
MusicRow is proud to reveal the honorees for the Rising Women on the Row Class of 2025. These six female executives are making a significant impact on Nashville’s country music industry, including: Lydia Schultz Cahill, Rakiyah Marshall, Michelle Tigard Kammerer, Katie Kerkhover, Jessi Vaughn Stevenson and Julie Sturdivant.
City National Bank is Presenting Sponsor for the 2025 Rising Women on the Row, which will take place at the Omni Nashville Hotel at 8:30 a.m. March 20.
Now in its 12th year, MusicRow‘s annual Rising Women on the Row event has honored over 50 women in the Nashville music industry.
Tickets for Rising Women on the Row are now closed. They will not be sold at the door.
For any questions regarding the event, contact LB Cantrell at lbcantrell@musicrow.com.
This year’s honorees include:

Lydia Schultz Cahill
Lydia Schultz Cahill – Senior Director, Creative Services, SESAC
Lydia Schultz Cahill is Senior Director of Creative Services at SESAC PRO, where she oversees the country genre in Nashville. She supports songwriter and publisher affiliates, recruits new talent and collaborates with artists and songwriters like Blanco Brown, Jon Nite, Allison Veltz Cruz, Dillon Carmichael and Jenny Tolman. Cahill also produces SESAC-sponsored events, including Tin Pan South, SESAC Presents at the Bluebird and songwriter showcases across the Southeast. Before joining SESAC in 2016, Cahill was Creative Director at Magic Mustang Music, where she worked with acclaimed songwriters Steve Bogard, Kristian Bush, Rob Hatch and Justin Lantz. She began her career as an assistant to Grammy-winning songwriter JD Souther and later held roles in the Legal and Finance Department at Broken Bow Records. A Wisconsin native, Cahill graduated from Belmont University with a bachelor’s degree in business administration from its Music Business program. In 2024, she completed her master’s degree in social work from the University of Tennessee.

Rakiyah Marshall
Rakiyah Marshall – Founder + CEO, Back Blocks Music
Rakiyah Marshall is the Founder and CEO of Back Blocks, a full-service publishing, management and artist development company. Under her leadership, Back Blocks has guided the careers of Blake Pendergrass, Ashley Cooke, Tucker Wetmore and Lily Rose. Marshall and her team recently celebrated major milestones, including Cooke and Wetmore’s first No. 1 hits. Before founding Back Blocks, Marshall built a strong foundation in pop promotion at Republic Records in NYC, including time at UMG’s classical division (now Verve). She later brought her expertise in radio, streaming, marketing, and artist development to Nashville, working at Cornman Music under hall of fame songwriter, Brett James and BMG under Kos Weaver. There, she advocated for writers, placed notable songs and bridged Nashville with the global creative community. Now, Marshall continues to shape Back Blocks into a leading force in the industry, driving success for her roster through innovative strategies and dedicated advocacy.

Michelle Tigard Kammerer
Michelle Tigard Kammerer – Head of Country Music, Amazon Music
As Head of Country Music at Amazon Music, Michelle Tigard Kammerer has driven the streaming service’s growth in the genre since 2021. She oversees marketing, artist and label relations and innovative collaborations, managing influential brands like Country Heat. Under her leadership, Amazon Music has introduced new initiatives and strengthened connections between country artists and their fans. Kammerer’s career began at Creative Artists Agency (CAA), where she helped sign and launch the careers of several leading country acts. She then served as Senior Director of Brand Marketing and Strategic Partnerships at Country Radio Broadcasters, Inc. (CRB) before re-launching the historic Dot Records label under Big Machine Label Group as National Director of Marketing & Promotion. In 2017, she expanded her leadership as Senior National Director of Marketing & Promotion at BMLG Records, where she worked closely with a range of top artists. Now at Amazon Music, Kammerer continues to champion the evolution of country music, leveraging her experience across agencies, labels and streaming to innovate and elevate the genre.

