Major Bob Music Inks Deal With Vanderheym

Pictured (L-R, front row): Major Bob's Bob Doyle, Vanderheym, and Major Bob's Jesse Frasure. (L-R, back row): Almon & McPike's Noah McPike, Major Bob's Tina Crawford, ASCAP's Beth Brinker, and Major Bob's Chandler Thurston)

Pictured (L-R, front row): Major Bob’s Bob Doyle, Vanderheym, and Major Bob’s Jesse Frasure. (L-R, back row): Almon & McPike’s Noah McPike, Major Bob’s Tina Crawford, ASCAP’s Beth Brinker, and Major Bob’s Chandler Thurston)

Major Bob Music has signed multi-genre songwriter/producer Alysa Vanderheym to an exclusive worldwide songwriting deal. Born and raised in Marin County, Calif, she relocated to Nashville in 2012 to earn her BA in Songwriting from Belmont University.

“We are thrilled to have Alysa join the team. We knew quickly upon hearing her solo writing and production that she had a unique style and approach as a writer. She fits perfectly into our diverse multi genre background and we are happy to help build her brand” says Jesse Frasure, VP Of Major Bob Music.

House Judiciary Committee To Host Copyright Roundtable Discussion in Nashville

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House Judiciary Committee Chairman Bob Goodlatte (R-Va.) and Ranking Member John Conyers (D-Mich.) will take part in the House Judiciary Committee’s listening tour, as part of the Committee’s comprehensive copyright review. The House Judiciary Committee will launch the copyright review listening tour with a roundtable discussion in Nashville on Tuesday, Sept. 22 at Belmont University. The roundtable is expected to include a wide range of professionals from the music industry.

Chairman Goodlatte and Ranking Member Conyers issued the following statement on the upcoming copyright review listening tour.

“America’s copyright industries – movies, television programming, music, books, video games and computer software – and technology sector are vitally important to our national economy. The House Judiciary Committee’s copyright review is focused on determining whether our copyright laws are still working in the digital age to reward creativity and innovation in order to ensure these crucial industries can thrive.

“In the coming weeks the House Judiciary Committee will conduct several roundtable discussions to hear directly from the creators and innovators about the challenges they face in their creative field and what changes are needed to ensure U.S. copyright law keeps pace with technological advances.”

Tucker Beathard Lands Dot Records, Big Machine Music Deals

Pictured (L-R): Back Row – Big Machine Music’s Alex Heddle, Mike Molinar, Tali Canterbury, Manager Mary Hilliard Harrington, Big Machine Label Group’s Allison Jones and Big Machine Music’s Brianna Steinitz Front Row – BMLG’s Scott Borchetta, Tucker Beathard & Dot Records’ Chris Stacey Photo Credit: Seth Hellman for Dot Records.

Pictured (L-R): Back Row – Big Machine Music’s Alex Heddle, Mike Molinar, Tali Canterbury, Manager Mary Hilliard Harrington, Big Machine Label Group’s Allison Jones and Big Machine Music’s Brianna Steinitz
Front Row – BMLG’s Scott Borchetta, Tucker Beathard & Dot Records’ Chris Stacey. Photo: Seth Hellman for Dot Records.

Dot Records has signed singer-songwriter Tucker Beathard to its artist roster. He has also inked a deal with BMLG’s publishing arm, Big Machine Music. Born and raised in Nashville, Beathard is the son of songwriter Casey Beathard (“Don’t Blink”).

Tucker is currently working on his debut album for Dot Records, and was recently added to Chase Rice’s JD and Jesus fall tour.

Mary Hilliard Harrington serves as management.

Industry Ink: Show Dog, CTM Writer’s INK/Cotton Gin, King Baby, We Run The Row

CTM Writer’s INK, Cotton Gin Productions Sign Stevens

Pictured (L-R): Shawn Bowling (Creative Manager CTM Writer’s INK), Brandon Perdue (Development/Production CTM Writer’s INK), Erin Enderlin (Cotton Gin), Scott Stevens, Alex Kline (Cotton Gin), Eddie Robba (President/CEO CTM Writer’s INK).

Pictured (L-R): Shawn Bowling (Creative Manager CTM Writer’s INK), Brandon Perdue (Development/Production CTM Writer’s INK), Erin Enderlin (Cotton Gin), Scott Stevens, Alex Kline (Cotton Gin), Eddie Robba (President/CEO CTM Writer’s INK).

