Jesse Frasure Tops The MusicRow Top Songwriter Chart

Jesse Frasure has made it to the top of the MusicRow Top Songwriter Chart. With co-writer credit on Jordan Davis’ “Almost Maybes,” Blake Shelton’s “Minimum Wage,” Thomas Rhett’s “What’s Your Country Song,” and Michael Ray’s “Whiskey And Rain,” Frasure moves up one spot to the pinnacle position.

Josh Osborne shifts down one spot, with credit for the songs “Breaking Up Was Easy In The 90’s” (Sam Hunt), “How They Remember You” (Rascal Flatts), “Next Girl” (Carly Pearce), and “Sand In My Boots” (Morgan Wallen).

Corey Crowder remains at No. 3 this week, with Florida Georgia Line’s “Long Live,” Blake Shelton’s “Minimum Wage,” Chris Young and Kane Brown’s “Famous Friends,” and Chase Rice feat. Florida Georgia Line’s “Drinkin’ Beer. Talkin’ God. Amen.”

The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.

Click here to view the full MusicRow Top Songwriter Chart.

Linda Ronstadt Sells Catalog To Irving Azoff’s Iconic Artists Group

 

Linda Ronstadt has sold her recorded music assets in a partnership with Irving Azoff‘s new venture Iconic Artists Group.

Iconic will partner with Ronstadt and her team manager John Boylan and personal assistant Janet Stark, to market her catalog and preserve her legacy in the digital era. The partnership will allow Iconic to introduce Ronstadt’s timeless music to new generations of fans.

“I’m very pleased about this partnership,” says Ronstadt. “It’s extremely gratifying to be in the company of Irving Azoff, his team, and his family of great artists, many of whom have been my friends and colleagues for years. It feels like home.”

Ronstadt is a 2014 Rock and Roll Hall of Fame inductee and one of the world’s best-selling artists of all time, having sung on over 120 albums. She has approximately 31 Gold and Platinum records and sold more than 100 million records worldwide with such hits as “You’re No Good,” “Blue Bayou,” the duet “Somewhere Out There” with James Ingram, and “Don’t Know Much” with Aaron Neville. She won her 11th Grammy for Best Music Film for her documentary Linda Ronstadt: The Sound of My Voice at the recent Awards.

“In 1972 when I arrived in Los Angeles to pursue my dreams in the music business, as fate would have it, I soon thereafter became best friends and manager to Glenn Frey and Don Henley,” says Azoff. “Without Linda Ronstadt and John Boylan, there would have never been an Eagles. We were friends and family and grew up together, and what a ride it has been. The countless tours together with the Eagles and Linda and their collaborations are the backbone of the history of Southern California music. For Linda and John to entrust us with the honor of furthering her work is one of the most satisfying moments of my career. Linda’s talent is unparalleled, but her courage and commitment to make important music of many genres is her legacy. We will preserve that legacy for her at all costs. Thank you, Linda and John. We won’t let you down.”

The deal with Ronstadt comes on the heels of Iconic’s recent announcement to purchase David Crosby’s catalog, including his publishing and recorded music rights, from his solo work and his work with The Byrds; Crosby & Nash; Crosby, Stills & Nash; and Crosby, Stills, Nash & Young. Iconic also recently partnered with the legendary Beach Boys to purchase a controlling stake in their catalog, including sound recordings, the brand, select musical compositions, and memorabilia.

Dillon Carmichael To Release ‘Hot Beer’ EP, Out May 14

Dillon Carmichael is gearing up for the release of his new Hot Beer EP, due out May 14 on Riser House Records.

The six-song collection features tracks penned by standout songwriters including Michael Hardy, Ashley Gorley, Jessi Alexander, David Lee Murphy and others. Carmichael recently shared a first track from the EP, his rendition of Montgomery Gentry’s “Lucky Man.” The song is one that’s close to his heart, not only because it was recorded by his uncle Eddie Montgomery, but also because the pandemic has allowed him to reflect on the many reasons he has to be thankful.

“Lucky Man” follows the Bakersfield-tinged title track “Hot Beer” and TikTok-viral hit “Sawin’ Logs,” both of which showcase Carmichael’s humor and were produced with the help of Jon Pardi. In “Big Truck,” Carmichael questions the motives of his girlfriend’s affection. On the more serious side, “Somewhere She Ain’t” addresses heartbreak, and “Since You’ve Been In It” is a traditional love song. Hot Beer is part one of Carmichael’s new music, and a full LP is due out later this year.

