DISClaimer: Mary Chapin Carpenter Shines On Latest Release

mary_chapin_carpenter

Mary Chapin Carpenter

This week’s column abounds with newcomers.

But it’s a veteran star, Mary Chapin Carpenter, who easily walks off with the Disc of the Day award.

As I said, there is no shortage of claimants for the DisCovery Award. All making their bows in DisClaimer are Dave Insley, The Darlins and our winning Two Way Crossing. I love the way the male and female voices interact in that band.

I’d have given the honor to Thomas Michael Riley, who is also new in this column. But according to his website, he has 10 albums and has already won plenty of honors in Texas. So that would seem weird. But I do like him a whole lot.

Two Way Crossing

Two Way Crossing

KENT BLAZY/Footsteps Of Dylan
Writer: Kent Blazy, Producer: Kent Blazy, Publisher: none listed; KB (track)
– Singer-songwriter Kent Blazy has two new collections. One, titled Me & Garth, contains his versions of songs that the superstar popularized (”Somewhere Other Than the Night,” “Ain’t Going Down,” “If Tomorrow Never Comes,” etc.). The other is called New Songs From Old Guitars. It includes this ode to a man who revolutionized American songwriting. Fittingly, it begins as an acoustic-guitar tune then shifts gears into a wailing rocker. Throughout, Blazy’s voice is urgent and passionate. Recommended.

DEREK HOKE/Southern Moon
Writers: Derek Hoke/Dexter Green; Producer: Dexter Green; Publishers: Slow Hoke/Made With Black Ink, BMI/ASCAP; Little Hollywood
– He has an attractive tenor voice, and the track has a bluesy, swampy vibe shot though with organ and harmonica passages. This is the title tune of a Nashville-recorded collection that is all self-penned. Hoke’s live shows are dandy, too.

THE DARLINS/Crush
Writers: Jude Toy/Erinn Bates; Producer: Buddy Hyatt; Publishers: none listed, BMI/SESAC; The Darlins (track)
– This female duo has a sensuous sound on this slow burning track. A resonator guitar weaves through the arrangement as they languidly drawl their desire in harmony. Feverish.

The Darlins

The Darlins

MARY CHAPIN CARPENTER/Map Of My Heart
Writer: Mary Chapin Carpenter; Producer: Dave Cobb; Publishers: Why Walk, ASCAP; Lambent Light
-I love the brisk, crisp texture of this lightly rocking performance. Carpenter sounds like “the Everly Sisters” as the rhythm section throbs relentlessly and the electric guitar gooses the track with some deep twang. It goes without saying that her lyrics are totally evocative. Brilliant work. The forthcoming (May 6) album that contains this will be titled The Things That We Are Made Of. Get this now on her website for an advance taste.

TWO WAY CROSSING/Deja Vu
Writers: Jenny Marvin/Ryan Sorestad; Producers: Jay Tooke/Craig Wilson; Publishers: none listed; TWC (track)
– The title tune to this five-piece band’s six-song EP starts softly. Then everyone kicks in on harmonies and instruments, and it’s katie-bar-the-door. These kids have the goods. A celebration in sound.

ZAC BROWN/Grandma’s Garden
Writers: Skip Ewing/Donny Kees; Producer: Dave Cobb; Publishers: Sony-ATV Acuff Rose/Write On, BMI; Elektra (track)
– Producer Dave Cobb was inspired at his grandmother’s funeral in Georgia to craft a concept album called Southern Family. It boasts a bevy of talent including Jamey Johnson, Morgane & Chris Stapleton, Miranda Lambert, Brandy Clark and Jason Isbell. Along with John Paul White’s performance of “Simple Song,” Brown’s track is a centerpiece, since it directly addresses lessons passed through the generations. Lee Ann Womack supplies a lovely harmony vocal. Sweet and touching. The whole album is a gem.

Dave Insley

Dave Insley

DAVE INSLEY/Just The Way That I Am
Writers: Dave Insley; Producer: Dave Insley; Publisher: none listed; Dir (track)
– The rootsy, ragged title tune of Insley’s Austin album twangs in all the right places. He’s not the world’s strongest singer, but there’s sincerity in every note. Guests on the album include Kelly Willis, Redd Volkaert and Dale Watson. If you’re headed for the Texas capital, you’ll find Insley and his Careless Smokers holding forth at The White Horse every Saturday night.

DARWIN MACON/This Ain’t The Love
Writers: Darwin Macon/Brad Ward; Producer: none listed; Publisher: Lil Red Caboose, BMI; DM
– The tempo is so sluggish that it’s the aural equivalent of walking through molasses.

TED RUSSELL KAMP/Life On The River
Writers: Ted Russell Kamp/Kirsten Proffit; Producer: Ted Russell Kamp; Publishers: Steady Teddy, ASCAP/BMI; Pomo (track)
– Bass player Kamp has worked as a sideman for everyone from Shooter Jennings to Wilson Phillips. But his self-penned albums are gradually bringing him the solo spotlight he deserves. His baritone vocal on this lead-off track of his CD Flying Solo is wonderfully resonant. As a songwriter, he knows just where to put the hooks. You recording artists out there should start plundering his songs pronto.

THOMAS MICHAEL RILEY/Ten Toes Up
Writers: Thomas Michael Riley; Producer: none listed; Publishers: Thomas Michael, BMI; TMR
– It’s a lively country rocker with an electric guitar answering each of his wry vocal lines. I’m completely smitten with this. Send me more, more, more of his true-Texas music.

Thomas Michael Riley

Thomas Michael Riley

DISClaimer: Sam Hunt Wins Disc Of The Day

Sam Hunt

The songs are the real stars this week.

Lonestar, Reba, Jana Kramer and John Anderson have all latched on to outstanding pieces of material. Any one of them could be a Disc of the Day.

Singer-songwriter Sam Hunt has carved out a special niche with his one-of-a-kind ditties. One of the best of them on his Montevallo album is now its sixth single. “Make You Miss Me” is the real Disc of the Day winner.

Kane Brown easily wins the DisCovery Award. His “Used to Love You Sober” is a first-rate song, too.

John Anderson singleJOHN ANDERSON/Magic Mama
Writer: Merle Haggard; Producers: John Anderson & Joe Spivey; Publisher: none listed; Bayou Boys
– I’ll never get over this timeless stylist. Here, he returns to his goofy-hillbilly personna. The band swings like crazy while he drawls out the good-time lyrics. Pianist Gary Smith, steel man Glenn Rieuf and fiddler Joe Spivey sound like they’re just as big a ball as the star. A boatload of fun.

