UMPG Shuffles Top National Execs.

(Top) UMPG EVP/Head of Pop & Rock Music, Creative, Monti Olson. (Bottom) UMPG Head of Business & Legal Affairs/Business Development, David Kokakis (Photos: PRNewsFoto/Universal Music Publishing Group)

Monti Olson and David Kokakis both received promotions today (11/14) from Universal Music Publishing Group, North America’s President, Evan Lamberg. Olson to Executive Vice President/Head of Pop & Rock Music, Creative and Kokakis to Senior Vice President, Head of Business & Legal Affairs/Business Development.

Both positions report directly to Lamberg and will be based in the company’s world-wide headquarters in Santa Monica. These promotions follow today’s exits of Tom Sturges, EVP/Head of Creative, and Robert Allen, SVP/Head of Business and Legal Affairs.

Olson will oversee the Pop and Rock creative operations as he co-leads U.S. creative teams in Los Angeles and New York with Ethiopia Habtemariam, Executive Vice President/Head of Urban Music. Olson previously served as VP of A&R. His career also includes a similar post at BMG.

Kokakis’ newly appointed position will head UMPG’s Business Affairs operations in North America, which includes overseeing all contract negotiations and legal matters concerning new and existing songwriter signings, monitoring all copyright infringement matters, and negotiating new digital media agreements.

BMG Chrysalis Signing Announcement

Kylie Sackley

BMG Chrysalis recently signed hit singer songwriter Kylie Sackley. She spent a few years touring her native Australia and was honored with the Country Music Association of Australia’s new artist award before deciding to focus solely on her songwriting and move to Nashville.

Sackley has two Top 5 singles to her name, including LeAnn Rimes’ “Nothin’ ‘Bout Love Makes Sense” and Faith Hill’s “Sunshine and Summertime.” She also penned the Alan Jackson single “It’s Just That Way” and has a cut on Jackson’s upcoming album titled “She Don’t Get High.’’

Curb Music Publishing Promotes Colt Cameron

Curb Music Publishing has announced the promotion of Colt Cameron to Creative Director. He is responsible for overseeing the creative direction of the publishing division’s roster that includes writers Lee Brice, Kyle Jacobs, Joe Leathers, Billy Montana, LeAnn Rimes and others.

Cameron is a graduate of Belmont University and has been with the company since 2006, most recently serving as Creative Manager. He has placed songs with Steve Holy, Josh Kelley, Randy Rogers Band, Blake Wise, Emily West and Terri Clark. Congratulate him at [email protected].

Bobby Karl Works The BMI Awards

Dallas Davidson and Rhett Akins were named Songwriters of the Year and co-wrote Song of the Year "All Over Me," recorded by Josh Turner. Pictured are (l-r): BMI’s Clay Bradley, Davidson, BMI President & CEO Del Bryant, EMI Music Publishing’s John Platt and Ben Vaughn, Turner, Akins, EMI Music Publishing’s Tom Luteran, and BMI’s Jody Williams. Photo: John Russell

Chapter 383

More Stars Than There Are in the Heavens.

Underwood on the red carpet.

That was the slogan at MGM Studios during Hollywood’s golden age, but for country lovers, it was also true at the BMI Awards on Tuesday evening (11/8). Get this:

Jason Aldean, Gary Allan, Bill Anderson, John Anderson, Rodney Atkins, Hall of Fame Steelers quarterback and country songwriter Terry Bradshaw (!), Kix Brooks, Luke Bryan, Kristian Bush of Sugarland, Kenny Chesney, Billy Currington, Jay DeMarcus of Rascal Flatts, Ralph Emery, Vince Gill & Amy Grant, Lady Antebellum, Miranda Lambert, Little Big Town, Martina McBride, Craig Morgan, Jerrod Niemann, pop star John Oates, Paul Overstreet, Jake Owen, Randy Owen of Alabama, Blake Shelton, Ray Stevens, Taylor Swift, Carrie Underwood, Keith Urban & Nicole Kidman, Clay Walker, Lee Ann Womack and Chris Young.

And that’s just scratching the surface. I’ll tell you more in a moment.

Georgia Peach Pickers band mates Dallas Davidson and Rhett Akins, who are frequent songwriting collaborators, tied for BMI Country Songwriter of the Year. They held their twin trophies high and were presented with custom Martin guitars.

“Wow, it really actually happened,” said a beaming Dallas. “This is a Big Deal. I thank the writers in this room for teaching me about craftsmanship. This is the best night: I was the worst waiter that Nashville, TN has ever seen. I accept this award representing the State of Georgia. God bless country music.”

“This is unbelievable,” Rhett exclaimed. “I’m a singer and a songwriter, but I’m a fan first of all. I want to thank Joe Nichols, Blake Shelton, Josh Turner, Rodney Atkins and Luke Bryan for recording our songs. Wherever Hank Williams Jr. and George Strait are tonight, you’re the reason I’m standing up here. I love Nashville!”

Sony/ATV Music Publishing was named Publisher of the Year. This is the company’s 10th consecutive win and its 35th time to win through BMI history overall.

The BMI Country Song of the Year was presented for the first time as the Frances W. Preston Award. Frances received a standing ovation when she was introduced as, “the best friend a song ever had.”

Braddock accepts his BMI Icon award.

The trophy went to “All Over Me,” the Josh Turner hit co-written by Rhett and Dallas. Their other winning songs were “Farmer’s Daughter” (Dallas), “Rain Is a Good Thing” (Rhett) and (together) “All About Tonight,” “Gimmie That Girl” and “The Shape I’m In,” as well as “All Over Me.”

The biggest award of the evening went to new Country Music Hall of Fame member Bobby Braddock, to whom the evening was effectively dedicated. He is the 2011 BMI Icon.

“We will not stop loving him today, or any other day,” said Del Bryant.

“When I was a teenager, I would read Billboard magazine every week and memorize the charts,” Bobby reminisced. “I noticed that all my favorite country and rock ‘n’ roll records were with BMI. I wanted to become a BMI writer. That’s the truth….We are so lucky. We get to earn a living doing something we love, writing songs.”

