DisClaimer: Eli Young Band Heads To Never Land, Heidi Raye Lands DisCovery Award

Photo Credit: Joseph Llanes

Summer officially started on Wednesday, and country music is ready.

Unleashing sounds tailored to the season this week are Kenny Chesney, Josh Turner, Miranda Lambert and Granger Smith.

Another summer-sounding song earns our Disc of the Day award. It’s the gorgeous, top-down celebration “Never Land” by the Eli Young Band.

The DisCovery Award this week goes to a personable singer named Heidi Raye. I’m confident that we’ll be hearing much more from her.

JOSH TURNER/All About You
Writer: None listed; Producer: None listed; Publisher: None listed
– This has a nice, funky sound that’s a really attractive change of pace for this artist. The bright, lively tempo is just right for summer listening.

LITTLE BIG TOWN/when Someone Stops Loving You
Writers: Hillary Lindsey/Chase McGill/Lori McKenna; Producer: Jay Joyce; Publisher: None listed
– Jimi’s torrid tenor is one of the most underrated vocal instruments in contemporary country music. He blazes brilliantly throughout this bonfire heartache ballad performance.

KENNY CHESNEY/All The Pretty Girls
Writers: Nicole Galyon/Tommy Lee James/Josh Osborne; Producer: Publisher: Warner-Tamerlane/A Girl Named Charlie/BMG Platinum/SWMBMGBMI/Once in a Blue Tune/Anderson Fork in the Road/Smackville/Kobalt, BMI/ASCAP
– Toss beach balls on the sand while this bouncer blasts from a boombox.

LINDSAY ELL/Waiting On You
Writers: None listed; Producer: None listed; Publishers: None listed
– Well sung and produced with clarity and exquisite taste. Eminently programmable. She’s been in the news this week because a radio station punished her for dating a perceived competitor, Bobby Bones. Just listen to the music, folks.

MIRANDA LAMBERT/Pink Sunglasses
Writers: Rodney Clawson/Luke Dick/Natalie Hemby; Producer: Frank Liddell, Glenn Worf & Eric Masse; Publishers: Round Hill Works/Big Loud Proud Crowd/Farm Town/Sony-ATV Tree/Little Loudere/Emileon/HappyGoWrucke/Creative Pulse/These Are Pulse, BMI
Embarrassing piffle.

HEIDI RAYE/Worth a Shot
Writers: Heidi Raye/Justin Ebach; Producer: None listed; Publisher: None listed
– Quite promising. This nifty little “attitude” ditty is sung with chuckling, winking, pert personality. The “shot,” you see, is whiskey.

TYLER FARR/I Should Go to Church Sometime
Writers: None listed; Producer: None listed; Publisher: None listed
– It’s certainly an interesting premise for a song. But since it never really resolves itself after he works himself into a lather, it is ultimately rather unsatisfying.

ELI YOUNG BAND/Never Land
Writers: Mike Eli/James Young/Ross Copperman/Jon Nite; Producer: Ross Copperman & Jeremy Stover; Publisher: Small Town Kid/Young James Young/NYAC/EMI Blackwood/Rezolant/EMI April/Sony-ATV, BMI
– The group returns strongly to form with this wooshing rush of a performance. The production is stunning. The melody is addictive. The mood is inspiring. Turn it up and play it again.

CHARLEY PRIDE/Music in My Heart
Writers: Country Johnny Mathis; Producer: Billy Yates; Publisher: Avid Group, BMI
– The title tune of Pride’s first new album in more than six years is a toe tapper that is as country as grits. Twang that steel.

GRANGER SMITH/Happens Like That
Writers: None listed; Producer: None listed; Publisher: None listed
– This master showman stages another bid for chart success with this mid-tempo reflection on sudden romance. The echoey atmosphere in the arrangement gives his vocal extra impact.

DisClaimer: Dan Auerbach, Paramore, Angel Snow Shine In Rock Crop This Week

Timing is everything.

After last week’s CMA fest, I needed a break from country music. Right on schedule, some of the biggest names in Nashville’s pop/rock community have new albums to enjoy.

Our Male Vocalist winner is Dan Auerbach. Equally clear cut is our Group winner, Paramore. Deciding on the Female Disc of the Day is a lot tougher. Angel Snow, Greta Gaines and Sheryl Crow all have marvelous qualities to recommend them. In a neck-and-neck finish, I’m going with Angel Snow.

DADDY ISSUES/In Your Head
Writers: Daddy Issues; Producers: Jake Orrall; Publishers: none listed, SESAC
– This female trio cranks up a fuzz-tone, lo-fi, punk-rock slab of sound on this track from its current Deep Dream CD. The next time somebody questions Nashville’s rock bona fides to ya, put this on and turn up the volume to “10.”

DAN AUERBACH/Waiting On A Song
Writers: Dan Auerbach/John Prine/Pat McLaughlin/Richard Swift; Producer: Dan Auerbach; Publisher: Hour Box/Wixen/Tommy Jack/Corn Country\/Clearbox/Dance Contest Winner, BMI/ASCAP
– The Black Keys frontman has issued a marvelously diverse solo album. This title tune has a bopping, jaunty, Americana vibe. But other tracks rock with layers of sound, get trippy with audio effects, thump with r&b grooves and/or reach into retro pop styles. The collection finds him surrounded by a wide variety of Nashville pickers, including Duane Eddy, Jerry Douglas, Kenny Vaughan, John Prine and Pat McLaughlin. The diversity of styles here is highly admirable. Fabulous listening.

ALL THEM WITCHES/Bruce Lee
Writers: none listed; Producer: Dave Cobb; Publisher: None listed
– His Nashville four-piece rock combo cooks up a steaming blues-rock pot of psychedelia on its CD Sleeping Through the War. Very mind expanding.