SAM HUNT/Make You Miss Me
Writers: Sam Hunt/Josh Osborne/Matt Ramsey; Producers: Zach Crowll & Shane McAnally; Publishers: Universal/Three Mules/Sons of Black River/Sonic Geo/Calhoun Ent./Music of RPM/HoriPro, ASCAP; MCA
– Mr. Romance returns with his mix of husky, quasi-spoken passages and memorable sung choruses. The gist of it is that his lover always disposes of relationships, so he’s going to make himself so memorable that she won’t be able to move on. The track includes a fine harmony vocal — it’s either Hillary Lindsey or Mickey Guyton (the credits on the CD aren’t specific). Excellent listening.

Cyndi LauperCYNDI LAUPER/Funnel of Love
Writers: Charlie McCoy/Kent Westberry; Producers: Tony Brown & Cyndi Lauper; Publisher: Universal Cedarwood, BMI; Sire
– Cyndi has a romp with this Wanda Jackson rockabilly classic. The twangster guitar, snazzy organ and slapping snare backing her are as brightly bopping as she is. Extremely cute.

JANA KRAMER/Said No One Ever
Writers: Nicolle Galyon/Natalie Hemby/Busbee; Producer: Scott Hendricks; Publishers: Warner-Tamerlane/A Girl Named Charlie/HappyGoWrucke/Creative Pulse/These Are Pulse/BMG Platinum/Jam Writers Group/Hello I Love You, BMI; Elektra/Warner Bros.
– Percolating and perky, with just a touch of “attitude.” The lyric is as cute as the dickens, listing phrases that no one ever says, like, “Who are the Rolling Stones?” “I love politics,” “I’m happier when I’m lonely,” “Wish you’d talk more about yourself,” “Don’t want love to last forever,” “Bring back the pay phone,” “I wish you’d kiss me less” or “Can’t wait for Monday.” So nice I played it twice.

Kane BrownKANE BROWN/Used to Love You Sober
Writers: Kane Brown/Josh Hoge/Matthew McVaney; Producer: Matt McVaney; Publisher: none listed, BMI/SESAC; RCA
– His dark, earthy baritone is simply terrific, especially on the verses. A slab of alcohol-soaked misery that grabs hold and won’t let go. A star is born.

REBA/Just Like Them Horses
Writers: Liz Hengber/Tommy Lee James; Producers: Tony Brown & Reba McEntire; Publishers: Starstruck Writers Group/Giving Out Wings/BMG Platinum/SWMBMGBMI/Once in a Blue Tune, ASCAP/BMI; Nash Icon
– Heart tugging. Waves of freedom, nostalgia, loss and letting go wash over this tenderly evocative song. As usual, she sings the heck out of it.

MICHAELA ANNE/Won’t Go Down
Writers: Michaela Anne/Dave Brainard; Producer: Dan Knobler; Publishers: Michaela Anne/Dave Brainard, BMI/ASCAP; Kingswood
– This recent transplant from Brooklyn to Nashville has a lively, sprightly single from her new CD, Bright Lights and the Fame. Slashing country guitars and a take-no-prisoners rhythm section back her silky delivery.

Chase RiceCHASE RICE/Whisper
Writers: Chase Rice/Chris DeStefano/Jon Nite; Producers: Chase Rice & Chris DeStefano; Publisher: Sugar Glider Music, EMI April Music, ASCAP; Columbia Nashville/Dack Janiels Records (track)
– Cluttered sounding. The production is a jumbled mess. The melody goes nowhere. There’s not much that’s “country” about it.

BOBBY BONES & THE RAGING IDIOTS/If I Was Your Boyfriend
Writers: Bobby Bones/Michael Saenz/Mical Trejo; Producers: Nick Autry & Bobby Bones; Publishers: Songs of Black River/Only Funny Online/Mical Trejo Tuneage, ASCAP/SESAC; Black River
– I kept wanting it to become funny. The hopeless vocals are the most amusing part.

LONESTAR/Never Enders
Writers: Dean Sams/Richie McDonald/Marv Green; Producer: Dean Sams; Publishers: Last Song Standing/ClearBox/NuSlate/Warner-Tamerlane/The Good The Bad The Ugly, BMI; Shanachie
– The foursome comes out swinging with this rocking, soaring celebration of enduring love. Grab your honey and jitterbug across the dance floor. And give a rebel yell for that Michael Britt guitar solo.

DISClaimer: Chuck Wicks, Jessie G, Tim Elliott, Southern Halo Take Indie Spotlight

Chuck Wicks

Chuck Wicks

It’s high time we did some tidying up around here.

Several of these indie acts have been in the to-be-listened-to pile of platters for weeks. They’re usually pushed aside by major-label artists, but today they’re in the spotlight.

The Disc of the Day belongs to Chuck Wicks.

But the real news du jour is in the DisCovery Award department. We have three winners — a female, a male and a group. The female DisCovery is power voiced Jessie G. Our male winner is jaunty Tim Elliott. The group DisCovery is the sister act Southern Halo. Congratulations, one and all.

Southern Halo

Southern Halo

DIANA UPTON HILL/Southern Gentlemen
Writers: Georgia Thomas Edgeworth/Robin Grant; Producer: Bryan White: Publishers: Moonlight Through the Pines/Saved By the Belle, ASCAP/BMI; Third Floor
– The drums are slamming in this rocked-out mix. Indeed, she’s almost drowned out by them. Her pert soprano checks off the states of Dixie in the choruses. Which is cute.

CHUCK WICKS/She’s Gone
Writers: Chuck Wicks/Brett Tyler/Jeffery East; Producers: Chuck Wicks/Andy Dodd; Publishers: none listed; Blaster (track)
– I like the open, quiet spaces in the production. They allow his voice to crack in all the right places and draw your attention to the spare, lonely lyric. The rising intensity in the sound is cool, too. Recommended.

WILL CARTER/I Don’t Know Why
Writers: Will Carter/Jude Dyllan; Producer: Jude Dyllan; Publishers: Will Carter/Jude Dyllan, BMI; WC
– He sings well. The song does nothing for me.

SMITH & WESLEY/Sweet Life
Writers: Scott Smith; Producer: Shane Hill; Publishers: Dream Walkin’, ASCAP; Garage Door
– Twin-guitar Southern rock with bro-country lyrics. It conspicuously lacks a melody.

Tim Elliott

Tim Elliott

CLARE DUNN/Tuxedo
Writers: Clare Dunn/Ben West/Brett James; Producers: Clare Dunn/Ben West; Publishers: BMG Gold/Leer Jet 87/BMG Platinum/For the Kids Platinum/Legitimate Effort/WB/Songs of Brett, BMI/ASCAP; MCA (CDX)
– Country quasi-rap in the verses. Big-voice choruses. The echo on her alto puts her right in your face. Inventive songwriting and innovative production touches.

TIM ELLIOTT/Boom
Writers: Tim Elliott/Bob Moffatt/Clint Moffatt/Chris Womack; Producer: Kent Wells; Publishers: Boggs River/Chase the Music/Reynsong, ASCAP/BMI; BRE (CDX)
– Very clever. He counts down the numbers until the lovin’ starts. The production burbles along at a percolating pace, and his voice has a youthful innocence. Endearing.

