Emily Rose Partners With Postpartum Care USA To Raise Awareness Through New Video

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Singer-songwriter Emily Rose is bringing attention to the issue of postpartum depression, which affects many new mothers, through her new partnership with Postpartum Care USA and a powerful new video for her single, “Don’t Talk About It,” out now.

“Don’t Talk About It” speaks directly to the postpartum journey, which impacts thousands of new moms and addresses urgent, largely preventable postpartum issues like nutrient depletion, mental health challenges and thyroid imbalance. One in eight U.S. women experience symptoms of postpartum depression, with rates nearly doubling since 2010, rising to almost 19% in 2021.

“I wrote this song in the depths of postpartum depression. I wasn’t getting the care I needed and was struggling in so many ways,” says Rose. “Writing has always been my outlet—a way to process emotions and begin to heal—so this song became a place where I could finally say out loud everything I was feeling. Looking back, if I had known about an organization like Postpartum Care USA, which is dedicated to supporting mothers’ health after birth, I might not have felt so alone. I probably could have learned healthier, less overwhelming ways to cope. I truly believe in their mission and the compassionate way they walk alongside moms during this vulnerable time.”

PPCUSA CEO/Founder, Stacia Scott, MSN, FNP-BC, explains, “When I opened Postpartum Care USA three years ago, I didn’t truly realize how little maternal mental and physical care and education there was for moms. We as postpartum women aren’t talking to our spouses, we aren’t talking to our friends, and we aren’t demanding answers from our medical providers. This partnership is giving struggling moms a voice, it’s giving them permission to demand that people listen to us, because what we have to say is very real and very important.”

“Don’t Talk About It” is featured on Rose’s debut album, Welcome to Motherhood, which was released earlier this year and chronicles Rose’s personal journey as a young working mother, filled with the wonderful and challenging moments young parents face. Rose’s songs about her experiences as a young mother have resonated widely with thousands of moms who are following her on Instagram and TikTok, with “Welcome to Motherhood” gaining over 165k streams organically since its release and single “Mouths to Feed” gaining over 40k streams in the past two months.

IEBA Unveils Three New Scholarships

IEBA has revealed three new scholarships that total $125,000. The scholarships were revealed during the Honors & Awards Ceremony on Oct. 7.

$25,000 was presented to Middle Tennessee State University to establish the Jimmy Jay & Jann Blauw Family Scholarship. Industry veteran Jay presented the check alongside Aaron Green of Jayson Entertainment Group to Mark E. Clark, MTSU Executive Director of Development.

Belmont University accepted the other two endowments, each totaling $50,000. These were established to honor Buddy Lee and Erv Woolsey. Mike Curb College of Entertainment and Music Business at Belmont’s Senior Associate Dean, Sarita Stewart and Senior Development Director Phil Shay accepted the check given to them by donor representatives Joey Lee (Co-Head of WME Nashville and son of Buddy Lee), Tony Conway (Founder and CEO, Conway Entertainment Group), and Kevin Neal (Partner, WME Nashville).

“Supporting education has always been at the heart of IEBA’s mission,” said Todd Boltin, President of the IEBA Educational Outreach Fund Board. “These new endowments honor industry legends who not only built careers for artists but also paved the way for the next generation of live entertainment professionals. Their legacies of mentorship, leadership, and generosity will continue to inspire students for years to come.”

“The scholarships these endowments create will open doors for aspiring professionals and ensure that IEBA’s educational mission thrives for generations to come,” added IEBA Executive Director Brian Wagner.

Wags & Walks Hosts Benefit Show Celebrating Sixth Anniversary

Tucker Wetmore. Photo: Laura Moll

Wags & Walks hosted a benefit show Tuesday night (Oct. 7) at the Skydeck on Broadway. The celebratory evening with over 1,000 attendees recognized six years of Wags & Walks Nashville and 6,000 dogs saved.

Bellah Mae opened the evening with a mix of originals and covers, setting the tone for the night. Tiera Kennedy followed with a high-energy set that included “I’d Look Good In That Truck,” “Can’t Help My Country,” “Better Than Me” and “Shut It Down.”

