Weekly Register: Tucker Wetmore Cracks Top 5 On Country Albums Chart

BigXThaPlug secures the top spot on the country streaming songs charts this week, according to Luminate data. His track with Bailey Zimmerman “All The Way” holds the No. 1 position with 17 million streams. Morgan Wallen keeps the No. 1 position on the country albums chart with his 2023 album One Thing At A Time garnering 46K in total consumption.

The next four spots on the albums chart are Shaboozey‘s Where I’ve Been Isn’t Where I’m Going at No. 2 with 35k in total consumption, Wallen’s Dangerous: The Double Album at No. 3 earning 33K in total consumption, Tucker Wetmore‘s What Not To at No. 4 with 29k and Post Malone’s F-1 Trillion at No. 5 with 23k.

On the songs chart, Wallen’s “Just In Case” rises to No. 2 this week earning 13 million streams, Shaboozey’s “A Bar Song (Tipsy)” sits at No. 3 with 13 million streams, Wallen’s “I’m The Problem” comes in at No. 4 with 13 million streams, and Wallen‘s “I Ain’t Coming Back” featuring Post Malone at rounds out the top five with 12 million streams.

Alan Stoker Retires From Country Music Hall of Fame and Museum

Pictured (L-R): Kyle Young, CEO of the Country Music Hall of Fame and Museum; Alan Stoker; Michael Gray; Vice President of Museum Services; and Kevin Fleming, Museum Director of Library and Archival Collections. Photo: Courtesy of the Country Music Hall of Fame and Museum

The Country Music Hall of Fame and Museum celebrated the retirement of longtime staffer Alan Stoker, Curator of Recorded Sound Collections, last week after more than 50 years of service to the organization.

Stoker’s last day with the museum was May 1, exactly 51 years from the day he began, and he is the museum’s longest-serving employee and has been a major contributor to the nonprofit since joining the staff in 1974. He has led the museum’s audio preservation and digitization efforts, as well as audio remastering for many historical reissue albums released by the museum’s CMF Records label, ranging from Hank Williams’ demo recordings and The Bristol Sessions to box sets on Patsy Cline, Bill Monroe, Merle Haggard and Williams. Stoker has won two Grammy’s The Complete Hank Williams box set and another for Night Train to Nashville: Music City Rhythm & Blues 1945-1970.

As the son of Country Music Hall of Fame member Gordon Stoker of the Jordanaires, in 2022 Stoker and journalist Michael Kosser published the first book about the group with Backbeat Books: The Jordanaires: The Story of the World’s Greatest Backup Vocal Group as Told by Gordon Stoker. Additionally, Stoker is a vocalist and musician himself who plays drums, guitar, bass and piano and has performed and recorded with many bands through the years, including opening for Ray Charles, Rick Nelson, Crystal Gayle and others. He has also represented the museum for over 20 years at the annual National Recording Preservation Board meeting at the Library of Congress in Washington, D.C.

“As the museum’s ‘audio czar,’ Alan has pursued a lifelong dedication to recorded sound,” says Kyle Young, CEO for the Country Music Hall of Fame and Museum. “His passion and expertise helped elevate the museum’s audio restoration lab to a premier destination for preserving rare recordings, while helping build the museum’s extensive digital archive for future generations to access. We wish him the best in his retirement, and we’re grateful for his many contributions and tireless work to conserve and share this important cultural artform.”

Stoker started at the museum as a part-time delivery person at its former location on Music Row and quickly moved up to working at the front desk and in the museum’s store. In 1977, the museum began operating Historic RCA Studio B and he became the first on-site manager, creating the first visitor tour and training tour guides. He also served as the museum’s first Grants Program Director, securing audio and moving image grants for preservation efforts in its archives. In 1980, the museum set up an audio restoration lab, and Stoker was tapped to run the facility and serve as its audio engineer. He also worked as the museum’s Archival Video Engineer for more than 25 years, ensuring the museum captured and preserved key film and TV productions featuring country music. In 2015, after Jack White purchased Elvis Presley’s first-ever recording (which he made for his mother), White brought the record to Stoker to transfer it for him.

