Due West’s Criminal Wordplay and Chris Filer Visits MR

Crime Or Publicity Stunt? While in Atlanta, promoting its new single, “Bible And The Belt,” Due West’s car was broken into  and its backpacks, wallets, keys and laptops were stolen. They reported the break-in to the police, saying the thief needed a Bible and a belt.

(L-R) DW’s Matt Lopez, Brad Hull, Officer J. Young and DW’s Tim Gates.

Chris Filer dropped by the MusicRow corporate headquarters to learn more about the publication’s CountryBreakout radio chart and meet the staff. Filer’s new single is “John Deere, John 3:16”

(L-R) MusicRow's David M. Ross, Jerry Duncan Promotion's Lisa Smoot, Filer, MusicRow's Jon Freeman and MarcoPromotion's Rick Kelly.

DISClaimer Single Reviews (9/15/10)

This is apparently Country Ballads Week.

Almost all of the class acts in this stack of platters are making their marks with slower tempi fare. James Otto, Lorrie Morgan, John Mellencamp, Charlie Louvin, the LoCash Cowboys, Jerrod Niemann and Teea Goans ain’t about rockin’ the house. They have generally thoughtful things to say.

Competing for Disc of the Day were Mellencamp, Louvin, Niemann and Goans. I’m splitting the prize this week. For the major-label effort with the most sonic ingenuity, the winner is Jerrod Niemann. For back-to-basics country authenticity on an indie effort, Teea Goans takes the prize.

KEN DOMASH/Ding Dang Darn It
Writer: Ken Domash; Producer: David Bechtel; Publisher: none listed; Thunder Mountain/Spinville (track) (www.domashmusic.com)
—The track totally rocks, with plenty of “bottom” in the bass and beats. The song is cutely catchy, and he sings with verve. What’s not to love?

JERROD NIEMANN/What Do You Want
Writer: Jerrod Niemann/Richie Brown/Rachel Bradshaw; Producer: Jerrod Niemann & Dave Brainard; Publisher: New Songs of Sea Gayle/Ozworth/Words & Music/Coburn, BMI; Sea Gayle/Arista
—Of course he’s a star. He spells his last name with two “n’s,” doesn’t he? The follow-up to “Lover Lover” is a moody ballad with lots of space around his haunted vocal and some profoundly deep atmosphere. Audio paradise. Beyond cool.

ANDY MEADOWS/Give Me A Microphone
Writer: Andy Meadows; Producer: Patrick McGuire & Andy Meadows; Publisher: Andy Meadows, BMI; Oscar (track) (www.andymeadows.net)
—The title tune to this Texas guy’s CD lacks personality. Both he and the band sound bored.

JAMES OTTO/Soldiers & Jesus
Writer: James Otto/Chris Wallin; Producer: Paul Worley & James Otto; Publisher: Warner-Tamerlane/Eldorotto/29 Cent Hamburgers/Red Cape, BMI/ASCAP; Warner Bros.
—The ballad is well written, and, as usual, he sings with immense soul. But there’s this constant drone in the production that I found distracting.

SAM ROARK/The Sound Of A Woman Saying Goodbye
Writer: Lori Saunders/Ann M. Schneider/Robert D. Andrew; Producer: Joe Sun; Publisher: Air Deluxe, BMI; Kat (track)
—“Sam” is “Samantha,” and she sings with oomph-y hillbilly moxie on this sassy bopper. Country with a capital “K.”

TEEA GOANS/I Don’t Do Bridges Anymore
Writer: Jim McBride/Don Poythress/Jerry Salley; Producer: Terry Choate; Publisher: Dream Island/Rightfield/BMG/Don Poythress/Country Gentleman/Evergreen, BMI/ASCAP/SESAC; Crosswind (track)
—I LOVE THIS. I have praised this woman’s hardcore country approach in the past, and this ballad performance only adds to my admiration. If you like your country served straight up, lend this woman your ears. She is the Real Deal.

