
2019 Country Music Hall of Fame Medallion Ceremony. Pictured (L-R): Country Music Hall of Famers Randy Owen, Ricky Skaggs, Ray Stevens, Charlie Daniels, Absolute Publicity company president Don Murry Grubbs / October 2019. Photo Credit: Terry Wyatt/Getty Images for Country Music Hall of Fame and Museum
When Don Murry Grubbs founded his independent public relations company, Absolute Publicity, in 2009, he was new to the world of PR, and to the Nashville music industry. But he had a passion for the tradition and evolution of country music, along with a relentless tenacity to spread the word about his clients’ accomplishments.
“That’s music that I appreciate. I love classic country, I love stone cold country,” Grubbs says. “I grew up on a farm, that’s all I heard growing up, so that’s what I appreciate.”
Ten years later, he has bolstered the Absolute roster to include more than two dozen artists and projects, including Alabama, Aaron Tippin, Blackhawk, Larry, Steve & Rudy: The Gatlin Brothers, Charlie Daniels, The Marshall Tucker Band, Ray Stevens, Restless Heart, Ricky Skaggs, The Kentucky Headhunters, Shenandoah, T.G. Sheppard, The Journey Home Project, and more.
In the past two years, he has had four clients elected to various Hall of Fame memberships. In 2018, Ricky Skaggs was inducted into the Country Music Hall of Fame as well as to the Bluegrass Music Hall of Fame, and the National Fiddlers Hall of Fame. Earlier this year, Ray Stevens was inducted into the Country Music Hall of Fame, while Larry Gatlin was inducted into the Nashville Songwriters Hall of Fame and Alabama elected to the Musicians Hall of Fame.

Don Murry Grubbs. Photo: Courtesy Absolute Publicity
“The key is reminding people of their accomplishments and what they did, if you can effectively do that and constantly keep them in the forefront of voters’ minds. It’s constantly reminding them of the legacy of their career, the amount of number one hits, the Grammys, Platinum-selling records, and why it’s important for your client to be recognized in a Hall of Fame. That’s the goal,” he says.
“When I hired Don Grubbs at Absolute Publicity, I did so because he was very young with new ideas, he was passionate and wanted to do a good job,” Skaggs notes. “Since then he continues to take on new artists, he still has good ideas, and he still has the desire to do a good job for me and all his clients. It’s great to see how his company has grown in 10 years.”
A chance meeting with another legendary entertainer, Hank Williams, Jr., would serve as Grubbs’ entry to the music industry.
“I’ve always been a fan of classic country music, and I was a huge Hank Williams, Jr. fan,” he recalls. “I met Hank because a friend of mine owned a bar on Dickerson Road, and Hank Jr. was coming down there for a photo shoot with Merle Haggard for Vanity Fair Magazine. I went there and met Hank, I was 22 years old, starstruck as all get out.”
The meeting would spark Grubbs’ serious intent to become part of the music community. Following his graduation from Western Kentucky University with a double major in broadcasting and sociology in 2007, he began work at a local Nashville public relations company.
After a year, he made the bold decision to strike out on his own. In 2009, at age 24, he launched Absolute Publicity, with Pam Tillis as his first client. He soon added Larry, Steve & Rudy: The Gatlin Brothers to his PR roster; a decade later, both artists are still clients at Absolute.

Pam Tillis & Don Murry Grubbs, October 2009. Photo: Courtesy Don Murry Grubbs
“It was a lot of trial and error my first year,” he recalls of launching the company. “But I kept learning. Having Pam as my flagship artist kind of opened the door to other artists. When the Gatlins came on, I was able to get a lot of great national press for those guys, because they are legends. They are dynamic.”
He still remembers his first major media accomplishment for one of his clients.
“When we got the Gatlins on Jimmy Kimmel Live, that was massive,” he recalls.
Grubbs put in the work, building relationships with members of the media one handshake, coffee meeting, and lunch at a time.
“It’s all about face time. You can’t sit behind a computer screen all day and build relationships. You have to meet people, and develop those personal relationships. That’s what builds a PR firm, is nurtured relationships.”