Throughout the awards show, the certificate presentations paused for performances of Bobby’s gems. Pistol Annies did a super countrified “D-I-V-O-R-C-E.” Blake Shelton, who was discovered and first produced by Bobby, chose a humorous and obscure title, “Same Old Song.”

John Anderson delighted the crowd with “Would You Catch a Falling Star.” LeAnn Rimes and Vince Gill teamed up for the iconic “He Stopped Loving Her Today.” Singing a torchy lead, LeAnn reached down into her lower register and totally nailed it. Martina led the standing ovation.

Gill and Rimes salute Braddock with a splendid rendition of "He Stopped Loving Her Today."

“To hear these new interpretations of these old songs just thrills me,” said Bobby.

The musical interludes helped the evening move along smoothly. When you’re giving out 50 awards, things can get a mite tedious. Musical punctuations made the extravaganza seem much livelier.

As usual, the BMI garage was utterly transformed for the occasion. Now it can be told: The mastermind behind the opulent décor is BMI’s own Bucky Farnor.

The garage columns were covered in mirrors with glowing, fabric shaded lights clustered above each. Masses of violet hydrangeas, green anthurium blossoms, lime mums, purple winter cabbage heads, greenery and tall peacock feathers were arranged at the bases. The center stage was ringed with amber light strands and greenery. Two giant floral towers topped with tall stuffed peacocks flanked the band stage.

“We’re proud as peacocks,” explained Del. “There’s a theme here. We are proud to represent your works and proud to be your family and your friends.”

Urban and Kidman arrive at the BMI Country Awards.

Lime green tablecloths held silver candelabras dripping with crystals on elegant beaded chargers as the centerpieces, surrounded by pale blue glass votives. Dazzling guitarist Guthrie Trapp played as we took our seats. He was ear ecstasy.

I promised I’d drop more stellar names. Among those seated at those tables were The Band Perry, Big Kenny, Josh Thompson, James Otto, Mark Collie, Lauren Alaina (it was her 17th birthday, what a party), Brantley Gilbert, Dailey & Vincent, Eden’s Edge, Kip Moore, Scotty Emerick, members of the Zac Brown Band, Sarah Buxton, Jennifer Hanson & Mark Nesler, Gerry House, Terry McBride, Jack Ingram, American Idol alumnus Casey James, Keith Stegall, Hunter Hayes, Del McCoury & Ronnie McCoury, Brett Eldredge, Lee Roy Parnell, Sam Bush, new Nashville Songwriters Hall of Fame inductee Thom Schuyler, Deborah Allen, Dickey Lee, Al Anderson, Sandra Lee and The Warren Brothers.

“Welcome to the 59th BMI Country Awards,” Del proclaimed. “This room is beautiful, and you are beautiful in it.”

BMI awards host Jody Williams proposed a toast to all the wives, husbands, girlfriends, boyfriends, parents and pas who support struggling songwriters.

“Welcome to the greatest cocktail party in country music,” said Clay Bradley. He pointed out that 16 writers were winning their first BMI country awards this year: “There is nothing like being embraced by the Nashville songwriting community.”

That night, the community included Michael Kosser, Mike Hollandsworth, Mike Vaden, Mike Milom, Tom Shapiro, Tom Collins, Bob Montgomery, Bob Doyle, Bob Schieffer (yes, the Face the Nation TV star is a BMI country songwriter, too), Bob Beckham, Red Lane, Lane Brody & Eddie Bayers, Scott Hendricks, Sandi & Scott Borchetta (who just won a T.J. Martell Award in New York), Norro Wilson, Wally Wilson and his fellow double-initials Luke Laird, Luke Lewis, Fletcher Foster and Dean Dillon.

Also attending the gala were Mark Bright, Mark Wright, Jim Foglesong, James Stroud, John Wiggins, Jerry Crutchfield, Jeff Stevens, Even Stevens, Frank Liddell, Dick Frank (did you know he is the king of daffodil growers?), Dennis Morgan, Don Henry, Rod Essig, Ron & Regina Stuve, Roy Wunsch & Mary Ann McCready, Lewis Anderson, Sherod Robertson, Cindy Heath, Joe Galante, Jo Walker-Meador, Tim Nichols, Jerry Bradley, Anastasia Brown, Clint Higham, Greg Fowler and the mono monikered Angelo and Busbee.

Former BMI honcho Roger Sovine attended, arriving from L.A. (Lower Alabama, where he is retired). Dale Morris talked about his talented new bi-lingual management client, Andy Gibson. Josh Leo had his new production client with him, singer Morgan Tobias. Kent Blazy, Larry Henley, Walter Campbell, Bruce Hinton (also retired, to both Sun Valley and Mexico), Kyle Young, Ansel Davis, David Wykoff, Becky Harris and Sherman Halsey worked the room.

Looks we liked: Allison Jones wore a ruched eggplant-hued, body-conscious cocktail dress with a plunging bodice. Red-haired Phran Galante donned an eye-popping, red-orange creation with slashed sleeves. Leggy Nicole Kidman was breathtaking in a figure-hugging, floor-length red & white gown with a dramatic, asymmetrical neckline. Ashley Monroe chose a beige mini dress with starburst, silver-sequined designs and long fringe dripping from the hem.

Taylor Swift accepts for "Back To December."

Natalie Hemby looked great in a floor-length, draped evening gown with dramatic alternating red and black panels. Miranda Lambert was in a black ruched cocktail dress with lace bodice, sleeves and back. Carrie Underwood glowed in silver-and-black shiny tiger stripes on a tight mini dress. Butch Baker dusted off his dad’s 60-year-old gold brocade tux jacket. Tall Taylor Swift showed off a plum-purple, patterned, long-sleeved, glittering, sequined mini dress. She’ll be named Billboard’s Woman of the Year in December. Blake Shelton was in a crisp white shirt with rolled sleeves, a red tie, a navy vest and blue jeans. Eternally young Connie Bradley wore a vivid red evening jacket.

