DISClaimer Single Reviews (8/15/12)

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Tiffany Houghton, Clayton Gardner

Ask and you shall receive.

In last week’s column, I bemoaned the lack of a DisCovery Award contender. So this week, I got two of them.

Both are Texans. Our Male winner, Clayton Gardner, plies his trade in Lone Star State roadhouses. Our Female winner, Tiffany Houghton, has moved to Music City to record her debut, six-song EP.

Eli Young Band

The Disc of the Day goes to Eli Young Band for its warmly romantic “Say Goodnight.” Kudos for another job well done.

CLAYTON GARDNER/I Won’t Settle Down
Writer: Clayton Gardner/Mack Damon; Producer: none listed; Publisher: none listed; CG (www.claytongardner.com)
—This breezy bopper with a touch of twang comes from a Texas newcomer with a smooth, confident, easy-going baritone. Promising.

ALI ISABELLA/Say You’ll Be Mine
Writer: Josh Foster/Julie Downs; Producer: Gregory Lattimer & Josh Foster; Publisher: Alisma, BMI; Alisma (track) (www.aliisabella.com)
—She sounds very young and quite pert. You wouldn’t call her a vocal powerhouse by any means, but this lightweight, up-tempo ditty doesn’t require her to be one. Peppy. Innocent.

KATHY MATTEA/West Virginia, My Home
Writer: none listed; Producer: Gary Paczosa; Publisher: none listed; Sugar Hill (track) (www.mattea.com)
—Mattea has scheduled a trio of Music City appearances next month to celebrate the imminent release of her Calling Me Home CD — Sept. 5 at The Bluebird Cafe, Sept. 7 at The Station Inn and Sept. 8 at the Opry House gift shop. In the meantime, this lilting, sweetly sung, acoustic track is doing the advance work on her website. The wafting, guitar-fiddle-mandolin picking by the CD’s all-star band is as heavenly as the singing.

RODNEY HAYDEN/Buckaroo Man
Writer: none listed; Producer: none listed; Publisher: none listed; Palomino
—A single with a built-in identity crisis. The band thinks it is a Southern-rock outfit. He thinks he’s a cowboy.

JERRY KILGORE/Telephone, TX
Writer: Kilgore/Guess; Producer: Jerry Kilgore & James Mitchell; Publisher: none listed; Nic Nic Neer (track)
—I have enjoyed this fellow’s work many times in the past. The title tune of his new CD is a dark and bluesy lament that showcases both his creativity as a songwriter and his charismatic vocal ability. Another winner from a man who seems fully loaded with them.

TIM DUGGER/(I Called Her) Tennessee
Writer: none listed; Producer: none listed; Publisher: none listed; Curb (www.timdugger.com)
—Talk about drawling — you could cut this guy’s Dixie accent with a jack knife. He falls for a college girl who teaches him a thing or two, except her name. The track is your typical rock ‘em, sock ‘em type.

TIFFANY HOUGHTON/Only One
Writer: Tiffany Houghton; Producer: Tiffany Houghton; Publisher: none listed; TH (www.tiffanyhoughton.com)
—She is a true Triple Threat. Her singing is forceful and expressive. Her song writing is solid. Her production finesse on the pulsing, dynamic track is exemplary. She’s Dallas gal who has moved to Music City to make it big. Keep your eyes and ears on her.

NAT STUCKEY/A Hurt as Big as Texas
Writer: Nat Stuckey; Producer: none listed; Publisher: none listed, BMI; Music Roow Talent (track)
—Nat Stuckey (1933-1988) was a country hit maker who died too soon. His widow, Ann, has been keeping his memory alive with reissues of his works. The latest, Words and Music by Nat Stuckey and Friends, includes his three best-known compositions, “Pop a Top,” “Sweet Thang” and “Waitin’ in Your Welfare Line.” Its lesser known tunes include this lively western swinger that will set your toes to tapping. Recommended listening.

ELI YOUNG BAND/Say Goodbye
Writer: Katrina Elam/Melissa Pierce/John Paul White; Producer: Mike Wrucke; Publisher: Songs of Universal/Kreative/Music of Stage Three/Gutter-N-Grace/Roger’s Dream/BMG Chrysalis/EMI Blackwood/Mr. Bright Side, BMI; Republic Nashville (track)
—The Eli Young Band is going from strength to strength. This soaring power ballad wears its ultra-romantic heart on its sleeve. Soul-tugging in every respect. You’re also going to be hearing more from its previous chart topper, “Even If It Breaks Your Heart.” It plays during the opening montage of the TV series Nashville on Wednesday nights this fall on ABC.

DAVID ANDERSEN/Malaguena
Writer: none listed; Producer: David Andersen; Publisher: none listed; Andersongs (track) (www.davidandersenmusic.com)
—Thanks to his daily strolls, strumming in the Conservatory of the Country Music Hall of Fame & Museum, guitarist David Andersen is probably the most famous “unknown” musician in Nashville. He has two new CDs, Vituoso and Virtuoso II. The latter contains his deft, easy-listening run through this classical Spanish instrumental standard.

DISClaimer Single Reviews (8/08/12)

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Photo: Russ Harrington

What’s that sound?

Oh yes, I remember. It’s called country music. And I don’t mean the overly polished kind that Music Row usually serves us. I mean the Real Deal.

Teea Goans, Herrick, Gold City, Moot Davis, Derek Hoke and Justin Trevino are all back to warm my hillbilly heart with ringing reminders of what old-school country can mean. My enthusiastic encouragement goes out to all of these folks for doing their jobs so well. Again. I’ve praised them all before in this column, and I am happy to do so once more.

It’s awfully hard to argue with the star power of Mary Chapin Carpenter with James Taylor. Especially when the song is as strong as “Soul Companion.” Give that baby a Disc of the Day prize.

I’m sorry to report that no one stepped forward from the ranks of the unknown to claim a DisCovery Award this week. But hope springs eternal. There’s always the next stack of platters….

MOOT DAVIS/Man About Town
Writer: Moot Davis; Producer: Kenny Vaughan; Publisher: Highway Kind, ASCAP; Highway Kind (track) (www.mootdavis.com)
—If you’re a lover of traditional country music and don’t know about Music City’s Moot Davis, you need to get up to speed. The title tune of his newest CD is a moaning barroom ballad that hits right in the gut. His trembling tenor recalls the greatness of Gary Stewart, and his album’s cast includes such luminaries as Harry Stinson, Elizabeth Cook and Chris Scruggs. I caught Moot at the CMA Music Fest a few seasons back, and he blew me away. Get on board.

