Big Machine Adds Interactive Director

Annie Ortmeier


The Big Machine Label Group has added Annie Ortmeier to the Sales, Marketing & Interactive Department as Director of Interactive, spearheading social networking and website initiatives.
Ortmeier joins the label group with a strong background in the area, including time at CMT as Merchandising Manager of Ecommerce. She also worked for echo and relocated to LA with the company after the merger with Ticketmaster. Most recently Ortmeier explored her entrepreneurial side with her own digital marketing agency YowZa! Ecommerce Solutions.
At Big Machine she will report to VP of Sales, Marketing & Interactive Kelly Rich, who said, “Annie’s impressive background working in both e-commerce and the music industry make her an excellent candidate to drive our interactive presence forward. She’s a hard worker with a knack for innovation, and we are excited to have her on our team.”
Ortmeier can be reached immediately at (615) 324-7922 or [email protected].
 

Summer NAMM Offers Best In Show

Art Guitars by JD Vokes. Photo: Daniel Ethan Podolsky


By Daniel Ethan Podolsky
Imagine being surrounded in every direction by every type of instrument and accessory imaginable. Where any shape, size, color, make, model or even flavor of musical product is waiting for you to come test it out, all within one room. For musicians with bigger eyes than wallets, the Summer NAMM Convention—a gathering of the musical products industry held annually at the Nashville Convention Center—can be a dream come true.
From July 21-23, over 11,000 industry professionals representing 30+ countries were on hand to get up close and personal with the newest offerings from over 450 manufacturers—as well as to order a few for their own stores, and to network with others in the industry. The convention was expected to bring $13 million into the Nashville economy.
Summer NAMM has a mission to benefit the local, independent music retailers that survived the growth of behemoths such as Guitar Center or Sam Ash. In that spirit workshops and lectures, dubbed “NAMM U,” run all weekend with titles such as “Successful Promotions on a Dime,” and “How to Use Facebook to Market Your Business.” These breakfast sessions are held each of the three days.
Celebrity appearances created a big draw for “Wanna Play Day.” Former New York Yankee turned Jazz guitarist Bernie Williams was promoting his new book Rhythms of the Game, and taking time to speak and play for the public. His 2009 full-length album Moving Forward is his second and features collaborations with Bruce Springsteen and Dave Koz. “I’m really working with NAMM advocating for music and arts education in schools,” says Williams. This visit to Nashville was his “first time here, but hopefully won’t be the last.” Williams has been a celebrity face for the convention since January’s NAMM Show in Anaheim. His book features a foreword by musician Paul Simon and discusses the link between musical and athletic performance. “I think there’s a lot of similarities between music and baseball, and it’s worth reading. The book is out now, and I think it’s going to be very successful.”

Gibson's Firebird X. Photo: Daniel Ethan Podolsky


This year’s show contained a bit of a break from traditional NAMM procedures. On the final day of the convention, doors were opened to the public for “Wanna Play Music Day.” For a $20 ticket price, casual fans and music buffs alike can see the exhibits and attend valuable lessons such as “Setting Up a Home Studio,” and “Garage Band Hands-On Test Drive.”
“I’m glad they’re doing a public day,” remarked Frank Johns, head of R&D for Gibson Guitars, a Nashville-based company. “It’s one thing to have dealers come and check everything out… but it’s also great to have the public come and check everything out.” Gibson is at NAMM promoting it’s newest Firebird X computerized “robot” guitar. The guitar features technological innovations such as robotic tuners, Bluetooth to communicate with effects pedals, onboard effects, and more. “It’s our first foray into this technology, but we really feel at Gibson that it’s the way of the future,” explains Johns. “It’s the technology to keep up with the latest iPads and that sort of thing.”
With a very unique exhibit, Quaver’s Marvelous World of Music is pioneering another approach to music education, demonstrating a “new music program designed to bring added excitement to the way music is taught to children.” Graham Hepburn, known in the video series as Quaver, is very enthusiastic about getting children to learn about music. When “I was a [music] teacher, I could never find any good DVD resources that weren’t too long or too boring,” explains Hepburn. Quaver’s offers a DVD series containing 30 different episodes. “Each episode is 15 minutes long, so they don’t take over music classes or private lessons. They talk about beat, rhythm, duration, pitch, music theory, there’s music styles, ensembles, musical periods,” he says. “Each episode is really funky, fast moving, there’s animation, there’s live action.” Over 500 kids from the Nashville area get involved in the project, which is based on Music Row. The project also contains an online virtual world for kids to create and compose music. “We hope it’s going to become a worldwide success,” says Hepburn, “if it isn’t, I’ll have to become a window cleaner again.”