Ree Guyer Buchanan was in a clingy, floor-length ebony jersey gown and extra-long, sparkling earrings. Martina McBride was a knockout with her upswept hair and halter-necked, flowing evening gown in autumn tones of umber and ochre. The chiffon creation had a wafting train and was gathered with a jewel clasp at the waist. Hubby John McBride wore a dark velvet corduroy jacket.

The salad was a meal in itself – artichoke, roasted red pepper, Portobello mushroom, baby greens, goat cheese, pumpkin seeds, roasted yellow pepper and zucchini. We dined on beef medallions over mashed potato and excellent crab cake plus asparagus spears, baby carrots and roasted cherry tomatoes.

Desserts were served downstairs in the BMI lobby. We were serenaded there by Hall of Famer Harold Bradley & The All Star Band. The repertoire? Why, BMI country classics, of course. Singer Chuck Mead did the chestnuts proud.

Fun facts to know and tell: With 500-some workers, BMI is the largest employer on Music Row. In 1953, BMI became the first-ever organization to give awards to country writers and publishers.

 

Topical WebReads: Co-writers For Sale and Crowdfunding To Fame

>>>American Songwriter’s Rand Bishop raises some important questions about hit songwriters selling writing appointments to anyone with cash, in Makin’ Stuff Up: Selling The Dream.

“I can’t fault any songwriter for exploring every avenue possible to keep the pantry stocked,” says Rand. “However, not every alternative is on the up and up. I personally know and genuinely like several of the writers who are milking what has become Music Row’s newest cash cow. However, I do not endorse what they are doing, nor do I feel they are going about their business in a completely forthright manner. It’s not so much that wannabe’s are paying hit writers exorbitant fees for co-writing appointments. … To me, the murky part is the implicit promise that, by writing with a bona fide ‘hit writer,’ a thus-far credit-less dilettante will immediately be welcomed into the exclusive hit-maker club just by having his or her name juxtaposed next to someone who has penned a chart topper or two.”

The web site offering this service, www.songwriterinstitute.com says, “Songwriter Institute connects serious amateur and professional writers with seasoned, successful hit songwriters. Through our intimate retreats, coaching, and appointments we provide aspiring writers an unmatched edge in the business of music.” According to the site, the cost of a full-day writing session is $2,500. There is a long list of well known writers participating who are pictured on the site, but I was unable to find the names anywhere on the site of the people running this company.

What do you think about this??? [Please comment below]

• • •

>>>“In a down economy, it’s difficult for entrepreneurs to access the capital needed to build their venture from the ground up,” says Jane Hendrick Sr. Manager, Audience Development at the Gerson Lehrman Group. “Luckily, projects can now be funded by a powerful combination of the social internet and generous networks of friends, colleagues, and communities. This model is called ‘crowdfunding’ and is sweeping the startup nation by storm. It seems to be an entrepreneur’s dream, but are there problems in the way?”

Hendrick’s organization has created an infographic called Drawing a Crowd: The Crowdfunding Phenomenon Heats Up that examines the current crowdfunding landscape including a recent effort to purchase Pabst Blue Ribbon using crowdfunding that was shut down by the SEC…

BMI Award Winners [Updated w/ Most Performed Songs List]

Pictured at the 2011 BMI Country Awards are (L-R): BMI’s Clay Bradley, Publisher of the Year Sony/ATV Music Publishing’s Troy Tomlinson, BMI President & CEO Del Bryant, Songwriter of the Year Rhett Akins, 2011 BMI Icon Bobby Braddock, Songwriter of the Year Dallas Davidson, and BMI’s Jody Williams.

Songwriters of the Year: Rhett Akins and Dallas Davidson

Frances W. Preston Award (Country Song of the Year): “All Over Me,” Davidson and Akins; publishers EMI-Blackwood Music, Inc., Rhettneck Music, String Stretcher Music; recorded by Josh Turner

Publisher of the Year: Sony/ATV

BMI Icon: Bobby Braddock

• • • •

From top: Braddock, Akins, and Davidson

Broadcast Music, Inc. (BMI) celebrated the songwriters and publishers behind country music’s most-performed songs of the past year during last night’s (11/8) 59th annual BMI Country Awards, staged at the organization’s Nashville offices.

Rhett Akins and Dallas Davidson shared the Songwriter of the Year crown. The frequent collaborators co-wrote four of the year’s most-performed songs: “All About Tonight” (Blake Shelton), “All Over Me” (Josh Turner), “Gimmie That Girl” (Joe Nichols) and “The Shape I’m In” (Joe Nichols). Individually, Akins’ “Farmer’s Daughter” (Rodney Atkins) and Davidson’s “Rain Is a Good Thing” (Luke Bryan) also made the list.

“All Over Me” also earned Song of the Year honors for Davidson and Akins, as well as publishers EMI-Blackwood Music, Inc., Rhettneck Music, and String Stretcher Music.

In a surprise announcement, the BMI Country Song of the Year award was rechristened the Frances W. Preston Award in honor of the legendary former BMI President & CEO.

With 15 songs among the year’s most performed, powerhouse Sony/ATV Music Publishing Nashville scored its tenth consecutive Publisher of the Year win.

Bobby Braddock was saluted as a BMI songwriting Icon. Braddock is the master craftsman behind staples including “He Stopped Loving Her Today,” “People Are Crazy,” “D-I-V-O-R-C-E,” “I Wanna Talk About Me,” “Old Flames Have New Names,” “Golden Ring,” “Time Marches On” and more. He is a member of the Nashville Songwriters Hall of Fame and the Country Music Hall of Fame. Braddock is the only living songwriter to have penned chart-toppers in five consecutive decades. Taking the stage to perform some of Braddock’s classics were Pistol Annies, Blake Shelton, John Anderson, LeAnn Rimes and Vince Gill.

BMI President & CEO Del Bryant hosted the show with Jody Williams, Vice President, Writer/Publisher Relations, Nashville; and Clay Bradley, Assistant Vice President, Writer/Publisher Relations, Nashville.