PARAMORE/Hard Times
Writers: Hayley Williams/Taylor York; Producer: Justin Meldal-Johnsen & Taylor York; Publisher: WB, ASCAP
– One of Middle Tennessee’s best known bands is back with a CD titled After Laughter. The collection’s lift-off single and opening track is a catchy, dance-pop outing with burbling beats and inescapable attitude. A very refreshing change of pace for a group that has sometimes specialized in volume at the expense of melodies.

COIN/Feeling
Writers: Ryan Winnen/Chase Lawrence/Zachary Dyke/Joseph Memmel/Tim Pagnotta; Producer: Andrew Maury; Publisher: Spirit One/Songs of Global Entertainment/This Is COIN/These Are Songs of Pulse/Sony-ATV Ballad/Burrito Bandito, BMI/ASCAP
How Will You Know If You Never Try is the sophomore album by Nashville’s COIN. This emphasis track has an ‘80s, new-wave vibe. Highly stylish. The band has been named Amazon’s Breakthrough Artist of the Year and one of Time magazine’s 21 Musicians We Want to Hear From.

SHERYL CROW/Halfway There
Writers: Sheryl Crow/Jeff Trott; Producer: Jeff Trott & Sheryl Crow; Publisher: Old Green Barn/Mortal and Pestle/Ole, BMI/ASCAP
– On her new Be Myself CD, Sheryl Crow returns to the pop/rock idiom that made her famous. The forward momentum of its steadily rhythmic lead single will have your heart beating in time. The track’s deep-bottom groove contrasts nicely with her silvery soprano delivery. She remains an audio treasure.

GRETA GAINES/Begin Again
Writers: Greta Gaines; Producer: Eric Fritsch & Greta Gaines; Publisher: Oh Happy, BMI
– The new Tumbleweed EP by Greta Gaines drops tomorrow. The download sales of its bonus track, “Light It Up,” will go toward NORML’s efforts to legalize weed. This track finds her musing over guitars that alternately slither, grumble, moan and shriek. In contrast to some of her earlier rock efforts, this disc leans in an Americana-soul direction. In addition to being a singer-songwriter, this Nashvillian is also a champion snowboarder, an ace fly-fisherman and talented ESPN host.

TIM RUSHLOW & HIS BIG BAND/Plenty Of Money And You
Writers: Harry Warren/Al Dubin; Producer: Jimmy Ritchey; Publisher: Warner, ASCAP
– Rushlow is a Music City troubadour who has reinvented himself as the leader of a horn-honking swing band. Its debut CD/DVD was recorded live, and the excitement comes across beautifully. The repertoire ranges from “Beyond the Sea,” “Luck Be a Lady,” “Mack the Knife,” “That’s Life” and “Zing Went the Strings of My Heart” to less familiar tunes from the Great American Songbook like this one. The group will take up residency at The Nashville Palace beginning Nov. 10. Be there or be square.

ANGEL SNOW/Photographs
Writers: Angel Snow/Jonathan Trebing; Producer: Lee Groves; Publisher: none listed
– The atmospheric textures of Angel Snow’s current album Magnetic are entrancing. The swirling pop confection is the album this Nashville singer-songwriter was always meant to make. Its track “Secret” has had over one million streams on Spotify. This follow-up is even more dreamy, layered and lovely. I remain a huge fan.

DAVE POMEROY/Angel in the Ashes
Writers: Ben Cyllus/Dave Pomeroy; Producer: Dave Pomeroy; Publishers: Groove Room/Calhoun/Kung Fu Unicorn, BMI
– This longtime instrumental great has been working on his new CD for 10 years. The wait has been worth it, because the collection is wildly inventive. This pop-folk title track has a warm vocal as well as his customary virtuoso bass playing. In addition to a heaping helping of originals, he covers tunes by Guy Clark, Jesse Winchester and Buddy Mondlock, not to mention jazzbos like Charles Mingus (”Goodbye Pork Pie Hat”). Don’t miss the album’s centerpiece, his eight-minute funk medley of “Ball of Confusion,” “For the Love of Money” and “Cloud Nine” (50 audio tracks deep). Now, here’s the really mind-blowing thing: All of the instrumental sounds on the album are made by various basses, acoustic and electric, 41 of them! No drums. No guitars. Just basses. This is a fantastic listening experience.

DISClaimer: Gary Allan, Maggie Rose Outshine Star-Packed Competition

Gary Allan

Looks like it’s all-hands-on-deck for the CMA Fest edition of DisClaimer.

The most star-packed review column of the year to date includes such red-hot names as Thomas Rhett and Jason Aldean, plus plenty more. Because of all the big-time attractions, there was no room for newcomers today. Hence, no DisCovery Award.

The male contenders for Disc of the Day looked, on paper, to be a duel between our resident bruiser vocalists Luke Combs and Chris Stapleton. But both were bested by a come-from-behind dark horse, Gary Allan. It has been way too long since we have had new music from this talented fellow.

The female division appeared to be a contest between our happening ingenues, Lauren Alaina and Kelsea Ballerini. But here again, the front runners were beaten by a lesser known star, Maggie Rose. To retread a cliche, you go, girl.

MAGGIE ROSE/Body On Fire
Writers: Maggie Rose/Chad Carolson; Producers: Jimmy Robbins/Maggie Rose/Chad Carolson; Publishers: none listed; MR (track)
– A home run. Steamy, sensuous, slow-burning and sensational. Her voice explodes into little firecrackers and ignites sparklers throughout. The production is a beautifully textured tapestry of electronic wonder. Why is this gifted woman not on a major label?

