
(L-R): Inductees Alan Jackson and Thom Schuyler; Mentor Award winner David Conrad; and inductees John Bettis, Allen Shamblin and Garth Brooks. Photo: Alan Mayor
Chapter 379
Just about everyone you know in the music business turned out for the sold-out, 41st annual Nashville Songwriters Hall of Fame ceremony at the Renaissance Hotel Sunday (10/16).
The attractions were the inductions of Alan Jackson, Garth Brooks, Thom Schuyler, Allen Shamblin and John Bettis. Not to mention the companionship galore.
After welcoming remarks by host John Van Mol, the current chairman of the Nashville Songwriters Hall of Fame Foundation board, NSAI’s Bart Herbison and Steve Bogard took the stage.
“We’re going to have a spectacular night tonight,” Steve promised. His prophecy was fulfilled.
The annual “10 Songs I Wish I’d Written” NSAI honors went to “American Honey” by Shane Stevens, Cary Barlowe and Hillary Lindsey; “Are You Gonna Kiss Me Or Not” by Jim Collins and David Lee Murphy; “Hello World” by Tom Douglas, Tony Lane and David Lee; “Homeboy” by Casey Beathard and Eric Church; “Honey Bee” by Ben Hayslip and Rhett Akins; “Mean” by Taylor Swift; “Pretty Good at Drinkin’ Beer” by Troy Jones; “The Boys of Fall” by Casey Beathard and Dave Turnbull; and “Who Are You When I’m Not Looking” by Earl Bud Lee and John Wiggins; plus the Song of the Year winning “If I Die Young” by Kimberly Perry.
The Band Perry was on the road, but Kimberly sent a video saying, “Thank-you to the Good Lord for whispering it in my ear.”
For the fourth time in five years, Taylor Swift received a standing ovation as the Artist/Writer of the Year. “Just the fact that the people in this room were standing up is overwhelming for me,” she said. “I can’t believe I’m here with my heroes.”
Frequent Brad Paisley collaborator Chris DuBois won his second straight NSAI Songwriter of the Year award. “There’s no award that means more to me as a songwriter,” he said.
The NSHoF’s Van Mol retook the podium to recognize board members, sponsors and the 2011 passings of Hall of Famers Charlie Louvin and Don Wayne. “Their work lives on in our memories,” he said.
Lance Freed presented David Conrad with the Frances Williams Preston Mentor Award. When Almo-Irving wanted to open a Nashville office in 1981, Frances recommended David as its leader. “Over the next 22 years, David Conrad was responsible for 186 top-10 country hits,” Lance recalled. “David worked for the songwriter, not the other way around. He trusted them. They trusted him. He’s a special man who cares deeply about people.”
“This can’t be right: When did I do this?” David blurted, adding that when he was informed of the honor, “Just to be safe, I ran out that week and mentored the hell out of everybody.” He thanked, “My best friend, my best mentor and my true love, my wife Karen.” David also recalled Chet Atkins, Owen Bradley, Harlan Howard and Tom Collins as his own mentors. “You’re really lucky when you have people like that in your life [especially] the ‘serial mentor,’ Frances Williams Preston.
“There was love there: I loved writers and I love songs,” David added. “It’s a circle, as the song says, and I hope we never break it.”
The 2011 Hall of Famers were inducted alphabetically. That meant John Bettis came first. Michael Clark spoke at length about his collaborator, saying, “John is the consummate psychologist, and he’s a communicator.”
Brett James and Wayne Kirkpatrick sang a medley of Bettis hits, including “Heartland,” “Yesterday Once More,” “Slow Hand” and “Human Nature.” Lynn Anderson vividly reprised her 1973 chart-topper “Top of the World.”
“This is the room, isn’t it?” said John in accepting. “This is where we want to be. This is where we all belong. I’m glad we have this room. It’s nice to know we can get together like this and appreciate each other. I thank you very much for the greatest honor I’ve ever gotten. God bless you.”
Allen Reynolds and Bob Doyle did the honors for Garth Brooks. “Who can measure the impact of the songs that have come from Garth’s own pen?” asked Allen. “You’ve been a blessing and an inspiration to many, and we thank you.”
