Josh Phillips Notches Second Week At No. 1 On MusicRow Top Songwriter Chart

Josh Phillips

Josh Phillips remains in the top spot this week on the MusicRow Top Songwriter Chart for the second consecutive week. His solo-penned “Dirt Cheap,” recorded by Cody Johnson, earns him the position.

Hunter Phelps sits at No. 2 this week with “Bulletproof,” “Chevrolet” and “Take Her Home.” With “Bulletproof,” “Cowgirls,” “I Had Some Help,” “This Town’s Been Too Good To Us” and “Young Love & Saturday Nights,” Ashley Gorley takes the No. 3 spot.

Recently-named ACM Songwriter of the Year Jessie Jo Dillon maintains her position at No. 4 and Matt Jenkins rounds out this week’s top five.

The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.

Click here to view the full MusicRow Top Songwriter Chart.

Cody Johnson Tops MusicRow Radio Chart With ‘Dirt Cheap’

Cody Johnson has nabbed his fifth No. 1 on the MusicRow CountryBreakout Radio Chart with his moving ballad “Dirt Cheap.”

The tune, written solely by Josh Phillips, appears on Johnson’s 2023 album Leather. The singer performed the touching tune on the ACM Awards on Thursday night (May 16).

“Dirt Cheap” currently sits at No. 16 on the Billboard Country Airplay chart and No. 13 on the Mediabase chart.

Click here to view the latest edition of the MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.

The 59th ACM Awards Focuses On Fun Collaborations & Cultural Moments [Recap]

Reba McEntire hosts the 59th ACM Awards.

The 59th Academy of Country Music Awards took place Thursday night (May 16) at The Star in Frisco, Texas.

Lainey Wilson was crowned ACM Entertainer of the Year, her first time receiving the honor. Chris Stapleton led the night in total wins with four awards, followed by Wilson with three wins, and Luke Combs and Jordan Davis with two wins.

Lainey Wilson performs at the 59th ACM Awards.

Music icon Reba McEntire hosted the two hour show that featured 18 performances from 19 artists, along with several collaborations. She kept things lighthearted and funny during her opening remarks, often highlighting the popularity of country music at the moment.

“From Mother Maybelle to Cowboy Carter, country music is so big in 2024 that there’s room for everybody,” she said. “We all love country [music] and we all are country. We’re keeping the circle unbroken, but growing it to even bigger and better.”

Wilson kicked off the night’s music with a cover of “God Blessed Texas” before transitioning into an exciting performance of her new single “Hang Tight Honey.” Jelly Roll continued the party with a performance of an unreleased song “Liar.”

Post Malone performs at the 59th ACM Awards.

The first award presentation, for Song of the Year, came swiftly. It went to Davis’ “Next Thing You Know,” co-written by Davis, Chase McGill, Greylan James and Josh Osborne.

Davis thanked the songwriting community for embracing him when he accepted. McGill and James stood grinning widely behind him, embracing each other. “I love songwriting because of songs that have won Song of the Year,” Davis said.

In one of the night’s best musical moments, Kelsea Ballerini was joined by folk-pop artist Noah Kahan for a mashup of her “Mountain With A View” and his “Stick Season.” It was the first of many successful collaborations throughout the show.

The next ACM Award went to Dan + Shay for Duo of the Year. The two thanked their families and teams and shared that despite their journey of highs and lows, “the one thing that has remained the same is the love and support from the country music community.”

Greylan James, Chase McGill and Jordan Davis win the award for Song of the Year at the 59th ACM Awards.

For the next award, Old Dominion took home their seventh consecutive win for ACM Group of the Year, tying Rascal Flatts for the most consecutive wins in the category.

Speaking of groups, sister duo Tigirlily Gold gave a warm performance of “I Tried A Ring On.” The sisters, who were crowned New Duo or Group winners earlier in the week, hugged each other with excitement after they wrapped up their ACM Awards debut.

After another musical highlight of the night, a performance of Cody Johnson‘s touching “Dirt Cheap,” viewers heard some new music. Thomas Rhett excited the crowd with his new song “Beautiful As You” and Miranda Lambert set the stage ablaze with the television premiere of her new single, “Wranglers.”

Noah Kahan and Kelsea Ballerini perform at the 59th ACM Awards.

Georgia native Kane Brown sang a soulful rendition of Ray Charles’ classic “Georgia on My Mind,” which Charles performed on the ACM Awards stage 40 years ago. Blake Shelton and Gwen Stefani only had eyes for each other as they sang their latest duet “Purple Irises.”