Katie Kerkhover
Katie Kerkhover – SVP, A&R, North America, BBR Music Group/BMG
Joining BMG in 2020, Kerkhover currently serves as SVP, A&R, North America, a position she was elevated to in December 2024. Her first position at BMG was as Senior Director, Creative, in music publishing, where she managed BMG’s Nashville roster of songwriters, including Kurt Allison, Tully Kennedy, Stephen Wilson Jr., Emily Landis and Chayce Beckham, among others, while also signing and developing new songwriters and artists. Kerkhover was promoted to VP, A&R, Frontline Recordings for BMG Nashville in 2022, where she was responsible for BBR Music Group’s (BBRMG) roster of recording artists across its imprints Broken Bow Records, Stoney Creek Records and Wheelhouse Records, as well as scouting, signing and developing new talent. Since leading A&R for BBRMG, she’s worked with Jelly Roll, Lainey Wilson, Jason Aldean and Chayce Beckham and is working with Blake Shelton’s team on his BMG Nashville debut. Previously, Kerkhover served nearly three years as a Creative Manager at Sony/ATV and garnered experience as A&R, Creative at CAM Creative. Before jumping behind the scenes of the music industry, she spent years on the road as a performing musician often playing fiddle, guitar or providing backing vocals for acts like Sara Evans and Rebecca Lynn Howard.

Jessi Vaughn Stevenson
Jessi Vaughn Stevenson – VP, A&R / Digital, Warner Chappell Music Nashville
Jessi Vaughn Stevenson is VP, A&R and Digital at Warner Chappell Music (WCM) Nashville, where she strategizes innovative opportunities and guidance for songwriters and artists. With a proven track record of success, Stevenson has helped advance the careers of influential country music creators, including Jessi Alexander, Aaron Raitiere, Rhett Akins, Parker McCollum, Riley Green, Hailey Whitters, Morgan Wallen, Randy Montana, Will Bundy, Lee Miller and Little Big Town, among others. Born and raised in Nolensville, Tennessee, Stevenson honed her industry acumen during her time at Belmont University, where she earned a bachelor’s degree in Music Business and gained valuable experience through roles at CMT, Warner Brothers Records, Bill Silva Entertainment and SoundExchange. In 2015, she founded JV Writer Management, successfully supporting the careers of award-winning songwriters Jessi Alexander and Jon Randall. At WCM, Stevenson champions diverse talent across genres, identifying and developing the next generation of hitmakers. While dedicated to her professional endeavors, Stevenson finds her greatest joy in motherhood and family.

Julie Sturdivant
Julie Sturdivant – Music Brand Partnerships Executive, CAA
Julie Sturdivant is a Music Brand Partnerships Executive at Creative Artists Agency (CAA) in Nashville, leading brand collaborations for artists like Jelly Roll, Cody Johnson, Keith Urban and Kelsea Ballerini. Over the past year, she orchestrated major partnerships, including Jelly Roll’s multi-year deal with HeyDude, Warren Zeiders’ ambassadorship with Wild Turkey’s 101 Bold Nights and Koe Wetzel’s collaboration with Rock & Roll Denim. She also brokered Charley Crockett’s campaign with The Alamo Foundation and Aaron Watson’s Texas-sized Super Bowl commercial with HEB. Sturdivant began her career on-air at KOST 103.5 in California before joining Universal Music Group-Interscope Records, where she worked on campaigns for Lady Gaga, All American Rejects and Black Eyed Peas. She later built a reputation for innovative marketing during her 12 years leading Marbaloo Marketing. With expertise spanning radio, global marketing and digital innovation, Sturdivant continues to create impactful partnerships in music.
Concord Music Publishing Elevates Kourtney Kirkpatrick & Matt Turner
/by Madison HahnenKourtney Kirkpatrick & Matt Turner.
Concord Music Publishing has promoted Kourtney Kirkpatrick to Senior Vice President of Synchronization and Matt Turner to Vice President of A&R.
Kirkpatrick currently leads the television division, overseeing series, promos, trailers and sports media, and managing a team of three direct reports in Los Angeles, Nashville and New York. In her new position, Kirkpatrick will continue her work pitching and licensing songs from Concord writers, promoting catalogs such as those by Rodgers & Hammerstein, John Fogerty, Phil Collins and Genesis, Robert Johnson and more. She and her team will focus on reimagining these works to make them suitable for sync placements, with her deep knowledge of the catalog playing a crucial role in revitalizing Concord’s collection through remixes and covers.
During her time at Concord, Kirkpatrick and her team have secured sync placements across a wide range of television series on nearly all major networks and streaming platforms, including The Bear, The Penguin, Shrinking, Hacks, You, Euphoria, Stranger Things, Yellowstone, The Marvelous Mrs. Maisel, Ozark, Big Little Lies, True Detective: Night Country, Ted Lasso and Grey’s Anatomy. Their work also spans trailer placements for studios like FOX, Netflix, Hulu, HBO, Apple, Amazon and Starz, as well as for major brands like Xbox and Microsoft. Over the course of her career, Kirkpatrick has also signed and developed sync-focused artists and writers, including Ruelle, who has been featured on Billboard/TuneFind’s year-end chart of Top Synced Artists multiple times, reaching the top spot in 2018.
