Industry Ink: Brad Paisley, Crowd Surf, Tyler Childers, Robert Earl Keen

Brad Paisley To Make ‘America’s Got Talent’ Guest Appearance

Brad Paisley will join as a guest judge on America’s Got Talent on Tuesday, July 16. Other celebrities who will make guest appearances on the judges panel in coming weeks include actress Ellie Kemper, NBA legend Dwyane Wade, and former Tonight Show host Jay Leno.

 

Crowd Surf Founders Launch ‘How I Got Backstage’ Podcast Season 2

Crowd Surf’s co-founders Jade Driver and Cassie Petrey have launched the second season of their podcast How I Got Backstage featuring Dan + Shay’s day-to-day manager Lisa Ray of Sandbox Entertainment as a special guest. Driver kicks off season two from Music City with substitute co-host Elise Stawarz (Crowd Surf’s VP of Marketing) alongside special guest, Ray. Driver shares how she came to know Stawarz over their mutual love for boy bands as the pair highlights Ray’s career path from VP of A&R at Warner Music Nashville to her current position as the manager of 2x Platinum-selling country duo Dan + Shay.

Tyler Childers, Robert Earl Keen Share The Stage For The First Time

Robert Earl Keen and Tyler Childers celebrated a series of collaborative performances in Texas last week including a record-breaking 4th of July show in Kerrville, Texas. The shows marked the first time the friends have performed together on stage. Keen and Childers both guested on each other’s sets. Keen sang Childers’ “Whitehouse Road” and “Honky Tonk Flame” with Tyler and his band, The Food Stamps. Childers joined Keen’s sets to perform “What I Really Mean” and “Broken End of Love” with Robert and his band.

Chris August Signs With BMG Music Publishing

Pictured (L-R): Be Music Management’s James A. Hodgin, ASCAP’s Kele Currier, Chris August, and BMG Music Publishing’s Chris Oglesby and Kos Weaver. Photo: Cody Heckber

ASCAP songwriter-artist Chris August has signed a publishing agreement with BMG Music Publishing. The multiple GMA Dove Award-winning recording artist has also enjoyed success as a country songwriter and plans to continue to work in both genres.

August said, “Songwriting has always been my favorite part of the music creating process. After my first meeting with BMG, I knew I had found the place to really work on my craft. I’m grateful and looking forward to the opportunity to write with other songwriters I’ve followed and admired. Special thank you to ASCAP’s Kele Currier for believing in me and helping connect this relationship.”

“I have known and loved Chris’s music for years. He is an extremely gifted writer/artist with a work ethic that is second to none. We are so glad to have him become part of our BMG family,” commented BMG Vice President, Creative Chris Oglesby on the signing.

ASCAP Assistant Vice President, Strategic Services, Membership Kele Currier said, “It is rewarding to see a passionate writer like Chris August pair up with a true ‘song man,’ Chris Oglesby, and the BMG team. Their creative chemistry is undeniable and we can’t wait to see the great things that come out of this partnership.”

DISClaimer: Willie Nelson Is The Heart And Soul Of Country Music

Willie Nelson by Ed Rode

Nashville’s country performers are as hot as our summer skies today.

In a rare occurrence, every record here is mini masterpiece. I was also in heaven because the listening session combined living legends, terrific newcomers and current superstars in equal portions.

Master stylist Willie Nelson has the Disc of the Day with his rendition of a Guy Clark/Roger Murrah song about America’s illustrious immigrant heritage. Long may he sing.

In a field crowded with such excellent new talents as Sam Williams, Erik Dylan and Donovan Woods, I’m handing a DisCovery Award to Sundance Head. If you don’t know who Head’s producer and label head Dean Dillon is, you do not belong in country music.

MICKEY GUYTON/Sister
Writers: Mickey Guyton/Nathan Spicer/Victoria Banks; Producer: Forest Glen Whitehead; Publishers: none listed; Capitol Nashville
– She’s wailing from the heart on this anthem to enduring female friendship. A snappy backbeat, cool piano notes and some synth-y wooshing frame her powerful performance. This is hot stuff.

THOMAS RHETT/Remember You Young
Writers: Thomas Rhett/Jesse Frasure/Ashley Gorley; Producer: Dann Huff/Jesse Frasure/Thomas Rhett; Publishers: EMI Blackwood/Cricket on the Line/Sony-ATV/Warner Tamerlane/Telemitry Rhythm House/Songs of Roc Nation/Combustion Engine/WB/Round Hill Songs II/Caleb’s College Fund, BMI/ASCAP; Big Machine (track)
– Warm, uplifting, touching and lovely. If you can’t relate to this, your heart is made of lead.