About mid-way through the show, the party subdued for a tribute to the late, great Toby Keith. His close friend and fellow Okie Shelton spoke about the icon before introducing Jason Aldean to perform one of Keith’s biggest hits. Aldean did an excellent job with a reverent version of “Should’ve Been A Cowboy” with accompaniment from a small string section. There wasn’t a dry eye in the room as pictures of Keith took over the screens.

Geoff Sprung, Brad Tursi, Matthew Ramsey and Trevor Rosen of Old Dominion win the award for Group of the Year at the 59th ACM Awards.

Stapleton was presented with Male Artist of the Year. Wilson got emotional as she accepted Female Artist of the Year. She thanked McEntire and all of the other women in country music who paved the road before her.

Another highlight of the night came when Stapleton and surprise guest Dua Lipa shocked the audience with an unexpected performance of “Think I’m In Love With You.” The exceptional singers, complete with Morgane Stapleton‘s signature harmonies, sounded perfect together on the funky song.

Wilson earned her next trophy alongside Jelly Roll for Music Event of the Year with “Save Me.” Jelly shared how important the song was to him and his “high school friend” David Ray Stevens who he wrote it with.

Chris Stapleton and Dua Lipa perform at the 59th ACM Awards.

Soon came Post Malone‘s highly-anticipated ACM Awards performance. The Texas-bred artist proved his country cred with a performance of “Never Love You Again” before thrilling the crowd with the history-making “I Had Some Help.”

Before he left the stage, McEntire joined him for a few acoustic verses of the Allman Brothers Band‘s “Ramblin’ Man,” in tribute to the band’s recently-passed Dickey Betts. Malone gushed at McEntire and the country music community’s acceptance of him, often bowing his head in gratitude and respect.

Dan Smyers and Shay Mooney of Dan + Shay win the Duo of the Year award at the 59th ACM Awards.

In another sweet moment, the son and widow of the late Country Music Hall of Famer Charley Pride appeared to present the ACM Album of the Year award. Rozene and Dion gave the honor to Stapleton for Higher.

With his co-producers wife Morgane and Dave Cobb behind him, he shared, “We do our best to make an album that’s a complete body of work. I hope that’s what this means.” Morgane added, “I am so proud every day to get to work with the love of my life… I feel like the luckiest girl in the world.”

Avril Lavigne and Nate Smith perform at the 59th ACM Awards.

After Parker McCollum performed his ACM Award-winning “Burn It Down,” the fire moved over to the big stage with a fun collaboration from New Male Artist of the Year winner Nate Smith and pop icon Avril Lavigne. The two traded verses and smirks on Smith’s “Bulletproof.”

The award of the night, Entertainer of the Year, went to Wilson. She was emotional when she accepted the trophy.

“I remember being a little girl and I would open my window, climb out on our roof and count the stars. I’d see the planes flying over my little town of 200 people. I would dream about being up there in one of those planes,” Wilson shared. “The funny thing is that I still feel like that little girl. I still climb out on the roof and look at the stars—but I feel more eye-level with them now.”

For the last performance of the night, McEntire set the stage on fire and brought the house down with her new single “I Can’t” backed by a 20-person choir. She revealed that she would be back to host the 60th Academy of Country Music Awards next year, which is sure to be a historic night.

BREAKING: The MLC Sues Spotify

The Mechanical Licensing Collective (The MLC) has taken legal action against Spotify in the United States District Court for the Southern District of New York. The action seeks recovery of unpaid royalties due under the compulsory mechanical blanket license obtained by Spotify to reproduce and distribute musical works in the United States via its consumer music streaming platform.

The action states that, beginning in March 2024, Spotify asserted that its Premium Individual, Duo and Family subscription streaming plans were now Bundled Subscription Offerings because those plans included access to audiobooks. According to The MLC’s suit, applying the rate formula applicable to Bundled Subscription Offerings results in a reduction of the Service Provider Revenue that Spotify reports, which results in an underpayment of royalties.

The MLC believes that Spotify’s position does not comply with applicable law and regulations. The company has statutory authority to address Spotify’s noncompliance with its royalty payment obligations. The MLC is taking legal action to enforce these obligations and ensure that Spotify pays all royalties due from its use of songs on Premium plans.

“The MLC was designated by the Register of Copyrights to administer the blanket license and is the only entity with the statutory mandate to collect and distribute blanket license royalties and take legal action to enforce royalty payment obligations,” says Kris Ahrend, The MLC CEO. “The MLC takes seriously its legal responsibility to take action on behalf of our members when we believe usage reporting and royalty payments are materially incorrect.”