“The songs you’ve written have endured and stayed relevant,” added Bob.
Jenny Yates saluted the inductee with “When You Come Back to Me Again.” Pat Alger sang “The Thunder Rolls.” Stephanie Davis offered “We Shall Be Free.” Kent Blazy did “If Tomorrow Never Comes.” Victoria Shaw sang “The River” and invited the crowd to join her in its last chorus.
“I’m already choked up, because these are my friends, and I love them so much,” Garth responded. He thanked God, his co-writers, his mentors, his parents and his wife, Trisha Yearwood. “This is the home of songwriters. In the music business, the greatest award you can receive is to be called a songwriter.”
Mike Dungan recited Alan Jackson’s accomplishments and hits, adding “This man has made his mark on the world. He has moved away from, but never out of, his humble beginnings. Thank you for making the world a better place.”
The Wrights performed a medley of “Good Time,” “Remember When,” “Chattahoochie,” “Don’t Rock the Jukebox” and “Here in the Real World.” (Adam Wright is Alan’s nephew and was the ring bearer at his wedding.) Taylor Swift sang “Where Were You (When the World Stopped Turning).”

(L-R): The Wrights (Shannon and Adam Wright), Alan Jackson, Taylor Swift and Capitol Nashville Pres./CEO Mike Dungan. Photo: Alan Mayor
Alan reminisced, “I was just stupid enough not to be scared, so we just came up here….and it’s been goin’ pretty good….I just write whatever I feel….It’s just life, and that’s what country music has always been to me. I can’t stand up here and feel worthy when I see that list of names [of prior inductees]. Thank y’all for including me. I feel blessed.”
Don Schlitz and Thom Schuyler are BFF’s, and Don was clearly moved by Thom’s long overdue induction. “There are so many of us who consider him their best friend,” said Don. “For all the songwriters who ever walked on Music Row, he wrote our anthem.”
J. Fred Knobloch kicked off the musical tribute with “Love Will Turn You Around.” Tony Arata followed with “My Old Yellow Car” and “Years After You,” then Fred returned with “Long Line of Love.” Lacy J. Dalton drew cheers with the aforementioned anthem, “16th Avenue.” Jellyroll Johnson backed all three on harmonica.
The always-eloquent Thom responded, “I am honored more than you can know to be a part of this community of songwriters on Music Row. This is the greatest songwriting community on God’s Green Earth. Thank you for setting a place for me at your lovely table.”
Mike Reid lauded Allen Shamblin for writing, “songs that do more than entertain.” Lionel Cartwright provided a medley of Shamblin’s “He Walked on Water,” “Don’t Laugh at Me” and “The House That Built Me.” Wynonna sang “I Can’t Make you Love Me.”
“This is amazing,” said Allen. “It’s a miracle I’m here tonight….For me, growing up, there was food, water, air and songs.” Echoing the theme of companionship and camaraderie that ran through the evening, he added, “You are my families and my friends. I love y’all. This means more to me than I can ever say.”
Like I said, everyone who is anyone was there. That would include such world-class fabulons as Troy Tomlinson, Fletcher Foster, Jerry Foster, Jerry Chestnut, Bonita Hill, Dan Hill, Bobby Braddock, Bobby Rymer, Bob Regan, Tim Wipperman, Tim Fink, Tim DuBois, Gretchen Peters, Pete Fisher, Bucky Wilkin, Becky Harris, Ted Harris, Emmylou Harris, Judy Harris and Harry Chapman.
Luke Laird has four songs on the charts right now, including the current No. 1, “Take a Back Road.” He was schmoozing, as were Dickie Lee, Rick Sanjek, John Scott Sherrill, Sherrill Blackmon, Kenny O’Dell, Kerry O’Neill, Kye Fleming, Kyle Lehning, Paul Kennerley, Shelby Kennedy, Ron Stuve, Ron Cox, Dean Dillon, Mayor Karl Dean, Nashville first lady Anne Davis, Mac Davis, Caroline Davis, Mark Bright, Mark D. Sanders, Pat Higdon, Pam Tillis, Dave Loggins, Dennis Morgan, Dwight Wiles, Dallas Frazier, Dene Anton, Wayne Carson, Wayne Halper, Bill Rice, Barry Coburn, Brett Eldredge, Bernie Nelson, Gary Burr, Holly Bell, Steve & Ree Guyer Buchanan, Woody Bomar, R.C. Bannon and Max T. Barnes.
