
Kacey Musgraves will kick off her 2024 “Deeper Well World Tour” this spring in Dublin, Ireland on April 28. Madi Diaz, Father John Misty, Lord Huron and Nickel Creek will join as support on the new tour.
The headlining tour will include stops in Europe and the U.K., followed by the North American leg beginning on Sept. 4 in State College, Pennsylvania. The “Deeper Well World Tour” will visit cities across the U.S. including Boston, Seattle, San Francisco, San Diego, Dallas, Austin and more, wrapping with a two-night stand in her own backyard at Nashville’s Bridgestone Arena on Dec. 6 and 7.
American Express Card Members can purchase tickets for the “Deeper Well World Tour” in select markets before the general public, and Amex Early Access for the North American and UK dates begins March 5-7. Tickets go on sale to the general public at kaceymusgraves.com/tour on March 8.
Along with the “Deeper Well World Tour” announcement, Kacey has also unveiled the evocative new track, “Too Good to be True” out today (Feb. 29). “Too Good to be True” is the second single released ahead of her upcoming fifth studio album, Deeper Well, out March 15 on Interscope Records/MCA Nashville.
Ahead of the album release, Kacey will make her third appearance on Saturday Night Live on March 2, followed by performances on The Tonight Show Starring Jimmy Fallon on March 14 and NBC’s Today show on March 15.
Kacey Musgraves “Deeper Well World Tour” Dates:
Sunday, April 28, 2024- Dublin, IE @ 3Olympia Theatre +
Wednesday, May 1, 2024- Amsterdam, NL @ Paradiso +
Friday, May 3, 2024- Brussels, BE@ Ancienne Belgique +
Sunday, May 5, 2024- Cologne, DE @ Carlswerk Victoria +
Monday, May 6, 2024- Hamburg, DE @ DOCKS +
Thursday, May 9, 2024- Glasgow, UK @ 02 Academy Glasgow +
Saturday, May 11, 2024- Manchester, UK @ 02 Apollo Manchester +
Monday, May 13, 2024- Wolverhampton, UK @ The Civic at The Halls +
Tuesday, May 14, 2024- London, UK @ Roundhouse +
Wednesday, September 4, 2024- State College, PA @ Bryce Jordan Center *
Friday, September 6, 2024- Boston, MA @ TD Garden *
Saturday, September 7, 2024- Boston, MA @ TD Garden *
Monday, September 9, 2024- Newark, NJ @ Prudential Center *
Wednesday, September 11, 2024- Grand Rapids, MI @ Van Andel Arena *
Thursday, September 12, 2024- Rosemont, IL @ Allstate Arena *
Sunday, September 15, 2024- Greenwood Village, CO @ Fiddler’s Green Amphitheatre *
Thursday, September 19, 2024- Vancouver, BC @ Rogers Arena *
Friday, September 20, 2024- Seattle, WA @ Climate Pledge Arena *
Monday, September 23, 2024- Sacramento, CA @ Golden 1 Center *
Tuesday, September 24, 2024- San Francisco, CA @ Chase Center *
Friday, September 27, 2024- Glendale, AZ @ Desert Diamond Arena *
Saturday, September 28, 2024- Las Vegas, NV @ T-Mobile Arena *
Tuesday, October 1, 2024- San Diego, CA @ Pechanga Arena San Diego *
Thursday, October 3, 2024- Inglewood, CA @ Kia Forum *
Friday, October 4, 2024- Inglewood, CA @ Kia Forum *
Wednesday, November 6, 2024- Laval, QC @ Place Bell #
Thursday, November 7, 2024- Toronto, ON @ Scotiabank Arena #
Saturday, November 9, 2024- Baltimore, MD @ CFG Bank Arena #
Sunday, November 10, 2024- Pittsburgh, PA @ PPG Paints Arena #
Tuesday, November 12, 2024- Louisville, KY @ KFC Yum! Center #
Wednesday, November 13, 2024- Columbus, OH @ Schottenstein Center #
Friday, November 15, 2024- Brooklyn, NY @ Barclays Center #
Saturday, November 16, 2024- Brooklyn, NY @ Barclays Center #
Thursday, November 21, 2024- Houston, TX @ Toyota Center #
Friday, November 22, 2024- Dallas, TX @ American Airlines Center #
Saturday, November 23, 2024- Dallas, TX @ American Airlines Center #
Tuesday, November 26, 2024- Austin, TX @ Moody Center #
Wednesday, November 27, 2024- Austin, TX @ Moody Center #
Friday, November 29, 2024- Tampa, FL @ Amalie Arena #
Saturday, November 30, 2024- Hollywood, FL @ Hard Rock Live at Seminole Hard Rock Hotel & Casino Hollywood #
Monday, December 2, 2024- Orlando, FL @ Kia Center #
Thursday, December 5, 2024- Charlotte, NC @ Spectrum Center #
Friday, December 6, 2024- Nashville, TN @ Bridgestone Arena #
Saturday, December 7, 2024- Nashville, TN @ Bridgestone Arena #
+Madi Diaz supporting
*Father John Misty/ Nickel Creek supporting
#Lord Huron/ Nickel Creek supporting
LoCash Launches Galaxy Label Group
/by Liza AndersonLoCash. Photo: Josh Beech
LoCash announced the launch of their new record label, Galaxy Label Group, last night (Feb. 28) during Country Radio Seminar (CRS). The country duo—made up of Preston Brust and Chris Lucas—will be the first act signed to the label.