Click here to see a copy of the complaint.

In response to the legal action, NMPA President & CEO David Israelite shares, “We applaud The MLC for standing up for songwriters and not letting Spotify get away with its latest trick to underpay creators. The MLC is tasked with challenging services who falsely report royalties, and we commend their swift action.

“The lawsuit sends a clear message that platforms cannot improperly manipulate usage—in this case unilaterally redefining services as a bundle—in order to devalue music. We strongly support the MLC and will continue to pursue justice.”

NSAI Executive Director Bart Herbison shares, “The Nashville Songwriters Association International (NSAI) believes that the lawsuit the Mechanical Licensing Collective (MLC) filed against Spotify for underpaying mechanical royalties to songwriters is based on a correct interpretation of the streaming service eliminating standalone music subscriptions and only offering ‘bundles’ that pair music and books. Because bundles pay less to American songwriters, the loophole will result in Spotify reducing compensation to them by $150 million each year as founder Daniel Ek cashed in a reported $180 million in stocks over recent months—$118 million in proximity to the bundling move.”

He adds, “This scheme could set songwriters back to a situation worse than before the Copyright Royalty Board trial that resulted in a record percentage increase from streaming companies. Spotify’s history speaks for itself when it comes to failing to value the creators whose creations are the foundation of their product.”

In a statement, Spotify says, “The lawsuit concerns terms that publishers and streaming services agreed to and celebrated years ago under the Phono IV agreement. Bundles were a critical component of that settlement, and multiple DSPs include bundles as part of their mix of subscription offerings. Spotify paid a record amount to publishers and societies in 2023 and is on track to pay out an even larger amount in 2024. We look forward to a swift resolution of this matter.”

This is a developing story.

BREAKING: 2024 ACM Award Winners Unveiled [Full List]

Country music artists, songwriters, industry professionals and fans came together in Frisco, Texas for the 59th Academy of Country Music Awards on Thursday night (May 16).

Lainey Wilson was the night’s big winner. The superstar was named Entertainer of the Year, Female Artist of the Year and earned Music Event of the Year alongside Jelly Roll for their collaboration “Save Me.” Chris Stapleton was honored as Male Artist of the Year in addition to Artist-Songwriter of the Year, which he won prior to the ceremony, and awarded Album of the Year for Higher.

Dan + Shay took home Duo of the Year, and Old Dominion claimed their seventh consecutive Group of the Year title. The Song of the Year honor went to Jordan Davis‘ “New Thing You Know,” and Luke Combs‘ rendition of “Fast Car” was recognized as Single of the Year.

Ahead of the special event, the New Artist of the Year winners were revealed. Megan Moroney was crowned New Female Artist of the Year, Nate Smith was awarded New Male Artist of the Year, and Tigirlily Gold was named New Duo or Group of the Year. Additionally, Jessie Jo Dillon scored the Songwriter of the Year title, and Parker McCollum‘s “Burn It Down” music video won Visual Media of the Year.

The full list of winners for the 59th annual ACM Awards is below:

MAIN AWARDS:

ENTERTAINER OF THE YEAR
Kane Brown
Luke Combs
Jelly Roll
Cody Johnson
Chris Stapleton
Morgan Wallen
Lainey Wilson WINNER

FEMALE ARTIST OF THE YEAR
Kelsea Ballerini
Ashley McBryde
Megan Moroney
Kacey Musgraves
Lainey Wilson WINNER

MALE ARTIST OF THE YEAR
Luke Combs
Jelly Roll
Cody Johnson
Chris Stapleton WINNER
Morgan Wallen

DUO OF THE YEAR
Brooks & Dunn
Brothers Osborne
Dan + Shay — WINNER
Maddie & Tae
The War And Treaty

GROUP OF THE YEAR
Flatland Cavalry
Lady A
Little Big Town
Old Dominion — WINNER
Zac Brown Band

NEW FEMALE ARTIST OF THE YEAR
Kassi Ashton
Ashley Cooke
Hannah Ellis
Kylie Morgan
Megan Moroney — WINNER

NEW MALE ARTIST OF THE YEAR
Ernest
Kameron Marlowe
Dylan Scott
Conner Smith
Nate Smith — WINNER

