Bobby Karl Works The BMI Country Awards

BOBBY KARL WORKS THE ROOM
Chapter 474
BMI Winners
BMI Icon: Vince Gill
Songwriter of the Year: Rhett Akins
Publisher of the Year: Sony-ATV
Song of the Year: “Wagon Wheel”

Pictured (L-R): BMI Vice President, Writer/Publisher Relations Jody Williams; Song of the Year award scribe Ketch Secor; Sony/ATV Music Publishing Co-President Danny Strick; Sony/ATV Music Publishing  Nashville President and CEO Troy Tomlinson; Sony/ATV Music Publishing Chairman & CEO Martin Bandier; BMI Icon recipient Vince Gill; Songwriter of the Year winner Rhett Akins; BMI President & CEO Mike O' Neill; and BMI Assistant Vice President, Writer/Publisher Relations Clay Bradley

Pictured (L-R): BMI Vice President, Writer/Publisher Relations Jody Williams; Song of the Year award scribe Ketch Secor; Sony/ATV Music Publishing Co-President Danny Strick; Sony/ATV Music Publishing  Nashville President and CEO Troy Tomlinson; Sony/ATV Music Publishing Chairman & CEO Martin Bandier; BMI Icon recipient Vince Gill; Songwriter of the Year winner Rhett Akins; BMI President & CEO Mike O’ Neill; and BMI Assistant Vice President, Writer/Publisher Relations Clay Bradley


This year’s 62nd BMI country awards banquet was an evening-long lovefest for BMI Icon honoree Vince Gill.
The widely beloved songwriter, singer, instrumentalist, humanitarian and all-around great guy was saluted by video segments that repeatedly paused the procession of songwriters and publishers. In the middle of the gala, standing ovations greeted tribute performances by Ashley Monroe (“Whenever You Come Around”), Keith Urban (“I Still Believe in You”), Michael McDonald (“When I Call Your Name”) and a band rave-up (“Little Liza Jane”) with Keith, Ashley, John Hobbs, Paul Franklin and more.
Rhett Akins (second from right) accepts the award for Songwriter of the Year with BMI Assistant Vice President, Writer/Publisher Relations, Clay Bradley, BMI President and CEO Mike O'Neill, and BMI Vice President, Writer/Publisher Relations, Jody Williams onstage at the BMI 2014 Country Awards at BMI on November 4, 2014 in Nashville, Tennessee. Photo:  Rick Diamond/Getty Images for BMI

Rhett Akins (second from right) accepts the award for Songwriter of the Year with BMI Assistant Vice President, Writer/Publisher Relations, Clay Bradley, BMI President and CEO Mike O’Neill, and BMI Vice President, Writer/Publisher Relations, Jody Williams onstage at the BMI 2014 Country Awards at BMI on November 4, 2014 in Nashville, Tennessee. Photo: Rick Diamond/Getty Images for BMI


Even Songwriter of the Year winner Rhett Akins gave a shout-out: “Vince, I’m asking you in front of this whole town, will you write songs with me?”
The Publisher of the Year was Sony/ATV. This was the company’s 13th consecutive win and its 38th win throughout BMI history. It published 28 of the night’s 50 most-performed BMI songs.
The Song of the Year winner was “Wagon Wheel,” written by Old Crow Medicine Show’s Ketch Secor based on a song fragment by SESAC affiliate Bob Dylan. Singer and Secor’s fellow Opry star Darius Rucker joined the happy tunesmith on the BMI stage.
Vince Gill is honored as a BMI Icon. Photo: Rick Diamond/Getty Images

Vince Gill is honored as a BMI Icon. Photo: Rick Diamond/Getty Images


Unlike the other performance-rights banquets, BMI attracts dozens of fans. They gather across the street to cheer the red-carpet arrivals of the awesome number of celebrities who attend this annual fiesta. Let’s try this alphabetically – Gary Allan, Deborah Allen, Bill Anderson, Rodney Atkins, Frankie Ballard, The Band Perry, Lee Brice, Kix Brooks, Marty Brown, Luke Bryan, Billy Burnette, Kristian Bush, Sam Bush, Eric Church, Easton Corbin, Dean Dillon.
There was no one representing the letter “E” (this year), but the parade continued with Florida Georgia Line, Larry Gatlin, Brantley Gilbert, Gill, Gloriana’s Rachel Reinert, Amy Grant, Hunter Hayes, Faith Hill, J.T. Hodges, Randy Houser and new Valory signee Levi Hummon. No letter “I.” Brett James, Nicole Kidman, Miranda Lambert, Scotty McCreery, Del McCoury, McDonald, Tim McGraw, Shane Minor, Monroe, Justin Moore, Kip Moore, Kacey Musgraves.
Ashley Monroe performs ?? in tribute to Vince Gill. Photo: John Russell/BMI

Ashley Monroe performs “Whenever You Come Around” in tribute to Vince Gill. Photo: John Russell/BMI


