Lainey Wilson Scores Eighth No. 1 With ‘4X4XU’

Lainey Wilson. Photo: Eric Ryan Anderson

Lainey Wilson‘s latest single, “4x4xU,” has become her eighth song to top the charts.

The track, written by Wilson, Aaron Raitiere and Jon Decious, is from her Whirlwind album, which debuted at No. 8 on the all-genre Billboard 200 chart and No. 13 on the U.K. Official Albums Chart. Wilson will kick off her “Whirlwind World Tour” in March, adding to yet another landmark year for the entertainer. The tour will include stops in Zurich, Paris, New York, Los Angeles, Austin, Baton Rouge and more through August.

Wilson also recently joined British singer-songwriter Myles Smith for a special remix of his song, “Nice To Meet You,” which is out now.

MusicRow Reveals 2025 CountryBreakout Award Winners

For 23 years, MusicRow has celebrated country music’s success at radio in secondary markets with its annual MusicRow CountryBreakout Awards.

Based on spins on the secondary market stations that report to the MusicRow CountryBreakout Radio Chart panel each week, winners in eight categories are awarded. These artists and industry professionals wrote, recorded and promoted the music that played across small town America throughout 2024.

Morgan Wallen, Lainey Wilson, Dan + Shay, Zach Top, Drew Baldridge and Big Machine Label Group prevail at this year’s CountryBreakout Awards for garnering the most spins in their own respective categories. Hit songwriters Ashley Gorley and Charlie Handsome, as well as MusicRow Radio Chart reporter Dani Holland are also victors for their esteemed skills.

Morgan Wallen is the winner for Male Artist of the Year for the third year in a row, while Lainey Wilson takes home her second win for Female Artist of the Year. Dan + Shay notch their third win in the Group/Duo of the Year category.

The Breakout Artist of the Year honor is given to a new artist whose first single or album was released in 2024, and earned the most spins on stations that report to the MusicRow CountryBreakout Radio Chart. Zach Top takes this year’s Breakout Artist of the Year distinction.

The Independent Artist of the Year award honors a top independent artist, based on the number of spins earned on stations that report to the chart, as well as factors including label size, distribution model and promotion staff. Drew Baldridge takes home the honor this year for the first time for his independent work with “Somebody’s Daughter.”

For the first time, Big Machine Label Group earns the Label Group of the Year honor, with its artists earning the most spins of any label imprint on the MusicRow CountryBreakout Radio Chart in 2024.

Songwriting juggernaut Ashley Gorley takes home his seventh Songwriter of the Year honor for penning the most No. 1 songs on the MusicRow CountryBreakout Radio Chart in 2024. This year, Gorley tied with Charlie Handsome for the honor, his first time taking home the win.

This year’s Reporter of the Year goes to Dani Holland (WALS). This honor is an editorial decision that recognizes a MusicRow station panelist that best epitomizes the spirit of the MusicRow CountryBreakout Radio Chart.

The winners of MusicRow‘s 23rd annual CountryBreakout Awards are highlighted in this week’s MusicRow Weekly newsletter, containing the digital Country Radio & Streaming issue. Click here to view.

Dylan Scott Reaches No. 1 Spot On MusicRow Radio Chart

Dylan Scott jumps to the top of the MusicRow CountryBreakout Radio Chart with his track “This Town’s Been Too Good To Us.”

The song is part of his second studio album Livin’ My Best Life and was written by Scott, John Byron, Charlie Handsome, Ashley Gorley and Taylor Phillips.

Scott will hit the road this spring on his headling “Country Till I Die Tour.” This 17-city trek includes stops in major markets like New York City and Toronto and will see Scott joined by special guests George Birge, Dasha and Graham Barham.

“This Town’s Been Too Good To Us” currently sits at No. 10 on the Billboard Country Airplay chart and No. 8 on the Mediabase chart.

Click here to view the latest edition of the MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.

DISClaimer Single Reviews: Riley Green ‘Keeps The Sultry Mood Rolling’

Riley Green. Photo: Matthew Simmons on behalf of Gildan

The sound of love is in the air this week.

In keeping with the Valentine’s Day holiday, the country stars are full of romance in this column. To get in the mood, lend your ears to Mackenzie Carpenter & Midland, to Thomas Rhett and to Disc of the Day winner Riley Green as well as to our DISCovery Awardee, Adrien Nunez.

For those of you on the losing side of love, I direct your attention to this week’s country heartbreakers Jordan Davis and Karley Scott Collins. Happy listening.

KASHUS CULPEPPER / “Jenni”
Writers: Jacob Durrett/Jordan Dozzi/Kashus Culpepper; Producer: Brian Elmquist; Label: Big Loud Records/Mercury Records
– The groove is set by cool harmonica blowing, simple percussion and full-band production. His vocal yearns for love and exudes honesty. I’m in.

THOMAS RHETT / “After All the Bars Are Closed”
Writers: Jacob Kasher Hindlin/Jaxson Free/John Byron/Julian Bunetta/Thomas Rhett; Producers: Dann Huff, Julian Bunetta; Label: The Valory Music Co.
– He and his honey want to stay up all night together, to the accompaniment of finger snaps and ringing guitar notes. Jaunty. Pleasant.