“Launching our own record label has been a part of our plan since day one,” shares Brust. “And with the ever-changing landscape of modern music, now is the perfect time. As seasoned artists, it’s really important for us to do what we know how to do and do it well. Confidently moving forward with creative control is the natural next step for us.”
Lucas adds, “I haven’t been this excited since moving to Nashville years ago! With the relationships we’ve built in the industry along the way, it’s time we add a new chapter to the LoCash book. We are in control of ourselves as artists and are ready to help aspiring artists as well as the songwriters succeed in today’s music world.”
Galaxy Label Group was formed in partnership with industry veterans Skip Bishop and Butch Waugh’s Studio2Bee Entertainment, and has executive staff in place with plans to enlarge its roster.
“We’re extremely grateful to Jon Loba and his executive team for helping us create such a modern, forward-thinking and artist/writer-friendly distribution arrangement,” says Bishop. “It’s this kind of imaginative insight that will elevate the level of shared success.”
In celebration of the new label, LoCash is working on their next project and will release the first single, “Hometown Home,” this spring.
Kacey Musgraves To Launch ‘Deeper Well World Tour’ In April
/by Lorie HollabaughKacey Musgraves will kick off her 2024 “Deeper Well World Tour” this spring in Dublin, Ireland on April 28. Madi Diaz, Father John Misty, Lord Huron and Nickel Creek will join as support on the new tour.
The headlining tour will include stops in Europe and the U.K., followed by the North American leg beginning on Sept. 4 in State College, Pennsylvania. The “Deeper Well World Tour” will visit cities across the U.S. including Boston, Seattle, San Francisco, San Diego, Dallas, Austin and more, wrapping with a two-night stand in her own backyard at Nashville’s Bridgestone Arena on Dec. 6 and 7.
American Express Card Members can purchase tickets for the “Deeper Well World Tour” in select markets before the general public, and Amex Early Access for the North American and UK dates begins March 5-7. Tickets go on sale to the general public at kaceymusgraves.com/tour on March 8.
Along with the “Deeper Well World Tour” announcement, Kacey has also unveiled the evocative new track, “Too Good to be True” out today (Feb. 29). “Too Good to be True” is the second single released ahead of her upcoming fifth studio album, Deeper Well, out March 15 on Interscope Records/MCA Nashville.
Ahead of the album release, Kacey will make her third appearance on Saturday Night Live on March 2, followed by performances on The Tonight Show Starring Jimmy Fallon on March 14 and NBC’s Today show on March 15.
Kacey Musgraves “Deeper Well World Tour” Dates:
Sunday, April 28, 2024- Dublin, IE @ 3Olympia Theatre +
Wednesday, May 1, 2024- Amsterdam, NL @ Paradiso +
Friday, May 3, 2024- Brussels, BE@ Ancienne Belgique +
Sunday, May 5, 2024- Cologne, DE @ Carlswerk Victoria +
Monday, May 6, 2024- Hamburg, DE @ DOCKS +
Thursday, May 9, 2024- Glasgow, UK @ 02 Academy Glasgow +
Saturday, May 11, 2024- Manchester, UK @ 02 Apollo Manchester +
Monday, May 13, 2024- Wolverhampton, UK @ The Civic at The Halls +
Tuesday, May 14, 2024- London, UK @ Roundhouse +
Wednesday, September 4, 2024- State College, PA @ Bryce Jordan Center *
Friday, September 6, 2024- Boston, MA @ TD Garden *
Saturday, September 7, 2024- Boston, MA @ TD Garden *
Monday, September 9, 2024- Newark, NJ @ Prudential Center *
Wednesday, September 11, 2024- Grand Rapids, MI @ Van Andel Arena *
Thursday, September 12, 2024- Rosemont, IL @ Allstate Arena *
Sunday, September 15, 2024- Greenwood Village, CO @ Fiddler’s Green Amphitheatre *
Thursday, September 19, 2024- Vancouver, BC @ Rogers Arena *
Friday, September 20, 2024- Seattle, WA @ Climate Pledge Arena *
Monday, September 23, 2024- Sacramento, CA @ Golden 1 Center *
