DISClaimer Single Reviews: Luke Grimes Releases ‘Relaxed, Thoughtful’ New Cover

There are some folk music vibes in this roundup of current country tracks.

Matt Schuster, Lizzie No and Luke Grimes all have acoustic-based tunes, shining brightly amid the rocking sounds of Eddie Montgomery, Caroline Jones, Kameron Marlowe, Bigg Vinny and Brian Kelley. Also here for your listening pleasure is country rap from C’ing Jerome as well as classy country pop from The Frontmen and straight-up, old-school R&B from Robert Finley.

But the folkies ruled the day. Luke Grimes has the Disc of the Day, and Lizzie No is taking home a DISCovery Award. 

CAROLINE JONES / “Lawless”
Writers: Caroline Jones/Brandon Ratcliff/Pete Good; Producers: Caroline Jones/Brandon Hood/Ric Wake; Label: CJ
– A member of Zac Brown Band since last year, Jones also continues her solo career with a new album titled Homesite. It kicks off with this fiery country-rock blast. That’s Jones on lead guitar mixed in with her spitfire delivery. Exciting stuff. 

BRIAN KELLEY / “How We’re Livin'”
Writers: Brian Kelley/Micah Carpenter/Jimmy Robbins/Mark Trussell; Producer: Dann Huff; Label: Big Machine Records
– A big, loud, rompin,’ stompin,’ proud-to-be-country bore.

LIZZIE NO / “Annie Oakley”
Writer: Lizzie No; Producers: Lizzie No/Graham Richman/Patrick Dillett; Label: Thirty Tigers/Miss Freedomland
– Very cool. It begins with a folkie strum then builds into a crashing acoustic rocker with stacked vocal harmonies and a haunting refrain. It is a dusty, lonely-motel road song with a languid, philosophical vocal attitude. Every note fascinated me. 

EDDIE MONTGOMERY & BRYAN MARTIN / “Cost of Being Me”
Writers: Bobby Pinson/Jami Grooms/Mark McGuinn/Rusty Tabor; Producer: Nick Gibbens; Label: Average Joes Entertainment
– He spends money foolishly, which mirrors his self-destructive lifestyle. As he fritters away his life and his funds, he takes stock of his situation while guitars crunch and crash around him. The powerful singing is amplified by a frothing, foaming arrangement that amps up the emotion. I’m in.  

BIGG VINNY / “Battleground”
Writers: Vencent Hickerson/James McNair/Joe Ragosta/Marc Fortney; Producer: Skidd Mills; Label: BV
– Vencent Hickerson (Bigg Vinny), previously gained notoriety as a member of Trailor Choir and as a contestant on NBC’s The Biggest Loser (where he dropped from 426 to 242 pounds). Now returning to music, he rocks out while singing of perseverance and pride. It sounds ready-made for stadium sound systems. 

ELI YOUNG BAND & GEORGE BIRGE / “Amy’s Back In Austin”
Writers: Brady Seals/Stephen Allen Davis; Producer: Duane Propes/Brandyn Steen; Label: Records Nashville
– There is a new tribute album to the music of Little Texas. These two Lone Star State artists pull their talents on a remake of this sad, breezy 1995 hit. Capable. Sturdy. 

C’ING JEROME / “Countrified”
Writers: Chris Jerome Blanton/Virgule Marshall; Producer: Virgule Marshall; Label: Average Joes Entertainment
– It’s country rap with some goofy “wooooh” high notes wafting in the background. The slightly cheesy, relentless, spare rhythm track is also kind of quirky. Weirdly listenable.

DYLAN MARLOWE / “You See Mine”
Writers: Dylan Marlowe/Corey Crowder/Hunter Phelps; Producer: Joe Fox; Label: Sony Music Nashville
– His duet single with another Dylan (Scott) continues to climb. In the meantime, he has a new solo video of this track. It’s a mean-spirited ditty about him shadowing (stalking?) his old girlfriend when she’s out on a date with someone new. He hopes that seeing his truck will ruin her night.

KAMERON MARLOWE / “Tennessee Don’t Mind”
Writers: Charles Kelley/Daniel Tashian; Producer: Dann Huff; Label: Sony Music Nashville
– A scampering rockabilly beat rolls beneath this tempo tune. As always, Marlowe is a sterling vocalist here, hitting high notes effortlessly and wailing with fervor. 

ROBERT FINLEY / “Sneakin’ Around”
Writers: Robert Finley/Dan Auerbach/Kenny Brown/Eric Deaton/Patrick Carney; Producer: Dan Auerbach; Label: Easy Eye Sound
– Finley is a master R&B showman whose blues-soaked tunes are produced in Nashville by Dan Auerbach of The Black Keys. On this mid-tempo groove, he demonstrates how universal “cheatin'” songs can be. Also check out his ballad “Nobody Wants To Be Lonely” and his rocker “What Goes Around.” The blind, raspy-voiced songster is not a country artist, but his vivid storytelling on these tracks kind of makes you wish he was. Finley stages his Grand Ole Opry debut this Saturday evening (Dec. 9).

LUKE GRIMES / “Clay Pigeons”
Writer: Blaze Foley; Producer: Dave Cobb; Label: Mercury Nashville
Yellowstone star Grimes continues his pursuit of country stardom with this brilliantly written folk-country outing. His relaxed, thoughtful reading of the lyric feels like he’s sitting right next you. The song comes from the late Texas tunesmith Blaze Foley. Essential listening. 

THE FRONTMEN / “I Need You”
Writers: Lindsay Rimes/Matt Rogers; Producer: Mickey Jack Cones; Label: Broken Bow Records
– This is a supergroup fronted by Richie McDonald of Lonestar, Tim Rushlow of Little Texas and Larry Stewart of Restless Heart. The trio’s six-song EP begins with this full-throated power ballad. They tag-team lead vocals, then combine their charismatic singing on chesty harmony choruses. These are some mighty singing men. Thrilling listening.

MATT SCHUSTER / “Last Fall”
Writers: Matt Schuster/Abram Dean/Emily Falvey/John Newsome; Producer: Chris LaCorte; Label: Warner Music Nashville
– Schuster continues to show immense promise. This aching, melancholy ballad of lost love hits an emotional bullseye thanks to his plaintive, penetrating tenor vocal underscored by sweetly sympathetic strings and steel. Heartbreak on the hoof. 

DISClaimer Single Reviews: Tim McGraw Delivers ‘Downright Inspirational’ New Track

Album Art: Courtesy of Big Machine Records. Photo: Tyler Conrad

Today’s edition of DISClaimer is a “variety pack” of contemporary country sounds.

If it’s old-fashioned country sentimentality you seek, you’ll find it in “This Is My Dirt,” “The Country I Grew Up With” and the superbly written “Growin’ Up Raising You.” Headed for the dance club? Take “Neon Cowboy” with you. For a full-throated love song, try “Gonna Love You” by Parmalee. Those of you into country pop have that base covered by either Ashley Monroe or MacKenzie Porter. Our sexy outlaw du jour is Warren Zeiders.

And to hear a modern country master at work, spin “Runnin’ Outta Love” by Tim McGraw. It is the Disc of the Day. The DISCovery Award goes to Sam Grow. 

SAM GROW / “Loretta”
Writer: Johnny Gates; Producer: Sam Grow; Label: Average Joes Entertainment 
“I miss you like the radio misses Loretta Lynn,” he mourns for his lost love. Vivid songwriting. Soulful, raspy singing. Punchy production. What’s not to love?

