Carly Pearce. Photo: Allister Ann
This listening session was loaded with goodies.
I’m a happy camper whenever real country music is on the menu. And that’s what we have today from George Ducas, Thomas Rhett, Mitchell Tenpenny and the surprisingly good Post Malone & Morgan Wallen duet. It’s also what Carly Pearce is presenting, and for her excellent work, she takes home the Disc of the Day prize.
The DISCovery Award goes to American Patchwork Quartet. The East Indian warbling of its expressive lead singer Falu segues quite nicely into minor-key mountain balladry.
WILLOW AVALON / “Hey There Dolly”
Writers: James Atkins/Tofer Brown/Willow Avalon; Producers: Tofer Brown/JR Atkins/Willow Avalon; Label: Assemble Sound/Atlantic
– Her pert soprano rides atop a steel-drenched, echo-chamber track. The sing-songy melody and cheesy production are simplistic, but oddly addictive. The gist of it is that she feels like she and Dolly could be best friends because, “I’ve got big titties and a big heart too,” and “I’m just like you.” Willow Avalon (what a great name) plays the Brooklyn Bowl on June 1 and is opening for the Nashville rock band Cage the Elephant on tour this summer.
THOMAS RHETT / “Beautiful As You”
Writers: Alexander Izquierdo/Jacob Kasher Hindlin/John Henry Ryan/Joshua Emanuel Coleman/Julian Bunetta/Thomas Rhett/Zaire Kelsey; Producers: Julian Bunetta/John Ryan/Ammo/Dann Huff; Label: The Valory Music Co.
– This lively little bopper is a perfect summertime jam, and he sings it with a smile. She’s so out of his league that he marvels about her loving him. Rhett is scheduled to debut the tune on tonight’s ACM Awards show.
AMERICAN PATCHWORK QUARTET / “Shenandoah”
Writers: Clay Ross/Falguni Shah; Producers: none listed; Label: 2024 Carolina Jasmine, Inc.
– Clay Ross (guitar), Falu (vocals), Yasushi Nakamura (bass) and Clarence Penn (drums) come from four different ethnic heritages. They celebrate American diversity on an album comprised of traditional Appalachian folk songs (”Wayfaring Stranger,” “Pretty Saro,” “Beneath the Willow,” etc.). Their languid take on this lovely ballad is utterly entrancing. Stay tuned: this wonderfully individualistic band plays the Opry on June 18.
CARLY PEARCE / “Fault Line”
Writers: Carly Pearce/Jordan Reynolds/Nicole Galyon/Shane McAnally; Producers: Shane McAnally/Josh Osborne/Carly Pearce; Label: Big Machine Records
– Hallelujah! Carly reminds us all what a really cool, traditional country song sounds like. This depiction of a crumbling marriage is packed with playful lyric details as it two-steps merrily across the country dance floor. Loved it. Loved it. Loved it.
THE WAR AND TREATY / “Leads Me Home”
Writers: Michael Trotter Jr./Tanya Trotter; Producer: Michael Trotter Jr.; Label: UMG Nashville
– This always-inspiring duo wades into the comforting waters of gospel on this heart-in-throats performance. This is forever true: when they sing, they send shivers up my spine. And they make me proud to be a country fan.
GEORGE DUCAS / “Drifter”
Writers: George Ducas/Jacob Lyda; Producer: Pete Anderson; Label: Loud Ranch/Xstream Music Group
– Telecaster twang, steel sighs, fiddle embellishments, honky-tonk attitude and a rolling California-country vibe are the calling cards of this uber cool “road” song. Absolutely essential listening. Mellow-voiced Ducas is a proven hit songwriter, both for himself and for others (Garth, the Chicks, Jones, Yearwood).
KYLIE MORGAN / “Scratching the Surface (Mama’s Song)”
Writers: Kylie Morgan/Sam DeRosa; Producer: KK Johnson; Label: EMI Nashville
– This is a sweet, sentimental Mama song. The daughter realizes that her mother is now an empty nester, so she encourages her to go out and shine for herself.
POST MALONE & MORGAN WALLEN / “I Had Some Help”
Writers: Ashley Gorley/Austin Post/Chandler Paul Walters/Ernest Smith/Hoskins/Louis Bell/Morgan Wallen/Ryan Vojtesak; Producers: Louis Bell/Charlie Handsome/Hoskins; Label: Mercury Records/Republic Records
– A rollicking party record, with both vocalists sounding authentically and totally hillbilly. When you are totally screwing up out on the town, “it ain’t like I can make this mess all by myself.” The rowdy friends sound like they are along for the ride.