THE TWANGTOWN PARAMOURS/Chains
Writer: MaryBeth Zamer/Mike T. Lewis; Producer: Mike T. Lewis; Publisher: All Olive/Inside Edge, ASCAP; Inside Edge (track) (www.twangtownparmours.com)
—Led by singer-songwriters Zamer and Lewis, this acoustic group’s new collection is titled The Promise of Friday Night. This tragic, folkie, saga/ballad is one of its compelling centerpieces. Zamer’s clear soprano lead vocals might be too pure sounding for country programmers, but those of you on the Americana airwaves might take to it just fine.

CHUCK HANCOCK/On a Personal Note
Writer: Chuck Hancock; Producer: Bill Bleckley, Mike Schrimpf & Chuck Hancock; Publisher: Chuck Hancock, BMI; CH (track) (www.chuckhancock.com)
—This is the title track to a collection by a country baritone who sings with real Ray Price-style resonance. Its melody is charming, and the lyric catches the ear since it is written as an email to a lover.

MARY CHAPIN CARPENTER & JAMES TAYLOR/Soul Companion
Writer: Mary Chapin Carpenter; Producer: Matt Rollings & Mary Chapin Carpenter; Publisher: Why Walk, ASCAP; Zoe (track) (www.marychapincarpenter.com)
—Chapin’s new Ashes & Roses is as lustrous a set of songs as she has ever issued. Its lead-off single conveys warm yearning for lasting love in its rolling, mid-tempo groove. The two singers are quite striking together, since James’s familiar tenor and Chapin’s soulful alto are coincidentally in exactly the same range and key. Super listening.

DEREK HOKE/Lonely Street
Writer: Derek Hoke; Producer: Dexter Green; Publisher: Slow Hoke, BMI; Electric Western/Thirty Tigers (track) (www.derekhoke.com)
—Mark your calendars. Derek Hoke’s Waiting All Night album release party is at The Groove in East Nashville on Sunday, August 26, at 2:00 in the afternoon. “Free food and beer while it lasts!” reads the invitation. The record will be available in both CD and vinyl formats. That retro touch is appropriate, since this lead-off ballad is a sadly wistful, country-crooner delight. Elsewhere on the set, he bops with garage-band elan, tackles country-rock with fiddle finesse, moans the blues and two-steps like a pro. I have a feeling that his Groove show is going to be a joy.

JENNA JENTRY/Good As Gold
Writer: Jenna Jentry/Kevin DeClue; Producer: Kevin DeClue & Jenna Jentry; Publisher: Jenna Jentry/Kevin DeClue, BMI; JJ (track) (www.jennajentry.com)
—The title tune to Jentry’s CD is a frothy rocker with a well-produced, double-time backing track. Her singing voice is too vanilla to match its energy.

TEEA GOANS & JAMIE DAILEY/That’s Just Me
Writer: Jerry Salley/Lisa Shaffer; Producer: Terry Choate; Publisher: Universal/Brentwood Benson/Lasso the Moon/KLMS, SESAC/ASCAP; Crosswind (track) (www,teeagoans.com)
—This lady’s debut CD made me an instant fan back in 2010. Her sophomore set confirms her complete mastery of country vocal interpreting. She and Jamie sway through this two-step title tune like a perfectly matched honky-tonk prince and princess. Also check out her stunning solo reading of Larry Gatlin’s “I’ve Done Enough Dying Today.” This, my friends, is Country Music, and I am completely in love.

JUSTIN TREVINO/Two of the Usual
Writer: Fred Carter Jr.; Producer: Justin Trevino; Publisher: none listed, BMI; Heart of Texas (track) (325-597-1895)
—This neo-traditionalist has been making exemplary CDs in Texas for several seasons. His latest is a steel-soaked gem that kicks off with this slow-shuffle title tune. His love flaunts her cheating in front of him in this classic-sounding lament. Amber Digby’s harmony vocal on the chorus is a piercing plus.

GOLD CITY/Peter, James and John
Writer: Dianne Wilkinson; Producer: none listed; Publisher: Christian Taylor/Daywind/EverGreen, BMI; New Haven (track) (www.newhavenrecords.com)
—New Haven Records has a nifty compilation of this year’s Southern-gospel winners from the Singing News fan awards. This is meat-and-potatoes, old-school stuff, people. In addition to tracks by The Perrys, The Kingsmen, The McKameys and other all-day-sing favorites, the label’s own Gold City is represented by this soul-stirring, harmony-saturated toe tapper. Clap along and shout, “Hallelujah!”

HERRICK/Do You Love Me
Writer: Kerry Herrick/Donna Herrick; Producer: Herrick & Michael Bonagura; Publisher: Herrick KDK, BMI; BreakAway (track) (www.herricklive.com)
—I have praised this foursome effusively in the past. Lead singer Donna Herrick penetrates this percolating track with passion, while her own mandolin sets the throbbing pace of the production. This has drive, dynamism and drama. Play it.

DISClaimer Single Reviews (8/01/12)

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There is zero major-label product in the country reviewing stack this week, but there’s still plenty of quality listening to be had.

Even if there were big-time stars on hand, I doubt that any could match the excellence of the new His and Hers CD by Joey + Rory and its lead track “Josephine.” This would be a Disc of the Day winner no matter what or who the competition was.

I am also happy to report that there are a number of promising newcomers with us today. They include Kris Gordon, J.D. Shelburne and our DisCovery Award winning band Cash Creek.

BRITT & BLAIRE/Young Summer
Writer: Blaire Hanks; Producer: Dean Scallan; Publisher: Coast of Del Mar, BMI; Mt. Juliet (615-288-4234 ext 101)
—They look like such nice young kids. I hate to be the one to tell them that they’re not yet ready to play ball in the Big Leagues.

FLYNNVILLE TRAIN/The One You Love
Writer: Doug Phelps/Fred Young/Richard Young; Producer: none listed; Publisher: I B Headed/Them Young Boys/Bug, BMI/ASCAP; Whiskey Bent (www.flynnvilletrain.com)
—Note that this is written by The Kentucky HeadHunters. The Flynnville boys’ performance of the dreamy ballad is appropriately languid and lovely. The slightly bluesy melody is another plus. Highly programmable.

CRIS CUDDY/The Boy From Beaumont
Writer: Cuddy; Producer: Cris Cuddy; Publisher: Cris Cuddy, SOCAN; Factor (Canada)(track) (www.criscuddy.com)
—Subtitled “The Kid from Bakersfield,” this title tune to Cuddy’s Canadian CD is a salute to George Jones and Merle Haggard. The musical setting has an oddly Tex-Mex vibe, which doesn’t have much to do with either of those legends. For that matter, neither does Cuddy’s singing style. But it all goes down smoothly.