SAMMY KERSHAW / “On the Road Again”
Writer: Alan Wilson; Producer: Danny B. Harvey; Label: Cleopatra Records
– It’s a revival of the bluesy Canned Heat hit of 1968, and Kershaw keeps it pretty close to the original. His singing voice sounds totally untouched by time, and the harmonica blowing of producer Harvey matches him lick for lick, and then some.

WILLIE JONES & BEN BURGESS / “Dive Bar”
Writers: Willie Jones/Ben Burgess/Chris Lane/Michael Lotten; Producer: Michael Lotten; Label: The Penthouse
– This stomper sings the praises of low-rent roadhouses. Jones has always mixed hip-hop and country elements better than most, and this catchy ditty follows that pattern. He and singer Burgess vow to turn a trendy nightclub into their kinda joint. No mechanical bull, thank you very much.

JUSTIN MOORE / “This Is My Dirt”
Writers: Justin Moore/Paul DiGiovanni/Randy Montana/Jeremy Stover; Producers: Jeremy Stover/Scott Borchetta; Label: The Valory Music Co.
– A stranger approaches a farmer with an offer to buy his land to build a housing development. His reply is just what the title implies. Sentimental, but that’s what we love about country music, right?

ASHLEY MONROE / “Over Everything”
Writers: Ashley Monroe/Al Anderson/Scott Stepakoff; Producers: Ashley Monroe/Gena Johnson; Label: AM
– Wafting, echoey, ethereal and kind of magical. Her double-tracked, soft soprano is backed with slowly shuddering percussion and wooshing electronics. It ain’t all that “country,” but it is decidedly hypnotic. Lend this your ears.

TIM MCGRAW / “Runnin’ Outta Love”
Writers: Matt McGinn/Lindsay Rimes/Brad Warren/Brett Warren; Producers: Tim McGraw/Byron Gallimore; Label: Big Machine Records
– This is downright inspirational. McGraw’s solid delivery of the hope-filled lyric rides atop a splendid, galloping rhythm track that cranks the excitement up. His top-10 tally currently stands at 69. Let’s make it an even 70, shall we?

MACKENZIE PORTER / “Bet You Break My Heart”
Writers: Mark Holman/Chris Tompkins/Travis Wood; Producer: Joey Moi; Label: Big Loud Records
– Crisply produced country-pop piffle. 

BILL ANDERSON, BOBBY BARE, JIMMY FORTUNE, VINCE GILL & WILLIE NELSON / “The Country I Grew Up With”
Writers: Bill Anderson/Bobby Tomberlin/Lance Miller; Producers: Bill Anderson/Thomas Jutz; Label: MCA Nashville
– As always, Anderson is a master of heart-tugging spoken-word performance. His singing collaborators—Bare, Fortune, Gill and Nelson—are all fellow members of the Country Music Hall of Fame. I believe that is a historic first. The nostalgia in the track is palpable. 

WARREN ZEIDERS / “Sin So Sweet”
Writers: Warren Zeiders/Blake Pendergrass/Justin Ebach; Producer: Justin Ebach; Label: Warner Records
– Sexy, steaming and smoldering, this slow-burn performance is as hot as a blacksmith’s fire. Zeiders is on a roll. 

PARMALEE / “Gonna Love You”
Writers: Matt Thomas/David Fanning/Abram Dean/Andy Sheridan; Producer: David Fanning; Label: Stoney Creek Records
– Ultra romantic, super compelling and packed with oomph, this power ballad might be the band’s strongest performance yet. And that’s saying something, since the group has already topped the charts four times in the past three years. 

GABBY BARRETT / “Growin’ Up Raising You”
Writers: Gabby Barrett/Jon Nite/Zach Kale/Jimmy Robbins; Producers: Gabby Barrett/Ross Copperman; Label: Warner Music Nashville
– This is the best song about motherhood that I’ve heard in years. Every honest line is the truth, and Barrett sings with immense conviction and believability. Precious. Perfect. Essential. 

THE KENTUCKY GENTLEMEN / “Neon Cowboy”
Writers: Brandon Campbell/Derek Campbell/Paul Wrock/Andrew Capra; Producer: Andrew Capra; Label: TKG
– Few contemporary country acts understand the dancefloor better than these two do. This continues their uninterrupted streak of instantly addictive boppers. The song’s video tips its hat to the long tradition of Black rodeo culture. 

DISClaimer Single Reviews: Mickey Guyton Gives ‘A Thrilling Take’ On Tina Turner Hit

Mickey Guyton performs Tina Turner’s “The Best” during CMT Smashing Glass: A Celebration of the Groundbreaking Women of Music. Photo: Jason Kempin/Getty Images for CMT

Country music’s men dominate this edition of DISClaimer.

Batting a thousand are Corey Kent, Randall King, Chris Stapleton, Levi Hummon and Walker Hayes, Kristian Bush, Travis Denning and Neal McCoy. 

But wait, stepping up to the plate is Mickey Guyton, and she hits an out-of-the-park home run with a thrilling take on Tina Turner’s 1989 rock hit “The Best.” Turner has left us, but this performance lights up her memory like a fireworks display. Disc of the Day.

MICKEY GUYTON / “The Best”
Writers: Mike Chapman/Holly Knight; Producer: none listed; Label: MG
– Guyton tore the house down when she paid homage to Tina Turner during yesterday (Nov. 15)’s CMT Smashing Glass female special. Honorees Tanya Tucker and Patti LaBelle rocked along joyously in the audience while she strutted through this commanding performance. If you didn’t catch it, go to YouTube right now and check it out. Star-making stuff.

NEAL MCCOY / “First Time For Everything”
Writers: Porter Howell/Dwayne O’Brien; Producers: Brandyn Steen/Duane Propes; Label: NM
– McCoy’s cover of this 1992 Little Texas oldie is pristinely produced and perfectly executed. He takes it at a slow waltz pace while guitars twang all around him. Sounding good. 

MUSTANGS OF THE WEST / “Down at the Palomino”
Writer: John Beland; Producers: Kirk Pasich/Colin Devlin; Label: Blue Élan Records
– The all-female quintet salutes the legendary California country nightclub with this sprightly bopper. Sunny and bright. 

TRAVIS DENNING / “Going Places”
Writers: Travis Denning/Paul DiGiovanni/Jeremy Stover/Matt Mulhare; Producers: Paul DiGiovanni/Jeremy Stover; Label: Mercury Nashville
– His gal leaves town to make a name for herself. In his unhappiness, he boasts that he’s going places too. Except his “places” are the neighborhood bar. Denning’s delivery is country, country, country. 

HANNAH ELLIS / “Too Much And Not Enough”
Writers: Hannah Ellis/Emily Weisband/Tofer Brown; Producers: Tofer Brown/Jason Massey; Label: Curb Records
– This closes Ellis’ new That Girl album. It’s a ballad that muses about the line a woman has to walk to balance others’ expectations and her sense of self. “Wine Country” is still the single, but this certainly adds another texture to her promising career.  

CHRIS STAPLETON / “White Horse”
Writers: Chris Stapleton/Daniel Dodd Wilson; Producers: Chris Stapleton/Morgane Stapleton/Dave Cobb; Label: Mercury Nashville
– Southern rock lives! Stapleton conjures the memory of The Allman Brothers Band on this blazing barn burner. His electrifying voice is married to sizzling guitar work and a pounding rhythm track. Sit up and take notice. 

BRITTNEY SPENCER / “Bigger Than The Song”
Writers: Brittney Spencer/Jennifer Anne Wayne/Tofer Brown; Producer: Marcus Lomax; Label: Elektra
– Spencer’s current single gets a stripped-down piano-vocal treatment in this new release. I’m down with it, because it showcases the cool lyric that name checks Reba, Aretha, Johnny & June, Janis, Dolly, Beyonce, Whitney and Alannis. 