CHARLIE LOUVIN/Back When We Were Young
Writer: Tom T. Hall; Producer: Michael Manning; Publisher: Sony-ATV Acuff Rose, BMI; Chicken Ranch (www.chickenranchrecords.com)
—Heartbreaking. Charlie’s delivery of this deeply sad lyric will put a lump in your throat, for sure. And the 83-year-old Hall of Famer’s current battle with cancer only adds to the touching poignancy here. Beautifully produced.

LORRIE MORGAN/I Walk Alone
Writer: Lorrie Morgan/Mark Oliverius/Kelly Lang; Producer: Lorrie Morgan & Mark Oliverius; Publisher: Lorrie Morgan/Kelly Lang/Oliverius, BMI/ASCAP; Lorrie (CDX) (www.lorrie.com)
—Lorrie is still one of my favorite female country stylists. This empowerment lyric is a dandy, the mid-tempo melody has all the hooks it needs, and the punchy production propels the whole thing forward relentlessly. A winner.

LOCASH COWBOYS/Keep In Mind
Writer: Jeffrey Steele/Shane Minor; Producer: Jeffrey Steele; Publisher: Jeffrey Steele/BPJ/Sony-ATV Tree/Code Six Charles, BMI; Stroudavarious (www.locashcowboys.com)
—Sweet and heartfelt. Every parent can relate to this lyric of wishing the best for a child heading out into the world. Every music lover should fall for these lustrous vocal harmonies. Easily this group’s strongest effort to date.

JOHN MELLENCAMP/Save Some Time To Dream
Writer: John Mellencamp; Producer: T Bone Burnett; Publisher: Belmont Mall/EMI April, ASCAP; Rounder (track)
—Mellencamp’s new No Better Than This CD was recorded in mono in the legendary Sun Studio in Memphis, the First Baptist Church in Savannah and in the same San Antonio hotel room where Robert Johnson made blues history. This Sun track features spare guitar, bass and percussion, and it is absolutely mesmerizing. The performer’s trademark vocal rasp makes every word sound urgent. His Rock n Roll Hall of Fame caliber songwriting gift remains utterly intact, too. Essential.

Lady A Album Produces Third Charttopper

Lady Antebellum is in the top spot of MusicRow’s Country Breakout chart again this week with “Our Kind Of Love,” the third consecutive No. 1 from the band’s Capitol Nashville double platinum album Need You Now.

The group kicks-off its 2010 headlining tour next week in Orlando, Florida, with special guest MCA Nashville recording artist David Nail.

Lady A is nominated for five CMA Awards including Entertainer of the Year, Vocal Group of the Year, Album of the Year for Need You Now, Single of the Year for “Need You Now” and Music Video of the Year for “Need You Now.” Each member also snagged an additional nomination individually in the Song of the Year category as songwriters for this monster hit.

Artists Making The Radio Rounds

Photos from George Strait, Gwen Sebastian, Joanna Smith, The Roys and Brian Stace visiting radio programmers and performing across the nation.

George Strait visited with John Crenshaw (L) and UMG’s Joe Putnam (R) before a recent show.

Open Road Records' artist Gwen Sebastian with KSOP's MD Debby Turpin in Salt Lake City.

Columbia Nashville newcomer Joanna Smith visits with WAMZ PD Coyote Calhoun while promoting her debut single, "Gettin' Married." Pictured (l-r): Calhoun, Smith, Columbia Nashville's Bo Martinovich

The Roys performed a listener appreciation show for “Big Country” WWBE Radio in Selinsgrove, PA where they serenaded MD Shelly Marx for her birthday.

Independent recording artist Brian Stace joined actor Gary Sinise, music legend Glen Campbell, entertainer Ann-Margaret and over 700 motorcycle riders in California this past weekend for the Ride to the Flags honoring victims of the September 11 attacks. Pictured signing autographs with Campbell.

Weekly Chart Report (9/10/10)

KKBQ/Houston's Johnny Chiang (L) found out that Sunny Sweeney likes chewing gum. Sweeney’s “From A Table Away” is currently at No. 27 on the CountryBreakout Chart.