 

 

SESAC Nashville 2011 Awards Winners

At last night’s (11/7) 2011 SESAC Nashville Awards Lady Antebellum’s Hillary Scott was bestowed with the Songwriter of the Year honor, and Anthony Smith was awarded with Song of the Year for “Tomorrow,” recorded by Chris Young. (L-R): SESAC’s Trevor Gale, Hillary Scott, SESAC’s Pat Collins, SESAC’s Tim Fink and Anthony Smith. Photo: Ed Rode

SESAC held its 2011 Nashville Music Awards yesterday evening (11/7) at The Pinnacle at Symphony Place. The honors were hosted by SESAC VP Writer/Publisher Relations Tim Fink.

Awards for the year’s top performing songs were given to the SESAC writers and publishers who helped create them. SESAC also recognized and honored several writers making significant contributions to the growth of Americana music. Receiving honors from SESAC were the following:

SESAC Songwriter of the Year:
Hillary Scott, who was honored for a total of four awards during the evening including three No. 1 hits for Lady Antebellum and Sara Evans’ chart-topping “A Little Bit Stronger.”

SESAC Song of the Year:
“Tomorrow,” written by Anthony Smith, which was a No. 1 hit for Chris Young. Published by Dreams To Music & Grand Poobah Publishing.

SESAC Publisher of the Year:
EMI Foray Music and Hillary Dawn Songs

Country Performance Activity Awards:
“A Little Bit Stronger” (Sara Evans)
Writer: Hillary Scott; Publisher: Hillary Dawn Songs / EMI Foray Music

“Tomorrow” (Chris Young)
Writer: Anthony Smith; Publisher: Dreams To Music / Grand Poobah Publishing

“Just A Kiss,” (Lady Antebellum)
Writer: Hillary Scott; Publisher: Hillary Dawn Songs / EMI Foray Music

“Family Man” (Craig Campbell)
Writer: Craig Campbell; Publisher: Acoustic Peanut Publishing / Melodies of Bigger Picture

“Beautiful Every Time,” (Lee Brice)
Writer: Lance Miller; Publisher: Melvins Bullets Music / Melvins Pistol Music / Songs of StyleSonic Music

“Cost Of Livin’” (Ronnie Dunn)
Writer: Phillip Coleman; Publisher: Tractor Radio Songs

“Fish” (Craig Campbell)
Writers: Craig Campbell / Arlos Smith / Ashe Underwood; Publisher: Jeff Jack and the Mule Music / Acoustic Peanut Publishing / Melodies of Bigger Picture / Geormac Music

“Amen” (Eden’s Edge)
Writer: Catt Gravitt; Publisher: Ink Pen Mama Music / Songs of Maxx Publishing / Tunes of R and T Direct

“Our Kind Of Love” (Lady Antebellum)
Writer: Hillary Scott; Publisher: Hillary Dawn Songs / EMI Foray Music

“Need You Now” (Lady Antebellum)
Writer: Hillary Scott; Publisher: Hillary Dawn Songs / EMI Foray Music

“I Gotta Get To You” (George Strait)
Writers: Blaine Larsen & Jim Lauderdale; Publisher: Blaine Larsen Music / Slay The Dragon Music / Chrysalis One Tunes / Wudang Mountain Songs

“’Til Summer Comes Around” (Keith Urban)
Writer: Monty Powell; Publisher: Eden Valley Music / ole

Americana Performance Activity Awards:
Bob Dylan
For his contributions to the Old 97’s album The Grand Theatre Volume One (Publisher: Special Rider Music), Wanda Jackson’s The Party Ain’t Over (Publisher: Special Rider Music), Sarah Jarosz’s Follow Me Down (Publisher: Special Rider Music), and North Mississippi Allstars’ Keys To The Kingdom (Publisher: Dwarf Music)

Jonathan Byrd
For his ontribution to Tim O’Brien’s Chicken & Egg (Publisher: Jonathan Byrd Music)

Hayes Carll
For his contributions to his own album KMAG YOYO (Publisher: Highway 87 Publishing)

Colin Brooks
For his contribution The Band of Heathens’ Top Hat Crown & The Clapmaster’s Son (Publisher: Brooks Wood Products)

Seth Avett
For his contribution to G. Love’s Fixin’ To Die (Publisher: First Big Snow Publishing)

Jim Lauderdale
For his contribution to Elvis Costello’s National Ransom (Publisher: Wudang Mountain Songs)

Bobby Karl Works The SESAC Awards

(L-R): SESAC's Trevor Gale, Anthony Smith, Hillary Scott, SESAC's Pat Collins and Tim Fink. Photo: Ed Rode

Chapter 382

On Monday night (11/7), the word of the day was glamour.

In recent years, the annual SESAC Nashville awards gala has been steadily gaining on its larger PRO competitors in terms of elegance and sophistication. That evening, the organization took flight from its previous Music Row headquarters tent, soaring upward to the 21st floor of The Pinnacle office tower downtown. Every sense was stimulated as a result – the look, the sound, the taste and the feel were all first class.

To no one’s surprise, Lady Antebellum’s Hillary Scott was named SESAC’s country Songwriter of the Year. She not only co-wrote her million-selling group’s “Just a Kiss,” “Our Kind of Love” and “Need You Now,” but also the Sara Evans smash “A Little Bit Stronger.”

“This award goes to someone near and dear to my heart,” said SESAC’s Tim Fink. “She’s not only a great artist, a superb vocalist and a consummate entertainer; she’s also a superb human being. She’s one of the sweetest and most genuine individuals you could ever hope to know.”

Hillary works for the charity MyLife Speaks, which aids the devastated children of Haiti. Tim announced that SESAC is donating to it in her name.

“I’m so honored to be here and honored to be a part of this organization,” Hillary responded. “It means the world to feel so loved. I’m speechless.”

Hillary attended with her handsome fiancée Chris Tyrrell, proud parents Lang Scott & Linda Davis, her little sister Rylee Jean Davis and folks from her publishing family, EMI Foray / Hillary Dawn Songs, which was named Publisher of the Year.

Newly minted country star Chris Young introduced the Song of the Year winner, “Tomorrow,” co-written with Anthony Smith.