DONOVAN WOODS & TENILLE TOWNES/I Ain’t Ever Loved No One
Writers: none listed; Producer: Todd Lombardo; Publishers: none listed; INgrooves
– Juno Award winning Woods and Nashville star-on-the-rise Tenille Townes are tender and touching on this gently strummed acoustic ballad. Guitar notes ripple around them as they harmonize sweetly. Dreamy and delicious.

WILLIE NELSON/Immigrant Eyes
Writers: Guy Clark/Roger Murrah; Producer: Buddy Cannon; Publishers: none listed; Legacy
– This poignant melody was written about those coming to Ellis Island 100 years ago, but it couldn’t be more timely than it is today. And the song’s video makes it quite clear that the abuse of asylum seekers is immoral. America’s greatness is built on its immigrants, and Willie’s strong singing here is just the reminder we need. This man is the heart and soul of country music.

SUNDANCE HEAD/Close Enough To Walk
Writers: none listed; Producer: Dean Dillon; Publishers: none listed; Wildcatter
– “You don’t have to drive me crazy/I’m close enough to walk.” How cool is that? But the clever songwriting is just the start. Wait until you hear this guy’s soulful singing. He’s a hoss of a vocalist, and the jaunty, pinpoint production shines a spotlight directly on that. I’m so definitely into this.

SHERYL CROW, MAREN MORRIS & STEVIE NICKS/Prove You Wrong
Writers: none listed; Producer: none listed; Publishers: noen listed; Big Machine
– Wildly catchy. Jangly and bopping, with plenty of feisty femme feelings. All three women are on fire as vocalists here. WSM is already playing this, and I can certainly hear why. Clap yer hands and sing along.

SAM WILLIAMS/Gemini
Writers: Sam Williams/Jaida Dreyer; Producer: none listed; Publishers: none listed; Get It Done
– Piercing and potent, this guy sings with uncommon ferocity and passion. Here, he describes the darkness and light that coexist inside him while doomy, boot-stomping drums pound beneath. He’s the son of Bocephus, the brother of Holly and the grandson of Hank, and he carries his family’s legacy forward with startling creativity. Send more.

ERIK DYLAN & LUKE COMBS/Baseball On The Moon
Writers: Erik Dylan/Douglas Waterman/Michael Reaves; Producer: Erik Dylan; Publishers: none listed; Iddy Biddy (track)
– This came out last year, but with Combs-mania now at its height, it seems right to revisit this duet. And it also gives me the opportunity to praise the talents of super- promising singer-songwriter Erik Dylan. His works have been recorded by Kip Moore, Eric Paslay, Thompson Square, Trisha Yearwood, Riley Green and Eli Young Band. But as this illustrates, he’s a fine record maker himself. He and Combs scale to the top of inspiration on this ode to holding fast to your dreams, no matter what the nay-sayers say. Both of them have that rumpled, regular-guy vocal thang, so its a thoroughly endearing outing.

VINCE GILL/When My Amy Prays
Writer: Vince Gill; Producers: Gill/Justin Niebank; Publishers: none listed; MCA
– Goosebump raising. In a career already dazzled with stunning vocal performances, this stands out as a spectacular pinnacle of his power. A ballad that will stop you in your tracks. Listen and believe.

KANE BROWN/Homesick
Writers: Kane Brown/Brock Berryhill/Matthew McGinn/Taylor Phillips; Producer: Dann Huff; Publishers: Songs of Universal/Kane Brown/Warner-Tamerlane/Don’t Be a Gypsy/Smackworks/Smack BLue/Kobalt/Top, BMI/SESAC; RCA
– If home is where the heart is, then he’s homesick for the one he loves. It’s a cool idea for a song, and the yearning performance with a spare production sells it right to you. I can hear this being adopted by military folks who are far from their families, but we can all relate to its loneliness.

Convention Center Authority Approves $6 Million For National Museum Of African American Music

The Nashville Convention Center Authority voted unanimously Thursday morning (July 11) to provide $6 million to the National Museum of African American Music, which will include the Francis S. Guess Roots Theater presented by Music City Center.

Guess, a dedicated business leader and civil rights activist, was a trailblazer for the NMAAM. He joined the Convention Center Authority in 2011 and remained on the board until the time of his death in 2015.

“Francis S. Guess was a tireless advocate for the museum knowing it would be a worldwide monumental addition to Music City,” said Charles Starks, President/CEO of Music City Center. “As we invest in the National Museum of African American Music and therefore our city, we commemorate his vision and recognize music is a powerful connector of diverse groups.”

The National Museum of African American Music is located at the former site of the Nashville Convention Center. In 2013, Music City Center at the request of Metro asked for the redevelopment of the old Nashville Convention Center with a requirement that the museum be included. In addition. MCC is building a parking garage that will be leased back to the developer and benefit the museum.