Don’t say I didn’t warn you: The ballroom also held Joey + Rory, Jody Williams, Andrew Kintz, Andy Childs, Rattlesnake Annie, Anthony Smith, Tia Sillers, Even Stevens, Whitey Shafer and Gilles Godard, whose “Trains I Missed” was recently named the bluegrass Song of the Year at the IBMA awards. Not to mention Celia Froelig, Amy Kurland, Wayland Holyfield, Tracy Gershon, Lori Badgett, Hugh Prestwood, Diane Pearson, Chip Petrie, Roger Murrah, Melanie Howard, Perry Howard, Kathy Louvin, Karen Oertley, Jewel Coburn, Ralph Murphy, Deborah Allen and the irrepressible Shawn Camp.
We dined on huge roast beef portions, scalloped potatoes, asparagus and a julienned vegetable medley, followed by chocolate cake and/or banana pudding cups topped with whipped cream.
It’s a good thing we love each other. The cocktail hour was at 5:00 p.m., and we didn’t leave the ballroom until 10:30. Now that’s companionship.
Lauren Alaina To Perform at Martell Family Day
/by Caitlin RantalaThere will also be an indoor carnival, bungees and trick or treat booths. Attendees are encouraged to dress up in their best costume. Tickets are available at www.nashvillefamilyday.com. Tickets are $50 for a family of four or $15 for individual tickets. There will also be a “Your Family Meets Our Family” reception prior to the event, with special tickets of $150 for a family of four. All proceeds benefit The T.J. Martell Foundation’s fight against cancer and AIDS.
Also benefiting Martell was the recent Best Cellars Dinner, which took place Saturday, Oct. 15 in Atlanta, GA. Scheduled to attend were HLN’s Robin Meade, basketball legend Julius Erving, Styx manager Charlie Brusco, former NFL running back Jamal Lewis, songwriter/producer Dallas Austin, and vocal coach Jan Smith.
Upcoming Releases From Radney Foster, Neal McCoy
/by MichelleRadney Foster is celebrating the 20th anniversary of the release of his album, Del Rio, Texas, 1959, by recording a live version of the project. Foster and band will perform in Del Rio, Texas, Jan. 27-28 to record the album from top to bottom, as well as other songs. The live album, Del Rio Revisited: Live At The Paul Poag Theater will be released in Spring 2012. Tickets for the Del Rio performances go on sale Nov. 14 at www.radneyfoster.com.
• • • •
Also in the works is a 60-minute concert special, Music of Your Life with Les Brown Jr. and His Band of Renown, Starring Neal McCoy, and Special Guests Charley Pride and Janie Fricke. The show will include many of McCoy’s hits with the backing of a 20+ piece orchestra. A 13-song CD and 21-song DVD of the performance are due Nov. 8, and will be available through traditional, online and digital outlets. Visit www.nealmccoy.com for more details.
Artists Revive Williams’ Unrecorded Songs
/by Caitlin Rantala“The history of Hank’s notebooks is as complex as the legend himself. Yet, in the end, what matters most are the songs, and these new works rise from the ether with ghostly relevance. As with his many standards, these new recordings tap straight into the soul of man. This is songwriting at its most artful and most powerful,” said Michael McCall of the Country Music Hall of Fame and Museum.
The Lost Notebooks of Hank Williams compliments a current exhibit at the Country Music Hall of Fame and Museum. Until Dec. 31, the exhibit, Family Tradition: The Williams Family Legacy, will be open to the public and features Williams’ original lyric notebooks and other memorabilia.
