Industry Ink (1/25/13)

AIMP111AIMP‘s social media panel, scheduled for Wednesday, Feb. 20 at ASCAP, has sold out.  The panel features Ariel Hyatt (Cyber PR), Wayne Leloy (Warner Music), Marcus Whitney (Moontoast) and John Barker (Clearbox Rights, LLC). They have also added moderator David M. Ross, who founded MusicRow magazine and recently released the book Secrets of the List. Ross received the Canadian Country Music Association’s Leonard T. Rambeau Award for International Achievement in 2003 and the CMA President’s Award in 1998. He also hosted the first CMA Awards Internet simulcast in 1997.

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David-Worby-Photo21New York-based songwriter David Worby has entered into an agreement with Dan Hodges Music, LLC for worldwide catalog representation and royalty administration for his personal catalog and that of songwriters he currently sponsors, including Nashville-based songwriter Amanda Martin.

Dan Hodges Music LLC’s current current music writers include Mike Britt, Pete Best, Rick Monroe and Ryan Griffin, among others.

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UMPG Nashville hosted their first Winter Getaway event at Nashville’s Magaritaville. The event included performances from Chase McGill, Kalisa Ewing, Ryan Hurd and Jackie Lee.

Pictured (L-R): Chase McGill, Kalisa Ewing, Ryan Hurd.

Pictured (L-R): Chase McGill, Kalisa Ewing, Ryan Hurd

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SESAC songwriter Andi Zack has signed an exclusive publishing contract with Diamond Eye Music. Zack’s songwriting credits include cuts by Danielle Peck, Josh ThompsonJenny Gill, Elle Maze and Etta Britt among others. Diamond Eye Music CEO Chris Burch says, “Andi’s unique writing talents combined with her experience and great work ethic make this opportunity a ‘no-brainer’ for us. We are extremely excited about our future together.”

Pictured (L-R): Cory Gierman (writer/manager) Andi Zack, Chip Petree (attorney/Petree Law), Alyssa Adams (Creative Director/Diamond Eye Music), Chris Burch (CEO & Owner/Diamond Eye Music), Tim Fink (Vice President Writer Relations/SESAC)

Pictured (L-R): Cory Gierman (writer/manager) Andi Zack, Chip Petree (attorney/Petree Law), Alyssa Adams (Creative Director/Diamond Eye Music), Chris Burch (CEO & Owner/Diamond Eye Music), Tim Fink (Vice President Writer Relations/SESAC)

 
 
 

Kobalt Music Group Signs Lady Antebellum

Pictured (L to R): Dave Haywood, Kobalt’s Director of Creative Jeff Skaggs, Hillary Scott, Kobalt SVP Creative Whitney Daane, Charles Kelley, Kobalt VP of Creative Stephanie Cox, and Lady Antebellum attorney Linda Edell Howard of Adams & Reese.

Pictured (L to R): Dave Haywood, Kobalt’s Director of Creative Jeff Skaggs, Hillary Scott, Kobalt SVP Creative Whitney Daane, Charles Kelley, Kobalt VP of Creative Stephanie Cox, and Lady Antebellum attorney Linda Edell Howard of Adams & Reese.


Kobalt Music Group (Kobalt) has inked an exclusive, worldwide administration deal with trio Lady Antebellum.

Through the deal Kobalt will provide full global creative and synch services and represent all songs written by the trio (Hillary Scott, Charles Kelley and Dave Haywood) for their highly anticipated, upcoming Capitol Nashville release.

In addition, Kobalt will also represent select Lady Antebellum catalog repertoire, including works on their 2011 album, Own The Night (Capitol Nashville), including the recent smash hits “We Owned The Night” and “Just A Kiss,” and the songs “Cold As Stone,” “Singing Me Home,” and “Somewhere Love Remains,” among others.

“It is a privilege to have the opportunity to work with such unique individual and collective talent as Charles Kelley, Dave Haywood and Hillary Scott,” said Whitney Daane, Sr. VP of Kobalt Music Group. “As songwriters, they each bring their own creative vision for Lady Antebellum. Their collaboration has created one of country music’s top bands, and they are truly a global ambassador for the format. We are honored that Lady Antebellum has chosen Kobalt and look forward to being a part of their ongoing and future success.”

“It’s very gratifying to be recognized by Lady Antebellum and their team as their publishing partner. As writers and performers they are one of music’s most respected acts. We look forward to a long relationship,” said Richard Sanders, President of Kobalt Music Group.