KELLEY SALLEE SNEAD/Always A Stranger
Writers: Snead/Frederick/Sallee Snead; Producers: Doak Snead/Tony Garber; Publisher: Doak Snead, BMI; KSS (track)
– Veteran songwriter Doak Snead’s wife has a form of Parkinson’s that has taken away her ability to sing. He and co-producer Tony Garber have compiled the best of her song demos, fully produced masters, work tapes and home recordings to make the album Roses & Tumbleweeds: A Retrospective. She is a fine vocalist, equally at home on ballads and uptempo fare. The CD is available on iTunes, CDBaby and Amazon.

SOUTHERN HALO/Little White Dress
Writers: Natalie Morris/Cat Gravitt/Gerald O’Brien; Producers: Cat Cravitt/Gerald O’Brien; Publishers: Southern Halo/Razor and Tie/Ink Pen Mama, BMI/SESAC; Southern Halo
– This is a trio of singing sisters who harmonize like angels. The song is as catchy as all get out, with a solid backbeat, cool guitars and a wedding-day chorus to die for. Super listening.

Jessie G

Jessie G

JESSIE G/Drop A Line
Writers: Jessie Goergen/Joshua Withenshaw/Davis Branch; Producers: Gretchen Wilson/Jessie G; Publishers: Straight Off the Boat/Home Is a Time Not a Place, ASCAP/BMI; JG (track)
– Gretchen Wilson is behind the board for this minor-key, bluesy stomper. The singer has firepower to spare. A left-field winner.

RODEO GYPSY/Southern Proof
Writers: Bridgette Powell/Dustin Sciaraffo/Jonathan Robinson; Producer: Sam Tate; Publishers: Tuf Monkey, BMI/ASCAP; BAM (track)
– Rodeo Gypsy is a trio comprised of Bridgette Powell, Dustin Sciaraffo and Becca Cummins. Their debut outing is an acoustic ditty with stark bongo-dobro-guitar-bass accompaniment. The harmonies are dandy. The lyric is of the Dixie-proud variety. It might not be the most commercial thing I’ve ever heard, but it certainly is pleasant listening.

DISClaimer: Martina McBride, Brett Young Offer Standout New Tracks

Pictured (L-R): Martina McBride, Brett Young

Pictured (L-R): Martina McBride, Brett Young

We have an embarrassment of riches in this week’s stack of platters.

A constellation of stars is on hand. And all of them are making music at the tops of their games — Brothers Osborne, Gene Watson, Kelsea Ballerini, Willie Nelson and Chris Stapleton. Shining brightest is Martina McBride, who takes home the Disc of the Day prize.

I have three newcomers to recommend to you today. They are Jordan Rager, Joey Hyde and this week’s DisCovery Award winner, Brett Young.

BROTHERS OSBORNE/21 Summer
Writers: John Osborne/TJ Osborne/Craig Wiseman; Producer: Jay Joyce; Publishers: WB/Trampy McCauley/All the Kings Pens/Songstein/Big Loud Shirt; EMI (track)
-Dreamy nostalgia set to a gorgeous melody and married to a swaying, echoey, atmospheric production. I dig these guys the most.

JOEY HYDE/Losing It
Writers: Joey Hyde/Heather Morgan/Lindsay Rimes; Producer: Aaron Eshuis; Publishers: none listed; JH (track)
-Thumpity, thumpity rhythm burbles beneath his urgent, slightly raspy tenor vocal performance. Gripping. Intense. Addictive.

MARTINA MCBRIDE/Reckless
Writers: Sarah Buxton/Heather Morgan/Zach Crowell; Producers: Dann Huff/Nathan Chapman; Publishers: TBD; Nash Icon Records
-This is downright inspiring. Like a beam of brilliant sunlight, her voice pierces through the heart-pounding production. I love it when she rocks, and one of the outstanding things about this performance is that she phrases with so much subtlety while soaring into the sonic stratosphere. Another masterpiece from one of our most gifted interpreters.

GENE WATSON/Enough For You
Writer: Kris Kristofferson/Producer: Dirk Johnson; Publisher: none listed; BMI; 14 Carat (CDX)
-Heavenly strings, a sighing steel guitar, a Kristofferson song and Gene’s enduringly soulful voice. What more could you ask for?

KELSEA BALLERINI/Peter Pan
Writers:Kelsea Ballerini/Forest Glen Whitehead/Jesse Lee; Producer: Forest Glen Whitehead/Jason Massey; Publishers: Songs of Black River/KNB/Ole Purple Cape/Honey Lee/Ole, ASCAP/BMI; Black River (track)
– The best-written song on Ballerini’s debut CD is now her third single. Excellent use of Neverland, Lost Boy and flying away imagery. The production punches in all the right places, and her vocal performance is shaded perfectly.

BRETT YOUNG/Sleep Without You
Writers: Brett Young/Kelly Archer/Justin Ebach; Producer: Dann Huff; Publishers: Super Big/Caliville/Downtown DMP/Stars and Stripes/Maple Leaf/Wordspring, ASCAP/BMI/SESAC; Big Machine Label Group
– His voice has an appealing throaty quality. The songwriting is vividly picturesque. The chugging, choppy production has loads of hooks. A solid winner.

CHRIS STAPLETON/Fire Away
Writers: Chris Stapleton/Danny Green; Producer: Dave Cobb/Chris Stapleton; Publishers: none listed; Mercury (track)
– Smoldering sonic embers. The definition of blue-eyed soul.

JORDAN RAGER & JASON ALDEAN/Southern Boy
Writers: Luke Laird/Barry Dean/Jeremy Stover; Producer: Jeremy Stover; Publishers: Songs of Universal/Creative Nation/Country Paper/These Are Pulse/Creative Pulse/Pulse Nation/Songs of Countrywood/Ole/EMI April, BMI/ASCAP; BBR
– Gentle yet anthem-like. The lyric doesn’t always deliver 100%, but the swelling production does. A promising debut.

WILLIE NELSON/Summertime
Writers: George Gershwin/Ira Gershwin/DuBose Heyward; Producers: Buddy Cannon & Matt Rollings; Publishers: Frankie G/Nokawi/Ira Gershwin/DuBose & Dorothy Heyward/SMP/Imagem/WB, ASCAP; Legacy (track)
– The title tune of “Willie Nelson Sings Gershwin” is this oft-sung ballad from Porgy & Bess. Willie’s rendition has a slightly loping tempo. His conversational baritone is contrasted against sister Bobbie’s rippling piano lines and his own acoustic guitar runs. Sublimely listenable.