The Lost Notebooks of Hank Williams tracklisting:
1. You’ve Been Lonesome, Too – Alan Jackson
2. The Love That Faded – Bob Dylan
3. How Many Times Have You Broken My Heart? – Norah Jones
4. You Know That I Know – Jack White
5. I’m So Happy I Found You – Lucinda Williams
6. I Hope You Shed a Million Tears – Vince Gill and Rodney Crowell
7. You’re Through Fooling Me – Patty Loveless
8. You’ll Never Again Be Mine – Levon Helm
9. Blue Is My Heart – Holly Williams
10. Oh, Mama, Come Home – Jakob Dylan
11. Angel Mine – Sheryl Crow
12. The Sermon on the Mount – Merle Haggard
Initial CMA Broadcast Winners Revealed
/by FreemanThe Major Market Broadcast Personality winners were notified this afternoon by Kid Rock, and the National Broadcast Personality winner will be revealed tomorrow morning (Oct. 18).
Winners in all categories will be recognized during the 45th Annual CMA Awards, Nov. 9 at 7 pm CT on ABC.
2011 CMA Broadcast Personality of the Year winners:
Large Market: Chris Carr, Jeffrey “Maverick” Bolen, and Jason Statt, “Chris Carr & Company,” WUBE/Cincinnati, Ohio.
Medium Market: Brian Pierce and Kellie Michaels, “Mornings with Brian and Kellie,” KFDI/Wichita, Kan.
Small Market: Scotty Cox and Carissa Loethen, “Scotty and Carissa in the Morning,” KCLR/Columbia, Mo.
2011 CMA Radio Station of the Year winners:
Major Market: WYCD/Detroit, Mich.
Large Market: WQDR/Raleigh-Durham, N.C.
Medium Market: KATM/Modesto, Calif.
Small Market: KCLR/Columbia, Mo.
Major Market Broadcast Personality:
“Edwards & Lee” (Chuck Edwards and Linda Lee) – WYCD, Detroit, Mich.
Nominees for National Broadcast Personality:
“American Country Countdown with Kix Brooks” (Kix Brooks) – Citadel Media
“Big D & Bubba Show” (Derek Haskins and Sean Powell) – Premiere Radio Networks
“The Lia Show” (Lia Knight) – Dial Global
Americana Fest: Saturday Showcases
/by FreemanMy sleep schedule has (almost) returned to normal after four straight days of Americana Music Festival showcases. I’m happy to say that the genre is quite healthy and still capable of surprising jaded music nerds like me. You can also read about my experiences here, here and here.
Nanci Griffith performs at Musician’s Corner in Centennial Park, courtesy of the Americana Music Association. Photo: Stacie Huckeba
On Saturday (10/15), festival attendees and members of the public were rewarded with an absolutely perfect day for outdoor musical enjoyment.
The Southern Festival of Books, held at Legislative Plaza, hosted the Civil War-inspired 1861 Project. Over at Musician’s Corner in Centennial Park, the impressive lineup included “I Love”: A Tom T. Hall Tribute, Ben Sollee, and Nanci Griffith.
When the evening showcases rolled around, I decided to get away from the Mercy Lounge for at least one night. With no headlining performer scheduled for the Cannery Ballroom, it was an ideal opportunity to check out some of Americana’s new faces.
It was a packed house when I arrived at the Basement, and Deep Dark Woods was already onstage. The Canadian band played a highly melodic brand of folk-rock, recalling The Band and Neil Young along with contemporaries like Midlake. They’ve got another Nashville show tonight (10/17) at 3rd & Lindsley, and their album The Place I Left Behind comes out in the U.S. tomorrow (Oct. 18) via Sugar Hill.
Nashville-via-Ohio singer-guitarist Patrick Sweany was up next, offering up retro-styled blues rock. His his songs like “Shoestring,” “Oh Temptation,” and “Them Shoes” recall gritty ‘60s soul and the scuzz of fellow Ohio-to-Nashville ex-pats The Black Keys. Appropriately, two of Sweany’s album’s were produced by the Keys’ Dan Auerbach. His latest album is That Old Southern Drag.
Jim Lauderdale joins Bobby Keys (L) onstage at the Mercy Lounge, courtesy of the Americana Music Association. Photo: Stacie Huckeba
The crowd had started thinning by this point, perhaps to catch James McMurtry, saxman Bobby Keys, or Deadman at the Mercy Lounge. Across the train tracks at the Station Inn, showcasers included Sierra Hull and Highway 111, Tara Nevins, Catherine Britt, and Brigitte DeMeyer. I stayed the course at the Basement, and was handsomely rewarded for my inaction.