Pictured left to right: Collin Raye, Caroline Fields (Absolute), Kay Waggoner-Burney (Absolute), Don Murry Grubbs (Absolute)
Grubbs has worked steadily, expanding the staff to include Kay Waggoner-Burney and Caroline Fields. The trio’s work has earned Absolute Publicity consistent ranking as one of the best PR firms in Nashville, according to expertise.com. That work will continue next year as Pam Tillis plans to release her first album since 2007.
“It’s always been organic; the clients have always come to us,” Grubbs says. “And we’ve expanded staff as needed, when it makes sense. Kay has done a fantastic job here, and she’s been with us going on five years. She’s great at personal relationships, getting to know clients on a personal level. Caroline’s the same way. She’s great in building those relationships with the media and with the client, and she’s also very social media savvy. So she’s always letting me know things she has seen on social media that can help better the company and bringing opportunities to our clients.”
Like nearly every segment of the music industry, the rise of social media shifted the way PR professionals approach their work.
“For example, Sammy Kershaw [and longtime girlfriend Mendy Gregory] just had a baby. Sammy is 61 years old. Had he posted the picture of the baby first on social media, it would have gone everywhere very fast—media would have picked up on it, and it would have been shared everywhere. And that would have affected our ability to land an exclusive, like we did with People Magazine. So one thing publicists run into is a lot of times is the clients will post things on social media, and let the cat out of the bag a little prematurely and damage coverage. So social media is a blessing and a curse. The blessing is when it is used the right way for an artist.”
In 2017, Grubbs experienced the kind of sobering moment that has tested many publicists—the death of a client, when Country Music Hall of Fame member and Absolute Publicity client Mel Tillis died at age 85. The singer-songwriter penned hits including “Ruby Don’t Take Your Love To Town” and “Detroit City,” and found recording success with songs such as “I Ain’t Never” and “I Believe In You.”
“I kind of went into it blind, and it’s strange because you’re processing all these feelings, like, ‘Oh my gosh, I’ve lost a friend,’ but at the same time you’ve got to do the work. So it’s an odd thing; I didn’t really get to grieve until all was said and done, just because you’re focused on doing your job, and getting the word out about his passing.”

Today Show shoot with Larry Gatlin / May 9, 2011. Pictured (L-R): Josh Gatlin, Lester Holt, Larry Gatlin, Kim Cornett (Today Show producer), Don Murry Grubbs
His career has also offered plenty of mountaintop moments.
“When we landed the Marshall Tucker Band as a client back in 2011, that was a huge moment for me, because that is another band I was raised on. We were able to facilitate their Opry debut and that was a wonderful moment. It’s kind of cemented in my mind as one of the key moments in my career, because I met [Marshall Tucker Band] lead singer Doug Gray when I was 18 years old at a concert and we struck up a friendship. We kept in touch over the years, and a few years later they came knocking on our door. The rest is history.”
His willingness to be straightforward and proactive in building professional relationships are models he would recommend to those entering the PR business.
“Always tell the truth. Never try to make a story into something that it’s not, because a lot of seasoned journalists will see right through that and it can reflect badly on you. You also have to get to know the decision makers, the management companies, the booking agencies, and then the key folks in the media who are going to report on your artists. You need to start building those relationships, take these people out for coffee, take them out to lunch. Get to know them on a personal level. Build that relationship, build that particular friendship and you know the more friends you are going to have in your group the better off you’re going to be.”

The Marshall Tucker Band Grand Ole Opry debut: November 11, 2011
Pictured left to right: Rick Willis (MTB), Pat Elwood (MTB), B.B. Borden (MTB), Marcus Henderson (MTB), the late Stuart Swanlund (MTB), Chris Hicks (MTB), Doug Gray (MTB), Kenny Martin, Tucker Yochim, Don Murry Grubbs (Absolute Publicity)
Credit: Grand Ole Opry / Chris Hollo
Mitchell Tenpenny To Extend Anything She Says Tour
/by Lorie HollabaughMitchell Tenpenny is extending his headlining Anything She Says Tour into the New Year. The tour resumes Jan. 17 in St. Louis, Missouri, and visits Tuscaloosa, Detroit, Fort Worth, Columbus, and more through March 7. Tickets go on sale Friday, Dec. 13 with a pre-sale open to Mitchell’s “Night Owls” fan club members tomorrow (Dec. 10).
Country duo Seaforth and Adam Doleac will open the shows; Tenpenny’s current single, “Anything She Says,” features Seaforth and reached No. 1 on SiriusXM’s The Highway.