JOEY + RORY/Josephine
Writer: Rory Feek; Producer: Gary Paczosa; Publisher: A Sling and a Prayer/Chrysalis One, ASCAP; Sugar Hill (track)
—Joey + Rory’s new His and Hers CD kicks off with this stirring, driving saga of a frightened Civil War soldier yearning for the wife and family he left behind. It will quicken your pulse, tickle your ears and fire your brain. Gary’s production is sonic excellence. Rory’s lead vocal just about rips your heart out. A mini masterpiece. Do your ears a favor and listen to this entire awesome album with no distractions.

KRIS GORDON/The Upside of Down
Writer: none listed; Producer: none listed; Publisher: none listed; Frio (www.krisgordon.net)
—Jaunty, relaxed and breezy, this has an undeniable charm. He’s nursing a busted heart, but getting by with the help of the band and the booze. The session playing is absolutely top drawer, and he has an earnest, winning, easy-to-like vocal style.

THE MARKSMEN QUARTET/Don’t Take Your Life
Writer: Lance Carpenter/Ricky Atkinson; Producer: Mark Wheeler; Publisher: Ricky Atkinson, BMI; Rural Rhythm (track) (www.marksmenquartet.com)
—The quartet takes on a honky-tonk waltz. In classic Southern-gospel fashion, it starts off slowly with a solo vocalist telling the tale of a would-be suicide, followed by full-throated harmonizing on the choruses. Redemptive, for sure. The Marksmen have been at this for some 40 years, so they certainly know how to deliver the goods by now.

CASH CREEK/It’s All About the Money
Writer: Joseph Harris/Donald Kees; Producer: Kimo Forrest & Chris Latham; Publisher: Sixteen Stars/Sony-ATV Acuff Rose, BMI; Omaha/Tristar (track) (www.cashcreekband.com)
—The title tune to the debut Cash Creek CD is a bluesy, dobro-laced, rocking social statement about lawyers, politics and hypocrisy. It is also very, very cool. Check these boys out.

AMY AMES/Do Drop In
Writer: Amy Ames/Eddie Hedges; Producer: Eddie Hedges; Publisher: Amy Ames/Eddie Hedges, BMI; Grand Channel (CDX) (www.amyames.com)
—The drummer sounds like he’s pounding on an aluminum frying pan. The band is shouting the lines loudly back at her. Perhaps they’re trying to drown out her pitch-challenged vocal.

LUCAS HOGE/Do What Makes You Feel Good
Writer: Lucas Hoge/Keesy Timmer/Corey Barker; Producer: Lucas Hoge & Chris Latham; Publisher: none listed, ASCAP/BMI; AHMG (CDX) (818-429-3655)
—The track is rollicking, with plenty of energetic guitar work. His voice isn’t particularly distinctive or memorable, but he gives the performance his all.

J.D. SHELBURNE/Farmboy
Writer: J.D. Shelburne/Bob Stewart; Producer: Greg Cole; Publisher: GiraffeKey, BMI; Star Base (CDX) (www.jdshelburne.com)
—He inherits his dad’s down-home values and is super happy about it. The track rocks, and he belts out his lyric like a pro. This has plenty of get-up-and-go, and the spelling of “F-A-R-M-B-O-Y” is ear catchingly clever.

DISClaimer Single Reviews (7/25/12)

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Clay Wilson, Gordon Mote

Newcomer male artists are jostling for position this week.

Duking it out for the DisCovery Award are Nick Verzosa, The Clay Wilson Band, Troy Cook Jr. and Chad Sullins & Last Call Coalition. Cook is a Nashvillian. Sullins hails from Oklahoma. Verzosa and Wilson are Texans. Our winner is The Clay Wilson Band, for having the complete package of solid singing, a fresh instrumental approach and super songwriting.

As a Music Row session musician, Gordon Mote usually works in the shadows of big country stars. Today, he steps into the spotlight with a Disc of the Day award. He may be blind, but he has the sharpest country-music vision of the week.

NICK VERZOSA/7th Year Senior
Writer: Nick Verzosa; Producer: Walt Wilkins; Publisher: none listed; NV (www.nickverzosa.com)
—It’s a burbling, bubbling, tangy, twangy, quasi-rockabilly fun fest. “They say that college is the best years of your life, so why would you want to graduate?” So he’s drinking all night, sleeping until noon and being a goof-off. Dude, sounds like a plan.

CHARLIE McCOY, RICKY SKAGGS & ROY CLARK/Mind Your Own Business
Writer: Hank Williams; Producer: Charlie McCoy & Eric Paul; Publisher: none listed; Diamond Disc (track) (www.charliemccoy.com)
—Country Hall of Fame member McCoy has a Hank Williams tribute CD called Lonesome Whistle. His mournful harmonica tones are perfect for Hank’s bluesy melodies. Among his guests on the set are Skaggs and Clark, who join him for a swinging version of this classic. Ricky not only sings, but provides a mandolin solo; and Roy does the same on electric guitar. The whole collection is highly listenable.

CHELSEA BAIN/What If I
Writer: Tommy Collier/Jim Cooper/Terri Jo Box; Producer: none listed; Publisher: Starplane/Jimvision/Songs of Merf, SESAC/ASCAP; Rock Ridge/Jobe
—Lilting, pleading and yearning, to the accompaniment of soft strings and twinkling acoustic instruments. Extremely well produced, whoever you are.

LUKE BRYAN/Kiss Tomorrow Goodbye
Writer: Luke Bryan/Jeff Stevens/Shane McAnally; Producer: Jeff Stevens; Publisher: Sony-ATV Tree/Peanut Mill/Chrysalis/Big Motor/Crazy Water/Little Blue Egg, BMI/ASCAP; Capitol (track)
—It may be over, but that’s no reason not to go to bed together one more time. Uptempo, which is what he does best.

CHAD SULLINS & THE LAST CALL COALITION/That God for Jack Daniels
Writer: Erspamer/Sanchez/Sauder; Producer: Wes Sharon; Publisher: Radio 229/Scout World, no performance rights listed; Smith Entertainment (track)
—I like these guys. Sullins has a dry, dusty, slightly raspy delivery. The song is a wry, winking little gem. The rocking band kicks serious butt. And when everybody shouts along in unison at the finale, the party is in full swing.

THE ROYS/Still Standing
Writer: Lee Roy/Elaine Roy; Producer: none listed; Publisher: none listed; Rural Rhythm (www.theroysonline.com)
—This bluegrass duo serves up a sprightly ditty of survival with plenty of fleet-fingered instrumental support. Their strongest outing yet.

THE CLAY WILSON BAND/Not OK
Writer: Clay Wilson; Producer: none listed; Publisher: none listed; CWB (www.theclaywilsonband.com)
—She’s gone, and he’s definitely down in the dumps about it. The intimacy of the vocal, the solid songwriting and the moody instrumental support are all first rate. It builds to a surprisingly frothy, thrashing conclusion. Yet another welcome gift from the Lone Star State.

