NaSHOF Announces New Inductees

Clockwise: Stephen Foster, Pat Alger, Steve Cropper, Paul Davis

Nashville Songwriters Hall Of Fame To Induct Pat Alger, Steve Cropper, Paul Davis and Stephen Foster

Nashville Songwriters Hall of Fame Foundation (NaSHOF) has announced this year’s inductees for the Nashville Songwriters Hall of Fame: From the Songwriter category, hit writers Pat Alger and Steve Cropper; From the Songwriter/Artist category, the late Pop/Country star Paul Davis; and by special induction, America’s first professional songwriter Stephen Foster.

The four new inductees will be welcomed into the elite songwriting fraternity by their peers at the 40th Anniversary Nashville Songwriters Hall of Fame Dinner & Induction Ceremony, presented by AT&T, on Sunday, October 17, at the Renaissance Nashville Hotel.

“Pat, Steve, Paul and certainly Mr. Foster have all written remarkable songs that we’ve lived our lives by through the years, and all of them are so deserving as Hall of Fame inductees,” said Roger Murrah, Chairman of the Nashville Songwriters Hall of Fame Foundation. “Stephen Foster was writing songs before we even had genres.”

Alger’s songwriter credits include hits such as “Goin’ Gone” (Kathy Mattea) and “The Thunder Rolls” (Garth Brooks). Cropper’s resume is known for Pop/R&B classics such as “(Sittin’ On) The Dock Of The Bay” (Otis Redding) and “In The Midnight Hour” (Wilson Pickett). Davis popularized many of his own compositions, “I Go Crazy” and “Sweet Life.” Foster, regarded as America’s first professional songwriter, is remembered for Civil-War-era compositions such as “Camptown Races” and “Oh! Susanna.”

The Nashville Songwriters Hall of Fame Dinner & Induction Ceremony features tributes and performances of the inductees’ songs by special guest artists. NaSHOF’s sister organization, the Nashville Songwriters Association International (NSAI), also presents its annual awards for the year’s best Song, Songwriter and Songwriter/Artist, as well as the Top 10 “Songs I Wish I Had Written,” as determined by the professional songwriters division.

Tickets for the event are $200 each. A limited number of seats are available to the public this year and may be purchased by contacting event director Mark Ford at hoftix@nashvillesongwriters.com.

For more information visit http://www.nashvillesongwritersfoundation.com

Commerce Secretary In Nashville To Discuss Piracy

U.S. Commerce Secretary Gary Locke was in Nashville today (8/30) for a meeting between members of government and local music business leaders to discuss music piracy. NSAI Executive Director Bart Herbison moderated the discussion featuring leaders from all levels of government: Locke, Mayor Karl Dean, Governor Phil Bredesen, and Congressman Jim Cooper.

Some of Nashville’s best creative minds and most seasoned music executives turned out for the event at Belmont University. Among those Herbison called on to offer personal experiences and opinions were songwriter Fred Knobloch, artist Big Kenny and publisher Barry Coburn.

Gary Locke

Locke spent the morning touring Music Row businesses, getting a first-hand view of how almost 20,000 jobs in Music City are directly connected to the music business. Another 55,000 jobs are indirectly supported by it, according to a study by Belmont.

Locke avoided any specifics, but says the Obama administration is focusing on establishing global intellectual property norms, promoting compliance, and strengthening the international copyright system. The Administration’s new Intellectual Property Enforcement Coordinator has released a Joint Strategic Plan. Locke also firmly established the Administration’s support of artist payment via the Performance Rights Act.

Look for more in-depth coverage of the event in Wednesday’s @MusicRow (paid subscribers only).

Kelly Parkes

Kelly Parkes brings a feisty innocence to her debut single, “Nothing Good Ever Happens After Midnight”, on Edge Records/Lofton Creek Records. Not one to sit on the sidelines, this tiny, five foot one, 23 year-old vocalist from rural Lancaster County, Penn., is proving herself as a force to be reckoned with.

“‘Nothin’ Good Ever Happens After Midnight’ is a kick-ass, feisty song about just wanting to have a good time and making choices,” explains Parkes with trademark confidence. “Sometimes you break the rules, have some fun, and sometimes it’s hard to live life without regret… but we try to anyway…”

Parkes recently sang the National Anthem live on the SPEED Channel for a nationally televised NASCAR Truck race.  She’s also currently proving herself on the road as she meets radio programmers on her first national radio tour.

http://www.myspace.com/kellyparkes
http://www.emcnash.com
http://www.springbarrelsongpluggingservices.com

Trailer Choir Streams Direct-To-Fan Concert

Trailer Choir will stream a direct-to-fan concert performance on Aug. 31 at 8 p.m. ET on CMT.com. In addition to singing many of its fan favorites such as “Rockin’ The Beer Gut,” and “Shakin’ That Tailgate,” the trio will also take questions from a select audience of contest winners.