“One of the greatest things about this particular tour is the reception of the music from the fans,” said Tenpenny. “There is nothing more satisfying and humbling then when your fans are singing back lyrics to your own songs. This happened the first night in Nashville and I actually forgot a lyric because I was so moved. I’m so thrilled to be continuing this tour!”
Mitchell Tenpenny “Anything She Says” Tour Dates:
Jan. 17 St. Louis, MO *
Jan. 24 Ft. Worth, TX *
Jan.25 Tuscaloosa, AL
Jan. 29 Detroit, MI
Jan. 30 Springfield, IL
Jan. 31 Grand Rapids, MI *++
Feb. 1 Bloomington, IN
Feb. 28 Oxford, MS
Feb. 29 Starkville, MS
Mar. 5 Columbus, OH++
Mar.7 Rootstown, OH++
* on sale now
++Adam
Seaforth on all dates except++
Gorley, Veltz, Copperman Take Top Three On MusicRow Top Songwriter Chart
/by LB CantrellAshley Gorley remains at No. 1 this week on the MusicRow Top Songwriter Chart, while Laura Veltz moves up into the No. 2 position and Ross Copperman moves into No. 3.
Luke Combs occupies the No. 4 position, and Jesse Frasure rounds out the top five at No. 5.
The MusicRow Top Songwriter Chart, published every week, uses algorithms based upon song activity garnered from airplay, digital downloaded track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the first songwriter chart of its kind.
Click here to view the full MusicRow Top Songwriter Chart.
Save The Date: MusicRow’s 2020 Rising Women On The Row
/by LB CantrellMusicRow‘s 9th annual Rising Women on the Row breakfast has been set to take place Wednesday, March 25 at the Omni Nashville Hotel. Nominations for the 2020 honorees will open, and tickets for the event will go on sale, on Thursday, Jan. 23, 2020.
The Rising Women on the Row breakfast honors six deserving female executives in the Nashville music industry community alongside a featured speaker and performers, and is hosted by MusicRow Publisher/Owner Sherod Robertson.
Past honorees include—2019: Janine Ebach, Kelly Janson, Meredith Jones, Lenore Kinder, Sandi Spika Borchetta, Jennifer Turnbow; 2018: Faithe Dillman, Leslie DiPiero, Becky Gardenhire, Lynn Oliver-Cline, Annie Ortmeier, Janet Weir; 2017: Tatum Allsep, Virginia Davis, Kerri Edwards, Kella Farris, Laura Hutfless, Juli Newton-Griffith; 2016: Abbey Adams, Amanda Cates, Cris Lacy, Leslie Roberts, Risha Rodgers; 2015: Kele Currier, Tiffany Dunn, Dawn Gates, Jensen Sussman, Lou Taylor; 2014: Julie Boos, Caryl Healey, Ebie McFarland, Alicia Pruitt, Kelly Rich; 2013: Cyndi Forman, Cindy Hunt, Beth Laird, Cindy Mabe, Brandi Simms; 2012: Shannan Hatch, Mary Hilliard Harrington, Heather McBee, Denise Stevens, Carla Wallace.
Read more about 2019’s Rising Women on the Row event: Bobby Karl Works The Room: MusicRow’s Annual Rising Women On The Row Celebrates Top Industry Execs.
Academy Of Country Music Appoints Damon Whiteside As CEO
/by Jessica NicholsonDamon Whiteside
The Academy of Country Music has named its new Chief Executive Officer. Damon Whiteside will take the helm beginning Jan. 6, as the Academy’s third CEO in its 55-year history. Whiteside will split his time between Nashville and Los Angeles.
Whiteside previously spent six years as the Country Music Association’s Sr. VP, Marketing and Strategic Partnerships, prior to being promoted to his current role as Chief Marketing Officer. He has 23 years of career experience in the music and entertainment industries.
“I am extremely proud of the monumental accomplishments that our dedicated team at CMA has been able to achieve these last six years thanks to the support and guidance of the CMA Board and Sarah Trahern,” Whiteside said. “It has been an honor to help shape the successes of this rich genre, and to be part of a respected organization like CMA and its mission to grow country music globally while shaping positive perceptions about the industry and its artists.