Hot Beer Track List:
1. Hot Beer (Michael Hardy, Ashley Gorley, Hunter Phelps, Ben Johnson)
2. Big Truck (Dillon Carmichael, Jessi Alexander, David Lee Murphy)
3. Lucky Man (David Lee, Dave Turnbull)
4. Somewhere She Ain’t (Carmichael, Alexander, Ben Hayslip)
5. Since You’ve Been In It (Carmichael, Ray Fulcher, Michael Whitworth, Daniel Ross)
6. Sawin’ Logs (Brandon Kinney, Brice Long, Wynn Varble)

*Tracks 1 – 3 produced by Pardi and Ryan Gore
**Tracks 4 and 5 produced by Dann Huff
***Track 6 produced by Pardi and Chris LaCorte

Maren Morris, Sturgill Simpson, The Mavericks, More Getting A Cassette-Only Reissue

 

RecordingTheMasters, a worldwide leader in reel-to-reel tape manufacturing, is reissuing a series of critically acclaimed albums by Sturgill Simpson, Maren Morris, The Mavericks and more.

The company is teaming up with ThinkIndie Distribution to reissue Morris’ GIRL,  Simpson’s Cuttin’ Grass, Vol. 1: The Butcher Shoppe Sessions, The Mavericks’ En Español, Major Lazer’s Peace Is The Mission, Lupe Fiasco & Kaelin Ellis’ HOUSE EP (including both the original EP and instrumentals), The Story So Far’s Proper Dose and Killswitch Engage’s Atonement.

The albums will be reissued on RecordingTheMasters’ FOX C-60 high quality audio cassette tape, offering best-in-its-class sound quality in an analog cassettes. Along with the cassette release, a B-1000 Portable Cassette Player will be available for purchase in the U.S. for the first time. With electronics by RecordingTheMasters’ parent company Mulann, the cassette player features a built-in speaker, built-in microphone and direct line-in recording.

The cassettes and portable cassette player will all be available at independent record stores nationwide on April 30.

Kenny Chesney Postpones Stadium Tour To 2022

Kenny Chesney. Photo: Jill Trunnell

Kenny Chesney has announced that he is postponing his tour to 2022.

All of the stadiums on the 2021 itinerary will still host Chesney’s 2022 tour. It will be a completely new show with a new name, new line-up, and lots of new music. All current tickets will be honored for the rescheduled show date. Beginning today (March 22), patrons unable to attend the rescheduled shows may request a refund at the original point of purchase.

“We have waited for so long, I can’t play knowing I would disappoint a portion of No Shoes Nation who wouldn’t be able to get into the stadiums and the amphitheaters,” Chesney says. “There’s no way around that this year. As much I hate postponing further, I would hate telling people who waited we won’t be able to let them come due to capacity restrictions. That’s just not fair.”

Messina Touring Group will announce the rescheduled dates for Chesney’s 2022 tour shortly.

Kenny Chesney 2021 Stadiums, Cities and States forthcoming for 2022:
Raymond James Stadium – Tampa, Fla.
American Family Field – Milwaukee, Wis.
Nissan Stadium – Nashville, Tenn.
Mercedes-Benz Stadium – Atlanta, Ga.
GEHA Field at Arrowhead – Kansas City, Mo.
U.S. Bank Stadium – Minneapolis, Minn.
Heinz Field – Pittsburgh, Pa.
Lincoln Financial Field – Philadelphia, Pa.
Soldier Field – Chicago, Ill.
Bobcat Stadium – Bozeman, Mont.
Busch Stadium – St. Louis, Mo.
Lumen Field – Seattle, Wash.
SoFi Stadium – Inglewood, Calif.
Empower Field at Mile High – Denver, Colo.
AT&T Stadium – Arlington, Texas
Ford Field – Detroit, Mich.
MetLife Stadium – East Rutherford, N.J.
Gillette Stadium – Foxborough, Mass.

Newport Folk Festival To Release John Prine Live Album

 

The Newport Folk Festival is releasing an album of John Prine‘s legendary performance at the festival in 2017 entitled, John Prine and Friends. 