VALERIE JUNE / “Joy, Joy!”
Writer: Valerie June Hockett; Producer: M. Ward; Label: Concord Records
– This Americana star leans into a horn-punctuated r&b groove on the lead single from her upcoming album. Her double tracked, lilting vocal has a childlike innocence as she sings of bliss.

JORDAN DAVIS / “In Case You Missed It”
Writers: Jacob Davis/Jordan Davis/Paul DiGiovanni/Travis Wood; Producer: Paul DiGiovanni; Label: MCA Nashville
– There’s something warm and endearing in his singing. The hearty tune sounds like a party, but the lyric is a heartbreaker. Loaded with folkie soul.

ADRIEN NUNEZ / “All I Ever Do”
Writers: Adrien Nunez/Cole Miracle/Sam Sumser/Sean Small; Producer: Steinza; Label: Warner Music Nashville/Warner Records
– The happy love song bounces along with joy in each step. His bright lead vocal is joined by a shouting, sing-along chorus on the hooky parts, and the production is admirably understated. Smooth listening.

RILEY GREEN / “Worst Way”
Writer: Riley Green; Producer: Dann Huff; Label: Nashville Harbor Records & Entertainment
– He has s-e-x on his mind, and he lets her know it. The feel-good, midtempo track keeps the sultry mood rolling right along. Green’s streak of chart-toppers ought to continue with this dandy outing.

KARLEY SCOTT COLLINS / “Runner”
Writers: Ashley Ray/Karley Scott Collins/Sam Backoff/Zane Callister; Producers: Karley Scott Collins, Nathan Chapman; Label: Sony Music Nashville
– Her husky drawl is gripping to the max. The ballad describes a heart so broken that it  has made her cynical about love and unwilling to trust anyone. The lyric is wonderfully poetic. This is a very cool sounding track.

CHRIS JANSON / “Stay Rowdy”
Writers: Blake Bollinger/Chris Janson/Michael Tyler/Thomas Archer; Producers: Blake Bollinger, Chris Janson; Label: Nashville Harbor Records & Entertainment
– This has the country rocking vibe of ’90s country. As usual, Janson knows how to let the good times roll.

BILL MEDLEY / “He Stopped Loving Her Today”
Writers: Bobby Braddock/Curly Putman; Producer: Fred Mollin; Label: Curb Records
– The Righteous Brother has immortalized everything from “You’ve Lost That Lovin’ Feelin’” to “I’ve Had the Time of My Life.” Medley also has a country past, having charted in the genre half a dozen times in the ‘80s. His forthcoming album is devoted to classic country songs. It probably wasn’t the best idea to cover this iconic George Jones number, especially not by making the death ballad sound even more lugubrious. But I’m still a fan.

ANA CHRISTINA CASH / “Last Call”
Writers: Ana Cristina Cash/Jodi Marr/Willie Breeding; Producer: John Carter Cash, Willie Breeding; Label: Avondale Records
– This lady has always been a fiery vocal stylist. This sassy, empowering outing rocks smartly with a snappy rhythm to match her spitfire performance. The artist is also issuing a Spanish-language version, “Tu Ultima Llamada.” She and hubby John Carter Cash are slated for the Opry’s Valentine’s Day edition tomorrow (Feb. 14). The show’s theme is “It Takes Two: The Opry Celebrates Country Duos,” and other guests will include those lovebirds of The War and Treaty

LARRY FLEET / “Hard Work and Holy Water”
Writers: Barry Dean/Larry Fleet/Luke Laird; Producer: Trent Willmon; Label: LF
– Fleet remains a mighty strong country vocalist. The blue-collar song is perfect for him, and the clean production couldn’t be more flawless. This is my kinda country. “Can I get a back-road Hallelujah?” he asks. Yes, you can.

MACKENZIE CARPENTER & MIDLAND / “I Wish You Would”
Writers: Chris Tompkins/Jamie Moore/Jonathan Hutcherson/Mackenzie Carpenter; Producer: Jamie Moore; Label: The Valory Music Co.
– Nice work. The track has a seductive rhythmic roll, guitars twanging gently and beautifully harmonized vocals. Put this sensuous one on “Repeat.”

Morgan Wade Shines On Ryman Auditorium Stage

Morgan Wade. Photo: Erika Rock

Morgan Wade returned to the Ryman Auditorium stage on Friday night (Feb. 7) for a thrilling performance as part of her “Obsessed Tour.”

Amy Ray Band kicked off the evening with tunes such as “Sure Feels Good Anyway,” “Joy Train” and “Oyster And Pearl.” The nine-piece band also made a tribute to Duane Allman with their song of the same name, getting the crowd to sing along. They also set up the vibe of the night with “Cowboys And Pirates,” “Muscadine” and “Didn’t Know A Damn Thing.”

The anticipation was high as the lights dimmed and Wade stormed the stage to a classic rock n’ roll beat. Right from the start, her powerful energy and presence set the tone for an unforgettable night. She was singing with striking teal microphone stand, and the crowd went wild as she opened with the raw and gripping “Total Control.” The night only got better from there as she transitioned into “Time to Love, Time to Kill,” showcasing her emotional depth and rock prowess.