“I am honored and humbled to now be given the responsibility to shape the future of the Academy. I am excited to draw upon my deep passion, unique experience and important relationships across the country music and mainstream entertainment media industries to reinforce the organization’s mission, rejuvenate its influence, and redefine its purpose to benefit the entire country music ecosystem.”
“We are fortunate to welcome Damon as the Academy’s new CEO,” shares Ed Warm, chairman of the ACM Board of Directors. “His experience, commitment and enthusiasm in the country music world are well documented and we are confident that he will enhance the Academy’s ability to bring together fans, artists and the industry while enabling the organization’s charitable arm, ACM Lifting Lives, to impact more lives than ever before.”
“Damon joining the ACM is exactly what the Academy needs right now,” adds RAC Clark, the executive producer of the ACM CBS broadcast and interim executive director for the Academy. “I’ve been part of the ACM Awards since 1979, and I can’t wait to pass along everything I can to Damon from my experience as an ACM board member, Interim Executive Director and Executive Producer of the telecast.”
In his time at CMA, Whiteside has been responsible for overseeing the development of multi-million-dollar marketing and media campaigns for CMA’s three annual television properties and strengthening the partnership with CMA’s exclusive broadcast partner ABC Television Network and The Walt Disney Company. Additionally, Whiteside dedicated efforts to identify and build strategic partnerships with multi-platform media partners, digital companies, and Fortune 500 brands. Notable accomplishments include increased ratings for the 53rd Annual CMA Awards in November 2019, his leadership role in the year-long campaign for The 50th Annual CMA Awards and the groundbreaking “Forever Country” single and music video campaign; serving as the lead country strategist for the release of the Ken Burns Country Music documentary; award-winning creative campaigns positioning the CMA Awards as the leader in music awards shows; the launch of CMA Brand Marketing Summits in New York, Toronto and London; dramatic growth across CMA digital platforms; the launch of CMA’s content creation efforts; integrated media partnerships with top digital/DSPs, radio, and cable television partners; re-branding of CMA Music Festival and Fan Fair X; 40% increase in annual sponsorship revenue; supporting the CMA Board of Directors’ expansion of international efforts; and the overall re-tooling of the CMA marketing, research, communications and strategic partnerships teams to better serve the needs of the country music industry.
Whiteside launched his career in 1996 at The Walt Disney Company, where he was responsible for award-winning marketing, creative productions, live events, and digital partnership programs for various Disney-owned companies including Disney Music Group, The Walt Disney Studios, Disney Channel, and Disney Consumer Products.
He led marketing and partnership campaigns that earned more than 100 No. 1 films, TV series, album releases and/or concert tours. He also helped develop strategies for film and television programs including Hannah Montana, High School Musical, Cars, Toy Story, Pirates of the Caribbean, Mickey Mouse, Disney Princess and more, with each producing more than $3 billion in retail sales. Whiteside secured more than $100 million annually in media value via brand partnerships with networks including ABC, ABC Family, CMT, MTV, VH-1, Disney Channel, ESPN, HGTV, GAC, PBS, VH1 and more. Whiteside was part of Disney’s Corporate Brand Management and Synergy Executive Committees, which determined strategies for the top franchise as well as company-wide marketing focuses. He also represented the three Disney Music Group labels, including Walt Disney Records, Hollywood Records and Lyric Street Records, to integrate artists into initiatives throughout the company.
In 2011, Whiteside formed Nomad Entertainment Group to represent an array of music artists, producers and songwriters and to develop marketing and digital campaigns and strategies for clients.
Whiteside has been part of Leadership Music, The Recording Academy, Music Business Association, Digital LA, CMO Club, LA Office, American Marketing Association and Promotion Marketing Association. He serves on the boards of the Nashville Entrepreneur Center, Nashville Cares and the T.J. Martell Foundation. In 2013, he completed the Executive Program at the UCLA Anderson School of Management.
Heath Sanders Joins The Valory Music Co. Roster
/by Lorie HollabaughPictured (L-R): Back Row – L3 Entertainment’s Cody Villalobos, Big Machine Label Group’s Allison Jones, L3 Entertainment’s Pete Hartung, Tour Manager Ricky Crawford, Big Machine Label Group’s Andrew Kautz; Front Row – The Valory Music Co.’s George Briner, Heath Sanders, Big Machine Label Group’s Scott Borchetta. Photo Credit: Seth Hellman
Heath Sanders has signed with The Valory Music Co. The former oilfield worker turned singer/songwriter has performed alongside artists including Justin Moore, Drake White and Chase Rice.