Knoxville native Scott Stevens has signed an artist development/publishing deal with CTM Writer’s INK and Cotton Gin Productions. His recently released self-titled debut EP was produced by Cotton Gin’s Erin Enderlin and Alex Kline.

Stevens joins CTM’s current roster, which includes Marcus Hummon, Ella Mae Bowen, Autumn McEntire and Chris Roberts.

“I’m so pumped to team up with CTM and their already awesome group of writers,” says Stevens. “We share the same passion for making great music happen and I’m humbled to have them believe in me. I’m fired up to watch what happens next.”

“Scott’s dynamic voice captures the listener quickly causing them to tune in and pay attention. I’m so excited to have Scott join our team, he has such a big future ahead of him,” says Eddie Robba, President/CEO of CTM Writer’s INK.

show dog nashville logoShow Dog Adds NE Regional

Show Dog Nashville has appointed Jean Williams to the position of Northeast Promotion and Marketing Director, announced GM George Nunes. Williams has extensive music industry experience most recently as Director of Affiliate Sales at Westwood One. Williams has previously held radio promotion positions at Warner Music and Sony Music Nashville.

“Jean is an amazing, innovative promoter and I’m excited to have her join our team,” commented Rick Moxley, Vice President, promotion. “Her experience, relationships, positive drive and attitude make Jean the perfect addition to Show Dog.” This appointment will reunite Moxley and Williams who worked together for a number of years at both Sony Music and Warner Bros.

“I’m excited and honored to join Show Dog Nashville,” adds Williams. “I look forward to working with the entire Show Dog team.”

Williams can be reached at 615-324-7768 or [email protected].
 
 

King Baby Studio To Host Trunk Show Beginning Sept. 17

thKing Baby is hosting a trunk show featuring some of designer Mitchell Binder’s friends who are artisans & artists in the Southwestern/Native American Jewelry community. The event will showcase the works of the selected artists, from Sept. 17-19, with a launch event on the night of Sept. 17, from 5:30 p.m.-8:30 p.m.

The launch will showcase King Baby’s new Birth of Americana collection which features one-of-a-kind pieces, hand-cut turquoise stones, Southwestern inspired designs and textures. The event will also feature a silent art auction of selected works from artist Rob Hendon, benefiting the W.O. Smith Music School with a matched donation by King Baby. Drinks, hors d’oeuvres, and live music will be included in the event.

King Baby Studio is located at 615 9th Ave. S. in Nashville.

For more information, visit kingbabystudio.com.
 
 

Last Week To Sign Up For We Run The Row

Screen Shot 2015-09-16 at 9.30.55 AMWe Run The Row 5k will be held this Saturday (Sept. 19) at 6 p.m. An afterparty will follow at Dan McGuinness from 6-10 p.m. with $3 house beer and $4 well drink specials. Proceeds benefit Musicians On Call. There is still time to sign up and enjoy the fun!

For more information, visit weruntherow.racesonline.com.

NSAI Celebrates Chart-Topping Songwriters

Songwriters with their No. 1 plaques.

Songwriters with their No. 1 plaques.

The Nashville Songwriters Association International (NSAI) honored Nashville-associated writers whose songs topped the Billboard Airplay, Digital or Hot charts between April 2015 and July 2015 yesterday evening (Monday, Sept. 14). There were 83 songwriters and 20 songs recognized.

The Maggie Cavender award was also presented to Jo Walker-Meador, Layng Martine, Jr. and the late Billy Block. Block’s wife, Jill Block, received the award on his behalf. This is the first time NSAI has presented three recipients with the Maggie Cavender Award within the same year. The NSAI #1 Party was held at the Music Mill, NSAI’s headquarters on Music Row.

The NSAI #1 Party was sponsored by Klindt, Cole & Associates of Merrill Lynch Private Banking and Investment Group.

Pictured (L-R): Lee Thomas Miller, Jo Walker Meador, and Bart Herbison.

Pictured (L-R): Lee Thomas Miller, Jo Walker-Meador, and Bart Herbison.

