In Pictures: NSAI Takes Copyright Reform Concerns to Congress

Leaders of the Nashville Songwriters Association International (NSAI), including Bart Herbison, Ashley Gorley, and Lee Thomas Miller, were in Washington, D.C. this week for meetings with more than a dozen members of Congress to discuss copyright reform.

Pictured (L-R): Songwriter Ashley Gorley, U.S. Register if Copyrights Maria   Pallante, NSAI President Lee Thomas Miller, Copyright Office General Counsel Jacqueline Charlesworth and NSAI Executive Director Bart Herbison. 

Pictured (L-R): Songwriter Ashley Gorley, U.S. Register if Copyrights Maria Pallante, NSAI President Lee Thomas Miller, Copyright Office General Counsel Jacqueline Charlesworth and NSAI Executive Director Bart Herbison

Ashley Gorley and Lee Thomas Miller play for staff at the U.S. Copyright Office.

Songwriters Ashley Gorley and Lee Thomas Miller play for staff at the U.S. Copyright Office.

Ashley Gorley performs for Congresswoman Judy Chu and staff.

Songwriter Ashley Gorley performs for Congresswoman Judy Chu (D-CA) and staff.

Levi Hummon Celebrates EP Release In Nashville

LeviHummon

Levi Hummon celebrated the release of his self-titled EP on The Valory Music Co. Wednesday night (April 20), performing new tunes for his hometown crowd at 12th and Porter. The Nashville native entertained fans, friends and industry members with a 45-minute set. Hummon shared stories about some of the original songs he penned for the project then covered some of his musical influences such as Kenny Chesney and Keith Urban.

Hummon co-wrote Steven Tyler’s current single, “Red, White and You,” and will tour in support of his EP beginning April 25, including markets such as San Diego, Los Angeles, San Francisco, Dallas, New York, and Seattle. Later this year, he will join Billy Currington’s Summer Forever Tour on select dates.

Levi Hummon EP Tracklisting:

1. “Life’s For Livin’” (Levi Hummon, Matt Jenkins, Jimmy Robbins)
2. “Chain Reaction” (Levi Hummon, Jon Nite, Jimmy Robbins)
3. “Love You Hate You Miss You” (Ryan Hurd, Jimmy Robbins, Laura Veltz)
4. “Guts And Glory” (Levi Hummon, Tom Douglas, Travis Hill)
5. “Window Down Days” (Levi Hummon, Jon Nite, Jimmy Robbins)

Levi Hummon celebrates his EP release at 12th & Porter in Nashville. Photo: The Valory Music Co.

Levi Hummon celebrates his EP release at 12th & Porter in Nashville. Photo: The Valory Music Co.

 

Exclusive: Cole Swindell On Success, Creative Depth, And Sophomore Album

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Cole Swindell’s self-titled debut album earned the singer-songwriter considerable early career success, including four No. 1 singles, “Let Me See Ya Girl,” “Hope You Get Lonely Tonight,” “Ain’t Worth The Whiskey” and “Chillin’ It.” The debut project was certified platinum by the RIAA and Swindell’s music has amassed more than 250 million streams, with 4.2 million tracks sold. He took home the Academy of Country Music’s New Artist of the Year trophy in 2015.

This year, Swindell is eager to build on those early stats with his forthcoming sophomore project, You Should Be Here, which releases May 6 on Warner Bros./Warner Music Nashville. The album’s title track and debut single—an intensely personal song that focuses the loss of Swindell’s father in 2013–has already become Swindell’s fifth consecutive No. 1 song.

“It was a title that [songwriter] Ashley Gorley had,” Swindell recalls about writing “You Should Be Here.” “We were up in Foxboro [Massachusetts], playing at Gillette Stadium [as part of Luke Bryan’s That’s My Kind of Night Tour]. Ashley had texted a picture to his daughter of us at the stadium and said, ‘You should be here.’

“I immediately said, ‘Please let me write that with you.’ Because all I could think about was my dad and I hadn’t written about it yet. We wanted it to be where it wasn’t just about me. A lot of other people have obviously been through that. And through things way worse than what I’ve been through. I had chills on my arms the entire time we were writing that. That doesn’t happen at every writing appointment and I don’t think it can be like that, because it was something so personal to me. It didn’t take that long to write, but it was emotional. I knew if it was hitting me like that, that it would hit other people that have been through the same thing. It’s my favorite song I’ve ever written.”