“I never dreamed that a summer job I started between my freshman and sophomore years in college would turn into a career for a lifetime, lasting over 50 years,” says Stoker. “I’m extremely proud of the audio and moving image acquisitions and preservation work that we’ve done here. I have every confidence this important work will continue at the high standard that I hope I’ve been a part of helping establish. I will miss the day to day and my friends on staff, but I’m happy that the museum, the Frist Library and Archive and the collection are in such great hands.”

Maggie Reeves Inks With Dream 3 Publishing & Kobalt Music

Pictured (L-R, front row): Kevin Lane (Kobalt), Maggie Reeves and Emily Olson (Dream 3). (L-R, back row): Matthew Jafari (Attorney, Keller Turner Andrews and Ghanem, PLLC), Emilia James (Membership Manager, ASCAP), Morgan Brasfield (Kobalt), Stephanie Cox (Kobalt), Laurel Kittleson-Cobb (Dream 3), Greg Hill (Dream 3).

Singer-songwriter Maggie Reeves has signed a publishing deal with Dream 3 Publishing and Kobalt Music.

Greg [Hill], Laurel [Kittleson-Cobb], and Emily [Olson] are some of the very best people I have met in the industry,” says Reeves. “Getting to know them has been a joy, but getting to work with them is an absolute dream come true! Their partnership with Kobalt was one I had never seen before, they love songwriters, and fight for songs to be heard. I am honored to team up with these incredible companies. This is the beginning of an incredible ride.”

The 25 year old Macon, Georgia native has been in music city since 2017, first coming to Nashville to attend Belmont University. She is known around town for her modern yet soulful sound and forging a genuine connection with audiences.

Throughout her time in Nashville, she has written for Erin Kirby, Charly Reynolds, Reid Haughton, Jenna & Zoe and Riley Clemmons, among others. Reeves has also opened for a number of artists, including Jason Aldean, Chuck Leavell of the Rolling Stones, Scotty McCreery, Randell Bramlett, Bear Rinehart from Need to Breathe, Hunter Hayes, Matt Powell and David Cook. She was also a participant in ASCAP’s GPS program in 2024.

“I’ve been so impressed with Maggie and the way she thinks about her career as a songwriter,” says Olson, Partner at Dream 3. “She is able to write and blend country and CCM effortlessly, and excels at helping artists really say what they want to say. She is a dream to work with!”

Producer/Composer Fred Mollin Shares Glimpse Behind The Studios Doors In New Book ‘Unplugged’

Producer and composer Fred Mollin‘s new book Unplugged will be released on May 11.

With a career spanning decades, Mollin’s work producing iconic music and composing for film and TV makes him a natural storyteller. He has collaborated over the years with icons including Billy Joel, Jimmy Webb, Johnny Mathis, Kris Kristofferson, Linda Ronstadt and Michael McDonald. In his new book, he draws upon his wide variety of experiences, including producing the Dan Hill hit “Sometimes When We Touch” and composing for Beverly Hills, 90210, offering readers a unique glimpse behind the scenes of the entertainment industry. Mollin has produced albums for a wide range of artists, including Jimmy Webb, Johnny Mathis, Billy Ray Cyrus and America, as well as the Disney Lullaby Album series.

Unplugged delves into Mollin’s creative process, his collaborations with renowned artists, and his unique perspective on the evolution of music and entertainment. The memoir is a must-read for music enthusiasts and anyone intrigued by the inner workings of the industry, providing a journey through Mollin’s notable career.

“After a lifetime immersed in music across various roles and genres, I wanted to capture my journey with a memoir,” Molin tells MusicRow. “My book takes the reader behind studio doors, sharing stories of collaborations with remarkable artists and my experiences scoring film and television. It also offers an insider’s perspective on the music business and how to navigate it. My story is a great deal about passion and perseverance in the world of recorded music. I hope it inspires anyone considering a creative life.”