Kirkpatrick also leads Concord’s annual sync camp in Nashville, now in its twelfth year. The event brings together over 80 songwriters and several music supervisors for a week of creating original music for all types of media. To date, the camp has resulted in more than 350 sync placements. In addition to the Nashville camp, Kirkpatrick has driven the global expansion of Concord’s sync camps, tailoring them to specific regions and media types. Over the past year, Concord has hosted ten sync-focused writing camps in locations such as Los Angeles, Nashville, Ireland, Dorset, Paris, New Zealand and Mexico City, among others.
Kirkpatrick was recognized on Billboard’s 40 Under 40 list in 2020 and is a member of the Nashville Film Festival. She is also a founding board member of Nashville in Sync, a community-driven organization for sync professionals focused on connecting and growing the music and film industries in Nashville. Before joining Concord in 2018, Kirkpatrick served as Senior Director of Film/TV at Razor & Tie (which was later acquired by Concord) and began her career at the independent publisher Big Yellow Dog Music, where she helped establish the company’s sync department.
In his new position as VP of A&R, Turner will maintain his responsibilities of discovering talent, managing new client negotiations and driving catalog exploitation. This promotion recognizes his commitment and contributions to Concord, particularly his efforts in expanding the company’s roster within the Nashville and country music scenes. Turner works with a wide range of songwriters in the country genre, including recording artists, producers and topliners.
With 18 years of experience in the industry, Turner brings executive-level insights to the team and has helped bring some of the top talent in the industry to the Concord roster, driving success on the country charts. In 2024, songwriters from Concord’s Nashville roster contributed to five Country Radio No. 1s and, within the first month of 2025, they’ve already added more, including Morgan Wallen’s “Lies Lies Lies,” Parmalee’s “Gonna Love You” and Dan + Shay’s “Bigger Houses.” Turner has played a key role in securing publishing deals with writers like Josh Miller, Andy Albert and Abram Dean, all of whom have earned No. 1 hits.
Before joining Concord, Turner worked at the independent publisher Big Loud Shirt, now known as Big Loud, where he collaborated closely with founder Craig Wiseman and writers such as Chris Tompkins, Rodney Clawson, Matt Dragstrem and the Warren Brothers. He was also involved in the early songwriting careers of Morgan Wallen and Chris Lane. After his time at Big Loud, Turner joined Downtown Music Publishing, where he represented their extensive roster of writers, including country music hitmakers Andy Albert, Andrew DeRoberts and Joey Hyde. Turner’s promotion highlights Concord’s continued growth in Nashville and the expansion of its country music roster.
Charles Wesley Godwin To Release ‘Lonely Mountain Town’ This Month
/by John Nix ArledgeJust 17 months since the release of his breakout album Family Ties, Charles Wesley Godwin slates a new seven-song EP, Lonely Mountain Town, for Feb. 28 via Big Loud Records.
Markedly quieter and more contemplative than Family Ties, Godwin’s new EP is a collection of quiet moments in his life. “These are character songs,” Godwin explains. “Most of them aren’t about my life. They’re just little pieces that I’ve taken from traveling.” Lonely Mountain Town serves as a stark contrast to the swift upward momentum the artist has experienced since his last release.
Over the last year, Godwin has made appearances on Colbert, Kimmel, CBS Saturday Sessions, and even ESPN’s Sports Center. These, paired with his debuts at festivals such as Bonnaroo and Stagecoach and opening for Luke Combs, caused Godwin to pick up his pen and write even more, penning over 30 songs in 2024.
Written primarily on the road and recorded with longtime producer and bandmate, Al Torrence, at Torrence’s Music Garden Studios in New Brighton, PA, Lonely Mountain Town features a handful of moving and even melancholy cuts that exemplify true sincerity.
This project saw Godwin working with new people such as labelmate Ernest on “Dead to Rights,” and one of Godwin’s musical heroes, Scott Avett, on Jason Molina’s “Hammer Down,” which they performed together while opening for Luke Comb’s 2024 stadium tour “Growin’ Up and Gettin’ Old.”
“It meant a lot to me and I think it turned out really cool too,” Godwin says of recording with Avett. “It brought new life to a song that a lot of people probably haven’t been exposed to.”
