
Pictured (top row, L-R): Jen Hubbard, Garrett Stephenson; (bottom row, L-R): Brad Kennard, Ashley Nite, Courtney Allen, Melissa Spillman, & Matt Turner at Concord Music Publishing headquarters in Nashville. Photo: Audrey Spillman
Concord Music Publishing has rounded out their Nashville creative team, adding several new hires to their Nashville office. These new hires are part of Concord’s intentioned effort to continue their success and growth in Nashville.
Melissa Spillman is joining Concord Music Publishing as VP, A&R. With over 17 years of experience in country, pop and rock, Spillman has worked with several notable artists including Lady A, Luke Bryan, Little Big Town, Keith Urban, Eric Church as well as Grammy award winning producer Jay Joyce. Spillman will lead the team in supporting the roster and developing new talent, reporting directly to Brad Kennard, Senior VP, A&R at Concord Music Publishing.
“I feel incredibly blessed to join the team at Concord,” Spillman says. “Concord has long been known for the quality of its music and its unique formula of commercial success and artistic spirit, so to be given the opportunity to promote and elevate its creators as part of the Nashville A&R staff is an honor. Brad has brought together a team of creatives that will prove itself to be one of the best in the business, and I look forward to having fun and sharing much success with this group!”
Matt Turner also joins the Concord team as a Senior Director, A&R. Turner began his career at Anthem Entertainment and then on to independent publisher, Big Loud Shirt, now known as Big Loud. During his time at Big Loud, he worked closely with founder, Craig Wiseman, as well as writers Chris Tompkins, Sarah Buxton, Matt Dragstrem, the Warren Brothers and was involved in the early songwriting careers of Morgan Wallen and Chris Lane. Later, Turner joined the Downtown Music Publishing team, representing the expansive roster of writers there including country music hit makers Andy Albert, Andrew DeRoberts and Joey Hyde, all of whom are now with Concord via the company’s recent purchase of Downtown’s publishing catalog.
“For me, joining Concord was the perfect fit because I wanted to work with good people and good music, and they have both. It’s new, it’s exciting and it’s only the beginning!! I’m extremely happy and grateful to be part of such an amazing team,” Turner shares.
“With all of the growth that Concord as a company has endured, Nashville in particular has seen a really great period of focus on our roster and our team,” say Kennard. “We’re happy to build out this team so that we can support this amazing roster, to serve the roster to the level that they deserve and to continue to compete in the market.”
Additional new hires include Courtney Allen as Director A&R. Allen joins Concord from BMG, where she served as Creative Director, working with their roster of songwriters and developing new talent. Prior to her time at BMG, she was the creative director of publishing at Starstruck Entertainment, where she worked with developing artists on the management roster.
Finally, Ashley Nite is joining Concord Music Publishing as a Manager, A&R; and Garrett Stephenson joins as Coordinator, A&R. Nite spent time as Creative Manager at JRM Publishing and Creative Manager at Mailbox Money Music. Stephenson comes from Downtown Music Publishing.
The new hires join Kennard and Jen Hubbard (Director, A&R) on the Concord Nashville creative team.
Concord Music Publishing has seen great success in Nashville from their joint venture, Hang Your Hat Music, which they formed with two-time ACM Songwriter of the Year, Hillary Lindsey, in November 2020. In 2021, Concord partnered with Creative Nation and PULSE Music Group to sign a multi-faceted agreement with lauded songwriter and artist, Lori McKenna, and acquired her publishing catalog.
“Our goals are to continue to identify and bring in high-level, quality talent,” Kennard sums. “We certainly have a focus on competing at country radio and competing with all of the great publishers in town, utilizing the talents of this diverse team to also serve a diverse roster and compete at the highest level. That’s the mantra: let’s go for the gold and let’s win. Concord really gave us the tools to be able to serve this team and compete.”
On The Cover: Lauren Alaina Graces The Cover Of MusicRow’s 2021 Publisher Issue
/by Lydia FarthingMusicRow Magazine has released its 2021 Publisher Issue print edition, with Mercury Nashville’s Lauren Alaina gracing the cover.