“You Should Be Here” became a quality benchmark as Swindell co-wrote and searched for songs to round out the album. Seven Swindell co-writes made the final project.

“It seems like it takes a while for an artist to release a song that makes a statement like that, maybe not even on a second album. But for me, writing as much as I do, and having so much success off the last album, I had to go somewhere that I hadn’t been. Nothing made more sense to me than [writing about] the most tragic thing I’ve ever been through.”

MusicRow's Troy Stephenson presents Cole Swindell with two MusicRow Challenge Coins for co-writing "This Is How We Roll" and "Roller Coaster."

MusicRow‘s Troy Stephenson presents Cole Swindell with two MusicRow Challenge Coins for co-writing FGL’s “This Is How We Roll” and Luke Bryan’s “Roller Coaster.”

Swindell namechecks tracks like “Broke Down” and “Remember Boys” from the upcoming project that live up to the standard.

“It’s got just an older, classical, gut string guitar and it doesn’t sound like anything I’ve done before,” he says of “Remember Boys.” “Sometimes the production can get in the way of a message that is powerful. With ‘Remember Boys’ I want people to hear every word of that song, and it’s just a stripped-down thing. Just the message of it, it’s where I am personally and in my career.”

One of the highlights on the album, a collaboration with Dierks Bentley titled “Flatliner,” is already receiving plenty of buzz.

“It’s so crazy,” says Swindell. “I wrote that with him in mind four years ago. I wrote it with Jaron Boyer and Matt Bronleewe. It sounded like something Dierks would record. So we recorded it like Dierks would. I sang the demo like Dierks…”

Bentley eventually heard the song, but it took a while for the two to record the track. “He texted me and said, ‘This is a smash,’ and I suggested we should record it together. We would joke about it when we would see each other, but you never know if it will happen. But he was serious about it and we made it happen. He’s a great guy. Just knowing how much his music influenced me, especially his first album, and every album. I’ve got every one of them. For me, Dierks is one of my favorites.”

“I was thankful I wrote ‘You Should Be Here,’ but I had to have 11 other great songs, and there are some subjects I didn’t touch on with the first album,” Swindell sums. “I think they are all great songs. I want to be a guy people will remember for a long time. If you listen to this album, you have a better idea of who I am.”

Nashville Offers Condolences After Prince’s Passing

Prince

After the passing of music icon Prince, who died at his suburban Minneapolis home on Thursday, April 21, the Nashville industry offered condolences. Many are compiled below and will continue to be added.

“One of my most vivid memories with [Prince’s] music is when we were on the Own The Night Tour with Darius Rucker. Every night, Darius would close his set with “Purple Rain.” This is kind of a light-hearted moment, but during one of the last shows on the tour, Charles [Kelley] went out dressed as Prince. Obviously, with Prince being much smaller in stature than Charles, who is like 6’ 6”, it was one of the most sweet, funny, hilarious moments. I don’t know how you really…there is no one comparable to him. That’s a really sad loss to hear about. So many people even to this day right now are in a room on this block somewhere are trying to emulate what he did. But thankfully we have a lot of really incredible music that we will never have to not have. That’s really sad.” — Hillary Scott, Lady Antebellum

LifeNotes: East Nashville Studio Co-Owner Candice Burnside Ferguson Passes

Photo: bondmemorial.com

Photo: bondmemorial.com

The Nashville alternative-music community has lost one of its most enthusiastic champions, Candice Burnside Ferguson.

She died at age 37 on Sunday, April 17. Ferguson was the co-owner, studio manager and engineer at Battle Tapes Recording in East Nashville. She was also a friendly fixture at Grimey’s Records.

Battle Tapes Recording’s clients have included such Music City alt-rockers as Turbo Fruits, Lambchop, Hard Working Americans, PUJOL, Forget Cassettes, Thelma & The Sleaze, Tristen, Be Your Own Pet, De Novo Dahl and Umbrella Tree.