RANDALL KING / “Hang of Hangin’ On “
Writers: Brett Sheroky/Brice Long; Producers: Randall King/Jared Conrad; Label: Warner Music Nashville
– His country baritone is wonderfully resonant and warm, and this heartbreak ballad is a terrific showcase for it. This is a simply dreamy performance. 

KRISTIAN BUSH / “House on a Beach”
Writers: Kristian Bush/Canaan Smith; Producer: none listed; Label: KB
– The Sugarland veteran has been mighty busy lately. He’s written and staged three musicals in Atlanta, produces new hitmaker Megan Moroney, is issuing a Christmas EP and dropped a 52-song set of four albums. This lovely acoustic track is a smooth, soothing float on gentle waves. Recommended.

KASSI ASHTON / “Genie In A Bottle”
Writers: David Frank/Pam Sheyne/Steve Kipner; Producers: Kassi Ashton/Oscar Charles; Label: MCA Nashville
– Moody and soulful, but this is definitely a pop artist.

LEVI HUMMON & WALKER HAYES / “Paying For It”
Writers: Levi Hummon/Walker Hayes/Eric Arjes; Producer: Eric Arjes; Label: Red Van Records
– She’s gone, but he’s still just as broke as when they were dating. “I’m still paying for it…’cause I’m drinking for two.”  Totally clever and totally cute. Essential listening. Also, I believe this is the first country lyric containing the word “wazoo.”

COREY KENT / “You Know”
Writers: Corey Kent/Austin Goodloe; Producer: Corey Kent; Label: RCA Nashville
– Kent is super charismatic here as he chronicles the chapters of a romance. I dig this guy’s simple eloquence in this acoustic gem. Get on board.

DISClaimer Single Reviews: Luke Combs ‘Keeps You On The Edge Of Your Seat’ With New Single

Luke Combs. Photo: Jeremy Cowart

I have never been prouder to be a country fan than I was when experiencing this week’s CMA Awards telecast.

The special brought out the best and brightest talents in the genre, delivering at the peak of their powers. Kelsea Ballerini, The War And Treaty, Chris Stapleton, Luke Combs, Jordan Davis, Ashley McBryde, Morgan Wallen with Eric Church, Dan + Shay, K. Michelle with Jelly Roll, Tanya Tucker and Carly Pearce as well as Alan Jackson, Kenny Chesney, Mac McAnally and the Zac Brown Band—these were performances for the ages. If you weren’t a country fan going into the show, surely these moments would make you one. My chest was bursting.

Several songs in today’s column were in the spotlight that night. The Disc of the Day is one of them—mega-talent Combs owns it.

The DISCovery Award goes to HunterGirl, whom I met at the ASCAP party. She is an American Idol alumnus, but she needs no TV set to help her on the triumphant “Ain’t About You.”

RVSHVD / “Small Town Talk”
Writers: Clintarius Johnson/Jason Afable/Josh Logan Tangney/Matty Gibbons; Producers: Jason Afable/Dream Addix; Label: Penthouse South/Sumerian Records
– In a word, wow. Stirring and anthemic, this heart-in-throat performance celebrates everyday life in tiny-town America. He sings with marvelous sincerity, and the song could not be more authentically country. I’m in. His name, by the way, is pronounced “Ra-shad” (just turn those V’s upside down.)

TYLER HUBBARD / “A Lot With A Little”
Writers: Tyler Hubbard/Parker Welling/Casey Brown; Producers: Tyler Hubbard/Jordan Schmidt; Label: EMI Nashville
– Hubbard’s warm delivery continues to enchant. Here, he praises the simple joys of poor-folks romance. Guitars blaze brightly and the beats keep a-comin.

HUNTERGIRL / “Ain’t About You”
Writer: Tristyn Hunter Wolkonowski; Producer: Lindsay Rimes; Label: Wheelhouse Records
– Empowering and loaded with character and charisma. The ballad swells with positive vibes, and her vocal delivery has immense depth. This is a major, major new talent.

LAINEY WILSON / “Wildflowers and Wild Horses”
Writers: Lainey Wilson/Paul Sikes/Trannie Anderson; Producer: Jay Joyce; Label: Broken Bow Records
– If you had any doubts about this woman, her performance of this burning country rocker on the CMA Awards telecast erased them. And I do mean “country.” A delicious listening experience. “I’m barefoot and bareback and born tough as nails/I’m four fifths of reckless and one fifth of Jack.” You said it, sister.

ALEX MILLER / “Puttin’ Up Hay”
Writers: Alex Miller/Larry Cordle/Jerry Salley; Producer: Jerry Salley; Label: Billy Jam Records
– This snappy hillbilly rocker sizzles with hot fiddle and electric guitar. Loved his low vocal dip at the finale. 

JESSIE MURPH & JELLY ROLL / “Wild Ones”
Writers: Jessie Murph/Jason DeFord/Feli Ferraro/Gregory “Aldae” Hein/Jeff Gitelman; Producer: Jeff Gitelman; Label: Columbia
– Murph’s saucy delivery leads the way as she sings about the dark side of Saturday night. Jelly Roll keeps pace with some strategically placed hillbilly hip-hop. The track loops back on itself throughout. Is there such a thing as “alternative outlaw” music?

TRACK 45 / “When I Grow Up”
Writers: Ben Johnson/Jenna Johnson/KK Johnson/Jaida Dreyer/Jonny Price; Producers: Track45/Jason Hall; Label: Stoney Creek Records
– The angst of youth aches from every note. Their trio family harmonies on the choruses are awesome. I remain a fan.

LUKE COMBS / “Where the Wild Things Are”
Writers: Dave Turnbull/Randy Montana; Producers: Luke Combs/Chip Matthews/Jonathan Singleton; Label: River House Artists/Columbia Nashville
– What a voice. This is a mighty, mighty country-music man. And perhaps never more so than on this punchy rocker about a man who follows his big brother to Hollywood. Right up to the death scene, his gripping delivery keeps you on the edge of your seat. A simply brilliant performance of a titanically well-written song. He justifiably stopped the show with this at the CMA Awards.

KEITH ANDERSON / “Pickup Truck”
Writers: Ben Hayslip/Dallas Davidson/Thomas Rhett Akins; Producer: none listed; Label: ONErpm
– This enduringly good fellow has plenty of gas in his tank as he takes this high-octane rocker out for a spin. “You don’t need a pickup line if you’ve got a pickup truck.” Rock on, bro. 

MORGAN WALLEN & ERIC CHURCH / “Man Made A Bar”
Writers: Brett Tyler/Larry Fleet/Rocky Block/Jordan Dozzi; Producer: Joey Moi; Label: Big Loud Records/UMG Nashville
– Charisma on the hoof. Individually, they are two of the finest singers we have. Together on this splendidly written ode, they are undeniable. This, my friends, is real country music.

KARLEY SCOTT COLLINS / “Heavy Metal”
Writers: Karley Scott Collins/KK Johnson/Sam Backoff; Producers: Karley Scott Collins/Nathan Chapman; Label: Sony Music Nashville
– Her ear-catching, piercing, resonant voice is set in an echoey, stripped-down track. This gives extra punch to the lyric of a gal trapped in a dead-end marriage.

LUKE GRIMES / “Burn”
Writers: Luke Grimes/Randy Montana/Josh Thompson; Producer: Dave Cobb; Label: Mercury Nashville/Range Music
– If romance with her means pain, bring it on, says Grimes. As always, he sings with great conviction. The track has a faintly western-cowboy vibe.

