
Pictured: Songwriter Roger Cook, NSAI Executive Director Bart Herbison and TN Senator Lamar Alexander discuss music issues outside the U.S. Senate chamber.
The Music Modernization Act will be introduced Wednesday (Jan. 24) in the United States Senate, following the House version of the bill that was filed in December.
Senators Orrin Hatch (R-UT), Lamar Alexander (R-TN), Christopher Coons (D-DE), Bob Corker (R-TN), Dick Durbin (D-IL), and Sheldon Whitehouse (D-RI) joined in introducing the Senate version of the bi-partisan legislation.
The Senate bill mirrors the House bill introduced by Congressmen Doug Collins (R-GA) and Hakeem Jeffries (D-NY) which reforms Section 115 of the U.S. Copyright Act to create a single licensing entity that administers the mechanical reproduction rights for all digital uses of musical compositions. On the performance rights side, the bill also replaces the current rate court system with the random assignment of judges used in most federal court cases, and allows the rate courts to review all relevant market evidence into the valuation of how songwriters are compensated by digital services.
This new system ensures that songwriters are paid when digital music services use their music, improves transparency, provides for better royalty rates, and gives songwriters increased involvement in how mechanical rights are licensed. It includes the benefits of the previously introduced Songwriter Equity Act which addresses two significant inequities under current copyright law that prevent songwriters and music publishers from receiving compensation that reflects the fair market value of their work.
Representatives from several music industry organizations have praised the bill.
“Songwriters will finally get a market-based mechanical rate standard, which should result in more equitable royalties from interactive streaming companies,” said Nashville Songwriters Association International (NSAI) President Steve Bogard. “Until now, we have been tied to outdated rate standards Congress first adopted for player piano rolls back in 1909. In addition, American songwriters will, for the first time, by law, receive at least half of all unclaimed digital mechanical royalties. I want to extend my deepest thanks to all of our introducing Senate sponsors. The Music
Modernization Act represents the most significant copyright reform in a generation.”
“This bill puts music publishers and songwriters in control of the digital mechanical licensing process and brings a marketplace rate standard that should lead to higher streaming royalties,” said NSAI Executive Director Bart Herbison. “And for the first time in history songwriters will receive more than half of unclaimed digital mechanical funds. When you consider the streaming services have agreed to pay associated costs, the MMA is the most beneficial legislation for songwriters in the digital era.”
NMPA President & CEO David Israelite said, “The MMA is the best hope for songwriters to achieve fair royalties and payments in the digital age. We are grateful to Senators Hatch, Alexander, Whitehouse, Corker, Durbin, Coons, Isakson and Jones for their attention to the struggles of music creators and for introducing the MMA, which we hope continues to gain momentum in the Senate.”
BMI President & CEO Mike O’Neill said, “The Music Modernization Act is an important step forward in protecting the rights of the American songwriter, and we thank Senators Hatch, Alexander, Whitehouse, Corker, Durbin, Coons, Isakson and Jones for their support of this important legislation. While we believe there is still more to do to protect the value of the performance right, we are encouraged by the inclusion of two important provisions that go a long way towards ensuring that songwriters and composers receive fair compensation for their creative work; the wheel assignment for rate court judges and the repeal of 114 (i) application to digital services. While we know this bill is not yet final, it represents an unprecedented cross-industry effort to introduce comprehensive music reform, and we look forward to working with all of the interested parties to further support this much needed legislation.”
ASCAP CEO Elizabeth Matthews said, “We thank Senators Hatch, Alexander, Whitehouse, Corker, Durbin, Coons, Isakson and Jones for ensuring that the Music Modernization Act addresses some of the most critical issues facing America’s songwriting community, including rate court reforms.”
Keith Urban, Dierks Bentley, Darius Rucker Thrill Crowd At Bobby Bones’ Million Dollar Show 3
/by Lorie HollabaughPhoto Credit: Jason Kempin, Getty
Bobby Bones & The Raging Idiots gathered an all-star crowd of friends to help them support St. Jude at his Million Dollar Show 3 on Monday (Jan. 22) at Nashville’s Ryman Auditorium. The sold-out concert included an epic lineup as well as several surprise acts and featured performances from Keith Urban, Darius Rucker, Maren Morris, Dan + Shay, Luke Combs, Kevin Griffin, Nikita Karmen and surprise guests Dierks Bentley, HANSON and LANCO’s Brandon Lancaster.