NEW DUO OR GROUP OF THE YEAR
Neon Union
Restless Road
Tigirlily Gold — WINNER

ALBUM OF THE YEAR [Awarded to Artist(s)/Producer(s)/Record Company–Label(s)]
Gettin’ Old – Luke Combs
Producer: Chip Matthews, Jonathan Singleton, Luke Combs
Record Company-Label: River House Artists / Columbia Nashville
Higher – Chris Stapleton — WINNER
Producer: Chris Stapleton, Dave Cobb, Morgane Stapleton
Record Company-Label: Mercury Nashville
Leather – Cody Johnson
Producers: Trent Willmon
Record Company-Label: CoJo Music LLC / Warner Music Nashville LLC
One Thing At A Time – Morgan Wallen
Producers: Joey Moi, Cameron Montgomery, Charlie Handsome, Jacob Durrett
Record Company-Label: Big Loud Records / Republic Records / Mercury Records
Rolling Up the Welcome Mat (For Good) – Kelsea Ballerini
Producers: Kelsea Ballerini, Alysa Vanderheym
Record Company-Label: Black River Entertainment

SINGLE OF THE YEAR [Awarded to Artist(s)/Producer(s)/Record Company–Label(s)]
– “Burn It Down” – Parker McCollum
Producer: Jon Randall
Record Company-Label: MCA Nashville
– “Fast Car” – Luke Combs — WINNER
Producers: Luke Combs, Chip Matthews, Jonathan Singleton
Record Company-Label: River House Artists / Columbia Nashville
– “Last Night” – Morgan Wallen
Producer: Joey Moi, Charlie Handsome
Record Company-Label: Big Loud Records / Republic Records / Mercury Records
– “Need A Favor” – Jelly Roll
Producer: Austin Nivarel
Record Company-Label: Stoney Creek Records / BMG Nashville
– “Next Thing You Know” – Jordan Davis
Producer: Paul DiGiovanni
Record Company-Label: MCA Nashville

SONG OF THE YEAR [Awarded to Songwriter(s)/Publisher(s)/Artist(s)]
– “Fast Car” – Luke Combs
Songwriters: Tracy Chapman
Publishers: Purple Rabbit
– “Heart Like A Truck” – Lainey Wilson
Songwriters: Dallas Wilson, Lainey Wilson, Trannie Anderson
Publishers: Sony / ATV Countryside; Songs of Riser House; Songs of Wild Cat Well Music
– “Next Thing You Know” – Jordan Davis — WINNER
Songwriters: Chase McGill, Greylan James, Jordan Davis, Josh Osborne
Publishers: Family Farm Songs; Hold On Can I Get A Number 1 Music; Songs of Universal Inc.; Anthem Music Publishing
– “The Painter” – Cody Johnson
Songwriters: Benjy Davis, Kat Higgins, Ryan Larkins
Publishers: Big Music Machine; BMG Platinum Songs US; Nashblonde Music; Pompano Run Music; Songs for Ellie May; Sony / ATV Tree Publishing; Warner-Tamerlane Publishing Group; Well That Was Awkward Music
– “Tennessee Orange” – Megan Moroney
Songwriters: Ben Williams, David Fanning, Megan Moroney, Paul Jenkins
Publishers: 33 Creative; Bone Bone Creative; Sony / ATV Tree Publishing

MUSIC EVENT OF THE YEAR [Awarded to Artist(s)/Producer(s)/Record Company–Label(s)]
– “Can’t Break Up Now” – Old Dominion, Megan Moroney
Producers: Brad Tursi, Geoff Sprung, Matthew Ramsey, Trevor Rosen, Whit Sellers, Ross Copperman, Kristian Bush
Record Company-Label: Three Up Three Down, LLC / Columbia Nashville
– “Different ‘Round Here” – Riley Green (feat. Luke Combs)
Producer: Dann Huff
Record Company-Label: Nashville Harbor Records & Entertainment
– “I Remember Everything” – Zach Bryan (feat. Kacey Musgraves)
Producer: Zach Bryan
Record Company-Label: Belting Bronco Records / Warner Records, Inc
– “Man Made A Bar” – Morgan Wallen (feat. Eric Church)
Producer: Joey Moi
Record Company-Label: Big Loud Records / Mercury Records / Republic Records
“Save Me” – Jelly Roll (with Lainey Wilson) — WINNER
Producers: Zach Crowell, David Ray Stevens
Record Company-Label: Stoney Creek Records / BMG Nashville