As he heads back on the road this winter and spring with his band the Allegheny High, Godwin is thrilled with where things stand. “I just want to continue writing like I have been and continue to record when I can and to keep producing and making music,” he says. “Because that’s what makes me happy. If I keep doing that, then I think everything else will work out just fine.”
Lonely Mountain Town Track List
1. “Lonely Mountain Town” (Charles Wesley Godwin)
2. “It’s The Little Things” (Charles Wesley Godwin)
3. “Dead To Rights (feat. ERNEST)” (Charles Wesley Godwin, Ernest Keith Smith, Chandler Paul Walters)
4. “It’s Her Move” (Charles Wesley Godwin, Wyatt Flores, Aaron Raitiere)
5. “Then I’m Gone” (Charles Wesley Godwin)
6. “She Don’t Love Me Anymore” (Charles Wesley Godwin, Zach McCord)
7. “Hammer Down feat. Scott Avett” (Jason Molina)
Touring Career Workshop Rebrands To Eccho Live
/by Madison HahnenTouring Career Workshop (TCW) has transformed into ECCHO Live, an acronym representing Education, Community, Connection, Health and Opportunity, reflecting the powerful impact of mentorship within the live event industry. For over ten years, the nonprofit has been dedicated to supporting live event professionals at every stage of their careers by offering resources and guidance for both career and personal challenges.
ECCHO Live’s mission remains focused on empowering current professionals, mentoring future talent and encouraging collaboration and stewardship. This rebrand follows a comprehensive year-long process, including research, industry interviews, workshops and member feedback. The rebrand highlights the organization’s continued commitment to providing live event professionals with vital resources, mental health support and career tools, at no charge.
“With our industry’s evolving demands, TCW’s identity needed to adapt,” says ECCHO Live Founder and Executive Director Chris Lisle. “Collaborating with our board, partners, and staff, we developed a name and brand that reflects our current resources and future vision. ECCHO Live supports every aspect of a live event professional’s career.”
ECCHO Live’s outreach includes several key initiatives, such as the All Access Program, which offers four free, confidential counseling sessions with approved therapists to professionals, their spouses or partners and dependents. In 2023, All Access on Site (AAOS) expanded its mental health services to festivals, fairs and large music events, allowing artists, crews and staff to schedule on-site sessions with therapists. AAOS plans to increase its reach from three festivals in 2023 and nine in 2024 to 18 events this year. Additionally, the flagship Touring Career Workshop will return later this year as the ECCHO Live Fall Workshop.
Day Off events take place on the second Monday of every month, offering a relaxed, semi-active setting for industry professionals to connect while enjoying activities such as karaoke, TopGolf, trivia or a chili cookoff. Networking Nights are also held regularly, focused exclusively on fostering industry connections.
Since its inception, over 5,000 individuals have attended the Touring Career Workshop’s annual event, gaining valuable insights from industry leaders on topics such as financial well-being, work-life balance, business planning, resume updates, security concerns and networking.
“Our mission has always been to empower live event professionals,” adds ECCHO Live General Manager Kara Kemp. “The rebrand will strengthen this mission with continuous year-round programming to support our industry.”
ECCHO Live is entirely supported, sponsored and funded by industry professionals. Recently, the organization received a $100,000 donation from the Country Music Association (CMA), as part of the CMA’s commitment to supporting mental health organizations within the music industry.
Dylan Marlowe & Conner Smith Team For New ‘Did We Just Become Best Friends? Tour’
/by Lorie HollabaughDylan Marlowe and Conner Smith are teaming up for a new co-headlining tour, the “Did We Just Become Best Friends? Tour” this spring.
Featuring openers Hannah McFarland and Cole Goodwin, the tour will kick off on April 2 in Columbia, South Carolina and includes stops in Orlando, Tampa, Chattanooga and more through April 12. General on-sale starts on Feb. 7, and fans can purchase tickets here.
Marlowe has dropped a series of self-penned singles and EPs like “Record High” and Dirt Road When I Die, eventually racking up 328 million global career streams as an artist, while co-penning Jon Pardi’s No. 1 hit, “Last Night Lonely.” Most recently, he released his debut album, Mid-Twenties Crisis. Marlowe has also toured with Dan + Shay, Cole Swindell, Hardy, Brantley Gilbert and more.