The record, available for pre-order on March 23, features the late icon’s never before released performance, which features artists Justin Vernon, Jim James, Margo Price, Nathaniel Rateliff, Lucius, and Roger Waters.

Offered exclusively through Newport Folk and produced with the support of The Prine Family and Oh Boy Records, John Prine and Friends has been mixed from the original multi-tracks and mastered specifically for this vinyl release. This limited edition 2-record set will be pressed on premium 180-gram vinyl and housed in a deluxe Stoughton old-style tip-on gatefold jacket. Each pre-order includes an instant digital download of the entire recording.

Proceeds from the sale support the Newport Festivals Foundation’s ongoing initiatives to aid musicians in need and music programs across the country.

The festival was cancelled in 2020 due to the pandemic and was deeply felt as Newport Festivals Foundation relies on the revenue it makes each year at the festivals in order to carry out its work. Thanks to the support of the Newport Folk and Jazz fans and donors, NFF has been able to continue to support music programs in our own backyard of Newport, Rhode Island and all across America.

Bob DiPiero, Craig Wiseman, Jeffrey Steele, More Set For Travis Meadows Benefit

A host of Nashville’s best are on the lineup for An Evening for Travis Meadows, a benefit set for April 8 at 3rd & Lindsley featuring performances by Jeffrey Steele, Aaron Lewis, Casey Beathard, Bob DiPiero, Luke Dick, Chuck Cannon, Lee Miller, Wendell Mobley, Tim Nichols, Neil Thrasher, Stephen Wilson Jr., Craig Wiseman, and more.

Meadows was seriously injured during a recent surgery, and the special show will help raise money to support his recovery and get him back on his feet and fully healed. The talented songwriter has penned songs like Dierks Bentley’s buoyant “Riser,”Eric Church’s “Knives of New Orleans” and “Dark Side,”  Jake Owen’s “What We Ain’t Got,” and Kenny Chesney’s “Better Boat,” among many others.

Tickets are available here.

The event will be hosted by Steele and Casey Lavasseur. The two are seeking sponsorships, brand partnerships, media partnerships, and more to support the event. Those interested can contact casey@3ringcircusmusic.com.

The Station Inn’s JT Gray Passes

JT Gray. Photo: Courtesy The Station Inn

Earl “JT” Gray, the owner of Nashville’s world famous bluegrass mecca The Station Inn, died on Saturday (March 20) at age 75.

He was a 2020 inductee into the Bluegrass Music Hall of Fame.

On March 14, Gray appeared on international television during the Grammy Awards salute to America’s independent nightclubs. He always described The Station Inn as “a listening room.” The venue was a destination for lovers of acoustic music and hosted virtually all the top names in bluegrass for more than 40 years.

Gray was a guitarist and singer who was born in Corinth, Mississippi. He moved to Music City in 1971 to become a member of the Nashville-based bluegrass band The Misty Mountain Boys. The group played at venues throughout the city, including The Bluegrass Inn and Old Time Picking Parlor downtown and the Opryland theme park.

In 1976, he formed his own band, J.T. Gray & The Nashville Skyline. He took a hiatus from the group to become a member of Jimmy Martin’s Sunny Mountain Boys in 1979-81, then resumed leading Skyline. At various times, he also backed Vassar Clements, The Sullivan Family and Tom T. Hall.

He left Martin’s group to acquire The Station Inn in early 1981. Founded in 1974, the club was originally at 104 28th Ave. N., near Vanderbilt. In 1978, it moved to 402 12th Ave. S., in a then nearly deserted industrial area called The Gulch. It has remained there, now surrounded by modern condos, upscale retail establishments and fancy restaurants.

Gray renovated the club, which included installing some seats from the Flatt & Scruggs tour bus and decorating its wood-paneled walls with vintage posters. At first, he featured his Nashville Skyline band and other local acts. The Bluegrass Cardinals were the first national bluegrass stars to play the venue, followed the next day by Country Gazette. The humble, 150-seat club was soon full of bluegrass lovers.

The then-unknown family group The Whites began building a following via regular appearances at The Station Inn in 1981-82. The Nashville Bluegrass Band and The Dreadful Snakes got their starts at the nightclub. The venue was also a training ground for future country stars Dierks Bentley, Alison Krauss, Chris Stapleton and Vince Gill.