Highlights from the special evening included Luke Combs performing his smash hit “Hurricane,” Maren Morris leading the crowd in a singalong during her hit “My Church,” Darius Rucker performing “Wagon Wheel,” and Keith Urban closing out the star-studded night with “Blue Ain’t Your Color.”
The third annual show pushed the grand total raised for St. Jude Children’s Research Hospital over the past years to nearly $8 million dollars.
Keith Urban and Bobby Bones. Photo: Jason Kempin, Getty
Eddie Garcia and Darius Rucker jam during the Million Dollar Show 3. Photo: Jason Kempin, Getty
Promotions At PLA Media
/by Jessica NicholsonFull-service publicity and marking firm PLA Media has promoted Senior Publicist Mark Logsdon to Exec. Director of Marketing/Public Relations. Publicist/Marketing Account Representative Brittney Wilkerson has been promoted to Senior Publicist/Marketing Exec.
“I am delighted to start off 2018 with the announcement of the promotion of both Mark Logsdon and Brittney Wilkerson. We are very blessed that 2017 was a banner year for us boasting much success and national coverage for our clients as well as recognition for PLA Media. Our long tradition of excellence and innovation ensures that we will continue to beat the odds in a very competitive business climate,” says PLA President, Pam Lewis.
Logsdon joined PLA Media as a Publicity Coordinator in July 2007, and rose through the ranks as Publicity & Marketing Account Executive, Senior Publicist & Marketing Executive, to Executive Director.
Wilkerson joined PLA in 2013, and has spearheaded multiple campaigns for Grammy nominated projects. She has expanded PLA’s primarily country roster by specializing in Americana/Alt Rock clientele.
PLA’s team also includes Publicity and Social Media Coordinator Allie Phillips; Graphic Designer Matt Williams and Bookkeeper/Accountant Judi Larue.
Brothers Osborne To Release Sophomore Album In April
/by Jessica NicholsonEMI Nashville’s Brothers Osborne will release their sophomore album Port Saint Joe April 20. The two-time CMA Vocal Duo of the Year just released their new single “Shoot Me Straight” off the project which was produced by Jay Joyce (Eric Church, Little Big Town). The title, Port Saint Joe, reflects the small town on the Florida coast where siblings John and TJ recorded the album.
“Port Saint Joe is a sonic representation of who we’ve become not only as a band but as people,” says John Osborne. “Every show we’ve ever played together is on this record. Every song we’ve ever written and every mile we’ve ever ridden has led to the making of this record. Imperfections and all.”
TJ adds, “we shacked up for two weeks to make an unabashed record that would reflect who we are in every way, and in the process we had the most enjoyable and memorable recording experience of our lives.”
Port Saint Joe Track Listing:
Slow Your Roll
(John Osborne, TJ Osborne, Barry Dean, Troy Verges)
Shoot Me Straight
(John Osborne, TJ Osborne, Lee Thomas Miller)
I Don’t Remember Me (Before You)
(John Osborne, TJ Osborne, Shane McAnally, Matt Dragstrem)
Weed, Whiskey and Willie
(John Osborne, TJ Osborne, Laura Veltz)
Tequila Again
(John Osborne, TJ Osborne, Kendall Marvel)
A Couple Wrongs Makin’ It Alright
(John Osborne, TJ Osborne, Connie Harrington)
Pushing Up Daisies
(John Osborne, TJ Osborne, Kendall Marvel)
Drank Like Hank
(John Osborne, TJ Osborne, Kendall Marvel)
A Little Bit Trouble
(John Osborne, TJ Osborne, Dave Barnes)
While You Still Can
(John Osborne, TJ Osborne, Travis Meadows)
Rough Trade Publishing Opens Nashville Office
/by Jessica NicholsonLynn Gann
New York-based Rough Trade Publishing has announced the opening of their new Nashville offices, to be headed by Nashville publishing veteran Lynn Gann. Rough Trade Publishing began business in 2007 as House of Hassle Publishing, and was founded by partners Lyle Hysen, Gandhar Savur and Ken Weinstein.