Alaina recently released her third studio album, Sitting Pretty On Top Of The World, which includes her current radio single “Getting Over Him” with Jon Pardi. As a co-writer on 14 of the project’s 15 tracks, the album reflects on the mountains and valleys of her journey over the years.
Alaina has received an array of RIAA certifications over the last decade, including Gold-certified “One Beer,” “Road Less Travelled,” “Getting Good,” “Doin’ Fine,” and “Like My Mother Does,” as well as the six-time Platinum “What Ifs” with Kane Brown. With multiple ACM, CMA, Billboard, and CMT Award nominations under her belt, the multi-faceted entertainer also starred in the film Roadhouse Romance on the Hallmark channel this fall and will release her book Getting Good At Being You on Nov. 23.
This annual resource includes the 2021 Publisher Directory, listing Nashville’s top publishing companies, as well as organizations and services available for songwriters.
In the 2021 Publisher Issue, MusicRow does a deep dive into the First Family of Music Row—The Bradleys—chronicling their impact on the Nashville music business and beyond. UMPG’s Troy Tomlinson, Warner Chappell’s Ben Vaughn, Sony Music Publishing’s Rusty Gaston, Creative Nation’s Beth Laird, and Big Machine Music’s Mike Molinar give an update on the state of Nashville publishing in 2021; while Tree Vibez Music’s Leslie DiPiero and Verse 2 Music’s Kent Earls explain the process behind artist-led publishing ventures. This issue also offers conversations with Anthem Entertainment’s Tim Wipperman as well as Black River Publishing’s Rebekah Gordon. The MLC’s launch and first year of operation is also a focus of this year’s Publishing issue as MusicRow talks with CEO Kris Ahrend.
MusicRow’s 2021 Publisher Issue also highlights the work and careers of some of Nashville’s most in-demand songwriters, including Sony Music Publishing’s Michael Carter, Big Loud/UMPG’s Ernest, Warner Chappell’s Martin Johnson, Sheltered Music’s Alex Kline, UMPG’s Lee Thomas Miller, and breakout country artist Brittney Spencer, who is self-published.
“MusicRow‘s annual Publisher Issue highlights those publishers and tunesmiths that create the foundation and cornerstone of our industry,” says MusicRow Magazine Owner/Publisher Sherod Robertson. “From the informative Publisher Directory and the songwriters highlighted on these pages, to the in-depth narratives discussed in the featured articles, this important resource and guide supports the creative talents of our industry’s songwriters and publishing teams.”
Single copies of MusicRow’s 2021 Publisher Issue are available for purchase at musicrow.com for $45, and are included with yearly MusicRow memberships.
DISClaimer Single Reviews: Luke Bryan, Zac Brown Band, Morgan Wade
/by Robert K OermannLuke Bryan. Photo: Jim Wright
This productive listening session perfectly mixed country newcomers and stars.
In the latter category are fresh offerings from Blake Shelton, Dustin Lynch, Justin Moore, the Zac Brown Band and Dierks Bentley (with the James Barker Band). Also, our Disc of the Day winner, Luke Bryan.
Vying for newcomer attention are Walker County (again), Georgia Webster (again), Misty River, the James Barker Band and our DisCovery Award honoree Morgan Wade. Some folks might need to get over her tats-and-piercings visual presentation, but the proof is in the listening. The gal is gifted.
GEORGIA WEBSTER / “Box of Memories”
Writers: Georgia Webster; Producer: Paul DiGiovanni; Label: Sony/River House
— Audio heartbreak. Over steady, slow piano chords, she delivers a trembling, cracked, lovely ballad of loneliness and reflection. Promising.
LUKE BRYAN / “Up”
Writers: Jeremy Bussey/Taylor Phillips/Bobby Pinson; Producer: Jeff Stevens/Jody Stevens; Label: Capitol
—Beautifully produced, with airy, echoey space around Luke’s vocal. The melodic song holds snapshots of simple country living. Faith is the key. An endearing single with a new sonic direction for this superstar.
JAMES BARKER BAND & DIERKS BENTLEY / “New Old Trucks”
Writers: James Barker/Casey Brown/Hunter Phelps/Jordan Minton; Producer: Todd Clark; Label: Sony
—Rust, scratches, dents and debris are the patina that makes his ride special. A mid-paced country rocker with heart. Both artists sing with conviction here.