YouTube video

 

LUKE COMBS/When It Rains It Pours
Writers: Luke Combs/Ray Fulcher/JOrdan Walker; Producer: Scott Moffatt; Publishers: Big Music Machine/50 Egg/Straight Dimes/Works of RHA/Atlas/Extremely Comustible/On Cor/PAJ, BMI; Columbia/River House
– A drawling good ole boy’s lament of love gone wrong becomes a toe-tapping celebration of freedom and good fortune. This guy sounds exactly like somebody you want to have a beer with.

CHRIS STAPLETON/Either Way
Writers: Chris Stapleton/Tim James/Kendall Marvell; Producers: Dave Cobb/Chris Stapleton; Publishers: none listed; Mercury (track)
– It’s just that magnificent voice and an acoustic guitar delivering a heartbreak ballad. And, boy, do they pack a wallop. Riveting and gripping and righteous and real.

KELSEA BALLERINI/Legends
Writers: Ballerini/Forest Glen Whitehead/Hillary Lindsey; Producer: none listed; Publishers: Forest Glen Whitehead/Jason Massey; Black River
– Echoey, atmospheric and utterly lovely. It’s about finding perfect love and soaring with the feeling.

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CHRIS JANSON/Fix A Drink
Writers: Chris Janson/Chris DuBois/Ashley Gorley; Producers: Brent Anderson/Chris DuBois; Publishers: none listed, BMI/ASCAP; Warner Bros.
– He can’t fix the weather, job worries, a broken heart, the blues or the news. But he can sure ‘nuff fix a drink. Rollicking fun.

ELI YOUNG BAND/Fingerprints
Writers: Mike Eli/James Young/Ross Copperman/Josh Osborne; Producers: Ross Copperman/Jeremy Stover; Publishers: Small Town Kid/Young James Young/NTAC/EMI Blackwood/Rezolant/Sony-ATV/Songs of Black River/One Little Indian Creek, BMI/ASCAP; Valory Music
– Dense sounding, with loads of “bottom” in the mix. It’s not nearly as catchy as their big hits have been.

LAUREN ALAINA/Doin’ Fine
Writers: Lauren Alaina/Emily Shackleton/busbee; Producer: Busbee; Publishers: none listed; Mercury/19/Interscope (CDX)
– It’s a bit of a letdown as the follow-up to a star-making performance. But it has plenty of pluck, and she sings it splendidly, particularly in her upper register.

GARY ALLAN/Mess Me Up
Writers: Ashley Gorley/Ross Copperman/Shane McAnally; Producers: Gary Allan, Ross Copperman, Greg Droman; Publishers: none listed; EMI (CDX)
– Darkly compelling. In front of a throbbing track, he begs a woman he is obsessed with to torture his mind. As usual, he sings with tremendous fire and conviction. A burning cauldron of sound.

YouTube video

 

JASON ALDEAN/They Don’t Know
Writers: none listed; Producer: none listed; Publishers: none listed; Broken Bow (ERG)
– In defense of rural life, to the accompaniment of screaming guitars.

THOMAS RHETT & MAREN MORRIS/Craving You
Writers: none listed; Producer: none listed; Publishers: none listed; Valory Music (ERG)
– It’s a potent rocker with plenty of thump and crash. Despite the billing, this is essentially a Rhett solo with some occasional vocal coloring by Morris.

DISClaimer: Glen Campbell, Beyond The Sun, Harper Grae Offer Summery New Tracks

There is something kinda breezy and summery about this week’s stack of platters.

The numbers by Derek Johnson, The Pistol Annies, Brantley Gilbert and Hadley Park all have this open-air vibe.

So do the sounds of our three award winners. Glen Campbell wins the Disc of the Day award with his wafting remake of “Everybody’s Talkin.’ Locked in a tie for the DisCovery Award are the equally breezy Beyond the Sun and Harper Grae.

BEYOND THE SUN/Cruisin’ ‘Round Town
Writers: Colin Radu/Phil Radu/Dalton Radu; Producer: Dalton Radu; Publishers: none listed; BMI; BTS
– This is a Canadian brother trio. Their debut single is a summertime, bob-that-head, anthem. It is also super tuneful and wildly addictive. The bro’s have recently moved to Music City. If the rest of their songs are this good, roll out a great big welcome mat.

GLEN CAMPBELL/Everybody’s Talkin’
Writers: Fred Neil; Producer: Carl Jackson; Publishers: none listed; UMe
– Let’s face it: the Nilsson 1969 original hit with this sounded exactly like a Glen Campbell record. So it goes without saying that song fits Glen like a glove. His flawless performance is matched by a production by his former sideman Carl Jackson that places every note from every instrument in exactly the right place. Daughter Ashley Campbell’s banjo notes ripple through the entire thing beautifully. This is the lead track of a fantastic collection titled Adios. It will be released a week from Friday during CMA Fest as the final album from this legendary artist.

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BEN BOSTICK/Independence Day Eve
Writers: Ben Bostick; Producer: John Would/Ben Bostick; Publishers: none listed; Simply Fantastic
– Bostick makes a good living busking on the Santa Monica Pier. He describes himself as an “outsider” country artist. His upcoming full-length CD debut leads off with this stately ballad of alienation. Urgent sounding.

TIM BENNETT/As Long As You’re Buying
Writer: Tim Bennett; Producer: Tim Bennett; Publishers: Big Sky, ASCAP; Sandy Beach
– The band sounds like a group of amateurs. His singing voice is weak, at best.

BRANTLEY GILBERT/The Ones That Like Me
Writers: none listed; Producer: none listed; Publishers: none listed; Valory Music
– Churning, charging, clanging midtempo excitement with mucho electric guitar grinding. I still think he has one of the coolest voices around.