DISClaimer Single Reviews: Brad Paisley Gives ‘Enormously Sincere Vocal Performance’

Brad Paisley. Photo: Jim Shea

This edition of DISClaimer is a celebration of songwriting. 

Country music is built on song craftsmanship, and today, we have a number of examples of the artform at its finest. In various ways, “Prenup,” “Find Another Bar,” “The Medicine Will,” “Sweet Southern Comfort” and “The Table” represent this. So does “To Be A Man,” which translates easily into the country genre.

The Disc of the Day is unquestionably Brad Paisley’s “The Medicine Will.” This is topical country music at its most powerful.

The DISCovery Award goes to Leah Turner, for her Latin-tinged outing. It is a duet with Jerrod Niemann, and several of the day’s other outstanding platters are collaborations—Nicolle Galyon & Rodney Clawson, DAX with Darius Rucker, Shy Carter and Frank Ray and Buddy Jewell with his celebrity pals. Carry on. 

LOGAN MIZE / “Out of State Plates”
Writers: Logan Mize/Daniel Agee/Kyle Shurrock; Producer: Daniel Agee; Label: Big Yellow Dog Music
– It’s a road song, but maybe not at the drag racing speed you might expect. Instead, it’s a breezy drive on a country lane. I love the spare production with its finger snaps and twang guitar. Very refreshing.

ERNEST / “Kiss Of Death”
Writers: Ernest Keith Smith/Andy Albert/Ryan Vojtesak; Producer: Joey Moi; Label: Big Loud Records
– This lively, tasteful country rocker zips right along as the singer describes a femme fatale who has captured his heart. The beats never overwhelm his vocal, and the emphasis is on acoustics, which is fine with me. Ernest is racking up one hit after another, and is heading for a two-night stand at the Ryman on Nov. 28-29. 

LAUREN WATKINS / “The Table”
Writers: Lauren Watkins/Nicolle Galyon/Brad Warren/Brett Warren; Producer: Joey Moi; Label: Big Loud Records/Songs & Daughters
– This gifted singer-songwriter unspools a melancholy tale of a disintegrating relationship with sure-footed lyric sense, a smoky vocal and deft picking. Also check out her new country rocker “Fine County Line.” Both are drawn from her sophomore EP, which is a splendid showcase of a major new artist. Get on board. 

BRAD PAISLEY / “The Medicine Will”
Writers: Brad Paisley/Lee Thomas Miller; Producers: Brad Paisley/Luke Wooten; Label: EMI Nashville
– Absolutely extraordinary. Paisley takes on the opioid epidemic, which is especially lethal in his West Virginia homeland. His word portrait encompasses coal mining and small-town devastation while offering sympathy and understanding to victims. The dobro-laced production drives a brisk track with an enormously sincere vocal performance. Essential listening. 

AVERY ANNA & DYLAN MARLOWE / “I Will (When You Do)”
Writers: Avery Anna/Dylan Marlowe/David Fanning/Abram Dean/Joe Fox; Producer: David Fanning; Label: Warner Music Nashville
– They harmonize perfectly, like each other’s shadow. Neither one wants to be the first one to call it quits in this torrid ballad. I could have done without the crashing rock guitars.

DAX & DARIUS RUCKER / “To Be A Man”
Writer: Daniel Nwosu Jr.; Producer: Lex Nour; Label: Records/Columbia
– Canadian/Nigerian rapper Dax teams with Rucker for a country version of his hit meditation on masculinity. Both men pour anguished emotion into the dense, brilliant lyric. This works beautifully. 

SHY CARTER & FRANK RAY / “Jesus At The Taco Truck”
Writers: Shy Carter/Frank Ray/Ben Burgess/Nathan Chapman; Producer: none listed; Label: Warner Music Nashville
– This already has two million TikTok views. The acoustic ballad teams two fine country singers on a lyric about acceptance, tolerance and love for our fellow men. They express understanding and sympathy for hard-working Mexican immigrants who send money home to their struggling families. Ray is a bi-lingual former police officer who gives representation to his culture here. Carter is a Black songwriting sensation who also brings welcome diversity to the country genre. A tip of the hat and a round of applause to both.

SYLVIA TYSON / “Sweet Agony”
Writer: Sylvia Tyson/Cindy Church; Producer: Danny Greenspoon; Label: Stony Plain Records
– I have been in love with this woman for decades. Now a member of the Canadian Country Music Hall of Fame, she came to prominence in the folk-country duo Ian & Sylvia in the 1960s and 1970s. She wrote the standard “You Were on My Mind,” became a radio broadcasting icon in Canada and has recorded more than a dozen acclaimed solo albums. She is billing At the End of The Day as her final recording. This is its lead track and first single, a sweet waltz with deep-twang guitar. Her voice has mellowed into a lustrous, wise alto, which she employs to great effect on a lyric welcoming love back into life, no matter the consequences.

CHRIS LANE / “Find Another Bar”
Writers: Chris Lane/Justin Ebach/Josh Thompson; Producer: Derek Wells; Label: Red Street Records/Voyager Records
– He spots her in his nightspot wearing a new dress, sporting a new hairdo, singing new song, sipping a new drink and accompanied by a new love. Lane’s a broken-hearted country boy who wishes she’d hang out someplace else. As before, he demonstrates that he’s a first-class country singer. 

UNCLE KRACKER / “Cruising Altitude”
Writers: Uncle Kracker/Brett Warren/Brad Warren/JT Harding; Producer: Josh Bright; Label: Sturgeon General Records
– Good-natured and easy-going, the wafting tune is a romantic come-on that goes down (or is “up?”) smoothly. A feel-good fall anthem. 

LEAH TURNER & JERROD NIEMANN / “South Of The Border”
Writers: Leah Turner/Brett Boyett; Producer: Brett Boyett; Label: LT
– Turner is Mexican-American Latina, and this song is loaded with caliente spice. Niemann is her perfect vocal foil as they zip through this rhythmic little wonder. Not to be confused with the lilting, 1939 Gene Autry hit, this ditty is hot and sexy.

BUDDY JEWELL, CLINT BLACK, MARTY RAYBON & THE BELLAMY BROTHERS / “Sweet Southern Comfort”
Writers: Rodney Clawson/Brad Crisler; Producers: Mitchell Brown/Brandyn Steen; Label: BJ
– Jewell updates his 2004 smash with some hearty cameo performances. In addition to singing, Black’s harmonica work is a standout. The anthemic song seems perfect for the SEC football season. 

NICOLLE GALYON & RODNEY CLAWSON / “Prenup”
Writers: Rodney Clawson/Nicolle Galyon; Producers: Jimmy Robbins/King Henry; Label: Songs & Daughters
– Released two weeks ago on the date of her 16th wedding anniversary, Galyon’s new Second Wife EP chronicles her marriage to fellow hit tunesmith Clawson. The collection’s sole duet is this toe-taping hoot about how splitting up their assets would be ridiculous. The chugging, merry beat is matched by their tongue-in-cheek performance of the delightful ditty. Absolutely worth your spins. 

DISClaimer Single Reviews: Sam Hunt Is ‘As Warm As A Hot Toddy’ On New Single

There is fascinating diversity in this latest roundup of country music releases.

Riding atop the stack is Sam Hunt, who wins the Disc of the Day award. His strongest challengers are Dion & Carlene Carter, Catie Offerman, newcomer Bryce Leatherwood and the awesome Tony Jackson, all of whom have completely un-alike approaches to the genre. 

This week’s DISCovery Award goes to Camille Parker, from whom I expect big things to come. 