Bellah Mae. Photo: Laura Moll

Ashland Craft brought songs from her new record, Dive Bar Beauty Queen, before Chris Lane took the stage for a set packed with hits, including fan-favorite “I Don’t Know About You.” American Authors kept the crowd energized with their anthem “Best Day of My Life.”

Closing out the evening, Tucker Wetmore delivered a crowd-pleasing performance featuring “Wine Into Whiskey,” “Break First,” “Casino,” “3, 2, 1,” his first No. 1 single at country radio, “Wind Up Missing You” and more. “This song needs no introduction,” Wetmore quipped before wrapping the night with “Brunette.”

Ashland Craft. Photo: Laura Moll

Between performances, Kate Pettersen, Morgan Huelsman, Lauren Lane, Dan and Abby Smyers and Jason Tartick each took the stage to share their support for the cause.

“The energy at this year’s Benefit Concert was pure magic,” shares Kathryn Hurley, Founder of Wags & Walks Nashville. “To see our community come together to celebrate rescue and raise lifesaving funds for dogs in need was incredibly special. We’re so grateful to our artists, sponsors, and community for helping us continue to make a difference.”

Chris Lane. Photo: Laura Moll

Photo: Laura Moll

Tiera Kennedy. Photo: Laura Moll

Tucker Wetmore. Photo: Laura Moll

Muscadine Bloodline Surprise Announces New Album With Vinyl Drop

Muscadine Bloodline. Photo: Jay Siske

Muscadine Bloodline has announced their latest album will be available on vinyl first today, (Oct. 10), without any fanfare or advance hype or tracks pre-released.

The new vinyl album will be limited to 3,000 pieces, with every copy signed, and the album will eventually be released digitally, but the only way for fans to hear it currently will be to purchase the vinyl edition. The group is releasing it straight to vinyl without teasing any tracks or unveiling the album cover as a special surprise to fans.

The announcement follows the release of the band’s latest single “My Meridian” that was released last month along with a video which features the Alabama boys traveling West to Meridian, Mississippi, the city co-lead singer Charlie Muncaster’s wife hails from. Muscadine Bloodline is currently on tour with Lainey Wilson, and just announced a run of dates with HARDY for next summer.

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Trisha Yearwood Celebrates ‘The Mirror’ With Intimate Conversation With Liz Rose

Liz Rose & Trisha Yearwood. Photo: Tess Schoonhoven

Trisha Yearwood celebrated her new album The Mirror Wednesday night (Oct. 8) with an in-depth Q&A alongside songwriter Liz Rose at Anzie Blue in Nashville.

Hosted by FEMco’s Leslie Fram, the event offered an intimate look at The Mirror, the first album Yearwood has both co-written and co-produced herself. Yearwood was joined by many of her co-writers from the project at the special event, including Beth Bernard, Jim “Moose” Brown, Erin Enderlin, Matt Rossi, Bridgette Tatum, and Rachel Thibodeau, plus the album’s co-producer, Grammy-winner Chad Carlson.

Throughout the evening, Yearwood reflected on the creative process behind The Mirror, sharing that it is the most meaningful album of her storied career.

Pictured (L-R): Liz Rose, Trisha Yearwood and Leslie Fram.

Pictured (L-R): Jim “Moose” Brown, Rachel Thibodeau, Chad Carlson, Trisha Yearwood, Bridgette Tatum, Beth Bernard, Matt Rossi and Erin Enderlin.

Dasha Releases ‘Anna’ EP

Dasha has released her new EP, Anna, via Warner Records.

The eight-track project spans a range of styles and subjects, from the introspective “Train” to her upbeat recent single, “Work On Me.”

Dasha co-wrote seven of the eight tracks alongside Ashley Gorley, Chris LaCorte, Emily Weisband, Hillary Lindsey and Josh Kear, among others. The outside cut, “Train,” was solo-written by Kyle Sturrock.

Dasha broke out with the 2023 release of “Austin (Boots Stop Workin’)” from her debut country album, What Happens Now?. The song amassed more than 1.7 billion streams.

Dasha is currently amidst her headline tour, and will open for Kane Brown at Wembley Stadium tonight (Oct. 10).