Quaver’s Marvelous World of Music. Photo: Daniel Ethan Podolsky

Week Two Is Like The "Morning After"

This graph is intended to provide a snapshot of sales during the last half of 2010. Compare the list of upcoming releases in the text with what happened in 2010 to help determine if the country format will end up in positive sales territory for 2011.


Week Two is traditionally like the “morning after.” The sales party fireworks, stimulated from high visibility press exposure and the flexing of high-dollar marketing muscles, become dim as labels wake to a new reality. Traditionally, the hangover from the week two sales drop falls in the 60% range. This week new albums from Blake Shelton and Chris Young suffered the “week two” blues dropping 60% and 65% respectively. Also in “week two” is Ashton Shepherd who debuted with under 11k units, but fell 56% nevertheless.
Although the “week two” folks always take the biggest  W/W (week over week) hit, Blake, Chris and Ashton weren’t alone this week. W/W country album sales fell 16% on average and the Top 75 current list tumbled 27.5%.
The good news remains that the country format overall is up YTD 1.4%. Upcoming announced powerhouse releases are scarce, but crafty labels have a habit of clutching release information tightly to hinder competitor planning. Here’s a few of the names that should send SoundScan dials spinning: Eric Church 7/26, Trace Adkins 8/2, Luke Bryan 8/9, Lady Antebellum 9/13, LeAnn Rimes 9/27, Martina McBride 10/18 and Miranda Lambert 11/1.
RIP Amy Winehouse
A few notes on the U.S. sales ramifications of Amy Winehouse’s recent sad passing as calculated by Nielsen SoundScan.
>>More Amy Winehouse albums were purchased in the past week (ending 7/2411) than during the first six months of the year (50,000 this week vs. 44,000 YTD 2011 as of 7/17/11), according to Nielsen SoundScan.
–Back To Black – 37,000 total sales (36,000 are digital albums)
–Frank -7,600 total sales (7,000 are digital)
>>More than 95% of all Amy Winehouse album sales this week were digitally downloaded (46,000+ sales), according to Nielsen SoundScan.
>>Total U.S. spins for Amy Winehouse songs on Saturday, July 23, increased 170% over the previous week’s total spins, according to Nielsen BDS.
Thought For Today
This industry will soon need new revenue yardsticks. Something easy to understand, reliable and painstakingly accurate. SoundScan is quite satisfactory for point of sale at retail, however as the industry continues to evolve, it no longer provides the total picture. For example, what about endorsements, touring, paid TV appearances, clothing lines, etc. As artist brands continue to evolve, tracking album and single sales, both physical and digital is slowly becoming less representative of the total energy artist machines generate.
 
 

Industry Ink Tuesday (7/26)

• • • Pitch group Singles Only hosted its third quarterly A Night of Hits show on July 20 at Winner’s Bar & Grill. The evening featured performances of some of their writers’ best uncut material. Singles Only is made up of pluggers from eight successful independent publishing companies.

Pictured (L-R): Natalie Harker (Cal IV Entertainment), Scott Ponce (Liz Rose Music), Shane Barrett (Shane Barrett Music), Penny Everhard (Love Monkey Music/Tom-Leis Music), Denny Carr (Roots Three Music), Taylor Lindsey (BMG Chrysalis), Eric Gallimore (Red Vinyl Music), and Daniel Lee (Ten Ten Music Group)


• • • John Clore has joined Word Entertainment as Director of Brand Management. He makes the move from Sony Music Entertainment’s Provident Label Group, where he served as Associate Director, Digital Marketing & Campaigns, working with RED and Jars of Clay. His track record also includes time handling publicity at Provident Label Group, Webster & Associates PR, and PLA Media. The Illinois native is a graduate of Belmont University’s Music Business program. He can be reached at [email protected] or 615-726-7870.
• • • Capitol Records Nashville Sr. Director of New Media Dawn Gates raised $81,000 for the Leukemia and Lymphoma Society and was named 2011 Woman of the Year. Her campaign in honor of young cancer patient Tanner Page included a celebrity memorabilia auction. The organization’s total campaign raised $341,000.
• • • CMT One Country’s Lucia Folk is featured in a new article in AdAge. In the interview she talks about promoting local volunteerism among CMT viewers, offering rewards and prizes, as well as making charitable donations on behalf of artists.

JP Dansereau


• • • The Fontanel Mansion & Farm has hired Jean Pierre (JP) Dansereau as General Manager. In the newly created position he will oversee business development, sales and operations for the property that includes The Fontanel Mansion, Woods Amphitheater, Farm House Restaurant, Studio Gallery and more. Dansereau previously served as Director of Travel Industry Sales for Gaylord Opryland, and as Vice President of Tourism for the Nashville Convention and Visitors Bureau. He will assume the new role Aug. 1 and can be reached at [email protected], or 615-724-1600.
 