BLAKE SHELTON / “Come Back as a Country Boy”
Writers: Jordan Schmidt/Josh Thompson/Michael Hardy; Producer: Scott Hendricks; Label: Warner
—This redneck rocker is a stomping manifesto in that proud-to-be-country mode. Did I miss the chapter where it says that hillbillies believe in reincarnation?
MISTY RIVER / “Rain”
Writers: Carmen Phelan; Producer: Adam Morley; Label: MR
—This U.K. singer-songwriter-fiddler sings of better days to come on this sweet-sounding ditty. Her vocal is pitched too high, making her sound childlike and frilly.
ZAC BROWN BAND / “The Comeback”
Writers: Zac Brown/Wyatt Beasley Durrette III/Ray Fulcher/Ben Simonetti/Jonathan Singleton; Producer: Zac Brown/Ben Simonetti; Label: Warner
—I love how these guys are out there in their own musical space. Their harmonies slay me every time, as does Zac’s drawled countryboy phrasing. The band is enduringly great, and this uplifting anthem is directed at our collective love of our land.
MORGAN WADE/ “Wilder Days”
Writers: Morgan Wade/Sadler Vaden; Producer: Sadler Vaden & Paul Ebersold; Label: Arista
—A force to be reckoned with. I love the smoky quality in her voice and the smoldering ember of rock in the track. I wish she wasn’t compressed and double tracked, but this is a stunning debut nonetheless. There is a lot of truth in her younger-woman-older-man relationship lyric. She definitely has the “wow” factor and totally deserves instant stardom.
DUSTIN LYNCH & RILEY GREEN / “Huntin’ Land”
Writers: Dustin Lynch/Andy Albert/Hunter Phelps/Will Weatherly; Producer: Zach Crowell; Label: Broken Bow
—Really? He only loves her because her daddy has thousands of acres of hunting land in Kentucky? “Humor” delivered without humor.
WALKER COUNTY / “Liar”
Writers: David Garcia/Hillary Lindsey/Ivy Walker/Sophie Walker; Producer: David Garcia; Label: Warner
—This sassy sister duo (Ivy Dene and Sophie Dawn) is feisty and fierce on this cleverly written power waltz. She’s being saucy and devil-may-care, but it’s all an act because she’s still stuck on him. I love the rousing, in-your-face choruses. This rocks.
JUSTIN MOORE / “With a Woman You Love”
Writers: Justin Moore/Paul DiGiovanni/Chase McGill/Jeremy Stover; Producer: Jeremy Stover/Scott Borchetta; Label: Valory
—Delightfully country. Singing the praises of true love with twang to spare.
Engineer Ron “Snake” Reynolds Passes
/by Lorie HollabaughRon “Snake” Reynolds. Photo: Courtesy The Musicians Hall of Fame
Renowned studio engineer Ron “Snake” Reynolds has passed away on Oct. 5. He was 76.
A Nashville native, Reynolds signed as an artist with Nugget Records in 1965 but quickly decided he preferred being behind a console instead of a mic and began his journey as an engineer and producer. He joined Columbia Records in 1972 as a staff engineer and remained there until its closing a decade later when he became a freelance studio engineer. Reynolds worked on records for George Jones, Merle Haggard, Tammy Wynette, Charlie Rich, Keith Urban, Dave Loggins, Elvis Costello, Earl Thomas Conley, Elton John, Toby Keith and many more.
As a songwriter he’s had songs recorded by John Anderson, Johnny Cash, Earl Thomas Conley, Johnny Rodriguez, Sonny James, Levon Helm, Billy Joe Royal, Neal McCoy, Toby Keith and others. His producer credits include albums for Merle Haggard, The Marcy Brothers, Tony Joe White, and more.
Reynolds most notably engineered Shania Twain’s 12-million-selling smash album The Woman In Me. He has engineered over 100 Gold, Platinum and multi-Platinum records and 60 No. 1 hits, won multiple Grammy Awards, and was named Engineer Of The Year by the ACM in 2004. He was acknowledged with a Lifetime Achievement Award by the Audio Engineering Society in 2016 and was inducted into the Musicians Hall of Fame that same year.