“This is pretty cool, because I don’t have to talk about myself,” said Chris. “I get to talk about one of my truly best friends, Mr. Anthony Smith. I really do thank God that he put me in the room that day with Anthony and Frank Myers. That song set the tone for my whole album. Every song had to measure up to it. It’s one of the songs I’m most proud of.”

The awards ceremony began with greetings from SESAC’s Pat Collins. Then Craig Campbell sang his amusing, award-winning “Fish.”

Trevor Gale pointed out the rising number of stars who are cutting SESAC songs. Tim Fink added that SESAC is the only PRO that gives recognition to the Americana genre. This year’s AMA show will be nationally televised for the first time. It airs on Nov. 19 on PBS as a special edition of Austin City Limits. The word “Americana” as a musical description is now in Webster’s Dictionary. Amy Beth Hale is SESAC’s Americana and bluegrass point person, by the way.

SESAC 2011 Americana awards will be sent to Jonathan Byrd, Hayes Carll, Seth Avett, Bob Dylan and Colin Brooks. Jim Lauderdale was there to receive his in person. He sang “I Lost You,” which was recorded and co-written by Elvis Costello.

“I feel like I’m at the Pinnacle of my career,” Jim quipped about the lofty party space. “Thank you to SESAC for putting the CAN back in AmeriCANa.”

MusicRow received a shout-out for celebrating its 30th anniversary. SESAC was the magazine’s very first advertiser when the publication began.

Shannan Hatch and John Mullins joined Tim in presenting the country awards. Superstar Ronnie Dunn sang the soulful workingman’s lament “Cost of Living,” co-written by SESAC’s Phillip Coleman.

“That’s a perfect song finding a perfect singer,” observed Tim.

Other winning SESAC country songs included “Amen,” “Til Summer Comes Around,” “Family Man,” “Beautiful Every Time” and “Gotta Get to You.”

But let’s get back to the sheer stylishness of the event. The Pinnacle’s 21st floor’s greatest feature is, of course, the views of the glittering lights of the city beneath on all sides. It is an open, industrial space that was draped with yards of white drapery, up-lit in tones of blue and green. Silver square cocktail tables were lit from within in varying hues. Upholstered white benches were placed at window views. Glowing light from votive candles and pillar candles in vases filled with white orchids infused the space.

Palm fronds backed the bar stations. Against one wall was a row of art-glass “chandeliers” dangling over large, white-on-white floral arrangements. During cocktails, the wait staff circulated with bacon-wrapped quail, mozzarella-and-pesto stuffed grape tomatoes and mini shrimp cakes.

The dining room held tables covered in silver cloths with satin spiral ribbon appliqués. Silver chargers were round on the rectangle tables and square on the round ones. The chairs were silver, too.

The centerpieces were glass cubes holding white hydrangea blossoms, white anthurium (a.k.a. “flamingo flower”), white orchids and white cabbage heads, surrounded by votives in vases filled with clear glass chips. Very classy. They didn’t have to go far for those floral embellishments – They came from Oshi, located in The Pinnacle’s lobby.

Anna Wilson, as always, was at the forefront of the fashion statements. She wore a faux fur white stole over a tiered satin short-length sheath, accented by black horizontal darts, black gloves, a black clutch and her spiffy escort, Monty Powell. Jayne Rogovin was right up there, too, wearing a vintage, taupe, Oscar de la Renta pants suit with a lace motif and an Alberta Ferretti velvet coat of many colors. Kristi Rose wore a black, cut-velvet tunic and ‘60s stiletto boots, while hubby Fats Kaplan was in a vintage russet tux jacket with a black satin shawl collar.

Caroline Davis was a dish in her one-shoulder patterned satin cocktail dress with a floral pattern. Its trim cut reminded her of Mad Men, she said. Joey Martin looked smashing in her floor-length black jersey gown with a wide, low-slung leather belt, white fringed mini shawl and overall-wearing escort, Rory Lee Feek. John Briggs was stylish in pin stripes. Debbie Carroll chose a sleek, black, lace cocktail dress. Pat Finch was in a vintage white tux jacket.

Linda Davis was radiant in an electric blue draped-silk top with cutaway sleeves. Iodine’s Susanne Mumpower was in a black vinyl mini dress, which contrasted with her ice-blonde hair and ruby lips. She was accompanied by husband Jamie Johnson of The Grascals. Her album, by the way, is essential listening, a riveting experience.

Mingling fabulons included Charlie Stefl, Charlie Monk, Jason Morris, Ed Morris, Tom Baldrica, Tom Luteran and Thomm Jutz. The latter is the co-producer of the multi-artist Civil War CD 1861. German born, he recently, proudly gained his American citizenship.

Gilles Godard, Gil Grand, Billy Block, Rocky Block (his son, growing up fast), Benita Hill, Jed Hilly, Al Moss, Arlos Smith, Ashe Underwood, Arthur Buenahora, Tinti Moffatt, Tim McFadden, Troy Tomlinson (losing weight stylishly, via a nutritionist), Blaine Larsen, Ben Vaughn and Bernie Nelson worked the room. Bernie introduced me to his latest collaborator, 14-year-old Easton Hamlin, who has moved here from western Kansas to improve his songwriting. That’s what I said, 14, and he’s already been writing for three years.

Also schmoozing: David Macias, Donna Duarte, Susan Stewart, Ron Cox, Kari Estrin, Woody Bomar, Peter Cronin, Noah Gordon, Victoria Shaw, Garth Fundis and Steve Williams, who has the new Oak Ridge Boys single, “Whatcha Gonna Do,” plus Mike Dungan, Karen Oertley, Nancy Shapiro, Jerry Salley, Lance Miller, Catt Gravitt and Hank Adam Locklin.

The City National Bank team was out in full force – Holly Bell, Diane Pearson and Lori Badgett were introducing their boss Martha Henderson to her first Country Music Week. “It’s not how much music you like, it’s how much can you stand?” I advised her.