Hymn For Her
Hymn For Her, the musical guise of Lucy Tight and Wayne Waxing, played a trash can symphony of demented country blues and punk attitude turned up to 11. Lucy sang and played an instrument comprised of a cigar box and broom handle that had one bass and two treble strings on it. Wayne handled everything else. While seated he sang, played an acoustic guitar (or banjo) and harmonica, and used his feet to keep time on a kick drum and high hat.
Their own songs like “Slips” and “Fiddlesticks” crackled with energy, and they added a nightmarish cover of Bob Dylan’s “Ballad of Hollis Brown,” for which Wayne requested a “dark, murderous reverb” from the sound man. They closed the set with a pedal-to-the-floor run through Led Zeppelin’s “Bron-Y-Aur Stomp” and announced they’d be back in town on Halloween weekend.
Hymn For Her was one of the strangest bands during Americana fest, which is perhaps indicative of its evolution and inherently inclusive nature. The genre occasionally has a dignified, too-serious air around it, so it was a nice surprise to see a band flip that notion on its head by playing music that was brash, snotty, and undeniably fun. According to Hymn For Her’s website, the pair recorded their album Lucy & Wayne and The Amairican Stream in a 16 foot Airstream trailer, which also serves as a rolling home for them, their baby, and dog.
And by golly, what’s more American than that?
Urban Receives ARIA Noms, Wraps Tour
/by Caitlin RantalaUrban also received nods for three American Country Awards last week, including Album of the Year (Get Closer), Best Male Video (“Put You In A Song”) and Touring Headline Act of the Year.
Urban brought special guest Isaac Slade of The Fray on stage during his performance at The Pepsi Center in Denver, CO on Tuesday (10/11). The two performed a rendition of The Fray’s hit song “How To Save A Life.” A video of the performance can be seen here.
His Get Closer 2011 World Tour, which played for sold-out crowds in over 60 cities throughout Australia, Canada and The United States, ended Saturday in Minneapolis.
Digital Diary-Data Files Updates
/by adminole Annouces Acqusition
/by Sarah SkatesRobert Ott, CEO ole clear says, “Joel Goodman and Daniel Stein have created a great company at MusicBox. We take seriously our responsibility to continue the legacy of great customer service and Creative at MusicBox and will work hard to bring clients and sub-published companies an unrivaled experience.”
Adds MusicBox Pres. Goodman, “All of us at MusicBox are excited at being part of the ole family. Through working with ole as our Canadian sub-publisher, we saw first-hand their commitment to music publishing and knew we had found the right partner to take MusicBox to the next level and beyond.”
This moves MusicBox to ole’s automated, cloud IT services for a better client tech experience.
ole clear is one of the world’s largest providers of 100% cleared production music in all media. clear is committed to quality and offers 150,000 tracks of music in all genres from renowned libraries.
Bobby Karl Works the Nashville Songwriters Hall of Fame
/by Bobby Karl(L-R): Inductees Alan Jackson and Thom Schuyler; Mentor Award winner David Conrad; and inductees John Bettis, Allen Shamblin and Garth Brooks. Photo: Alan Mayor
Chapter 379
Just about everyone you know in the music business turned out for the sold-out, 41st annual Nashville Songwriters Hall of Fame ceremony at the Renaissance Hotel Sunday (10/16).
The attractions were the inductions of Alan Jackson, Garth Brooks, Thom Schuyler, Allen Shamblin and John Bettis. Not to mention the companionship galore.
After welcoming remarks by host John Van Mol, the current chairman of the Nashville Songwriters Hall of Fame Foundation board, NSAI’s Bart Herbison and Steve Bogard took the stage.
“We’re going to have a spectacular night tonight,” Steve promised. His prophecy was fulfilled.
The annual “10 Songs I Wish I’d Written” NSAI honors went to “American Honey” by Shane Stevens, Cary Barlowe and Hillary Lindsey; “Are You Gonna Kiss Me Or Not” by Jim Collins and David Lee Murphy; “Hello World” by Tom Douglas, Tony Lane and David Lee; “Homeboy” by Casey Beathard and Eric Church; “Honey Bee” by Ben Hayslip and Rhett Akins; “Mean” by Taylor Swift; “Pretty Good at Drinkin’ Beer” by Troy Jones; “The Boys of Fall” by Casey Beathard and Dave Turnbull; and “Who Are You When I’m Not Looking” by Earl Bud Lee and John Wiggins; plus the Song of the Year winning “If I Die Young” by Kimberly Perry.