GORDON MOTE/Call Me Gone
Writer: Kenneth D. Hinson; Producer: Gordon Mote & Phil Johnson; Publisher: Songs of Calvary, BMI; New Haven (track) (www.gordonmote.com)
—Gordon is a first-call session keyboardist for the likes of Brad Paisley, Faith Hill, Martina McBride, Rascal Flatts and Alan Jackson. He also has a side career as a gospel record maker. His latest offering is titled Songs I Grew Up Singing. This lead single from it is as country as grits, saturated with moaning melody, spiced with a recitation, full of rolling piano work and led by a heartfelt vocal. Say Amen.

SHAWNA RUSSELL/Sounds Like a Party
Writer: Shawna Russell/Keith Russell/Tim Russell; Producer: Julian King, Clif Doyal & Tim Russell; Publisher: Blue Buckaroo, BMI; Way Out West (615-319-1863)
—Bopping and energetic, if a little generic sounding.

TROY COOK JR./Lazy American Dream
Writer: Don Bradley; Producer: none listed; Publisher: Peachmint, BMI; TCJ (www.troycookjrmusic.com)
—He thinks people on food stamps have 52-inch, HD television sets and free, all-inclusive health insurance. Also, they go out on the town while the kids are away at school and have “a real nice place to live.” I prescribe a tour of an urban housing project.

DISClaimer Single Reviews (7/18/12)

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Eric Church and Kelleigh Bannen

I hope you’re ready to rock, because tempo tunes dominate this week’s musical menu.

One of them, “Creepin’” by Eric Church, captures the Disc of the Day award. Don’t go accusing me of hopping onto a star’s coattails: This boy was winning Disc of the Day prizes from me long before radio got on board and Mr. Platinum came calling. Even if he’d never become a Somebody, I’d be in the Church Choir.

Newcomer Kelleigh Bannen is rocking, too. And for her efforts, she wins this week’s DisCovery Award. Coincidentally, both of these artists record for EMI.

Speaking of DisCovery winners, the two non rockers in this stack of platters both come from previous winners. Katie Armiger continues her nearly perfect string of A-plus performances with “Better in a Black Dress,” and Tim Culpepper remains our most potent young heir to the honky-tonk throne with “Pouring Whiskey on Pain.” Perhaps not coincidentally, both singles are the most “country” sounding things on tap today.

KELLEIGH BANNEN/Sorry on the Rocks
Writer: Kelliegh Bannen/Troy Johnson; Producer: Paul Worley & Jerry Smith; Publisher: No Such Thing/Yacht Haven, BMI/SESAC; EMI (CDX)
—Feisty and forceful. She’s a punchy belter with something to say to a wayward beau who’s being shown the door. I dig both her singing and her song.

BUCKY COVINGTON & SHOOTER JENNINGS/Drinking Side of Country
Writer: William J. Covington/Robert Covington/Donald Medlock; Producer: Bucky Covington; Publisher: Travelin’ Zoo/EMI CMG, ASCAP; eone (CDX) (www.eonemusic.com) —The thumping backbeat is cool, and the lyrics are loads of fun. All in all, a raucous good time. Songwriters “William J.” and “Robert” are Bucky and his twin brother Rocky.

LONESTAR/The Countdown
Writer: Jaren Johnson/Manny Medina/Ryder Lee; Producer: Lonestar; Publisher: Sony-ATV Harmony/Texa Rae/Manny Medina/OCTPOB, ASCAP/SESAC; 4 Star (CDX) (www.lonestarnow.com)
—Not previously noted for rockers, these guys prove they have the uptempo goods with this pile-driving road song. The “countdown” is the time and miles it takes to get back to the one he loves.

THE WHEELER SISTERS/This Is Gonna Get Ugly
Writer: Kelly Archer/Jim McCormick/Justin Weaver; Producer: Jim McCormick; Publisher: Universal-Careers/Little Blue Lizard/Crape Myrtle, BMI; Ocala (www.wheelersisters.com)
—The track is kinda junky sounding in its attempt to sound “exciting.” But the song is sturdy, as is the vocal delivery.

ERIC CHURCH/Creepin’
Writer: Eric Church/Marv Green; Producer: Jay Joyce; Publisher: Sony-ATV Tree/Sinnerlina/Warner-Tamerlane/The Good The Bad The Ugly, BMI; EMI (track)
—Veteran readers already know how crazy I am about this artist. I believe he has won more Disc of the Day awards than any other act in the long history of this column. This time around, he’s rocking so righteously that you might not catch what an extraordinary lyric this is. “Since the day you left… I can feel the lonely, I can hear the crazy, just a creepin.'” “What the dreams forget, the whiskey remembers.” “Your cocaine kiss and caffeine love got under my skin and into my blood.” If the crunchy production doesn’t knock you up the side of your head, his biting vocal will.

CHASE RICE/How She Rolls
Writer: Chase Rice/Brian Kelley; Producer: Chad Carlson; Publisher: Dack Janiels/Big Red Toe, BMI; Artist Revolution (track) (www.chaserice.com)
—Promising. The frothing production threatens to overwhelm his performance, but the solid song and his boy-next-door vocal carry the day.

BRANTLEY GILBERT/Kick it in the Sticks
Writer: Brantley Gilbert/Rhett Akins; Producer: Brantley Gilbert & The Atom Brothers; Publisher: none listed; Valory Music (track)
—I am becoming weary of artists writing rural-themed lyrics paired with screaming electrified rock tracks and calling the result “country music.”

BREAKING SOUTHWEST/Reckless & Wild
Writer: Kent Bell/Kyle Gaston; Producer: none listed; Publisher: none listed, BMI; BS (830-253-8813)
—Galloping across the plains and kicking up a cloud of dust, this is classic country-rock music with a decidedly contemporary spin. Send more.

TIM CULPEPPER/Pourin’ Whiskey on the Pain
Writer: none listed; Producer: Elbert West; Publisher: none listed; HonkyTone (track) (615-452-9844)
—This guy earned a DisCovery Award with his “Ghost” debut single back in January. This title tune of his CD confirms his status as a masterful new traditionalist. On it, he has a boxed set of Hank, a bottle of Jack and a honky-tonk heartache as big as a house. Somewhere, Keith Whitley is smiling.

KATIE ARMIGER/Better in a Black DressWriter: Katie Armiger/Blair Daly; Producer: Chad Carlson; Publisher: Purple Monkeys/Southside Independent/Internal Combustion/Kickin’ Grids, SESAC/BMI; Cold River
 —Put away that wedding gown, because she’s hitting the road to live her life before she settles down. The imaginative, minor-key arrangement, the haunting “woh-oh” interjections and her semi-whispered punctuations all conspire to seduce your ears. I continue to be impressed with this young artist’s efforts. Play her. Producer Carlson, by the way, is notable as the engineer/mixer on the records of a little nobody named Taylor Swift.