Tuesday, September 24, 2024- San Francisco, CA @ Chase Center *
Friday, September 27, 2024- Glendale, AZ @ Desert Diamond Arena *
Saturday, September 28, 2024- Las Vegas, NV @ T-Mobile Arena *
Tuesday, October 1, 2024- San Diego, CA @ Pechanga Arena San Diego *
Thursday, October 3, 2024- Inglewood, CA @ Kia Forum *
Friday, October 4, 2024- Inglewood, CA @ Kia Forum *
Wednesday, November 6, 2024- Laval, QC @ Place Bell #
Thursday, November 7, 2024- Toronto, ON @ Scotiabank Arena #
Saturday, November 9, 2024- Baltimore, MD @ CFG Bank Arena #
Sunday, November 10, 2024- Pittsburgh, PA @ PPG Paints Arena #
Tuesday, November 12, 2024- Louisville, KY @ KFC Yum! Center #
Wednesday, November 13, 2024- Columbus, OH @ Schottenstein Center #
Friday, November 15, 2024- Brooklyn, NY @ Barclays Center #
Saturday, November 16, 2024- Brooklyn, NY @ Barclays Center #
Thursday, November 21, 2024- Houston, TX @ Toyota Center #
Friday, November 22, 2024- Dallas, TX @ American Airlines Center #
Saturday, November 23, 2024- Dallas, TX @ American Airlines Center #
Tuesday, November 26, 2024- Austin, TX @ Moody Center #
Wednesday, November 27, 2024- Austin, TX @ Moody Center #
Friday, November 29, 2024- Tampa, FL @ Amalie Arena #
Saturday, November 30, 2024- Hollywood, FL @ Hard Rock Live at Seminole Hard Rock Hotel & Casino Hollywood #
Monday, December 2, 2024- Orlando, FL @ Kia Center #
Thursday, December 5, 2024- Charlotte, NC @ Spectrum Center #
Friday, December 6, 2024- Nashville, TN @ Bridgestone Arena #
Saturday, December 7, 2024- Nashville, TN @ Bridgestone Arena #
+Madi Diaz supporting
*Father John Misty/ Nickel Creek supporting
#Lord Huron/ Nickel Creek supporting
Jelly Roll & Lainey Wilson Toast At Tin Roof To Multiple No. 1s
/by LB CantrellPictured (L-R, back row): BBR/BMG’s Jon Loba, Warner Chappell’s BJ Hill, BMG’s Chris Oglesby, BMI’s Shannon Sanders, Studio Bank’s Kari Barnhart, Stoney Creek’s Adrian Michaels and BBR/BMG’s JoJamie Hahr; (L-R, front row): Lainey Wilson, Jelly Roll and David Ray Stevens. Photo: Steve Lowry for BMI
Music industry members gathered at Tin Roof on Demonbreun last week to celebrate three chart-toppers from two country music stars.
Jelly Roll and co-writers Austin Nivarel and Joe and Rob Ragosta were there to commemorate Jelly’s “Need A Favor” topping the charts. Lainey Wilson and co-writers Josh Kear and Jordan Schmidt were celebrated for her fifth consecutive No. 1 “Watermelon Moonshine.” Finally, both stars toasted to their collaborative hit “Save Me” with Jelly’s co-writer David Ray Stevens.
BMI’s Clay Bradley welcomed everyone to the midtown hotspot to get the party started before turning it over to Shannon Sanders, a longtime friend of Jelly’s, to emcee the special celebration. ASCAP’s Evyn Mustoe Johnston was on hand to honor the PRO’s affiliates.
Pictured (L-R, back row): BMI’s Shannon Sanders, BMG’s Chris Oglesby, Sony Music Publishing’s Rusty Gaston, Reservoir’s John Ozier, Studio Bank’s Kari Barnhart, ASCAP’s Evyn Johnston and Stoney Creek’s Adrian Michaels; (L-R, front row): Rob Ragosta, Joe Ragosta, Jelly Roll and Austin Nivarel. Photo: Steve Lowry for BMI
Taking turns to give each song its moment, the celebrations started with “Need A Favor.” Publishers, including BMG’s Chris Oglesby, Reservoir’s John Ozier and Sony Music Publishing’s Rusty Gaston, took turns speaking about each of their writers.
All of the co-writers except Jelly were celebrating their first No. 1. Two of the writers, Joe and Rob, are brothers, making it even more special. All were full of gratitude, calling out their publishers, supporters, Jelly and their families.
“I got to do this with my brother,” Rob said. “We’ve been doing this for 20 years at a serious level, chasing this dream. We always did it with our best friends and we always did it with our family.”
Joe shared, “Jelly, you’re an icon. It’s so far beyond artistry at this point. You’re part of the culture.”