DOAK SNEAD/Each Day Like It’s The Last Day
Writer: Snead; Producers: Snead/Kelley Sallee Snead; Publishers: Doak Snead, BMI; Hear Say (track)
Catalogue is an album that compiles Nashville songwriter Snead’s demos recorded between 1991 and the present. This sparse, thoughtful, philosophical ballad dates from 2009. His conversational delivery connects emotionally, more than making up for his vocal limitations.

THE PISTOL ANNIES/Tulsa Time
Writer: Danny Flowers; Producer: Garth Fundis; Publishers: none listed; Slate Creek (track)
Gentle Giants is a tribute CD to the great Don Williams. The cast is superb — Garth, Trisha, Brandy Clark, Lady A, John Prine, Keb Mo, Dierks and Chris Stapleton, for starters. The collection kicks off with a sprightly take on this toe tapper by Miranda, Ashley and Angaleena. Buy this righteous album.

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DEREK JOHNSON/Real Cool, Kinda Hot
Writers: Phil O’Donnell; Producer: Phil O’Donnell; Publishers: none listed, BMI/SESAC; Applause (CDX)
– He’s got a backwoods accent you could cut with a knife. The song is a peppy hillbilly ditty that name-checks beer, pickup truck, camo clothes and a bunch of other cliches. But in its goofy way, it is utterly irresistible.

HADLEY PARK/Another Bottle Of Wine
Writers: Courtney Dashe/Morgan Leigh Garner; Producer: Hadley Park; Publishers: No Bull About It/Morgan Leigh Garner, BMI/ASCAP; HP (track)
– Have raved about this female duo before. Its current single/video is a witty, tongue-in-cheek ditty that kisses off an ex in a dishy gal-to-gal conversation. I am told that their songs are eagerly sought after by big-name artists, and I can certainly hear why.

HARPER GRAE/Free
Writers: Harper Grae/Femke Weidema; Producer: Josh Barker/Ethan Brewington; Publishers: Oliver Ann Music/Femke Music (BMI/ASCAP); Oliver Ann Records
– Very cool sounding. It has a gospel-y vibe of a melody, and her vocal is loaded with personality. Best of all, is an outstanding production that incorporates hand claps, thudding-stark percussion, churchy piano chords, a celebratory chorus of backup vocalists and mandolin twittering. Essential listening.

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DISClaimer: “Peerless” Brandy Clark Earns Disc Of The Day With “Three Kids No Husband”

We have a wide variety of sounds this week.

Our DisCovery Award winner is Tim Elliott, and he’s as country as grits. But we also have Glee star Noah Guthrie, and he brings a folk-pop-Americana vibe to the table, not to mention a Prince song. Sarah Petite has Mexicali horns on her disc. Bubba T’s Honky Tonk Revival has rowdy-party sing-along people.

And then there’s our Disc of the Day winner, the peerless Brandy Clark. She’s the one with the soul-piercing heart song.

NOAH GUTHRIE/I Would Die 4 U
Writer: Prince; Producers: Noah Guthrie/Ian Guthrie; Publishers: none listed; The Holland Group
-This Glee alumnus and native South Carolinian caps his CD The Valley with this striking Prince cover. He slows it way down and adds stately piano chords and a string section. His aching tenor brings out the latent tenderness in the song’s lyric. Impressive.

SARAH PETITE/Getting Over You
Writer: Sarah Petite; Producer: none listed; Publisher: Sweet P, BMI; SP (track)
– This single from Petite’s fifth CD, Road Less Traveled, showcases her Tammy-esque vocal phrasing against a backdrop of Mexicali horns, sighing steel and hearty male backup harmony voices. I like her conversational musical manner a lot. Recommended.

RANDALL LEE RICHARDS/A Paradise Life
Writers: Randall Lee Richards; Producer: Stacy Hogan; Publisher: none listed; BMI; Ocean’s Ten (CDX)
– I like the hard-luck, blue-collar lyric and the driving, anthemic mood. I just wish he was a stronger singer.

BRANDY CLARK/Three Kids No Husband
Writers: Brandy Clark/Lori McKenna; Producer: Jay Joyce; Publishers: House of Sea Gayle/Highway 508/Songs of Universal/Hoodie, ASCAP; Warner Bros.
– This has become an emphasis track from Brandy’s Big Day in a Small Town album due to the overwhelming fan response it has been getting. It has been said that country music is “three chords and the truth.” Well, no one sings the truth like this woman does. With perfectly chosen words and profound empathy, she and co-writer Lori McKenna have written a mini art film about a reality faced by millions of American women. Listen to this with no distractions. It will touch your soul.

TIM McDONALD/Dad
Writers: Tim McDonald; Grant Austin Taylor; Producers: Tim McDonald/Paul Franklin; Publishers: none listed; ASCAP; Ranch King (CDX)
-He is more than a little pitch challenged.

McKENNA FAITH/Poison
Writers: McKenna Faith/Brittany Lane/Evan Gibb/Ethan Brewington; Producer: Caleb Sherman; Publishers: none listed; BMI/ASCAP; Treble (CDX)
– Four writers and none of you could come up with a melody?

BUBBA T’S HONKY TONK REVIVAL/Drink All Day
Writers: Brandon Kinney/Ben Daniel/Wynn Varble; Producer: Keith Gattis; Publishers: none listed; Amerimonte (CDX)
– The band’s name and the song title tell you just about everything you need to know about this tropical-redneck NASCAR outing.

GREG HUDIK/Mama’s Love
Writers: Greg Hudik; Producer: Greg Hudik; Publishers: none listed; BMI; Platinum (CDX)
– An audio trainwreck.

TIM ELLIOTT/Start Pourin’ Whiskey On It
Writers: John Wiggins/Randy Houser; Producer: Kent Wells; Publishers: none listed, BMI; BRE (CDX)
-He’s a solid honky-tonk singer. The song is a country, country, country winner about chasin’ away yer blues at the end of a hard work week. The production rocks. I’m in.