JULIA CANNON / “These Dreams”
Writer: Julia Anne Lucille Cannon; Producer: Julia Anne Lucille Cannon; Label: JC
– Witty, retro, quirky and groovy, with a jazzy, wafting, girl-group vibe. The video is essential. Also check out her equally clever “Day 2 Day.”
BLESSING OFFOR & DOLLY PARTON / “Somebody’s Child”
Writers: Blessing Offor/Josh Ronen/Joy Williams; Producer: Josh Ronen; Label: Bowyer and Bow
– Offor is a blind, Black, two-time Dove Award winning pianist-songwriter who can shake you to your core with his soulful singing. Put him together with the inspirational Parton and a gospel choir and you have a heart-stopping, electrifying moment of audio bliss. If this doesn’t melt your heart, you haven’t got one.
MITCHELL TENPENNY / “Not Today”
Writers: Chris DeStefano/Claire Douglas/Michael Whitworth/Mitchell Tenpenny; Producers: Mitchell Tenpenny/Jordan Schmidt; Label: Riser House Entertainment/Columbia Nashville
– Getting over a broken heart has never rocked more splendidly than this. Tenpenny’s soft, furry vocal delivery turns into a shout of liberation as this tempo tune swings into its frothing choruses. He’ll get over her, all right, but just not right this moment.
EXILE / “After You”
Writers: James Pennington/Paul Jefferson/Sonny Lemaire; Producers: Sonny Lemaire/James Pennington; Label: Clearwater Records
– This band is so enduringly catchy and hooky. This nifty little ditty has a certain country-Beatles vibe that is totally delightful. I remain a longtime fan.
Nashville Takes Over Texas For ACM Awards Week 2024
/by Madison HahnenLainey Wilson & Jelly Roll. Photo: Catherine Powell
A multitude of country singers, songwriters and industry professionals have been partying in Texas for ACM Week, leading up to tonight’s (May 16) 59th annual ACM Awards.
On Wednesday (May 15), the Grand Ole Opry hosted the “Opry NextStage Live From Texas” at the Lava Cantina in Frisco. The sold-out show was hosted by Jelly Roll, who is nominated for four awards tonight. The event featured performances from Anne Wilson, Chase Matthew, Ella Langley, Flatland Cavalry, Madeline Edwards and Wyatt Flores, all of whom are members of this year’s Opry NextStage class.
Opry NextStage alums Restless Road and Tenille Townes also performed. As did Lainey Wilson, who notched four nominations this year.
Pictured (L-R, Back Row): Colton Pake and Zach Beeken of Restless Road, Chase Matthew, Wyatt Flores, Jelly Roll, Jason Albers, Celto Cordero & Reid Dilllon of Flatland and Ian Munsick. (L-R, Front Row): Garrett Nichols (Restless Road), Ella Langley, Madeline Edwards, Anne Wilson, Wesley Hall, Adam Gallegos & Jonthan Saenz of Flatland and Tenille Townes. Photo: Catherine Powell
Tuesday night (May 14) brought the 2024 Billboard Country Power Players Awards at Gilley’s in Dallas. The event honored influential players in country music. Wilson was presented with the Record Breaker award, newly-crowned New Male Artist of the Year Nate Smith earned the Rookie of the Year honor, Linda Martell received the Legend Award, Groundbreaker went to The War & Treaty and Big Loud’s Seth England was honored with Executive of the Year.
“As country music reaches new heights in popularity, we were thrilled to bring this event to Dallas for the first time celebrating the biggest power players in country music,” said Melinda Newman, Executive Editor of Billboard, West Coast and Nashville. “It’s our privilege to highlight the tremendous talent in this genre and celebrate it alongside one of the biggest weeks in country music history.”
Additional celebrations were in store for Shaboozey for hitting No. 1 on Billboard’s Hot Country Songs Chart with “A Bar Song (Tipsy)” and WME’s Jay Williams with the Billboard Country Power Players’ Choice Award.
Ashley Gorley & Nate Smith. Photo: Gilbert Flores
Also on Tuesday night, Parker McCollum, who already won an ACM award this year for Visual Media of the Year, hosted a pre-party at The Lincoln Experience Center in Frisco. Attendees heard performances from McCollum, Scotty McCreery and Hannah Ellis.
“If someone had told me years ago that I would be celebrating my own collection with Lucchese alongside two ACM nominations in my very own backyard of Texas, I would not have believed it,” said McCollum. “It’s so humbling to be doing what I love with the people I love, and my Lucchese family has played a significant role in making that happen.”