“MCC recognizes the strength of inclusivity and values the contributions of diverse business partners,” said Starks. “We celebrate another authentic Nashville experience that will attract the local community as well visitors and conventioneers from around the globe attending events at Music City Center.”

Scooter Braun’s SB Projects Inks Deal With Amazon Studios

Scooter Braun

Scooter Braun‘s SB Projects has inked a first-look deal with Amazon Studios, reports Deadline.com. SB Projects is a subsidiary of Braun’s Ithaca Holdings, which also recently acquired and partnered with Scott Borchetta’s Big Machine Label Group.

The outlet reports the Amazon/SB Projects deal is a multi-year contract to develop both scripted and non-scripted projects with the company. SB Projects’ film/TV division has produced projects including the series Scorpion and the Justin Bieber documentary Never Say Never.

Superstar manager Braun’s management division also guides the careers of artists including Bieber, Ariana Grande, Zac Brown Band, Dan + Shay (with Sandbox Management), Demi Lovato and more. Ithaca Holdings also previously acquired music publishing company Atlas, which represents Brandi Carlile and more.

The recently-acquired Big Machine Label Group is home to the music catalog of Taylor Swift, and is recording home for artists including Florida Georgia Line, Thomas Rhett, Lady Antebellum, Reba McEntire, Sheryl Crow, and more.

Music City Roots To Open Live Music Venue In Madison, Tennessee

Music City Roots, the live showcase, radio broadcast and public television series, has revealed plans for a new music venue to open in Fall 2020 in Madison, Tennessee.

On July 11, the Music City Roots team joined Nashville Mayor David Briley, Madison’s Metro City Councilmember Nancy VanReece and other community leaders to reveal plans for a new venue next to Amqui Station. The Roots Barn, scheduled for a grand opening in the Fall of 2020, will be part of a larger Madison Station development, with new housing and street plans poised to solidify Madison as an epicenter of life, work, arts and travel in the growing Metro Nashville area.

The Roots Barn, with state of the art audio by Sound Image, will hold approximately 750 attendees seated or 1,000+ standing. The bars, food service and ticketing areas will be isolated from the music hall, creating optimal conditions for performers and music lovers alike. The Barn will present ticketed shows, private events on request and “Music City Roots – Live from Madison Station” on a weekly basis. Adjacent to the barn, a separate building will house a remote studio for MCR partner WMOT Roots Radio 89.5 FM, the 100,000 watt Americana-format public radio station out of Middle Tennessee State University.

Briley said: “For years, Music City Roots has helped Nashville showcase new talent while carrying on and sharing our deepest musical heritage. Reviving this institution in a neighborhood as vibrant as Madison, where it will complement historic Amqui Station and help establish a walkable neighborhood center, is definitely cause for celebration.”

Amqui Station makes a charming and appropriate companion to the Roots Barn. Built in 1910, it was the last stop north of Nashville before passenger trains reached Union Station downtown. When passenger service was discontinued, Johnny Cash acquired the structure to save it from demolition and moved it to his property in Hendersonville. After his death, it emerged that Johnny had made provisions to return the antique station and its contents to its original home. It stands there now, not far from its once-functional place along the tracks as a museum and visitors welcome center, operated by Discover Madison, Inc., a 501(c)3 non-profit corporation. The potential synergies for local or city-wide events are many.

The Roots Barn was made possible through a transaction between Music City Roots and Discover Madison, Inc. The property is part of a public/private relationship giving community benefit for generations to come, explained Councilmember VanReece: “The land was originally donated to Discover Madison, Inc. by AT&T with the help of US Rep. Jim Cooper and TN Rep. Bill Beck, with the express intent for such an ongoing benefit. This amazing opportunity not only celebrates our history but ensures our renaissance.”

“I’m really excited about Music City Roots getting started on this Madison music venue and the opportunity for WMOT to be a part of it. WMOT and Music City Roots have worked together for nearly three years to bring Americana and Roots music to middle Tennessee on WMOT 89.5. This new space will allow that partnership to continue to grow and expand, while growing our music community in Madison, middle Tennessee and beyond,” said Val Hoeppner, Executive Director, WMOT 89.5 FM.

“The three greatest exports of Southern culture are music, food and whiskey. Ask anyone from around the world about Tennessee, and their answers will most definitely revolve around these things. Of course, our focus is on broadcasting real music—past, present and future—but in the spirit of true Southern hospitality, we will offer an authentic experience combining the best of all these elements to our visitors,” said John Walker, Executive Producer, Music City Roots.

Luke Combs Extends Tour, Adds Second Bridgestone Arena Show

Photo (c) 2019 David Bergman for Sony Records Nashville — Luke Combs photo shoot near Nashville, TN on May 1, 2019.