“Before I worked with Jelly Roll, I worked with a lot of his collaborators. I began to hear the phrase, ‘Jelly Roll changed my life,’ so often that I started to think, ‘He’s got to be paying these people. How much money does this guy have?'” Austin said. “Then I got the opportunity to meet him and work with him… A year and a half later, I can certainly say that Jelly Roll changed my life.”
Pictured (L-R): BMI’s Clay Bradley, Studio Bank’s Kari Barnhart, Lainey Wilson, Josh Kear, ASCAP’s Evyn Johnston and BBR’s Shelley Hargis. Photo: Steve Lowry for BMI
Next up, it was time to celebrate “Save Me,” the anthem Jelly wrote with David Ray. Lainey joined Jelly on a collaborative version of the song that topped the charts at the end of 2023.
Industry members including BMG’s Chris Oglesby, Warner Chappell’s BJ Hill and BBR Music Group’s Adrian Michaels were on hand to speak about the record-breaking song.
“I’m the luckiest man in the world. If I’m in a dream, please don’t wake me up,” David Ray said when it was his turn to speak. He thanked all his supporters and team members before inviting two jewelers from Ice Box to present Jelly with a piece of jewelry to commemorate the occasion, a gesture Jelly did for him to mark their “Son Of A Sinner” chart-topper.
Then the crowd got to hear from Jelly. He thanked all of his team members, making sure to mention what each of them bring to the table, as well as country radio.
“I’ve had four No. 1s in my career. Three of those four songs were written with people who had never had a No. 1 before. I take great pride in that,” Jelly said.
Pictured (L-R): MusicRow‘s Madison Hahnen, Lainey Wilson, Jelly Roll, David Ray Stevens and MusicRow‘s LB Cantrell. Photo: Steve Lowry for BMI
Next it was time to celebrate Lainey Wilson’s “Watermelon Moonshine.” Lainey and co-writer Josh Kear appeared onstage to celebrate. Their co-writer Jordan Schmidt wasn’t able to make it.
Sony Music Publishing’s Rusty Gaston and BBR Music Group’s Shelley Hargis spoke about Lainey and her co-writers. Studio Bank’s Kari Barnhart made a presentation letting the crowd know that the bank had made a charitable donation in honor of the songs.
The mic was then turned over to Josh and Lainey.
“I started writing on Music Row when I was 19, which means I’ve been coming to these things for over 30 years. If I’ve learned anything, it’s that short speeches are the best speeches,” he said, adding in his thanks to his village. “Thank you to everyone who had anything to do with this song.”
Lainey was the last to speak. “I could not be more appreciative to anybody who has put their hands on my songs or any songs that I’ve been able to be a part of. Thank you so much from the bottom of my heart for making my dreams come true.”
Industry Ink: Justin Moore & Randy Houser, Severance Records, Carin León, More
/by Madison HahnenJustin Moore & Randy Houser Surprise Downtown Nashville
Justin Moore and Randy Houser during their surprise performance. Photo: Cody Villalobos
Multi-Platinum artist Justin Moore and country star Randy Houser made a surprise appearance at Tootsie’s Orchid Lounge in downtown Nashville last night (Feb. 27). The pair paid tribute to the late Toby Keith with a performance of “Should’ve Been A Cowboy.”
Trevor Provost Joins Severance Records As Marketing Manager
Trevor Provost. Photo: Brayln Kelly
Independent, modern rock label Severance Records, a division of Big Loud Rock, has added Trevor Provost as Marketing Manager.
In this role, he will lead and execute the label’s marketing strategy. Provost will report directly to Co-President Mike Easterlin. He joins the team after serving as Day-to-Day Manager at SMACKSongs and spending time at marketing agency Reach. In 2023, Provost launched Blinders Entertainment, a management and consulting firm.
“I’m really excited to be joining Stevo [Robertson] and Mike at Severance Records in everything they’re building. The opportunity to learn and work so closely with two hyper-skilled executives—and businessmen who do it in the right way—is a dream,” says Provost. “Our perspective on the value and attention that a label must bring to an artist in 2024 was so aligned that it felt like the perfect fit. With the highest caliber partner in Big Loud, I’m looking forward to developing culturally significant acts and deep relationships with the fans.”
Carin León & UMPG Celebrate Grand Ole Opry Debut
Pictured (L-R): Jorge Juárez (management), Yadira Moreno (UMPG MD, Mexico & Central America), Carin León, Roxy King (UMPG Director, A&R), Alexandra Lioutikoff (UMPG President, Latin America & U.S. Latin) and Troy Tomlinson (UMPG Nashville Chairman & CEO)
Singer-songwriter Carin León and Universal Music Publishing Group (UMPG) celebrated León’s Grand Ole Opry debut this past weekend. León signed with UMPG in 2023.