Earlier on Tuesday, Breland hosted the first ever “Charley Pride Celebration of Inclusion Brunch” at the Omni PGA Frisco Resort in Frisco. The inaugural event celebrated 16 honorees for their work championing diversity in country music.
Breland. Photo: Courtesy of SSM&L
The class of honorees included Alice Randall, Alicia Warwick, Armand Hutton, Dion Pride & Mrs. Rozene Pride, Kortney Toney, Reyna Roberts, Rissi Palmer, Shannon Sanders, The War and Treaty, Tiera Kennedy, Wendy Moten and Willie “Prophet” Stiggers.
Sanders took the stage to honor Pride and his family, including his son Dion and widow Rozene.
The 59th ACM Awards will stream live on Thursday, May 16. Hosted by Reba McEntire, the show will feature live performances from Jason Aldean, Kane Brown, Jelly Roll, Cody Johnson, Miranda Lambert, Post Malone, Parker McCollum, Thomas Rhett, Chris Stapleton, Lainey Wilson and more. See a full list of nominees here.
Willie & Annie Nelson To Release Cannabis Cookbook
/by Lorie HollabaughWillie Nelson and his wife Annie are sharing some of their favorite cannabis-infused recipes in their new cookbook, Willie & Annie Nelson’s Cannabis Cookbook: Mouthwatering Recipes And The High-Flying Stories Behind Them, set for release on Nov. 12 via Gallery Books.
Drawn from meals the couple has enjoyed on tour, at their ranch, at home and in their favorite cities, the recipes are accompanied by the country legend’s personal food-related stories.
Co-authored by David Ritz, Mia Tangredi and Chef Andrea Drummer, the cookbook includes dishes ranging from buffalo wings to chocolate cake and fried chicken as well as a chapter dedicated to cannabis-infused base ingredients, such as cannabutter, finishing oil, simple syrups, sugars, salts and tinctures. It also provides a comprehensive guide for both novice and experienced cannabis consumers.
“Over a lifetime of study, I learned that pot is more than pleasure. Its positive properties are limitless,” writes Willie in the cookbook. “It’s a blessing and a blast. It’s good fuel. Together with Chef Drummer, one of the most celebrated cannabis chefs, and my wife, Annie, the most celebrated chef in our home, I’m excited to help you to cook up a whole mess of wholesome meals.”
Music Biz 2024 Day Three Includes Bizzy Awards, Metadata Summit, More
/by Madison HahnenPortia Sabin. Photo: Jason Mallory
The Music Business Association continued Music Biz 2024 with a busy day three on Wednesday (May 15). Attendees were treated to more roadshow panels, tracks, the Metadata Summit and more throughout the day. At night, the industry gathered for the 2024 Bizzy Awards.
The Metadata Summit kicked off its 13th year with the keynote session “Collaboration on a Global Scale: Metadata Solutions to Increase Efficiency Worldwide.” In a conversation led by Susan Butler of Music Confidential, Mark Krajewski from PRS for Music, Declan Rudden from CISAC and Kim Beauchamp from Universal Music Group explored how to increase metadata efficiency worldwide. They also introduced a new plan to issue provisional ISWC codes to improve the speed and permanence of linking recording data to work data.
Metadata Summit – Keynote Session – “Collaboration on a Global Scale: Metadata Solutions to Increase Efficiency Worldwide.” Photo: Jason Mallory
Continuing the metadata day, Caroline Champarnaud from SACEM, Paul Gills from SoundExchange/SX Works, Mick Hayes from ICE, Harmen Hemminga from Downtown Music Group, Abby North from North Music Group, Alan Jennings from Amazon and Melanie Santa Rosa from Word Collections joined OpenPlay’s Jonathan Bender for a panel discussion regarding the plan introduced during the keynote session.
Metadata Summit – “Practitioners Perspective: Power Users’ Plans & Building Support Infrastructure.” Photo: Jason Mallory
Metadata was not the only topic explored throughout the day. Back on the theme of AI from the previous days, Andrea Gleeson of Tunecore moderated the AI Keynote Interview “Artificial Intelligence, Concrete Results: Music’s Next Uncharted Frontier,” featuring Meng Ru Kuok of BandLab Technologies.
“Artificial Intelligence, Concrete Results: Music’s Next Uncharted Frontier” – Keynote Conversation. Photo: Jason Mallory
In keynote conversation “The Greatest Good: Social Impact Is Good for Business,” Founder & President of Hopeless Records Louis Posen sat down with singer-songwriter Lachi of RAMP. The two explored Posen’s career journey, as well as The Hopeless Foundation, a 501C3 nonprofit organization focused on connecting music to important causes and initiatives.