The Band Perry was on the road, but Kimberly sent a video saying, “Thank-you to the Good Lord for whispering it in my ear.”
For the fourth time in five years, Taylor Swift received a standing ovation as the Artist/Writer of the Year. “Just the fact that the people in this room were standing up is overwhelming for me,” she said. “I can’t believe I’m here with my heroes.”
Frequent Brad Paisley collaborator Chris DuBois won his second straight NSAI Songwriter of the Year award. “There’s no award that means more to me as a songwriter,” he said.
The NSHoF’s Van Mol retook the podium to recognize board members, sponsors and the 2011 passings of Hall of Famers Charlie Louvin and Don Wayne. “Their work lives on in our memories,” he said.
Lance Freed presented David Conrad with the Frances Williams Preston Mentor Award. When Almo-Irving wanted to open a Nashville office in 1981, Frances recommended David as its leader. “Over the next 22 years, David Conrad was responsible for 186 top-10 country hits,” Lance recalled. “David worked for the songwriter, not the other way around. He trusted them. They trusted him. He’s a special man who cares deeply about people.”
“This can’t be right: When did I do this?” David blurted, adding that when he was informed of the honor, “Just to be safe, I ran out that week and mentored the hell out of everybody.” He thanked, “My best friend, my best mentor and my true love, my wife Karen.” David also recalled Chet Atkins, Owen Bradley, Harlan Howard and Tom Collins as his own mentors. “You’re really lucky when you have people like that in your life [especially] the ‘serial mentor,’ Frances Williams Preston.
“There was love there: I loved writers and I love songs,” David added. “It’s a circle, as the song says, and I hope we never break it.”
The 2011 Hall of Famers were inducted alphabetically. That meant John Bettis came first. Michael Clark spoke at length about his collaborator, saying, “John is the consummate psychologist, and he’s a communicator.”
Brett James and Wayne Kirkpatrick sang a medley of Bettis hits, including “Heartland,” “Yesterday Once More,” “Slow Hand” and “Human Nature.” Lynn Anderson vividly reprised her 1973 chart-topper “Top of the World.”
“This is the room, isn’t it?” said John in accepting. “This is where we want to be. This is where we all belong. I’m glad we have this room. It’s nice to know we can get together like this and appreciate each other. I thank you very much for the greatest honor I’ve ever gotten. God bless you.”
Allen Reynolds and Bob Doyle did the honors for Garth Brooks. “Who can measure the impact of the songs that have come from Garth’s own pen?” asked Allen. “You’ve been a blessing and an inspiration to many, and we thank you.”
“The songs you’ve written have endured and stayed relevant,” added Bob.
Jenny Yates saluted the inductee with “When You Come Back to Me Again.” Pat Alger sang “The Thunder Rolls.” Stephanie Davis offered “We Shall Be Free.” Kent Blazy did “If Tomorrow Never Comes.” Victoria Shaw sang “The River” and invited the crowd to join her in its last chorus.
“I’m already choked up, because these are my friends, and I love them so much,” Garth responded. He thanked God, his co-writers, his mentors, his parents and his wife, Trisha Yearwood. “This is the home of songwriters. In the music business, the greatest award you can receive is to be called a songwriter.”
Mike Dungan recited Alan Jackson’s accomplishments and hits, adding “This man has made his mark on the world. He has moved away from, but never out of, his humble beginnings. Thank you for making the world a better place.”
The Wrights performed a medley of “Good Time,” “Remember When,” “Chattahoochie,” “Don’t Rock the Jukebox” and “Here in the Real World.” (Adam Wright is Alan’s nephew and was the ring bearer at his wedding.) Taylor Swift sang “Where Were You (When the World Stopped Turning).”
