Award-Winning Producer, Director & Filmmaker Jim May Passes

Jim May

Nashville producer, director, filmmaker and co-owner of Ruckus Films, Jim May, passed away on Sept. 9 in his home. He was 78.

May spent his early years in the southeast, moving frequently with his family from Florida to Alabama before eventually settling in Athens, Georgia. He earned degrees from the University of Georgia and Harvard Divinity School, and took his passion for theology and transformed it into an unexpected yet fitting career as a filmmaker.

May and his partners at RuckusFilm were among the early members of Nashville’s film community. His career ran more than 50 years and his work won numerous awards in the fields of advertising, music videos and TV production, including Addy Awards, Clios and several Emmys. He was also a sought-after Director of Photography as well as an award-winning Producer/Director who produced several successful feature films and TV specials. May was an early adopter of new technology, techniques and equipment, and worked with artists including the Drive-By Truckers, Aerosmith, Alan Jackson and Kathy Mattea.

May is survived by his three children, Emma Bradley (John), Georgia May Fleming and Oliver Fleming; along with his siblings, Mary Love Helms (Jim), Bo May, Martha Giardina (Gary), Deanie Fincher (Bill), Marianne May Causey, Tom May (Linda) and Joe May (Liz). He is also survived by many nieces and nephews. May leaves behind his business partners of over 30 years, Coke Sams, Clarke Gallivan and Jana Laiolo.

The family asks that in lieu of flowers, donations be made to Oz Arts Nashville. A celebration of life will be planned soon and his ashes will be spread per his wishes in Carrabelle, Florida.

Oscar-Winning Songwriter Will Jennings Passes

Will Jennings

Nashville Songwriters Hall of Fame member Will Jennings passed away on Sept. 6 at age 80.

The lyricist wrote classic country hits and had massive pop success. He won multiple Oscar, Grammy and Golden Globe awards for such iconic songs as “Up Where We Belong,” “Tears in Heaven” “My Heart Will Go On” and “Higher Love.”

Will Jennings was a native Texan who began his professional career as an English professor in Nacogdoches and then at The University of Wisconsin. He moved to Nashville to pursue songwriting in 1971. He was signed by Almo-Irving Music in 1974. The publisher’s Music Row office was his base of operations in Nashville throughout his career.

Jennings’ first songwriting success was 1974’s “Keep On Lovin’ Me,” which rose to No. 23 on the country charts thanks to Johnny Paycheck’s recording of it. The songwriter’s first big hit was 1975’s “Feelin’s,” sung by Conway Twitty and Loretta Lynn. Johnny Cash and June Carter had a hit with “Old Time Feeling” in 1976. His lyrics were subsequently recorded by Emmylou Harris, The Bellamy Brothers, Amy Grant, Brady Seals, BeBe & CeCe Winans, Diamond Rio, Freddy Fender, Glen Campbell, Peter Frampton, Tompall Glaser, B.J. Thomas, The Oak Ridge Boys, Janie Fricke, Dobie Gray, Willie Nelson, Crystal Gayle, Ronnie Milsap, Tracy Nelson, Barbara Mandrell and Clint Black, among other Nashville acts.

One of his songwriting collaborators persuaded Jennings to move to L.A. The lyricist first tasted pop-music success when Helen Reddy took his co-written “Somewhere in the Night” into the top 20 in 1977. Shortly afterward, Jennings had a No. 1 pop smash with Barry Manilow’s version of “Looks Like We Made It.” The following year, Manilow revived “Somewhere in the Night” and made it a top 10 hit. In 1979, The Crusaders scored with his “Street Life,” featuring a vocal by Randy Crawford.