“Heath Sanders has the talent and voice that people will be talking about from the very first time they hear him,” said The Valory Music Co. President George Briner. “And this boy is country, through and through.”
“A friend of mine once told me, ‘don’t just make music, make history,’ and that goal just became much more attainable,” said Sanders. “After watching the Big Machine Label Group build the careers of some of my heroes, it’s an honor to experience firsthand the welcoming spirit, work ethic and love for music that is the driving force behind the team at The Valory Music Co. This is life changing and I’ll be forever grateful for the opportunity.”
The Arkansas native joins the Big Machine Label Group imprint which features Thomas Rhett, Brantley Gilbert, Sheryl Crow, Justin Moore, Eli Young Band, Aaron Lewis, Tyler Rich, Avenue Beat and Conner Smith. Sanders is managed by L3 Entertainment in Nashville.
Hillsong Worship Announces U.S. Tour Dates For 2020
/by Jessica NicholsonHillsong Worship will return to the U.S. next year for the group’s Awake Tour, presented by Premier Productions.
The tour takes its name from their full-length album Awake, which topped the Billboard Christian/Gospel Albums chart. The 28-city arena tour will also feature Kari Jobe and Cody Carnes.
The group’s song “Who You Say I Am” recently earned Gold status from the RIAA, while they earned Worship Song of the Year at both this year’s 50th annual GMA Dove Awards and the K-LOVE Fan Awards.
Hillsong Worship’s Awake Tour will launch May 1 in Houston, Texas, and will wrap June 26 in Los Angeles at The Forum. Pre-sales begin Dec. 9 with general ticket on-sale launching Friday, Dec. 13, 2019.
2020 USA AWAKE TOUR COMPLETE ROUTING:
May 1 – Houston, TX | Smart Financial Centre at Sugar Land
May 2 – Baton Rouge, LA | Raising Cane’s River Center
May 4 – Birmingham, AL | Concert Hall at the BJCC
May 5 – Knoxville, TN | Knoxville Civic Auditorium
May 7 – Durham, NC | DPAC
May 8 – Baltimore, MD | UMBC Event Center
May 9 – Reading, PA | Santander Arena
May 11 – Brooklyn, NY| Kings Theatre
May 13 – Detroit, MI | Fox Theatre
May 14 – Peoria, IL | Peoria Civic Center
May 15 – Kansas City, MO | Silverstein Eye Centers Arena
May 16 – Minneapolis, MN | Armory
May 18 – Denver, CO | Red Rocks Amphitheatre
June 6 – Springfield, MO | O’Reilly Family Event Center
June 8 – Sioux Falls, SD | Danny Sanford PREMIER Center
June 9 – Omaha, NE | Ralston Arena
June 11 – Salt Lake City, UT | Maverik Center
June 12 – Boise, ID | ExtraMile Arena
June 13 – Kennewick, WA | Toyota Center
June 15 – Portland, OR | Keller Auditorium
June 16 – Seattle, WA | WaMu Theater
June 18 – Redding, CA | Redding Civic Auditorium
June 19 – Fresno, CA | Selland Arena
June 20 – San Jose, CA | Event Center at San Jose State University
June 22 – Bakersfield, CA | Mechanics Bank Arena (formerly Rabobank Arena)
June 23 – San Diego, CA | Cal Coast Credit Union Open Air Theatre
June 25 – Phoenix, AZ | Comerica Theatre
June 26 – Los Angeles, CA | The Forum
Jake Owen Heads To The Tiki Tonk On New Acoustic Tour
/by Lorie HollabaughLarry Fleet will serve as direct tour support for the “Down To The Tiki Tonk Tour,” and tickets go on sale Dec. 13 and are available with additional purchasing information at jakeowen.net.
“Sitting on a barstool, just playing a guitar and singing songs is how I first started making music and is what first led me to fall in love with performing,” recalls Owen. “Over the years I’ve been lucky enough to have the venues get bigger, and to play for larger crowds on major headlining tours, but when I sat down to think about what was important to me this upcoming year, I really wanted the opportunity to go back to the beginning of it all. For me, it was that intimate connection with fans and the ability to really engage on a more personal level… it just takes me back to the real roots of where and why you started doing this in the first place. The strength of the songwriting and the magic of how that translates into a room with just a guitar and a song. I really can’t wait to play these rooms.”