“The Greatest Good: Social Impact Is Good for Business” – Keynote Conversation. Photo: Jason Mallory
Florian Drücke of Bundesverband Musikindustrie e.V., Steven Frank of SiriusXM, Priyanka Khimani of Khimani & Associates, Morgan Hayduk of Beatdapp and Dan Runcie of Trapital sat down for a panel conversation around the topic of fraud in the music industry. In the “31 Flavors of Fraud: The 2024 Version” panel, they talked about their own personal experiences with fraud and how you can protect yourself from it.
“Music Security Summit: Tackling Fraud in All Forms – 31 Flavors of Fraud: The 2024 Version.” Photo: Jason Mallory
Day three wrapped up with the 2024 Bizzy Awards dinner, hosted by Gina Miller, SVP & GM of MNRK Music Group. Award recipients include Cameo Carlson of mtheory, Larry Miller of New York Univeristy, Dae Bogan of The MLC and more. Click here for a full recap of the event.
Members of The MLC at the 2024 Bizzy Award Winners. Photo: Jason Mallory
Other day three panels included “SoundCloud’s Secret Sauce: The Behind-The Scenes of a Viral Track,” “Hit-making in 2024: Unique Journeys to the Top of the Charts” and more. Tracks for day three included “Glocals Only,” “Let’s Talk Physical,” “Streaming 2.0” and more.
Music Biz 2024 will conclude today (May 16) with panels featuring executives from SESAC, D Tour, Downtown Music and more. Tracks for the final day of programming include “Past, Publish, Future,” “Backstage 2.0,” “Disrupting The Norm” and more. The final day will also feature “Women in the Room: Music Biz Leadership Roundtables.”
BMI’s ‘Rooftop On The Row’ Series Showcases Jackson Dean & Mae Estes
/by Liza AndersonJackson Dean performing at BMI’s “Rooftop On The Row” series event. Photo: Aubrey Wise for BMI
BMI showcased Big Machine Label Group artists Jackson Dean and Mae Estes for its second “Rooftop On The Row” event of the year on Tuesday (May 14).
Mae Estes performing at BMI’s “Rooftop On The Row” series event. Photo: Aubrey Wise for BMI
Stormy weather did not impede the performances as over 500 industry professionals gathered at BMI’s Nashville office for live music and drinks provided by the evening’s sponsors Delta Air Lines, ONErpm, Texas Roadhouse, Topo Chico, White Claw and Gallagher Insurance.
After a set from DJ Smoke, BMI’s Mason Hunter welcomed Estes to the stage. The emerging songstress belted her breakout tune “Thinkin’ Bout Cheatin,'” along with her new single “What I Shoulda Done,” before closing with a unique rendition of Jessie J’s hit “Bang Bang.”
It was then Dean’s turn to take the mic. The rising singer-songwriter started his set with “Trailer Park” before moving into “Big Blue Sky” and “Heavens To Betsy.” Keeping the everyone on their feet for over an hour, he treated the crowd to tracks like “1971” before capping the night off with his chart-topper “Don’t Come Lookin’.”
Presented by George Dickel, the “Rooftop On The Row” series will return on July 16 with Ella Langley and Redferrin, followed by Josh Ross and Lauren Watkins on Aug. 13. The final event on Sept. 17 will officially kick off AmericanaFest. Those set to perform will be announced soon.
Pictured (L-R): BMI’s Clay Bradley, Nina Carter, Leslie Roberts, Jackson Dean, Mae Estes, BMI’s MaryAnn Keen, Claire Dodelin and Josh Tomlinson. Photo: Aubrey Wise for BMI
DISClaimer Single Reviews: Carly Pearce Delivers ‘Cool, Traditional Country Song’
/by Robert K OermannCarly Pearce. Photo: Allister Ann
This listening session was loaded with goodies.
I’m a happy camper whenever real country music is on the menu. And that’s what we have today from George Ducas, Thomas Rhett, Mitchell Tenpenny and the surprisingly good Post Malone & Morgan Wallen duet. It’s also what Carly Pearce is presenting, and for her excellent work, she takes home the Disc of the Day prize.
The DISCovery Award goes to American Patchwork Quartet. The East Indian warbling of its expressive lead singer Falu segues quite nicely into minor-key mountain balladry.