VISUAL MEDIA OF THE YEAR [Awarded to Producer(s)/Director(s)/Artist(s)]
– “Burn It Down” – Parker McCollum — WINNER
Producers: Christen Pinkston & Wesley Stebbins-Perry
Director: Dustin Haney
– “Human” – Cody Johnson
Producer: Christen Pinkston &Wesley Stebbins-Perry
Director: Dustin Haney
– “In Your Love” – Tyler Childers
Producer: Kacie Barton, Whitney Wolanin, Nicholas Robespierre, Ian Thorton, Silas House
Director: Bryan Schlam
– “Next Thing You Know” – Jordan Davis
Producer: Jamie Stratakis
Director: Running Bear (Stephen Kinigopoulos, Alexa Stone)
– “Tennessee Orange” – Megan Moroney
Producer: Lauren Starr, Saul Levitz, Laura Burhenn
Director: Jason Lester

SONGWRITER OF THE YEAR
Jessie Jo Dillon — WINNER
Ashley Gorley
Hillary Lindsey
Chase McGill
Josh Thompson

ARTIST-SONGWRITER OF THE YEAR
Zach Bryan
Ernest
Hardy
Chris Stapleton — WINNER
Morgan Wallen

Nashville Takes Over Texas For ACM Awards Week 2024

Lainey Wilson & Jelly Roll. Photo: Catherine Powell

A multitude of country singers, songwriters and industry professionals have been partying in Texas for ACM Week, leading up to tonight’s (May 16) 59th annual ACM Awards.

On Wednesday (May 15), the Grand Ole Opry hosted the “Opry NextStage Live From Texas” at the Lava Cantina in Frisco. The sold-out show was hosted by Jelly Roll, who is nominated for four awards tonight. The event featured performances from Anne Wilson, Chase Matthew, Ella Langley, Flatland Cavalry, Madeline Edwards and Wyatt Flores, all of whom are members of this year’s Opry NextStage class.

Opry NextStage alums Restless Road and Tenille Townes also performed. As did Lainey Wilson, who notched four nominations this year.

Pictured (L-R, Back Row): Colton Pake and Zach Beeken of Restless Road, Chase Matthew, Wyatt Flores, Jelly Roll, Jason Albers, Celto Cordero & Reid Dilllon of Flatland and Ian Munsick. (L-R, Front Row): Garrett Nichols (Restless Road), Ella Langley, Madeline Edwards, Anne Wilson, Wesley Hall, Adam Gallegos & Jonthan Saenz of Flatland and Tenille Townes. Photo: Catherine Powell

Tuesday night (May 14) brought the 2024 Billboard Country Power Players Awards at Gilley’s in Dallas. The event honored influential players in country music. Wilson was presented with the Record Breaker award, newly-crowned New Male Artist of the Year Nate Smith earned the Rookie of the Year honor, Linda Martell received the Legend Award, Groundbreaker went to The War & Treaty and Big Loud’s Seth England was honored with Executive of the Year.

“As country music reaches new heights in popularity, we were thrilled to bring this event to Dallas for the first time celebrating the biggest power players in country music,” said Melinda Newman, Executive Editor of Billboard, West Coast and Nashville. “It’s our privilege to highlight the tremendous talent in this genre and celebrate it alongside one of the biggest weeks in country music history.”

Additional celebrations were in store for Shaboozey for hitting No. 1 on Billboard’s Hot Country Songs Chart with “A Bar Song (Tipsy)” and WME’s Jay Williams with the Billboard Country Power Players’ Choice Award.

Ashley Gorley & Nate Smith. Photo: Gilbert Flores

Also on Tuesday night, Parker McCollum, who already won an ACM award this year for Visual Media of the Year, hosted a pre-party at The Lincoln Experience Center in Frisco. Attendees heard performances from McCollum, Scotty McCreery and Hannah Ellis.

“If someone had told me years ago that I would be celebrating my own collection with Lucchese alongside two ACM nominations in my very own backyard of Texas, I would not have believed it,” said McCollum. “It’s so humbling to be doing what I love with the people I love, and my Lucchese family has played a significant role in making that happen.”

Earlier on Tuesday, Breland hosted the first ever “Charley Pride Celebration of Inclusion Brunch” at the Omni PGA Frisco Resort in Frisco. The inaugural event celebrated 16 honorees for their work championing diversity in country music.

Breland. Photo: Courtesy of SSM&L

The class of honorees included Alice Randall, Alicia Warwick, Armand Hutton, Dion Pride & Mrs. Rozene Pride, Kortney Toney, Reyna Roberts, Rissi Palmer, Shannon Sanders, The War and Treaty, Tiera Kennedy, Wendy Moten and Willie “Prophet” Stiggers.