The live stream event is part of an ongoing series on CMT.com that has featured artists such as Lee Brice, Randy Houser, Joey & Rory, Joe Nichols and Blake Shelton. Trailer Choir’s Crystal, Butter and Big Vinny were discovered by Toby Keith and signed to his Show Dog Universal Music record label.

To watch the live stream, visit: http://www.cmt.com/videos/misc/545919/cmtcom-live-streaming-event.jhtml.

CMA Hosts Second Tweet n’ Greet (#cmatv)

Lady Antebellum

The action will extend across multiple screens during the Sept. 1 airing (ABC, 8-11p.m. ET) of the CMA’s broadcast special CMA Music Festival: Country’s Night To Rock. Fans will be able to visit ABC.com to view twitter feeds from a variety of artists including Julianne Hough(@JulianneHough), Lady Antebellum (@ladyantebellum), Reba McEntire (@Reba), Tim McGraw (@TimMcGrawArtist), Blake Shelton (@BlakeShelton), Keith Urban (@KeithUrban), and Zac Brown Band (@ZacBrownBand).

On CMAfest.com fans will also will able to read artist’s observations about the three hour special plus behind the scenes insight, anecdotes and memories using their Facebook account.

“As an event, CMA Music Festival is about these unique interaction opportunities between the artist community and the fans,” said Ben Bennett, CMA Digital Marketing Manager. “The Tweet ‘N’ Greet is a fun, inventive way of translating that artist/fan connection to the ABC broadcast. The artists and fans get to communicate while they share the common experience of watching the television show.”

The “Tweet ‘N’ Greet” will create an interactive feed between the fans and artists. Fans will have a direct connection to some of their favorite performers, not only allowing them the opportunity to ask questions, but also providing them with behind-the-scenes access. The official hashtag for the event is #cmatv. Fans using the hashtag will be entered to win prizes during the show.

CMA Music Festival: Country’s Night to Rock is hosted by McGraw and features Taylor Swift in the first network television performance of her new single “Mine.” Also performing are Trace Adkins, Jason Aldean, Dierks Bentley, Billy Currington, Alan Jackson, Jamey Johnson, Kid Rock, Lady Antebellum, Miranda Lambert, Martina McBride, McEntire, McGraw, Justin Moore, Brad Paisley, Kellie Pickler, Rascal Flatts, Darius Rucker, Shelton, Josh Turner, Uncle Kracker, Carrie Underwood, Urban, and Zac Brown Band.

Jerrod Niemann’s No. 1 and Jesse Lee Visits KJUG

Songwriter Dan Pritzker actually wrote “Lover, Lover” for his band Sonia Dada in 1992, and the tune, originally titled “You Don’t Treat Me No Good,” was a #1 hit for the group in Australia. Jerrod Niemann’s recording of Pritzker’s hit marks his very first climb to the top spot as an artist. Niemann earned his first #1 as a songwriter with Garth Brooks’ “Good Ride Cowboy.” BMI feted Niemann’s accomplishment on Aug. 23 in their Music Row offices.

(L-R) BMI’s Jody Williams, engineer Brian Kolb, producer Dave Brainard, Sea Gayle Music’s Chris Dubois, Jerrod Niemann, songwriter Dan Pritzker, Sony Music’s Gary Overton, BMI’s Perry Howard, Sea Gayle Music’s Frank Rogers, and Sony Music’s Skip Bishop.

Jesse Lee challenged KJUG PD Dave Daniels (L) and APD/MD Adam Jeffries (R) to some animated rock, paper, scissors. To figure out the score realize that paper covers rock, but scissors cut paper. MusicRow called Daniels to find out what stakes the trio might have been wagering, but he was unavailable for comment.

(L-R) Dave Daniels, Jesse Lee and Adam Jeffries.

Espo Performs At Patio Pickin Event; Joanna Smith Visits ACM

The ACM recently welcomed Joanna Smith at the organization’s Los Angeles offices. Smith became a professional member and sang “Gettin’ Married” in an impromptu performance for the ACM staffers. Photo: Michel Bourquard

(L-R) Larry Santiago, West Coast Regional Rep, Columbia Nashville; Michelle Goble, VP, Membership & Events, ACM; Joanna Smith; and Wes Vause, VP Media Sony Nashville.