Kathy Olen Launches Atticus Brand Partners

Kathy Armistead Olen


Kathy Armistead Olen, former Vice President and Brand Agent for WME, has launched Atticus Brand Partners, LLP, handling tour sponsorship, product endorsement, licensing, music placement and other forms of partnership between brands and artists. Her new company will continue to find sponsorship opportunities for WME’s roster.
During her career Olen has paired artists with major brands including Hershey’s, Chevrolet, Anheuser-Busch, Sharpie, McDonalds, Coca-Cola, and Miller Brewing Company.
Olen’s career also includes time as Director of Marketing for the Nashville Arena and Starwood Amphitheatre, where she handled sponsorship, venue signage, publicity, and advertising.
Joining Olen at Atticus Brand Partners is Lindsay Friedgood, Director of Brand Partnerships. Friedgood also makes the move from WME, where she worked directly with Olen. Friedgood’s track record also includes handling brand management at the Nashville office of experience marketing agency George P. Johnson.
Atticus Brand Partners:
54 Music Sq. E., Suite 350
Nashville, TN 37203
615-983-8203
[email protected]
www.atticusbrandpartners.com

Top 10 Idol Earners

Forbes loves to compile Top 10 Earning lists and its latest “revelation” is a ranking of American Idols. Anyone paying attention would immediately guess (and be correct), that Carrie Underwood reigns supreme on this list  having earned over $20 million in the past year cashing in on over 80 tour dates. Lambert (season eight, No. 2) and Chris Daughtry (season five, No. 4) tied in second place with $6 million each. According to the publication Underwood “banked as much as the Top 5 artists added together.
Forty percent of the Top 10 have Nashville ties. And that doesn’t include current season celebs Scotty McCreery and Laura Alaina who may well swell Nashville’s representation in next year’s listings.
As Forbes notes it isn’t all about winning, of the top three earners only Underwood was actually a winner. Others with Nashville ties in the Top 10 include Jordin Sparks at No. 5 with $3 million; Kelly Clarkson at No. 6 with $2.5 million; and Kellie Pickler who ranks No. 8 with $1.8 million. Clarkson, managed by Nashville-based Starstruck is scheduled to have a new album next year which should elevate her rank in next year’s numbers. (Check out a photo carousel here.)

Forbes methodology statement: These numbers are based on estimated pretax income earned from May 2010 to May 2011, before subtracting agent and manager fees. The totals were compiled with the help of data from Pollstar, RIAA and others, as well as interviews with industry insiders including managers, concert promoters, publicists, agents and, in some cases, the musicians themselves.

An interesting footnote to this article is that Idol announcer Ryan Seacrest reportedly snagged of $61 million including his famed hosting spot, plus endorsements and radio revenues. Seacrest made more than the total of all ten Idol contestants.

Google+ Hangout Feature Powers Virtual Concert

Singer songwriter Daria Musk recently used the new Hangout technology on Google plus to promote a 6.5 hour virtual concert around the globe. The entrepreneurial artist ultimately reached thousands of viewers from Norway to Argentina to Australia.
According to Google, each Hangout can have a maximum of 10 participants so Musk urged her fans to stay for a few songs and then make room for others to jump in. Google Director of Engineering, Chee Chew, attended the Hangout and provided technical assistance throughout the concert.
“For us on hangouts, it’s about really connecting small groups together face to face, bringing people together from around the world in a new way,” says Chew. “We all have a human need to connect and communicate.”
“Google’s new Hangout technology is a real game-changer for the music industry,” said Sean Wolfington, owner of Tier 10 Marketing, whose digital marketing and public relations agency represents Musk. “Traditionally the record labels dictated which artists get exposure; however, this cutting edge technology introduces a whole new platform that talented artists like Daria can leverage to take control of their exposure.”
The story has already been picked up by CNN and Reuters. A second concert named “Gl+bal G+thering of G+niuses” has been set for July 23 at 7 pm ET. To accommodate Daria’s ever-increasing global audience, members of the Google+ fan community created www.HangoutParty.com, which will stream Saturday’s concert to an unlimited number of fans around the globe. As a result, Daria’s performance and interaction with those in the “Hangout” will remain intimate, while thousands in the overflow crowd watch the broadcast live.
 