DISClaimer: Tony Stampley’s “Daily Bread” Takes Disc Of The Day Honors

Yeesh. What a lackluster listening session.

No wonder I haven’t been listening to much new country music lately. If this week’s stack of platters is any indication, the genre is awash in mediocrity.

The trend of the day seemed to be unusual stage names. Folks named Mondo, Anthony K and Mighty Orq are vying for your attention. Take my advice and don’t give it to them.

There are really only three discs here that are worth your spins. Tony Stampley’s “Daily Bread” is the Disc of the Day. Big Joe Schmidt’s equally well written “Over Time” wins him a DisCovery Award.

And Nashville singer-songwriter Mike Younger has a collection of literate lyrics that touch on environmental and social justice as well as romantic issues. He has been linked with the likes of Rodney Crowell, Levon Helm and Nanci Griffith, which should give some suggestion of his abilities.

MARK MACKAY/Road To Mustang
Writer: None listed; Producer: None listed; Publisher: Phil Dixon
– He’s a West Coat, country-rocking guitar slinger. This track from his eight-song CD Trials & Tribulations is strong on rhythm and attitude, but could have used a lyric editor. He takes forever to get to the hook.

 JOE SCHMIDT/Over Time
Writer: Bill Filson; Publisher: None listed, BMI; Producer: Joe Schmidt
– First class all the way. The rolling, relentless tempo is irresistible. The production throbs. His muscular, confident singing voice is just splendid. The lyric message about learning the good things in your life from your dad is potent and heart tugging. This one is definitely a keeper.

JON PARDI/Heartache on the Dance Floor
Writers: Jon Pardi/Bart Butler/Brice Long; Publisher: None listed; Producers: Bart Butler, Jon Pardi
– Listenable, if kinda lightweight. For a frothy ditty, it has a somewhat cluttered production.

CHRISTIAN DAVIS/An American Soldier’s Story
Writers: Terry R. Bell/Bruce Marshall Conyers; Publisher: None listed, ASCAP; Producer: Terry Bell & Dave Demay
– Soldiers become brothers and sisters on the battlefield and have one another’s backs, whether they are black, white, Hispanic or native American. An uplifting anthem.

TONY STAMPLEY/Daily Bread
Writers: Tony Stampley/Kelly Roland; Publishers: none listed, BMI/ASCAP; Producer: Tony Stampley
– It’s been awhile since we’ve heard from Joe Stampley’s talented offspring. He still has that cool, soulful singing voice. This slowly paced hymn of thanks gives him plenty of space to exercise his phrasing.

MALLORY JOHNSON/Good Mistake to Make
Writers: Troy Verges/Gordie Sampson/Hillary Lindsey; Publisher: none listed, BMI/SOCAN/ASCAP; Producer: Sammy Kershaw
– Considering the producer, it’s no surprise that the production has twang and bounce. Considering the writing credits, it’s no surprise that the song is catchy, hooky and radio friendly. Her upbeat vocal delivery is pert and perky.

MIKE YOUNGER/Poisoned Rivers
Writer: Mike Younger; Publisher: Divinerum, ASCAP; Producer: Bob Britt
– Nashville guitar great Bob Britt produced this troubadour’s self-composed CD Little Folks Like You and Me. The simple, harmonica-laced arrangement of this track gives it a bit of a Dylan-like sound. It also throws its folkie-topical lyrics into high relief as it calls for solidarity and strength in a time of cultural divisions.

MONDO/Time To Wine
Writer: Charles Armando Mariscal; Publisher: None listed, ASCAP; Producer: Mondo Mariscal
– The track rocks. His vocal doesn’t.

MIGHTY ORQ/Love in a Hurricane
Writer: J. Davidson; Publisher: none listed, BMI; Producer: None listed
– Thin sounding. I’ve heard demos with more production than this. You could drive a dune buggy through his vibrato.

 ANTHONY K/Marry Me
Writer: Anthony K. Culver; Publisher: Boozyjones 1, ASCAP; Producer: Jamie Tate
– Redneck romance, packed with cliche lyrics.

DISClaimer: Old Crow Medicine Show Takes Disc Of The Day Honors

Old Crow Medicine Show. Photo: Laura Partain

Americana music is in the news this week, what with the genre announcing its 2017 award nominees.

So what better time to survey some current records of the style?

The stand-out, Disc of the Day here is the new project by Old Crow Medicine Show. It is a blast.

The DISCovery Award goes to Ana Cristina Cash. In addition to our award-winners, don’t miss Tommy Emmanuel, Kelly & Ellis, David Starr and Dion.

ANA CRISTINA CASH/”Tough Love Woman”
Writers: Ana Cristina Cash/Shawn Camp; Publisher: none listed; Producer: John Carter Cash
– This swampy, bluesy track has a very cool retro-rockabilly vibe that is super catchy. Her alto voice is loaded with pent-up power and a confident swagger. A recording artist since age 15, Ana Cristina married John Carter Cash last fall, and her uniformly excellent Tough Love EP is her first Nashville project.

SUSAN ANDERS/”My Parachute”
Writer: Susan Anders; Publisher: none listed; Producer: Susan Anders & Tom Manche
– The forte of this Music City artist is harmony singing, which she teaches and writes books about. This pop-folk track from her Loop De Loop CD is a moody reflection on living with uncertainty. The unusual chords on guitar and piano give the track an appealing off-balance quality.

OLD CROW MEDICINE SHOW/”Rainy Day Women #12 & 35″
Writer: Bob Dylan; Publisher: none listed; Producer: none listed
– The new CD by these Opry stars is a rousing, rollicking string-band re-imagining of Bob Dylan’s historic Blonde on Blonde Nashville LP. Recorded live, it kicks off with this terrifically energetic arrangement of the collection’s 1966 hit single. “Everybody must get stoned,” indeed.