ALLIE LOUISE/Stilettos
Writers: Lindsey Lee/Rachel Proctor/Victoria Banks; Producer: Eddie Gore; Publisher: none listed; Sixth Beat (track)
-The message here is that women are tougher than they look: “We wear our pain like stilettos.” Louise uses her upper vocal register effectively.

DISClaimer: Gretchen Peters, Woody Pines Top Americana Offerings

Gretchen Peters

Gretchen Peters

Americana alert: Some of the genre’s top names are in today’s overview of current product — Buddy Miller, The Kennedys, Kate Campbell and Sierra Hull, for instance.

As good as their efforts are, the Disc of the Day unquestionably belongs to the divine Gretchen Peters.

The busker-style, good-time jazz of Woody Pines earns him a DisCovery Award. Cool billing. Cool music.

GRETCHEN PETERS/On A Bus To St. Cloud
Writers: Gretchen Peters; Producers:Doug Lancio, Gretchen Peters & Barry Walsh; Publishers: Sony-ATV Tunes/Purple Crayon, ASCAP: Scarlet Letter
-This Nashville Songwriters Hall of Fame member simply does not know how to make a sub-par recording. Her new one is even more breathtaking than usual. Titled The Essential Gretchen Peters, it is a double CD that is both a retrospective of her past work and a collection of formerly unreleased performances. The first CD includes this heart-stopping new rendition of a prayer-at-midnight tune previously popularized by Trisha Yearwood. Other highlights include the songwriter’s demo of “The Chill of an Early Fall,” an acoustic arrangement of “Independence Day,” her own versions of “The Secret of Life” and “If Heaven,” a Bryan Adams duet on “When You Love Someone” and a trio rendition of “Wild Horses” featuring Matraca Berg and Suzy Bogguss. Not to mention “When You Are Old,” “Blackbirds,” “Sunday Morning” and “When You Wish Upon a Star.” The woman is a goddess, people.

STONE CUPID/The Cardinal
Writer: Julie Christensen; Producers: Julie Christensen & Jeff Turmes; Publisher: Stone Cupid, BMI; Stone Cupid
-Stone Cupid is a five-piece East Nashville band that’s a vehicle for the songs of its leader, Julie Christensen. The CD’s title tune is a fascinating, dark slab of rock balladry with shuddering electric guitar and vocals that wail and snarl. Her punk roots are showing. Other writers on the collection include David Olney, Kevin Gordon and Leonard Cohen.

DAVID G. SMITH/First Love
Writer: none listed; Producer: Blue Miller; Publisher: none listed; DGS (track)
-This Nashville Americana veteran can always be counted on for excellent song craftsmanship. The new CD’s title tune is a hushed, aching meditation on a dying love. To put it bluntly, it’s a devastating minor masterpiece of grief. Elsewhere on the CD, you’ll find “In the Silence,” a ballad that tackles the tragedy of Alzheimer’s. The album’s cast includes such greats as Keb Mo, Jelly Roll Johnson, Mary Gauthier and Buddy Mondlock. Heartily recommended.

KATE CAMPBELL/Greensboro
Writers: none listed; Producer: Kate Campbell; Publisher: none listed; Large River (track)
-Campbell’s latest is titled The K.O.A. Tapes (Vol. 1). These are simple, living-room recordings, but her singular talent makes them eloquently listenable. Paul Simon’s “America,” Kristofferson’s “Me and Bobby McGee” and Skynyrd’s “Freebird” are here in unvarnished folk arrangements. Of her original songs, this portrait of the Civil Rights era stands out prominently. Lend her your ears, she’ll steal them away. I remain a committed fan.

WOODY PINES/Black Rat Swing
Writer: Ernest Lawlars; Producer: none listed; Publisher: none listed; Muddy Roots
-Bopping, boogie swinging, with deft guitar picking, slapped bass and spare percussion. These viper jazzbos are utterly charming, in a jaunty, busker kinda way.

Woody Pines on the set of "Black Rat Swing" video.

Woody Pines on the set of “Black Rat Swing” video.

SIERRA HULL/Weighted Mind
Writers: none listed; Producer Bela Fleck; Publishers: none listed; Rounder (track)
-The title tune of the mandolin virtuoso’s new CD has a choppy avant-garde rhythm and an unusual atonal melody. Her straightforward soprano singing keeps the jazzy outing grounded. Adventurous listening.

BUDDY MILLER & NIKKI LANE/Just Someone I Used To Know
Writer: Jack Clement; Producer: Buddy Miller; Publishers: Glad/Songs of PolyGram, BMI, New West (track)
Cayamo Sessions at Sea is billed as by “Buddy Miller and Friends.” His duet partners on the collection of classic country tunes include Lee Ann Womack, Kacey Musgraves, Lucinda Williams, Elizabeth Cook, Kris Kristofferson and Richard Thompson. He tackles this vintage Porter & Dolly hit with Nikki Lane, but his harmony vocal sounds a little tentative and unconfident to these ears.

TAMMY JONES ROBINETTE & THE DRIVE/To Be A Kid Again
Writer: Tammy Jones Robinette; Producer: Mark Fain; Publishers: MJ&8, BMI; Rural Rhythm
-Enchanting, with a vocal performance straight from Southern Appalachia. The band includes such instrumental luminaries as Sam Bush, Rob Ickes, Ron Block and Aubrey Haynie, and you’ll find vocal support from the likes of Dale Ann Bradley, Jamie Dailey and Jimmy Fortune. Country with a bluegrass bent.

JIMMY AND THE MUSTANGS/Roll The Dice
Writer: Jimmy Haddox; Producers: Jimmy Haddox & Mark Youngersmith; Publishers: Mad Horse, ASCAP; JH (track)
-This roots rock ‘n’ roll band kicks off its Another Round CD with this horn-punctuated blues romp with more than a little rockabilly punch. Jitterbug music.

PETE KENNEDY/Union Square
Writer: Pete Kennedy; Producer: Pete Kennedy; Publisher: Parade of Echoes, BMI; The Kennedys
-Pete and his wife Maura comprise the enduring, 20th-anniversary Americana act The Kennedys. In the past year, they’ve issued a bonanza of music. There’s their group project, West (enthusiastically reviewed in this column last April) plus Maura’s highly recommended solo set titled Villanelle and, most recently, his song-cycle, extended love letter to New York City, Heart of Gotham. Pete leads his collection with this country rocker. It crackles to life with his soulful, hoarse vocal accompanied by jangling electric guitar and driving drumming (Pete plays all the instruments on the CD). By mid-song, you’re completely hooked. This set is a keeper.

 

DISClaimer: Chuck Wicks, Maren Morris Offer Exceptional New Singles

Chuck Wicks

Chuck Wicks

We have an even blend of familiar names and newcomers this week, and that’s just how I like it.

Among the “name” attractions are Eric Church, Loretta Lynn, The Randy Rogers Band and Trick Pony. The tenor singing of hit maker Chuck Wicks has never sounded more pure and clear. His “Always” is the Disc of the Day.