(L-R): The Wrights (Shannon and Adam Wright), Alan Jackson, Taylor Swift and Capitol Nashville Pres./CEO Mike Dungan. Photo: Alan Mayor
Alan reminisced, “I was just stupid enough not to be scared, so we just came up here….and it’s been goin’ pretty good….I just write whatever I feel….It’s just life, and that’s what country music has always been to me. I can’t stand up here and feel worthy when I see that list of names [of prior inductees]. Thank y’all for including me. I feel blessed.”
Don Schlitz and Thom Schuyler are BFF’s, and Don was clearly moved by Thom’s long overdue induction. “There are so many of us who consider him their best friend,” said Don. “For all the songwriters who ever walked on Music Row, he wrote our anthem.”
J. Fred Knobloch kicked off the musical tribute with “Love Will Turn You Around.” Tony Arata followed with “My Old Yellow Car” and “Years After You,” then Fred returned with “Long Line of Love.” Lacy J. Dalton drew cheers with the aforementioned anthem, “16th Avenue.” Jellyroll Johnson backed all three on harmonica.
The always-eloquent Thom responded, “I am honored more than you can know to be a part of this community of songwriters on Music Row. This is the greatest songwriting community on God’s Green Earth. Thank you for setting a place for me at your lovely table.”
Mike Reid lauded Allen Shamblin for writing, “songs that do more than entertain.” Lionel Cartwright provided a medley of Shamblin’s “He Walked on Water,” “Don’t Laugh at Me” and “The House That Built Me.” Wynonna sang “I Can’t Make you Love Me.”
“This is amazing,” said Allen. “It’s a miracle I’m here tonight….For me, growing up, there was food, water, air and songs.” Echoing the theme of companionship and camaraderie that ran through the evening, he added, “You are my families and my friends. I love y’all. This means more to me than I can ever say.”
Like I said, everyone who is anyone was there. That would include such world-class fabulons as Troy Tomlinson, Fletcher Foster, Jerry Foster, Jerry Chestnut, Bonita Hill, Dan Hill, Bobby Braddock, Bobby Rymer, Bob Regan, Tim Wipperman, Tim Fink, Tim DuBois, Gretchen Peters, Pete Fisher, Bucky Wilkin, Becky Harris, Ted Harris, Emmylou Harris, Judy Harris and Harry Chapman.
Luke Laird has four songs on the charts right now, including the current No. 1, “Take a Back Road.” He was schmoozing, as were Dickie Lee, Rick Sanjek, John Scott Sherrill, Sherrill Blackmon, Kenny O’Dell, Kerry O’Neill, Kye Fleming, Kyle Lehning, Paul Kennerley, Shelby Kennedy, Ron Stuve, Ron Cox, Dean Dillon, Mayor Karl Dean, Nashville first lady Anne Davis, Mac Davis, Caroline Davis, Mark Bright, Mark D. Sanders, Pat Higdon, Pam Tillis, Dave Loggins, Dennis Morgan, Dwight Wiles, Dallas Frazier, Dene Anton, Wayne Carson, Wayne Halper, Bill Rice, Barry Coburn, Brett Eldredge, Bernie Nelson, Gary Burr, Holly Bell, Steve & Ree Guyer Buchanan, Woody Bomar, R.C. Bannon and Max T. Barnes.
Don’t say I didn’t warn you: The ballroom also held Joey + Rory, Jody Williams, Andrew Kintz, Andy Childs, Rattlesnake Annie, Anthony Smith, Tia Sillers, Even Stevens, Whitey Shafer and Gilles Godard, whose “Trains I Missed” was recently named the bluegrass Song of the Year at the IBMA awards. Not to mention Celia Froelig, Amy Kurland, Wayland Holyfield, Tracy Gershon, Lori Badgett, Hugh Prestwood, Diane Pearson, Chip Petrie, Roger Murrah, Melanie Howard, Perry Howard, Kathy Louvin, Karen Oertley, Jewel Coburn, Ralph Murphy, Deborah Allen and the irrepressible Shawn Camp.
We dined on huge roast beef portions, scalloped potatoes, asparagus and a julienned vegetable medley, followed by chocolate cake and/or banana pudding cups topped with whipped cream.
It’s a good thing we love each other. The cocktail hour was at 5:00 p.m., and we didn’t leave the ballroom until 10:30. Now that’s companionship.