WILLOW AVALON / “Hey There Dolly”
Writers: James Atkins/Tofer Brown/Willow Avalon; Producers: Tofer Brown/JR Atkins/Willow Avalon; Label: Assemble Sound/Atlantic
– Her pert soprano rides atop a steel-drenched, echo-chamber track. The sing-songy melody and cheesy production are simplistic, but oddly addictive. The gist of it is that she feels like she and Dolly could be best friends because, “I’ve got big titties and a big heart too,” and “I’m just like you.” Willow Avalon (what a great name) plays the Brooklyn Bowl on June 1 and is opening for the Nashville rock band Cage the Elephant on tour this summer.
THOMAS RHETT / “Beautiful As You”
Writers: Alexander Izquierdo/Jacob Kasher Hindlin/John Henry Ryan/Joshua Emanuel Coleman/Julian Bunetta/Thomas Rhett/Zaire Kelsey; Producers: Julian Bunetta/John Ryan/Ammo/Dann Huff; Label: The Valory Music Co.
– This lively little bopper is a perfect summertime jam, and he sings it with a smile. She’s so out of his league that he marvels about her loving him. Rhett is scheduled to debut the tune on tonight’s ACM Awards show.
AMERICAN PATCHWORK QUARTET / “Shenandoah”
Writers: Clay Ross/Falguni Shah; Producers: none listed; Label: 2024 Carolina Jasmine, Inc.
– Clay Ross (guitar), Falu (vocals), Yasushi Nakamura (bass) and Clarence Penn (drums) come from four different ethnic heritages. They celebrate American diversity on an album comprised of traditional Appalachian folk songs (”Wayfaring Stranger,” “Pretty Saro,” “Beneath the Willow,” etc.). Their languid take on this lovely ballad is utterly entrancing. Stay tuned: this wonderfully individualistic band plays the Opry on June 18.
CARLY PEARCE / “Fault Line”
Writers: Carly Pearce/Jordan Reynolds/Nicole Galyon/Shane McAnally; Producers: Shane McAnally/Josh Osborne/Carly Pearce; Label: Big Machine Records
– Hallelujah! Carly reminds us all what a really cool, traditional country song sounds like. This depiction of a crumbling marriage is packed with playful lyric details as it two-steps merrily across the country dance floor. Loved it. Loved it. Loved it.
THE WAR AND TREATY / “Leads Me Home”
Writers: Michael Trotter Jr./Tanya Trotter; Producer: Michael Trotter Jr.; Label: UMG Nashville
– This always-inspiring duo wades into the comforting waters of gospel on this heart-in-throats performance. This is forever true: when they sing, they send shivers up my spine. And they make me proud to be a country fan.
GEORGE DUCAS / “Drifter”
Writers: George Ducas/Jacob Lyda; Producer: Pete Anderson; Label: Loud Ranch/Xstream Music Group
– Telecaster twang, steel sighs, fiddle embellishments, honky-tonk attitude and a rolling California-country vibe are the calling cards of this uber cool “road” song. Absolutely essential listening. Mellow-voiced Ducas is a proven hit songwriter, both for himself and for others (Garth, the Chicks, Jones, Yearwood).
KYLIE MORGAN / “Scratching the Surface (Mama’s Song)”
Writers: Kylie Morgan/Sam DeRosa; Producer: KK Johnson; Label: EMI Nashville
– This is a sweet, sentimental Mama song. The daughter realizes that her mother is now an empty nester, so she encourages her to go out and shine for herself.
POST MALONE & MORGAN WALLEN / “I Had Some Help”
Writers: Ashley Gorley/Austin Post/Chandler Paul Walters/Ernest Smith/Hoskins/Louis Bell/Morgan Wallen/Ryan Vojtesak; Producers: Louis Bell/Charlie Handsome/Hoskins; Label: Mercury Records/Republic Records
– A rollicking party record, with both vocalists sounding authentically and totally hillbilly. When you are totally screwing up out on the town, “it ain’t like I can make this mess all by myself.” The rowdy friends sound like they are along for the ride.
JULIA CANNON / “These Dreams”
Writer: Julia Anne Lucille Cannon; Producer: Julia Anne Lucille Cannon; Label: JC
– Witty, retro, quirky and groovy, with a jazzy, wafting, girl-group vibe. The video is essential. Also check out her equally clever “Day 2 Day.”