SPIN ZONE
Lady Antebellum has a knack for these multi-week No. 1 songs, don’t they? The Capitol trio’s “Our Kind Of Love” tops the CountryBreakout Chart for a fifth consecutive week, despite some slight spin erosion. That puts Kenny Chesney’s strong single “The Boys of Fall” and Darius Rucker’s “Come Back Song” in good position to challenge the top spot very soon.

The lone new entrant to the top 10 is Taylor Swift’s “Mine,” which sits at No. 9 after a brief five weeks. The Top 20 is crowded with newer singles moving up, but Sugarland’s “Stuck Like Glue” (No. 12) and Brad Paisley’s “Anything Like Me” (No. 15) appear to have enough momentum to outrun the rest. Just outside the top 20 are Zac Brown Band’s “As She’s Walking Away” at No. 21, Jason Aldean’s “My Kinda Party” at No. 25 and Carrie Underwood’s “Mama’s Song” at No. 28, all three of which earned over 200 additional spins.

It’s a strikingly young chart, due to a mass of superstar singles sprinting toward the top. Indeed there are very few singles over 20 weeks old still gaining spins, save for Easton Corbin’s “Roll With It” at No. 5 and the JaneDear girls’ “Wildflower” at No. 26. New to the chart this week include Blake Shelton’s “Who Are You When I’m Not Looking” at No. 68, Walker Hayes’ “Pants” at No. 69, and Josh Kelley’s “Georgia Clay” at No. 74.

Frozen Playlists: KITX, KKCN, KYEZ, WBKR, WKWS



Upcoming Singles
September 13
Matt Kennon/You Can Still Wear White/BamaJam
Jewel/Ten/Valory
Carrie Underwood/Mama’s Song/19 Arista
Cody McCarver/I’m America/E1

September 20
LoCash Cowboys/Keep In Mind/Stroudavarious
Troy Olsen/Good Hands/EMI Records Nashville

•  •  •  •  •

New On The Chart—Debuting This Week
Artist/song/label — chart pos.
Blake Shelton/Who Are You When I’m Not Looking/Reprise/WMN — 68
Walker Hayes/Pants/Capitol — 69
Josh Kelley/Georgia Clay/MCA — 74
Gretchen Wilson/I Got Your Country Right Here/Redneck Records/C05 Nashivlle — 76
Melanie Denard/All I Ever Did Was Love You/StarPath — 77
Steve Richard/80 Acre Church/Force MP Entertainment — 78
Derek O’Bannon/The Truth Talks Too Much — 79

Greatest Spin Increase
Artist/song/label — spin+
Carrie Underwood/Mama’s Song/Arista — 378
Zac Brown Band feat. Alan Jackson/As She’s Walking Away/Atlantic/Bigger Picture — 332
Blake Shelton/Who Are You When I’m Not Looking/Reprise/WMN — 318
Brad Paisley/Anything Like Me/Arista — 294
Taylor Swift/Mine/Big Machine — 287

On Deck—Soon To Be Charting
Artist/song/label — spins
Tommy Steele/Forever 17 — 212
Jesse Lee/Like My Mother Does/Atlantic/WMN — 211
Chris Heers/Happy Thought — 200
Laura Bell Bundy/Drop On By/Mercury — 184
Andy Vello/Hank It Up/LoozLip Records — 117

Two Week Most Added*
Artist/song/label — New adds
Blake Shelton/Who Are You When I’m Not Looking/Reprise/WMN – 26
Walker Hayes/Pants/Capitol – 19
Carrie Underwood/Mama’s Song/Arista – 15
James Otto/Soldiers & Jesus/Warner Bros./WMN – 14
Randy Houser/A Man Like Me/Show Dog – Universal – 10

David Nail recently visited WXBQ in Johnson City. (L-R): WXBQ PD Bill Hagy, Nail, WXBQ's Regina Kilgore, and UMG VP Joe Putnam.