Songs Recognized:
“Homegrown Honey,” Darius Rucker, Charles Kelley, Nathan Chapman, recorded by Darius Rucker
“Because He Lives (Amen),” Daniel Carson, Ed Cash, Bill Gaither, Gloria Gaither, Jason Ingram, Matt Maher, Chris Tomlin, recorded by Matt Maher
“Soul On Fire,” Tai Anderson, Brenton Brown, David Carr, Mark Lee, Matt Maher, Mac Powell, recorded by Third Day
“Take Your Time,” Sam Hunt, Josh Osborne, Shane McAnally, recorded by Sam Hunt
“Say You Do,” Matt Ramsey, Shane McAnally, Trevor Rosen, recorded by Dierks Bentley
“Drinkin Class,” Josh Kear, David Frasier, Ed Hill, recorded by Lee Brice
“Raise ‘Em Up,” Jaren Johnston, Tom Douglas, Jeffrey Steele, recorded by Keith Urban f/ Eric Church
“A Guy Walks Into A Bar” Melissa Peirce, Jonathan Singleton and Brad Tursi, recorded by Tyler Farr
“Don’t It,” Jaren Johston, Ashley Gorley, Ross Copperman, recorded by Billy Currington
“Smoke,” Michael Hobby, Ross Copperman, Jon Nite, recorded by A Thousand Horses
“Sippin’ On Fire,” Cole Taylor, Matt Dragstrem, Rodney Clawson, recorded by Florida Georgia Line
“Shoulders,” Ben Glover, Joel Smallbone, Luke Smallbone, recorded by for King & Country
“Wild Child,” Josh Osborne, Kenny Chesney, Shane McAnally, recorded by Kenny Chesney w/ Grace Potter
“Love Me Like You Mean It,” Forest Glen Whitehead, Josh Kerr, Kelsea Ballerini, Lance Carpenter, recorded by Kelsea Ballerini
“Sangria,” Josh Osborne, JT Harding, Trevor Ronsen, recorded by Blake Shelton
“Little Toy Guns,” Carrie Underwood, Chris DeStefano, Hillary Lindsey, recorded by Carrie Underwood
“Love You Like That,” Brett Beavers, Canaan Smith, Jim Beavers, recorded by Canaan Smith
“Tonight Looks Good On You,” Ashley Gorley, Dallas Davidson, Rhett Akins, recorded by Jason Aldean
“Girl Crush,” Lori McKenna, Liz Rose, Hillary Lindsey, recorded by Little Big Town

Layng

Pictured (L-R): Lee Thomas Miller, Layng Martine, Jr., and Bart Herbison

BillyBlock

Jill Block with sons Rocky and Grady Block, receiving the Maggie Cavender Award on behalf of the late Billy Block.

Prince’s “Let’s Go Crazy” Video Case Leads To Copyright Precedent

Prince

Prince

Under a new ruling from a federal appeals court, Universal Music Group could be liable for attempting to take down a 29-second home video of a baby dancing to Prince‘s “Let’s Go Crazy.” In February 2007, Gallitzin, Pa., resident Stephanie Lenz uploaded the video featuring her then 13-month-old infant to YouTube. Prince’s “Let’s Go Crazy” was playing in the background. UMG sent YouTube a takedown notice under the Digital Millennium Copyright Act (DMCA), alleging the video infringed on the song’s copyright. Advocacy Group The Electronic Frontier Foundation represented Lenz, suing UMG on her behalf and arguing that Universal had misapplied the DMCA by inappropriately targeting a legal fair use.

On Monday (Sept. 14), the United States Court of Appeals for the Ninth Circuit (San Francisco)’s three-judge panel ruled that copyright holders are required to consider fair use before sending a takedown notification.

“Universal faces liability if it knowingly misrepresented in the takedown notification that it had formed a good faith belief the video was not authorized by the law, i.e., did not constitute fair use,” Judge Richard C. Tallman’s opinion reads. “Here, Lenz presented evidence that Universal did not form any subjective belief about the video’s fair use — one way or another — because it failed to consider fair use at all, and knew that it failed to do so.”

The Ninth Circuit stated a jury would need to decide whether UMG had formed a good faith belief that the video breached the fair use policy. Fair use allows portions of copyrighted material to be used for purposes of criticism, comment, research, or in other limited circumstances without a license from the copyright holder.

“Today’s ruling sends a strong message that copyright law does not authorize thoughtless censorship of lawful speech,” said Corynne McSherry, legal director for The Electronic Frontier Foundation.

A spokesman for the Recording Industry Association of America, Jonathan Lamy, said, “We respectfully disagree with the court’s conclusion about the DMCA and the burden the court places upon copyright holders before sending takedown notices.”

Ole Expands Deal with Gord Bamford

Pictured (L-R): Gord Bamford, Robert Ott.

Pictured (L-R): Gord Bamford, Robert Ott.

ole has expanded its worldwide co-publishing deal with 19-time CCMA winner and 2013 CMA Global Artist of The Year country singer/songwriter Gord Bamford.