ACM Hosts OnRamp Program Songwriters Round
Pictured (L-R): Kortney Toney (Academy of Country Music, Manager, Programming & Community Engagement), Tae Lewis, Julie Williams, Kendall “Ken-Say” Warner, The Kentucky Gentlemen, Tylar Bryant and Larysa Jaye
The Academy of Country Music hosted a songwriters round in Nashville last Thursday (Feb. 22) featuring members of their OnRamp professional development program. Performers included The Kentucky Gentlemen, Larysa Jaye, Tae Lewis, Nick Tabron, Kendall “Ken-Say” Warner and Julie Williams.
The OnRamp program is in collaboration with the Black Music Action Coalition, and focuses on improving inclusivity and equity within Music City while aiming to empower the next generation of leaders in the early stages of their careers. Half of the inaugural class are artists, the other half come from across the industry and range from attorneys to audio engineers and publicists to business managers.
Bob Minner Inks With Billy Blue Publishing
Pictured (L-R): Ed Leonard (President, Billy Blue Records), Bob Minner, Joe Dan Cornett (Creative Director, Billy Blue Publishing) and Jerry Salley (A&R/Creative Director, Billy Blue Records)
Bob Minner has signed a co-publishing deal with Billy Blue Publishing alongside his publishing company Bluestring Songs International.
Minner has been playing guitar for country superstar Tim McGraw for 31 years, and has had cuts with Authentic Unlimited, Volume Five, Daily & Vincent and more. His most recent cut by Authentic Unlimited, “Fall In Tennessee,” was nominated for SPBGMA 2024 Song of the Year.
“I am extremely honored to be a part of Billy Blue Publishing. I was raised in a deep bluegrass upbringing in Missouri, and bluegrass has always been my creative passion. A huge thanks to Ed Leonard, Jerry Salley and Joe Dan Cornett for this opportunity,” says Minner.
In Pictures: CMHOFM Celebrates ‘American Currents: State Of The Music’ Exhibit
/by Liza AndersonPictured (L-R, back row): Kelsey Waldon, S.G. Goodman, Nat Myers, Sam Bush and C.J. Lewandowski; (L-R, middle row): Tanya Trotter of The War And Treaty, Martina McBride, Molly Tuttle, Chauntee Ross and Monique Ross of SistaStrings and Megan Moroney; (L-R, front row): Michael Trotter Jr. of The War And Treaty, Hailey Whitters, Billy Strings, Jessie Jo Dillon, Brandy Clark and Shane McAnally. Photo: Jason Kempin/Getty Images for the Country Music Hall of Fame and Museum.
The Country Music Hall of Fame and Museum celebrated the unveiling of its “American Currents: State of the Music” exhibit last night (Feb. 27).
Jessie Jo Dillon, Dean Dillon and Susie Dillon at the “American Currents: State of the Music” exhibit opening. Photo: Jason Kempin/Getty Images for Country Music Hall of Fame and Museum
The annual exhibit takes a broad look at country music over the past year to explore musical developments, artist achievements and notable events, as determined by the museum’s curators and editorial staff.
Open now until February 2025 in the museum’s ACM Gallery, this year’s installment features a selection of artists, musicians, songwriters and initiatives that significantly influenced the genre in 2023. Those selected include Oliver Anthony, Kelsea Ballerini, Sam Bush, Tyler Childers, Luke Combs, S.G. Goodman, Nat Myers, Nickel Creek, Joy Oladokun, Jelly Roll, Allison Russell, the Broadway musical Shucked, SistaStrings, Billy Strings, Taylor Swift, Molly Tuttle, Morgan Wallen, Kelsey Waldon, The War And Treaty, Lucinda Williams and Lainey Wilson.
The “Unbroken Circle” portion of the exhibit spotlights the musical connections of creators, such as their influences or those who share their musical perspectives. Featured pairings consist of Jessie Jo Dillon and Cindy Walker, C.J. Lewandowski and Bobby Osborne, Megan Moroney and Kacey Musgraves as well as Hailey Whitters and Martina McBride.
Additionally, “American Currents: State of the Music” includes a video compilation of important country music moments from the past year, and recaps the chart-topping country albums, singles and highest-grossing tours of 2023.
In support of the opening, the museum is hosting a Songwriter Session with Waldon this Saturday (March 2) and a Musician Spotlight with Lewandowski this Sunday (March 3).
For more information, click here.