Details regarding memorial services have not yet been announced.
Lauren Alaina To Flip The Switch On Opry’s Signature Barn For “Opry Goes Pink”
/by Lorie HollabaughLauren Alaina. Photo: Katie Kauss
Lauren Alaina will help the Opry as it once again supports the fight against breast cancer along with Susan G. Komen as the Opry Goes Pink on Tuesday, Oct. 19. Alaina will flip the switch on the Opry’s signature barn backdrop, turning it pink for the night.
$5 from every ticket sold will be donated to Susan G. Komen for the fight against breast cancer. Additional artists scheduled to perform include Dillion Carmichael, Maddie and Tae, Del McCoury Band, Victoria Shaw and Dusty Slay.
On Oct. 30, 2021, the Opry, the world’s longest-running radio show, will mark a historic, record-breaking milestone with its 5,000th Saturday night broadcast. Scheduled to perform on the Opry’s 5000th Saturday night broadcast are Bill Anderson, Garth Brooks, John Conlee, Terri Clark, Vince Gill, Chris Janson, Dustin Lynch, Darius Rucker, Jeannie Seely, Connie Smith, The Gatlin Brothers, Chris Young, and Trisha Yearwood.
Concord Music Publishing Builds Out Nashville Creative Team [Exclusive]
/by LB CantrellPictured (top row, L-R): Jen Hubbard, Garrett Stephenson; (bottom row, L-R): Brad Kennard, Ashley Nite, Courtney Allen, Melissa Spillman, & Matt Turner at Concord Music Publishing headquarters in Nashville. Photo: Audrey Spillman
Concord Music Publishing has rounded out their Nashville creative team, adding several new hires to their Nashville office. These new hires are part of Concord’s intentioned effort to continue their success and growth in Nashville.
Melissa Spillman is joining Concord Music Publishing as VP, A&R. With over 17 years of experience in country, pop and rock, Spillman has worked with several notable artists including Lady A, Luke Bryan, Little Big Town, Keith Urban, Eric Church as well as Grammy award winning producer Jay Joyce. Spillman will lead the team in supporting the roster and developing new talent, reporting directly to Brad Kennard, Senior VP, A&R at Concord Music Publishing.
“I feel incredibly blessed to join the team at Concord,” Spillman says. “Concord has long been known for the quality of its music and its unique formula of commercial success and artistic spirit, so to be given the opportunity to promote and elevate its creators as part of the Nashville A&R staff is an honor. Brad has brought together a team of creatives that will prove itself to be one of the best in the business, and I look forward to having fun and sharing much success with this group!”
Matt Turner also joins the Concord team as a Senior Director, A&R. Turner began his career at Anthem Entertainment and then on to independent publisher, Big Loud Shirt, now known as Big Loud. During his time at Big Loud, he worked closely with founder, Craig Wiseman, as well as writers Chris Tompkins, Sarah Buxton, Matt Dragstrem, the Warren Brothers and was involved in the early songwriting careers of Morgan Wallen and Chris Lane. Later, Turner joined the Downtown Music Publishing team, representing the expansive roster of writers there including country music hit makers Andy Albert, Andrew DeRoberts and Joey Hyde, all of whom are now with Concord via the company’s recent purchase of Downtown’s publishing catalog.
“For me, joining Concord was the perfect fit because I wanted to work with good people and good music, and they have both. It’s new, it’s exciting and it’s only the beginning!! I’m extremely happy and grateful to be part of such an amazing team,” Turner shares.
“With all of the growth that Concord as a company has endured, Nashville in particular has seen a really great period of focus on our roster and our team,” say Kennard. “We’re happy to build out this team so that we can support this amazing roster, to serve the roster to the level that they deserve and to continue to compete in the market.”
Additional new hires include Courtney Allen as Director A&R. Allen joins Concord from BMG, where she served as Creative Director, working with their roster of songwriters and developing new talent. Prior to her time at BMG, she was the creative director of publishing at Starstruck Entertainment, where she worked with developing artists on the management roster.