I love it when they provide menu cards. It makes me sound so cultured. We dined on a first course of seasoned greens with feta cheese, toasted pine nuts, wild mushroom and roasted pear turnover with fig vinaigrette. The main course was red wine braised beef short rib, mahi mahi with lemon beurre blanc, aged cheddar grits and haricot verts (that’s green beans to you, Bub) with caramelized onions and toasted walnuts. The dessert was a yummy lemon mousse pot de crème with blueberry pudding cake.


Bobby Karl Works The ASCAP Awards

(L-R): ASCAP’s LeAnn Phelan, ASCAP’s Marc Driskill, Publisher of the Year Sea Gayle Music’s Chris DuBois, Songwriter/Artist of the Year and Sea Gayle partner Brad Paisley, Song of the Year “The House That Built Me” writer Allen Shamblin, Sea Gayle’s Frank Rogers, Songwriter of the Year Ben Hayslip, ASCAP’s Tim DuBois, Mike Sistad and Michael Martin. Photo: Ed Rode

Chapter 381

ASCAP kicked off Country Music Week on Sunday (11/6) by crowning its 2011 country kings at a swellegant banquet.

Brad Paisley was named Artist-Songwriter of the Year. “I started at Belmont University in 1993, and they encouraged me to intern,” he recalled. “Some of my favorite writers were with ASCAP, like Don Schlitz, Mike Reid, Allen Shamblin (who were there) and Alan Jackson (who was not).” And so it came to be that Brad’s first music-biz job in Nashville was as an intern at ASCAP.

This is the second time Brad has been so honored. He previously won this prize in 2004.

“It never escapes me that the reason I got here was songs,” he added. “And my favorite part of this process is sitting down with the people in this room.”

Alongside Frank Rogers and Chris DuBois, Brad was also on stage to accept Publisher of the Year for the second time in a row. It has been more than 30 years since an independent publisher like Sea Gayle finished on top at ASCAP.

“Yep, I’m proud,” said a clearly moved Tim DuBois. Chris is his son.

When Ben Hayslip won Songwriter of the Year, he said, “About six years ago, I was at a crossroads. I asked God to send me a sign. He sent me Rusty Gaston….my publisher [at This Music].

“I am completely honored,” said Ben. “I’ve learned from each and every one of you. Give a round [of applause] for every songwriter in this room tonight.” This was Ben’s first top songwriter honor.

“I’m blown away,” said Allen Shamblin when his “The House That Built Me” was named Song of the Year, completing its “trifecta” as also the ACM and CMA Song winner. “I come into this room and see so many writers….I know what you’ve been through. I love y’all.”

By far the biggest crowd pleaser of the night was the presentation of the Golden Note award for career excellence to Country Music Hall of Fame member Don Williams.

“I am overwhelmed,” said Don. “Of all the people I’ve always wanted to thank for my career, it’s always been songwriters. You are the lifeblood of the industry….I don’t deserve this award. You do. Anyway, my heartfelt thanks. And I’m so nervous, I’m about to pass out.”

The 49th ASCAP Country Music Awards presentations to 36 hit songs’ writers and publishers were sprinkled with loads of excellent performances. Dierks Bentley launched the banquet with a smoking version of his new single “Home.” He was last year’s Artist-Songwriter winner.

The top-five songs were performed by their writers at various moments during the eve. So Brett James, Tim Nichols and Chris Young sang “The Man I Want to Be.” Ben Hayslip and Josh Turner did “All Over Me.” Tony Lane and Johnny Park turned in a hearty “Roll With It.” Allen Shamblin drew a standing ovation after his tender reading of “The House That Built Me.” The real romp was The Peach Pickers doing “Gimme That Girl,” complete with a honking horn section. Fellow Georgians Ben, Dallas Davidson and Rhett Akins perform under this moniker and get together every Wednesday to write country music.

The Don Williams tribute included Lee Ann Womack performing a lilting “Lord, I Hope This Day Is Good.” Keith Urban and Little Big Town poured honey warmth over “We’ve Got a Good Fire Goin,’” then the ever so soulful Dave Loggins turned up the heat. Dave is the song’s composer. Don, himself, capped the segment by singing his signature songs “I Believe In You” and “Tulsa Time” and drew a standing ovation.

(L-R): Golden Note Award winner Don Williams with ASCAP Writer Board Member Wayland Holyfield, Keith Urban, Don Williams, Kimberly Schlapman, Jimi Westbrook, Karen Fairchild, ASCAP President and Chairman Paul Williams, Phillip Sweet. Photo: Ed Rode

The Global Impact Award went to “Need You Now.” Kerry O’Neil and Carla Wallace accepted on behalf of its co-writer, Josh Kear. The Civil Wars accepted their Vanguard Award via video.

The gala was ASCAP’s first time back at the Opryland Hotel since 2004. The theme was elegant simplicity. The 800 guests were seated at black-draped tables. The centerpieces were starkly modernistic black metal “star” sculptures with white pillar candles on gold fabric squares. Opryland’s massive crystal chandeliers glittered overhead in The Tennessee Ballroom.

The attendees dressed to impress. Jennifer Nettles was in a sleek tux. Angaleena Presley wore gleaming red lipstick, dangling silvery earrings and a knee-length black sheath with a rhinestone clasp at the hip. Petite Georgia Middleman was a doll in a floor-length, form fitting jersey gown in shades of pastel that descended to black at its hem. Eric Paslay topped his look with a British racing cap. The JaneDear Girls both sported fascinators atop their arty tresses.

(L-R): ASCAP VP and Managing Executive Tim DuBois, Lee Ann Womack, Jennifer Nettles, ASCAP VP and GM Marc Driskill. Photo: Kay Williams

Bucky Covngton wore skinny black jeans and a tails-out black western shirt. Lisa Harless turned heads in a bright blue silk shift. Karen Clark was statuesque in a strapless ebony evening gown. Gary Burr’s vest was paisley-patterned black brocade, and Tim Mensy’s was electric green. Amy Kurland looked serene in a silver tunic. Jerrod Niemann wore a sporty workingman’s cap. Tony Brown had on a black leather tuxedo jacket and was squiring willowy, crimson-clad  Jamie Antee, to whom he is engaged. Jewel Coburn lit up the room in a shiny red satin sheath. Liz O’Sullivan was in a shimmering white strapless, multi-tiered floor length gown. LeAnn Phelan had one of the prettiest ensembles of the evening, a silver-sequined black tunic dress with a lace motif and black thigh-high boots.