Smith’s 2024 album Smoky Mountains, pairing sharp hooks and timeless country sonics with a sincere nod to his love for Appalachia featured the Gold-certified, multi-week international chart-topper “Creek Will Rise.” He also released the all-acoustic Smoky Mountains Sessions and fast-paced “Steal My Thunder” (feat. Tucker Wetmore) which was featured in the summer blockbuster Twisters. His latest project The Storyteller is out now.
“Did We Just Become Best Friends? Tour” Dates:
April 2 – Columbia, SC – The Senate
April 3 – Orlando, FL – House of Blues
April 4 – Tampa, FL – Dallas Bull
April 10 – Chattanooga, TN – The Signal
April 11 – Isle of Palms, SC – The Windjammer
April 12 – Wilmington, NC – Greenfield Lake Amphitheatre
Jelly Roll’s Goodnight Nashville To Host Grand Opening
/by Lorie HollabaughGoodnight Nashville building exterior. Photo: Andrew Keithly Photography
Jelly Roll’s new venue Goodnight Nashville located on Broadway in downtown Nashville will host a Grand Opening Celebration on Feb. 20.
First floor stage. Photo: Samantha Kunz
The new four-story venue was created in partnership with Arizona-based Evening Entertainment Group and offers a full dining experience, tattoo parlor pop-up and lively nightlife inspired by Jelly Roll’s raw, authentic spirit. The vibrant first floor features a full bar, diverse menu and live music—all under the glow of a massive skull chandelier, drum-head lights and a “Save Me/I’m Fine” art installation.
The second floor pays tribute to Jelly Roll’s wife, Bunnie Xo of the Dumb Blonde podcast, with a larger-than life likeness of her above the bar. Bunnie’s immerses guests in a sultry world, featuring a stage for live DJs and plush booths perfect for nightlife and VIP table reservations.
The third floor offers a more intimate, elevated experience with Buddy’s, a cocktail lounge named in honor of Jelly Roll’s late father. This upscale, speakeasy-style venue serves craft cocktails and a limited, thoughtfully curated food menu in a cozy setting. Reserved mainly for private events and for Jelly Roll’s personal use. Buddy’s will occasionally open its doors to the public for a more exclusive night out. Finally, the top floor is an indoor-outdoor rooftop, offering sweeping views, comfortable booths, space for a DJ, bar fare, and another signature rotating skull chandelier.
Photo: Samantha Kunz
“As we set out to create EEG’s first venue in Nashville, we knew there was no better person to partner with than a true hometown hero like Jelly Roll,” says Les Corieri, co-owner of Evening Entertainment Group. “Goodnight Nashville is more than just a place to grab a drink—it’s an experience where music, culture, and hospitality meet. Nashville has always been a vibrant city of energy and creativity, and we’re excited to be part of that spirit, bringing something new to the scene.”
BREAKING: MusicRow Reveals 2025 Rising Women On The Row Honorees
/by MusicRow StaffMusicRow is proud to reveal the honorees for the Rising Women on the Row Class of 2025. These six female executives are making a significant impact on Nashville’s country music industry, including: Lydia Schultz Cahill, Rakiyah Marshall, Michelle Tigard Kammerer, Katie Kerkhover, Jessi Vaughn Stevenson and Julie Sturdivant.
City National Bank is Presenting Sponsor for the 2025 Rising Women on the Row, which will take place at the Omni Nashville Hotel at 8:30 a.m. March 20.
Now in its 12th year, MusicRow‘s annual Rising Women on the Row event has honored over 50 women in the Nashville music industry.
Tickets for Rising Women on the Row are now closed. They will not be sold at the door.
For any questions regarding the event, contact LB Cantrell at lbcantrell@musicrow.com.
This year’s honorees include:
Lydia Schultz Cahill
Lydia Schultz Cahill – Senior Director, Creative Services, SESAC
Lydia Schultz Cahill is Senior Director of Creative Services at SESAC PRO, where she oversees the country genre in Nashville. She supports songwriter and publisher affiliates, recruits new talent and collaborates with artists and songwriters like Blanco Brown, Jon Nite, Allison Veltz Cruz, Dillon Carmichael and Jenny Tolman. Cahill also produces SESAC-sponsored events, including Tin Pan South, SESAC Presents at the Bluebird and songwriter showcases across the Southeast. Before joining SESAC in 2016, Cahill was Creative Director at Magic Mustang Music, where she worked with acclaimed songwriters Steve Bogard, Kristian Bush, Rob Hatch and Justin Lantz. She began her career as an assistant to Grammy-winning songwriter JD Souther and later held roles in the Legal and Finance Department at Broken Bow Records. A Wisconsin native, Cahill graduated from Belmont University with a bachelor’s degree in business administration from its Music Business program. In 2024, she completed her master’s degree in social work from the University of Tennessee.