Also in 1979, Dionne Warwick revived her career with the million selling and Grammy winning “I’ll Never Love This Way Again.” Jennings also co-wrote her 1980 hit “No Night So Long.” This began the decade in which he achieved his greatest successes.The Crusaders returned to his catalog for 1981’s “I’m So Glad I’m Standing Here Today,” featuring a vocal by Joe Cocker. That is the same year that Jennings formed a songwriting partnership with Steve Winwood. Their cowritten pop hits included “While You See a Chance” (1981), “Still in the Game” (1982), the Grammy winning “Higher Love” (1986), “The Finer Things” (1987), “Back in the High Life Again” (1987), “Valerie” (1987), “Roll With It” (1988), “Don’t You Know What the Night Can Do” (1988) and “Holding On” (1989).

Will Jennings moved into movie soundtrack work. The 1982 Joe Cocker & Jennifer Warnes smash “Up Where We Belong” was the theme song for An Officer and a Gentleman. Co-written by Jennings with Buffy Sainte-Marie and Jack Nitzche, it won a Golden Globe and an Academy Award for best motion-picture song of the year. The songwriter also contributed to the soundtracks of The Competition (1980), The Commitment (1976), The Land Before Time (1988) and An American Tail: Fievel Goes West (1991).

In the early 1980s, Jennings began cowriting songs with Jimmy Buffett for use on the albums Coconut Telegraph (1981), Riddles in the Sand (1984) and Last Mango in Paris (1985). Five of their songs went onto the country hit parade in 1984-85 —“When the Wild Life Betrays Me,” “Who’s the Blonde Stranger,” “Gypsies in the Palace,” “Please Bypass This Heart” and the top 20 hit “If the Phone Doesn’t Ring It’s Me.”

Much of Buffett’s music was recorded in Nashville, and Jennings continued his songwriting trips to Music City. He began collaborating with Rodney Crowell in 1989. Crowell scaled the country charts with their cowritten 1989 top 10 hit “Many a Long and Lonesome Highway.” The team went on to make the country charts with Rodney’s singles of “What Kind of Love” (1989) and “Please Remember Me” (1995).

Returning to soundtrack work, Jennings and Eric Clapton co-wrote “Tears in Heaven,” and it was used in the film Rush. Clapton’s 1992 performance of the song sold a million and earned its creators a Grammy Song of the Year honor, as well as a Golden Globe award.

In 1998, Will Jennings achieved new prominence due to his lyrics for “My Heart Will Go On,” the theme song of the movie blockbuster Titanic. As a single, it hit No. 1 for Celine Dion and earned multiple Grammy Awards, It also earned Jennings his second Oscar for Song of the Year from the Academy of Motion Picture Arts & Sciences.

Meanwhile back in Nashville, Tim McGraw brought back “Please Remember Me” in 1999. This time, the Cowell/Jennings song became a No. 1 country smash that endured on the charts for half the year and remained at the top of the country hit parade for five weeks. McGraw’s wife, Faith Hill, recorded the Jennings co-written “Where Are You Christmas” for the soundtrack of How the Grinch Stole Christmas. Her 2000 single of the song has become a holiday perennial, as has Mariah Carey’s version.

His ultra-romantic lyrics were particularly favored by female stylists. Bette Midler, Diana Ross, Anne Murray, Joan Osborne, Patti LaBelle, Juice Newton, Dorothy Moore, Bonnie Raitt, Etta James, Millie Jackson, Nancy Wilson, Rita Coolidge, Kim Carnes, Shirley Bassey, Linda Ronstadt, Nicole Kidman and Vanessa Williams all recorded his works. His songs were also on albums by The Lettermen, B.B. King, Color Me Badd, Steve Ray Vaughan, Aaron Neville, Bill Withers, New Riders of the Purple Sage, Sam & Dave, Ry Cooder, Tom Jones, Warren Zevon, Roy Orbison, Peter Wolf, Paul Anka and Christopher Cross.

Will Jennings was inducted into the national Songwriters Hall of Fame in 2006 in New York City. The lyricist was always widely liked on Music Row. He was voted into the Nashville Songwriters Hall of Fame in 2013.

He is survived by his wife of 59 years, the former Carole Thurman and by two sisters, Joyce and Gloria.