Nashville TV stars Chip Esten, Sam Palladio and Chaly Rose mingled with John Oates, Old Crow’s Secor, Jake Owen, Randy Owen, Lee Roy Parnell, Angaleena Presley and Eric Paslay, plus Rascal Flatts members Jay DeMarcus and Joe Don Rooney, Thomas Rhett, Rucker, Thom Schuyler, Blake Shelton, Jeffrey Steele, Natalie Stovall, Cole Swindell, Thompson Square, Josh Turner, Urban, Laura Veltz, Clay Walker, The Warren Brothers, Lari White, Holly Williams, Charlie Worsham and Chris Young. Sorry, no “X” or “Z.”
The youngest performer attendee was 10-year-old singing sensation Emi Sunshine, who greeted well wishers in satin. Sandi Spika Borchetta led the red-carpet fashion statements in a skin-tight top and stretch pants with a wide belt, sky-high-heeled boots and a cropped faux-fur jacket with sparkly sleeves. Kimberly Perry was a knockout in a strapless floor-length black gown that flared below the hips into a huge white floral pattern. Nicole Kidman’s black gown was a mini in front and calf-length in back with a high collar, capped sleeves and floral appliques on the bodice. Her red droplet earrings perfectly matched her lipstick.
Pictured (L-R0: Vince Gill, Amy Grant, Keith Urban, and Nicole Kidman. Photo: Rick Diamond/Getty Images for BMI

Pictured (L-R): Vince Gill, Amy Grant, Keith Urban, and Nicole Kidman. Photo: Rick Diamond/Getty Images for BMI


Trey Fanjoy wore a sequined evening coat over a pewter-toned blouse. Leslie Tomasino DiPiero was sentimentally wearing a scarf that used to belong to BMI’s late, great Frances Preston over her black, Grecian-cut crepe dress. Diane Pearson rocked an ice blue, flared, knee-length peau de soie dress and matching boots. Nicolle Galyon was in draped white chiffon with shoulder cascades. Sylvia Roberts was groovy in black, thigh-high boots with cut-outs, a sequined mesh top over a shift and an overblouse with feathered cuffs. Kacey Musgraves glowed and flowed in a diaphanous peach-toned, layered, floor-length gown. Lori Badgett chose a silver-sequined sheath.
“Welcome to our house,” said BMI’s Jody Williams. “You all look beautiful. This room looks beautiful.”
The BMI parking garage was disguised with creative lighting, mirrored columns, chandeliers, glass globes holding blooms and chains of greenery. Votive-holding candelabra centerpieces entwined with flowers and vines embellished the tables.
BMI 2014 Country Awards

Ketch Secor, Darius Rucker and their creative team accept the award for Song of the Year for the song “Wagon Wheel” at the BMI 2014 Country Awards. Photo: John Russell/BMI


“Look at this room!” said BMI CEO Michael O’Neill. “Best parking lot in Nashville!”
“This is the Big Time, and you have arrived,” boasted BMI’s Clay Bradley. “Nashville is diverse, dominant and brilliant, and it’s all because of you.”
Dressed for success were Bobby Pinson in a vivid red jacket, Angelo sporting a wide-brimmed chapeau and Brett James in zipped-up black leather. Rusty Gaston accented his black-on-black look with a white bow tie and pocket handkerchief. Jeffrey Steele was classy in a short, black, western-cut jacket with silver-swoosh darts over a bright blue shirt.
BMI Icon honoree Vince Gill, songwriter Ketch Secor, and Songwriter of the Year winner Rhett Akins. Photo:  John Russell/BMI

BMI Icon honoree Vince Gill, songwriter Ketch Secor, and Songwriter of the Year winner Rhett Akins. Photo: John Russell/BMI


Top honoree Vince Gill was wearing a black cardigan sweater. O’Neill said that listening to Gill was what converted him into being a country fan. Chris Young’s first concert was Vince Gill at Starwood. Charlie Worsham proclaimed Vince his hero and biggest influence.
“You’re a singer’s singer,” said Keith Urban to the Icon. “You’re a guitar player’s guitar player. You’re a songwriter’s songwriter.”
“There are dozens of examples of his generosity that never make the news,” related Jody Williams. “If that’s not an Icon, I don’t know what is.”
“I can’t think of anyone who holds the respect of this town more,” commented Michael McDonald.
Pictured (L-R): Miranda Lambert and Blake Shelton at the BMI Country Awards. Photo by Rick Diamond/Getty Images for BMI

Pictured (L-R): Miranda Lambert and Blake Shelton at the BMI Country Awards. Photo by Rick Diamond/Getty Images for BMI