She is survived by her husband, studio co-owner Jeremy Ferguson and by their 2-year-old daughter, Exie Elizabeth. Also mourning her loss are her brother Dennis Burnside Jr., sister Amanda Lea Burnside Proctor and her parents-in-law, Tom and Marybeth Ferguson.

Visitation will be 6-9 p.m. on Friday at Bond Memorial Chapel in Mt. Juliet, Tennessee, and on Saturday from noon to 2 p.m. Funeral services will be conducted at 2 p.m. Saturday, April 23, at Bond Memorial Chapel and internment will follow at Mt. Juliet Memorial Gardens.

Memorial contributions can be made to Exie Elizabeth’s college fund, 1424 Greenland Ave., Nashville, TN 37216.

Warner/Chappell Production Music Hosts Las Vegas Concert

Pictured (L-R): Randy Wachtler, President & CEO, Warner/Chappell Production Music; Greg Sowders, Sr. VP of A&R, Warner/Chappell; Jonathan Russell and Matthew Gervais of The Head and the Heart

Pictured (L-R): Randy Wachtler, President & CEO, Warner/Chappell Production Music; Greg Sowders, Sr. VP of A&R, Warner/Chappell; Jonathan Russell and Matthew Gervais of The Head and the Heart

Randy Wachtler, President and CEO of Warner/Chappell Production Music, hosted a private concert during the National Association of Broadcasters (NAB) event in Las Vegas on Monday night (April 18).

Held at The Rockhouse, the show featured Warner Bros. Records artists The Head and the Heart as well as Nashville singer-songwriter Meghan Linsey. NAB is one of the top five conventions by attendance in Las Vegas every year, with 100,000 participants expected in 2016, according to the Las Vegas Review-Journal.

Pictured (L-R): Randy Wachtler, President & CEO, Warner/Chappell Production Music; David Epstein, Director of Licensing, Trailers, Warner/Chappell Production Music; Meghan Linsey; Tyler Cain

Pictured (L-R): Randy Wachtler, President & CEO, Warner/Chappell Production Music; David Epstein, Director of Licensing, Trailers, Warner/Chappell Production Music; Meghan Linsey; Tyler Cain

 

Industry Ink: BMI, Webster PR, CMT

BMI Launches #MusicMonday

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BMI has launched BMI #MusicMonday, a playlist of songs curated by BMI’s Writer/Publisher Relations department, of what they are listening to at BMI each week. The playlist, which includes music from the worlds of pop, hip-hop, country, rock, Latin, R&B and more, will be updated each Monday with a fresh batch of tunes.

To listen each week, visit the #MusicMonday page at bmi.com.

 

Charley Pride Joins Webster PR

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Kirt Webster, President of Webster Public Relations, has announced Charley Pride as the latest artist to join the company for publicity representation. Pride celebrates his 50th anniversary as a recording artist this year.

A native of Sledge, Mississippi, Pride pursued a baseball career first, with stints on minor-league teams before injuring his arm. His musical talent was brought to the attention of Chet Atkins at RCA Victor in Nashville, and Pride’s debut single “The Snakes Crawl At Night” was released in 1966. Between 1966 and 1987, Pride amassed 52 Top 10 country hits, with 29 climbing to the No. 1 spot on Billboard‘s country chart.

 

CMT Names Courtney Cole As CMT Empowering Education Spokesperson

Courtney Cole

Courtney Cole

CMT has named Courtney Cole as its newest spokesperson for CMT Empowering Education campaign, which is now in its fourth year. Cole launched the first CMT Empowering Education event at Hazard Community and Technical College in Hazard, Kentucky. Cole, a recent Belmont University graduate, will headline 10 events this year at community colleges around the country, including a first stop at Northeast State Community College in Blountville, Tennessee, on Friday (April 22).

“I’m excited to partner with CMT on their Empowering Education initiative,” said Cole. “Music and education are a powerful combination. Having the opportunity to meet students and hear their stories is something I’m looking forward to!”

DISClaimer: Love and Theft, The Rifters Lead Country Variety Pack

Love-and-Theft-Whiskey-on-my-breath-CountryMusicRocks.net_We have a variety-pack of country styles today.

Keith Urban rocks. The Rifters are folky. Chris Janson has a country love ballad. Michael Martin Murphey has a cowboy song. Bonnie Bishop brings blue-eyed soul. Ray Scott portrays a smoldering outlaw. Tom Huddleston tries to channel The Hillbilly Shakespeare with an old-school sound.