CATIE OFFERMAN / “OK Cowboy”
Writers: Catie Offerman/Matt Dragstrem/Adam Jones/Joe Clemmons; Producer: Dann Huff; Label: MCA Nashville
– She sings so splendidly well that it really doesn’t matter how unrealistic the lyric is. The underlying emotional message is kinda feisty and relatable. It’s a late-night, boot scootin’ thang. 

SAM HUNT / “Came The Closest”
Writers: Sam Hunt/Josh Osborne/Shane McAnally; Producers: Sam Hunt/Zach Crowell; Label: MCA Nashville
– The guy tried to play it straight for her sake. He cut his hair, shaved, acted nice around her parents, took a 9-to-5 job, quit drinking whiskey and tried settling down. But he’s a rambling man at heart, so they never married and he moved on. The airy production is terrific, and Hunt’s vocal is as warm as a hot toddy. Absolutely, yes. 

DYLAN MARLOWE & DYLAN SCOTT / “Boys Back Home”
Writers: none listed; Producer: none listed; Label: Sony Music Nashville
– Missing the old buddies, so raise a glass in their honor. Rousing, if extremely repetitive and rather inconsequential. 

REYNA ROBERTS / “Miranda”
Writers: Reyna Roberts/David Mescon/Kendall Brower; Producers: Reyna Roberts/David Mescon; Label: ReynaRed Records/Empire
– All attitude. No melody. 

BILLY GILMAN / “Delta Queen”
Writers: Billy Gilman/Dan Murph/Philip Douglas; Producer: none listed; Label: Pinecastle Records
– It’s a guitar-and-fiddle acoustic track about a mysterious murder aboard a paddle wheeler. The drama is undercut by his somewhat bland vocal delivery.

DOLLY PARTON & MILEY CYRUS / “Wrecking Ball”
Writers: Henry Russell Walter/Kim Kiyani/Lukasz Gottwald/Maureen Anne McDonald/Sacha Skarbek/Stephen Mocccio; Producer: Dolly Parton/Kent Wells; Label: Butterfly Records
– Parton’s Rockstar collection, due next month, will contain this duet with her rocking goddaughter. Cyrus’ low harmony work and step-out vocals are outstanding, and I’ve always loved her song. When it first hit in 2013, it sold nine million units. It’s well worth a revival. Solid work. 

BRYCE LEATHERWOOD / “The Finger”
Writers: Randy Montana/Jeremy Spillman/Brett Sheroky; Producer: Will Bundy; Label: Republic Records/UMG Nashville
– The winner of NBC’s The Voice steps into country music with a clever, twanging lament. “My ex moved on with her next…..she got the ring and I got the finger.” The track is loud and rocking, but his singing is firmly in control. Worth your spins. 

JESSI COLTER / “Angel in the Fire”
Writer: Jessi Colter; Producer: Margo Price; Label: Appalachia Record Co.
– Colter’s comeback album drops tomorrow (Oct. 27). This touching ballad is one of the tunes that made Price want to produce it. It’s written for Lisa Kristofferson with compassion and understanding. Sweet and gentle, with a lovely acoustic guitar solo as the icing on the cake. 

CAMILLE PARKER / “After the Whiskey”
Writers: Camille Parker/Jessica Cayne/Karen Kosowski; Producer: Reid Sorel; Label: CP
“Is a party still a party if it’s happening every night?” She’s a “barstool baby” who questions the grip that alcohol and questionable romantic choices have on her. The echoey, swirly track perfectly captures the mood of impending doom. It’s the title tune of her debut EP and is a fine showcase for a promising new talent.

SUZY BOGGUSS / “It All Falls Down to the River”
Writers: Suzy Bogguss/Doug Crider; Producers: Suzy Bogguss/Doug Crider; Label: Loyal Duchess Records
– Bogguss lends a behind-the-beat alto vocal to this swampy, minor-key outing. The lyric describes the blood on American racial history, and The McCrary Sisters add haunting harmonies. Captivating. The album it is drawn from, Prayin’ For Sunshine (due Nov. 3), is her first fully self-composed and self-produced collection. 

TONY JACKSON / “Do You Remember Country Music”
Writers: Bobby Tomberlin/Mo Pitney/Aaron Bowlin; Producers: Chuck Rhodes/Buddy Hyatt/John Sebastian/Jim Della Croce; Label: BFD/Audium Nashville
– What a vocal. Jackson stakes a claim as a true inheritor of the Lefty/Hank/George honky-tonk tradition with this masterpiece of a vocal. He bends the notes of this barroom ballad like a master. Steel, bounced twin-fiddle bows and hillbilly harmonies abound. At the finale, Randy Travis sings, “Amen.” I rest my case. In the name of all that is holy, play this.

DION & CARLENE CARTER / “An American Hero”
Writers: Dion DiMucci/Mike Aquilina; Producers: Dion DiMucci/Wayne Hood; Label: KTBA Records
– The ageless Rock & Roll Hall of Famer sounds as strong and soulful as ever on this country ode celebrating everyday people who respond to tragedies, fight for the nation, farm the fields, work the factories, teach our children, tend to the sick and stand for good. Carter, of course, is her everlasting vibrant vocal self. They harmonize beautifully together as fully equal partners on this inspiring duet. Highly recommended.

CHARLEY CROCKETT / “Killers of the Flower Moon”
Writers: Charley Crockett/T-Bone Burnett; Producer: Charley Crockett; Label: CC
– The song was inspired by the true tale told in David Grann’s 2017 book and Martin Scorsese’s new film of the same title. The Osage Native-American people grew wealthy in Oklahoma because of the oil on their lands. In the early 1920s, White businessmen murdered dozens of tribal leaders and stole their land, which led to an FBI investigation. To the accompaniment of a thumping, jittery track, Crockett revives country music’s folk-ballad tradition and relays the story using real names and places in the song’s lyric. Gripping stuff. The Texas music great is currently on the road opening for Chris Stapleton.

DISClaimer Single Reviews: Chris Stapleton’s New ‘Stately Ballad Is Exquisite’

DISClaimer slows things down today as the country stars concentrate on ballads.

Most of them are romances, paced by Disc of the Day winner Chris Stapleton’s heart-warming “It Takes a Woman.” In addition, lend your ears to the highly listenable offerings by Tanner Adell and Colbie Caillat.

Also checking in with a ballad is our DISCovery Award winner, Roman Alexander.

This turned out to be a day for comebacks as Lisa Brokop, Shenandoah and Carolyn Dawn Johnson all return to the scene.

ROBYN OTTOLINI / “Sick of Sex”
Writers: Robyn Ottolini/Emily Reid; Producer: Cameron Jaymes; Label: Empire
– This is a pop ballad that explores a topic I don’t believe has been addressed in song before. It is quite wordy and complex, so I doubt radio will play it.

ZACH BRYAN & THE LUMINEERS / “Spotless”
Writers: Zach Bryan/Wesley Schultz/Jeremy Caleb Fraites; Producer: Zach Bryan; Label: Warner
– This guy is always worth a listen. On this spare, stark, ear-catching ballad he’s joined by the Americana stars who chant along as he unspools this lyric of a downer heading nowhere romantically. If you haven’t listened to his self-titled collection, you should.

MADELINE MERLO / “Tim + Faith”
Writers: Jerry Flowers/Madeline Merlo/Parker Welling/Stephony Smith/Zach Crowell; Producer: Zach Crowell; Label: BBR/Wheelhouse
– This lady is a spectacular vocalist, and this dandy slice of romantic nostalgia just might be the tune that lets the whole world know it. The lyric cleverly folds in the power couple’s hit titles. I’m in.