Luke Combs will extend his massive sold out “Beer Never Broke My Heart Tour” with five new dates including a second show added at Nashville’s Bridgestone Arena on Dec. 12, due to popular demand after the first show sold out in just six minutes.

The additional dates also include stops at Los Angeles’ Greek Theatre, San Diego’s Pechanga Arena, San Antonio’s AT&T Center and Louisville’s KFC Yum! Center. Tickets will be available for verified fan pre-sale starting next Tuesday, July 16 at 10 a.m. local time with general on-sale following on Friday, July 19 at 10 a.m. local time.
Combs will be inducted as the newest member of the Grand Ole Opry on July 16.

Broken Bow Announces Promotion, Addition To Publicity Team

Quinn Kaemmer, Sara Beth Watson        Photo Credit: Cody Heckber

Quinn Kaemmer has been promoted to Senior Publicity Manager at Broken Bow Records and Sarah Beth Watson has joined the department as Publicity Manager. Both will report to BBR Music Group VP of Publicity, Jay Jones.

Since joining BBR Music Group in October 2017 as a Publicity Manager, Kaemmer has played a key role in the launch of the fast-rising Jimmie Allen’s debut album Mercury Lane and his historic three week No. 1 hit, “Best Shot,” managed publicity for Randy Houser’s critically-acclaimed album Magnolia, and worked with viral-sensation Blanco Brown, Lainey Wilson, LOCASH and Parmalee among many others. Armed with nearly a decade of experience in the public relations field, her previous stops include NPG PR, marlo marketing, and Reed PR.

“Quinn makes an impact on every project she is involved in,” said Jones. “We are excited to announce her promotion and the contributions on behalf of the BBR artists that it represents.”

Watson has been hired as Manager of Publicity. In this role she will manage day to day publicity needs and messaging for many of the acts at BBR Music Group. Watson joins the team from Red Light Management, where she most recently served on the management team for Drake White and Dustin Lynch. Her five years of industry experience began at Universal Music Group in promotion where she supported the SVP of Promotion and rose to Promotion Coordinator for Capitol Nashville’s roster.

Kaemmer and Watson can be reached at quinn@bbrmusicgroup.com and sarahbeth@bbrmusicgroup.com, respectively. 

Stephanie Quayle Makes Academy Of Country Music Visit

(L-R): Heather Bohn, HBPR; Maddy Stessman, ACM Manager, Administration; Stephanie Quayle; Carli McLaughlin, Rebel Engine Entertainment; Erick Long, ACM SVP, Events Photo Credit: Michel Bourquard/Courtesy of the Academy of Country Music

Stephanie Quayle recently stopped by the Academy of Country Music for a visit. The Rebel Engine Entertainment artist visited with staffers and performed her current single, “If I Was a Cowboy,” from her upcoming Fall project.

Nashville Production Music Startup Soundstripe Adds J.R. McNeely

J.R. McNeely

J.R. McNeely, a Grammy-winning engineer and producer with nearly three decades of experience, has joined Nashville-based tech-enabled production music startup Soundstripe as Mix Engineer. In this role, McNeely will ensure that Soundstripe’s library of original content for sync remains at the highest level of quality.

Based in Nashville, McNeely has been a professional audio mixer and engineer for over 28 years. During that time, he has worked on over 300 albums, including three Grammy-winning albums: Unseen Power and Double Take by Petra and Solo by DC Talk. He also received a personal Grammy nomination for Best Engineered Album – Non-Classical for Owsley’s self-titled album and worked on an additional four albums that receiving Grammy nominations: Momentum by Toby Mac, God Fixation by Petra, Lay It Down by Jennifer Knapp, and Lift by Audio Adrenaline. McNeely has mixed or engineered albums or singles for prominent artists such as Underoath, Relient K, Anberlin, MxPx, Thousand Foot Krutch, Francesca Battistelli, Starflyer 59, J.J. Cale, Owsley, David Bazan and his band Lo Tom, Jeremy Camp, TobyMac, Rich Mullins and A Ragamuffin Band, Dead Letter Circus, Mandisa, DC Talk, Restless Heart, Audio Adrenaline, The Choir, Buddy & Julie Miller, Randy Stonehill, Aaron Sprinkle, Kevin Max, John Elefante, The Prayer Chain, Petra, Third Day, Judson Spence, Emery, Demon Hunter, Acceptance, and many more.

Created by an in-house team of composers, mix engineers, songwriters, producers, and other music industry professionals, the Soundstripe catalog is available to filmmakers, YouTubers, advertisers, and anyone creating video content via a unique subscription model that gives them unlimited, royalty-free usage for a monthly or annual fee. This has led to over 2 million “micro-licenses” being issued for tens of thousands of customers in over 130 countries since Soundstripe’s inception in 2016. With an avid and loyal creator community, Soundstripe has seen triple digit year-over-year growth for the past three years.