Country Hitmaker Tommy Cash Passes

Tommy Cash 

Tommy Cash, noted for his country hit “Six White Horses,” died at home in Gallatin on Friday (Sept. 13) at age 84.

He was the brother of Country Music Hall of Fame icon Johnny Cash (1932-2003) and actively supported downtown Nashville’s Johnny Cash Museum. That attraction’s founder, Bill Miller, described him as, “a very, very dear friend.. I knew him for over 50 years. Tommy Cash was….a very beloved member of our extended family as well as a highly respected member of the music industry.”

Tommy Cash was born in Dyess, Arkansas in 1940. He reportedly took up the guitar at age 16 after watching his brother perform. Following high school, he enlisted in the U.S. Army and worked as a DJ for the Armed Forces Radio Network in 1959-61. In his early days as a musician he played shows with Hank Williams Jr., landing a recording contract with Musicor in 1965 as his first label. Two of his early singles in 1968-69 on United Artists and Epic were written by future star Eddie Rabbitt.

In 1969, Tommy Cash released a song on Epic dedicated to John F. Kennedy, Robert F. Kennedy and Martin Luther King Jr. Titled “Six White Horses,” the record became his biggest hit, rising to No. 4 on the country hit parade.

He followed it with two more top 10 hits in 1970. “Rise and Shine” was written by Carl Perkins. “One Song Away” was penned by Don Reid of The Statler Brothers.

The singer placed 19 titles on Billboard’s national country charts between 1968 and 1978. But he only made the top 20 twice more. In 1971, Reid and fellow Statler Lew DeWitt provided Cash with the hit, “So This Is Love.” In 1973, Cash made it to No. 16 with “I Recall a Gypsy Woman.” That song was also a 1981 success for B.J. Thomas and became a country evergreen. More than 45 other versions of “I Recall a Gypsy Woman” have been recorded, including versions by Don Williams, Waylon Jennings, Jim Rooney, Hank Thompson, Doc Watson and J.D. Crowe & The New South.

Cash went on to record for Elektra, 20th Century, Monument, Indigo, Playback and other labels. On later records, he sang with George Jones, Marty Stuart, Tom T. Hall, Johnny Cash, Connie Smith and his son Mark Cash. His distinctive Cash baritone led to ad-jingle work for Pepsi, Burger King, GM, Beechnut, Santa Fe railroad and other entities.

As a songwriter, his works were recorded by Conway Twitty, Jean Shepard, Kitty Wells and Loretta Lynn, as well as his superstar older brother. He often toured overseas. During the 1990s, Tommy Cash became an entertainer in the country-theater tourism center of Branson, Missouri.

In addition to being the youngest brother of Johnny Cash, he was the brother of gospel’s Joanne Cash Yates and of the museum’s Reba Cash Hancock (1934-2006), plus the uncle of Rosanne and John Carter Cash. The names of his immediate survivors have not been issued.

Arrangements for Tommy Cash are entrusted to: Sumner Funeral & Cremation 104 Sanders Ferry Rd. Hendersonville, Tennessee (615) 822-4442. Visitation there is Wednesday, Sep. 18,, from 11:00 a.m to 1:00 p.m. with the funeral service to follow. Interment will be in Hendersonville Memory Gardens.

Veteran Engineer Billy Sherrill Passes

Billy Sherrill

Billy Sherrill, the engineer who was behind the board for hits recorded by Kenny Rogers, Kenny Chesney, The Chicks, The Marshall Tucker Band and many more, passed away on Tuesday (Sept. 10). He was 77.

Born in west Tennessee and raised for most of his childhood in Paducah, Kentucky, Sherrill was in bands in high school and college. He first got a taste of the recording world when he and the band recorded in a friend’s studio in Benton, Kentucky.

Having connected with Music Row engineer Scotty Morris, Sherrill headed to Nashville after college. Morris introduced him to Thomas Wayne, and Sherrill began to help Wayne set up the studio that became Sound Shop. Soon, Sherrill was making tape copies for publishers on Music Row.