The newcomers include our DisCovery Award winner, naturally. That would be Maren Morris. I’m all ears. Send more.

POOR J BROWN/Southern Fried
Writer: Leon Waddy; Producer: Omar Vallejo and Poor J Brown; Publisher: none listed; PJB (track)
– Pleasant enough. They play and sing well. But, as before, the weakness is in the songwriting.

A THOUSAND HORSES/Southernality
Writers: Michael Hobby/Corey Crowder/Neil Mason; Producer: Dave Cobb; Publishers: Warner Tamerlane/Carolina June/Greashakin/Universal/Crowder Taylor/Nettwerk One B/Revelry/Nevada House, BMI, Republic Nashville
– Shouting and rocking and loud and in your face. Subtlety is in short supply.

THE RIFTERS/A Hundred Miles
Writers: D.L. Richmond/D.E. Clemmer/A. Biggs; Producers: The Rifters and Don Richmond; Publishers: none listed, BMI; Howlin’ Dog (track)
– Folky, with a gentle ‘60s vibe. Very acoustic, with lovely band harmonies. Welcome to the party.

ERIC CHURCH/Record Year
Writers: Eric Church/Jeff Hyde; Producer: Jay Joyce; Publishers: Sony/ATV Tree Publishing/Longer and Louder Music; Sony/ATV Tree Publishing/Little Louder Songs/Mammaw’s Friend Okra Music (BMI); EMI (track)
– Extremely well written. I love the way he incorporates song titles and stars’ names as he runs down his lonely playlist since she’s left him. Solid.

Maren Morris

Maren Morris

MAREN MORRIS/My Church
Writers: Maren Morris/busbee; Producer: Maren Morris/busbee; Publishers: Big Yellow Dog, BMG; Columbia (ERG)
– Earthy and refreshingly rootsy. She sings with raw honesty, and the production is spare and clever. Love the down-home gospel vibe.

LORETTA LYNN/Everybody Wants To Go To Heaven
Writers: Loretta Lynn; Producer: Patsy Russell/John Carter Cash; Publishers: Surefire Music Group (BMI); Legacy (track)
– This rouser first appeared on Loretta’s 1965 LP Hymns. It still sounds feisty and lively. And her singing remains a force of nature.

CHUCK WICKS/Always
Writers: Chuck Wicks/Emily Shackleton; Producer: Chuck Wicks/Andy Dodd; Publishers: none listed; Blaster (track)
– Chuck Wicks created one of the enduring wedding anthems with 2007’s “Stealing Cinderella.” His new Turning Point collection contains a second. This gorgeous waltz is sung with heart-in-throat intensity and is guaranteed to melt hearts.

TRICK PONY/Everybody Wanna Be Us
Writers: Victoria Banks/Kyle Sackley/Blake Bollinger; Producer: James Stroud; Publishers: Little Extra/Spark Ark/Petrelli Tunes, BMI/ASCAP; Permian (track)
– Keith takes a turn as lead vocalist with Heidi offering a mirror harmony vocal. The track simmers with energy and the song trips along splendidly. A winner.

TUCKER BEATHARD/Rock On
Writers: Tlucker Beathard/Casey Beathard/Marla Cannon; Producer: Angelo Petraglia; Publishers: Big Music Machine/Fayde 49/Sony-ATV Acuff-Rose/Six Ring Circus/Scrambler/My My My/Carnival, BMI/ASCAP; Big Machine
– The shuddering wah-wah guitar effect is cool, as is the processed vocal sound. The song is well constructed, with nice wordplay in the hook. A promising debut.

RANDY ROGERS BAND/Neon Blues
Writers: Derek George/Geoffrey Hill/Randy Rogers; Producer: Buddy Cannon; Publishers:WB Music Corp./Funky Friar Music (ASCAP)/ Bull Noon Muisc (BMI)/Warner-Tamerlane Publishing Corp./Trouble Songs (BMI); Tommy
– She comes into the bar every night looking heartbroken. And she’s not looking for companionship, buddy. As usual, Randy sings with regular-guy conviction. The straightforward, mid-tempo track doesn’t throw you any curve balls, but maybe it should, to perk up your ears a little.

DISClaimer: Vince Gill, Dan+Shay, Tara Thompson Offer Noteworthy New Tracks

vincegilldowntomylastbadhabit

This is a week when new sounds are presented.

One of the biggest agenda items during Country Radio Seminar is to get the visiting radio moguls interested in the format’s new and upcoming artists. Appropriately, in this edition of DisClaimer more than half the platters come from first timers to the column.

They are Sam Riggs, 8 Ball Aitken, Sierra Black, Reagan Boggs, Troy Johnson and the winner of our DisCovery Award, Valory Music’s Tara Thompson.

Things are less clearcut when it comes to the Disc of the Day award. I’m torn between the dreamy romance of Dan + Shay’s “From the Ground Up” and the exciting “Take Me Down” collaboration between Vince Gill & Little Big Town. Give ‘em both a prize.

SIERRA BLACK/Heart On Ice
Writers: none listed; Producer: Michael Omartian/Tom Hemby; Publishers: none listed; O.M.G.
– A country lyric, a rock attitude and a singer with fire. Energetic.

Dan+Shay

DAN+SHAY/From The Ground Up
Writers: Dan Smyers/Shay Mooney/Chris DeStefano; Producers: Dan Smyers/Scott Hendricks; Publishers: WB/Beats and Banjos/Warner Tamerlane/Shay Mooney/EMI April/CDS Words and Music, ASCAP/BMI; Warner Bros.
– A little swoon of a disc. It’s an ultra romantic waltz about love that lasts forever. The harmonies are twin-like, the track is glossy and the strings sigh just perfectly.

TROY JOHNSON/Stop Following Me
Writers: Greg Hudik/Dillon Dixon; Producer: Greg Hudik; Publisher: none listed, BMI
– He’s a picker on the road with a memory of a woman that he can’t escape. The song is a little wordy, but he sings it so forcefully that you’re sold.

HIGH VALLEY/Make You Mine
Writers: Seth Mosley/Brad Rempel/Benjamin Stennis; Producers: Sam Mosley/Mike X. O’Connor; Publishers: Ceentricity/Kickin’ Pub/Songs of Kicking Bird/Songs of Windswept Pacific, BMI; Atlantic
– The rhythm track seems kinda “nervous,” until they swing into the first chorus. Then the twitchiness turns into a hurricane wind. From that point on, this rocks solidly all the way to the finale.

REAGAN BOGGS/Empty Glasses
Writers: Reagan Boggs; Producer: Dave Coleman; Publisher: Reagan Boggs, BMI; Reckless Bess
– This loping, rolling tune is the title track of this singer-songwriter’s CD. Sung with admirable clarity and produced with plenty of open space for her to shine in. Promising.