Entertainment Tonight recently premiered the long-form extended video for Owen’s latest single “Homemade,” which is currently racing up the country charts. The video for the song features Owen’s grandparents’ real-life love story, and he shared an in-depth interview with his grandparents on a recent episode of his podcast “Good Company with Jake.”
CRS Reveals Performers For 2020 New Faces Of Country Music Show
/by Jessica NicholsonThe Country Radio Seminar has revealed the performer lineup for the highly-anticipated 2020 New Faces of Country Music Show, which will be held Feb. 21 at the Omni Nashville Hotel.
Atlantic/WMN artist (and current MusicRow Magazine cover artist) Ingrid Andress is among this year’s performers, alongside Warner/WEA artist Morgan Evans, BMLGR’s Riley Green, Wheelhouse Records trio Runaway June, and Riser House/Columbia Nashville’s Mitchell Tenpenny.
The performers for the 2020 New Faces of Country Music Show were determined by votes from full-time radio station employees, during the voting period which ran from Nov. 18-22.
CRB/CRS President of the Board, Kurt Johnson, said, “This is an outstanding class of New Faces, representing some of the most exciting up-and-coming artists in our format. It’s truly one the best moments of the year for Country Radio—careers are made on the spot. Not to be missed!”
The 2020 New Faces of Country Music Show will mark the 50th anniversary of the annual CRS showcase, which was formed in 1970. The 2020 Country Radio Seminar will be held Feb. 19-21, 2020 at Omni Hotel Nashville.
Absolute Publicity’s Don Murry Grubbs On Building A Powerhouse PR Company With Hustle And Heart
/by Jessica Nicholson2019 Country Music Hall of Fame Medallion Ceremony. Pictured (L-R): Country Music Hall of Famers Randy Owen, Ricky Skaggs, Ray Stevens, Charlie Daniels, Absolute Publicity company president Don Murry Grubbs / October 2019. Photo Credit: Terry Wyatt/Getty Images for Country Music Hall of Fame and Museum
When Don Murry Grubbs founded his independent public relations company, Absolute Publicity, in 2009, he was new to the world of PR, and to the Nashville music industry. But he had a passion for the tradition and evolution of country music, along with a relentless tenacity to spread the word about his clients’ accomplishments.
“That’s music that I appreciate. I love classic country, I love stone cold country,” Grubbs says. “I grew up on a farm, that’s all I heard growing up, so that’s what I appreciate.”
Ten years later, he has bolstered the Absolute roster to include more than two dozen artists and projects, including Alabama, Aaron Tippin, Blackhawk, Larry, Steve & Rudy: The Gatlin Brothers, Charlie Daniels, The Marshall Tucker Band, Ray Stevens, Restless Heart, Ricky Skaggs, The Kentucky Headhunters, Shenandoah, T.G. Sheppard, The Journey Home Project, and more.
In the past two years, he has had four clients elected to various Hall of Fame memberships. In 2018, Ricky Skaggs was inducted into the Country Music Hall of Fame as well as to the Bluegrass Music Hall of Fame, and the National Fiddlers Hall of Fame. Earlier this year, Ray Stevens was inducted into the Country Music Hall of Fame, while Larry Gatlin was inducted into the Nashville Songwriters Hall of Fame and Alabama elected to the Musicians Hall of Fame.
Don Murry Grubbs. Photo: Courtesy Absolute Publicity
“The key is reminding people of their accomplishments and what they did, if you can effectively do that and constantly keep them in the forefront of voters’ minds. It’s constantly reminding them of the legacy of their career, the amount of number one hits, the Grammys, Platinum-selling records, and why it’s important for your client to be recognized in a Hall of Fame. That’s the goal,” he says.
“When I hired Don Grubbs at Absolute Publicity, I did so because he was very young with new ideas, he was passionate and wanted to do a good job,” Skaggs notes. “Since then he continues to take on new artists, he still has good ideas, and he still has the desire to do a good job for me and all his clients. It’s great to see how his company has grown in 10 years.”
A chance meeting with another legendary entertainer, Hank Williams, Jr., would serve as Grubbs’ entry to the music industry.