Brad Paisley & Fender Unveil Signature ‘Lost Paisley’ Telecaster

Brad Paisley with the “Limited Edition Brad Paisley 1967 Lost Paisley”

Brad Paisley and the Fender Custom Shop are collaborating on a new Limited Edition Brad Paisley 1967 “Lost Paisley” Telecaster, a vintage-inspired reimagining of the original ’60s Blue Paisley Finish.

The guitar revitalizes one of Fender’s most beloved designs, the Paisley Red finish that was originally introduced in 1968. The Fender Custom Shop in Corona, California will produce 67 guitars, while Brad Paisley in collaboration with the Fender Nashville R&D team, will personally build 19 guitars as a tribute to the year of the original creation. The 67 from the Custom Shop will be sold through Fender’s dealer network while Paisley’s 19 guitars will be available exclusively through his channels.

“From the very beginning there has always been a pattern following me, from the moment they wrote my last name on my birth certificate. It’s unreal that my own name is one of the coolest finishes I think Fender has ever done. This is an attempt to show what this lost color could have been. It’s the best guitar I’ve ever had,” says Paisley.

The Blue Paisley Telecaster’s unique story began when Brad Paisley was gifted a nearly forgotten treasure—lightly used sheets of original Blue Paisley Cling-Foil from the 1960s. What started as a stroke of luck soon turned into a mission. Together with close collaborators Zac Childs and Joe Glaser, Paisley set out to restore one of his well-worn 1967 Telecaster guitars and revive the long-lost art of the Paisley finish. Through painstaking research and craftsmanship, they not only perfected the restoration but also recreated the original Paisley Cling-Foil paper.

First introduced in 1968, the short-lived Paisley Red and Blue Flower finishes were Fender’s answer to the counterculture moment of the “Summer of Love,” featuring decorative Cling-Foil paper adorned with vibrant colors and a matching metallic burst, and the guitars stood out with a bold psychedelic flair. However, the finish’s combination of thick paper, weak adhesives, and polyester clear coats made them vulnerable. Many Paisley guitars were refinished or repainted as chipping and flaking became unavoidable. By late 1969, Fender had discontinued the line, and these instruments began to fade into obscurity.

In the decades that followed, the Paisley Telecaster guitars gained a cult-like following. Often spotted in vintage stores, the instruments became prized by collectors and musicians drawn to their eccentric aesthetic and rare backstory. Paisley, who shares his name with the iconic design, naturally gravitated toward the standout classics. Now, in a full-circle moment through his collaboration with the Fender Custom Shop, Brad’s vision for the Lost Telecaster has come to life—an instrument that honors its vintage roots while embracing modern craftsmanship and precision.

“Brad Paisley’s deep connection to Fender’s history and his meticulous nature were instrumental in bringing the ‘Lost Paisley’ Telecaster to life,” says Chase Paul, Director of Product Development – Fender Custom Shop. “From the rediscovery of the original 1960s Blue Paisley Cling-Foil to the custom hardware and pickups—every element of the Limited Edition Brad Paisley 1967 ‘Lost Paisley’ Telecaster was crafted with purpose. This isn’t just an Artist Signature model—it’s a glimpse into what could have been, had this concept made it to production. A true missing link in Fender Telecaster evolution.”

“This project is a true reflection of the long standing relationship between Brad and Fender, and our shared passion for the Telecaster and its legacy,” adds Ben Blanc-Dumont, Director of Artist Marketing at Fender in Nashville. “The “Lost Paisley” Telecaster is more than just a signature guitar – it’s a love letter to the country music community that helped shape Brad’s sound and continues to influence artists across the world. We’re proud to bring this instrument to life with Brad, not only to honor a piece of Fender’s untold history, but to celebrate the players and creators who keep that legacy alive every day.”

Merlefest Wraps Another Successful Year

Seth Avett of The Avett Brothers performs during their Saturday night headline set on the Watson Stage at MerleFest 2025. Photo: Jim Gavenus Photography

MerleFest wrapped up its 37th annual celebration April 24-27 with a roaring tribute to the music and community that folk icon Doc Watson championed throughout his life.