Anna Track List:
1. “Work On Me” (Amy Allen, Dasha, John Ryan)
2. “Not At This Party” (Anna Dasha Novotny, Ashley Gorley, Ben Johnson)
3. “Please Stop Changing” (Anna Dasha Novotny, Ben Johnson, Jules Paymer, Travis Heidelman)
4. “Gimmie A Second” (Ali Tamposi, Ammo, Anna Dasha Novotny, Jake Torrey)
5. “Don’t Mean To” (Anna Dasha Novotny, Hillary Lindsey, Josh Kear)
6. “Train” (Kyle Sturrock)
7. “Like It Like That” (Dasha, David Garcia, Gian Stone, J Kash)
8. “Oh, Anna” (Anna Dasha Novotny, Chris LaCorte, Emily Weisband, Hillary Lindsey)

Apple Music Returns With Season 2 Of Lost & Found Series

ERNEST. Photo: Courtesy of Apple Music

Apple Music is launching the second season of its Lost & Found series, which makes previously unreleased tracks available to fans. The original demo tracks (“Lost”) are released first, followed by their newly recorded counterparts (“Found”).

Every month a new song will be released, starting with “End Of The Night,” written by Toby Keith, Bobby Pinson and David Lee Murphy. The demo is available now, and the new version was released today (Oct. 10), recorded by ERNEST.

Bobby Pinson and David Lee Murphy. Photo: Courtesy of Apple Music

“This was always one of my favorites, and it was ERNEST’s favorite too,” says Pinson. “He did a great job on it. When [Apple Music] asked me about this project and said ‘what do we have,’ it was like Christmas. It was like finding a dollar in your pocket.”

“The day we wrote it, we were laughing so hard, feeling like it was a hit,” adds Murphy.

“Hearing Toby on that demo specifically – and Bobby and David Lee Murphy are great songwriters – you hear a little bit of an older, weathered Toby Keith singing a song, just hanging out on the bus,” shares ERNEST. “It’s an honor and a duty as country singers to keep the spirit alive of those who went on before us. I think it is what makes country music great. We live in the greatest city for songwriting of all time, so there are an endless amount of songs. Every now and then, you get to pull a little diamond out of there and a little piece of history, and this is no exception. I’ll never be able to sing a Toby Keith song as good as Toby Keith can sing a Toby Keith song, but I’m gonna give it hell to sing it the best I can for sure.”

Lost and Found tracks can be found here.

Post Malone Shuts Down Broadway For Posty’s Grand Opening

Post Malone. Photo: Adam Degross

Global superstar Post Malone shut down Broadway in Nashville on Wednesday night (Oct. 8) to perform in front of over 30,000 people in celebration of the grand opening of his bar, Posty’s.

Photo: Daniel Magee

He started the night by cutting the ribbon to his bar alongside Nashville Mayor Freddie O’Connell, Metro Police Chief John Drake, District Councilman Jacob Kupin and Director of Nightlife Benton McDonough. The ceremony was emceed by Wayne D of iHeartRadio.

“Posty’s represents a new era for me and how I connect with my fans,” he shared. “This place is about having a kickass time, leaving your lonelies at the door, and finding a friend inside.”

He then hit the stage to perform an array of his hits and classic country covers. In Nashville fashion, surprise guests included Dierks Bentley for “What Was I Thinking,” Lainey Wilson for their collaboration “Nosedive,” and Brooks & Dunn for “Neon Moon” and “Brand New Man.”

“It’s not every day that you get to work with an artist as dynamic, versatile, and genuine as Post, and we wanted the grand opening to match that experience. We felt the best way to do that is to include Nashville,” TC Restaurant Group Vice President of Operations Grant Burlingame said. “Our team is honored to rise to the occasion and officially welcome Posty’s – a venue we’re so proud of – to Music City.”

Posty’s is owned and operated in partnership with TC Restaurant Group.

Lainey Wilson & Post Malone. Photo: Adam Degross

Dierks Bentley & Post Malone. Photo: Adam Degross

DISClaimer Single Reviews: Braxton Keith Gives ‘Sublime Performance’ Of George Strait Classic

Braxton Keith. Photo: Benjamin Humphrey

Nostalgia and new country are on the menu today in DISClaimer.

With new/old sounds by David Frizzell & Shelly West, Dan Seals and Waylon Jennings, plus oldie revivals like “I Love You a Thousand Ways,” “The Chair” and “Three Time Loser,” country music certainly maintains its longtime reputation for nostalgia. But the youngsters are doing their part to keep things lively—I’m especially digging Gabby Barrett, Zach John King, Kane Brown, Lee Brice and Karley Scott Collins today.