Finally, Ashley Nite is joining Concord Music Publishing as a Manager, A&R; and Garrett Stephenson joins as Coordinator, A&R. Nite spent time as Creative Manager at JRM Publishing and Creative Manager at Mailbox Money Music. Stephenson comes from Downtown Music Publishing.
The new hires join Kennard and Jen Hubbard (Director, A&R) on the Concord Nashville creative team.
Concord Music Publishing has seen great success in Nashville from their joint venture, Hang Your Hat Music, which they formed with two-time ACM Songwriter of the Year, Hillary Lindsey, in November 2020. In 2021, Concord partnered with Creative Nation and PULSE Music Group to sign a multi-faceted agreement with lauded songwriter and artist, Lori McKenna, and acquired her publishing catalog.
“Our goals are to continue to identify and bring in high-level, quality talent,” Kennard sums. “We certainly have a focus on competing at country radio and competing with all of the great publishers in town, utilizing the talents of this diverse team to also serve a diverse roster and compete at the highest level. That’s the mantra: let’s go for the gold and let’s win. Concord really gave us the tools to be able to serve this team and compete.”
‘Old Henry’ Soundtrack Featuring Eddie Montgomery, Jeremy McComb, More Available Now
/by Lorie HollabaughThe original soundtrack for new Western film, Old Henry, starring Tim Blake Nelson, Stephen Dorff, Trace Adkins, and more is available now through Average Joes Entertainment. The seven-track soundtrack features new music from Eddie Montgomery, Bryan Martin, Jeremy McComb, Fieldhand, and others.
Produced by Hideout Pictures, a subsidiary of Average Joes Entertainment, Old Henry premiered at the Venice Film Festival before opening theatrically on Oct. 1. The film will be available via VOD on Oct. 8. Old Henry was written and directed by Hideout’s Potsy Ponciroli and produced by Shannon Houchins.
The action-Western follows the story of a widowed farmer and son who take in a mysterious, injured man with a satchel of cash. When a posse of men claiming to be the law come for the money, the farmer must decide who to trust. Defending his homestead, he reveals a talent for gunslinging that surprises everyone, calling his true identity into question.
Old Henry Soundtrack Track List:
1. My Son – Eddie Montgomery (Eddie Montgomery, Noah Gordon)
2. Never Leave Your Guns Behind – Bryan Martin (Bryan Martin)
3. Family Name – FieldHand (David Bradley Carter)
4. Last Man Standing – Jeremy McComb (Rick Huckaby, Matt Nolen)
5. See You On The Other Side – Lloyd Carter (Brant Pickard, Henry McGill, Lloyd Carter, Gary DiBenedetto)
6. Halfway Over – (Grace Rembinski, Doug Johnson, Mark McGuinn)
7. My Son (End Credits Version) – Eddie Montgomery (Eddie Montgomery, Noah Gordon)
Breland Charms Nashville’s The High Watt On “Cross Country Tour”
/by LB CantrellBreland. Photo: Garrett Rizan
The charisma was palpable at Nashville’s The High Watt on Tuesday night (Oct. 5) for Breland‘s hometown show. The Bad Realm Records / Atlantic Records breakout talent took his “Cross Country Tour” sold out performance to the soon-to-relocate venue.
Warner Music Nashville’s Robyn Ottolini, another charming country breakout, warmed up the crowd for Breland. She entertained the room with her witty “Sincerely, Drunk Me,” driving “Tell You Everything,” and reflective “Trust Issues.” She also showed off her versitility with a spirited cover of “The Best Of Both Worlds” from Hannah Montana, and Chris Brown’s “Look At Me Now,” including spitting the incredibly hard Busta Rhymes rap verse.
Ottolini wrapped up her well-rounded set with her breakout viral hit, “F-150.”
Breland. Photo: Sam Aldrich
When it came time for the man of the hour to come on, the loud noise of a train whistle, harmonica, and the sound of a cranking truck reverberated in The High Watt to signal his arrival. Breland got the music started with his viral hit, “My Truck.” The enthralled crowd sang along.
Breland grinned ear to ear nearly all night. We found out later that he got his Invisalign off earlier that day; the young star said that’s why “it’s all smiles from me!” His joy was contagious.