Bill Monroe began dropping by unannounced to sit in with whoever was on stage. Ralph Stanley became a visitor, too. At one point, Stanley was joined at the club by his former band members Ricky Skaggs and Keith Whitley for an impromptu reunion. Such serendipitous events became common at The Station Inn. Among other notables known to drop in to “jam” were Bela Fleck, Stuart Duncan, Mark O’Connor, Alan O’Bryant, Roland White, Tim O’Brien, Sam Bush, Vassar Clements and Jerry Douglas. The club’s weekly Sunday night jam sessions were famous. Opry stars often dropped by following their Friday and Saturday night WSM broadcasts.

The Station Inn had a number of regular performers. Gray formed his band 16th Avenue in 1985, then assumed leadership of The JT Gray Band in 1988. That group endured as Station Inn mainstays until his passing. Peter Rowan & Crucial Country were resident Station Inn entertainers, as was the Sidemen group formed by Rob & Ronnie McCoury, which appeared at the club for 16 years. The Time Jumpers were weekly visitors at the venue for 13 years beginning in 1998 before outgrowing its capacity. The hilarious Doyle & Debbie country parody shows were also fixtures at The Station Inn. Jim Rooney staged his annual birthday celebrations there with John Prine. The old-time country band Old Crow Medicine Show was also a resident attraction.

But keeping the little club afloat was a constant challenge in the early years. Gray sometimes took work as a coach-bus driver for various touring music stars and did other “outside” jobs.

By 2000, the nightclub had become known worldwide as a bluegrass shrine. It was used for photo shoots and as a location for music videos. It was the site of live albums by singer-songwriter Shawn Camp and Grand Ole Opry comic/musician Mike Snider. Celebrities who visited the venue included Robert Duvall, Reese Witherspoon, William Shatner, Mel Gibson and Peyton Manning.

In 2003, JT Gray was given a Distinguished Achievement Award by the International Bluegrass Music Association (IBMA). Filmmaker Pat Isbey created a feature-length documentary in 2004 called The Station Inn – True Life Bluegrass with commentary by Roland White, Del McCoury, Fleck, Bush, Skaggs, Krauss and Stanley.

Gray began to face health challenges around this time. He had a series of heart-bypass operations while still in his 50s. Nevertheless, in 2005 he issued his first and only album, It’s About Time.

In recent years, the nightspot has launched a web channel—Station Inn TV—to live stream performances. Thousands of fans worldwide have tuned in.

The Country Music Hall of Fame opened a new exhibit devoted to The Station Inn this year. During the Grammy telecast, Gray announced the Best Country Album award going to Miranda Lambert. This year’s Bluegrass Grammy went to Station Inn graduate Billy Strings.

Throughout his life, JT Gray was a kind soul, a Southern gentleman and a generous spirit. He created a warm, welcoming environment for acoustic musicians and their fans, a venue where connections were made, collaborations were born, songs were auditioned and talent was nurtured.

Funeral arrangements are private, for the family. A Station Inn celebration of the life of JT Gray will be announced at a later date.

AIMP Nashville Announces Nominees For 6th Annual Awards

The Nashville Chapter of the Association of Independent Music Publishers (AIMP) has announced the nominees for its sixth annual AIMP Nashville Awards.

The awards will be held on April 27 at 4 p.m. CT at The Listening Room Café in Nashville. Only nominees and sponsors will be invited to attend in person, with masks and social distancing required. The event will also be livestreamed and made available to AIMP members.

Twenty three independent music publishers and 19 songwriters each received multiple nominations this year. Big Machine Label Group was the most-nominated independent publisher with 10 nods, followed by Round Hill Music with five, Concord Music Publishing with four, and Curb | Word Music Publishing, peermusic, Relative Music Group, SMACKSongs, Spirit Music, and Tape Room Music with three each. Ashley Gorley, HARDY, and Jonathan Singleton were the top songwriters with three nominations each.

This year’s categories include Rising Songwriter of the Year, Rising Artist-Writer of the Year, Artist-Writer of the Year, Song Champion of the Year, Publisher’s Pick, Song of the Year, Songwriter of the Year and Publisher of the Year.