JON PARDI & LUKE BRYAN / “Cowboys and Plowboys”
Writers: Rhett Akins/Cole Taylor/Jacob Rice; Producers: Jon Pardi/Bart Butler/Ryan Gore; Label: Capitol Nashville
– Two hicks swapping country cliches. Probably a hit.

ELVIE SHANE / “Pill”
Writers: Elvie Shane/Lee Starr/Nick Columbia; Producer: Oscar Charles; Label: BBR/Wheelhouse
– The lovely, echoey production and Shane’s captivating voice draw you into a dark tale of a struggle with addiction. Essential listening.

CHRIS STAPLETON / “It Takes a Woman”
Writers: Chris Stapleton/Ronnie Bowman/Jerry Salley; Producers: Chris Stapleton/Dave Cobb/Morgane Stapleton; Label: Mercury Nashville
– This stately ballad is exquisite. Wrap your loved one in your arms and slow dance around the room while his magic voice swirls in the air.

RESTLESS ROAD / “You Don’t Have to Love Me”
Writers: Austin Shawn/Colton Pack/Garrett Nichols/Nate Kenyon/Shawn Austin/Zach Beeken; Producer: Lindsay Rimes; Label: RCA Nashville/1021
– As always with this group, the singing is lustrous and warm. The ultra-romantic ballad is immensely comforting.

COLBIE CAILLAT / “Meant for Me”
Writers: Colbie Caillat/AJ Pruis/Liz Rose; Producer: Jamie Kenney; Label: Blue Jean Baby Records
– The Grammy-winning pop star slips easily into country music on her new Along the Way collection. This lushly produced, romantic ballad from it flows as smoothly as liquid gold.

CAROLYN DAWN JOHNSON / “Road Blocks”
Writers: Carolyn Dawn Johnson/Jennifer Lynn Kennard/Oscar Charles; Producer: Carolyn Dawn Johnson; Label: CDJ
– Johnson re-enters the music scene with a snappy country rocker about persevering through difficulties. Well worth your spins.

SHENANDOAH & LUKE COMBS / “Two Dozen Roses”
Writers: Mac McAnally/Robert Byrne; Producer: Noah Gordon; Label: 8 Track Entertainment
– Shenandoah dusts off its chart-topping 1989 hit with a mighty assist from our reigning country Entertainer of the Year. A classic song performed by classic singers.

ROMAN ALEXANDER & KARLY SCOTT COLLINS / “Downtime”
Writers: Zach Beeken/Garrett Nichols/Colton Pack/Mark Holman/Brett Tyler; Producer: Jared Keim; Label: RA
– This sultry slow jam showcases both voices admirably. It’s snuggle, cuddle-up music in front of the evening fireplace. Alexander seems to be specializing in female collaborations, having previously sung with Alana Springsteen and Ashley Cooke. This title tune of his EP was co-written by Beeken, Nichols and Pack, who are collectively better known as Restless Road.

LISA BROKOP & GEORGETTE JONES / “Who’s Gonna Fill Their Heels”
Writers: Lisa Brokop/Max D. Barnes/Troy Seals; Producers: Chuck Rhodes/Buddy Hyatt; Label: BFD
– The Canadian country award winner returns after a 10-year pause between albums. The title tune of her comeback collection is a female version of the iconic George Jones hit from 1985. George’s daughter lends her terrific voice to the track. The whole thing chimes with charisma.

TANNER ADELL / “Luke Combs”
Writers: Derrick Southerland/Evan Cline/Tanner Adell; Producer: Evan Cline; Label: Columbia
– Sweet, touching, vulnerable, lilting and charming. She listens to the radio and wishes she could be “the girl in a Luke Combs song” like “Better Together” or “Forever After All.” This so richly deserves to be a smash.

DISClaimer Single Reviews: Hailey Whitters’ New Tune Is ‘Fizzy As Soda Pop’

Something old, something new, something borrowed, something blue.

Our veterans today are Sawyer Brown and Miss Reba. Our newcomers are Dillon James and Chris Ryan. The “borrowed” tune is “Thank God I’m a Country Boy.”

As for something blue, that would be “Scared to Go to Church” by our DISCovery Award winner, Chris Ryan, with an assist by Jelly Roll.

The Disc of the Day award goes to Hailey Whitters. Her challengers for the crown were all collabs—Craig Morgan & Luke Combs, Miko Marks & The Fisk Jubilee Singers and Noah Kahan & Kacey Musgraves.

NOAH KAHAN & KACEY MUSGRAVES / “She Calls Me Back”
Writer: Noah Kahan; Producers: Noah Kahan/Gabe Simon; Label: Mercury Records/Republic Records
– New Englander Kahan is a huge Americana favorite. His pairing with Nashville’s Musgraves is a hooky pop-rocker with a delicious punch. The wordy song is brought down to earth when Musgraves starts singing lead about midway through, and then the two singers take it home, joyously, together.

DYLAN SCOTT / “I’ll Be a Bartender”
Writers: Rocky Block/John Byron/Grady Block/Jordan Dozzi; Producers: Jacob Durrett/Grady Block; Label: Curb
– If you are heartbroken, head on over to Scott’s kitchen counter and he’ll mix you a pick-me-up. It helps that he’s got a crush on ya. The wooshing production of this breezy, midtempo outing adds perfect support to his supple singing.

MORGAN EVANS / “Thank God She’s a Country Girl”
Writers: Morgan Evans/Jesse Frasure/John Sommers; Producer: Chris DeStefano; Label: Warner
– It’s a rewrite of the 1975 John Denver smash “Thank God I’m a Country Boy.” Sommers was the song’s first creator. Evans and Frasure flip the gender and perspective. Thanks, I’ll take the original.

CARLY PEARCE / “Heels Over Head”
Writers: Shane McAnally/Carly Pearce/Josh Osborne; Producers: Shane McAnally/Carly Pearce/Josh Osborne; Label: Big Machine
– It’s not a single, yet, but this new track is as cleverly written as anything she’s done to date. The fiddle-led track skips along jauntily as she describes the cheap trash he’s fallen for. In the bedroom, the new gal is “heels over head” for him, you see.

HAILEY WHITTERS / “I’m In Love”
Writers: Lee Thomas Miller/Nicolle Galyon/Cameron Bedell; Producers: Jake Gear/Hailey Whitters; Label: Big Loud/Pigasus/Songs & Daughters
– Adorable. As cute as a kitten. As fizzy as soda pop. Ya gotta love this little ray of sunshine. Whitters is the reigning ACM New Female Artist of the Year and is vying for a similar CMA award next month. Play this.

SAWYER BROWN / “Get Me to the Stage on Time”
Writer: Mark Miller; Producers: Mark Miller/Blake Shelton; Label: SB
– The durable band is celebrating its 40th anniversary with a new documentary film, and this is its title tune. It is upbeat and propulsive like much of their classic work, but is not retro sounding. It’s very engaging and up to date.

FANCY HAGOOD / “Southern Sound”
Writers: Fancy Hagood/Jon Green/Tofer Brown; Producer: Tofer Brown/Jon Green; Label: FH
– Hagood hosts “Trailblazers Radio” on Apple Radio. This tune teases his sophomore album. It’s the follow-up to his Southern Curiosity collection, which has accumulated more than 30 million streams. What we have here is a plaintive, aching plea of young lovers. Hagood’s heartbreak tenor vocal is framed by an echoey electronic production that is lustrous.

REBA McENTIRE / “Seven Minutes in Heaven”
Writers: Olivia Rudeen/Matt Wynn; Producer: Dave Cobb; Label: MCA
– The Country Music Hall of Famer’s new Not That Fancy collection mainly consists of stripped down versions of some of her biggest hits. It also includes her new single, this tender-hearted ballad about missing a loved one. As always, she delivers the goods as a singer.