The Roys recently visited KBCR/Steamboat Springs, CO. The duo’s latest single “Beautiful” is climbing the CountryBreakout Chart. (L-R): Lee Roy, KBCR’s Debbie Duncan and Elaine Roy.

Bobby Karl Works the 9th Annual AMA Honors & Awards

Americana music may be a fringe genre, financially struggling, lacking major media exposure and a complete mystery to most mainstream music consumers, but its awards show was a total celebration of its star power.

Presented at the Ryman Auditorium on Thursday (9/9), the event featured appearances by Rosanne Cash, Emmylou Harris, John Oates, Robert Plant, Rodney Crowell, John Mellencamp, Mary Chapin Carpenter, Wanda Jackson and The Courtyard Hounds Martie Maguire and Emily Robison. And that doesn’t even count the star-studded “house band.”

Musically, we knew we were in for a treat when Sam Bush and Will Kimbrough led the festivities off with “Tumbling Dice,” featuring Buddy Miller, Jim Lauderdale, Emmy and Patty Griffin in support. Lauderdale has seemingly been institutionalized as the show’s host.

“Welcome back, my friends, to the show that never ends….on time,” he quipped. This annual gig is, indeed, renowned for punishing rear ends on the unforgiving wooden Ryman pew seats for four hours and more. Lauderdale promised that he would run this year’s event on schedule, and he nearly succeeded.

Rosanne was first up, presenting the Lifetime Achievement Award for Songwriting to Mellencamp. “Americana is the box they put you in when you take your art too seriously to fit in any other box,” she said. She described the honoree as “a quintessentially American artist” and as “the pride of Indiana.”

“A songwriter tries to write something that can become part of the fabric of the listener,” Mellencamp said. “This award shows that some people are still listening, and I appreciate that very much.” Performing solo with acoustic guitar, he sang “Save Some Time to Dream” from his new Rounder CD No Better Than This. Copies of the CD were handed out to all attendees upon entering.

Darrell Scott and Patty presented the Song of the Year prize to Ryan Bingham. His “The Weary Kind” has already won an Oscar, so he thanked everyone connected with the film Crazy Heart.

“What an amazing awards show,” said new-artist nominee Sarah Jarosz before performing “Song Up in Her Head” with Darrell on the harmony vocal and mandolin.

AMA Executive Director Jed Hilly announced that this is the organization’s 11th annual convention and its 9th annual awards presentation, stating that this is, “the most comprehensive and diverse music event in the city of Nashville.” He also noted that Americana music now has its own Grammy category. Again. (He said the same thing last year.) “Thank you for believing in Americana,” he concluded.

New artist nominee Corb Lund did a nice job on “Devil’s Best Dress” before Lucinda Williams gave the Jack Emerson Lifetime Achievement Award for Executive to Luke Lewis. “Danny Goldberg said I was a hippie disguised as an executive, and I took that as a compliment,” said Luke.
 He recalled befriending Americana godfather Gram Parsons in boarding school in 1962 and founding Lost Highway Records. Then Lost Highway’s Lucinda previewed her atmospheric ballad “Born to Be Loved” from her upcoming CD.

Bush presented the Lifetime instrumentalist honor to steel guitarist Greg Leisz. “I think the last award I won was when my high school garage band won a Battle of the Bands,” said Greg. “It’s been a long dry spell since then.”

New artist nominees The Carolina Chocolate Drops drew the evening’s first standing ovation for their performance. Spoken-word artist Minton Sparks was also outstanding. Gibson Guitar Foundation exec David Berryman and Mr. Plant presented the Instrumentalist of the Year award to Buddy Miller. Then intense new-artist nominee Joe Pug sang solo.

Emmylou and Rodney presented the Lifetime Achievement Producer award to Brian Ahern. After listing his accomplishments, Brian said, “I developed a motto: If you’re the smartest person in the room, you’re working with the wrong people.” Then Em and Rod sang “Leaving Louisiana in the Broad Daylight” as a salute.