“In the face of seemingly insurmountable odds, independent songwriters and publishers have pushed through and created truly fantastic art to get us to the other side of an unprecedented time,” says Vice President of the AIMP Nashville Chapter and Co-Chair of the AIMP Nashville Awards, Ree Guyer. “While we were forced to cancel last year’s event, we are happy to honor this year’s winners in a safe, socially distanced ceremony, and hope we’ll be able to celebrate with the full Nashville independent publishing community in 2022!”

“Given our currently trying times, it’s even more important to remember and honor the good from the past year,” says AIMP National Chair and President of the AIMP Nashville Chapter, John Ozier. “The independent music publishing community never stops, and this year showed its ingenuity as songwriters found new ways to connect and create music that both captured the moment and provided solace to listeners. We look forward to recognizing their achievements.”

Voting for all AIMP Nashville Chapter members will begin on March 24 and will end on March 30 at 5 p.m. CT. Those who would like to vote must visit www.aimp.org/register by March 23 at 5 p.m. CT to either ensure their membership is in good standing or sign up to become an AIMP Nashville Chapter member.

The full list of nominees by category can be found below.

RISING SONGWRITER OF THE YEAR:
– Alex Kline (Ziggys Z Music)
– Benjy Davis (Big Machine Music)
– Jake Mitchell (Reservoir Media / Patrick Joseph Music)
– Matt Alderman (Curb | Word Music Publishing)
– Neil Medley (Mojo Music & Media / Son of a Carl Music)
– Nicolette Hayford (River House / SMACKSongs)
– Steph Jones (Disney Music Publishing / Hipgnosis Song Group)

RISING ARTIST-WRITER OF THE YEAR:
– Avenue Beat (Tape Room Music)
– Jameson Rodgers (Combustion Music)
– Ruston Kelly (Concord Music Publishing)
– Ryan Hurd (Big Machine Music)
– Tenille Arts (Oven Music)
– Tenille Townes (Big Yellow Dog)

ARTIST-WRITER OF THE YEAR:
– Ashley McBryde (Jody Williams Songs)
– Brothers Osborne (King Pen Music)
– Carly Pearce (Altadena)
– Eric Church (Little Louder Music)
– Jon Pardi (Song Factory Music)

SONG CHAMPION OF THE YEAR:
– Allison Jones (Big Machine Label Group)
– Ciara Shortridge (Curb | Word Music Publishing)
– Jake Gear (Hang Your Hat Music)
– Laurel Kittleson-Cobb (Curb | Word Entertainment)
– Trina Smith-Dort (Me Gusta Music)
– Ward Guenther (Whiskey Jam)

PUBLISHER’S PICK:
– “Beautiful Noise” written by Alicia Keys, Brandi Carlile, Brandy Clark, Hailey Whitters, Hillary Lindsey, Lori McKenna, Linda Perry, Ruby Amanfu
Independently published by Atlas Music Publishing, Big Machine Music, Carnival Music, Concord Music Publishing, Creative Nation, Deep Dark Robot Music, Happy People Music, Like Butta Baby Music, Maps and Records Music, peermusic
Recorded by Brandi Carlile & Alicia Keys

– “Better Than We Found It” written by Jessie Jo Dillon, Jimmy Robbins, Laura Veltz, Maren Morris
Independently published by Big Ass Pile of Dimes Music, Big Machine Music, Heroes and Halos Music, Millicent Hill Music, JRM3, Muse Magic, Round Hill Music
Recorded by Maren Morris

– “Chasing After You” written by Brinley Addington, Jerry Flowers
Independently published by Adding Tone Music, Combustion Music, Downtown Music Group, Mojo Music & Media, Tape Room Music
Recorded by Maren Morris & Ryan Hurd

– “Give Heaven Some Hell” written by Ashley Gorley, Ben Johnson, Hunter Phelps, Michael Hardy
Independently published by Big Blue Nation Music, Caleb’s College Fund, Relative Music Group. Round Hill Music, Tape Room Music
Recorded by HARDY

– “Janice at the Hotel Bar” written by Hailey Whitters, Lori McKenna
Independently published by Carnival Music, Creative Nation, Concord Music Publishing, Maps and Records Music, Pulse Music Group
Recorded by Hailey Whitters

– “Things a Man Oughta Know” written by Jason Nix, Jonathan Singleton, Lainey Wilson
Independently published by Big Machine Music, Spirit Music
Recorded by Lainey Wilson