 DAVID STARR/”The Head and the Heart”
Writer: David Starr; Publisher: David Starr, ASCAP; Producer: John Oates
– Wow. This folkie can really sing. This is classic, acoustic, songwriter/troubadour stuff that harkens back to the best of the James Taylor/Joni Mitchell era. I love the “heart” in his tenor tones. Produced in Nashville by the esteemed John Oates, this is the title tune of a EP that is unreservedly recommended.

ANGIE & THE DESERTERS/”Stay”
Writer: Guy Griffin; Publisher: none listed; Producer: Jeff Huskins
– Very well executed. The mandolin-focused arrangement compliments her teardrop-notes delivery perfectly. Her slight vibrato adds to the intrigue. The group’s six-song EP is titled You.

SON VOLT/”Back Against The Wall”
Writer: Jay Farrar; Publisher: Grain Elevator, BMI; Producer: Jay Farrar
– These longtime Americana favorites continue their roots-rocking ways on the new Notes of Blue CD. This, the collection’s single, has a stripped-down, blue-collar Springsteen-ish vibe. Recorded in St. Louis, which group leader Jay Farrar calls home.

KELLY & ELLIS/”Anyone Who Isn’t Me Tonight”
Writer: C. Kelly; Publisher: none listed; Producer: Dave Rivers
– The “Kelly” in this duo is Nashville singer-songwriter Casey Kelly, whose hits include Tanya Tucker’s “Soon,” T.G. Sheppard’s “Somewhere Down the Line” and more. He recorded a pair of fine Elektra LPs back in the 1970s. His return to disc finds him still in mightily expressive voice as the duet partner of scintillating singer Leslie Ellis. They reprise his 1978 Kenny & Dottie hit in a lively, almost bluegrassy arrangement. Elsewhere on their acoustic CD The Long Road to You, they revive his 1985 George Strait classic “The Cowboy Rides Away” and the Cats show tune “Memory,” which she performed back in her Broadway days. How Nashville is this? The two met at an in-the-round show at The Bluebird Cafe.

 TOMMY EMMANUEL & STEVE WARINER/”Workin’ Man Blues”
Writer: Merle Haggard; Publisher: Sony ATV, BMI; Producer: Tommy Emmanuel
– The 14 tracks on Tommy Emmanuel Live at the Ryman are mostly dazzling guitar instrumentals (”Classical Gas,” “Blood Brother,” “Windy & Warm,” etc.). Steve Wariner provides vocal support on this Haggard cover, but it’s the team’s fleet-fingered guitar workout on it that will melt your mind. Stay tuned for the following track, “Eva Waits,” the only studio recording on the collection. It will haunt you.

DION/”Can’t Help But Wonder Where I’m Bound”
Writer: Tom Paxton; Publisher: none listed; Producer: Tom Wilson
Kickin’ Child is the “lost” album by this Rock ‘n’ Roll Hall of Fame member. Recorded in 1965, it falls between his “Runaround Sue” and “Abraham, Martin & John” eras, but was shelved by Columbia because the label didn’t understand the transition he was undertaking. Now released for the first time, it sounds like the classic folk-rock that producer Wilson was creating with Simon & Garfunkel (”Sounds of Silence”) and Bob Dylan (”Like a Rolling Stone”) at the same time. In addition to Dion’s originals, the CD includes this classic Tom Paxton tune, plus an early cover of Dylan’s “It’s All Over Baby Blue.” As a lifelong Dion fan, I consider this an essential record.

 NELL ROBINSON & JIM NUNALLY BAND/”Baby Let’s Take The Long Way Home”
Writers: Nell Robinson/James Nunnally; Publisher: Jim Nunnally/Nell Robinson, BMI; Producer: Peter Berkow, Jim Nunally & Nell Robinson
– These folkies harmonize nicely together. The steel-dominated accompaniment is spare and simple. Pleasant, if not exactly life changing.

DISClaimer: Old Dominion, Charlie Worsham, The Railers Offer Summer-Ready Tracks

I’ve got yer country summer playlist right here.

This week’s listening stack is brimming with breezy, uptempo, smile-a-minute singles that are just right for sunny weather. High Valley, Old Dominion, Canaan Smith, Charlie Worsham, Randy Moore and The Railers all popped up with summertime sounds at exactly the same time.

Old Dominion and Charlie Worsham finished in a dead heat for the Disc of the Day prize.

The Railers rule as the DisCovery Award winners. I know, I know: They’re not brand new. But it has been three long years since they were first in “DISClaimer,” so they might as well be.

 

RANDY MOORE/Sunshine State Of Mind
Writer:R. Moore; Producer: R.C. Moore; Publisher: Undead, SESAC; Highway 59 (track)
– Jaunty, catchy and tropical sounding. Very much in the island/Buffett/Parrothead groove. His vocal delivery is loaded with warmth.

WILLIAMS HONOR/No Umbrella
Writers: Gordon Brown/Reagan Richards/Cyndi Thomson; Producer: Gordon Brown; Publishers: All Hour G1B/Lady Rae Gun/Bella Love, ASCAP/BMI; All Hour (track)
– This is a male-female country duo from Asbury Park, NJ. She sings lead in a throaty, emotive tone on this plea to end heartbreak. His production is atmospheric and airy.

GARTH BROOKS/Ask Me How I Know
Writers: none listed; Producer: none listed; Publishers: none listed;Pearl (ERG)
– The verses are cast in a moody, lower-register voice. Then the choruses explode with much more intensity. The lyric addresses a rounder who is going to get his comeuppance from a gal one of these days.