The deal extends ole’s previous co-publishing agreement with Bamford for future recordings and gives ole control of all co-publishing rights to Bamford’s 2013 album, Country Junkie, as well as his as-yet-untitled 2016 album.

“ole’s relationship with Gord has been incredibly rewarding for both parties, and now that he has moved to Nashville, we’re excited to work even more closely with him in the years ahead,” said John Ozier, GM of Nashville Creative at ole. “Gord’s new songs deserve to be heard, and ole is committed to utilizing our world-class resources to ensure that happens.”

Bamford released his first album, God’s Green Earth, in 2001 and has since recorded a total of seven albums and racked up six Top 20 tracks on the Canada Country chart, including the No. 1 hit “When Your Lips Are So Close,” which has also been certified gold. He is a 19-time CCMA Award winner, including two wins last year for Male Artist of the Year and Single of the Year. He has also been nominated for three Juno Awards and will compete for six CCMA Awards this year, including Male Artist of the Year, Single of the Year, Songwriter of the Year, Video of the Year, and Record producer of the Year as well as the 2015 Fans’ Choice Award.

Current ole writers include Rush, Timbaland, Tyler Farr, Josh Dorr, Gord Bamford, Brett Jones, Dave Turnbull, Jeremy Stover, Marty Dodson, and Ian Thornley. ole has ongoing ventures with Last Gang Publishing, Roots Three Music, Jackoby Publishing, and most recently, ole-Bluestone Publishing, ole’s venture with global hitmaker Timbaland. ole’s legacy catalogs and writers include Max Webster, Coney Hatch, and Ian Thomas.

SNG Music Signs Abbey Cone

Seated: Abbey Cone. Standing (L-R):  Clay Neuman (Founder/President of Vision Entertainment), Steve Leslie (Partner at SNG Music), Lynn Morrow (Entertainment Attorney Adams and Reese), Beth Brinker (Creative Manager at ASCAP) , Bobby Fischer (SNG Songwriter Emeritus), Brandy Reed (Founder of RPR Media & Public Relations), Michael Martin (VP of ASCAP Nashville Membership Office), Gary Reamey (Partner at SNG Music), Erin Kidd (Director of promotion and Administration at SNG Music).

Seated: Abbey Cone. Standing (L-R): Clay Neuman (Founder/President of Vision Entertainment), Steve Leslie (Partner at SNG Music), Lynn Morrow (Entertainment Attorney Adams and Reese), Beth Brinker (Creative Manager at ASCAP) , Bobby Fischer (SNG Songwriter Emeritus), Brandy Reed (Founder of RPR Media & Public Relations), Michael Martin (VP of ASCAP Nashville Membership Office), Gary Reamey (Partner at SNG Music), Erin Kidd (Director of promotion and Administration at SNG Music).

SNG Music has signed singer-songwriter Abbey Cone through their Nashville office. The 16-year-old Ft. Worth native recently released the project Abbey, which features 16 tracks, including 15 co-written by Cone.

SNG Music is a Nashville-based publishing company founded by partners Steve Leslie and Gary Reamey.

“We at SNG are very proud and honored to have Abbey as part of our creative family. She is a true artist and a wonderful young lady who has important things to say to her young generation. We’re all ears!” said Leslie.

George Canyon Expands Publishing Relationship with ole

George Canyon

George Canyon

ole has expanded its relationship with country singer/songwriter George Canyon, inking a worldwide co-publishing agreement that includes Canyon’s back catalog and future copyrights.

Over the course of his nearly two-decade career, Canyon has won two Juno Awards and seven CCMA Awards. This year, he is nominated at the CCMAs in the Country Music Program or Special of the Year category for his radio show Down East Country with George Canyon.

“George is a superstar in the Canadian country music scene, and ever since joining ole in 2012, we have expanded that legacy through tireless promotion of his music and ongoing support.” said John Ozier, GM of Nashville Creative at ole. “Now, ole is thrilled to take our relationship with George to the next level via master ownership of his forthcoming album and a purchase of his formidable back catalog.”

“It’s been a pleasure working with ole, and I’m glad to have their support,” said Canyon. “ole has been a tremendous partner where it really counts, getting me the opportunity to collaborate with top notch songwriters and pitching me incredible music for my forthcoming album.”