Our contenders for Disc of the Day are Urban, Janson, Scott and our winners, Love and Theft.

The DisCovery Award goes to The Rifters. This New Mexico acoustic trio describes its sound as “blue-gramma-grass,” but it sounds like gently strummed contemporary country-folk to me.

THE RIFTERS/The Architecture of a Fire
Writers: D. Richmond/C. Pyle; Producer: The Rifters, Don Richmond; Publisher: none listed; Howlin’ Dog (track)
– The title tune of this trio’s current CD is a languid, hushed folk ode characterized by soft acoustic guitar/fiddle/steel/mandolin accompaniment and gentle vocal harmonies. It’s quite entrancing. Stay tuned for the even more hooky following track, “A Hundred Miles.”

Screen Shot 2016-04-21 at 9.37.04 AMEASTON CORBIN/Are You With Me
Writers: Tommy Lee James/Terry McBride/Shane McAnally; Producer: Carson Chamberlain; Publishers: Pretty Woman/Super Phonic/BMG Chyrsalis/Orbison/Turn Me On/Crazy Water/Little Blue Egg/Kobalt, BMI/ASCAP; Mercury (CDX)
-He dreams of freedom and days of joy. And he wants to know if she’s game to come along. This mid tempo outing has a juicy melody and a beefy production. Corbin’s vocal pleads, but lacks fire and desire.

KEITH URBAN/Wasted Time
Writers: Greg Wells/J. Hart/Keith Urban; Producers: Greg Wells/Keith Urban; Publishers: Firehouse Cat/BMG Gold/360/Ray Daniels/Jayded Ink/Songs of Universal/Mary Rose, ASCAP/SESAC/BMI; Capitol (CDX)
– Electronic throbbing and rocking percussion underscore Keith’s soaring tenor vocal performance. The best days of his life, he says, are summer wasted time. I get it. Sing on.

LOVE AND THEFT/Whiskey On My Breath
Writers: Stephen Barker-Liles/Adam Craig/Russell Dickerson/Mark McGuinn/Tyler Reeve/Trent Tomlinson; Producers: Josh Leo/Love and Theft; Publishers: Hate and Purchase/EMI April/Rockapop/Sony-ATV Tree/Internal Combustion/Atlas/Warner-Tamerlane/Kirbfinder’s Mucho Love/Brown Hound/Big Spaces/BootHeel/Big Mosquito/Amplified, ASCAP/BMI; Curb (CDX)
-Fabulous, stacked vocal harmonies. The stately ballad faces all the sins he’s committed. He knows he’s going to heaven anyway, but he needs to pull himself together because he doesn’t want to meet Jesus with whiskey on his breath. A terrific song, and an equally terrific performance. By all means, play this.

RAY SCOTT/High Road
Writer: Ray Scott; Producer: Dave Brainard; Publishers: Cherry Heart/Songs of Universal, BMI; DeciBel (CDX)
– As always, his ultra-masculine singing is infused with conviction and emotion. The “outlaw” lyric admits that he burns beer joints down and he’s headed straight to perdition. As a songwriter, he sure knows how to get the job done. As a recorded presence, he’s charisma on the hoof.

TOM HUDDLESTON & THE SADDLE SPRING BOYS/Hey Good Lookin’
Writer: Hank Williams; Producers: Rodney Crowell, G. Marq Roswell, Carter Little & Ray Kennedy; Publishers: none listed; Legacy (track)
– The new I Saw the Light bio flick is getting lukewarm reviews. But everyone seems to agree that Huddleston’s acting nails Hank Williams’ personality. As a singer, he lacks the pinched-nerve hillbilly soul of Hank. But The Saddle Spring Boys have The Drifting Cowboys’ sound down to a T.

Bonnie BishopBONNIE BISHOP/Not Cause I Wanted To
Writers: Al Anderson/Bonnie Bishop; Producer: Dave Cobb; Publishers: none listed; BB/Thirty Tigers
-This longtime Music Row favorite has teamed up with red-hot producer Dave Cobb for her latest CD, Ain’t Who I Was. It includes a version of her song that won a Grammy for Bonnie Raitt in 2012. I love her slightly sandpapery style and aching phrasing. Jimmy Wallace’s organ sighs mournfully in the background.