Sam Bush and Vince Gill at the “American Currents: State of the Music” exhibit opening. Photo: John Shearer/Getty Images for Country Music Hall of Fame and Museum
Brandy Clark and Shane McAnally at the “American Currents: State of the Music” exhibit opening. Photo: Jason Kempin/Getty Images for Country Music Hall of Fame and Museum
Nat Myers, S.G. Goodman and Kelsey Waldon at the “American Currents: State of the Music” exhibit opening. Photo: Jason Kempin/Getty Images for Country Music Hall of Fame and Museum
Monique Ross and Chauntee Ross of SistaStrings at the “American Currents: State of the Music” exhibit opening. Photo: Jason Kempin/Getty Images for Country Music Hall of Fame and Museum
Martina McBride and Hailey Whitters at the “American Currents: State of the Music” exhibit opening. Photo: Jason Kempin/Getty Images for Country Music Hall of Fame and Museum
Russell Dickerson & Crew Celebrate Three No. 1 Hits
/by John Nix ArledgePictured (L-R): Laura Hostelley (Triple Tigers), Dave Collins (Triple Tigers), Diane Lockner (Triple Tigers), Casey Brown (SESAC), Hope Garrison (Triple Tigers), Julianna Vaughn (Triple Tigers), Russell Dickerson (BMI), Annie Ortmeier (Triple Tigers), Parker Welling (BMI), Kevin Herring (Triple Tigers), Raffaella Braun (Triple Tigers), Mackenzie Cooper (Triple Tigers). Photo: Thomas Heney
BMI brought Russell Dickerson and his team together on Monday afternoon (Feb. 26) to celebrate three chart-toppers “Every Little Thing,” “Love You Like I Used To” and “God Gave Me A Girl,” the latter marking the artist’s fifth and most recent No. 1 track.
Excitement and admiration filled the lobby of The Electric Jane as industry members eagerly awaited the celebration they had been anticipating since 2019 when “Every Little Thing” topped the charts. To kick things off, BMI’s Mason Hunter took the stage to welcome the crowd and share a few words about Dickerson’s impressive feat.
“When you’re busy and a rockstar and you rock with good people, you don’t celebrate one No. 1, you don’t celebrate two No. 1s, you celebrate three No. 1s,” he said, igniting a wave of applause among the crowd.
Hunter invited Dickerson, along with songwriters Casey Brown and Parker Welling, to the stage to commemorate the first two songs of the afternoon: “Every Little Thing” and “Love You Like I Used To,” produced by Brown and Dan Huff, respectively.
Pictured (L-R): Georgi Couri (Triple Tigers), Mackenzie Cooper (Triple Tigers), Annie Ortmeier (Triple Tigers), Blake Nixon (Triple Tigers), Ashley Gorley (ASCAP), Dave Collins (Triple Tigers), Raffaella Braun (Triple Tigers), Russell Dickerson (BMI), Kevin Herring (Triple Tigers), Chase McGill (BMI), Diane Lockner (Triple Tigers), Hope Garrison (Triple Tigers), Julianna Vaughn (Triple Tigers), Laura Hostelley (Triple Tigers). Photo: Thomas Heney
SESAC’s Lydia Schultz Cahill was the first ushered on stage to speak about the songwriters. Following Schultz were 3 Ring Circus’ Casey Le’Vasseur, Warner Chappell’s Spencer Nohe, Anthem’s Chandler Thurston, Home Team’s father-son duo Rhett Akins and Thomas Rhett, BMG’s Chris Oglesby and Concord’s Brad Kennard and Courtney Allen.
Welling’s husband and publisher, Nohe, expressed the full-circle moment that the party was commemorating. “I don’t take this for granted at all. It is always a miracle to have a No. 1 song, let alone to have three. To get to stand up here today to celebrate these three hits with my best friends and my wife–I am extremely grateful.”
Next, it was time for the songwriters to speak. Brown took the mic first saying, “I’m so grateful to be a part of these songs with some of my best friends. Thank you to my team, my publishers and my wife…none of this would have happened without her.”
Welling echoed Brown’s sentiment, “[Brown and Dickerson] are like brothers to me. I feel like we have grown up in this industry together, and it has been so fun. You guys, separately and together, are the safest room for me. Thank you for trusting me with your ideas.”
Lastly, Dickerson touted the songwriters, “It is so relaxing and safe to come in off the road after three shows in a row. Sometimes I have nothing left, but these guys take out their shovels and they help me dig deep inside of me when I am completely exhausted time after time again.”
Hunter took the stage once again to invite up the songwriters of the final track, “God Gave Me A Girl,” Ashley Gorley, Chase McGill and Zach Crowell, who was unable to attend. Hunter was also the first to speak about the songwriters, expressing his admiration for McGill’s work ethic and commitment to his family.
Pictured (L-R): LB Cantrell (MusicRow), Ashley Gorley, Russell Dickerson, Chase McGill, John Nix Arledge (MusicRow). Photo: Thomas Heney
ASCAP’s Mike Sistad was up next to boast Gorley’s many accolades. “Ashley Gorley, with 74 No. 1 songs, was NSAI’s Songwriter of the Decade, ACM’s Songwriter of the Year and Song of the Year recipient, NMPA’s Songwriter Icon and ASCAP Songwriter of the Year for 10 years,” he said, prompting a chorus of impressed gasps and applause from the crowd.