Basking in the fellowship were such fabulons as Paul Williams, Herky Williams, Steve Williams, Mentor Williams, Will Byrd and Jesse Willoughby, not to mention James Harris, Judy Harris, John Bettis, John Grady, John LoFrumento, a nattily attired David Nail, David Lee Murphy, David Ross, David Corlew, Dave Tunbull and David Ewing & Alice Randall. David Nail, by the way, was magnificent at the Peter Nappi Studio showcase (11/2) for his new CD The Sound of a Million Dreams.

Robert Ellis Orrall was escorted by his son, Jammin Orrall, whose Jeff the Brotherhood rock band is off on a European tour this week. Other music making celebs in attendance included Radney Foster, Kip Moore, Buzz Cason, Gretchen Peters, Chris Stapleton and Lynn Anderson. Schmoozing into the night were Gary Overton, Gary Nicholson, Gary Paczosa, Doug Casmus, Doug Howard & Linda Edell, Mark Ford, Marc Driskill, Mark Irwin and Dixie Owen, who is expecting a Christmas baby due on Dec. 21.

Earl Bud Lee, Suzanne Lee, Bob McDill, Dale Bobo, Ben Vaughn, Bo Thomas, Barry Coburn, Jim Photoglo, Jo Walker-Meador and power couples Rick & Janis Carnes, Eddie Bayers & Lane Brody, Steve & Ree Guyer-Buchanan and Jeff Walker & Terri Hollowell Walker worked the room. Blake Chancey’s beard has gone gray! How old does this make the rest of us?

Stuart Dill has written a just-published Nashville-themed fiction thriller called Murder on Music Row. He was there, as were Kerry Kurt Phillips, Craig Wiseman, Pete Fisher, Andrew Kintz, Drew Alexander, Kevin Lamb, Erika Wollam-Nichols, Liz Hengber, Debi Cochran, Beverly Keel, Taylor Rhodes, Wayland Holyfield, Mike Sistad, Dan Hays, Clay Mills, Kay West and Marcel.

Our first course was a mixed-greens salad with tiny pears, grape tomatoes, walnuts, shaved carrots and bacon with buttermilk dressing. The entrée was tender roast beef, spiced mashed potatoes with thin onion rings, asparagus spears and roasted Roma tomato wedges. Peanut-butter mousse, chocolate truffle and little lemon-pudding cups were presented in a tidy row for dessert.

ASCAP president and board chairman Paul Williams called it, “Our annual family picnic.”

Earlier in the day (11/6) hundreds of fans gathered in the sunshine downtown to witness the newest installations at the Music City Walk of Fame. Kix Brooks, Alan Jackson, Manuel, Bobby Jones and the late Dottie Rambo, Les Paul and Dan Miller were the honorees. Reba McEntire, who already has her star, attended in support of her buddy, Kix.

(L-R): ASCAP VP/GM Marc Driskill, Songwriter/Artist of the Year Brad Paisley and ASCAP President and Chairman Paul Williams. Photo: Ed Rode

ASCAP Award Winners [Updated w/ Most Performed Songs List]

Don Williams received ASCAP's prestigious Golden Note Award last night.

ASCAP (the American Society of Composers, Authors and Publishers) hosted its 49th annual Country Music Awards last night (11/6) at the Gaylord Opryland Resort in Nashville.

The evening’s top honors were awarded to the following:

ASCAP Songwriter of the Year: Ben Hayslip
Hayslip scored his first Country Songwriter of the Year award. He wrote or co-wrote five of the most performed songs of the past year: “All About Tonight” (Blake Shelton), “All Over Me” (Josh Turner), “Farmer’s Daughter” (Rodney Atkins), “Gimmie That Girl” (Joe Nichols) and “The Shape I’m In” (Joe Nichols).

ASCAP Songwriter/Artist of the Year: Brad Paisley
Paisley won this award for the second time. He has 27 ASCAP Most Performed Song awards, which includes three added last night with “Anything Like Me,” “This Is Country Music” and “Water.”

ASCAP Country Song of the Year: “The House That Built Me”
written by Allen Shamblin; published by Built On Rock

ASCAP Publisher of the Year: Sea Gayle Music
For the second consecutive year the ASCAP Country Publisher of the Year honors went to Sea Gayle Music who had six award-winning songs: “Anything Like Me,” “Come Back Song,” “This,” “This Ain’t Nothing,” “This Is Country Music” and “Water.” Presented to Sea Gayle Music’s Chris DuBois, Brad Paisley and Frank Rogers.

Handing out the honors were ASCAP CEO John A. LoFrumento, President and Chairman Paul Williams, VP and GM Nashville Marc Driskill, Executive VP Domestic Membership Randy Grimmett, and VP and Managing Executive Nashville Tim DuBois.

The writers of country music’s most performed songs of the period between April 2010 and March 2011 were honored. Thirty-six song honors were handed out, and the writers of the Top 5 performed their hits, including “All Over Me,” by Ben Hayslip and Josh Turner; “Gimmie That Girl,” by Ben Hayslip, Rhett Akins and Dallas Davidson (recorded by Joe Nichols); “The House That Built Me,” by Allen Shamblin (recorded by Miranda Lambert); “The Man I Want To Be,” performed by Brett James, Tim Nichols and Chris Young; and “Roll With It,” by Tony Lane and Johnny Park (recorded by Easton Corbin). The show kicked off with reigning ASCAP Country Songwriter/Artist of the Year Dierks Bentley performing his current single, “Home.”

A special musical tribute saluted Don Williams, who was honored with ASCAP’s Golden Note Award.

The Civil Wars received the ASCAP Vanguard Award.