Rakiyah Marshall
Rakiyah Marshall – Founder + CEO, Back Blocks Music
Rakiyah Marshall is the Founder and CEO of Back Blocks, a full-service publishing, management and artist development company. Under her leadership, Back Blocks has guided the careers of Blake Pendergrass, Ashley Cooke, Tucker Wetmore and Lily Rose. Marshall and her team recently celebrated major milestones, including Cooke and Wetmore’s first No. 1 hits. Before founding Back Blocks, Marshall built a strong foundation in pop promotion at Republic Records in NYC, including time at UMG’s classical division (now Verve). She later brought her expertise in radio, streaming, marketing, and artist development to Nashville, working at Cornman Music under hall of fame songwriter, Brett James and BMG under Kos Weaver. There, she advocated for writers, placed notable songs and bridged Nashville with the global creative community. Now, Marshall continues to shape Back Blocks into a leading force in the industry, driving success for her roster through innovative strategies and dedicated advocacy.
Michelle Tigard Kammerer
Michelle Tigard Kammerer – Head of Country Music, Amazon Music
As Head of Country Music at Amazon Music, Michelle Tigard Kammerer has driven the streaming service’s growth in the genre since 2021. She oversees marketing, artist and label relations and innovative collaborations, managing influential brands like Country Heat. Under her leadership, Amazon Music has introduced new initiatives and strengthened connections between country artists and their fans. Kammerer’s career began at Creative Artists Agency (CAA), where she helped sign and launch the careers of several leading country acts. She then served as Senior Director of Brand Marketing and Strategic Partnerships at Country Radio Broadcasters, Inc. (CRB) before re-launching the historic Dot Records label under Big Machine Label Group as National Director of Marketing & Promotion. In 2017, she expanded her leadership as Senior National Director of Marketing & Promotion at BMLG Records, where she worked closely with a range of top artists. Now at Amazon Music, Kammerer continues to champion the evolution of country music, leveraging her experience across agencies, labels and streaming to innovate and elevate the genre.
Katie Kerkhover
Katie Kerkhover – SVP, A&R, North America, BBR Music Group/BMG
Joining BMG in 2020, Kerkhover currently serves as SVP, A&R, North America, a position she was elevated to in December 2024. Her first position at BMG was as Senior Director, Creative, in music publishing, where she managed BMG’s Nashville roster of songwriters, including Kurt Allison, Tully Kennedy, Stephen Wilson Jr., Emily Landis and Chayce Beckham, among others, while also signing and developing new songwriters and artists. Kerkhover was promoted to VP, A&R, Frontline Recordings for BMG Nashville in 2022, where she was responsible for BBR Music Group’s (BBRMG) roster of recording artists across its imprints Broken Bow Records, Stoney Creek Records and Wheelhouse Records, as well as scouting, signing and developing new talent. Since leading A&R for BBRMG, she’s worked with Jelly Roll, Lainey Wilson, Jason Aldean and Chayce Beckham and is working with Blake Shelton’s team on his BMG Nashville debut. Previously, Kerkhover served nearly three years as a Creative Manager at Sony/ATV and garnered experience as A&R, Creative at CAM Creative. Before jumping behind the scenes of the music industry, she spent years on the road as a performing musician often playing fiddle, guitar or providing backing vocals for acts like Sara Evans and Rebecca Lynn Howard.
Jessi Vaughn Stevenson
Jessi Vaughn Stevenson – VP, A&R / Digital, Warner Chappell Music Nashville
Jessi Vaughn Stevenson is VP, A&R and Digital at Warner Chappell Music (WCM) Nashville, where she strategizes innovative opportunities and guidance for songwriters and artists. With a proven track record of success, Stevenson has helped advance the careers of influential country music creators, including Jessi Alexander, Aaron Raitiere, Rhett Akins, Parker McCollum, Riley Green, Hailey Whitters, Morgan Wallen, Randy Montana, Will Bundy, Lee Miller and Little Big Town, among others. Born and raised in Nolensville, Tennessee, Stevenson honed her industry acumen during her time at Belmont University, where she earned a bachelor’s degree in Music Business and gained valuable experience through roles at CMT, Warner Brothers Records, Bill Silva Entertainment and SoundExchange. In 2015, she founded JV Writer Management, successfully supporting the careers of award-winning songwriters Jessi Alexander and Jon Randall. At WCM, Stevenson champions diverse talent across genres, identifying and developing the next generation of hitmakers. While dedicated to her professional endeavors, Stevenson finds her greatest joy in motherhood and family.