Following Sistad, Tape Room’s Kelly Bolton, UMPG Nashville’s Troy Tomlinson, Round Hill’s Lindsay Will, Sony Music Publishing’s Rusty Gaston, Studio Bank’s Kari Barnhart and Triple Tigers’ Kevin Harring and Annie Ortmeier offered their congratulations to the artist, songwriters and their teams.
Gorley was the first songwriter to speak. He thanked his team and the wives of the group saying, “To be able to be married to amazing women definitely contributed to this song. I wanted to thank them for their contribution to the [writing] room that day.”
McGill then took the mic and joked saying he would make it quick as he and his wife got a babysitter, and they had a steak dinner in their future. He then sincerely thanked his team, his fellow songwriters and the label who he described as, “mad scientists,” at getting songs up the charts.
Lastly, Dickerson closed out the event with a beaming smile by once again thanking the songwriters, his family and Triple Tigers. “This journey has been amazing,” he said. “Without your ‘mad scientist brains’ this would not have been possible. You guys guided me every step of the way. I want to honor every single person in the Triple Tigers family for taking these three songs to the top and making history.”
Red Street Records Adds Jess Loper & Amanda Roach, Promotes Sally Allgeier
/by Lorie HollabaughAmanda Roach, Jess Loper and Sally Allgeier
Red Street Records has added two new staffers, Jess Loper and Amanda Roach, and promoted Sally Allgeier.
Loper will assume the role of Vice President of A&R and Publishing for Red Street Christian. She was formerly VP of Brand Management for TobyMac’s Gotee Records and Publishing (Emack Music). After the tragic loss of former department head Don Koch, Loper joins the staff to fill the shoes of a Christian music legend.
Roach, a Long Island native and University of Central Florida grad, joins Red Street Records as Manager of Country A&R and Publishing. Roach formerly served as a Catalog Manager and A&R Coordinator at Warner Chappell Music, and now will report to Red Street’s Kelly King, Sr. Director of A&R and Publishing.
As Red Street Country’s Director of Field Promotion since 2022, Holy Cross College graduate Allgeier rises to National Director of Country Promotion. Reporting to the department’s SVP of Country Promotion Andy Elliot, Allgeier will lead the national radio strategy for the country roster.
“I couldn’t be more excited for the growth here at Red Street Records! Jess and Amanda will be fantastic additions to an already stellar team, and I’m eager to watch our very own Sally Allgeier excel in her new role. This is only the beginning for Red Street,” says Red Street Records CEO Jay DeMarcus.
“I couldn’t be more proud to elevate such a hard working, resilient team member like Sally,” says Red Street Records Owner and Chairman Dan Crockett. “She has grown tremendously in the two short years she’s been with Red Street and alongside industry powerhouse Jess Loper and rising star Amanda Roach, will be such an integral part of our continued success.”
Three Exit Warner Music Nashville
/by Liza AndersonThree Warner Music Nashville members have exited.
After two years as Publicity Manager and almost six years with Warner Music Nashville, Kristi Bradshaw has exited, along with Regional Manager, Midwest/Northeast Bridget Herrmann, who is currently looking for her next opportunity. She joined label in 2018 after stops with Crush Music and A&M/Octane.
WEA Regional Manager, Eastern Diane Monk has also left after more than nine years. She came to Warner Music Nashville in 2014 after serving as VP, Promotion at HitShop. Monk also previously spent 13 years at Arista, and worked in pop promotion at MCA and Columbia. “I’m proud of my accomplishments, including this week’s No. 1 song at country radio,” she says.
Bradshaw can be reached at kristibradsh@gmail.com, Herrmann can be reached at bridget.herrmann@gmail.com and Monk can be reached at dmonkharrison@icloud.com.
Grand Ole Opry Announces Opry NextStage Class Of 2024
/by Madison HahnenPictured (L-R): Kelly Sutton (Opry Announcer), Jamey Johnson, Isaac Gibson/49 Winchester, Josh Ross, Madeline Edwards, Lainey Wilson, Ella Langley, Anne Wilson and Chase Matthew. Photo: Chris Hollo
The Grand Ole Opry has revealed their next class of artists for their Opry NextStage program, presented by Tecovas. The class of 2024 includes 49 Winchester, Anne Wilson, Charles Wesley Godwin, Chase Matthew, Ella Langley, Flatland Cavalry, Josh Ross, Madeline Edwards and Wyatt Flores.
Opry NexStage alumni Lainey Wilson and Grand Ole Opry member Jamey Johnson announced the class of 2024 at a press conference from the Grand Ole Opry house.
“I’m so honored to be announcing the Opry NextStage program class of 2024,” says Wilson “As someone who was a part of the NextStage class in 2021, this is a full circle moment for me. I am such a huge fan of all of these artists, and I can’t wait to see where their musical journeys take them this year!”