The group purchased the London-based Rough Trade Publishing catalog in early 2016, and merged the two companies. In addition to the new Nashville and Manhattan home office, Rough Trade Publishing maintains offices in London and Los Angeles, with 19 employees. Worldwide, RTP has agreements with approximately 400 artists and writers, covering many musical genres from country to rock, Americana, punk and more. RTP affiliated acts include The War On Drugs, Grizzly Bear, Future Islands, Superchunk and White Reaper.
Gann will also continue to operate his LGME! Companies. He has represented RTP in Nashville since 2012, and says of the Rough Trade Publishing expansion: “The Rough Trade Publishing team is growing in a very deliberate way into Nashville, and I’m honored to lead this effort.”
RTP President Lyle Hysen says: “Opening the RTP office on Music Row is very exciting for us as we grow our bands and catalog into one of the most vital music cities in the world.”
The Nashville office is located at 1027 17th Ave. S., on Music Row.
SOURCE Nashville Names 2018 Board Of Directors
/by Jessica NicholsonAdditional Board representatives are 2017 SOURCE Board President, Christy Walker-Watkins (AristoPR/TheAristoMedia Group), Katherine Spransy-Beakes (Universal Music Group), Kari Barnhart (Regions), Claire Cook (Average Joes Entertainment), Melinda Drennan (Drennan & Associates PLLC), Camilla Kleindienst (Banner Music) and Susan Myers-Woelkers (GW Entertainment). Serving as Auxiliary Board Members are Lainie Allbee (Martin, Allbee and Associates), Lyndie Wenner (MSO PR) and Laurie Hughes.
The nonprofit organization celebrated its 25th anniversary in 2017, and was founded by Shelia Shipley Biddy, Judy Harris and Pat Rolfe. SOURCE offers an exclusive community of accomplished women professionals who work in all facets of Nashville’s music industry. The organization is committed to furthering relationships and opportunities for its members through continuous education, networking and public service initiatives.
The 2018 SOURCE Board of Directors recently gathered at the organization’s January Board meeting. Pictured (Front row, L-R):Camilla Kleindienst , Christy Watkins, Mandy Gallagher, Alicia Jones. Back Row: Susan Myers-Woelkers , Katherine Spransy-Beakes , Kari Barnhart , Jennifer Turnbow, Melinda Drennan. Not pictured: Claire Cook and Catherine Stein Moore
HoriPro’s Dave Hall Dies
/by Jessica NicholsonDave Hall
HoriPro’s longtime Executive Advisor Dave Hall died on Friday, Jan. 19, MusicRow has confirmed. He was 76.
Hall’s career included performing around the world with several country artists. Hall worked in conjunction with HoriPro’s Royalty Department and Creative Team to guide policy as well as day-to-day functions.
Visitation will be Friday, Jan. 26 from 4 p.m.-8 p.m. at Bond Memorial Chapel in Mt. Juliet, Tennessee. Graveside services will be conducted 1 p.m. Saturday, January 27, 2018 at Mt. Juliet Memorial Gardens with Phil O’Donnell and Butch Baker officiating.
Hall was the son of the late, Staley and Mary Basham Hall. Dave was also preceded in death by his wife, Peggy Hall. He is survived by daughter, Leslie (Michael) Barr; brothers, Woody (Linda) Hall and Ron (Janice) Hall; sister, Narvona Langley; grandchildren, Amber Bay and Tabitha Sanders; great-grandchildren, Landon Wortham, Aarik Bay, Adrianna Zaragoza and Mariah Zaragoza and several nieces and nephews.
Flowers accepted or memorials may be made to the American Heart Association
, PO Box 840692, Dallas, TX 75284-0692.