Julie Sturdivant
Julie Sturdivant – Music Brand Partnerships Executive, CAA
Julie Sturdivant is a Music Brand Partnerships Executive at Creative Artists Agency (CAA) in Nashville, leading brand collaborations for artists like Jelly Roll, Cody Johnson, Keith Urban and Kelsea Ballerini. Over the past year, she orchestrated major partnerships, including Jelly Roll’s multi-year deal with HeyDude, Warren Zeiders’ ambassadorship with Wild Turkey’s 101 Bold Nights and Koe Wetzel’s collaboration with Rock & Roll Denim. She also brokered Charley Crockett’s campaign with The Alamo Foundation and Aaron Watson’s Texas-sized Super Bowl commercial with HEB. Sturdivant began her career on-air at KOST 103.5 in California before joining Universal Music Group-Interscope Records, where she worked on campaigns for Lady Gaga, All American Rejects and Black Eyed Peas. She later built a reputation for innovative marketing during her 12 years leading Marbaloo Marketing. With expertise spanning radio, global marketing and digital innovation, Sturdivant continues to create impactful partnerships in music.
Drew Baldridge Launches ‘The Tough People Fund’
/by Lorie HollabaughPictured: Drew Baldridge & Baker; Photo: Mike Rodway
Drew Baldridge has launched “The Tough People Fund,” a GoFundMe campaign that will aid individuals, families and communities experiencing the toughest of times.
The campaign launched yesterday (Feb. 4), directing efforts towards raising funds for a young fan, Baker, who is bravely battling cancer. Baldridge was moved when he learned that Baker found strength in his song “Tough People” as she underwent her treatments. Inspired by her resilience, he decided to take action and use his platform to support Baker and raise awareness for her fight.
“Baker’s diagnosis is heart-wrenching. Only 15-20% of pediatric leukemia cases are T-cell, and within that group, just 11-12% have the ETP markers, which make her case even rarer and harder to treat. This cancer is aggressive and complex, and the odds are stacked against her,” explains Baldridge. “But here’s the truth: Baker is not a statistic. She is a fighter. A warrior with an unstoppable spirit and the unwavering support of her family, friends, and community. Right now, Baker is undergoing Phase 2 chemotherapy, which is even more intense than the treatments she’s already been through. The road ahead is long, but we believe in her strength—and we know that together, we can help her win this fight.”
The fundraiser is live now here and, putting his money where his mouth is, he kicked off the campaign on World Cancer Day with a $1,000 donation of his own.
“Tough People,” co-written by Baldridge, Luke Combs, Adam Sanders, and Jordan Walker, is already making a significant impact at radio, currently climbing the charts and nearing the Top 15.
Allie Colleen Celebrates Season Of Growth On New EP ‘Sincerely, Rolling Stone’
/by Lorie HollabaughPhoto: Moments By Moser Photography
Allie Colleen is kicking off the new year with her new five track EP, Sincerely, Rolling Stone, set for release February 21.
The reflective, deeply personal project includes tracks co-written by Colleen with Stephen Hunley, Eric Dodd, Megan Barker and more. A limited edition vinyl of the album is available for pre-sale now.
“I wanted to return to my roots of creating—creating something that reflects how I feel,” explains Colleen. “In the world of commercial music, everyone wants something they can relate to, something that feels like it was written specifically for them. Growing up, I didn’t have the luxury of relating to the people around me. I felt very isolated in my world, shaped by my childhood experiences. This year, I’ve experienced heartbreak in a way I never have before. I’ve faced loss and isolation so profound that I don’t know how to make you relate to it. These songs, however, are for me. I don’t know if anyone on this planet will connect with them, but they saved my life in one way or another and played a pivotal role in my recent season of growth.”