DILLON JAMES / “Walking Man”
Writers: Dillon James/Paul Sikes/Paul Wrock; Producers: Paul DiGiovanni/Paul Sikes; Label: Buena Vista/UMG/19 Recordings
– This American Idol alumnus rose from homelessness and substance abuse to garner a country recording contract. His disc debut has a deep-twang production and an intense vibe due to its autobiographical nature. To the accompaniment of electric, echo-chamber guitars he sings of going from being a “dead man walking to a walking man living.”

GABBY BARRETT / “Cowboy Back”
Writers: Gabby Barrett/Jon Nite/Jesse Frasure; Producers: Gabby Barrett/Ross Copperman; Label: Warner
– Barrett co-penned and co-produced this midtempo ode to hard working men with solid, good-guy values in honor of her hubby, a Texan. The production marries twin fiddles to a rocking rhythm track.

MIKO MARKS & THE FISK JUBILEE SINGERS / “Jubilee”
Writer: Lee Bob Wilson; Producer: none listed; Label: MM
– As you might expect, this has a gospel vibe, from the steady, stately piano work to the acclaimed, Grammy honored backing vocalists. Marks takes charge with a confident, assured lead vocal that lifts the song skyward. She and her celebrated choir singers will stage the first live performance of this stirring collaboration tomorrow evening (Oct. 13) at the Grand Ole Opry.

CRAIG MORGAN & LUKE COMBS / “Raise the Bar”
Writers: Craig Morgan/Billy Dean; Producers: Craig Morgan/Phil O’Donnell; Label: Broken Bow
– Morgan’s new Enlisted EP features collaborations with Lainey Wilson, Trace Adkins, Jelly Roll, Blake Shelton, Gary LeVox and Combs. The last named is as rousing and raucous as peerless country singer Morgan is on “Raise the Bar.” The two blue-collar buddies invade the wine-and-cheese crowd’s tavern while singing loud and proud about giving the place “some working class.” The snootier set soon sings along. Lots and lots of fun.

CHRIS RYAN & JELLY ROLL / “Scared to Go to Church”
Writers: Chris Ryan/Jelly Roll/Logan Turner/Dave Kuncio/Jay Joyce; Producer: Jay Joyce; Label: Warner
– A sinner wails the blues about his lifestyle. Ryan’s searing tenor begins the power-packed lament with an anguished delivery. Jelly Roll takes a verse that is even more intense. When newcomer Ryan returns to the mic, he drives the song home with ferocious emotion. A grand disc debut.

DISClaimer Single Reviews: Toby Keith Gives ‘Emotionally Gripping’ Performance

Pictured: Toby Keith performs on stage during the 2023 People’s Choice Country Awards at the Grand Ole Opry House on Sept. 28. Photo: Mickey Bernal/NBC via Getty Images

This week, DISClaimer feels warm and nostalgic.

On hand are such monumentally gifted old friends as Toby Keith, Brad Paisley, Dolly Parton, Lacy J. Dalton and Marty Stuart. The youngsters are keeping pace, because we also have Brittney Spencer, Maren Morris, Dustin Lynch and Joy Oladokun with Chris Stapleton playing at the top of their games.

The Disc of the Day goes to the stardust sprinkled collaboration between Old Dominion and Megan Moroney.

ANNE WILSON / “Rain in the Rearview”
Writers: Anne Wilson/Matthew West/Zach Kale/Jaren Johnston; Producers: Jeff Pardo/Jonathan Smith/Zach Kale; Label: UMG
— Wilson is a major Christian-music star, but this is her bid to cross over into country music. Vocally, she’s got the goods. The crashing, echoey production of this anthem sounds like ‘70s rock, which means she should fit right in.

BRAD PAISLEY / “Son of the Mountains”
Writers: Brad Paisley/Dan Tyminski/Jerry Douglas; Producers: Luke Wooten/Brad Paisley; Label: EMI Records Nashville
— This is a splendid country rocker, packed with Paisley guitar runs and wailing vocals. The lyric is an ode to his gorgeous West Virginia homeland. Dan Tyminski provides tenor vocals and Jerry Douglas offers slippery Dobro licks. Dandy listening.

LACY J. DALTON / “Devil By a Different Name”
Writers: Lacy J. Dalton; Producers: none listed; Label: StarVista
— Accompanied by a chugging rhythm track and some scampering fiddle and guitar picking, Dalton offers a timely message of inclusion and togetherness. She’s unafraid to confront our racial, gender, political and sexual differences and to urge tolerance. More power to her.

ZAC BROWN BAND / “The Way You Look Tonight”
Writers: Dorothy Fields/Jerome Kern; Producers: Zac Brown/Matt Mangano; Label: Home Grown Music
— Are you ready for a finger popping, jazzbo outing by these guys, complete with punctuating horn blasts? The Great American Songbook number was introduced by Fred Astaire in the 1936 film Swing Time and won the Best Song Oscar. The Lettermen made it a big pop hit in 1961, and it is associated with singers ranging from Frank Sinatra to Rod Stewart. It has nothing to do with country music, but it’s always a pleasure to hear it.

BRITTNEY SPENCER / “Bigger Than the Song”
Writers: Tofer Brown/Brittney Spencer/Jennifer Anne Wayne; Producers: Marcus “Marc Lo” Lomax; Label: Elektra
— The ballad’s electro track beats steadily behind her while she vocally strolls through a pithy lyric. Along the way, she drops the names of her inspirations—Reba, Aretha, Whitney, Dolly, Alannis, Janis, Johnny & June, Latifah, Beyonce…. Anyhow, it’s ear catching as all get out.

OLD DOMINION & MEGAN MORONEY / “Can’t Break Up Now”
Writers: Emily Weisband/Tofer Brown/Matthew Ramsey/Trevor Rosen; Producers: Old Dominion/Ross Copperman; Label: Columbia Nashville
— Country’s new “it girl” teams up with the genre’s top band to create a little audio magic. The power ballad features primo picking and dynamic vocal harmonies. Matthew Ramsey and Moroney portray a troubled couple who have too much invested in one another to call it quits. As you might guess where this group is concerned, the melody is luscious.

GIRLS NEXT DOOR / “When the Water’s Down”
Writers: TW Hale/Leslie Satcher; Producers: TW Hale/Tom Harding; Label: Girls Next Door 2.0
— Each member of the quartet gets a lead vocal on the verses, then they join in for rousing harmonies on the Dobro-laced choruses. The song has a cool Southern-gothic lyric about a hypocritical small town whose dark secrets emerge during a drought when lowered river water reveals all.

MAREN MORRIS / “The Tree”
Writers: Jimmy Robbins/Laura Veltz/Maren Morris; Producers: Greg Kurstin; Label: Columbia
— Morris apparently bids farewell to country music by releasing her strongest performance in years. The empowerment song finds freedom by exiting a toxic relationship, and it soars with powerful harmonies and audio dynamics. I’m totally into this marvelously written and produced outing.

JOY OLADOKUN & CHRIS STAPLETON / “Sweet Symphony”
Writers: Joy Oladokun/Ian Fitchuk/Shae Jacobs; Producers: Joy Oladokun/Mike Elizondo/Ian Fitchuk; Label: Republic Records/Verve Forecast
— This was originally issued at this time last year. A new version pairing the folkie conversationalist with the fire-breathing soulman is even more thrilling than the original. The ultra romantic ballad remains a great song to snuggle to. This deserves massive attention.