DISClaimer Single Reviews (7/11/12)

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Disc of the Day winner Pistol Annies

Country music comes in all kinds of styles this week.

You connoisseurs of old-school, barroom story telling need go no farther than “I Just Come Here for the Music.” It’s as fine a country song as I’ve heard all year. And it sure doesn’t hurt that it’s in the throats of the masterful Don Williams and Alison Krauss.

Those of you of a forward-looking, cutting-edge persuasion owe yourselves a listen to “Truck Yeah.” You won’t find a more adventuresome single than this latest outing by Tim McGraw. The man definitely knows a hit when he hears one.

Gretchen Wilson is offering blue-eyed soul. Brian Milson is our balladeer du jour. Randy Rogers Band and Sarah Jarosz add two more, totally different, flavors to the mix.

DisCovery Award winner Her & Kings County

Our Disc of the Day prize goes to Pistol Annies for their left-field take on life as a touring musician, “Takin’ Pills.” I’m smitten with all three of these babes.

Speaking of “different,” do your ears a favor and spin “Family Tree” for them. The quirky audio charms of this platter earn Her & Kings County this week’s DisCovery Award.

RANDY ROGERS BAND/One More Sad Song
Writer: Randy Rogers/Sean McConnell; Producer: Jay Joyce; Publisher: Warner-Tamerlane/Lonely Model/Little Beluga, BMI; MCA Nashville (CDX) 
—Wonderfully melodic and marvelously atmospheric. The softly attractive, moody, cloud-shadowed and captivating verses draw you in inescapably, then give way to brightly brilliant sunbeams in the soaring choruses. Totally engaging.

SARAH JAROSZ/Annabelle Lee
Writer: Sarah Jarosz/Cameron Scoggins; Producer: Gary Paczosa; Publisher: SoRaw/Pounding Paw, BMI; Sugar Hill (CDX) 
—Based on the famed 1849 Edgar Allan Poe poem (published two days after his death), this is appropriately haunting and minor-key. But there is rhythm and drive here as well. Check it out.

COLT FORD & JAKE OWEN/Back
Writer: Colt Ford/Shannon Houchins/Noah Gordon/Mike Hartnett; Producer: Shannon Houchins, Noah Gordon & Mike Hartnett; Publisher: Average ZJS/Mike Harnett/ZJS, BMI/ASCAP; Average Joe’s (CDX) (615-733-9983)
—It was so pretty and nostalgic and tuneful, until he started to rap.

DON WILLIAMS & ALISON KRAUSS/I Just Came Here for the Music
Writer: John Ramey/Bobby Taylor/Doug Gill; Producer: Garth Fundis & Don Williams; Publisher: Sixteen Stars/Stella Dog/Peacehouse, BMI; Sugar Hill (track) (www.donwilliams.com)
—Wistful, poignant and loaded with emotion. From the aching lyric of two lost souls to the awesomely heart-tugging vocal work, this is country-music heaven.

BRIAN MILSON/Too Damn Young
Writer: Casey Kessel/Arlis Albritton; Producer: James Stroud; Publisher: Major Bob/EMI, ASCAP; Permian/Quarterback (www.brianmilson.com)
—Remembering a youthful romance with just the right amount of wisdom and lingering innocence. Well written, well sung and well produced.

TIM McGRAW/Truck Yeah
Writer: Chris Janson/Preston Brust/Chris Lucas/Danny Myrick; Producer: Ryron Gallimore & Tim McGraw; Publisher: Red Vinyl/Sony-ATV Tree/Root 49/DannyMyrick, BMI; Big Machine 
—It’s borderline offensive. Which is probably why I like it so. Also: It’s a decidedly different musical approach, and that’s always a welcome thing from a veteran superstar.

GRETCHEN WILSON/One Good Friend
Writer: Dennis Morgan/Billy Burnette/Bekka Bramlett; Producer: none listed; Publisher: Little Shop of Morgansongs/Still Working for the Man/Irving/Miss Ivy, BMI; Redneck 
—As usual, she is an immensely expressive vocalist. This time around, she’s delving into an r&b, soul-sister groove, to the accompaniment of a fuzz-tone guitar, a stately backbeat and a searing organ solo. The super-cool song deserves to be covered by every blues-leaning artist on the planet.

PISTOL ANNIES/Takin’ Pills
Writer: Miranda Lambert/Ashley Monroe/Angaleena Presley; Producer: Frank Liddell & Mike Wrucke; Publisher: Sony-ATV Tree/Pink Dog/Reynsong/Ayden/Ten Ten, BMI/ASCAP; Columbia (track) 
—“One’s drinkin,’ one’s smokin,’ one’s takin’ pills.” Now THAT’S a country lyric you don’t hear every day from a gang of gals on the honky-tonk trail. Mix the vocal attitude with a dose of raucous band noise, a dollop of feisty harmonies and a pinch of lively snare and you’ve got the perfect hillbilly cocktail recipe.

KELLY PARKES/All Cried Out
Writer: Ron Irving/Lynda McKillip/Kathleen Higgins; Producer: Darran Smith, Mark Lambert & Mike Borchetta; Publisher: SueCo/McKiller/Marydian, SOCAN; Edge (615-288-4234 ext. 101)
—Bopping and cheeky, if a little uncertain vocally in spots. It kinda sounds like if they’d taken a few more passes at it, she’d have locked into the band’s groove a mite more and nailed it. But make no mistake, there’s definite promise here.

HER & KINGS COUNTY/Family Tree
Writer: Caleb Sherman/Monique Staffile/Larry Florman/Justin Sherman/Alex Haddad/Frank Gagliardi; Producer: Caleb Sherman, Wayne Kirkpatrick & Josh Leo; Publisher: Warner-Tamerlane/ Therealcaleb/ Tweetleberry/ Brolo/ Shuggafree/ Alex Haddad/Katie Ro, BMI/ASCAP; Elektra Nashville/Warner Bros. 
—This mixes hearty group choral harmonies with crunchy beats, spoken-sung passages, superb production finesse and a ridiculously catchy song. Plus, it’s completely joyful. A delightful surprise.

DISClaimer Single Reviews (7/05/12)

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Kip Moore is a star.

That is all you need to know this week. His entire Up All Night album is a joy from start to finish. Its track, “Beer Money,” wins Kip Moore an undeniable Disc of the Day award. It’s his second such nod in a row from this column, and we all know what happened last time.

If you must have a Female and a Group winner, they would be Lauren Alaina and The Lost Trailers. Both of them also have fine new releases this week.

The DisCovery Award goes to Runaway Home. This new trio reminds us how refreshing a dash of harmony-laced folk can be in a country-music diet.