Sanders took the stage to honor Pride and his family, including his son Dion and widow Rozene.

The 59th ACM Awards will stream live on Thursday, May 16. Hosted by Reba McEntire, the show will feature live performances from Jason Aldean, Kane Brown, Jelly Roll, Cody Johnson, Miranda Lambert, Post Malone, Parker McCollum, Thomas Rhett, Chris Stapleton, Lainey Wilson and more. See a full list of nominees here.

DISClaimer Single Reviews: Carly Pearce Delivers ‘Cool, Traditional Country Song’

Carly Pearce. Photo: Allister Ann

This listening session was loaded with goodies.

I’m a happy camper whenever real country music is on the menu. And that’s what we have today from George Ducas, Thomas Rhett, Mitchell Tenpenny and the surprisingly good Post Malone & Morgan Wallen duet. It’s also what Carly Pearce is presenting, and for her excellent work, she takes home the Disc of the Day prize.

The DISCovery Award goes to American Patchwork Quartet. The East Indian warbling of its expressive lead singer Falu segues quite nicely into minor-key mountain balladry.

WILLOW AVALON / “Hey There Dolly”
Writers: James Atkins/Tofer Brown/Willow Avalon; Producers: Tofer Brown/JR Atkins/Willow Avalon; Label: Assemble Sound/Atlantic
– Her pert soprano rides atop a steel-drenched, echo-chamber track. The sing-songy melody and cheesy production are simplistic, but oddly addictive. The gist of it is that she feels like she and Dolly could be best friends because, “I’ve got big titties and a big heart too,” and “I’m just like you.” Willow Avalon (what a great name) plays the Brooklyn Bowl on June 1 and is opening for the Nashville rock band Cage the Elephant on tour this summer.

THOMAS RHETT / “Beautiful As You”
Writers: Alexander Izquierdo/Jacob Kasher Hindlin/John Henry Ryan/Joshua Emanuel Coleman/Julian Bunetta/Thomas Rhett/Zaire Kelsey; Producers: Julian Bunetta/John Ryan/Ammo/Dann Huff; Label: The Valory Music Co.
– This lively little bopper is a perfect summertime jam, and he sings it with a smile. She’s so out of his league that he marvels about her loving him. Rhett is scheduled to debut the tune on tonight’s ACM Awards show.

AMERICAN PATCHWORK QUARTET / “Shenandoah”
Writers: Clay Ross/Falguni Shah; Producers: none listed; Label: 2024 Carolina Jasmine, Inc.
– Clay Ross (guitar), Falu (vocals), Yasushi Nakamura (bass) and Clarence Penn (drums) come from four different ethnic heritages. They celebrate American diversity on an album comprised of traditional Appalachian folk songs (”Wayfaring Stranger,” “Pretty Saro,” “Beneath the Willow,” etc.). Their languid take on this lovely ballad is utterly entrancing. Stay tuned: this wonderfully individualistic band plays the Opry on June 18.

CARLY PEARCE / “Fault Line”
Writers: Carly Pearce/Jordan Reynolds/Nicole Galyon/Shane McAnally; Producers: Shane McAnally/Josh Osborne/Carly Pearce; Label: Big Machine Records
– Hallelujah! Carly reminds us all what a really cool, traditional country song sounds like. This depiction of a crumbling marriage is packed with playful lyric details as it two-steps merrily across the country dance floor. Loved it. Loved it. Loved it.

THE WAR AND TREATY / “Leads Me Home”
Writers: Michael Trotter Jr./Tanya Trotter; Producer: Michael Trotter Jr.; Label: UMG Nashville
– This always-inspiring duo wades into the comforting waters of gospel on this heart-in-throats performance. This is forever true: when they sing, they send shivers up my spine. And they make me proud to be a country fan.

GEORGE DUCAS / “Drifter”
Writers: George Ducas/Jacob Lyda; Producer: Pete Anderson; Label: Loud Ranch/Xstream Music Group
– Telecaster twang, steel sighs, fiddle embellishments, honky-tonk attitude and a rolling California-country vibe are the calling cards of this uber cool “road” song. Absolutely essential listening. Mellow-voiced Ducas is a proven hit songwriter, both for himself and for others (Garth, the Chicks, Jones, Yearwood).

KYLIE MORGAN / “Scratching the Surface (Mama’s Song)”
Writers: Kylie Morgan/Sam DeRosa; Producer: KK Johnson; Label: EMI Nashville
– This is a sweet, sentimental Mama song. The daughter realizes that her mother is now an empty nester, so she encourages her to go out and shine for herself.