VINCE GILL & LITTLE BIG TOWN/Take Me Down
Writers: Vince Gill/Richard Marx/Jillian Jacqueline; Producers: Vince Gill/Justin Niebank; Publishers: Vinny Mae/Songs of Kobalt/Richard Marx/Kobalt Songs/Downtown DLJ/Archer and Arrow, BMI/ASCAP; MCA Nashville
– Heart quickening. Vince begins singing over a steady, driving beat. Then on the chorus, the Little Big Town voices take it straight into vintage Fleetwood Mac territory. Then they oooh as Vince takes a stellar guitar solo. The voices return to swirl around each other like smoke rings into the dazzling fade.

ABBI WALKER/Too Good A Woman
Writers: none listed; Producer: none listed; Publishers: none listed; AW
– I have liked this woman’s work in the past. But this ballad is too slow and draggy.

Tara Thompson

Tara Thompson

TARA THOMPSON/Someone To Take Your Place
Writers: Tara Thompson/Alex Kline/Leslie Satcher; Producer: Alex Kline; Publishers: Big Music Machine/Songs of Spoons Tunes/Songs of Starstruck/Vision Board/Airplanes for Stars/Sony-ATV Tree/Leslie Satcher, BMI/SESAC; Valory Music
– Fabulous lyrics. She’s on the prowl in her new Payless high heels, Chanel No. 5 perfume and hot make-up to get over their breakup. She purrs and spits delightfully and the track shudders and rawks. A blast.

SAM RIGGS/The Lucky Ones
Writers: Sam Riggs/Chad Camp; Producers: Erik Herbst/Sam Riggs; Publishers: none listed, BMI; Thirty Tigers/Deep Creek (track)
– Nicely done. It’s a nostalgic look back at his youth with chiming electric guitars all around him. Hang on for the finale, when the University of North Texas Drum Line comes stomping in.

8 BALL AITKEN/She’s Going To Mexico, I’m Going To Jail
Writers: 8 Ball Aitken; Producer: Michael Flanders; Publisher: none listed; Indie Extreme
– 8 Ball is a guitar slinger who lives in Austin, records in Nashville and is a native of Australia. This rollicking story song has already been a No. 1 country hit in Oz. Over
an outlaw beat, he bellows the yarn about a guy who gets roped by a redneck girlfriend into robbing a convenience store with a stolen car. She gets away and pins the evidence on him. Big party music.

DISClaimer: Cam, Brandy Clark, Aubrie Sellers Break Up The Boys Club

Pictured (L-R): Brandy Clark, Cam, Aubrie Sellers

Pictured (L-R): Brandy Clark, Cam, Aubrie Sellers

For a while, it looked like Billy Currington, LOCASH or Dierks Bentley was going to rule the day, but you know what they say about the best laid plans.

Down the track came Brandy Clark and Cam, and they ran over those boys like a pair of locomotives. The two women finish in a tie for the Disc of the Day award.

Today’s DisCovery Award also goes to a female artist. That would be Aubrie Sellers.

LESLIE COURS MATHER/That Was The Whiskey
Writer: Nini Camps; Producer: Denny Diante; Publisher: none listed; CM (track)
-I think I have liked everything this gal has put out. This time around she applies her soulful, husky pipes to a punchy rocker about a wild child who looked an awful lot like her when she was tearin’ up the town last night. “That was the whiskey,” not her, in that red dress dancing on the table. Lots of verve. Lots of fun.

BILLY CURRINGTON/It Don’t Hurt Like It Used To
Writers: Billy Currington/Cary Barlowe/Shy Carter; Producer: Dann Huff; Publishers: Coconut Hut/Castle Bound/We Be Pawtying/BMG Rights Management/You Want How Much of What Pub/Worldwide EMG, ASCAP/SESAC/BMI; Mercury (CDX)
– Crunchy and stomping. He sings the fire outta this lyric about a guy going through hell getting over a heartbreak. The shuddering guitar, shouted chorus boys and catchy, chesty chorus are all just terrific. Currington strikes pay dirt again.

DIERKS BENTLEY/Somewhere On A Beach
Writers: Michael Tyler/Jaron Boyer/Alex Palmer/Dave Kuncio/Josh Mirenda; Producer: Ross Copperman; Publishers: Peermusic III/Peertunes/Jaron Boyer/BMG Silver/Fuego/BMG Rights Management/David Ryan/The Real Brain/WB/Music of the Corn, BMI/SESAC/ASCAP; Capitol (CDX)
– Take this, ex-girlfriend. He’s getting over you by chilling next to the ocean with a hot babe and a cold drink. So there.

LORRIE MORGAN/How Does It Feel
Writers: Mark Oliverius/Loretta Lynn Morgan/Kelly Lang; Producer: Richard Landis; Publishers: Omee/Kelly Lang, BMI; Shanachie (CDX)
– Still one of our most lustrous vocalists. Morgan uses her range and emotive abilities to alternately caress with a soprano whisper and contemplate with an alto moan on this ballad. The “answering” harmonica and steel guitar are both expertly deployed by producer Landis. Recommended.

CAM/Mayday
Writers: Camaron Ochs/Tyler Johnson; Producers: Jeff Bhasker/Tyler Johnson; Publishers: Marvelous Oaks/One Year Yesterday/Creative Pulse/These Are Pulse, BMI; Arista/RCA (track)
– As before, extremely melodic and sung with superb élan. The double-time undertow thump in the production is a nifty contrast with her soaring, broken-note soprano. A hit if I’ve ever heard one.

LOCASH/I Know Somebody
Writers: Ross Copperman/Jeremy Stover/Rhett Akins; Producer: Londsay Rimes; Publisher: none listed; Reviver (track)
– These boys are on a roll. This whole lyric is one extended pick-up line. And the track cooks with gas. Check ‘em out at Monday’s MusicRow Margaritaville showcase and radio awards show.

BRANDY CLARK/Girl Next Door
Writers: Brandy Clark/Jessie Jo Dillon/Shane McAnally; Producer: Jay Joyce; Publishers: Highway 508/House of Sea Gayle/Clearbox Rights/Nettwerk One B/Revelry/Jay Gatsby/Universal/Smack Ink, ASCAP/BMI; Warner Bros.
– She’s kinda rough and kinda trashy. She’s definitely no debutante, Marcia Brady, Barbie or girl next door. And she rocks while she’s dishing out the facts to you, buddy. Attitude on a platter. Spunk and snark and sass you can dig for days.

PETE SCOBELL BAND/Walkin’ A Wire
Writers: Dierks Bentley/Ross Copperman/David Lee Murphy; Producer: Cactus Moser; Publishers: Big White Tracks/EMI Blackwood/Songs By Red Room/Old Desperados/N2D, ASCAP/BMI; FrogBonz
– I like the slight rasp in his delivery and the chiming guitar in the band’s sound. He’s trying to make time with her, but is pretty scared and tense about it. A tempo tune with countryboy feelings.