TRACE ADKINS/Them Lips (On Mine)
Writer: Jim Beavers/Tom Shapiro; Producer: Kenny Beard, Mark Wright & Mickey Jack Cones; Publisher: Sony-ATV Tree/Beavertime/EMI Blackwood/Little Dooey, BMI; Show Dog Universal (CDX)
—Lightly funky, with a cool, wah-wah guitar and a drawling, bluesy lead vocal. There’s a dandy instrumental break and a similar instrumental fade at the end. Very listenable.

MARTY STUART & BUCK TRENT/Tear This Woodpile Down
Writer: Marty Stuart; Producer: Marty Stuart; Publisher: Marty Stuart, BMI; Sugar Hill (CDX)
—Romping and rousing. Embellished with lickety-split electric guitar work and double-time drumming.

SHOOTER JENNINGS/The Real Me
Writer: Shooter Jennings; Producer: Shooter Jennings; Publisher: Wolf’s Tale, ASCAP; eOne (CDX) (615-861-4232)
—Loping through the barroom, a little unsteady of foot and weaving to and fro. Relaxed and charming, even when it picks up speed and volume at the finale.

SARA EVANS/Anywhere
Writer: Matt Evans/Jaren Johnston; Producer: Nathan Chapman & Sara Evans; Publisher: EMI Blackwood/Uncle Matt/Sony ATV Harmony/Texa Rae, BMI/ASCAP; RCA
—“Heads Carolina, Tails California” explored this topic earlier, and better.

JASON CASSIDY/Ride of Your Life
Writer: none listed; Producer: none listed; Publisher: none listed; A-Blake/Smith Music Group (www.jasoncassidymusic.com)
—All amped up and nowhere to go. It’s the one about a hot gal, a cold beer and a truck on a red-dirt country road. Again.

LAUREN ALAINA/Eighteen Inches
Writer: Kelley Lovelace/Ashley Gorley/Carrie Underwood; Producer: Byron Gallimore; Publisher: EMI April/Taperoom/Bug/Music of Windswept/Songs of Southside Independent/Carrie-Okie, ASCAP/BMI; Mercury/19/
Interscope (track)
—Sweetly soaring and irresistible. Two crazy kids elope and head for California without a dime and no prospects in sight. You see, when you’re young and in love “there ain’t no greater distance than the 18 inches between your head and your heart.” It’s a lovely piece of songwriting, and she sings the fire out of it. So nice I played it twice.

JASON STURGEON/Time Bomb
Writer: Jason Sturgeon; Producer: Greg Archilla & Jason Sturgeon; Publisher: Jason Sturgeon, BMI; Tool Pusher (www.jasonsturgeonmusic.com)
—The title refers to a high-performance car. He doesn’t actually “sing” this. It’s more like alternating between growling and screaming. Before it was even half over, I was yelling, myself: “Shut Up!”

KIP MOORE/Beer Money
Writer: Kip Moore/Blair Daly/Troy Verges; Producer: Brett James; Publisher: Warner-Tamerlane/Against the Wind/Songs of the Corn/Southside Independent/Internal Combustion/Kickin Grids/Songs of Universal/Songs From the Engine Room, BMI; MCA Nashville (track)
—He sings with such conviction and passion. The track rumbles with muscular energy. And the lyric of escape from the stifling everyday routine will resonate with anyone who has ever been young. This rocks my world.

THE LOST TRAILERS/American Beauty
Writer: Mason Douglas/Josh Osborn/Matt Jenkins; Producer: Stokes Nielson; Publisher: none listed; HRT/New Revolution/Stokes Tunes (615-331-9631)
—Wonderfully catchy and melodic. This lilting, smiling performance sounds exactly like summertime and deserves massive radio airplay.

RUNAWAY HOME/Bye Bye Baby Jane
Writer: none listed; Producer: Runaway Home; Publisher: none listed; Cub Creek (track) (www.runawayhomemusic.com)
—Remember The McCarters? Lisa, one of the trio’s twin sisters, is now a vocalist in  this delightful, folkie, acoustic-based, harmony-happy ensemble. The other two Runaway Home members — Mark Elliott and Gary Culley — provide the group with a clutch of hearty, well-penned songs, including this highly tuneful lead-off track of its debut CD. Extremely promising.

DISClaimer Single Reviews (6/27/12)

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There are days when I just want to clear my head, and bluegrass is just the ticket whenever one of those days comes along.

This stack of current bluegrass CDs includes offerings from three of the genre’s most enduring and brilliant groups — Special Consensus, the Lonesome River Band and Doyle Lawson & Quicksilver. The last named won my heart as the Disc of the Day. I caught Quicksilver’s set during Fan Fair was blown away (again) by just how stunning the band is in performance.

The Punch Brothers play what they call “Plunk Rock,” which is to say acoustic music with an attitude. Fresh from performing at Bonnaroo comes the group’s Noam Pikelny with a dandy new CD. This is his first appearance in this column, so that makes him a DisCovery Award winner.

NOAM PIKELNY/Jim Thompson’s Horse
Writer: Noam Pikelny; Producer: Gabe Witcher; Publisher: Noam Tunes/Camel Vision, BMI; Compass (track) (www.noampikelny.com)
—The second album by Punch Brothers banjo man Pikelny is packed with stellar support — Jerry Douglas, Tim O’Brien, Stuart Duncan, Steve Martin, Chris Thile, Bryan Sutton…you get the idea. If you go to his website, you can get this track from it as a free download. It’s an ear-tickling, four-minute instrumental romp with a heartbeat bass line, courtesy of the always-great Mark Schatz. The CD’s title is Beat the Devil and Carry a Rail. Heartily recommended.

LARRY STEPHENSON/What Really Matters
Writer: Harley Allen/John Wiggins; Producer: Ben Surratt & Larry Stephenson; Publisher: Coburn/Notewrite/Fiddle Stock, BMI; Compass (track) (www.larrystephensonband.com)
—The band isn’t particularly flashy, but this hillbilly tenor soars with sincerity on the CD’s title tune. He didn’t write it, but the lyrics are all about the birth of a daughter, which is exactly what happened to him in real life.

CARRIE HASSLER/Catch My Breath
Writer: Bobby K. Boyd; Producer: Steve Gulley; Publisher: Bobby Boyd, BMI; Rural Rhythm (track) (www.carriehassler.com)
—This sounds like a classic country track from the ‘60s, right down to the “answering” fiddle, steel and electric guitar. I’m in. The rest of her The Distance CD is straight-ahead bluegrass, by the way.