POST MALONE & MORGAN WALLEN / “I Had Some Help”
Writers: Ashley Gorley/Austin Post/Chandler Paul Walters/Ernest Smith/Hoskins/Louis Bell/Morgan Wallen/Ryan Vojtesak; Producers: Louis Bell/Charlie Handsome/Hoskins; Label: Mercury Records/Republic Records
– A rollicking party record, with both vocalists sounding authentically and totally hillbilly. When you are totally screwing up out on the town, “it ain’t like I can make this mess all by myself.” The rowdy friends sound like they are along for the ride.

JULIA CANNON / “These Dreams”
Writer: Julia Anne Lucille Cannon; Producer: Julia Anne Lucille Cannon; Label: JC
– Witty, retro, quirky and groovy, with a jazzy, wafting, girl-group vibe. The video is essential. Also check out her equally clever “Day 2 Day.”

BLESSING OFFOR & DOLLY PARTON / “Somebody’s Child”
Writers: Blessing Offor/Josh Ronen/Joy Williams; Producer: Josh Ronen; Label: Bowyer and Bow
– Offor is a blind, Black, two-time Dove Award winning pianist-songwriter who can shake you to your core with his soulful singing. Put him together with the inspirational Parton and a gospel choir and you have a heart-stopping, electrifying moment of audio bliss. If this doesn’t melt your heart, you haven’t got one.

MITCHELL TENPENNY / “Not Today”
Writers: Chris DeStefano/Claire Douglas/Michael Whitworth/Mitchell Tenpenny; Producers: Mitchell Tenpenny/Jordan Schmidt; Label: Riser House Entertainment/Columbia Nashville
– Getting over a broken heart has never rocked more splendidly than this. Tenpenny’s soft, furry vocal delivery turns into a shout of liberation as this tempo tune swings into its frothing choruses. He’ll get over her, all right, but just not right this moment.

EXILE / “After You”
Writers: James Pennington/Paul Jefferson/Sonny Lemaire; Producers: Sonny Lemaire/James Pennington; Label: Clearwater Records
– This band is so enduringly catchy and hooky. This nifty little ditty has a certain country-Beatles vibe that is totally delightful. I remain a longtime fan.

More Early ACM Award Winners Announced

Parker McCollum accepts the ACM Visual Media of the Year Award for “Burn it Down” at “ACM Lifting Lives LIVE: Parker McCollum and Friends.” Photo: Courtesy of ACM

Winners for the ACM Artist-Songwriter of the Year, Songwriter of the Year and Visual Media of the Year awards were revealed at various ACM Awards events on Wednesday (May 15) in advance of the show tonight (May 16) at The Star in Frisco, Texas.

Chris Stapleton was named the ACM Artist-Songwriter of the Year, marking his 17th award from the organization. The reigning ACM Entertainer of the Year has four additional nominations going into tonight’s show.

Jessie Jo Dillon was crowned the ACM Songwriter of the Year. Having previously been nominated as a songwriter on Dan + Shay with Justin Bieber’s “10,000 Hours” and Cole Swindell’s “Break Up In The End,” this is Dillon’s first ACM Award win.

Parker McCollum won his second ACM Award, this time for ACM Visual Media of the Year for his music video for “Burn It Down.” The video was produced by Christen Pinkston and Wesley Stebbins-Perry, and directed by Dustin Haney. McCollum was surprised with the win on stage by Old Dominion during his headlining performance set at the ACM Lifting Lives benefit concert last night.

The three join other early ACM Award winners Megan Moroney, Nate Smith and Tigirlily Gold.

The 59th ACM Awards will stream live on Thursday, May 16. Hosted by Reba McEntire, the show will feature live performances from Jason Aldean, Kane Brown, Jelly Roll, Cody Johnson, Miranda Lambert, Post Malone, Parker McCollum, Thomas Rhett, Chris Stapleton, Lainey Wilson and more. See a full list of nominees here.

New Artist Of The Year Winners Revealed Prior To 59th ACM Awards

ACM New Artist of the Year winners Megan Moroney, Nate Smith and Tigirlily Gold. Photo: Courtesy of ACM

The winners of the ACM New Artist of the Year categories were revealed Tuesday night (May 14) during the “Live from the ACM Awards: ACM New Artist Winners Celebration,” part of the ACM Country Kickoff fan festival at The Star.