While working at Sound Shop, Sherrill met producer/songwriter Larry Butler, who invited him to work on his first real recording session for Jean Shepard’s “Slippin’ Away” (1973). The record hit the top five on the country charts and garnered more work for Sherrill. It also marked the beginning of his and Butler’s long relationship.

Together the pair worked on hit records for Dottie West, Billie Jo Spears, Ed Bruce, Johnny Cash, Charlie Rich, Mac Davis, Mickey Gilley, John Denver, Paul Anka and more. When Butler bought Jack Clement’s studio, Sherrill followed him.

Butler produced and Sherrill engineered many of Kenny Rogers’ hits, including “Lucille,” “She Believes In Me,” “The Gambler,” “Love Or Something Like It,” “You Decorated My Life” and “Coward of the County.”

Eventually Sherrill went out on his own. He engineered more hit records such as The Chicks’ Grammy-winning Fly album, and a lot of Kenny Chesney’s early work, like hits “She Thinks My Tractor’s Sexy” and “That’s Why I’m Here.” He also served as the sound mixer for the Grand Ole Opry for several years.

In 2019, the Audio Engineering Society (AES) presented Sherrill with a Lifetime Achievement Award for excellence in Studio Recording & Mixing. He was inducted into the Musicians Hall of Fame the same year.

Billy Sherrill is survived by his wife, Susan, daughter Chandler Nicole and son David.

A visitation for Billy Sherrill will take place on Friday (Sept. 20) from 5 p.m. to 7 p.m. and on Saturday (Sept. 21) from 2 p.m. until a service will commence at 4 p.m. at Brook Hollow Baptist Church (678 Brook Hollow Road, Nashville, TN 37205).

In lieu of flowers, the family is requesting donations be made in Sherrill’s honor to The Musicians Hall of Fame or Brook Hollow Baptist Church.

Pop Star & Nashville Music Publisher Jimmy Gilmer Passes

Jimmy Gilmer

Jimmy Gilmer, remembered by oldies fans as the singer of 1963’s “Sugar Shack” and known as a prominent song publisher on Music Row, died on Saturday, Sept. 7, at age 83.

Gilmer died in Amarillo, Texas while in hospice care. He had reportedly been suffering from Alzheimer’s Disease for two years.

Born in Chicago in 1940 but raised in Amarillo, Jimmy Gilmer became a session vocalist at Norman Petty’s studio in Clovis, New Mexico in 1959. The studio was the recording home of such hit makers as Buddy Knox, Roy Orbison and Buddy Holly. A local rock group called The Fireballs came to Petty’s place to record its top 40 instrumental hits “Torquay” (1959), “Bulldog” (1960) and “Quite a Party” (1961). The band’s membership changed in 1962, and Gilmer came on board as The Fireballs’ vocalist.

In 1963, Jimmy Gilmer & The Fireballs issued “Sugar Shack.” It rose to No. 1 on the pop charts and became the biggest selling single of the year. They followed that Gold record with the similar sounding “Daisy Petal Pickin,’” which rose to No. 15.

Norman Petty used the group to back several other artists that he produced. After Holly’s death, he had The Fireballs record band tracks to go with Holly’s voice on some home-recorded demos he left behind. They also backed folk singer Carolyn Hester.

The group returned to the charts with 1968’s rocking top 10 hit “Bottle of Wine.” One of the follow-up singles was “Come On, React!” Although its national ranking was only No. 63, the record was a top-20 hit in many markets and remained a fan favorite for years.

Gilmer’s albums included Sugar Shack (1963), Buddy’s Buddy (1964), Lucky ‘Leven (1965), Folkbeat (1965), Campusology (1966), Firewater (1968), Bottle of Wine (1968) and Come On, React! (1969).

At the end of the 1960s, The Fireballs called it quits. In 1970, Jimmy Gilmer relocated to Nashville. He was hired by United Artists Music, where he built a 30-year publishing career. Through a number of mergers and acquisitions, he rose to become a vice president at CBS Songs. plus successive executive positions at EMI and SBK.