“In every sense of the word, Vince Gill embodies what it means to be a BMI Icon,” added O’Neill. He cited the superstar’s 27 BMI songwriting awards, 24 “Million-Air” songs, 20 Grammy Awards, 18 CMA statuettes, five consecutive CMA Male Vocalist wins, Opry membership, Country Music Hall of Fame and Nashville Songwriters Hall of Fame inductions, a star on the Hollywood Walk of Fame and 26 million in record sales.
“I’d give all this up if I had to lose so many great friendships,” responded Vince. “That’s been the greatest gift of all.”
Songwriter of the Year Rhett Akins also cited his many songwriting friends/collaborators, including son Thomas Rhett, as well as his brothers. They were his first co-writers, “sitting in my room in Valdosta, playing my guitar….This is like as far away [from that as] from Earth is to Jupiter,” Rhett said. “You could never dream of doing this.
Rodney Clawson (L) and Nicolle Galyon attend the BMI 2014 Country Awards. Photo: John Russell/BMI

Rodney Clawson and Nicolle Galyon attend the BMI 2014 Country Awards. Photo: John Russell/BMI


“Last year, I sat out there and won zero awards. This year, I won seven. There’s only 50 of these given out every year….To all you songwriters who didn’t win tonight, write your butts off. You never know what could happen.” His seven winners were “Point at You” (Justin Moore), “Parking Lot Party” (Lee Brice), “Boys ‘Round Here” (Blake Shelton), “I Can Take it From There” (Chris Young), “Hey Girl” (Billy Currington), “It Goes Like This” (Thomas Rhett) and “When She Says Baby” (Jason Aldean).
Taking it all in were Tony Brown, Tony Conway, John Lytle, John Ingrassia, Joe Galante, Joey Moi, Even Stevens, Steve & Ree Guyer-Buchanan, Steve Lowery, Kay West, Wes Vause, Will Rambeaux, Bill Denny, Billy Falcon, Rose Falcon, Chuck Cannon, Carson Chamberlain, Luke Laird, Dallas Davidson, Scott Stem, Fred Foster, Frank Rogers, Ken Levitan, Kevin Neal, Kerry O’Neill and Larry McCormack.
Pictured (L-R): BMI Vice President, Writer/Publisher Relations Jody Williams, Reid Perry, Kimberly Perry, BMI President and CEO Mike O'Neill, Neil Perry, and BMI Assistant Vice President, Writer/Publisher Relations Clay Bradley. Photo: John Russell/BMI

Pictured (L-R): BMI Vice President, Writer/Publisher Relations Jody Williams, Reid Perry, Kimberly Perry, BMI President and CEO Mike O’Neill, Neil Perry, and BMI Assistant Vice President, Writer/Publisher Relations Clay Bradley. Photo: John Russell/BMI


We dined on stuffed shrimp, beef tenderloin with gravy, au gratin potatoes, asparagus and cherry tomatoes. All was tasty to such industry mavens as Recording Academy national execs Neil Portnow and Nancy Shapiro, the NMPA’s David Israelite, music-biz Washington insider Jim Free and Music Row’s Byron & Missy Gallimore, Jewel Coburn & Jason Morris, David & Karen Conrad, Marion Kraft, Rose Drake, Mark Wright, Blake Chancey, Larry Fitzgerald, B.J. Hill, Jordan Powell, Scott Borchetta and Tracy Gershon.
It was a good night for female tunesmiths. In addition to Kacey, Miranda, Nicolle Galyon, Kimberly Perry and Laura Veltz, the likes of Connie Harrington, Sarah Buxton and Lori McKenna picked up awards. So did Rodney Clawson, Lee Thomas Miller, Paul Jenkins and dozens more. Heritage songwriters in attendance included Dennis Morgan, Bob DiPiero, Gerry House, Hugh Prestwood, Rory Bourke and Roger Murrah.
Once again, the great Harold Bradley led his A-Team band to entertain one and all during dessert in the BMI lobby.
Tyler Hubbard of Florida Georgia Line, singer-songwriter Thomas Rhett, and Brian Kelley of Florida Georgia Line attend the BMI 2014 Country Awards. Photo: Rick Diamond/Getty Images for BMI

Tyler Hubbard of Florida Georgia Line, singer-songwriter Thomas Rhett, and Brian Kelley of Florida Georgia Line attend the BMI 2014 Country Awards. Photo: Rick Diamond/Getty Images for BMI


Brett Eldredge and Jana Kramer attend the BMI 2014 Country Awards. Photo: Rick Diamond/Getty Images for BMI

Brett Eldredge and Jana Kramer attend the BMI 2014 Country Awards. Photo: Rick Diamond/Getty Images for BMI

Urban, Lambert, Bentley Win Early Morning CMA Awards

awards14-logo-jpgKeith Urban, Miranda Lambert, and Dierks Bentley were early morning CMA Awards winners on Wednesday (Nov. 5). A couple of the awards winners  for the 48th annual CMA Awards were revealed in downtown Nashville, as Urban and Lambert made an appearance on Good Morning America. Prior to the duo performing their hit single, “We Were Us,” awards winners were announced for the categories of Musical Event of the Year and Music Video of the Year.
Lambert and Urban’s “We Were Us” won for Musical Event of the Year.
Dierks Bentley’s airplane antics in the video for “Drunk On A Plane” earned the clip Music Video of the Year honors. The video was directed by Wes Edwards.
After the awards winners were announced, Urban offered a short set of his hits for the Good Morning America crowd, including his 2006 song, “Stupid Boy.”
Additional CMA Awards winners will be revealed tonight during the 48th annual CMA Awards, which will air live at 7 p.m. from Nashville’s Bridgestone Arena.