Kobalt Debuts Label Services Division

kobaltPublishing giant Kobalt has officially launched a label services division. One of the first noteworthy releases will be Push the Sky Away, the fifteenth studio album by Nick Cave & The Bad Seeds. Releases from the company’s Nashville office could follow.
Kobalt Label Services (KLS) is designed to be a full-service solution for releasing and marketing records while letting artists maintain ownership of the masters. The division is providing a full spectrum of services including global distribution via digital retail, D2C, physical retail and subscription services, as well as marketing and promotion, advanced data analytics and royalty tracking, and synch licensing.
KLS worked closely with Cave and his management on all aspects of the release, which will be available Feb. 18 via KLS and Cave’s Bad Seed Ltd. Push the Sky Away will be released on CD, Limited CD-DVD, vinyl and digital formats.
“We look forward to unveiling a wide range of promotional activity in support of the release this year,” said Paul Hitchman, MD of Kobalt Label Services.
Two tracks from the album, “We No Who U R” and “Jubilee Street,” are available via all digital retailers, and album pre-orders are being accepted at nickcave.com.
As previously reported, BMG Rights Management is among the other major publishing companies offering label services.

Songwriters Embark on Inaugural Seaside Retreat

Pictured (L-R): Bob DiPiero, Alex Heddle (Creative Dir. Love Monkey Music/Tom-Leis Music), Denny Carr (Dir.of A&R Roots Three Music), Matt Turner (Creative Mgr. OLE'), Emily Peacock (Office Mgr. Love Monkey Music/Tom-Leis), Micol Davis, Arthur Buenahora (General Mgr of OLE'), Ricky Davis, Leslie T. DiPiero (Partner of Tom-Leis), Matt Nolen, Brandon Kinney, Jeff Coplan. Center: Modica Market's Famous Banana Pudding. (Not pictured Ryan Tyndell)

Pictured (L-R): Bob DiPiero, Alex Heddle (Creative Dir. Love Monkey Music/Tom-Leis Music), Denny Carr (Dir.of A&R Roots Three Music), Matt Turner (Creative Mgr. ole), Emily Peacock (Office Mgr. Love Monkey Music/Tom-Leis), Micol Davis, Arthur Buenahora (General Mgr of ole), Ricky Davis, Leslie T. DiPiero (Partner of Tom-Leis), Matt Nolen, Brandon Kinney, Jeff Coplan. Center: Modica Market’s Famous Banana Pudding. (Not pictured Ryan Tyndell)


Writers and staff from Music Row publishing companies Sony/ATV, Love Monkey Music, Tom-Leis Music, ole and Roots Three Music gathered in Seaside, Fla. for the inaugural Seaside Songwriter Retreat, held January 16-20.
The annual retreat plans on inviting additional publishers each year to write songs, and enjoy seafood and the sun.
 

ASCAP Announces GPS Project Class of 2013

L–R:  ASCAP's LeAnn Phelan, Jonathan Kingham, Brittany Aultman, Sarah Allison Turner, Keith Walker, Austin Smith,Ryan Plappert, Brian Burke, Jillian Arciero, Kris Hitchcock, ASCAP's Ryan Beuschel and Chris Drizen

Pictured (L-R): ASCAP’s LeAnn Phelan, Jonathan Kingham, Brittany Aultman, Sarah Allison Turner, Keith Walker, Austin Smith, Ryan Plappert, Brian Burke, Jillian Arciero, Kris Hitchcock, ASCAP’s Ryan Beuschel and Chris Drizen


ASCAP Senior Creative Director LeAnn Phelan and Creative Manager Ryan Bueschel have announced the names of the twelve talented, unsigned songwriters that will make up the ASCAP GPS Project Class of 2013. Now in its third year, the program puts emphasis on getting the best of Nashville’s unsigned ASCAP songwriters in front of the city’s vibrant publishing community. Twelve writers are paired with twelve publishers for one meeting a month, along with a follow-up meeting to help develop the writer and solidify the relationship.
ASCAP’s GPS Project Class of 2013 participants are: Jillian Arciero, Brittany Aultman, Brian Burke, Chris Drizen, Kris Hitchcock, Jonathan Kingham, Anthony Olympia, Ryan Plappert, Dara Sisterhen, Austin Smith, Sarah Allison Turner and Keith Walker.
“With shrinking man power and increasing workloads, as a community we can’t afford to take our eyes off the importance of writer development. The ASCAP GPS Project gets some of Nashville’s finest publishers involved in an invaluable learning experience for these talented writers,” commented Phelan.
The 2013 ASCAP GPS Project kicked off in January and will continue with events taking place through the end of the year. Additional special activities will include a mid-year writers’ round, guidance for participants from attorneys and other industry influentials, networking events and more. For more information, please contact the ASCAP Nashville office at [email protected].