“I’ve always been a fan of classic country music, and I was a huge Hank Williams, Jr. fan,” he recalls. “I met Hank because a friend of mine owned a bar on Dickerson Road, and Hank Jr. was coming down there for a photo shoot with Merle Haggard for Vanity Fair Magazine. I went there and met Hank, I was 22 years old, starstruck as all get out.”
The meeting would spark Grubbs’ serious intent to become part of the music community. Following his graduation from Western Kentucky University with a double major in broadcasting and sociology in 2007, he began work at a local Nashville public relations company.
After a year, he made the bold decision to strike out on his own. In 2009, at age 24, he launched Absolute Publicity, with Pam Tillis as his first client. He soon added Larry, Steve & Rudy: The Gatlin Brothers to his PR roster; a decade later, both artists are still clients at Absolute.
Pam Tillis & Don Murry Grubbs, October 2009. Photo: Courtesy Don Murry Grubbs
“It was a lot of trial and error my first year,” he recalls of launching the company. “But I kept learning. Having Pam as my flagship artist kind of opened the door to other artists. When the Gatlins came on, I was able to get a lot of great national press for those guys, because they are legends. They are dynamic.”
He still remembers his first major media accomplishment for one of his clients.
“When we got the Gatlins on Jimmy Kimmel Live, that was massive,” he recalls.
Grubbs put in the work, building relationships with members of the media one handshake, coffee meeting, and lunch at a time.
“It’s all about face time. You can’t sit behind a computer screen all day and build relationships. You have to meet people, and develop those personal relationships. That’s what builds a PR firm, is nurtured relationships.”
Pictured left to right: Collin Raye, Caroline Fields (Absolute), Kay Waggoner-Burney (Absolute), Don Murry Grubbs (Absolute)
Grubbs has worked steadily, expanding the staff to include Kay Waggoner-Burney and Caroline Fields. The trio’s work has earned Absolute Publicity consistent ranking as one of the best PR firms in Nashville, according to expertise.com. That work will continue next year as Pam Tillis plans to release her first album since 2007.
“It’s always been organic; the clients have always come to us,” Grubbs says. “And we’ve expanded staff as needed, when it makes sense. Kay has done a fantastic job here, and she’s been with us going on five years. She’s great at personal relationships, getting to know clients on a personal level. Caroline’s the same way. She’s great in building those relationships with the media and with the client, and she’s also very social media savvy. So she’s always letting me know things she has seen on social media that can help better the company and bringing opportunities to our clients.”
Like nearly every segment of the music industry, the rise of social media shifted the way PR professionals approach their work.
“For example, Sammy Kershaw [and longtime girlfriend Mendy Gregory] just had a baby. Sammy is 61 years old. Had he posted the picture of the baby first on social media, it would have gone everywhere very fast—media would have picked up on it, and it would have been shared everywhere. And that would have affected our ability to land an exclusive, like we did with People Magazine. So one thing publicists run into is a lot of times is the clients will post things on social media, and let the cat out of the bag a little prematurely and damage coverage. So social media is a blessing and a curse. The blessing is when it is used the right way for an artist.”
In 2017, Grubbs experienced the kind of sobering moment that has tested many publicists—the death of a client, when Country Music Hall of Fame member and Absolute Publicity client Mel Tillis died at age 85. The singer-songwriter penned hits including “Ruby Don’t Take Your Love To Town” and “Detroit City,” and found recording success with songs such as “I Ain’t Never” and “I Believe In You.”
“I kind of went into it blind, and it’s strange because you’re processing all these feelings, like, ‘Oh my gosh, I’ve lost a friend,’ but at the same time you’ve got to do the work. So it’s an odd thing; I didn’t really get to grieve until all was said and done, just because you’re focused on doing your job, and getting the word out about his passing.”
Today Show shoot with Larry Gatlin / May 9, 2011. Pictured (L-R): Josh Gatlin, Lester Holt, Larry Gatlin, Kim Cornett (Today Show producer), Don Murry Grubbs
His career has also offered plenty of mountaintop moments.
“When we landed the Marshall Tucker Band as a client back in 2011, that was a huge moment for me, because that is another band I was raised on. We were able to facilitate their Opry debut and that was a wonderful moment. It’s kind of cemented in my mind as one of the key moments in my career, because I met [Marshall Tucker Band] lead singer Doug Gray when I was 18 years old at a concert and we struck up a friendship. We kept in touch over the years, and a few years later they came knocking on our door. The rest is history.”