ABC Counts Down '15 Songs That Changed Country Music'

Screen shot of Martina McBride performing "Stand By Your Man."

Screen shot of Martina McBride performing “Stand By Your Man.”


Last night (Nov. 3) ABC aired Countdown to the CMA Awards: 15 Songs that Changed Country Music with Robin Roberts. Artists including Kacey Musgraves, Lady Antebellum, Martina McBride and Hunter Hayes performed some of the classic songs that made the list. The show included expert commentary from MusicRow’s own Robert K. Oermann. See clips here.
According to ABC, the Top 15 songs showcased aren’t the best-selling songs of all time, nor are they just the revered classics. They are songs which helped transform country music through their musical significance, cultural influence, and ability to reach new audiences. The Top 15 list is not available for publication.
The special also includes appearances by Luke Bryan, Keith Urban, Tim McGraw, Brad Paisley, Dierks Bentley, Rascal Flatts, The Band Perry, Florida Georgia Line and Darius Rucker. 
The CMA Awards air live on ABC, tomorrow (Nov. 5).
YouTube video

Chevy, CMA Boost Music Education

(kneeling, l-r) Notes For Notes participants Will Flores and Cameron Cassel; (row 2, l-r) Sarah Trahern, CMA Chief Executive Officer; Joe Galante, CMA Foundation Board Chairman; Julian Lee, Notes For Notes Director of M.A.T.H; Jen Hodges and Mary-Grace Williams, Notes for Notes participating students; Damon Whiteside, CMA Senior Vice President of Marketing and Strategic Partnerships; Mike Weidman, Chevrolet National Promotions Manager. (back row, l-r) Jarrad James; Rod Hare, Co-Founder and Board Chairman of Notes For Notes; Jayda Carlton and Sentwuan Gooch, Notes For Notes; Phillip Gilley, Co-Founder and CEO of Notes For Notes; Mike Slay, Notes For Notes participating student.

Pictured (kneeling, L-R): Notes For Notes participants Will Flores and Cameron Cassel; (row 2, L-R): Sarah Trahern, CMA Chief Executive Officer; Joe Galante, CMA Foundation Board Chairman; Julian Lee, Notes For Notes Dir. of M.A.T.H; Jen Hodges and Mary-Grace Williams, Notes for Notes students; Damon Whiteside, CMA SVP of Marketing and Strategic Partnerships; Mike Weidman, Chevrolet National Promotions Manager. (back row, l-r) Jarrad James; Rod Hare, Co-Founder and Board Chairman of Notes For Notes; Jayda Carlton and Sentwuan Gooch, Notes For Notes; Phillip Gilley, Co-Founder and CEO of Notes For Notes; Mike Slay, Notes For Notes student


Music education is in the spotlight during CMA Awards Week, as the CMA and CMA Foundation announce a partnership with Notes for Notes to help construct music studios in Boys and Girls Club facilities across the U.S. CMA’s longtime partner, Chevrolet, is contributing additional funds to support the construction of a Notes for Notes studio in Detroit, Mich.
The CMA Foundation donated $20,000 to the Nashville Notes for Notes chapter in 2014 and has committed $375,000 to expand the program in 2015 to chapters in Atlanta, Austin, Brooklyn, Detroit, and San Francisco. Chevrolet has committed an additional $25,000 for the auto manufacturer’s hometown, Detroit.
Chevrolet is further supporting music education by highlighting the partnership during The 48th Annual CMA Awards, airing Wednesday, Nov. 5 on ABC.
“The CMA Foundation is beyond excited to launch our first multi-city investment with the Notes for Notes organization,” said Joe Galante, chair of the CMA Foundation Board of Directors. “Just as we did, Chevy saw a tremendous opportunity to support an organization making a difference in their hometown through music education.”
“As we prepare to celebrate our top-notch creative contributors it is important to be mindful of the next generation of musicians, artists, songwriters, and music fans,” said Sarah Trahern, CMA Chief Executive Officer. “Providing these children access to instruments and music professionals to develop their skills and gain an appreciation for music is an important part of our mission.”
To date, the CMA Foundation has awarded more than $10 million to organizations that support music education across the United States. The funds are donated on behalf of the artists who support CMA Music Festival each June, meeting fans and performing for free.