The Avett Brothers and Grace Potter presented the New & Emerging Artist of the Year prize to Hayes Carll. “This is unexpected,” he said. “I remember when I was nominated for New & Emerging Artist five years ago. Thanks for supporting me all these years.”

Bingham sang a haunting, echoey “Hallelujah,” then Mary Gauthier and Oates gave the Avetts the Duo/Group award. “It’s such a pleasure being around a group of folks where it’s all about music and not about egos,” Oates said. Daryl Hall, are you listening?

Ray Wylie Hubbard sang a rumbling, powerful “Drunken Poet’s Dream.” Then Lauderdale “stalled for time” by doing his ditty “That’s Americana.” Rosanne returned to do “Ode to Billie Joe” with hubby accompanist/producer John Leventhal.

To the delight of one and all, Jack White appeared to present the Lifetime Achievement Performer award to Wanda Jackson. He has produced the 72 year-old legend’s upcoming comeback LP The Party Ain’t Over Yet. She got a standing ovation. She noted that she got a 2005 National Endowment for the Arts honor and was inducted into the Rock ‘n’ Roll Hall of Fame in 2009. “This award is the icing on the cake,” she said. Jack, she said, “is pushing me right into the 21st century.” She sang her new Jack-produced single “Shakin’ All Over,” trembling the fringe on her white blouse.

First Amendment Center honcho Ken Paulson told us about the Free Speech award given to Mary Chapin Carpenter last April, then she joined him to give Rosanne the Album of the Year trophy to Rosanne for The List. “Wow,” said a choked-up Rosanne. “This was such an emotional project for me….Most of all, I want to thank my Dad for making this List for an 18 year-old girl who wanted to be a songwriter.”

After the Avetts sang their stately, punchy “I and Love and You,” The Courtyard Hounds (sisters Maguire & Robison) gave Bingham the Artist of the Year honor. “Man! I don’t’ know if I really deserve this,” said Oscar-winner Ryan. “Everyone [else] on the [nominee] list are people I’ve looked up to and admired….I really don’t know what to say except thank you.”

Buddy introduced the house band, which included Don Was, Leisz, Aaron Embry and Bryan Owings before Lauderdale joined them to do “Patchwork River.” That concluded the “official” show. Then Plant and his Band of Joy took the stage to do a “surprise” finale.

More than 2,000 attended, including Tony Brown, Barry Mazor, Tim Fink, Ken Levitan, Jon Freeman, David Macias, Mary Martin, Jerry Salley, Jon Grimson, my convention life-saver Joyce Simmons, Jody Williams, Bill Wence, Tom Roland, Pat Collins, Jim Mallet, AirPlay Direct’s Robert Weingartz, Don Cusic and Tim McFadden.

Billboard Unveils Indie “Dreamseekers” Chart

Acknowledging the ever-increasing number of unsigned, independent artists, Billboard has unveiled a new chart and introduced a new strategy in an effort to regain relevance in an increasingly fragmented music business. According to an article in today’s (9/10) Wall Street Journal, the magazine is getting ready to launch a new ranking for undiscovered and unsigned artists, along with a subscription service designed to help those acts increase their visibility among talent-seeking managers, promoters and labels.

For a yearly fee of around $100, unsigned artists will be able to upload their music to the Web and track their exposure on a range of outlets, from Twitter and music blogs to radio airplay and sales. In addition, Billboard will apply those metrics to a new “Dreamseekers” chart, comprised of aspiring artists.

MySpace Music will partner with Billboard in promoting this new product, which will appear regularly in Billboard and on the magazine’s website. Billboard is also in discussions with several networks about possible related TV programming.

“Everybody has to modernize,” said Richard Beckman, Chief Executive Officer of E5 Global Media, the company that was formed to purchase Billboard from Neilsen Media last December. “We want to be the catalytic force to help the industry monetize itself. It’s a lofty goal, but I think we have the juice to do that.”
Read the Wall St. Journal article here.