Songwriters, PROs, and Publishers Unite For Change at NMPA Town Hall Meeting

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The National Music Publishers’ Association’s Songwriter Town Hall drew a packed crowd of songwriters, PRO executives and publishers to the Loews Vanderbilt Hotel on Wednesday, Sept. 9.

NSAI Executive Director Bart Herbison and NSAI president/singer-songwriter Lee Thomas Miller welcomed NMPA president/CEO David Israelite, who shared a series of bleak statistics regarding songwriter and publisher income from music services including Spotify, Pandora and SiriusXM. “Digital music companies are making millions off the backs of songwriters,” he said.

Israelite shared that SiriusXM brings in $22 billion in revenue, and keeps 86 percent of its revenues. Labels get 10 percent, while writers/publishers get four percent.

Next up, Spotify. Of Spotify’s $8.53 billion income, 10.5 percent goes to publishers/songwriters, while 59 percent goes to labels and Spotify keeps 30.5 percent. This total revenue comes from Spotify’s paid subscribers. According to Israelite’s statistics, 73 percent of Spotify users do not pay for the service, meaning that revenues are based on only 27 percent of Spotify users.

Photo: SongSpace/Twitter

NMPA Town Hall Meeting. Photo: SongSpace/Twitter

He also noted that songwriters currently do not have a choice as to whether their music is included on these services.

“When Taylor Swift removed her music from Spotify,” said Israelite, “understand that she could make that decision, as she was the artist behind these songs. She couldn’t do that if she was [only] the songwriter.”

Finally, Pandora. The company’s $3.79 billion is split, with 42 percent going to labels, 54 percent kept by Pandora, and four percent to publishers/writers. Israelite included that 95 percent of Pandora users do not pay for the service.

In 2014 total revenue for the U.S. songwriting and publishing industry was down 2.5 percent from the prior year, bringing in a total of $2,151,828,613.00. Of this amount, approximately 52.6 percent is from performance royalties, while 21.3 percent is from mechanicals and 20.4 percent is sync licensing.

Pictured (L-R): Ashley Gorley, Nicolle Galyon, Michael Carter, Cole Taylor with their NMPA Songwriting Gold & Platinum Awards at the Bluebird Cafe.

Pictured (L-R): While members of NMPA were in Nashville for the Songwriters’ Town Hall Meeting, NMPA honored Ashley Gorley, Nicolle Galyon, Michael Carter, and Cole Taylor with songwriting Gold & Platinum Awards at the Bluebird Cafe.

With more than half of publisher/songwriter revenues coming from performance royalties, Israelite says it underlines the importance of the battle that PROs, publishers and songwriters are fighting against the antiquated consent decrees that have governed PROs BMI and ASCAP since 1941.

“Companies that are against songwriters will spend an estimated $79.8 million in lobbying efforts, from 405 lobbyists,” said Israelite. “Companies fighting for songwriters will spend a total of $1.9 million on those activities. It’s an uphill battle, and it’s crucial that all interests come together to say we want our songs to be worth more than they are currently valued,” said Israelite. He also noted that the battle continues to increase statutory mechanical rates for physical formats and permanent digital downloads from the current 9.1 cents per song.

Israelite called for publishers, songwriters, PROs and music fans to unite to cause changes to laws that govern mechanical and performance royalties. “Nearly 75 percent of your song’s value is regulated by the government in a way that doesn’t regulate it properly,” said Israelite.

He lauded NSAI’s Bart Herbison and Lee Thomas Miller for their efforts to lobby for songwriters, and for bringing songwriters to testify and perform before members of Congress.

After taking questions from members of the audience, Israelite and Miller offered a myriad of suggestions to aid in the battle, including urging songwriters to join NSAI, and to support their PROs’ efforts to bring about a fair income for writers.

Israelite also mentioned the power of the artist-songwriter. “Many artists, themselves songwriters, have also joined us in these efforts,” he said, noting the work of Lady Antebellum, Bon Jovi, and Steven Tyler. “I will tell you, I feel that having Steven Tyler perform and meet with members of Congress in Washington did more to make them aware of the situation songwriters face than I had done over the course of a few years. Writers, when you are writing with other songwriters or artists, bring up these issues and get them involved. These artists are songwriters themselves and are passionate about this cause. Let’s use our secret weapon.”

Pictured (L-R): Ashley Gorley, Cole Taylor, Michael Carter, Nicolle Galyon, NMPA CEO David Israelite.

Pictured (L-R): Ashley Gorley, Cole Taylor, Michael Carter, Nicolle Galyon, and NMPA CEO David Israelite.