Surprise Guests Filled CMT's Second Annual #NextWomen Event

Pictured (L-R) front: Jana Kramer, Kelsea Ballerini, Rachel Farley, Mickey Guyton, RaeLynn, Angaleena Presley, Maddie Marlow (Maddie & Tae), Tae Dye (Maddie & Tae), Lindsay Ell, Kelleigh Bannen, Natalie Stovall; Back (L-R): Rose Falcon, Cassadee Pope, Lee Ann Womack, Leslie Fram, CMT SVP of Music Strategy, Kristen Kelly, Sarah Darling, Lauren Alaina, Danielle Bradbery. Photo: Rick Diamond/Getty Images

Pictured (L-R) front: Jana Kramer, Kelsea Ballerini, Rachel Farley, Mickey Guyton, RaeLynn, Angaleena Presley, Maddie Marlow (Maddie & Tae), Tae Dye (Maddie & Tae), Lindsay Ell, Kelleigh Bannen, Natalie Stovall; Back (L-R): Rose Falcon, Cassadee Pope, Lee Ann Womack, Leslie Fram, Kristen Kelly, Sarah Darling, Lauren Alaina, Danielle Bradbery. Photo: Rick Diamond/Getty Images


Although Brandy Clark was unable to perform at CMT’s Next Women of Country event due to an illness, surprise guest Shane McAnally took the stage at Nashville’s City Winery to offer remarks about the CMA New Artist of the Year nominee, whose story is inspiration for all women in the Country genre today. “Brandy has the lowest charting single in history to be nominated for a CMA,” he said of the track on her independent project 12 Stories, because it was not promoted to radio. McAnally noted that every label in town had the opportunity to put out her album but said, “We don’t know what to do with it.” Perhaps, he said, the same perception Kitty Wells, Shania Twain or Loretta Lynn may have received before Clark. The industry darling has recently been signed to Warner Bros. Records in Los Angeles.
Because of the uphill battle for women in today’s male-dominated format, Leslie Fram, SVP of Music Strategy at the Viacom company, started the women’s event in 2013 as a way to support women across all of CMT’s platforms.
This year’s second annual event was co-hosted by Fram and Lee Ann Womack, who unfortunately did not sing. “I love when women can support other women,” said Womack in her introductory remarks after surprise guest Gavin DeGraw welcomed her to the stage.
Kelsea Ballerini, Mickey Guyton, RaeLynn and Maddie & Tae performed as the new class of Next Women of Country initiative. Current inductees include 25 artists. Of those, Angaleena Presley, Lindsay Ell, Jana Kramer, Natalie Stovall, and Kelleigh Bannen also performed at the 2014 event, while many others attended.
Jewel made a special appearance as a newly announced mentor for the initiative, offering lessons from her 20 years in the evolved business. “I really think this is cyclical and women will again be played,” she said, addressing the young stars. “In the meantime we need to make sure we’re signing enough women. You have to know the business to protect your art, but the business can be every bit as creative as the music.” She stressed the importance of directing your team by communicating your vision, because fans don’t fall in love with a single, they fall in love with an emotional connection to artists as lifestyle brands. “Arrogance is the antithesis to art, so stay hungry and educated…My mind doesn’t have a sex. Women can be taken seriously as writers. Don’t worry about being the cute next thing because your thoughts are your fingerprint.”
Chris Loss, Stoney Creek’s VP, Promotion introduced the label’s triple-threat, Ell, who sang “Shut Me Up.” Pres./CEO of Warner Music Nashville John Esposito revealed Kramer, who sang “I Got The Boy,” off a forthcoming 2015, Scott Hendricks-produced album.
Dot Records GM Chris Stacey introduced the imprint’s first signing, Maddie & Tae. The 19 year olds sang the top 10 single “Girl In A Country Song,” which was noted as the fastest moving and selling since one by Taylor Swift. Recently promoted SVP of Promotion at Valory Music Co., George Briner, introduced RaeLynn, who sang the highest charting debut single for a solo artist, “God Made Girls.”
UMG Nashville Chairman/CEO Mike Dungan introduced Guyton and Bannen. Guyton performed the self-penned “Better Than You Left Me,” which she debuted at CRS in 2013. The single version is expected to impact in January, and Dungan noted that 75 percent of the stations that have heard it have committed to adds. He praised Bannen, saying she “sings in a range that’s different.” She is working with producers Jason Lehning and Jedd Hughes on her album, which is expected to include “Church Clothes,” the extraordinary title she performed.
Ballerini, introduced by CEO of Black River Entertainment Gordon Kerr, flawlessly performed “Stilettos.” Presley took the stage for “Pain Pills,” the video for which recently premiered on CMT. Stovall, who will appear on the CMA red carpet and in a commercial during the ABC-TV broadcast, offered “We Are” with an introduction by Cumulus’ Brian Thomas.
Fram pleaded with McAnally to conclude the event in Clark’s absence with a performance of his co-written “Merry Go Round,” to which he agreed but not before quipping, “Seems weird to be singing for the Next Women of Country event, but some of my close friends would say, ‘close enough.’”