SONG OF THE YEAR:
– “Ain’t Always the Cowboy” written by Brandon Kinney, Josh Thompson
Independently published by Big Machine Music, MV2 Music, peermusic, Whiskey Tub Music
Recorded by Jon Pardi

– “Bluebird” written by Luke Dick, Miranda Lambert, Natalie Hemby
Independently published by Emileon Songs, Little Louder Songs
Recorded by Miranda Lambert

– “Die From a Broken Heart” written by Deric Rutan, Jonathan Singleton, Madison Marlow, Taylor Dye
Independently published by Big Machine Music, Jehovah Nissi Music, Seven Red Birds Publishing, Spirit Music
Recorded by Maddie & Tae

– “I Hope You’re Happy Now” written by Carly Pearce, Jonathan Singleton, Luke Combs, Randy Montana
Independently published by 50 Egg Music, Altadena, Big Machine Music, Jett Music, Spirit Music, Straight Dimes Publishing
Recorded by Carly Pearce & Lee Brice

– “One of Them Girls” written by Ashley Gorley, Ben Johnson, Dallas Davidson, Lee Brice
Independently published by 8Minute Publishing, Artist Publishing Group, Big Blue Nation Music, Caleb’s College Fund, Play It Again Music Group, Natalia’s Music Money, Round Hill Music
Recorded by Lee Brice

– “One Night Standards” written by Ashley McBryde, Nicolette Hayford, Shane McAnally
Independently published by Canned Biscuit Songs, River House, SMACKSongs, Smackstreet Music, Tempo Investments
Recorded by Ashley McBryde

– “Some Girls” written by CJ Solar, Jake Mitchell, Michael Hardy
Independently published by Harding Road Music, Sea Gayle Music, Relative Music Group, West Pass Music
Recorded by Jameson Rodgers

SONGWRITER OF THE YEAR:
– Michael Hardy (Relative Music Group)
– Ashley Gorley (Round Hill Music)
– Shane McAnally (Tempo Investments)
– Josh Thompson (MV2 Entertainment)
– Ernest K Smith (Big Loud Music)
– Hillary Lindsey (Concord Music Publishing)

PUBLISHER OF THE YEAR:
– Big Machine Music
– Downtown Music Publishing
– Kobalt Music
– peermusic
– Round Hill Music
– SMACKSongs

Carrie Underwood Announces Special ‘My Savior’ Concert Event For Easter Sunday

Carrie Underwood will be performing her new album, My Savior, in a virtual live streaming event from Nashville’s Ryman Auditorium on Easter Sunday, April 4.

Underwood will be bringing the new album to life and performing the gospel hymns she grew up singing for this special concert event, which will benefit Save the Children. The free concert streaming globally on Underwood’s Facebook page will also feature special appearances by CeCe Winans, who duets with Underwood on “Great Is Thy Faithfulness” and singer-songwriter Bear Rinehart, frontman of the rock band NEEDTOBREATHE, who joins her on another traditional hymn, “Nothing But The Blood Of Jesus.” Southern gospel and harmonica legend Buddy Greene and 10-time CMA Musician of the Year Mac McAnally, both of whom played on the album, will also appear with Underwood.

“This is an album I have always wanted to record and I’m thrilled to be able to bring these uplifting, inspirational songs to life in this special way,” says Underwood. “It means so much to be able to bring this event to people in their homes on a day that holds so much meaning for us spiritually and to be able to raise much needed funds and awareness for the incredible work of Save the Children as we celebrate the importance of family.”

Fans can RSVP via Facebook here and “My Savior: Live From The Ryman” will remain exclusively on Facebook for 48 hours. Donations will be accepted throughout the streaming event and for 48 hours after for Save the Children, which works in over 100 countries to ensure that children grow up healthy, educated and safe. To date, Save the Children has supported 30 million people affected by coronavirus around the world, including nearly 12 million children, making sure they have enough to eat, can access healthcare, can continue their education and are protected from violence. Before COVID-19, one in seven children in the U.S. faced food insecurity, which has now increased to one in four. Since March 2020, Save the Children has delivered nearly 21 million meals to kids in need across the U.S.

My Savior will be released globally on CD and digitally March 26, and on vinyl April 30.