Warner Music Nashville, together with Aramark, Buffalo Trace Kentucky Straight Bourbon Whiskey, Frugal MacDoogal, GiGi’s Cupcakes, Jubilee Beer, Skylar Wilson Productions, Sunrise of Nashville and Whiskey Kitchen hosted its latest edition of Pickin’ On The Patio (8/26). Over 200 attendees enjoyed appetizers, beers and rocked out to stellar performances by both Reprise Records recording artist/guitar slayer Frankie Ballard and Warner Bros. Records new group The Dirt Drifters.

Warner Music Nashville President/CEO John Esposito (center) with The Dirt Drifters’ Matt Fleener (L) and Jeremy Little (R) singing the Bruce Springsteen classic “Glory Days.”

Hall of Fame Opens Wynette Exhibit, Ends Miller Residency

The Country Music Hall of Fame® and Museum recently (8/19) hosted a reception for its new exhibition Tammy Wynette: First Lady of Country Music, Presented by Great American Country Television Network. The exhibit, which runs through June 12, 2011, features video narration by Faith Hill. The reception was supported by RJ Young.

Pictured, left to right, are GAC President Ed Hardy, Faith Hill, GAC SVP Programming Sarah Trahern, Museum Director Kyle Young and RJ Young Marketing Director Lindy Rickert. Photo: Donn Jones

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Buddy Miller performed for the third and final time on Tuesday (8/24) as part of the Country Music Hall of Fame® and Museum’s annual Artist-in-Residence series. Special guests for the sold-out show included longtime friends and collaborators Shawn Colvin, Jim Lauderdale and Emmylou Harris. Guests for the previous two shows included Bill Frisell, Patty Griffin, Tom T. Hall, the McCrary Sisters, Darrell Scott and Lee Ann Womack. Recaps, along with photos and video clips from all three evenings, can be viewed here.

(L-R): Jim Lauderdale, Shawn Colvin, Buddy Miller, Emmylou Harris, Museum Director Kyle Young and VP of Museum Programs Jay Orr. Photo: Donn Jones

Blake Shelton To Debut First Concert Special

Blake Shelton’s first television concert special will premiere Wed., Sept. 8 on GAC. Shot at Roberts Stadium in Evansville, Indiana, Blake Shelton Live: It’s All About Tonight includes 90 minutes of hits and new music from the Reprise Records artist. Concert footage is interspersed with candid conversations with the star.

The special was produced by Jon Small, the creative mind behind several Emmy-nominated projects including Garth Brooks’ Central Park HBO special.

During the sold-out concert, Shelton offers hits “Austin,” “All About Tonight,” “The More I Drink,” “Kiss My Country Ass,” “She Wouldn’t Be Gone,” “Some Beach,” “Ol’ Red,” and “Hillbilly Bone.” Fans will also hear his new song, “Who Are You When I’m Not Looking,” and see a duet of “Home,” with special guest and fiancé, Miranda Lambert.

AFM President Clarifies Engineer Position

As President of the Nashville Musicians Association, AFM Local 257, I must clarify the statements made in last Friday’s article in MusicRow regarding engineers joining the Musicians Union. It was premature to say that engineers can “now sign the card on recording sessions.” What should have been said is that we were “considering the possibility of allowing engineers to work under Union recording Agreements when applicable.” This topic is not new and has been discussed with engineers, the AES, and Local 257 members, for quite some time, but no new formal agreement or “understanding” exists, as was stated in Friday’s article.

While it is clear that engineers have the right to join the AFM, when it comes to signing the card as an engineer on a recording session, things are not so simple. After speaking with AFM counsel this morning, it has come to my attention that there are legal obstacles to this concept that cannot be overcome at this time. The 6 p.m. Tuesday meeting was intended to be for an informational discussion, not a formal invitation for engineers to join the AFM as was implied, nor is it intended to be a full scale debate on the topic. I regret any confusion that this incorrect description of where we are in this process may have caused.

The engineer community in Nashville is an important part of our creative process, and Local 257 respects them and the work they do. As we look towards the future, we hope that the positive, constructive dialogue we have had with all segments of the Nashville music community about our collective goals will continue. Local 257 is proud to be the home of “the finest musicians in the world,” and we will continue our mission to represent “Music City” at the highest level possible.

Dave Pomeroy
President, Nashville Musicians Association, AFM Local 257