Industry Pics: Stuart Duncan, No Shave November, Marshall Tucker Band

Stuart Duncan, who has recorded with the likes of Elvis Costello, Emmylou Harris, Alan Jackson, Alison Krauss, John Prine, Robert Plant, George Strait, Barbra Streisand and many others, was honored as part of the Museum’s quarterly program Nashville Cats: A Celebration of Music City Musicians on Saturday, Nov. 1. The discussion, led by Bill Lloyd, covered Duncan’s extensive career and included vintage recordings, photos and film clips from the Museum’s Frist Library and Archive.

Pictured (L-R): Steve Gibson, Abi Tapia, Bill Lloyd, Eddie Bayers, Alison Krauss, Stuart Duncan, Dan Tyminski, John Hobbs, Jerry Douglas, and Ali Tonn. Photo: Donn Jones

Pictured (L-R): Steve Gibson, Abi Tapia, Bill Lloyd, Eddie Bayers, Alison Krauss, Stuart Duncan, Dan Tyminski, John Hobbs, Jerry Douglas, and Ali Tonn. Photo: Donn Jones

• • •

Participants of the fourth annual No Shave November benefiting St. Jude Children’s Research Hospital united at the CMA building in Nashville on Friday, Oct. 31, to capture their freshly shaved faces before the competition was underway. Music industry and radio station professionals, along with some of today’s hottest country stars have thrown away their razors for the month, and are allowing their facial hair to grow freely.
No Shave November is using all platforms to encourage the music industry to recruit as many men (and dedicated women) as possible to join the team, and to donate at least $30 to St. Jude Children’s Research Hospital. This year, Lady Antebellum’s Dave Haywood, has been appointed as 2014 Chairman of the Beard. In 2013, NSN raised an impressive $220,000 for the organization, with $396,000 raised over the past three years to support St. Jude. Capping off the campaign, awards will be given for best beard, the worst beard and many more during the celebrated “Beard Bash” in Music City on Dec. 1.

Celebrities and music industry professionals gathered at the CMA office building on Friday, October 31st to capture their freshly shaved faces in support of No Shave November. Photo: Christian Bottorff

Celebrities and music industry professionals gathered at the CMA office building on Friday, October 31st to capture their freshly shaved faces in support of No Shave November. Photo: Christian Bottorff

• • •

On Tuesday, Oct. 21, Marshall Tucker Band lead singer Doug Gray made a pitstop in Nashville to promote the iconic southern rock group’s newly released vintage live album, Live! From Englishtown. Gray stopped by the CMA offices to meet staff members and deliver copies of the album.

Pictured (L-R) Back Row: Brandi Simms, Mary Gellott, Brenden Oliver, Angela Brown, Justin Randall,  Kris Kennedy, Mary Ann Dicks, Ken Sanderson. Front Row: Chris Crawford, Mandi Naylor, Mechalle Myers, Doug Gray, Diane Enright, Ben Balch, Don Murry Grubbs. Photo: Christian Bottorff/CMA

Pictured (L-R) Back Row: Brandi Simms, Mary Gellott, Brenden Oliver, Angela Brown, Justin Randall, Kris Kennedy, Mary Ann Dicks, Ken Sanderson. Front Row: Chris Crawford, Mandi Naylor, Mechalle Myers, Doug Gray, Diane Enright, Ben Balch, Don Murry Grubbs. Photo: Christian Bottorff/CMA

RIAA, CMHoF Commemorate Country Music's Diamond-Selling Albums

RIAAEleven Country music albums, including projects from Garth Brooks, Patsy Cline, Shania Twain, Kenny Rogers and The Dixie Chicks, have reached the rare feat of selling 10 million albums each. The Recording Industry Association of America presented the Country Music Hall of Fame and Museum with a special jewel box case to commemorate these landmark recordings.
The recordings include Shania Twain’s Up! and Come On Over, The Dixie Chicks’ self-titled project, Kenny Rogers’ Greatest Hits, Patsy Cline’s 12 Greatest Hits, and six titles from Garth Brooks–Garth Brooks, No Fences, Ropin’ The Wind, The Hits, Double Live, and Sevens.
The Recording Industry Association of America (RIAA) created its Gold & Platinum Awards Program in 1958 to honor artists and create a standard to measure the commercial success of a sound recording. In 1999, the RIAA further expanded the G&P Program by creating a Diamond Award honoring U.S. sales of 10 million or more copies of an album or single. The list of more than 110 Diamond titles, across all genres of music, represent an audio almanac of the last half century.

New West Opens Nashville Office Led By John Allen

John Allen. Photo: Rebecca Ward.

John Allen. Photo: Rebecca Ward.