A THOUSAND HORSES/Preachin’ To The Choir
Writers: none listed; Producer: none listed; Publishers: none listed; BMLG (ERG)
– Like much of their music, this is fairly rocked up. Lots of electric guitar in the mix and an overall rowdy vibe.

THE RAILERS/11:59 (Central Standard Time)
Writers: none listed; Producer: none listed; Publishers: none listed; Warner Bros.
– Irresistibly infectious. This bopping party ditty is a perfect summertime sound. Stay up all night with these happy kids.

YouTube video

CHARLIE WORSHAM/Cut Your Groove
Writers: none listed; Producers: Frank Liddell/Eric Masse; Publishers: none listed; Warner Bros.
– I remain a fan. His earnest tenor vocal performance is matched with a breezy track that pushes the tempo onward and upward. Luscious, lustrous, lilting listening.

JERROD NIEMANN/God Made A Woman
Writers: none listed; Producer: none listed; Publishers: none listed; Curb (ERG)
– Pensive and powerful. He finds himself loved and cherished beyond anything he deserves. The ballad swells with strings and steel as he caresses each line.

OLD DOMINION/No Such Thing As A Broken Heart
Writers: none listed; Producer: none listed; Publishers: none listed; RCA (ERG)
– I love the burbling, bubbling rhythm track. The sunny, upbeat, chin-up lyric is packed with supercool advice, notably, “You gotta love like there’s no such thing as a broken heart.” Not to mention, “Chase after the dream, don’t chase after the money.” I guarantee that this little record is going to make you feel good, good, good.

HIGH VALLEY/She’s With Me
Writers: none listed; Producer: none listed; Publishers: none listed; Warner Bros.
– The handclaps are delightful, and the tempo is undeniably compelling. This toe tapper is an instant add, and ya gotta love that.

CANAAN SMITH/Like You That Way
Writers: none listed; Producer: none listed; Publishers: none listed; Mercury (ERG)
– Romance in a sunny, super-positive light. It’s not the deepest thing I’ve ever heard, but it is effortlessly appealing.

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DISClaimer: Willie’s ‘True Love’ Wins The Day

To reverse a common expression: Out with the new, in with the old.

At 83 years young, Willie Nelson has the masterpiece du jour with his “True Love.” Written and sung by a master, it is head and shoulders above every other disc in this week’s stack. It is easily the Disc of the Day.

Mind you, there is plenty of “new” here to like, as well. In fact, there is so much talent among today’s first timers that the DisCovery Award is split three ways.

The male winner is a fellow named Blane Howard, who has an instant wedding classic for your listening pleasure. Blane moved to Nashville from Arkansas to attend Belmont, and now it sounds like he’s on his way.

The female honor goes to Brooke Woods, who has a dandy, sunny bopper. I know nothing about her, since her website refuses to open.

The group award goes to The Buffalo Ruckus, who have the freshest and most innovative country-rock sound I’ve heard in ages. These Texas boys sound like they carry their stompin’ party with them wherever they go.

NOE PALMA/I’ll Be Your Whiskey
Writers: Ryan Griffin/Jason Matthews/Emily Shackelton; Producer: Bart Busch & Jason Matthews; Publisher: none listed
– It says here that he’s a firefighter in Kansas City. Based on this full-throated, super melodic performance, I’d say its time he lit a fire under a country-music career. Well done, son.

THE BUFFALO RUCKUS/Born To Die
Writer: none listed; Producer: none listed; Publisher: none listed
– Rumbling thunder rolls through this rocking track. The bass-heavy production, dramatic guitar slashes, driving percussion and howling, passionate, edge-of-the-seat vocal performance are all fantastically gripping. A wild ride that’s packed with energy, energy, energy.

WILLIE NELSON/True Love
Writers: Willie Nelson/Buddy Cannon; Producer: Buddy Cannon; Publisher: Sony-ATV Countryside/Run Slow, BMI/ASCAP
– Heart tugging and utterly gorgeous. Nelson’s tender reading of this ballad is nothing short of brilliant, and Cannon’s production swirls around him like smoke. Play this and believe. The exquisite new album that contains this is titled God’s Problem Child. Buy it now.

SONIA LEIGH/Jack Is Back
Writers: none listed; Producer: Sonia Leigh & Anthony Olympia; Publisher: none listed
Her performance is quite startling and edgy. The production is even more eyebrow raising, what with its processed vocal effects and pop/rock attack. Fascinating, if not exactly straight-down-the-middle country.

BRAD PAISLEY/Last Time For Everything
Writers: Brad Paisley/Smith Ahnquist/Brent Anderson/Chris DuBois/Mike Ryan; Producer: Luke Wooten & Brad Paisley; Publisher: none listed, ASCAP
– Nostalgia has never sounded better. He looks back at his youth and realizes that so many of those experiences will never be repeated. Meanwhile, guitars stutter around him and the arrangement roars. Brad wins yet again.

JOE LASHER JR./Tap A Tall Light
Writers: Jeremy Stover/Jaren Johnston; Producer: Jeremy Stover; Publisher: none listed, ASCAP
– Very sincere sounding. He sings like he’s sitting right next to you, which is the mark of a real communicator. It doesn’t hurt that the song is splendidly written.

BLANE HOWARD/Promise To Love Her
Writers: Blane Howard/Jordan Kyle Reynolds; Producer: Brad Hill & Blane Howard; Publisher: none listed, ASCAP
– It’s a power ballad sung by a resonant baritone who’s pledging true romance. A ready-made wedding anthem. What’s not to love?

BROOKE WOODS/God Bless The World
Writers: Alex Call/Robby Calvo; Producer: Mark Coleman & Brooke Woods; Publisher: none listed
– The production pumps mightily, defying you to stay in your chair. If the lyric is a little on the goody-two-shoes side, the soaring melody makes up for it.