The ASCAP Global Impact Award honored Josh Kear, Big Yellow Dog Publishing and Darth Buddha for “Need You Now” (Lady Antebellum).

2011 ASCAP MOST PERFORMED SONGS 

Ain’t Back Yet
Recorded by Kenny Chesney
Writers: Chris Tompkins, Craig Wiseman
Publishers: Angel River Songs, Big Loud Shirt

All About Tonight
Recorded by Blake Shelton
Writer: Ben Hayslip
Publishers: Melissa’s Money Music, This Music, Warner/Chappell Music Publishing

Anything Like Me
Recorded by Brad Paisley
Writers: Chris DuBois ,Brad Paisley, Dave Turnbull
Publishers: Full Circle Music, Sea Gayle Music, V Bulls Music

Are You Gonna Kiss Me Or Not
Recorded by Thompson Square
Writer: David Lee Murphy
Publishers: N2D Publishing, Old Desperadoes

Bullets In the Gun
Recorded by Toby Keith
Writer: Rivers Rutherford
Publishers: Memphianna, Universal Music Publishing

Come Back Song
Recorded by Darius Rucker
Writers: Darius Rucker, Chris Stapleton
Publishers: Cadaja Publishing, Sea Gayle Music, Son Of A Miner Songs, Universal Music Publishing

Crazy Town
Recorded by Jason Aldean
Writer: Brett Jones
Publisher: Brett Jones Music

Farmer’s Daughter
Recorded by Rodney Atkins
Writer: Ben Hayslip
Publishers: Melissa’s Money Music, This Music, Warner/Chappell Music Publishing

Gimmie That Girl
Recorded by Joe Nichols
Writer: Ben Hayslip
Publishers: Melissa’s Money Music, This Music, Warner/Chappell Music Publishing

Hello World
Recorded by Lady Antebellum
Writer: Tony Lane
Publishers: Ed and Lucille Songs, Sony/ATV Music Publishing

How I Got To Be This Way
Recorded by Justin Moore
Writers: Rivers Rutherford, Jeremy Stover
Publishers: EMI Music Publishing, Memphisto Music, Songs Of Countrywood, Universal Music Publishing

I’m In
Recorded by Keith Urban
Writers: Radney Foster, Georgia Middleman
Publishers: On My Mind Music, St Julien Music, Universal Music Publishing

Our Kind Of Love
Recorded by Lady Antebellum
Writer: busbee
Publisher: BMG Chrysalis

Roll With It
Recorded by Easton Corbin
Writers: Tony Lane, Johnny Park
Publishers: Hornbuckle Music, Sony/ATV Music Publishing, Warner/Chappell Music Publishing

She Won’t Be Lonely Long
Recorded by Clay Walker
Writer: Galen Griffin
Publisher: Mas Village Music

Smile
Recorded by Uncle Kracker
Writer: Jeremy Bose
Publishers: Meadowgreen Music Company, Vandelay Publishing

Somewhere With You
Recorded by Kenny Chesney
Writer: Shane McAnally
Publishers: Crazy Water Music Little Blue Egg

Stuck Like Glue
Recorded by Sugarland
Writer: Jennifer Nettles
Publisher: Jennifer Nettles Publishing

The Boys Of Fall
Recorded by Kenny Chesney
Writer: Dave Turnbull
Publishers: Full Circle Music, V Bulls Music

The House That Built Me
Recorded by Miranda Lambert
Writer: Allen Shamblin
Publisher: Built On Rock

The Man I Want To Be
Recorded by Chris Young
Writer: Brett James
Publishers: BMG Chrysalis, Warner/Chappell Music Publishing

The Shape I’m In
Recorded by Joe Nichols
Writer: Ben Hayslip
Publishers: Melissa’s Money Music, This Music, Warner/Chappell Music Publishing

This
Recorded by Darius Rucker
Writers: Frank Rogers, Darius Rucker
Publishers: Cadaja Publishing, Sea Gayle Music, Universal Music Publishing

This Ain’t No Love Song
Recorded by Trace Adkins
Writers: Tony Lane, Marcel
Publishers: Chaggy Buss Entertainment, Sony/ATV Music Publishing, Universal Music Publishing

This Ain’t Nothing
Recorded by Craig Morgan
Writers: Chris DuBois, Kerry Kurt Phillips
Publishers: Full Circle Music, Sea Gayle Music

This Is Country Music
Recorded by Brad Paisley
Writers: Chris DuBois, Brad Paisley
Publisher: Sea Gayle Music

Turn On The Radio
Recorded by Reba
Writers: Cherie Oakley, Mark Oakley, J.P. Twang
Publishers: Cherie Armour Music, Flat Earth Music, Ten Ten Music

Unstoppable
Recorded by Rascal Flatts
Writer: Hillary Lindsey
Publishers: BMG/Chrysalis, Raylene Music

Voices
Recorded by Chris Young
Writers: Chris Tompkins, Craig Wiseman, Chris Young
Publishers: Big Loud Shirt, EMI Music Publishing, Runnin’ Behind Music

Water
Recorded by Brad Paisley
Writers: Chris DuBois, Kelley Lovelace, Brad Paisley
Pubishers: Didn’t Have To Be Music, EMI Music Publishing, Sea Gayle Music

Way Out Here
Recorded by Josh Thompson
Writer: David Lee Murphy
Publishers: N2D Publishing, Old Desperadoes

Who Are You When I’m Not Looking
Recorded by Blake Shelton
Writer: Earl Bud Lee
Publisher: We’re Working Music

Why Wait
Recorded by Rascal Flatts
Writer: Neil Thrasher
Publishers: BMG Chrysalis, Feet In The Creek Music

Wildflower
Recorded by JaneDear Girls
Writer: Jeremy Stover
Publishers: EMI Music Publishing, Songs Of Countrywood

Wrong Baby Wrong
Recorded by Martina McBride
Writers: Stephen Barker Liles, Robert Ellis Orrall
Publishers: EMI Music Publishing, It’s A Birthday Party Publishing, Orrall Fixation Music, Rockapop Music, Ten Ten Music