Sincerely, Rolling Stone Track List:
1. “Rolling Stone” (Allie Colleen, Stephen Hunley, Eric Dodd, Connor Sweet)
2. “Grass On The Grave” (Alyssa Trahan, Krystal Polychronis, Craig Wilson, Allie Colleen)
3. “Oklahoma Mountains” (Allie Colleen, Matt Wynn, John Kraft)
4. “Household Name” (Allie Colleen, Eric Dodd, Stephen Hunley)
5. “Nicotine” (Allie Colleen, Megan Barker, Lockwood Bar)
Mike Curb Donates Funding For New Student Recording Facility At UCLA
/by Madison HahnenMike Curb
Mike Curb, former Lieutenant Governor and acting Governor of California, as well as a music industry veteran, has funded the construction of a new student recording facility at UCLA’s Herb Alpert School of Music, which will begin in 2025. This contribution continues the long-standing philanthropic partnership between the Mike Curb Foundation and the School of Music, which has spanned over ten years. The facility will be housed in the Evelyn and Mo Ostin Music Center.
“I am very pleased to extend my commitment to create a creative lab space that will serve as a training ground for young music professionals to hone their skills and master their craft at The UCLA Herb Alpert School of Music,” shares Curb. “We are proud to be joining our support with philanthropists and music industry pioneers Herb Alpert, Mo Ostin and Berry Gordy.”
The Mike Curb Foundation made its inaugural donation to the UCLA Herb Alpert School of Music in 2012, supporting the establishment of a computer music lab in the Ostin Music Center. This latest gift will fund a full renovation of that space, transforming it into the Mike Curb Student Recording Facility, which will include two new mixing/editing rooms and faculty studios.
“Mike Curb has a passion for educational philanthropy,” says Eileen Stempel, Dean of The UCLA Herb Alpert School of Music. “We are thrilled that he has provided our students with professional-level facilities to foster their development. This will be a significant enhancement for our music industry program.”
Since becoming an independent school in 2016, the UCLA Herb Alpert School of Music has been recognized as one of the top music business schools by Billboard. In 2023, the school launched its own independent music industry program, taught by a faculty of academic researchers and industry professionals. The program leverages the school’s extensive resources, including two large theaters, one of the world’s most comprehensive collections of musical instruments, and the UCLA Music Library, the largest in southern California. In conjunction with the newly established Berry Gordy Music Industry Center, the program supports course development and provides students with internships and professional opportunities in the industry.
“Music industry students require professional level facilities to apprentice in, while also having their own creative space to experiment and explore their musical ideas,” adds Robert Fink, Special Academic Senior Associate Sean and Chair of the music industry program. “We are excited to be opening the Mike Curb Student Recording Facility, so we can provide our students even more opportunities to develop these industry critical skills.”
The Mike Curb Foundation’s donation aligns with its long-standing mission of supporting education and culture. Since its founding more than 20 years ago, the foundation has contributed over $200 million in grants to advance education, the arts, cultural preservation, homelessness relief and various community initiatives. Its charitable efforts reflects Curb’s commitment to giving back to the community and inspiring others to do the same.
Shaboozey Breaks Record For Most Weeks At No. 1 On Radio Songs Chart
/by Madison HahnenShaboozey. Photo: Daniel Prakopcyk
Shaboozey’s “A Bar Song (Tipsy)” extends its reign to a 27th week at No. 1 on Billboard’s Radio Songs chart, surpassing The Weeknd’s “Blinding Lights” to claim the record for the longest time spent at No. 1 in the chart’s history.
“A Bar Song (Tipsy)” previously spent a record-tying 19 weeks at No. 1 on the Billboard Hot 100, which factors in streaming, airplay and sales, starting in July of last year.
The track remains at No. 1 on the Radio Songs chart with an audience of 63.3 million for the week of Jan. 24-30, remaining mostly steady from the previous week, according to data from Luminate. The chart tracks all-format airplay across over 1,000 monitored radio stations. KDHT (Hits 95.7) in Denver has played the song the most, with over 4,000 spins to date.
“A Bar Song (Tipsy),” released via American Dogwood/EMPIRE with country radio promotion by Magnolia Music, topped the Country Airplay chart for seven consecutive weeks starting last August, marking the longest No. 1 streak for a debut single. It also continues to make history, remaining in the top 10 for a record-extending 31st week.
The song also made history as the first to break into the top five on Country Airplay, Pop Airplay and Adult Pop Airplay, where it spent two weeks at No. 1 on each chart, as well as Rhythmic Airplay, where it peaked at No. 3.
“There were many, many doubters of our ability to work this record at radio,” EMPIRE COO Nima Etminan shared to Billboard. “The industry loves telling independents that there’s a ceiling to what they can do on their own, and this was no different. We were told it can’t be done, and, as we like to do, we proved them wrong. We’ve assembled a fantastic team that we had full faith in – and they delivered.”