as notable as the Erv Woolsey Co. is truly an honor,” says Marez. “I can’t thank them enough for believing in my music and the vision. I feel extremely blessed to be able to work alongside the team. To announce that I have signed with The Erv Woolsey Co. for management, along with releasing new music and partnering with Cinq Music Group and Boom Music Group, is truly amazing and a blessing.”
ACM & Black Music Action Coalition Announce OnRamp Program’s Inaugural Class
/by Liza AndersonThe Academy of Country Music and the Black Music Action Coalition (BMAC) have announced the 20 members that will make up the inaugural class of their OnRamp program, a guaranteed income program for young Black members of the Nashville music community.
The OnRamp program aims to empower the next generation of leaders in the early stages of their careers by granting access to professional development opportunities, community mentorship, and other resources to increase personal growth and industry exposure, including exclusive ACM membership panels and tentpole live events as well as visibility with the ACM Board and other industry leaders.
Half of this year’s class are artists and the other half consists of industry members ranging from attorneys and audio engineers to publicists and business managers. These rising musicians and industry professionals were all carefully selected from a robust pool of applicants. The inaugural class will be celebrated at a launch event at the Academy’s Music City headquarters, surrounded by ACM and BMAC leadership, Board members and industry supporters.
OnRamp programming officially begins shortly after the launch event. The first installment of the program’s monthly stipend will be delivered to participants’ accounts following the celebration. Upcoming programming for participants includes a celebratory mixer, regular team mentorship sessions and intensive quarterly workshops, focusing on critical industry areas such as artist development and production.
“Getting on that Zoom call with the 20 participants selected as the inaugural class of the BMAC x ACM OnRamp program was a powerful moment for me. So often we just talk about the issues, debate the problems and ideate around solutions, but that often doesn’t translate into direct action. BMAC issued a call-to-action to Music Row last June, and in less than 12 months, BMAC and the ACM developed and provided seed funding for a program that will begin to create true access and provide resources to young Black aspiring artists and professionals,” says BMAC Co-Founder & Co-Chair Willie “Prophet” Stiggers. “We are celebrating the third anniversary of The Show Must Be Paused by pressing play on a guaranteed income and mentorship program that will begin to level the playing field for the next generation of Black creatives.”
“I’m thrilled to be officially kicking off our OnRamp program, in partnership with the team at BMAC, and so excited to formally welcome these exceptional young professionals to our inaugural class, on behalf of the Academy Board of Directors and Officers, our DEI Task Force, our membership, and our staff. I’ve been eagerly looking forward to this moment for many months now, since we started envisioning and developing this program with our LEVel Up Rising Leaders cohort, and I’m particularly proud of the Academy for continuing our commitment and taking another impactful step, on behalf of our industry and Nashville community, towards making country music a welcoming and rewarding place for everyone,” says ACM CEO Damon Whiteside.
OnRamp Inaugural Class:
Erica Baker, Attorney
Jasmine Bavaro, Management & Audio Engineer
Tylar Bryant, Artist
Tatyana Carter, Artist Manager
Carmen Dianne, Artist
Larysa Jaye, Artist
The Kentucky Gentlemen, Artist
Chasidy Lauderdale, Business Management
Cameron Leavy-Thorn, Music Business Student
Tae Lewis, Artist
Roz Malone, Musician
Daisha McBride, Artist
Kim Ortiz, Music Licensing
Nina Teapot Owens, Creative Consultant
Qualls, Artist
Nick Tabron, Artist
Kendall Warner, Artist
Dede Neahn West, Public Relations
Julie Williams, Artist
Amari Young, A&R