Skillet, for King & Country, Colton Dixon, Hawk Nelson Launch Tours
/by Lorie HollabaughSkillet and for King & Country To Spread joy.Unleashed This Spring
“Very excited to be touring with my friends, for KING & COUNTRY!” shares Skillet’s John Cooper. “We have been talking about it for several years. We have even shared the stage performing songs together. But finally we are joining forces for our own tour. It will be an uplifting, energetic, exciting show where fans will get to see something they have never seen from both acts before.”
“We have so many memories when it comes to our friendship and history with Skillet,” explains Joel and Luke of for KING & COUNTRY. “As teenagers we remember watching their sets from side of stage. They headlined the very first tour we were ever on! It’s a real honor and joy for us to have the privilege of touring together.”
04.12 Amarillo, TX
05.03 Huntsville, AL
Colton Dixon And Hawk Nelson Co-Headline New Spring Tour
Dixon will be touring in support of his third studio project, Identity, which debuted at the top of Billboard’s Christian Albums chart last year, and included the Top 5 radio single, “All That Matters.”
“I’m so excited to play new music for the fans and share the stage with our friends in Hawk Nelson,” Dixon says. “It’s going to be an awesome tour of celebrating life, love, and the One who makes it all possible.”
A special VIP ticket is available in most markets which includes a pre-show artist meet & greet with early entry for the best seats. For details and ticket links, visit coltondixon.com or hawknelson.com.
“An Evening With Colton Dixon & Hawk Nelson” Spring 2018 Tour:
*All dates and venues subject to change. Additional dates to be added.
February
22 – Fort Smith, AR – Evangel Temple
23 – Richardson, TX – First Baptist Church Richardson
24 – Corpus Christi, TX – American Bank Center
25 – Kerrville, TX – Cailloux Theater
March
1 – Oskaloosa, IA – Gateway Church of the Nazarene
2 – Watertown, SD – Watertown Event Center
3 – Grand Forks, ND – Hope Church
9 – Ottawa Lake, MI – Crossroads Community Church
10 – Elgin, IL – Judson University (The Herrick Chapel)
16 – Bellville, GA – Pinewood Christian Academy
18 – Jonesboro, AR – The Rock
23 – Waukesha, WI – Riverglen Christian Church
24 – Springfield, OH – High Street Church of the Nazarene
Caroline Watkins Named Second Recipient Of Miranda Lambert ‘Women Creators’ Scholarship
/by Lorie HollabaughThe scholarship was established in 2015 by Miranda Lambert to honor a female Belmont student who is majoring in music business, songwriting or entertainment industry studies and is actively working towards pursuing her dream of working in the music industry. The scholarship will provide Watkins with more than $40,000 in scholarship funds for the 2017-18 academic year.
Watkins grew up playing guitar and writing songs. After playing throughout the city in recent years, including shows at Nashville’s Bluebird Café, she was signed last year to a worldwide publishing agreement with Warner/Chappell Nashville.
“I am extremely pleased to send my congratulations to Caroline Watkins for being selected as the recipient of the Miranda Lambert Women Creator’s scholarship, and to give my deepest respect and gratitude to Miranda for backing her beliefs with actions by providing another young female creator this life-changing opportunity,” said Doug Howard, Dean of the Curb College of Entertainment and Music Business.
“Receiving this scholarship is by far the greatest honor I have ever received,” said Watkins. “From the bottom of my heart, I want to thank Belmont and Miranda for believing in me. Anyone familiar with Belmont knows the amount of talent at our school, so to have somehow been chosen among all of the other deserving young women is incredibly humbling and encouraging. Miranda Lambert has always been one of my music heroes. She is part of the reason I started writing songs. I honestly know every word to every song she has ever recorded, so I still just can’t believe it! There are so many women doing great things in Nashville right now, but there is not a better example for those of us working towards a career than Miranda. I know this honor comes with a lot of responsibility, and I will do my best to make Miranda, Belmont and all of the other women creators who have come before and after me proud.”
Music Modernization Act Introduced In Senate
/by Jessica NicholsonPictured: Songwriter Roger Cook, NSAI Executive Director Bart Herbison and TN Senator Lamar Alexander discuss music issues outside the U.S. Senate chamber.
The Music Modernization Act will be introduced Wednesday (Jan. 24) in the United States Senate, following the House version of the bill that was filed in December.