DOYLE LAWSON & QUICKSILVER/Sing Me a Song About Jesus
Writer: Corey Hensley/Michael Rogers/Doyle Lawson; Producer: Doyle Lawson; Publisher: WDLQ/Morgan Racing/Top O’Holston, ASCAP/BMI; Mountain Home (track) (www.doylelawson.com)
—Co-writers Hensley, Rogers and Lawson are also the awesome harmony vocalists on this toe tapping title tune of the newest Quicksilver CD. Nobody, but nobody, does bluegrass gospel better than this breath-taking ensemble. I remain an enormous fan.

BOBBY OSBORNE & THE ROCKY TOP X-PRESS/I’m Going Back to the Mountain
Writer: Jake Landers; Producer: Glen Duncan, Bobby Osborne & Bobby Osborne Jr.; Publisher: Rocky Top, BMI; Rural Rhythm (track) (www.bobbyosborne.com)
—Osborne’s piercing, incredible tenor can still cut the mustard. At age 80, he sings with the vigor of someone literally half that age. His group’s new collection is titled New Bluegrass & Old Favorites.

CAROLINA CHOCOLATE DROPS/Country Girl
Writer: Rhiannon Giddons/Lalenja Harrington/Adam Matta; Producer: Buddy Miller; Publisher: Bring It Forward/Lucky Guitar, ASCAP; Nonesuch (track) ()
—Nominated as Duo/Group of the Year by the Americana Music Association, this African American string band continues is superior music-making ways on its new Leaving Eden collection. On this rhythmic track, the North Carolinians tell the tale of a musician who’s seen the world but still loves family and home the most. The 15-song collection is available on vinyl, by the way.

SPECIAL CONSENSUS/Monroe
Writer: Craig Market; Producer: Alison Brown; Publisher: Drop D/Missing Link, BMI; Compass (track) (www.compassrecords.com)
—Year in year out, Special C just keeps rolling along. I believe the group is now in its fourth decade of making music. But this hearty, cleverly written, salute to bluegrass music’s founding father sounds like it comes from a band that was born yesterday. It’s on the group’s current Scratch Gravel Road CD. Also check out the cool bluegrass reworking of Don Gibson’s “Sea of Heartbreak.”

LONESOME RIVER BAND/Close the Door Lightly When You Go
Writer: E. Anderson; Producer: Lonesome River Band; Publisher: EMI U Catalog, no performance rights listed; Rural Rhythm (track) (www.lonesomeriverband.com)
—The Lonesome River Band is celebrating its 30th anniversary with a collection titled Chronology: Volume One. It includes this lively, zippy, tightly arranged update of Eric Anderson’s folk classic, which is currently rising fast on the Bluegrass Unlimited popularity chart. Deservedly so: It’s a listening delight.

THE BOXCARS/Ol’ Lonesome Won’t Leave Me Alone
Writer: Tim Stafford/Robert G. Starnes; Producer: The Boxcars; Publisher: Daniel House/It Says What It Says, BMI; Mountain Home (track) (www.theboxcars.com)
—The Boxcars play like the seasoned and accomplished vets its members are, so the instrumental work is flawless and dazzling. However, the group lacks charisma in the vocal department.

AUDIE BLAYLOCK & REDLINE/I’m Going Back to Old Kentucky
Writer: Bill Monroe; Producer: Audie Blaylock; Publisher: Unichappell, no performance rights listed; Rural Rhythm (track) (www.audieblaylock.com)
—Bluegrass music is always looking backwards, but never more so than in this 100th anniversary of Bill Monroe’s birth. It seems like there’s a tribute album of one sort or another in the mail every month. Blaylock’s takes the approach of avoiding many of the obvious songs in favor of some of the master’s lesser known tunes. This lickety split take on a 1947 classic plays like greased lightning. Guests on the CD include Del McCoury, Carl Jackson, Ronnie McCoury, Lou Reid and Bobby Osborne.

DISClaimer Single Reviews (6/20/12)

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Why isn’t country music making more female stars?

I mean, the handwriting is clearly on the wall. Fans of this genre are buying records with voices like Taylor Swift, Jennifer Nettles, Miranda Lambert, Hillary Scott and Carrie Underwood by the millions. Wouldn’t it make sense to produce and promote more women? Instead, I direct you to the current country album chart, dominated by 28 non-million-selling CDs by male artists.

That’s all by way of introducing the fact that Carrie Underwood completely rules this week’s column with an undeniable Disc of the Day performance.

Debbie Cochran, Reggie Shaw

I have two DisCovery Awards to present. The first goes to Reggie Shaw, who has wisely enlisted some stellar Music Row songwriting names to pen his well-performed single. Judging by her lyric, I’m thinking that his fellow winner, Debbie Cochran, isn’t a kid of 20. I’m no age-ist. I still think she’s cool.

DEBBIE COCHRAN/It’s Never Too Late
Writer: Debbie Cochran; Producer: Kent Wells; Publisher: DMC Anniston, BMI; GTR (CDX) (870-307-7685)
—The steel-dominated band kicks up some dust, and the song is a hillbilly-feminist manifesto. Her deep alto singing voice has plain-spoken charm and Southern-accented, forthright honesty. I wish her well.

REGGIE SHAW/Someone I Can’t Live Without
Writer: Eric Durrance/Marc Beeson/Don Pfrimmer; Producer: Bobby Hyatt & Reggie Shaw; Publisher: Drive It Home/Words & Music/Songs of Southside Independent/Wounded Sky/Three Village/EGBG/Wixen. BMI/ASCAP; Wynnsong (CDX) (www.reggieshaw.com)
—This pulsing country rocker boasts a tight arrangement, a clear production and straightforward drive. His vocal about facing a complicated romance rings with conviction. A winner.

TIM McGRAW/Right Back Atcha Babe
Writer: Joe West/David Pohanish; Producer: Byron Gallimore & Tim McGraw; Publisher: Sony-ATV Tree/Songs of My Good Girl/Totally Wrighteous/Big Loud Bucks, BMI; Curb (track)
—Tim’s earnest, romantic vocal lines alternate with cool, “answering” lead-guitar licks by Jerry McPherson for a very involving listening experience. Distinctive and deserving.

SUSAN CATTANEO/Little Big Sky
Writer: Susan Cattaneo/Scarlet Keys; Producer: Jan Stolpe; Publisher: Rockin’ Fairy/Little Jaybird, ASCAP; Jersey Girl (www.susanmusic.com)
—She teaches songwriting at the Berklee College of Music. Doubtless heeding her own advice, she fills this lyric with plenty of true-to-life details. But the production is rather “busy,” and her singing voice isn’t particularly memorable.

KATIE GRACE/Best Bad Girl
Writer: Grace; Producer: Jim Diamond; Publisher: none listed; Inside Outlaws (track)
—The song wanders around aimlessly in search of a hook. Her vocal sounds half asleep. The production is less than demo level.