BLESSING OFFOR & DOLLY PARTON / “Somebody’s Child”
Writers: Blessing Offor/Josh Ronen/Joy Williams; Producer: Josh Ronen; Label: Bowyer and Bow
– Offor is a blind, Black, two-time Dove Award winning pianist-songwriter who can shake you to your core with his soulful singing. Put him together with the inspirational Parton and a gospel choir and you have a heart-stopping, electrifying moment of audio bliss. If this doesn’t melt your heart, you haven’t got one.
MITCHELL TENPENNY / “Not Today”
Writers: Chris DeStefano/Claire Douglas/Michael Whitworth/Mitchell Tenpenny; Producers: Mitchell Tenpenny/Jordan Schmidt; Label: Riser House Entertainment/Columbia Nashville
– Getting over a broken heart has never rocked more splendidly than this. Tenpenny’s soft, furry vocal delivery turns into a shout of liberation as this tempo tune swings into its frothing choruses. He’ll get over her, all right, but just not right this moment.
EXILE / “After You”
Writers: James Pennington/Paul Jefferson/Sonny Lemaire; Producers: Sonny Lemaire/James Pennington; Label: Clearwater Records
– This band is so enduringly catchy and hooky. This nifty little ditty has a certain country-Beatles vibe that is totally delightful. I remain a longtime fan.
Music Business Association Names 2024 Bizzy Award Winners
/by Lorie HollabaughPictured (L-R): Music Business Association President Portia Sabin, Music Biz 2024 Presidential Award winner Cameo Carlson and MNRK Music Group SVP & GM Gina Miller. Photo: Jason Mallory
The Music Business Association crowned its winners during the third annual Bizzy Awards dinner on May 15, with Cameo Carlson of mtheory receiving the Presidential Award for Outstanding Executive Achievement.
Hosted by Gina Miller, SVP & GM of MNRK Music Group, at the JW Marriott Nashville, this year marks the third time that nominations for the Association’s awards program were crowd-sourced, allowing the music business to recognize companies and peers who are making a difference in improving the global industry.
Additional 2024 Bizzy Award winners:
– Frontline Innovator Award: Electric Fetus, Minneapolis, MN
For a retail store who showed exceptional inventiveness and ingenuity in their practices during the past year in their interactions with consumers.
– Music Business Educator of the Year Award: Larry Miller, NYU Steinhardt Music Business Program, New York University
Celebrates a music business educator who inspires students to enter the music business.
– Leading Light Award: Andreea Gleeson, TuneCore
For a company or executive that has supported their staff via internal initiatives aimed at improving mental health & well-being and work/life balance.
– Marketing Superstar Award: De La Soul, A.O.I. LLC, distributed by Chrysalis Records & Reservoir
For a marketing campaign that was innovative and thought provoking. Candidates can be from any sector of the industry, and campaigns can be physical or virtual.
– Maestro of Metadata Award: Dae Bogan, Mechanical Licensing Collective (The MLC)
For a company or executive who has made a significant impact in the area of data processing, credit clarification, streamlining or otherwise promoting clean data and best practices.
– Impact Award for Technological Excellence: The Mechanical Licensing Collective (The MLC)
– #NEXTGEN_NOW One to Watch Award: Jorge Brea, Symphonic
For an executive under 40 whose work (professional and/or volunteer) has been exceptional, innovative, and stands out as a contribution to the industry.
– Agent of Change Award: Keychange U.S.
For a company that exemplifies a commitment to diversity, equity and inclusion in their hiring practices, executive development, and promotion structure.
Dolly Parton & Krispy Kreme Team Up For New Southern Sweets Collection
/by Lorie HollabaughDolly Parton and Krispy Kreme have teamed up to bring fans the Southern Sweets Doughnut Collection.
Available now for a limited time at participating Krispy Kreme shops, the collection features a a custom dozens box and four new flavors: the Dolly Dazzler Doughnut, an original glazed doughnut dipped in strawberry icing, with gold, pink and white glitter sprinkles and a signature chocolate butterfly piece; Peachy Keen Cobbler Doughnut, an unglazed doughnut with real peach filling, dipped in brown sugar icing and crunchy cobbler topping; Banana Puddin’ Pie, an unglazed doughnut filled with banana pudding made with wafers and banana pudding Kreme, dipped in yellow icing, with white icing swirls and a wafer cookie; and Chocolate Crème Pie, an original glazed doughnut topped with a swirl of chocolate brownie cream and vanilla whipped topping, sprinkled with chocolate cookie crumble.
“Having some of my very favorite southern flavors in one, unique doughnut collection from Krispy Kreme is so special to me,” says Parton. “These doughnuts remind me of home. So, I’m excited for folks to share them with their own family and friends. They’re pretty sweet, if I do say so myself!”