Among the many songwriters he aided were Richard Leigh, Bobby Goldsboro and Pat Alger. He also signed Brad Paisley, whom he also managed through the early years of the star’s career.

In 1989-91, he served as the president of the Nashville chapter of The Recording Academy. He was a 1992 graduate of Leadership Music.

Jimmy Gilmer retired in 2007, but continued to perform occasionally at oldies shows.

Funeral arrangements have not been announced.

Paul Lovelace Passes

Paul Lovelace

Longtime industry member Paul Lovelace passed away at home on Sept. 5. He was 81.

A Paragould, Arkansas native, Lovelace was a national record promotion veteran who spent eight years as VP/Promotion at Capitol Records Nashville. He was also the co-founder of CDX Nashville, a singles delivery system for labels and artists to supply their upcoming singles to all full-time U.S. country stations, satellite providers, syndicators and programming consultants.

Lovelace is survived by his wife Pamela Frazier Lovelace; sister Carolyn Lovelace Nations (and brother-in-law Fred); stepsisters Jo (Jerry) Glover and Patsy (Buddy) Cupp; nieces Anne and Jan Green and nephews Mark (Laura) Green, Scott (Renee) Nations and Todd (Jeremie) Nations. He is also survived by his brother-in-law Steve (Tanya) Frazier and nieces and nephews of his wife Pam.

No services are scheduled at this time.

Music Champion Mark Moffatt Passes

Mark Moffatt

Veteran producer, musician and writer Mark Moffatt passed away today (Sept. 6) in Nashville, Tennessee at age 74 after battling pancreatic cancer for over a year.

Moffatt was known to be one of the most experienced and respected producers to emerge from Australia. The Grammy nominee produced more tracks on the APRA Top 30 Songs Of All Time list than any other single producer and worked with 15 ARIA Hall of Fame inductees.

Moffatt chased his musical passions from his hometown of Maryborough to Brisbane, then hopped on a boat to the United Kingdom to work on London’s famed Denmark Street for several years. He returned to Brisbane in 1976, where his production of The Saints’ “I’m Stranded” took his flourishing career to new heights. Production stints with EMI and TCS Studios in Melbourne led Moffatt to Sydney in 1980, where he became Festival Records’ in-house producer, working with some of the biggest names in Australian music for more than a decade. He then relocated to Nashville in 1996 and quickly became part of its thriving music scene. Moffatt has helped numerous Aussie artists, including Keith Urban, Tim Finn and Yothu Yindi, as a mentor, producer, studio musician and all-around coach.

His overriding focus for the past two decades was to bridge the international divide on behalf of the Americana Music Association, serving as its Board President for three terms, and educating everyone in his musical orbit on the complexities and history of the genre. Moffatt was also a founding Americana Music Foundation Board member, served as APRA’s Nashville Ambassador for 10 years and was recognized with the CMA Global Achievement Award for his international efforts.

As much as he loved music, Moffatt’s first love was his family. He is survived by his wife Lindsey, step-daughter Dana and two granddaughters, his son Geordie and extended family in Australia.

A celebration of his life is being planned. Further details to follow.

Radio Veteran Steve Kaspar Passes

Steve Kaspar

Steve Kaspar, the Owner and CEO of KFAV-FM, KWRE-AM and Kaspar Broadcasting of Missouri, passed away on Wednesday (Sept. 4) after a sudden trip to the emergency room. He was 71.

KFAV is a MusicRow CountryBreakout Radio Chart panelist.

In addition to Kaspar’s work in radio, he was also an accomplished musician and songwriter. He was known as a believer in community, a passionate pet lover and a proud patriot.

Kaspar is survived by his wife of 45 years, Pat; three sons Ryan, Alex and Trevor; daughter-in-law Lafayette; granddaughters Lillian and Olivia and brothers Russell and Vic Kaspar.