National Music Publishers' Association Strikes Deal with WMG

National Music Publishers AssociationWarner Music Group and The National Music Publishers’ Association (NMPA) have negotiated a model licensing deal for music videos.
Under the agreement, songwriters and music publishers receive a percentage of the revenue generated from WMG’s music videos in exchange for the use of their musical works in these videos. The deal will be offered to all NMPA members on an opt-in basis through the Harry Fox Agency (HFA).
“Music videos are a growing revenue stream for music creators and agreements such as this are becoming increasingly necessary,” said David Israelite, NMPA President and CEO. “Warner Music Group has a deep understanding of the value that songwriters provide and we are working together to jointly increase the value of music and ensure that all creators are fairly compensated. This is the second such agreement NMPA has reached with a major record label and it is another demonstration of the benefit of a strong business partnership between labels, songwriters and music publishers. We expect more labels to follow suit.”
In June 2012, Universal Music Group (UMG) reached a similar music video licensing agreement with the NMPA, becoming the first major label to make an agreement of this kind.
Additionally, songwriters and publishers who opt into the WMG agreement may receive retroactive payments for past use of musical works in WMG music videos. The agreement also provides songwriters and music publishers with compensation for offerings relating to ringtones, ring back tones and dual disc, multi-session audio and locked content physical products.
 

Simply Grand Music Opens Nashville Branch

sgmSimply Grand Music, Inc., the original home of “Wooly Bully,” is proud to announce the expansion of their offices to Nashville.
“I’ve been a voting member of CMA and GRAMMY awards for nearly 30 years,” said President Linda Lucchesi. “I feel like this is a great time to expand to the Nashville scene. I have a fantastic new artist and songwriter, Ciera Ouellette, releasing her debut EP in March. We want to have a presence in Nashville.”
Simply Grand Music, Inc. owns over 1,500 songs and 3,000 masters. Songwriters in the catalog include Bob McDill, Stan Kesler, Stacy Davidson, Charles Chalmers, Bobby Wood and many more. Songs in the company’s catalog have been recorded by Elvis Presley, Jerry Lee Lewis, Etta James, George Jackson, Sam the Sham and the Pharaohs, Bettye LaVette, the Memphis Horns and others.
They are actively looking for new songwriters and taking music submissions. Find information on how to submit at their website, www.simplygrandmusic.com.

Hunter Hayes Is 'Wanted' At No. 1

Pictured (back row, L-R): Scott Hendricks, Universal Music Group’s Cyndi Forman and Whitney Williams, Martingale Entertainment’s Betsy McHugh and Ansel Davis, and producer Dann Huff; (front row, L-R): Universal Music Publishing Group’s Kent Earls, co-writer Troy Verges, Hunter Hayes, BMI’s Jody Williams, and Warner Music Nashville’s John Esposito.

Pictured (back row, L-R): Scott Hendricks, Universal Music Group’s Cyndi Forman and Whitney Williams, Martingale Entertainment’s Betsy McHugh and Ansel Davis, and producer Dann Huff; (front row, L-R): Universal Music Publishing Group’s Kent Earls, co-writer Troy Verges, Hunter Hayes, BMI’s Jody Williams, and Warner Music Nashville’s John Esposito.


The multi-talented Hunter Hayes celebrated his first No. 1 single, “Wanted,” with a New Orleans-themed brunch at Nashville’s BMI offices on Thursday (Jan. 17). “Wanted” was co-written with veteran songwriter Troy Verges, who also co-wrote Kip Moore’s “Beer Money.”
“Wanted” is currently nominated for a Grammy for Best Country Solo Performance (Hayes is nominated for three Grammy Awards this year). During the event, Hayes was surprised with a plaque commemorating “Wanted” as a double-platinum single.
In keeping with BMI tradition for writers earning their first No. 1 song, Jody Williams presented Hayes with a special-edition acoustic guitar. Meanwhile, as attendees dined on an array of breakfast treats, including French toast and yogurt parfaits, Warner Music Nashville CEO John Esposito took a moment to praise Hayes’ parents, who were also in attendance, for instilling an admirable work ethic in their son. “If all the artists worked as hard as this kid,” said Esposito, “our life would be better.”
Hayes took the stage to thank Verges for co-writing the song and the industry for supporting him. “I’ve never known anything but music,” he said. “It blows me away that my parents let me move to Nashville and moved with me. One of the first things I learned from them was that there’s no ‘right way’ to write a song. You just write it.”
 