Veteran music industry executive John Allen has been appointed President of notable independent label New West Records, New West Independent Music Publishing and its developing artists imprint, Normaltown Records. Allen joins New West from BMG Chrysalis where he was Vice President. He will open New West’s first Nashville office, bolstering its offices in Los Angeles and Athens, Ga.
“I have known John Allen for as long as I have been in this business and there is no one I respect more than him,” said owner of New West Records, George Fontaine, Sr. “New West is extremely fortunate to bring John on board to lead the label in our future endeavors.”
“I’ve worked with George Fontaine and New West Records for years and I have always been impressed with their unbridled passion for quality music and the integrity in which they run their business,” said Allen. “I’m thrilled to be part of the New West family.”
Allen has had a longstanding relationship with New West for more than a decade as publisher to many of the label’s artists including Buddy Miller, Rodney Crowell, The Devil Makes Three, The Whigs and Nikki Lane.
Allen has more than two decades of industry experience and brings an extensive knowledge of music publishing, rights management, licensing, songwriting and A&R expertise.
Allen began his career in publishing at Bug Music Publishing as Creative Director in 1995. He rose to Vice President, and when Bug merged with BMG Chrysalis in 2012 he became a leader in the expanded company. He is a graduate of Vanderbilt University, where he studied classical guitar on a full scholarship.
A member on the Board of Directors of the Americana Music Association for the last 10 years, Allen has also served on the Board of Directors of Leadership Music and is a founding board member of the Nashville Chapter of the Association Of Independent Music Publishers.
New West boasts a number of Grammy®-award winning artists including Buddy Miller, Delbert McClinton, Patty Griffin, Steve Earle and Tom Morello and is home to an eclectic roster including Anthony D’Amato, Austin Lucas, Ben Miller Band, Buddy & Julie Miller, Buxton, Corb Lund, Daniel Romano, Floating Action, Grandfather Child, Hamell On Trial, Howe Gelb, John Hiatt, Luther Dickinson, Max Gomez, Nikki Lane, Pegi Young, Ponderosa, Randall Bramblett, Richard Thompson, Robert Ellis, Stephen Bruton, The Devil Makes Three, The Flatlanders, The Mastersons, The Whigs, Wild Moccasins and Young Rebel Set. New West Records has also released several movie soundtracks including the Grammy®-Award winning Crazy Heart Original Motion Picture Soundtrack.

Exclusive: Vector Details New Management Venture

Vector-Eats-LogoKen Levitan has opened Vector Eats, a chef and personality division of his longstanding artist management company. The venture brings in manager Andrew Chason to a resource pool of 70 employees in place at Vector Management’s Los Angeles, Nashville, New York and London offices.
“We were working with Jonathan Waxman and of course Trisha Yearwood, who considers herself a cook not a chef,” Levitan explained to MusicRow in an exclusive interview with Waxman at their co-owned Adele’s restaurant in Nashville. “Andrew already managed Aaron Sánchez and John Besh.”
In all, the chef roster boasts 10 clients, seven of whom have been nominated for James Beard Awards over the years, with four wins among them. In addition to the aforementioned chefs, the lineup includes Graham Elliot (Chicago-based), Andrew Carmellini (New York-based), Chris Cosentino (San Francisco-based), Amanda Freitag (New York-based), Alex Thomopoulos (Los Angeles-based) and Aliya LeeKong (New York-based).

Pictured (L-R): Connie Britton, Bobby Bare Jr, Nathan Followill (Kings of Leon), Jonathan Waxman, Ken Levitan and Andy Mendelsohn. Photo: Rick Diamond

Pictured at the Music City Food + Wine Festival (L-R): Connie Britton, Bobby Bare Jr, Nathan Followill (Kings of Leon), Jonathan Waxman, Ken Levitan and Andy Mendelsohn. Photo: Rick Diamond


Nashville’s Music City Food + Wine Festival—put on by Levitan, his clients Kings of Leon, Waxman, and event company C3 Presents—is the perfect outlet to feature Vector’s music and culinary talents. Yearwood appeared at the event, where she discussed the fifth season of her Food Network cooking show, currently airing episodes recorded in Oklahoma. “Garth and I just moved back to Nashville,” she said. “Going forward, I’ll be on the road so I don’t know how the [taping] schedule will look.” Her third cookbook, cutlery collection and cookware line are forthcoming.
The music/culinary connection is widespread. Carmellini is Chef/Partner at Joe’s Pub (where the CMA Songwriters Series originated) and Elliot is Culinary Director for Chicago music festival, Lollapolooza. Waxman and Sánchez have already appeared on a music cruise out of Miami, Fla. with pop/rock group Train.
“It’s all a late-night business,” Levitan explained of artist management and chef management. “It’s about marketing, similar to music in that you’re taking a creative vision and establishing a brand. What’s important is working with a person who has a vision of who they are.”
As for Adele’s, if you haven’t been, go! Waxman’s seasonal menu changes daily, centering around his favorite dishes from his New York City restaurant Barbuto. Not to mention, the martinis are every definition of intoxicating. Beautifully refurbished, the previous tire store is located in the heart of Nashville’s burgeoning Gulch neighborhood.
Adele's