Funeral arrangements and a special radio memorial service are pending.

Southern Rock Veteran Donnie Winters Passes

Donnie Winters

Nashville’s Donnie Winters, who achieved notoriety in the Southern rock group The Winters Brothers Band and later became a go-to sound engineer in this city’s nightclubs, has passed away at age 73.

Winters died at home in Bellevue due to complications from pneumonia he contracted as a COVID victim in 2021. He died on Aug. 18, the day before his 74th birthday.

In The Winters Brothers Band, Donnie sang and played lead guitar. The group recorded six albums, starred at seven of the legendary Volunteer Jam concerts and toured with The Marshall Tucker Band, The Charlie Daniels Band and other Southern rock headliners.

As a sound man, he aided generations of aspiring Nashville songwriters by mixing their performances’ audio at nightclub writers’ nights for decades. He was also a songwriter, himself.

Donnie Winters was the grandson of “Pop” Winters, who led the swinging Southern Strollers band in the 1940s. His father was Don Winters (1929-2002), a golden-voiced singer and yodeler who scored a double-sided country hit with his self-composed “Too Many Times”/“Shake Hands With a Loser” in 1961. Don Winters recorded for Decca and RCA and was a member of the Marty Robbins road show for more than 30 years.

Sons Dennis and Donnie grew up in this atmosphere, and superstar Robbins recorded 10 of their songs. After the siblings heard the early records of The Allman Brothers, they styled their music in a Southern-rock mode and formed The Winters Brothers Band.

The group achieved prominence beginning with its self-titled 1976 debut LP, recorded at the Capricorn studios in Georgia for Atco Records. The collection’s singles “Sang Her Love Songs” and “Smokey Mountain Log Cabin Jones” received regional airplay. The album was produced by Taz DiGregorio of The Charlie Daniels Band.

During this era, Winters toured with The Marshall Tucker Band and was booked to open shows on Lynyrd Skynyrd’s 1977 tour. But a plane crash decimated Skynyrd, and that tour never happened.

The follow-up Winters Brothers Band Atco/Atlantic album was 1977’s Coast to Coast, but it remained unreleased until 2007. In the meantime, the group issued Keep on Running (1982), Southern Rockers (2000) and Southeast Stampede (2004). In 1984, Donnie and Dennis joined their father on the LP The Yodeling King. That record contained Don’s renditions of country classics plus trio vocals and solo performances by both Donnie and Dennis.

The Winters Brothers Band also appeared on several of the commemorative albums of the Charlie Daniels Volunteer Jam marathon concerts. The Winters boys were regulars at these quasi annual all-star events, 1974-2018.

Donnie Winters played in several bands on the Nashville showcase circuit. These included Willi X. Evans & Hillbilly Mardi Gras, Shotgun Riders and Donnie Winters & The Copperhead Band. He continued to perform at songwriter nights throughout his life.

In the new millennium, he made a career transition and became a sound man for music venues. Beginning in 2000, he worked as the house sound engineer at The Sutler Saloon. When The Sutler closed, Winters moved to perform the same duties at Douglas Corner. While there, he hosted a weekly open-mic writers night. At both clubs, he often sat in to back performers on guitar or dobro.

For more than 25 years Donnie and Dennis Winters co-hosted annual Sumer Jam music festivals at the family’s farm in Nolensville, Tennessee. He and his brother also co-hosted an “unplugged” cable-access TV series of songs and stories.

In later years, Donnie became a regular participant in The Commodore Grille’s writers nights run by Debi Champion at the Holiday Inn Vanderbilt. Out at Metro Center in the Millennium Maxwell House Hotel, he mixed sound and performed at Lee Rascone’s twice weekly writers nights.

Donald Leroy Winters is survived by Paula, his wife of 44 years, by son Derek, brother Dennis, sister Jackie, three grandchildren and many nieces and nephews. His funeral was held Aug. 24 at West Harpeth Funeral home on Charlotte Pike.