To help celebrate the introduction of the Southern Sweets Doughnut Collection, Krispy Kreme is inviting everyone to get “Dolly’d Up” and visit shops this Saturday (May 18). Anyone wearing a Parton-inspired wig or their favorite merch will receive a free original glazed doughnut. Fans can also receive a free original glazed doughnut by singing one of the icon’s tunes.
“Krispy Kreme and Dolly Parton have a special thing in common–we both love to share joy! It was a joy– and an honor–to collaborate with Dolly to create her signature doughnut collection,” says Dave Skena, Global Chief Brand Officer, Krispy Kreme. “These doughnuts are going to dazzle and delight fans just like Dolly herself.”
Additionally, a Krispy Kreme six-pack featuring the Dolly Dazzler Doughnut, Banana Puddin’ Pie and Chocolate Crème Pie Doughnut will be delivered fresh daily to select grocery stores for a limited time.
Luke Combs, Miranda Lambert & More Featured On Forthcoming ‘Twisters: The Album’
/by Liza AndersonTwisters: The Album, the musical companion to the forthcoming new version the 1996 blockbuster Twister, will feature songs recorded by Luke Combs, Miranda Lambert, Jelly Roll, Lainey Wilson, Kane Brown, Thomas Rhett, Bailey Zimmerman, Shania Twain and Breland, Megan Moroney, Conner Smith, Tucker Wetmore, Tanner Adell, Tyler Childers, Warren Zeiders and more.
The 29-track collection will be available on July 19, via Atlantic Records, in conjunction with the film’s release. The opening tune, Combs’ “Ain’t No Love In Oklahoma,” is out now.
The movie stars Daisy Edgar-Jones, Glen Powell, Anthony Ramos and an ensemble cast that includes Brandon Perea, Maura Tierney and Sasha Lane, among others. Like the original, Twisters follows a group of storm chasers who come together to try to predict, and possibly tame, the immense power of tornadoes.
Twisters: The Album was produced and overseen by Atlantic Records’ West Coast President Kevin Weaver. The soundtrack was also produced by Atlantic Records’ EVP & Co-Head of Pop/Rock A&R Brandon Davis, SVP of A&R Ian Cripps and SVP of A&R and Marketing Joseph Khoury. Additional producers and supervisors involved in the project include Universal Pictures’ EVP, Film Music Rachel Levy and NBCUniversal’s President, Music & Publishing Mike Knobloch as well as Twisters Director Lee Isaac Chung and Twisters Executive Producer Ashley Jay Sandberg.
Twisters: The Album Track Listing:
1. Luke Combs – “Ain’t No Love In Oklahoma”
2. Miranda Lambert – “Ain’t In Kansas Anymore”
3. Conner Smith – “Steal My Thunder (feat. Tucker Wetmore)”
4. Thomas Rhett – “Feelin’ Country”
5. Warren Zeiders – “The Cards I’ve Been Dealt”
6. Megan Moroney – “Never Left Me”
7. Lainey Wilson – “Out of Oklahoma”
8. Bailey Zimmerman – “Hell Or High Water”
9. Jelly Roll – “Dead End Road”
10. Kane Brown – “Country Classic”
11. Sam Barber – “Tear Us Apart”
12. Tyler Childers – “Song While You’re Away”
13. Tucker Wetmore – “Already Had It”
14. Leon Bridges – “Chrome Cowgirl”
15. Benson Boone – “Death Wish Love”
16. Shania Twain & Breland – “Boots Don’t”
17. Dylan Gossett – “Stronger Than A Storm”
18. Lanie Gardner – “Chasing The Wind”
19. Jelly Roll – “Leave The Light On (feat. Alexandra Kay)”
20. Wyatt Flores & Jake Kohn – “Before I Do”
21. The Red Clay Strays – “Caddo County”
22. Tanner Usrey – “Blackberry Wine”
23. Tanner Adell – “Too Easy”
24. Mason Ramsey – “Shake Shake (All Night Long)”
25. Tyler Halverson – “New Loop”
26. Flatland Cavalry – “Touchdown”
27. Nolan Taylor – “Driving You Home”
28. Wilderado, Ken Pomeroy, & James McAlister – “Wall of Death”
29. Charley Crockett – “(Ghost) Riders In The Sky”
Sun Label Group Launches In Nashville
/by Lorie HollabaughPaul Sizelove, President of Sun Label Group. Photo: Donny Evans
Sun Label Group has officially launched under its parent company, Primary Wave Music. The venture brings together the historic legacies and individual successes of Sun Records, Gaither Music, Green Hill Music, Rural Rhythm and Emeraldwave by Green Hill.