Braxton Keith takes home his first Disc of the Day award for his stunning revival of “The Chair,” which manages to be both utterly fresh and deeply nostalgic.

Our DISCovery Award winner is honky-tonkin’ Trey Pendley.

ZACH JOHN KING / “Still Feel the Burn”
Writers: Matt Dragstrem/Ryan Hurd/Zach John King; Producers: Ryan Wilson, Zach John King; Label: Sony Music Nashville
– A mysterioso guitar riff jangles into a plaintive, mid-tempo heartache lament. A swirling production, soft-yet-punchy percussion and piercing vocal add up to an utterly captivating sound. This guy has something here.

ANNIE BOSKO & DARIUS RUCKER / “Old Friends”
Writers: Annie Bosko/David “Messy” Mescon/Rob Hatch; Producer: David “Messy” Mescon; Label: Stone Country Records
– Rucker kicks it off and sings lead on the choruses of this choppy rocker. Bosko’s sprightly soprano keeps up the pace. The lyric is an ode to enduring relationships. Her album containing this is California Cowgirl, dropped last Friday.

GABBY BARRETT / “Ain’t Supposed to Be”
Writers: Chase McGill/Gabby Barrett/Jon Nite/Ross Copperman; Producers: Ross Copperman, Zach Kale; Label: Warner Music Nashville
– Sometimes love arrives in the most unexpected places. They found each other, and that’s all that matters. Barrett delivers this ballad with loads of power and intensity. Lovely listening.

DAN SEALS & JAMEY JOHNSON / “Three Time Loser”
Writer: Dan Seals; Producer: none listed; Label: Melody Place
– Johnson evidently agrees with me that Dan Seals was one of the all-time greats. He swaps lines with the late singer-songwriter on one of his most delightful tracks. Scampering guitars and stuttering steel underscore a delightfully frisky country-rock sizzler. Loved every second of it.

BRENDAN WALTER / “Disappearing Days”
Writers: Brendan Walter Coughlin, Jr./Gary Stanton/Grady Smith; Producer: Grady Smith; Label: Records V2
– It is rather over-produced. The loud, grinding guitars overwhelm his country boy vocal on every chorus. By the time you get to mid song, he sounds like he’s drowning in sound.

LEE BRICE / “Killed the Man”
Writers: Jared Conrad/Michael Whitworth/Troy Cartwright; Producers: Ben Glover, Jerrod Niemann, Lee Brice; Label: Curb Records 
– Terrifically compelling. This grabs hold of your attention and grips it tightly. As usual, he’s singing his face off. The lyric is dynamite, too, as he explains his rebirth as a person. Essential.

BRAXTON KEITH / “The Chair”
Writers: Dean Dillon/Hank Cochran; Producers: Alex Torrez, David Dorn; Label: Warner Music Nashville
– Keith takes this fabulous George Strait oldie out for a welcome revival. The song is a country-music masterpiece. It takes guts to go up against Strait’s iconic performance, but this man is up to the task, and then some. Hear for yourself why it has streamed two million times in a single week. A tip of the cowboy hat to a sublime performance of an undeniable classic.

KANE BROWN / “Unspoken”
Writers: Beau Bailey/Gabe Foust/Jacob Hackworth/Kane Brown; Producer: Dann Huff; Label: Sony Music Nashville
– Live your life without regrets by speaking the truth at all times. Lyrics with meaning, delivered with heartfelt sincerity. Beautifully done. Somebody say, “Amen.”

TREY PENDLEY / “Drunk As Any Rich Man”
Writers: Jacob Bryant/John Davidson/Trey Pendley; Producers: Jacob Bryant, John Davidson; Label: Leo33
– This drawling honky-tonker is a retro blast. You say you miss real country music? Well, belly up to this bar, buddy.

WAYLON JENNINGS / “Songbird”
Writer: Christine McVie; Producers: Richie Albright, Waylon Jennings; Label: Son of Jessi
– This is the title tune of an album of previously unreleased material by this Country Music Hall of Famer. It’s the first of three such collections compiled and produced by son Shooter Jennings. The new instrumentation gives polish to Waylon’s somewhat raw scratch vocal. The song (by Fleetwood Mac’s gifted Christine McVie) is a gentle meditation on the comfort of true love. The album dropped last week.