With just a bass player and a drummer, and a backing track, Breland performed several of his many collaborations, including “Miles,” which features Tiera; “Beers On Me” (Dierks Bentley & Hardy); and an un-released taste of a fun new song with Thomas Rhett called “Praise The Lord.”
When it came time to sing his tune with Mickey Guyton, “Cross Country,” Breland told the crowd that the music he makes is “cross country.” He explained, “The music I make is a cross of country, hip-hop, gospel and pop.
“Country music is for everybody,” he added.
In addition to his collaborative projects, Breland performed his rhythmic “Hot Sauce,” his trap jam “Horseride,” his clever “WiFi,” and his velvety version of Deana Carter’s “Strawberry Wine,” which he covered for Spotify.
Keith Urban & Breland. Photo: Garrett Rizan
To top the night off, Breland brought out a special guest from yet another one of his collabs, Keith Urban. “Y’all don’t know how hype I am right now. I’ve been thinking about this all day!” Breland said. The two launched into “Out The Cage,” which appeared on Urban’s The Speed Of Now Part 1 album.
“How bad ass is Breland?” a banjo-picking Urban said. The two then performed their newest collaborative jam “Throw It Back,” with Breland visibly having the time of his life.
Lee Brice, More Partner With O’Charley’s To Support Folded Flag Foundation
/by Lorie HollabaughLee Brice
O’Charley’s Restaurant + Bar, with help from artists Lee Brice, Tenille Arts, Thompson Square, and Liz Rose, have launched Songwriters Café, a new virtual restaurant that will help support The Folded Flag Foundation.
Those who would like to make an impact through their next meal purchase can search for the Songwriters Café restaurant through the third-party delivery apps DoorDash, Uber Eats and Postmates from Oct. 4 – Nov. 21. 100% of proceeds are directed towards Folded Flag. If guests prefer to dine in a restaurant, they can can dine in at any O’Charley’s and give $5 to Folded Flag to receive $5 off their bill.
The Folded Flag Foundation provides educational scholarships and grants to the families of service members who have made the ultimate sacrifice for their country. In 2020, O’Charley’s launched the Songwriters Café virtual concert series, which featured Brice, Arts, Rose and more to support Folded Flag and inspire hope through a difficult, isolating year. The concert series helped O’Charley’s raise over $575,000 for the Foundation, and all proceeds from the new Songwriters Cafe’ will go to support Folded Flag.
“I was honored to participate in the Songwriters Café concert series last year and the Songwriters Café restaurant is taking it to a whole new level,” says Brice. “O’Charley’s chicken tenders are awesome and there’s nothing better than being able to enjoy them knowing that we are also giving back to such an extraordinary cause.”
Supporting Folded Flag is an essential element of O’Charley’s Hometown Heroes initiative, with O’Charley’s raising over $1.6 million for the organization since 2016. Hometown Heroes is O’Charley’s way of showing appreciation for the local heroes in our communities – including active-duty military members, veterans, Gold Star families, healthcare workers, first responders, teachers and more.
“I continue to be amazed at the amazing work of Folded Flag in support of Gold Star families, so we launched the Songwriters Café restaurant to elevate our approach to using our resources to support its mission,” says O’Charley’s CEO Craig Barber. “Coming together with some of finest country music stars through Songwriters Café last year, we raised an amazing amount of money for the Foundation and realized the potential of this sort of collaboration. We’re excited to build on that momentum with the launch of the Songwriters Café restaurant and support Folded Flag in a new way.”
Why&How Rounds Out Executive Team
/by LB CantrellChris Koegen, Halie Hampton Mosley, Evan Kaufmann
Artist management company Why&How has rounded out its executive team, appointing Chris Koegen as VP of Artist Development & Marketing and Halie Hampton Mosley as VP of Roster Operations, while Evan Kaufmann elevates to VP of Creative Direction. All will report to Why&How CEO and Founder Bruce Kalmick.
The newly appointed VPs join executives Eddie Kloesel, Artist Manager and VP of Touring & Sponsorships, and Rachel Cave, Artist Manager and VP of Label Relations. Why&How’s team now includes 26 employees that oversee creative, artist strategy, international and more for artists including Brian Kelley, Chase Rice, Breland, Drake White, Echosmith, Kaleo, Seaforth, Kelleigh Bannen, Tyler Braden, Whiskey Myers, ZZ Ward, A Thousand Horses and more.