His willingness to be straightforward and proactive in building professional relationships are models he would recommend to those entering the PR business.
“Always tell the truth. Never try to make a story into something that it’s not, because a lot of seasoned journalists will see right through that and it can reflect badly on you. You also have to get to know the decision makers, the management companies, the booking agencies, and then the key folks in the media who are going to report on your artists. You need to start building those relationships, take these people out for coffee, take them out to lunch. Get to know them on a personal level. Build that relationship, build that particular friendship and you know the more friends you are going to have in your group the better off you’re going to be.”
The Marshall Tucker Band Grand Ole Opry debut: November 11, 2011
Pictured left to right: Rick Willis (MTB), Pat Elwood (MTB), B.B. Borden (MTB), Marcus Henderson (MTB), the late Stuart Swanlund (MTB), Chris Hicks (MTB), Doug Gray (MTB), Kenny Martin, Tucker Yochim, Don Murry Grubbs (Absolute Publicity)
Credit: Grand Ole Opry / Chris Hollo
Nashville Symphony Concert To Honor Boudleaux And Felice Bryant
/by Jessica NicholsonThe Nashville Symphony will celebrate iconic songwriter Boudleaux Bryant‘s 100th birthday and the 75th anniversary of meeting his wife and songwriting partner Felice with a special concert event on Feb. 13, 2020 at 7:30 p.m. at Nashville’s Schermerhorn Symphony Center.
Boudleaux & Felice Bryant Centennial Celebration: A Diamond Anniversary Love Story in Song will pay tribute to Boudleaux and Felice Bryant with a unique program featuring the pair’s most beloved songs and the U.S. premiere of Boudleaux’s Polynesian Suite, featuring steel guitarist Chris Scruggs.
Boudleaux and Felice’s youngest son Del and his wife Carolyn, patrons and friends of the Symphony, will serve as emcees for the evening, which will also feature the Nashville Symphony Orchestra joined by Jamey Johnson, The War and Treaty, Steve Tyrell, and members of the UT-Knoxville Pride of the Southland Marching Band.
“The love Boudleaux and Felice had for each other is as inspirational as their music. I am so happy to be hosting this celebration of love with their son, the love of my life, on the night before Valentine’s Day,” said Carolyn Smith Bryant.
“Polynesian Suite was commissioned for Monument Records in 1968 by Hall-of-Famer Fred Foster, who had already struck gold with another of Dad’s instrumental pieces, ‘Mexico,’” said Del Bryant. “He thought he could re-create the worldwide commercial success by pairing Dad’s musicality with that of renowned Hawaiian lap steel player Jerry Byrd. I hope Polynesian Suite is met with the warm breezes of a loving audience and becomes as classic and identifiable as many of their other works.”
Additional special guests may be announced in the coming weeks. Proceeds from the event will help children served by Boudleaux and Felice’s grandson Thaddeus’ nonprofit organization The Heads Up Penny Foundation and the Nashville Symphony’s education programs.
Boudleaux and Felice Bryant, the first professional songwriters of Nashville, have sold over half a billion records and shaped the soundtrack of millions of lives with hits including “Bye Bye Love,” “Wake Up Little Susie,” “All I Have to Do Is Dream,” “Love Hurts,” “Rocky Top,” “Country Boy” and many more. The Bryants wrote more than 6,000 songs, more than 900 of which were recorded and performed by artists working in many different musical genres, including The Beach Boys, Tony Bennett, Brothers Osborne, Ray Charles, Kenny Chesney, Jimmy Dickens, Bob Dylan, the Everly Brothers, the Grateful Dead, Joan Jett, Gram Parsons, Phish, Eddie Vedder, Simon & Garfunkel and countless others. They were elected to the Nashville Songwriters Hall of Fame in 1972, the National Academy of Popular Music’s Songwriters Hall of Fame in 1986 and the Country Music Hall of Fame in 1991.
Tickets go on sale to the public at 10 am on Friday, December 13, and can be purchased at NashvilleSymphony.org/BryantCentennialCelebration, via phone at 615.687.6400 or at the Schermerhorn Box Office. Boudleaux’s VIP Birthday Bash packages – including a box seat, post-concert reception and commemorative item – are available starting at $500 per person.