Americana Fest: Friday Night Showcases
/by FreemanBuddy Miller performs with Jim Lauderdale at Cannery Ballroom, courtesy of the Americana Music Association. Photo: Kim Jameson
Experience and youth shared the spotlight during the Friday (Oct. 14) night Americana Fest showcases. I’m pleased to report that both camps performed exceedingly well, so let’s call it a draw.
In one corner was Alabama sister duo The Secret Sisters, who were a late addition to the Cannery Ballroom lineup. Laura and Lydia Rogers just released their first recordings in 2010, but sound like they could have been transported via time machine directly from the 1950s.
But it’s not fair to dismiss them as a nostalgia act. Sure, they have a genuine affection for and knowledge of classic country, but their original compositions fit seamlessly between covers of The Davis Sisters’ “I Forgot More Than You’ll Ever Know” and Jim Reeves’ “Four Walls.” Their set consisted of only their two voices and an acoustic guitar, but that was enough. They harmonized beautifully, recalling the Everlys or Louvins, and finished with a stunning a capella version of Patience & Prudence’s “Tonight You Belong To Me” just to drive the point home.
In the other corner performing later on the Cannery stage were Americana all-stars Buddy Miller and Jim Lauderdale. Both have built singular, long-lasting careers as songwriters, musicians, guest performers, and recording artists. Add producer to the list in Miller’s case, and radio personality/emcee to Lauderdale’s. They’ve been to a few rodeos, to be sure. Seeing them play together, pooling their experiences, was thrilling.
First off, there’s not another guitar player in Nashville—nay, the world—like Buddy Miller. Instead of playing the ever-popular Telecaster, Les Paul or ES-335, he’s usually armed with an obscure but unmistakable-sounding Wandre instrument. He can also change his playing style like a chameleon, channeling countrified chicken-picking or gale-force noise with equal ease. Is it any wonder that Robert Plant loves him or that he keeps sweeping the Americana Honors?
Backed by pros Chris Donohue, Greg Liesz, and Brian Mullins, the two sang together like they’ve been doing it since childhood, tossing covers of George Jones (“Why Baby Why,” “Race Is On”) and Webb Pierce (“Poison Blood”) in with their own work like “I’m Pretending,” “King Of Broken Hearts,” “Hold On My Love,” “Halfway Down,” and a righteous “Hole In My Head,” which they penned together. It was an energetic, honky tonk tour de force.
By the end, Lauderdale had begun to overheat. “We’re sweatin’ up here like Rush Limbaugh at a Steve Earle concert,” he joked.
Luther Dickinson of North Mississippi Allstars at Cannery Ballroom, Courtesy of the Americana Music Association. Photo: Kim Jameson
Elsewhere during the evening Memphis artist Amy LaVere displayed a jazzy, almost avant garde sensibility, skillfully handling her upright bass on numbers like “Cry My Eyes Out,” “Washing Machine” and Tom Waits’ “Green Grass.” Elizabeth Cook showcased the different sides of her personality on “El Camino,” and “Heroin Addict Sister.” A solo John Oates showed his soulful side on Leiber/Stoller’s “Searchin’” and the Hall & Oates smash “Maneater.” North Mississippi Allstars showed tremendous instrumental prowess on their funky, bluesy jam rock, including an instrumental requiring drummer Cody Dickinson to keep time with his feet while picking complex leads on an acoustic guitar.
Will Kimbrough performs at the Rutledge, courtesy of the Americana Music Assocation. Photo: Tacy Judd
Showcasing across town at the Rutledge were The Vespers, Matraca Berg, Eric Brace & Peter Cooper, The Bottle Rockets and a midnight set by Will Kimbrough. Station Inn featured David Wax Museum, The Farewell Drifters, and the Black Lillies. At the Basement were Tommy Womack & the Rush to Judgment, Ian McLagan, Henry Wagons, and New Country Rehab.
One more night to go. Scheduled to perform are James McMurtry, Farewell Milwaukee, Blackie and the Rodeo Kings, Sieraa Hull and Highway 111, and Sam Llanas of the BoDeans. Come on out and hear some tunes, y’all.