“Why&How is built on family values and we are honored to be able to add to our ever-growing family with Chris and Halie,” Kalmick shares. “Their incredible levels of experience will continue to create an executive anchor for the company’s future. Additionally, bringing Evan into an executive position will continue to strengthen our creative and content driven team.”
Pictured: Why&How Staff and Artists Celebrate Together at the Twelve Thirty Club in Nashville last night (Oct. 5) following Breland’s Sold-Out Show at the High Watt. Photo: Mick Bodie
Based in London, Koegen brings over 15 years of global label and artist experience to Why&How, with previous stops at Amazon Music and Big Machine Label Group. He has led nearly 100 exclusive artist content projects, collaborating with superstars such as Taylor Swift, Thomas Rhett, Ellie Goulding, Martin Garrix and more, plus served as executive producer on two feature-length films. Reach Koegen at c.koegen@whyandhow.com.
Hampton Mosley is a Nashville native who began her career in the music industry in radio promotion for Arista Nashville before moving to Maverick Nashville, where she worked in management support roles for artists like Rascal Flatts and Brooks & Dunn while managing Rachel Wammack alongside Clarence Spalding. She most recently served as the Day-to-Day Artist Manager for Diamond-selling duo Florida Georgia Line at Hit Farm Management in partnership with Full Stop Management led by Irving Jeffrey Azoff. Reach Hampton Mosley at halie@whyandhow.com.
Kaufmann, an award-winning filmmaker and creative director, is based in Austin, Texas, and has worked alongside Kalmick for much of his career. He has extensive knowledge in both the music and film industries and has directed content for major musicians, creative agencies, record labels and independent studios, with his work featured in the likes of Rolling Stone, FastCompany and on MTV, as well as art/film blogs including Short of the Week, BooooooomTV, and FilmShortage. Reach Kaufmann at evan@whyandhow.com.
Steve Holy Returns For The Holiday Season With ‘A Christmas To Remember’
/by Lydia FarthingSteve Holy. Photo: Robby Klein
For the first time in nearly eight years, Steve Holy returns with a new holiday album, A Christmas To Remember, available Friday, Oct. 22 via Thrill Hill Records.
Known for multi-week No. 1s “Brand New Girlfriend” and “Good Morning Beautiful,” the Texas native will celebrate the holidays with a 10-track album of festive favorites and one original song. Seasonal staples on the holiday project include Bing Crosby’s “I’ll Be Home for Christmas,” Elvis Presley’s “Santa Claus Is Back In Town,” and “Bringing In A Brand New Year” by Charles Brown.
“I haven’t been in the studio in almost 8 years, and I couldn’t be more excited to share new music with everyone and celebrate my favorite holiday!” Holy shares. “A lot of thought went into the way we sequenced this record. Starting with ‘A Christmas To Remember,’ about spending time with loved ones and ending with my all-time favorite holiday song, ‘If Every Day Was Like Christmas’ which is really an optimist’s prayer, were conscious decisions to remind all of us what is important this time of year.”
The album’s title track and sole original, written by Sam Hunter and his father Joe Hunter, serves to remind listeners to spend much-needed time with loved ones around the holidays, which is something that won’t be taken for granted this year as many will gather in holiday celebration for the first time since 2019.
A Christmas To Remember Tracklist:
1. A Christmas To Remember (Sam Hunter, Joe Hunter)
2. Let It Snow (originally recorded by Vaughn Monroe)
3. Here Comes Santa Claus (originally recorded by Gene Autry)
4. Have Yourself A Merry Little Christmas (originally recorded by Judy Garland)
5. A Holly Jolly Christmas (made famous by Burl Ives)
6. Jingle Bell Rock (originally recorded by Bobby Helms)
7. Santa Claus Is Back In Town (originally recorded by Elvis Presley)
8. I’ll Be Home for Christmas (originally recorded by Bing Crosby)
9. Bringing In A Brand New Year (originally recorded by Charles Brown)
10. If Every Day Was Like Christmas (originally recorded by Elvis Presley)