AUBRIE SELLERS/Sit Here and Cry
Writers: Aubrie Sellers/Adam Wright; Producer: Frank Liddell: Publishers: none listed; Thirty Tigers
– The band is stark and raw on this toe tapper. She sings with splendid assurance and moxie. Aubrie is the daughter of songwriter Jason Sellers and singer Lee Ann Womack, but she definitely has her own thing goin’ on. Garage country, anyone?

THOMAS RHETT/T-Shirt
Writers: Ashley Gorley/Luke Laird/Shane McAnally; Producers: Dann Huff/Jesse Frasure; Publishers: External Combustion/Songs of Southside Independent/WB/Atlas/Songs of Universal/Creative Nation/Smack Ink, ASCAP/BMI; Valory Music
– The track bobs and bops and burbles. He babbles atop it about falling in love. There’s not much of a tune, here, but plenty of energy crackles in it.

DISClaimer: Taylor Swift, Anderson East Offer Superb New Singles

Taylor-Swift-Anderson-East-2016

We’ll be up to our necks in country music in the weeks to come, what with CRS and all, so now seems like a good time to remind ourselves what a vibrant and thriving pop/rock scene we have as well.

So thriving, in fact, that I’m playing catch-up. Most of these records came out last year. But I’m just getting around to the riches of Mikky Ekko, Ingrid Michaelson, Brooke Waggoner and The Dead Weather. The Taylor Swift and Meghan Trainor singles are new, but their parent CDs are also last year’s.

Speaking of The Dead Weather, it strikes me that Music City just might be the new capital of mainstream, guitar-based rock. With most of the pop world fixated on hip-hop or EDM sounds, Nashville is home to The Black Keys/The Arcs, Jack White/The Dead Weather, Kings of Leon, Paramore, Clear Plastic Masks, Parachute, Cage the Elephant, The Features and The Wild Feathers. Rock bands all.

And speaking of Taylor Swift, she proves once again why she’s the princess of pop by earning a Disc of the Day prize with “Out of the Woods.”

As for Mikky Ekko (a.k.a. John Stephen Sudduth), he’d be the DisCovery Award winner if he hadn’t been Grammy-nominated before he had his own CD. So the honor goes instead to the also gifted Anderson East.

CAGE THE ELEPHANT/Mess Around
Writers: Cage The Elephant; Producer: Dan Auerbach; Publisher: Sony/ATV; BMI; RCA (track)
-Thumping and raucous. Kinda garage-y and lotsa fun. This captures how frothing and energetic these guys are on stage. After the band moved from Bowling Green to Nashville, it switched producers. Black Keys honcho Auerbach gave them a sound more raw and less polished, but the Elephants are still very, very tuneful.

THE DEAD WEATHER/I Feel Love
Writers: Fertita/Mosshart; Producer: Jack White III; Publisher: Sleeping Disorder/Kobalt/Domino, BMI; Third Man (track)
– Ferociously rocking. Frontwoman Alison Mosshart has a natural vocal wail that sounds born to be in this band. Lead guitarist Dean Fertita grinds away on a repeated riff that bores into the brain.

MIKKY EKKO/Smile
Writers: Mikky Ekko/Jim Eliot/Greg Kurstin/Dennis Herring; Producers: Elof Lolv & Mikky Ekko; Publishers: Good Kings/Sony-ATV/Jim Eliot/Kurstin/EMI April/Sakana, BMI/PRS/ASCAP; RCA (track)
– This native Nashvillian first attracted my attention when he sang “Stay,” a Grammy-nominated 2012 duet with Rihanna. His debut solo CD, Time, is highlighted by this airy, echoey, celestial-sounding ditty. His sky-high pop tenor delivery aches in a lyric that says things are lousy, so you might as well smile in your misery. Highly listenable. Heartily recommended.

TAYLOR SWIFT/Out of the Woods
Writers: Taylor Swift/Jack Antonoff; Producers: Jack Antonoff/Taylor Swift; Publishers: Sony/ATV Tree/Taylor Swift/Ducky Donath, BMI; Big Machine (track)
– Finally. My favorite melody on the 1989 album is now its sixth single. Swift closed concerts with this all last year, and I’ve always believed that it belongs on pop radio. The dark, rumbling rhythm contrasts with its bright, high vocals brilliantly. Get up and shake your money maker.

THE ARCS/Fools Gold
Writers: Dan Auerbach/Leon Michels/Richard Swift; Producers: Dan Auerbach/Leon Michels/Richard Swift; Publishers: Hour Box/Wixen/EMI Blackwood/DANCECONTESTWINNER/Secretly Canadian, BMI/ASCAP; Columbia (track)
-This is Dan Auerbach’s side project away from The Black Keys. Like his other group, this one has more than a little blues-rock in its DNA. There is lots of fizzy, fuzzy guitar scuzz here and a dark, haunted vibe that veers almost into psychedelia. The CD is aptly titled Yours Dreamily.

MEGHAN TRAINOR & JOHN LEGEND/Like I’m Gonna Lose You
Writers: Meghan Trainor/Justin Weaver/Caitlin Smith; Producers: Chris Gelbuda/Meghan Trainor; Publishers: Year of the Dog/WB/Music of the Corn/Cornman, ASCAP; Epic (track)
– Artists who launch their careers with a novelty song like “All About That Bass” often turn out to be one-hit wonders. Trainor scored a surprising second time with the just-as-catchy “Lips Are Movin.’” This time out, she slows it down and harmonizes in a soul groove with John Legend. Deliciously hooky.

INGRID MICHAELSON/Time Machine
Writers: Ingrid Michaelson/Busbee/Trent Dabbs/Barry Dean; Producer: Jacquire King; Publishers: Breakable Girls/BMG Platinum/Hello I Love You/Jam Writers Group/BMG Rights Management/Ready Set/Incognito Street, ASCAP/BMI; Cabin 224 (track)
– This indie pop favorite came to Music City to record her fifth album, Lights Out. The lady writes terrifically melodic songs and sings them with blue-eyed soul phrasing. This single/video is a stomper that wishes she could go back in time and warn herself about what a jerk he’ll turn out to be. Michaelson’s albums are always events worth buying, and this is her best one yet. She co-stars in a streamed concert with Cyndi Lauper and Kelsea Ballerini this evening (Thursday) on Skyville Live. It should be quite a show.

STEVE FORBERT/Compromise
Writer: Steve Forbert; Producer: Steve Forbert; Publisher: Songs of Heathercom; SESAC; Rock Ridge (track)
-It has been awhile since we’ve heard from this esteemed singer-songwriter. The title tune of his current album has a chiming, delicate track backing his characteristic soulfully strangulated, slightly hoarse vocal. His harmonica solo is a dandy too. The band features such notables as Kami Lyle, Joey Spampinato and Anthony Crawford.