Nashville Guitar Great Pete Wade Passes

Pete Wade. Photo: Courtesy of the Country Music Hall of Fame & Museum

Guitarist Pete Wade, who played on hundreds of Nashville hits, has died at age 89.

He can be heard on such all-time classics as Ray Price’s “Crazy Arms,” George Jones’ “He Stopped Loving Her Today,” Loretta Lynn’s “Fist City,” Sonny James’ “Young Love” and Tanya Tucker’s “Delta Dawn.” Wade was a first-call session musician for more than 60 years. He was also a former member of the Opry house band.

Pete Wade was born Herman Bland Wade in Norfolk, Virginia. He moved to Nashville at age 19 to join Price’s band The Cherokee Cowboys in 1954. He also toured and recorded with Kitty Wells. In his early Nashville days, he toured with such other future Country Music Hall of Fame members as Roger Miller, Jean Shepard, Ferlin Husky and Faron Young.

After playing on hits by both Price and Wells, he moved into steady recording-session work. In addition to Price, Wells, Tucker, Jones, Pride, James and Lynn, he played guitar on the recordings of such Hall of Fame members as Kenny Rogers, The Oak Ridge Boys, Merle Haggard, Dottie West, Johnny Cash, Charlie Louvin, The Statler Brothers, Willie Nelson, Porter Wagoner, Charlie McCoy, Roy Clark, Conway Twitty, The Everly Brothers, Bill Anderson, Jerry Lee Lewis, Marty Robbins, Brenda Lee, Waylon Jennings, Ernest Tubb, Connie Smith, Jerry Reed, Eddy Arnold, Bobby Bare, Reba McEntire and Patsy Cline.

His deft touch on the strings embellished such hits as “Don’t It Make My Brown Eyes Blue” (Crystal Gayle), “Satin Sheets” (Jeanne Pruett), “Rose Garden” (Lynn Anderson), “Swingin’” (John Anderson) and “Harper Valley PTA” (Jeannie C. Riley).

He was also a member of the musician supergroup Area Code 615, which released a self-titled album in 1969. Though Wade was best known as a lead electric and acoustic guitarist, he could also play bass, steel guitar and many other instruments.

Affable and widely liked, Wade played on the records of many visitors to Music Row. They included Linda Ronstadt, Bob Dylan, Manhattan Transfer, Joan Baez, Ian & Sylvia, Leon Russell, Wayne Newton, Chubby Checker, k.d. lang, Henry Mancini and George Burns.

His main jobs were sessions with such top country stars as Donna Fargo, Keith Whitley, Johnny Rodriguez, Janie Fricke, B.J. Thomas, Moe Bandy, Billy “Crash” Craddock, Dave Dudley, Charlie Rich, Johnny Paycheck, Earl Thomas Conley, Lee Greenwood, Gene Watson, Sammy Kershaw, Eddie Rabbitt, Lacy J. Dalton, Moe Bandy, Billie Jo Spears and Vern Gosdin.

A who’s-who of Grand Ole Opry stars also recorded with Wade. They included Mandy Barnett, Charlie Walker, The Whites, Justin Tubb, the Gatlins, Billy Walker, Lonzo & Oscar, Hank Locklin, Jan Howard, Ray Pillow, Stonewall Jackson and Boxcar Willie.

His tenure as a session stylist stretched from vintage artists such as Carl Perkins and Bobby Helms to such contemporary stars as Kenny Chesney and Dailey & Vincent. The breadth of his abilities enabled him to back everyone from Junior Brown to Jerry Jeff Walker, from Dale Watson to The Highwaymen.

Pete Wade was honored with a Nashville Cats program at the Country Music Hall of Fame in 2016. He penned an autobiography with Scot England in 2021 titled My Life, My Guitar, My God’s Plan. Willie Nelson wrote its forward.

Pete Wade passed away on Tuesday, Aug. 27. He is survived by his wife, three children, two grandchildren and four great-grandchildren. His funeral service will be private.