Adele’s


“I’m an early supporter of this area,” noted Levitan. “I own the Kayne Prime building and the Whiskey Kitchen building. I’m in The Southern and Five Guys—a handful of restaurants that I invested in even prior to Vector Eats.”
“If I was going to grow, I didn’t want to do it by myself,” explained Waxman. “It wouldn’t be fun to do it alone. Other pairs of eyes bring alternative visions, some look at branding, some worry about cooking, others look at longevity of the lease or even employer retention. If everyone’s focus on the same subject, then you’ll succeed.” Their third investor is Howard Greenstone.
“It’s hard to monetize creativity, propelling the brand forward and making it relevant year-after-year,” Waxman continued. “Music and cooks are in the same boat, if you don’t keep it relevant then people aren’t going to come.”
As for Levitan’s immediate future? “I’m enjoying the restauranting and hoping Jonathan and I do more of that, he has a great vision of what a restaurant should be.”
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What are the most lucrative parts of a chef’s career?
Levitan: In the music business I look at things as a puzzle, there’s different income streams— touring is the most lucrative. For chefs, TV is not always the most lucrative, but it provides visuals, which help branding. Jonathan has a number of restaurants, so that has become lucrative. There’s also a difference between restaurateuring and managing a personality. Sometimes it collides where you help a client find investment, but for the most part it’s about building a presence.
Waxman: My business went up 30 percent in 2009 after Top Chef. I didn’t want to do it at first, but it opened up opportunities that I never had before. A lot of people go into the restaurant business thinking they’ll make a quick buck. It’s a hard business because it’s fickle and driven by trends. People can sense if you’re not real.
Have chefs always required management?
Waxman: People have good representation, not as good as Ken, but they at least will have an agent. Many chefs start off as a dishwasher and work their way up. They understand food but may not have a mathematical background. Ken went to law school, giving him an understanding of finance, leasing, investing, permits, etc. That’s what makes a restaurant work.
Shep Gordon really started the trend for chefs to become stars. Also those who portrayed cooking as fun, like Emeril, Bobby Flay (who came out of Waxman’s kitchen) and Martha Stewart. Before the ’70s, restaurateurs hired chefs and took most of the notoriety. Nobody knew the rules in America so chefs could open their own restaurants. Chefs who learned to become businessmen were really inspirational for me.
Levitan, Sanchez and at the Music City Food + Wine preview event at Adele's.

Music City Food + Wine’s preview event at Adele’s.


What are Nashville’s culinary origins?
Waxman: You know who was really the pioneer? Margot [McCormack, of Margot Café  and Marché]. She’s the mom. She set the bar. Here’s a woman from Nashville, who went to [The Culinary Institute of America], worked in New York and decided to come back home and perfect her craft, which I think is the greatest thing. She was the first one to understand seasonality in Nashville, and not just Nashville but East Nashville. She also spawned a lot of cooks, like Tandy Wilson (City House). My chef and pastry chef [at Adele’s] are both from Margot. It’s all connected somehow.
Levitan: Coming from New York, being a food guy, for many years Nashville was a scarce place to be. There were a few good restaurants and I really enjoyed the meat and threes, and going out to Ashland City for catfish, but I didn’t even think there was a lot of great Southern food. I’ve been here since ’75. When The Palm opened, it was a revelation for the town. The boom has really been in the past five to ten years. Nashville is a great place and it’s only going to get better and better.

Upcoming Songwriter Events: Brandy Clark, Dean Dillon

Brandy Clark. Photo: David McClister

Brandy Clark. Photo: David McClister


CMA nominee Brandy Clark will make a special guest appearance at the Champions for a Cause concert on Thursday, Nov. 6 at Cabana Nashville.  Other performers include hit songwriters Matraca Berg, Deana Carter, Jim Collins, and Wendell Mobley.
Champions for a Cause is a breast cancer awareness 501(c)-3 foundation co-founded by UT Lady Vol head coach, Holly Warlick.
Warlick will host the evening’s benefit concert and silent auction which begins with a cocktail reception at 6:30 p.m. For tickets please visit championsforacause.org
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mountain high music fest11BMI Icon Honoree and ACM Poet Award Honoree, singer-songwriter Dean Dillon has parntered with LMG, BMI and Elevation Hotel and Spa to crete Mountain High Music Festival, to be held Jan. 14-18, 2015 in Crested Butte, Colo.
Hosted by GAC and SiriusXM on-air personality Storme Warren, the lineup includes Robert Earl Keen, Lee Brice, Rodney Clawson, Thompson Square, Nicolle Galyon, Brooke Eden, Sonia Leigh, Due West, Collin Lake, The Crowlin Ferlies, Chris Coady, Bill Dowell, and event host Dean Dillon.
Tickets to this year’s event can be purchased at www.mountainhighmusicfest.com and through Eventbrite at www.eventbrite.com.