Senators Orrin Hatch (R-UT), Lamar Alexander (R-TN), Christopher Coons (D-DE), Bob Corker (R-TN), Dick Durbin (D-IL), and Sheldon Whitehouse (D-RI) joined in introducing the Senate version of the bi-partisan legislation.
The Senate bill mirrors the House bill introduced by Congressmen Doug Collins (R-GA) and Hakeem Jeffries (D-NY) which reforms Section 115 of the U.S. Copyright Act to create a single licensing entity that administers the mechanical reproduction rights for all digital uses of musical compositions. On the performance rights side, the bill also replaces the current rate court system with the random assignment of judges used in most federal court cases, and allows the rate courts to review all relevant market evidence into the valuation of how songwriters are compensated by digital services.
This new system ensures that songwriters are paid when digital music services use their music, improves transparency, provides for better royalty rates, and gives songwriters increased involvement in how mechanical rights are licensed. It includes the benefits of the previously introduced Songwriter Equity Act which addresses two significant inequities under current copyright law that prevent songwriters and music publishers from receiving compensation that reflects the fair market value of their work.
Representatives from several music industry organizations have praised the bill.
“Songwriters will finally get a market-based mechanical rate standard, which should result in more equitable royalties from interactive streaming companies,” said Nashville Songwriters Association International (NSAI) President Steve Bogard. “Until now, we have been tied to outdated rate standards Congress first adopted for player piano rolls back in 1909. In addition, American songwriters will, for the first time, by law, receive at least half of all unclaimed digital mechanical royalties. I want to extend my deepest thanks to all of our introducing Senate sponsors. The Music
Modernization Act represents the most significant copyright reform in a generation.”
“This bill puts music publishers and songwriters in control of the digital mechanical licensing process and brings a marketplace rate standard that should lead to higher streaming royalties,” said NSAI Executive Director Bart Herbison. “And for the first time in history songwriters will receive more than half of unclaimed digital mechanical funds. When you consider the streaming services have agreed to pay associated costs, the MMA is the most beneficial legislation for songwriters in the digital era.”
NMPA President & CEO David Israelite said, “The MMA is the best hope for songwriters to achieve fair royalties and payments in the digital age. We are grateful to Senators Hatch, Alexander, Whitehouse, Corker, Durbin, Coons, Isakson and Jones for their attention to the struggles of music creators and for introducing the MMA, which we hope continues to gain momentum in the Senate.”
BMI President & CEO Mike O’Neill said, “The Music Modernization Act is an important step forward in protecting the rights of the American songwriter, and we thank Senators Hatch, Alexander, Whitehouse, Corker, Durbin, Coons, Isakson and Jones for their support of this important legislation. While we believe there is still more to do to protect the value of the performance right, we are encouraged by the inclusion of two important provisions that go a long way towards ensuring that songwriters and composers receive fair compensation for their creative work; the wheel assignment for rate court judges and the repeal of 114 (i) application to digital services. While we know this bill is not yet final, it represents an unprecedented cross-industry effort to introduce comprehensive music reform, and we look forward to working with all of the interested parties to further support this much needed legislation.”
ASCAP CEO Elizabeth Matthews said, “We thank Senators Hatch, Alexander, Whitehouse, Corker, Durbin, Coons, Isakson and Jones for ensuring that the Music Modernization Act addresses some of the most critical issues facing America’s songwriting community, including rate court reforms.”
Pennington Entertainment Promotes Three
/by Lorie HollabaughPennington Entertainment has announced the promotion of three employees. Cara Kozulak has been promoted to Director of Marketing, Nick Estrem moves to Associate Manager and Kelly Ann Rickert has been upped to Director of Digital Strategy at the company.
“These three talented individuals embody the word “team,” said CEO, Shawn Pennington. “I couldn’t be more thankful to have them on our team, and proud to see them grow within our company. They are each going to crush it in their new roles!”
Pennington Entertainment plans to announce additional hires and staff changes in the coming months.
Pennington clients include Thompson Square, Hudson Moore, Kaylee Rose, and Tyler Steel.