NPR To Broadcast AMA Award Show

Can’t be in Nashville for the Americana Music Association’s 2010 Honors & Award Show tonight (9/9)? Well, fear not. NPR Radio and partner station Folk Alley will be webcasting the entire affair from the Ryman Auditorium starting at 6:30pm ct, joining the BBC, Voice of America Radio, Sirius XM, and WSM AM as the show’s broadcast partners. NPR will also have the ceremony archived and available for on-demand listening at www.npr.org/music as well as from its iPhone app.

Award show tickets are still available for $55 from Ticketmaster, Ryman.com, or at the Ryman box office. Jim Lauderdale will handle hosting duties again, joined by Buddy Miller and his All-Star house band featuring Don Was, Aaron Embry, Greg Liesz, and Bryan Owings. Scheduled performers include John Mellencamp, Emmylou Harris, The Avett Brothers, Rodney Crowell, Wanda Jackson, Rosanne Cash, Patty Griffin and more. Presenters include Jack White, Lucinda Williams, Mary Chapin Carpenter, Grace Potter, John Oates, Mary Gauthier and more.

Artists On The Road and at Radio

Stealing Angels In San Jose
Skyville Records/Nine North artists Stealing Angels were in San Jose visiting with  KRTY. The trio was asked to sign a jar of cherries and proved equal to the challenge.

(l-r): Nine North’s Dave Collins, Stealing Angels’ Caroline Cutbirth and Jennifer Wayne, KRTY's Tina Ferguson, KRTY GM Nate Deaton, and Stealing Angels’ Tayla Lynn.

• • •

Amber Hayes Visits AM WSM
FUNL Music recording artist Amber Hayes celebrated the Aug. 31 release of her debut EP, C’mon, with a pair of interviews and performances for Nashville’s legendary radio station 650AM WSM. Hayes delivered a live performance for morning personality Bill Cody.

(l-r): WSM producer, Charlie Mattos, Amber Hayes, WSM’s Bill Cody and Hayes’ guitarist and co-writer, Bill DiLuigi.

• • •

Todd O’Neill Brings “Mississippi” to Missouri
Aria Records artist Todd O’Neill has been visiting radio stations to introduce his latest single, “Cry No Mississippi.”  At a recent stop through Springfield, MO, the singer received a warm welcome at KTTS and met with station program director Mark Grantin.

KTTS program director Mark Grantin (left) greets Todd O’Neill.

• • •

DISClaimer Single Reviews (9/8/10)

The competition is at a really high level this week.

I can’t remember when there were so many really fine songs going head to head during one listening session. “I Make a Difference,” “Bad Angel,” “Raymond” and “Who Are You When I’m Not Around” all tugged at my emotions in different ways.

It’s also a really good sign when there are so many worthy newcomers making noise. Rob Baird, T.J. Broscoff, Brad Wolf and Brett Eldredge all tickled my ears. But only the last-named had the one-two punch of both a performance and a song that knocked me off my socks. Give Brett Eldredge that DisCovery Award.

Brett was so strong, in fact, that he also competed for Disc of the Day. So did Blake Shelton, Sage Keffer and Randy Houser. But in the end, I went with the undeniable star power of Dierks Bentley, Miranda Lambert and Jamey Johnson.

ROB BAIRD/Could Have Been My Baby
Writer: Rob Baird; Producer: Scott Davis; Publisher: none listed; Carnival (track) (www.robbairdmusic.com)
—This is evidently kicking up some dust on the Texas charts. I can hear why. He has a soulful, urgent delivery, a blue-collar attitude and a plain-spoken songwriting style. The production is rootsy/cool with underlying high, keening steel and organ sounds. Count me in.

SARA EVANS/A Little Bit Stronger
Writer: Luke Laird/Hillary Lindsey/Hillary Scott; Producer: Tony Brown; Publisher: Universal-Careers/High Powered Machine/Raylene/BPJ/EMI Foray/Hillary Dawn, BMI/ASCAP/SESAC; RCA
—Her delivery is emotionally resonant, but the overly long and meandering song isn’t very hook-y.