DUSTIN LYNCH / “Honky Tonk Heartbreaker”
Writers: Dustin Lynch/Hunter Phelps/Zach Crowell/Ben Johnson; Producers: Zach Crowell/Ben Johnson; Label: Broken Bow Records
— A good-time party banger with a romping beat and countryboy lyrics. Tap yer toes.

MARTY STUART AND HIS FABULOUS SUPERLATIVES / “Altitude”
Writers: Marty Stuart; Producers: Mike Conley/Chris Scruggs/Harry Stinson/Kenny Vaughn/Marty Stuart; Label: Snakefarm
— Beautifully country, drenched in steel guitar and drawled vocals. The title tune of this outfit’s latest is like a splash of cool water on the desert. To put in culinary terms, this is palate cleansing, so play it and chill. Love at first listen.

DOLLY PARTON & LINDA PERRY / “What’s Up”
Writers: Linda Perry; Producers: Kent Wells/Dolly Parton; Label: Butterfly Records
— The latest advance track from Parton’s forthcoming Rockstar mega, 30-track collection is a 4 Non Blondes cover that was originally a hit in 1993. The ballad begs for a better day. It’s essentially a Dolly solo with songwriter Perry providing a soft harmony vocal.

TOBY KEITH / “Don’t Let the Old Man In”
Writers: Toby Keith; Producers: Toby Keith/Reid Shippen/Arturo Buenahora; Label: Show Dog
— Keith stopped the show with this during last week’s debut People’s Choice Country Awards. His powerful performance of a lyric facing mortality was an emotionally gripping moment that electrified us all. The undertone of his cancer struggle was unmistakable and heart wrenching. The video of it shot to No. 1 on iTunes in the days following the telecast. If you didn’t catch it, do so now.

DISClaimer Single Reviews: The Late Jimmy Buffett ‘Encourages Optimism & Hope’

Jimmy Buffett. Photo: Julie Skarratt

It’s wall-to-wall country stars in this edition of DISClaimer.

For your listening pleasure, we present Dan + Shay, Darius Rucker, Lady A, Charlie Worsham and Kip Moore, Kane Brown, Lauren Alaina and Cody Johnson. And the biggest star of them all gets the Disc of the Day award. It’s Jimmy Buffett singing the most touching and uplifting song of his career. Released posthumously, it demonstrates that this troubadour was making powerful music right up until the end of his life.  

Our DISCovery Award goes to Matt Schuster, whose sound is the one of the most innovative I’ve heard these days. 

LARRY FLEET / “Earned It”
Writers: Larry Fleet/Connie Rae Harrington; Producer: Joey Moi; Label: Big Loud Records
– The title tune of Fleet’s album is a toe-tapping blue-collar anthem about being proud to be a member of the working class. Fiddles saw, guitars twang and his voice drawls with honesty. I love it that this guy is so by-gawd country. Make him the star he deserves to be. 

LADY A / “Love You Back”
Writers: James McNair/Lindsay Rhimes/Emily Weisband; Producer: Dann Huff; Label: BMLG Records
– It’s kind of a snooze until the three kick in with those amazing three-part harmonies. Then it’s katy-bar-the-door. A sterling, stirring audio ride. 

MASON RAMSEY / “Next Right Thing”
Writers: Mason Ramsey/Kendall Goodman/Brandon Day; Producer: Brandon Day; Label: Atlantic Records
– This 16-year-old country phenom wails with fire on this country rocker. The sound is wonderfully relentless, and he bends notes in all the right places. 

KANE BROWN / “I Can Feel It”
Writers: Kane Brown/Phil Collins/Gabe Foust/Jaxson Free; Producer: Dann Huff; Label: RCA Nashville 
– I love his baritone vocal dips in the verses, and he definitely communicates lust in the soaring choruses. This one’s an upbeat banger that is going places. 

CHARLIE WORSHAM & KIP MOORE / “Kiss Like You Dance”
Writers: Jon Nite/Andrew DeRoberts/Andy Albert; Producer: Jaren Johnston; Label: Warner Music Nashville
– Talk about a good time. This joyous, flirtatious bopper rumbles with an outlaw beat, and both men sound like they are having big, big fun. Turn it up and stomp along. 

JIMMY BUFFETT / “Bubbles Up”
Writers: Jimmy Buffett/Will Kimbrough; Producers: Michael Utley/Mac McAnally; Label: Sun Records
– Warmly philosophical and contemplative. Acoustic guitar strumming and a subtle bass heartbeat underlie Buffett’s relaxed, friendly delivery. Co-written with Nashville guitar treasure Will Kimbrough (a longtime Coral Reefer), the ballad reflects on your life’s journey and encourages optimism and hope. What a eulogy. What a gift.

LAUREN ALAINA / “Thicc As Thieves”
Writers: Lauren Alaina/Rocky Block/Jacob Durrett/Parker Welling/Luke Bryan/Dallas Davidson; Producer: Joey Moi; Label: Big Loud Records
– Snappy and sassy. This sprightly rocker has cute lyrics as well as beats to spare and a catchy, layered-vocals production. 

CODY JOHNSON / “Work Boots”
Writers: Jason Afable/Brett Beavers/Canaan Smith; Producer: Trent Willmon; Label: COJO Music/Warner Music Nashville
– The superb “The Painter” remains the single, but here’s another preview of CoJo’s Leather album, due Nov. 3. It’s a jaunty ditty that urges, “feet don’t fail me now.” Get up off your barstool and make your work boots dance with her. Crispy twanging and slurred slide notes abound.

KIMBERLY PERRY / “Fools Gold”
Writers: Kimberly Perry/Nicolle Galyon/Jimmy Robbins; Producer: Jimmy Robbins; Label: Records Nashville/Columbia
– Our story so far: She had country hits with her two brothers in a trio act, then decided she was going to be a pop star. That didn’t work out, so now she wants back into country music, this time as a solo. With its processed vocals and dance club beats, this doesn’t sound all that “country” to me. 

DAN + SHAY / “Then Again”
Writers: Dan Smyers/Shay Mooney/Andy Albert/Jordan Reynolds/Lori McKenna; Producers: Dan Smyers/Scott Hendricks; Label: Warner Music Nashville
– A heavenly listening experience—lilting, sweet, romantic, wafting and gentle. They harmonize beautifully as the reflective lyric unspools. A complete audio pleasure. The song also inspired a music video, one of eight (!) the duo has made to promote songs on their new Bigger Houses album. 

DARIUS RUCKER / “Southern Comfort”
Writers: Chris LaCorte/Matt Rogers/Josh Osborne; Producer: Dann Huff; Label: Capitol Nashville
– Uptempo and breezy, it’s an ode to the South with Allman-esque guitars and Dixie name-dropping galore. Rucker sings at the top of his range, and is extra-effective doing so. He should do it more often.

SAWYER BROWN / “Under This Old Hat”
Writer: none listed; Producer: Blake Shelton; Label: SB
– This veteran country band stars in Get Me to the Stage on Time, a documentary film that premieres this week. Produced by Blake Shelton, their comeback album features this zippy, rapid-fire-vocal rocker about living on the road. Sounding as good as ever, fellas. 

MATT SCHUSTER / “Tell Me Tennessee”
Writers: Matt Schuster/Josh Dorr/Andy Albert/Lalo Guzman; Producer: Chris LaCorte; Label: Warner Music Nashville
– I dig this guy’s refreshing sound. His plaintive, heartfelt tenor is backed by a jingle-jangle, pop-ish track with irresistible rhythm. The hooky bopper’s lyric calls out to a missing lover to join him in the Volunteer State. I’m definitely intrigued. Send more.