Paul Sizelove will oversee Sun Label Group as President, with each of the labels retaining their unique structure, individuality and respective teams. In addition to leading Sun Label Group, Sizelove will continue to spearhead day-to-day operations as President of Gaither Music Group. Blake Davis will also remain in his role as General Manager of Green Hill Music.
Gaither Music artist Rory Feek. Photo: Donny Evans
Sun Label Group is deeply rooted in the rich history of its constituent labels. With a combined musical past spanning 160 years, the group comprises the iconic Sun Records, renowned for its pivotal role in the birth of rock ‘n’ roll, as well as the gospel melodies and multimedia platforms of Gaither Music, the diversity of repertoire from jazz through Americana at Green Hill Music, the deep bluegrass catalog of Rural Rhythm and the ambient and relaxing sounds of Emeraldwave by Green Hill.
“As we launch Sun Label Group, we stand at the crossroads of musical heritage and innovation,” said Sizelove. “This venture isn’t just about celebrating 160 years of extraordinary sound; it’s about forging a future where music continues to inspire, connect, and evolve. Our rich legacy across Sun Records, Gaither Music, Green Hill Music, Rural Rhythm, and Emeraldwave by Green Hill is just the beginning. The future of music starts here, and we look forward to developing new partnerships as we create new art, broaden our reach, and adapt to the ever-changing ways that people enjoy music.”
Sun Records artist Ruthie Foster. Photo: Donny Evans
To celebrate the launch, Sun Label Group held a party at Ole Smoky Distillery in Nashville on Tuesday night, (May 14.) The evening was emceed by Rory Feek, an artist from the Gaither Music family, who performed a heartfelt song to set the tone and kick things off for the night.
Jazz musician and songwriter Dara Starr Tucker, who won acclaim for co-writing the title track to blues and Americana artist Keb Mo’s Grammy-winning Oklahoma, performed during the celebration. Shawna Thompson from country duo Thompson Square also performed some material from her upcoming debut solo album, Lean on Neon, set to release on Sun Records in September. Tyler Bryant & the Shakedown served as the backing band for the Sun Records artists, offering up a spirited jam of “That’s All Right,” paying homage to the legendary Elvis Presley and the musical origins of Sun Records.
Ruthie Foster brought her rich blend of gospel, blues, and American roots music to the stage, including songs from her upcoming album, Mileage, produced and co-written with Bryant and his wife Rebecca Lovell (one half of the duo Larkin Poe) and set to release on Sun Records in August. ZZ Ward also delivered a compelling blues set, offering a glimpse into her forthcoming EP and full-length album on Sun. Her collaboration with Slash on an upcoming blues tour will bring her distinctive sound to even broader audiences.
More Early ACM Award Winners Announced
/by LB CantrellParker McCollum accepts the ACM Visual Media of the Year Award for “Burn it Down” at “ACM Lifting Lives LIVE: Parker McCollum and Friends.” Photo: Courtesy of ACM
Winners for the ACM Artist-Songwriter of the Year, Songwriter of the Year and Visual Media of the Year awards were revealed at various ACM Awards events on Wednesday (May 15) in advance of the show tonight (May 16) at The Star in Frisco, Texas.
Chris Stapleton was named the ACM Artist-Songwriter of the Year, marking his 17th award from the organization. The reigning ACM Entertainer of the Year has four additional nominations going into tonight’s show.
Jessie Jo Dillon was crowned the ACM Songwriter of the Year. Having previously been nominated as a songwriter on Dan + Shay with Justin Bieber’s “10,000 Hours” and Cole Swindell’s “Break Up In The End,” this is Dillon’s first ACM Award win.
Parker McCollum won his second ACM Award, this time for ACM Visual Media of the Year for his music video for “Burn It Down.” The video was produced by Christen Pinkston and Wesley Stebbins-Perry, and directed by Dustin Haney. McCollum was surprised with the win on stage by Old Dominion during his headlining performance set at the ACM Lifting Lives benefit concert last night.
The three join other early ACM Award winners Megan Moroney, Nate Smith and Tigirlily Gold.
The 59th ACM Awards will stream live on Thursday, May 16. Hosted by Reba McEntire, the show will feature live performances from Jason Aldean, Kane Brown, Jelly Roll, Cody Johnson, Miranda Lambert, Post Malone, Parker McCollum, Thomas Rhett, Chris Stapleton, Lainey Wilson and more. See a full list of nominees here.