KIMBERLY KELLY / “Modern Day Woman”
Writers: Blue Foley/Chancie Neal/Kimberly Kelly; Producer: Brett Tyler; Label: KK
– This former Next Women of Country participant and Show Dog Records artist returns with a thumping, strutting, strong-female anthem. She sounds country-and-proud throughout the performance.

DAVID FRIZZELL & SHELLY WEST / “I Love You a Thousand Ways”
Writers: Jim Beck/Lefty Frizzell; Producer: none listed; Label: StarVista
– The CMA Vocal Duo of the Year in 1981 & 1982 reunites for the first time in 40 years to revive this 1950 Lefty Frizzell classic. Of course they sounded better back in the day—didn’t we all? But even with a touch more vibrato and a little less lung power, they still sound dandy on this well-produced outing. It’s a track from a Lefty tribute album that also features Freddie Hart, Gene Watson, Merle Haggard, Bill Anderson and more.

KARLEY SCOTT COLLINS / “Denim”
Writers: Alex Kline/Karley Scott Collins/Sara Bares/Stephan Lee Benson; Producers: Karley Scott Collins, Nathan Chapman; Label: Sony Music Nashville
– Her drawled, smoky alto vocal is ultra cool, especially with the quasi-yodeled falsetto breaks. Like so much of what this lady does, this is utterly haunting.

MercyMe Slates ‘Wonder + Awe Tour’ For Spring

MercyMe has announced their 24-city “Wonder + Awe Tour,” kicking off next spring beginning March 12.

The band will be joined by special guests Big Daddy Weave, Tim Timmons and Sam Wesley on the new tour, which will feature their signature blend of chart-topping hits and heartfelt worship.

The spring tour will make stops in Greensboro, St. Augustine, Rochester, Fresno, Albuquerque and more before wrapping in Spokane on April 25. An exclusive pre-sale begins Oct. 13, with tickets available to the public starting Oct. 17 at tprlive.co.

“As we celebrate the release of I Can Only Imagine 2, hitting theaters on February 20, we couldn’t be more excited to hit the road for a very special spring tour and there’s no place we’d rather be than out on the road, sharing this moment with our fans,” says Bart Millard of MercyMe. “Tim Timmons and my son, Sam Wesley, play huge roles in the story behind the film, and once you’ve seen it, you’ll understand why they had to be part of this tour. And, Big Daddy Weave is finally joining us on the road! These guys are some of our dearest friends, and after years of trying to tour together, it’s finally happening.

“This tour is more than just music — it’s a celebration of story, friendship, and the faith that has carried us through. We’d love for you to join us. Come see us. We promise you’ll walk away changed.”

Date | City, State:
Thursday, March 12, 2026 | Greensboro, NC
Friday, March 13, 2026 | Fairfax, VA
Saturday, March 14, 2026 | Columbia, SC
Sunday, March 15, 2026 | St. Augustine, FL
Thursday, March 19, 2026 | Toledo, OH
Friday, March 20, 2026 | Johnstown, PA
Saturday, March 21, 2026 | Rockford, IL
Thursday, March 26, 2026 | Springfield, MA
Friday, March 27, 2026 | Providence, RI
Saturday, March 28, 2026 | Rochester, NY
Sunday, March 29, 2026 | Bangor, ME
Thursday, April 2, 2026 | Fort Wayne, IN
Friday, April 3, 2026 | Charleston, WV
Thursday, April 9, 2026 | Albuquerque, NM
Friday, April 10, 2026 | Glendale, AZ
Saturday, April 11, 2026 | Anaheim, CA
Sunday, April 12, 2026 | Las Vegas, NV
Thursday, April 16, 2026 | Oceanside, CA
Friday, April 17, 2026 | Fresno, CA
Saturday, April 18, 2026 | Stockton, CA
Sunday, April 19, 2026 | Ontario, CA
Thursday, April 23, 2026 | Abbotsford, BC
Friday, April 24, 2026 | Everett, WA
Saturday, April 25, 2026 | Spokane, WA