The Band Perry Scores Another Gold Single

The Band Perry’s latest hit “You Lie” has earned Gold certification from the RIAA for 500,000-plus paid downloads. This is the first single and hit for songwriters Aaron, Brian and Clara Henningsen.
“‘You Lie’ is full of spitfire and it’s our high-five to everyone who’s been the victim of a cheatin’ heart,” explains The Band Perry. “Only in Country music could a song about feeling fed-up be so much fun to sing. When we perform this one, we get a big ‘amen!’ back and we thank everyone who has joined in.”
“Plain and simple…this song has more hooks than a tackle box!” adds Jimmy Harnen, Republic Nashville President.
This follows the band’s huge hit “If I Die Young” which recently went Double Platinum. The self-titled debut album is moving about 11,000 units per week and has RTD sales of 655K (Soundscan).
Next up, The Band Perry will release love ballad, “All Your Life.”
TBP will headline a Samsung AT&T Summer Krush concert in Dallas, a portion of which will air Aug. 17 on Jimmy Kimmel Live! The Band Perry is currently on the road with Tim McGraw and looking forward to dates with Keith Urban (September) and Reba (October).
The sibling trio is also nominated for two Teen Choice Awards at the Sun., Aug. 7 show on Fox. Fans can vote at teenchoiceawards.com.
 

Antitrust Regulators Eye Google

Amid scrutiny by federal antitrust regulators, Google is funneling more money than ever into lobbying efforts. According to a report by NPR, Google spent $2.06 million to influence lawmakers between April- June 2011, a 54 percent increase from the same period last year.
Last month the Federal Trade Commission opened an inquiry into Google.
The behemoth has been investigated before, mostly due to its mergers and acquisitions, but the new civil probe will examine its search-advertising business.
According to the Wall Street Journal, it will specifically look into “whether Google searches unfairly steer users to the company’s own growing network of services at the expense of rival providers.”
Eric Schmidt, Google’s executive chairman is set to appear before a Senate antitrust committee in September.

"MusicRow" Exclusive With StageIt CEO Evan Lowenstein

(L-R): MR Publisher David Ross, Evan Lowenstein, MR Owner/Pres. Sherod Robertson


Recently named to Digital Media Wire’s list of 25 Execs to Watch in Digital Entertainment for 2011, Evan Lowenstein, Founder and CEO of StageIt, sat down exclusively with MusicRow to discuss the success of his innovative company.
First, a little background: launched in fall 2010, StageIt.com offers artists a web-based platform to perform live and have direct interaction with fans from their laptops. Although much like a virtual concert, the artists have much more flexibility in delivering the entertainment.
Artists choose when and how long to perform, and how much to charge. The artist not only decides how many tickets to sell, but can change the number up until the performance starts. In other words, the ticket cost, “size” of venue, and length of show can be completely reactive to demand.
Lowenstein says country music particularly lends itself to such a platform because the genre’s fans enjoy accessibility to artists. He also points out that country artists are more comfortable delivering their music in stripped down settings than acts in other genres.

“We say we offer a front row seat to a backstage experience,” explains Lowenstein. “The most expensive ticket in the house is a front row seat. We are capitalizing on the connectivity of the Internet and the advancements in the broadcasting to literally bring [fans] this amazing content. Take a country artist, or any artist, and put them together with the fans, and the medium becomes less important. If you meet a famous artist or someone special, it doesn’t matter if it’s in a rickety elevator or stairwell or on a plane, it’s the content [that matters], not the medium.”

As a former member of pop brother-duo Evan and Jaron, known for Top 10 hit “Crazy for this Girl,” Lowenstein has always been fascinated with connectivity to fans. Although the technology existed, he was equally frustrated with not having a way to share his experiences with fans without devaluing his content and himself as an artist. This frustration led to the creation of StageIt.

StageIt CEO Evan Lowenstein


StageIt offers a way for the artist to monetize the online experience. Perhaps more importantly, it allows fans a way to show direct appreciation to the artist through a virtual tip jar and online chatting during the performance. Some users spend over $50 a week. Artists on StageIt can also sell their records during the show, much like in a traditional venue. Hear something you like and a purchase is just one click away.
In an era when we can see anything anytime we want, StageIt appears to be heading in the opposite direction. None of the live shows are ever recorded or archived. Regarding technology, Lowenstein is quick to respond, “Just because it’s available doesn’t mean we have to use it.” The company focuses on bringing back the mystery of the artist and feels if someone is available 24/7 there is less value. Today’s artists have too much access according to Lowenstein. He says, “This is why artists have careers for four and a half minutes.”
StageIt continues to focus on the needs of the artist and the best way to connect with their fans, which to Lowenstein means no distracting advertising. The site creates moments and intimate experiences for the fan and many artists have taken advantage.
StageIt performances from country music artists include Big Kenny, Don Schlitz, Sherrie Austin, James Otto, Jerrod Neimann, Chris Young and others. After using the StageIt platform, Jimmy Buffett was so impressed with the experience, he partnered with the company.
While the industry is plagued with piracy issues and declining revenues, Lowenstein says, “We’ve found a playing field where the fans and artist agree there is value.”
Visit StageIt.com for more information.