Nearly 100 acts from rising stars to legends graced twleve across the campus of Wilkes Community College over the course of four days, drawing thousands. Among the Thursday performers were The SteelDrivers, Wyatt Flores, Brent Cobb, The Dead South and Donna the Buffalo kicking off the weekend with heart, energy, and the signature sense of community.

On Friday, Jim Lauderdale and The Gamechangers opened the day on the Creekside Stage, while Big Richard rocked the Americana Stage, followed by Tony Trischka’s EarlJam, who took fans on a journey through bluegrass history. The War and Treaty delivered a Watson Stage performance, leading into a set from I’m With Her. Bonnie Raitt captivated the audience, before the Late Night Jam hosted by Sam Bush brought a star-studded roster of pickers together for an unforgettable session.

Saturday opened with Denitia, followed by the reveal of Band Competition winners Mama & The Ruckus. Alison Brown and The Fretliners brought their sets to the Traditional Stage. Christina Vane stormed the Dance Stage, while The Waybacks’ annual “Album Hour” reimagined The Rolling Stones’ Let it Bleed. As evening set in, Sam Bush lit up the Watson Stage, paving the way for The Avett Brothers’ high-energy performance. Scythian wrapped the night on the Dance Stage.

The festival’s final day kicked off with a sing-along led by Josh Goforth and Laura Boosinger. The Jeff Little Trio honored Doc Watson with heartfelt gospel songs at Creekside, followed by The Secret Sisters’ on the Hillside Stage. Leftover Salmon got the Watson Stage crowd moving, while Wayne Henderson & Friends showcased at the Traditional Stage. Watchhouse closed out MerleFest 2025 set, wrapping up a weekend full of music, community and memories.

Amazon Music Names Dasha As Next Breakthrough Artist

Dasha. Photo: David Marek

Amazon Music announced Dasha as its latest Breakthrough Artist at Variety’s Power of Women: Nashville event last week. As part of the campaign, Dasha recently released an Amazon Music Original cover of Gretchen Wilson’s “Here for the Party” in advance of her Mane Stage debut at Stagecoach.

“We’ve long been fans of Dasha at Amazon Music,” says Michelle Tigard Kammerer, Head of Country Music at Amazon Music. “She’s a true presence in country, unafraid to be herself, ruffle some feathers and make some of the most undeniable music at the intersection of pop and country in recent memory. We look forward to helping make her creative vision a reality. We’ll see you all in Dashville, U.S.A..”

Breakthrough is Amazon Music’s program to support emerging artists, aimed at amplifying the best new talent and championing them at the most crucial moment in their careers. Amazon Music works with each Breakthrough artist and their teams to develop long-term, customized, global plans that are unique to each artist.

“I feel incredibly honored to be selected for Amazon Music’s Breakthrough program. I’ve got big plans for my fans, and it’s great to have the team at Amazon Music helping to make those plans a reality,” says Dasha. “Amazon Music has really embraced me and my creativity and we’re working on putting together things I’ve been wanting to do since day one. Stay tuned.”

Lalo Guzman Extends Global Publishing Deal With SMACKSongs

Pictured (L-R): Jeremy Groves, Robin Palmer, Carly Sater, Lalo Guzman, Samantha Sarno and Lee Krabel.

Lalo Guzman has extended his global publishing deal with SMACKSongs. The news comes just as he clinches his second No. 1 hit with Blake Shelton’s “Texas.”

Guzman first joined SMACK in 2020. Soon after, the AIMP Rising Songwriter of the Year nominee landed his first No. 1 at country radio with “Cowboy Songs,” recorded by George Birge.

“Lalo is incredibly talented and such a vital part of SMACK,” shares Samantha Sarno, Creative Director at SMACK. “Watching his success has been amazing, and this is only the beginning. We’re thrilled to continue working with him!”

During his time with SMACK, Guzman has been making waves with Dylan Schneider’s radio singles “Better Than You Left Me” and “Ain’t Missin’ You,” as well as Nate Smith’s “Wish I Never Felt”–the latter two of which he produced. His catalog also boasts “Broken Heart Thing” by Madeline Merlo and Dustin Lynch, and “Shrank” by Jake Owen.