Johnson offered some advice to the artists to stay true to themselves and stay on their own path. He said, “Listen to the spirit that led you to this point tonight and don’t ever stray from it.”
Throughout the year, the nine acts will receive dedicated support from Opry Entertainment Group and Tecovas. This will include featured original content, performances and promotion across platforms.
“At Tecovas, we believe music is an essential way to tap into the true spirit of the West,” said Gillian Kennedy, CMO at Tecovas. “We are honored to help connect rising talent with new fans and be the first boot sponsor and official presenter of Opry NextStage. There is no better venue for this mission than the legendary Grand Ole Opry and we can’t wait to watch these artists showcase their craft to the world.”
After launching in 2019, the Opry NextStage program has introduced rising talent to the country music fan base. Previous members include Riley Green, Parker McCollum, Tenille Townes, Wilson, Priscilla Block, Breland, Callista Clark, Travis Denning, Tegan Marie, Niko Moon, Restless Road, Jameson Rodgers, Elvie Shane, Nate Smith, Morgan Wade, Hailey Whitters and Yola.
Dylan Marlowe Defines Country Music At Exit/In
/by Madison HahnenDylan Marlowe. Photo: Jacob Powers
Rising country artist Dylan Marlowe brought his genre-defining lyrics and vocals to the Exit/In last week (Feb. 22). The Sony Music Nashville recording artist wowed the sold-out crowd from start to finish on the Nashville stop of his “Dirt Road When I Die Tour.”
Tyler Chambers opened the night up with his electrifying country sound. With his songs like “Loves Me Like A Small Town,” “Didn’t Love Her If You Didn’t” and “Roads I Go Down,” Chambers warmed up the country crowd instantly. He also covered classics such as “The Middle” by Jimmy Eat World and “Helluva Life” by Frankie Ballard. Chambers mentioned that it was the very first show he was playing with his band, marking a highlight of his growing career.
Dylan Marlowe. Photo: Jacob Powers
Marlowe came bursting onto the stage to the already buzzing crowd. The Georgia native started his set off with “I’ll Keep The Country,” which remained true throughout the whole night. After gaining the crowd in the palm of his hand, he continued the opening of his set with “Empty Shotgun” and “When I Look Back.”
“Nashville, y’all ready to party?” Marlowe asked into the mic. After hearing the roar of the crowd, he went into the track that helped launch his career, “Record High.” Following a buzzing performance, Marlowe continued the party with “Grew Up Country” and “Hungover In A Deer Stand,” both odes to the singer’s roots and exceptional vocal shows.
Before going into the next song, Marlowe shared, “The craziest part of Nashville is, I moved here five or six years ago and dreamed of playing rooms like this, so thank y’all so much for coming out here tonight.” The singer then went into a performance of “Last Night Lonely” by Jon Pardi, which Marlowe actually co-penned with Jimi Bell and Joe Fox. The dancing crowd then was treated to “You Did It Too” and “You Were Right,” where Marlowe showed off his country vocals again.
As the audience was already eagerly awaiting Marlowe’s next move, he started to say, “Well since this is a Nashville show, I feel like I have to bring out some of my buddies. Is that alright?” The room instantly filled with anticipation as country trio Restless Road came out on stage to cover “I Like It, I Love It” by Tim McGraw with Marlowe, where he perfectly blended in with the trio’s iconic harmonies. After Restless Road exited the stage, Marlowe continued with covers from his childhood, choosing “Good Directions” by Billy Currington. He also went into his slow ballad track “I Will (When You Do).”
Dylan Marlowe and Dylan Scott. Photo: Jacob Powers
After swooning the crowd with the ballad, it was time to “turn the party back up.” Marlowe went into his tracks “Why’d We Break Up Again” and “Dirt Road When I Die.”
“I feel like everything in my career is happening for a reason, it’s not because of me. It’s cause the good Lord is allowing me to do it. If you leave here tonight remembering one thing about this whole night, just remember I said that God is good,” he shared before going into his hit song “All About It.”
As Marlowe was getting ready for last part of his set, he started playing the opening lyrics to Taylor Swift‘s “Back To December.” After gauging the reaction of the excited crowd, he turned to his band and said, “Maybe we should play some Taylor Swift?” He and the band then delivered a brilliant pop-punk-esque cover of the song. Afterwards he went into “You See Mine.”
“Nashville, Tennessee! Thank y’all so much for coming out tonight. We got one more song left for y’all,” he exclaimed. As he prepared to go into his first ever single on country radio, “Boys Back Home,” he urged the crowd to sing as loud as they could—and they did. During the performance, country hitmaker Dylan Scott came out to help Marlowe on their collaboration.
Marlowe will continue his “Dirt Road When I Die Tour” through April with upcoming stops in Oklahoma, Texas, Arkansas, Minnesota, Wisconsin and Missouri.