SARABETH/I Want It That Way
Writers: Andreas Michael Carlsson/Max Martin; Producer: Glen Mitchell; Publisher: none listed
– I never understood this lyric when The Backstreet Boys sang it. I still don’t.

JOHN HORD/More Than I’m Used To
Writers: John Hord; Producer: Rosewood Studios; Publisher: none listed, BMI
– There’s nothing really wrong with it, except that it is average. And compared to the rest of what we’re hearing this week, that just won’t cut it.

 

DISClaimer: Miranda Lambert, Nora Collins Make Top Contenders

Miranda Lambert. Photo: Becky Fluke

It’s Ladies’ Day here at DisClaimer.

All of DisCovery Award contenders are members of the fairer sex — Chandler Stephens, Kayla Calabrese and our winner, singer-songwriter Nora Collins.

The Disc of the Day prize also goes to a female artist, the peerless and justly much awarded Miranda Lambert.

CHANDLER STEPHENS/Patchwork Heart
Writers: none listed; Producer: Keith Thomas; Publisher: none listed; Patchwork Heart
– Newcomer Stephens has assembled quite a team, ranging from ace producer Keith Thomas to attorney Jim Zumwalt and marketer Paul Williams. This video/single from her This Is My Life EP soars with sincerity. Her phrasing has loads of finesse, her sense of vocal dynamics is spot-on, and her range is admirable. Extremely promising.

JIMMY FORTUNE & RICKY SKAGGS/Wake Up Little Susie
Writers: Felice & Boudleaux Bryant; Producer: Ben Isaacs; Publishers: House of Bryant/Sony-ATV Acuff-Rose, BMI; Gaither (track)
– Statler Brothers alumnus Fortune has a new collection titled Sings the Classics that finds this able tenor tackling everything from Nashville Sound ballads to country-rock chestnuts, from pop oldies to Louisiana odes. He and guest Ricky Skaggs sound like they’re having a ball with this rollicking 1957 Everly Brothers rockabilly gem. A guaranteed smile.

JULIA CAPOGROSSI/What I’m Thinkin’
Writers: Julia Capogrossi; Producer: Denny Martin; Publisher: none listed; JC
– Perky and pert, this gal has a saucy lilt in her delivery. The song is about falling for a charming, Southern-fried beau.

MIRANDA LAMBERT/Tin Man
Writers: Lambert/Jack Ingram/Jon Randall; Producers: Frank Liddell/Glenn Worf/Eric Masse; Publishers: Sony-ATV Tree/Pink Dog/Beat Up Ford/BMG Platinum/SWMBGMBMI/Lonesome Vinyl/BMG Rights, BMI; RCA (track)
– Have I mentioned that I think Miranda’s double CD The Weight of These Wings is a stone masterpiece? Its third single is an airy, aching ballad with lots of open space in its simple, spare arrangement. Oh, and it is breathtakingly gorgeous. A performance to get lost in.

YouTube video

 
JOEY FEEK/Red
Writers: Rory Feek/Keith Hunley; Producers: Rory Feek/Bill McDermott; Publisher: ole Black in the Saddle/ole Giantslayer/Hunley, ASCAP; Gaither (track)
– She recorded the new If Not For You CD when she was still billed as “Joey Martin” in 2005. Following her tragic passing last year, widower Rory Feek dusted off these tracks and has now issued them as a memorial to her. This track even has a vintage video that keeps this stellar singer’s memory and image alive. I always thought she had one of the coolest country voices, and it shines on this feisty, lickety-split, hillbilly rocker about being a redneck.

KAYLA CALABRESE/Me Time
Writers: Steve Dorff/Frank Myers; Producer: Jimmy Nichols; Publisher: none listed, BMI; Monarch
-It’s a stomper with attitude, and she delivers it with plenty of moxie. The production is big, but her vocal is even bigger. Go, girl.

COLT FORD & TAYLOR RAY HOLBROOK/Reload
Writers: Jared Sciullo/Charlie Farley/Austin Jenckes; Producer: Noah Gordon/Shannon Houchins; Publisher: Riley Payton/Farley/Nettwerk One A Music US/Songs of Revelry/Lake Gloria,SESAC/BMI/ASCAP; Average Joes
– Thanks to Holbrook’s strong singing, this has more musicality than most of Ford’s hick-hop tracks. I can’t say that I’m crazy about the lyric’s mucho macho threat of violence.

NORA COLLINS/Guess I Woulda Known By Now
Writers: Collins/Kennedy; Producer: Tony Harrell; Publisher: none listed; MV2 (track)
– Love her country drawl, as well as the fact that she applies it to such a contemporary song and production. Her personality pulls you into this power ballad like a magnet. An unmistakable winner. Also check out her dynamite previous single/video “Recover.” Sign me up for the fan club.

YouTube video

 

TONY McKEE & ERIC LEE BEDDINGFIELD/Problem With Me
Writers: Tony McKee/Rob Crosby; Producer: Eric Lee Beddingfield; Publisher: none listed; BarFrog
– He’s sick and tired of, well, just about everything. It has some muddled jive about values, economic injustice, political correctness, religion expression, wounded warriors, wasting money overseas and “being true to what I am and what I ain’t.” Whatever that is.

ROYAL WADE KIMES/Cowboy On The Loose
Writer: Royal Wade Kimes; Producers: George Bradfute, Mike Noble, Royal Wade Kimes: Publishers: Blue Whistler, ASCAP; Wonderment
– This former Asylum Records artist is now billed as “The Gentleman Outlaw.” His new CD Love of a Cowboy kicks off with this toe-tapping country rocker. The band cooks, and his vocal rolls along with confidence. Very listenable.