ANDY GIBSON/Summer Back
Writer: Brian Davis/Andy Gibson/Vicky McGehee; Producer: James Stroud; Publisher: Mike Curb/Godfather Rich/Rich Entertainment/Kobalt/Peermusic II, BMI/ASCAP; Curb
—This former DisCovery Award winner returns with a single that rightly graduates him from indie status to the big leagues. As before, his confident, direct tenor delivery rides atop a super-melodic, uptempo bopper. He has everything it takes to be a star. I remain a fan.

DAVID ST. ROMAIN/Some Things
Writer: none listed; Producer: Shawn Pennington & Steve Pefer; Publisher: Root 49/Cackalacki Twang/Soulride/BPJ/Kristi Mannasongs/Songs of MPR, BMI/ASCAP; DSR (www.davidstromain.com)
—It’s a routine blues vamp. Which is to say, “boring.”

MEGAN REDMOND/Dreamland
Writer: M. Redmond/R. Perry; Producer: Mike Binder; Publisher: Aspen Top, no performance rights listed; MAK Media (track) (www.meganredmond.com)
—The title tune of this Colorado gal’s six-song EP displays definite promise. She knows how to turn a poetic phrase, her folk-inflected voice is sturdy and sincere, and the band is tastefully supportive. Well done.

CARRIE UNDERWOOD/Blown Away
Writer: Josh Kear/Chris Tompkins; Producer: Mark Bright; Publisher: Global Dog/Lunalight/Words & Music/Big Loud Songs/Angel River/Big Loud Bucks, ASCAP; Arista/19 (track) ()
—This rocker roars through a tale of a tornado that destroys a cruel father and a world of bad memories of “home.” Carrie wails it like an Oklahoma banshee on the loose. The gal can sing, the song is tremendous and the production sizzles. Get on board.

LEWIS COPELAND/She’s Got It Going On
Writer: none listed; Producer: none listed; Publisher: none listed; Nine North/Turnpike Music (www.lewiscopelandmusic.com)
—I’d have mixed his vocal up hotter in the mix, because he sings with passion and commitment. Drums pound and guitars scream, almost burying him. Let the man be heard.

DISClaimer Single Reviews (6/13/12)

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Some weeks, everything is completely obvious.

There’s no question but that Miranda Lambert has the Disc of the Day with “Fastest Girl in Town.” But keep your ears open for Willie Nelson and Jason Eady, too.

It’s also completely self-evident to me that Charlie Worsham is the winner of the DisCovery Award. He completely knocked me out, and his self-titled, five-song, debut EP is definitely a keeper. Listen and believe.

RACHEL HARRINGTON/Makin’ Our House a Honky-Tonk
Writer: Rachel Lyn Harrington; Producer: Evan Brubaker; Publisher: none listed, BMI; Skinny Dennis (track) (www.rachelharrington.net*)
—True to its title, it sounds like it was recorded in her living room. That said, it has a certain, slightly sloppy, homemade charm.

CHARLIE WORSHAM/Could it Be
Writer: Marty Dodson/Ryan Tynsdell/Charlie Worsham; Producer: Charlie Worsham & Ryan Tyndaell; Publisher: I Hope Momma’s Listening/Black to Black/ole/Purple Cape, BMI; ole (track) (www.charlieworsham.com)
—Wow. This guy sings with immense warmth and personality. The production is an ear-tickling, acoustics-with-a-thump delight. The harmony work is flawless. And the song is a melodic wonder. Make this man a star.

MIRANDA LAMBERT/Fastest Girl in Town
Writer: Miranda Lambert/Angaleena Presley; Producer: Frank Liddell, Chuck Ainlay & Glenn Worf; Publisher: Sony-ATV Tree/Pink Dog/Ten Ten, BMI/ASCAP; RCA (track)
—Miranda’s back to rocking in her “bad girl” persona. She steams up the windows with this performance as a sexy vixen who goes out drinking and speeding with her beau, then ditches him for the cop who stops them. Get outta the way of those shrieking electric guitars, boys.

JAMES STORM/Longnecks & Rednecks
Writer: Serg Salinas/Dale Oliver; Producer: none listed; Publisher: none listed; TNA Knockout
—Storm is a professional wrassler, and this is his theme song. It’s a screamer.

BRIAN MOLNAR & THE NAKED HEARTS/Some Dreams
Writer: Brian Molnar; Producer: Brian Molnar & The Naked Hearts; Publisher: Low 12, BMI; Avenue A (track) (www.brianmolnar.com)
—This lilting ballad has a wistful, sweet/sad quality that goes down smoothly. He sings with soft honesty and the piano, steel and guitar notes are perfectly placed. There’s real talent in these grooves. An instant favorite.

JENNY SIMMS/A Reason to Come Home to You
Writer: Jenny Simms; Producer: Larry Butler; Publisher: none listed; JS (track) (www.jennysimmsmusic.com)
—The late Larry Butler was behind the board for this one. It’s a Caribbean-accented ditty, delivered by a confident, throaty vocalist. She has moxie. So does the song.

JASON EADY/AM Country Heaven
Writer: Jason Eady; Producer: Kevin Welch; Publisher: Jason Eady, SESAC; Underground Sound (track) (www.jasoneady.com)
—Singer-songwriter Kevin Welch, who’s producing here, sure knows a tunesmithing talent when he hears one. Eady sings of by-gone country days when people sang about reality and didn’t necessarily look like fashion models. His vocal is hillbilly-perfect, and the steel echoes his every sentiment. Essential listening for any true country fan.

WILLIE NELSON/Just Breathe
Writer: Eddie Vedder; Producer: none listed; Publisher: none listed; Legacy/Nine North (ERG)
—Willie is the Energizer Bunny of country music. He just keeps on keepin’ on. This smoothly produced outing finds his distinctive nasal voice ruminating on life, death and reincarnation amid soft harmonica sighs, rippling guitars, supportive background singing and light steel guitar grace notes. Extremely listenable, it’s the prettiest track he has released in years. The song was a 2009 hit for Pearl Jam and was penned by frontman Eddie Vedder.

CHRIS CAGLE/Let There Be Cowgirls
Writer: none listed; Producer: Keith Stegall; Publisher: none listed; Bigger Picture (track) (www.chriscagle.com)
—Somehow, I doubt that the Almighty commanded that there be cowgirls at the dawn of creation. But that’s the premise here. Cagle is singing with a little more subtlety than he used to, but he still favors thunderous accompaniment.

LOGAN MAC/Red Dirt Town
Writer: Logan Mac/Rick Fowble; Producer: Joe Matthews; Publisher: Oil Trash, ASCAP; TCM (www.tcmrecordsnashville.com)
—The poor thing can just barely sing. And it doesn’t help that the production practically overwhelms his little bitty voice.