Underwood, Kear and Tompkins Celebrate No. 1 "Blown Away"

Pictured (L-R): ASCAP's Mike Sistad, Big Yellow Dog's Carla Wallace, co-writer Josh Kear, Carrie Underwood, co-writer Chris Tompkins, producer Mark Bright, Big Loud Shirt's Craig Wiseman and Sony Music Nashville's Gary Overton

Pictured (L-R): ASCAP’s Mike Sistad, Big Yellow Dog’s Carla Wallace, co-writer Josh Kear, Carrie Underwood, co-writer Chris Tompkins, producer Mark Bright, Big Loud Shirt’s Craig Wiseman and Sony Music Nashville’s Gary Overton


Nashville’s music industry braved chilly, rainy weather on Wednesday (Jan. 16) to help Carrie Underwood and ASCAP songwriters Josh Kear and Chris Tompkins celebrate the No. 1 song, “Blown Away.” Held at the Country Music Association offices, CMA CEO Steve Moore introduced ASCAP’s Mike Sistad to kick off the party.
Kear has four songs on Underwood’s current album and penned Lady Antebellum‘s smash hit “Need You Now,” while Tompkins has penned songs for Florida Georgia Line, Tim McGraw and Blake Shelton. Together, Kear and Tompkins also penned Underwood’s “Before He Cheats” and Luke Bryan‘s “Drunk On You.”
The writers and singer accepted plaques, medallions and congratulations from the CMA’s Brandi Simms, Big Loud Shirt’s Craig Wiseman, Country Radio Broadcasters and Carla Wallace of Big Yellow Dog Music.
“I’m just honored that they write songs and I get to sing them,” said Underwood. “I’m a lucky lady indeed. I’m lucky to know you guys. Whatever way the song get to me, just keep doing what you’re doing. I definitely look forward to more of these in the future. It’s just such a blessing to be able to write songs and hear songs that are amazing and that I know from the first second that I hear them start to play, that I want to sing them.”
“We respect you as an artist and you are such a great singer and we know that with the kind of songs that we write, we can deliver something that at least touches on something that you might want to record,” said Tompkins. He also thanked ASCAP, Sistad, Big Loud Shirt and singer Caitlin Lynn, who sang the demo for ‘Blown Away.’ “Carrie’s such a strong singer so we needed a strong singer.”
“You changed our lives,” Kear told Underwood, referring to his and Tompkins’ hit “Before He Cheats.” “Everything we’ve had since then, all comes back to that song.”
The gracious singer was quick to reflect the praise back to Kear. “Well then you changed your own life by writing it.”
 

Sony/ATV Negotiates Higher Royalty Rate From Pandora

indexSony/ATV has negotiated a 25 percent increase in the royalty rate it receives from Pandora, according to the New York PostThe deal will last 12 months. This is a coup for songwriters and publishers who have been paid nominal fees for song performances on non-interactive streaming services, such as Pandora.
It has been widely reported that as of 2013, Sony/ATV is no longer using ASCAP and BMI to collect digital performance royalties. This change allows the publishing giant to negotiate rates directly with Pandora and similar services.
Payments to songwriters and publishers for online performances have been a hot topic in recent months. In November 2012, NSAI Executive Director Bart Herbison and songwriter/NSAI President Lee Miller explained the situation to MusicRow. Giving a specific example of the low payments received by songwriters, Miller explained that five hit songs collectively received 33 million spins on internet radio during the third quarter of 2012, and the songwriters were collectively paid $500 in royalties.
Herbison said, “[Songwriters and publishers] get paid from a share of the ad revenue that is on the free part of Pandora [and there aren’t many ads].”
According to Pandora’s 2012 annual report, it paid 49.7% of its revenue in royalties to SoundExchange, which pays labels and artists, and 4.1% of its revenue in royalties to the US PROs, which in turn pay songwriters and publishers.