CHRIS JANSON/Holdin’ Her
Writers: Chris Janson/James Otto; Producer: Byron Gallimore; Publishers: Red Vinyl/Buckkilla/Words & Music/Songs of Universal, BMI; Warner Bros.
-A rounder is on the wrong path. But he’s saved by a good woman’s love. This country ballad has a slow-burn vibe that heats up into a bonfire of passion. What a performance.

LILI BELLE/Angel
Writer: Lili Belle; Producer: none listed; Publisher: lili Belle, BMI; LB (track)
– The title song of this artist’s debut EP is a sweet, lilting gospel tune. She sings with an excellent clarity, and at just age 22, she is clearly already on the right path as a writer. The steel-laced production is nicely soft and subtle. For a taste of how she fares on a country tempo tune, check out “A Guy Like That.”

MICHAEL MARTIN MURPHEY/Campfire on the Road
Writers: John Robert Williamson; Producer: Bobby Blazier; Publisher: none listed, APRA/Emusic PTY LLD; Murphey Kinship
-Murphey’s seventh Western-song collection is titled High Stakes. It includes this lovely Australian cowboy ballad that echoes the style of the late John Denver. The beauty of the great outdoors is something I never tire of hearing poets and songwriters convey. This one’s a keeper.

Michael Martin Murphey

Michael Martin Murphey

Merle Haggard Gets ACCA Salute From Toby Keith, Matthew McConaughey

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Toby Keith will perform a tribute to Merle Haggard following an introduction by Matthew McConaughey on the 2016 American Country Countdown Awards.

The ceremony will air live from The Forum in Inglewood, California, on May 1 on FOX.

Haggard’s longtime back-up band, The Strangers, will join Keith as part of this performance. In addition, Haggard’s widow, Theresa, will be in attendance along with other members of the Haggard family, including son Ben, who also will perform with The Strangers.

Keith joins previously-announced performers Kelsea Ballerini, Brooks & Dunn, Luke Bryan, Cam, Dan + Shay, Florida Georgia Line, Sam Hunt, Martina McBride, Thomas Rhett, Cole Swindell and Carrie Underwood.

Rounder Announces Albums By The Earls Of Leicester, The Lonely Heartstring Band

The Earls of Leicester
Rounder Records will release new albums by Grammy-winning bluegrass band The Earls of Leicester and Boston bluegrass ensemble The Lonely Heartstring Band this summer.

Scheduled for July 15, Rattle & Roar is the follow-up to the Earls’ self-titled debut, which inspired critical accolades and earned a Grammy award for Best Bluegrass Album. The band also went on to win six International Bluegrass Music Association awards, including the coveted Album of the Year and Entertainer of the Year honors.

With Rattle & Roar, the Earls — Barry Bales, Shawn Camp, Charlie Cushman, Jerry Douglas, Johnny Warren, and Jeff White — have conjured up a fresh batch of Lester Flatt and Earl Scruggs songs, including “The Train That Carried My Girl From Town” and “All I Want Is You.” The project was produced by Douglas. The band will perform at MerleFest, Stagecoach, DelFest and many other festivals this year.

The Lonely Heartstring Band

The Lonely Heartstring Band is set to release their debut album, Deep Waters, on June 3. It was co-produced by The Lonely Heartstring Band and David Travers-Smith, with co-production by Gary Paczosa on the tracks “Graceland” and “The Road’s Salvation.”

Four of the five band members of The Lonely Heartstring Band met while students at Boston’s Berklee College of Music. They are the winners of the 2015 International Bluegrass Music Association’s Momentum Award, and feature Charles Clements (bass & vocals), George Clements (guitar & lead vocals), Gabe Hirshfeld (banjo), Patrick M’Gonigle (fiddle, vocals), and Matt Witler (mandolin).

The band unites traditional bluegrass with contemporary songwriting, and has already earned praise from respected members of the bluegrass community. Banjo legend Tony Trischka says, “These Heartstring Boys have carved out a fresh niche in modern bluegrass. They adhere to the traditional format but take everything two steps forward. Their roots are clear and so is their path to the future. They’re in a class by themselves.”