BRYAN COLE/I’m Comin’ Home
Writer: Bryan Cole/Michael Stover; Producer: Bryan Cole & Michael Stover; Publisher: none listed; Perfect Vision (www.bryancole.net)
—This fellow is a regional favorite in the Pittsburgh area. His plaintive tenor hits all the right notes here. But it’s usually not a good idea to launch a national career with a ballad. Go find yourself a hit song.

BLAKE SHELTON/Who Are You When I’m Not Looking
Writer: Earl Bud Lee/John Wiggins; Producer: Scott Hendricks; Publisher: We’re Working/Kobalt Songs/Notewrite/Fiddlestock, ASCAPP/BMI; Reprise
—He is one of the most underrated vocalists in this format. This stunning, perfect performance throws the spotlight on his ballad abilities. As if his subtly shaded phrasing isn’t stellar enough, the song is wonderfully well written.

T.J. BROSCOFF/Jamie’s Heart
Writer: T.J. Broscoff; Producer: Bill Green; Publisher: Bill Green, BMI; BGM (www.tjbroscoff.com)
—I dig the rasp in his throat, the melodic song and the twinkling, breezy production. Very promising. Send more.

DIERKS BENTLEY, MIRANDA LAMBERT & JAMEY JOHNSON/Bad Angel
Writer: Verlon Thompson/Suzi Ragsdale; Producer: Jon Randall Stewart; Publisher: Verlonsongs/EMI April/Ray Stevens, ASCAP/BMI; Capitol Nashville (track)
—The video of the trio’s performance of this during the CMA Music Festival is now airing on CMT. I went insane over this the first time I heard it on Dierks’s superb Up on the Ridge CD. I’m still crazy about it. Bluesy, soulful, searing and sensational. To my ears, the greatest country Vocal Collaboration of the Year.

BRAD WOLF/I Make A Difference
Writer: Don Goodman/Brad Wolf; Producer: Morris, Goodman & Resnik; Publisher: Big Hitmakers/Little Tornadoes, BMI; Evergreen (615-327-3213)
—His delivery is kinda bawling and in-your-face. But there’s no denying the righteousness of his message. When the teacher is asked how much she makes, she replies, “I make a whole lot more than I get paid/Because I make a difference.” Amen to that.

BRETT ELDREDGE/Raymond
Writer: Brett Eldredge/Brad Crisler; Producer: Byron Gallimore; Publisher: Brett Eldredge/English Ivy/Chrysalis One/Have a Bad Day/FSMGI, BMI/ASCAP; Atlantic
—What a terrific story song. He’s the janitor in an old-folks home. A lady there calls him “Raymond” and thinks he’s her son. He lets her. You see, the real Raymond was buried in Arlington Cemetery in 1971. You’d have to be made of stone not to be moved by this.

SAGE KEFFER/Bet Yo Mama
Writer: Chuck Cannnon; Producer: Matt Rovey & Sage Keffer; Publisher: Chuck Cannon, BMI; SK  (www.sagekeffer.com)
—Swampy and funky every whichaway. This former Nashville Star competitor has a CMT reality TV show with Ted Nugent in the can, is playing the criminal in Jake Owen’s hit “Tell Me” video and has twice headlined shows in Europe. Will somebody do the right thing and give this guy the major-label contract he deserves?

RANDY HOUSER/A Man Like Me
Writer: Randy Houser/Danny Green/Jameson Clark; Producer: Mark Wright & Cliff Audretch III; Publisher: Bug/Songs of Windswept Pacific/Black in the Saddle/Ole/Sony-ATV Cross Keys/Mighty Underdog, BMI/ASCAP; Show Dog Universal (CDX)
—Solid. This is my kinda country music, with a heartbeat bass, a note-bending honky-tonk vocal, a deep-South drawl and a chorus with hooks a-plenty. Listeners are going to love this.