ANDERSON EAST/Devil In Me
Writers: Anderson East/Mark Stephen Jones/Aaron Raitiere; Producer: Dave Cobb; Publishers: Farmland/Mark Stephen Jones/One Tooth, BMI; Elektra (track)
– East is in the gossip columns as Miranda Lambert’s new squeeze. They ought to be writing about his smoldering, soul-drenched, gospel-inflected vocal talent. This track from his Delilah debut CD proceeds at a stately pace and is embellished by soul-sister harmonies and bright brass blasts. This man is the real deal.

BROOKE WAGGONER/Ovenbird
Writer: Brooke Waggoner; Producer: Brooke Waggoner; Publisher: Brooke Waggoner, BMI; Swoon Moon
-I have long been in this Nashville charmer’s corner. Her current CD is called Sweven and features this wooshy, electronica soundscape wherein she warbles like a wraith wandering through soft mist. Dreamy. Hypnotic.

DISClaimer: Tim McGraw, The Cactus Blossoms, Loretta Lynn And More Fine Music

Tim McGraw, Humble and Kind

It’s not that I’m getting soft in the head; it’s just that everyone made interesting music this week.

So in this edition of DISClaimer there are no pans. Trace Adkins, Loretta Lynn, FrazierBand and Charles Esten were particularly fine listening experiences.

And then there was the awesome, angelic sound of The Cactus Blossoms. Their names are Jack Torrey and Page Burkum. They are from Minneapolis. Stop whatever you are doing and listen to them right now. Need I add that they win the DisCovery Award?

The Disc of the Day prize goes to the enduringly great Tim McGraw. He can always be counted on for quality work, but “Humble and Kind” is above and beyond anything else currently headed for our airwaves. Applause, applause.

LL_CDCoverLORETTA LYNN & ELVIS COSTELLO/Everything It Takes
Writers: Loretta Lynn, Todd Snider; Producer: Patsy Lynn Russell and John Carter Cash; Publishers: Surefire Music Group (BMI), SHAD N FROYD A Music (BMI); Legacy
-Loretta’s voice is still a glowing trumpet. The steel guitar shadows her every phrase as she describes a conniving female rival. “She’s got everything it takes to take everything you’ve got.” Costello provides vocal harmony on the choruses. Country and proud of it.

CHARLES ESTEN/Like New
Writers: Sarah Zimmerman/Justin Davis/Jonathan Singleton; Producer: Jay DeMarcus; Publisher: Universal Music Corp./Sarahzimm Music (ASCAP)/Justin Davis Music (ASCAP). All rights for Sarahzimm Music and Justin Davis Music controlled and administered by Universal Music Corp./BMG Gold Songs/We Jam Writers Group/Glassbean (ASCAP). All rights administered by BMG Rights Management; Big Machine
-Of all the cast members of the Nashville TV show, none has made a stronger commitment to this community than Esten (”Deacon”). The latest edition of the series soundtrack albums kicks off with his performance of this splendidly melodic song. The drummer and electric guitarist give it a real workout as the singer rocks out trying to get over a failed romance. Nicely done.

TIM McGRAW/Humble and Kind
Writer: Lori McKenna; Producers: Byron Gallimore & Tim McGraw; Publisher: Songs of Universal/Hoodie, BMI; Big Machine
-Gorgeous. The cathedral production on this shimmering ballad has crystal droplets of sound and echoing orchestral canyons. The lyric is loaded with poetic truth. McGraw’s performance aches with tenderness. If this doesn’t touch your heart, you haven’t got one.

Cactus Blossoms, You're Dreaming

THE CACTUS BLOSSOMS/You’re Dreaming
Writer: J. Torrey; Producers: J.D. McPherson & The Cactus Blossoms; Publishers: Jumping Gemini/Hello Central, ASCAP; Red House Records
-Somewhere, the late Phil Everly is smiling. This duo’s sweet, twin harmonies are practically a reincarnation of The Everly Brothers’ iconic sound. The walking bass and echoey electric guitar are as perfect as these heavenly voices. Stunning is the only word that will do. Listen and believe.

TEBEY/Jealous of the Sun
Writer: Tebey, Danick Dupelle and Emily Weisband; Producer: Tebey and Danick Dupelle; Publisher: Songs For Elle/ BMG Platinum Songs (BMI), Danick Dupelle (SOCAN), WB Music Corp./Thankful for THiS Music (ASCAP); Road Angel
-Formerly on BNA, this Canadian-born artist reboots his recording career as an indie artist with this slab of audio energy. Youthful and rocking.

JANE KRAMER/Carnival of Hopes
Writer: Jane Kramer; Producer: Adam Johnson; Publisher: Famous Brown Boots, ASCAP; JK
-She sings with a soprano-to-falsetto lilt. The acoustic accompaniment stays in the background to keep her delivery and her lyrics in the spotlight on this title tune of her CD. Her writing is a little “arty” for country, but might find a home in the Americana format. All the tunes are originals with the exception of a cover of Tom Petty’s “Down South.”

Trace Adkins single coverTRACE ADKINS/Jesus and Jones
Writers: Jim McCormick, Casey Beathard and Tyler Farr; Producer: Mickey Jack Cones; Publishers: ole Purple Cape Music (BMI) admin by OLE, Rack City Publishing (BMI) admin by OLE, BMG Blue (BMI) admin by BMG Rights Management (US), LLC, Songs of Jim McCormick (BMI) admin by BMG Rights Management, (US), LLC, Sony/ATV Acuff Rose Music (BMI), Six Ring Circus Songs (BMI) admin by Sony/ATV Acuff Rose Music; Wheelhouse
-He’s a sinner on Saturday night and a saint on Sunday morning. He wants to find some middle ground between being “stone cold sober and just plain stoned.” The track rocks splendidly, and Trace is on fire as a vocalist on this super single. Add it at once.

LANEY JONES/Allston (Dance Around)
Writers: Laney Jones/Matthew Tenner; Producer: David Plakon; Publisher: none listed, BMI; LJ
-Folk-pop energy with bouncy innocence, boppy delirium and kooky charm.

FRAZIERBAND/The Rod & the Cane
Writer: none listed; Producer: John E. Frazier III; Publisher: none listed; FB
-On its website, the group is offering this track as a preview of its upcoming album, Some People Change. With its airy pop sound and soft harmonies, it puts me in mind of Poco or Pure Prairie League or Crosby, Stills & Nash.

PHILLIP SANDIFER/Find Your Own Way
Writers: Phillip Sandifer; Producer: Phillip Sandifer; Publisher: Wider Sky, BMI; Wider Sky
-Rousing, upbeat and almost hippie-like in its sunny positivism.