Additionally, Guzman has gathered songwriting and production credits with artists including Jason Aldean, Ella Langley, Tyler Rich, Colt Ford, Tyler Farr and more.

“I’m excited to re-sign with SMACK and continue building on what we’ve achieved these last few years,” says Guzman. “I’m so thankful to be a part of this team and look forward to what this next season has in store.”

Grace Tyler Signs With Concord Music Publishing

Pictured (L-R, back row): Ellie Gray (Concord), Lily Bunta (Concord), Anthony DeVincenzo (Red Light Management), Autumn House-Tallant (Red Light Management), Melissa Spillman (Concord), Matt Turner (Concord) and Claire Buchanan (Concord). (L-R, front row): Brad Kennard (Concord), Grace Tyler and Courtney Allen (Concord). Photo: Audrey Spillman

Singer-songwriter Grace Tyler has inked with Concord Music Publishing for a global publishing deal, including her entire catalog and all future releases.

“Signing a publishing deal with my dream team at Concord is truly a full-circle moment—proof that patience and passion pay off,” says Tyler. “I’m beyond grateful to be surrounded by people who believe in me, especially my biggest cheerleader, Courtney Allen. Her unwavering support means the world, and I couldn’t imagine a better team to chase this dream with.”

The Frisco, Texas native attended Belmont University, where she developed her skills alongside her mentor Lee Brice. Tyler first went viral with her single “My Mistake” in 2021, which went on to be featured on Spotify’s Fresh Finds and Fresh Finds Country playlists. She was also up for Spotify’s Fresh Finds Favorites in 2024 with her track “Weak Man.” Her debut EP, Everything I Didn’t Say, dropped this past March and showcases her vulnerable and honest songwriting.

“I offered Grace a deal at the end of our first meeting,” reflects Allen. “That’s how sure I was that I needed to work with her. For years, she has slowly and quietly been honing her craft and now it is her time to shine. I can’t wait to see what she accomplishes, and I am so proud to have her join the Concord family.”

At the end of last year, Tyler opened for Shane Smith & The Saints. She began 2025 by singing the national anthem at the 2025 American Rodeo Championship, and also had a set at the Lone Star Smokeout Country Music and BBQ Festival. She has upcoming shows scheduled for Cohasset, Webster and Hyannis, Massachusetts, and will perform at the ACM Lifting Lives Topgolf Tee-Off tomorrow (May 7).

Will Terry Inks With Prescription Songs, 7Hills Music & Amigo Records [Exclusive]

Pictured (L-R, front row): Will Terry and Hannah Montgomery Bay-Schuck (7Hills Music). (L-R, back row): Chris Martignago (Prescription Songs), Jillian
Rutstein (Amigo Records) and Jamey Davenport (Will Terry management). Photo: Courtesy of Prescription Songs

Nashville-based singer-songwriter Will Terry has signed with Prescription Songs and 7Hills Music for publishing, along with Prescription’s affiliated label Amigo Records for music releases.

“Having a team that feels like family is all I ever wanted,” says Terry. “Didn’t realize until recently that it’s a need in this kind of work. I’m a strong believer in the fact, you are who you’re around, and I’m stoked to be where I am.”

The Rome, Georgia native is known around music city for combining southern grit with authentic storytelling. He has supported Tyler Farr, Jon Langston and Chayce Beckham on the road and recently took the Whiskey Jam stage. He joins Scoot Teasley as Amigo’s second country signee. 

“Tickled pink about getting to partner with Amigo/Rx for this next chapter in Will’s career,” shares Terry’s manager Jamey Davenport. “Hannah [Montgomery Bay-Schuck] and the team have welcomed us like family and made us feel right at home. Excited for the future and grateful for Luke & Hannah’s belief in Will Terry!”

I’m so proud to have signed Will Terry to my joint venture 7Hills Music with Prescription Songs and our label Amigo Records,” adds Montgomery Bay-Schuck, 7Hills Music.Coming from the same hometown of Rome, Georgia, there’s a shared understanding and work ethic that makes this partnership even more special.”