Megan Moroney was named ACM New Female Artist of the Year, Nate Smith took home New Male Artist of the Year and Tigirlily Gold won ACM New Duo or Group of the Year.

The celebration capped off the first day of the ACM Country Kickoff festival, with the announcement and subsequent live performances from all three winners streamed live on the Amazon Music Channel on Twitch. With their wins, each artist will perform Thursday as part of the ACM Awards show. Moroney will perform during the ACM Awards Red Carpet Show, Smith will make his ACM Awards performance debut in a special collaboration with Avril Lavigne and Tigirlily Gold will take the ACM stage for the first time.

ACM Awards Week continues today (May 15) with the second day of ACM Country Kickoff at The Star, featuring a newly-announced festival closer performance from ACM Award winner Scotty McCreery. The day will also include the ACM Songs & Stories brunch—powered by The Bluebird Cafe and Nashville Songwriters Association International—which celebrates the nominees for ACM Songwriter of the Year and Artist-Songwriter of the Year; as well as Parker McCollum and Friends: ACM Lifting Lives LIVE, Presented by Choctaw Casinos & Resorts, which benefits the philanthropic partner of the ACM.

The 59th ACM Awards will stream live on Thursday, May 16. Hosted by Reba McEntire, the show will feature live performances from Jason Aldean, Kane Brown, Jelly Roll, Cody Johnson, Miranda Lambert, Post Malone, Parker McCollum, Thomas Rhett, Chris Stapleton, Lainey Wilson and more. See a full list of nominees here.

NSAI, NMPA, More Share Frustration With Spotify’s Payment Change

Since it was revealed that Spotify would be changing the way it pays songwriters and publishers by acting as a bundled subscription service with the addition of audiobooks, songwriter organizations and community members have expressed their frustration with the streaming giant.

Billboard recently estimated that Spotify’s reclassification from a “standalone portable subscription” to a “bundled subscription offering” will cause a $150 million cut to U.S. mechanical royalty payments, leading organizations such as Nashville Songwriters Association International (NSAI), National Music Publishers Association (NMPA) and Association of Independent Music Publishers (AIMP) to speak out.

“‘Bundling’ music with other offerings without a music-only option does not comport with our view of the intent of the Copyright Royalty Board (CRB) in recent Phonorecord procedures in which the NSAI participated. Further, this move negates gains awarded to songwriters by the CRB,” NSAI shared in an open letter. “NSAI will not accept what we view as an attempt to manipulate the intent of the court though a ‘bundling’ gimmick. NSAI calls for Spotify to immediately reverse its course and offer separate music subscription choices at price points that will fairly remunerate songwriters.”

NMPA President & CEO David Israelite shares, “It appears Spotify has returned to attacking the very songwriters who make its business possible. Spotify’s attempt to radically reduce songwriter payments by reclassifying their music service as an audiobook bundle is a cynical, and potentially unlawful, move that ends our period of relative peace. We will not stand for their perversion of the settlement we agreed upon in 2022 and are looking at all options.”

The AIMP—including Michael Lau (National Chair and New York Chapter President), Marc Caruso (Los Angeles Chapter President), Ree Guyer (Nashville Chapter President) and Tony D. Alexander (Atlanta Chapter President)—also shared a statement.

They write, “It is a deeply cynical move for Spotify to attempt to circumvent the CRB settlement agreed to by the NMPA & NSAI and DiMA in 2022 via this bundling ‘loophole,’ and further insulting that the price of a Spotify subscription will actually increase for users while cutting revenue for the songwriters who keep their business alive. This is especially problematic for independent music publishers, as they and all publishers are legally prevented from negotiating protections against bad-faith tactics such as this, while labels are allowed to do so in a free market.

“At this point, we still do not know how Spotify plans to notify its subscribers of this change. The right thing to do is to default existing subscribers to music-only accounts, and then give them the option to add-on the audiobook service for an additional $9.99 per month—Spotify’s proposed standalone rate for audiobooks. This ensures a proper, non-devalued royalty rate for both music and audiobook publishers and rightsholders, who will otherwise both be negatively affected by bundling.”

In response to the conversation, a Spotify spokesperson shares, “Spotify is on track to pay publishers and societies more in 2024 than in 2023. As our industry partners are aware, changes in our product portfolio mean that we are paying out in different ways based on terms agreed to by both streaming services and publishers. Multiple DSPs have long paid a lower rate for bundles versus a stand-alone music subscription, and our approach is consistent.”

This is a developing story.