Morgan Wade. Photo: Erika Rock

The audience was swept up in every note, especially as Wade delivered “Last Cigarette,” sending waves of nostalgia through the crowd. The setlist was stacked with fan favorites as “Reckless” had everyone singing along, while “Losers Look Like Me” and “Matches and Metaphors” proved that Wade’s songwriting resonates deeply with her fans. The hauntingly beautiful “Juliet” brought a moment of reflection before diving into “When the Dirt All Settles.”

A special moment came with the slower, heart-wrenching “Don’t Cry,” allowing the crowd to catch their breath before Wade picked up the pace with the heavy rock beat of “Roses.” The energy was palpable as she surged into “Carry Me Home,” leaving the crowd buzzing with excitement. But it was the trumpet solo by one of her band members in “Mend” that got the crowd going and made the night feel uniquely special, offering a rare moment of instrumental flair in a rock-heavy set.

Wade continued to impress with “Take Me Away.” During a guitar solo, she stood on an amp, turning the performance into an interactive moment as the crowd took over, singing along to the powerful track. The rawness continued as Wade’s band stepped off stage for “Obsessed,” “Department Store” and “Moth To A Flame” for a stark moment of vulnerability. Then, the band returned for a slower, reflective performance of “2AM in London,” creating a poignant contrast to the high-energy songs earlier in the set.

Morgan Wade. Photo: Erika Rock

The night culminated with “Met You” and “The Night,” which boasted a big musical intro that had the crowd on the edge of their seats before Morgan disappeared offstage. The encore was nothing short of spectacular, as she returned to cover The Outfield’s “Your Love” and Rick Springfield’s “Jessie’s Girl,” energizing the crowd for a final burst of adrenaline. The closer, “Wilder Days,” brought the night to an epic end, leaving everyone with a sense of exhilaration and fulfillment.

Wade’s “Obsessed Tour” will head to the west coast this weekend for stops in Portland, Seattle, San Francisco and more.

BREAKING: Dennis Reese Returns To Sony Music Nashville

Dennis Reese. Photo: Courtesy of Dennis Reese

Sony Music Nashville (SMN) has appointed Dennis Reese as Senior Vice President of Radio Marketing & Promotion. In this role, Reese will lead the development and execution of strategic radio promotional campaigns for both the RCA Nashville and Columbia Nashville labels. He will report directly to Chair and CEO Taylor Lindsey, as well as President and COO Ken Robold, and will start this Friday (Feb. 14).

“We are thrilled to welcome back Dennis to the company,” shares Lindsey. “His experience at both the country and pop formats, excellent leadership skills and dedication to the artists he’s worked is unmatched and we are fortunate enough to have him this time at the helm of our promotion team. SMN remains committed to promoting our artists at radio and we know Dennis will continue to bring the No. 1s and advocate for our artists every day.”

Reese spent the past year at Neon Coast, where he supported the label’s roster, including Kane Brown, Restless Road, Nightly, Dylan Schneider and Kat Luna. Before that, he spent seven years leading the RCA Nashville imprint, where he helped secure 24 No. 1 records. Reese’s career began with a successful tenure in pop music, working with Epic Records, Capitol Music Group, Elektra Records and Columbia Records.

Lauren Thomas & More Exit Sony Music Nashville

Lauren Thomas

Lauren “LT” Thomas (SVP, Promotion), Lauren Bartlett (Columbia Sr. Dir., Promotion), Paige Elliott (Columbia Dir., Promotion), Lisa Owen (Columbia Dirs., Promotion) and Paul Grosser (SMN Mgr., Promotion & Artist Development) have all left Sony Music Nashville as part of organizational restructuring.

“Our focus is always on being the best partners for our artists and the creative community, especially in this rapidly evolving marketplace,” the label shared in a statement obtained by MusicRow. “Today we made changes to our team structure to streamline our resources and be more successfully connected to our valuable radio partners across RCA Nashville and Columbia Nashville.”

Thomas was promoted to her most recent position of Senior Vice President, Promotion last June. She joined Sony Music Nashville in October 2009, and throughout her time there, has taken on various roles within the Promotion team, contributing to nearly 80 No. 1 records. For the past three years, Thomas has been leading the promotional efforts for the Columbia Nashville roster and staff. She has guided chart-topping successes for Old Dominion, Megan Moroney and Mitchell Tenpenny, along with multiple hits from Luke Combs.

Bartlett joined the organization in 2018 as Director, Southeast Promotion, following her time at Big Machine Label Group, and was elevated to Columbia Sr. Dir., Promotion in 2022. She also served as an Account Executive at Steel City Media prior to BMLG.

Elliott started her time at Sony Music Nashville in 2017. Before joining, Elliott served as Director of Regional Promotion, West Coast for Capitol Records Nashville from 2010 to 2017. Prior to that, she held the role of Director of Regional Promotion, Northwest at Capitol Music Group from 2007 to 2010.

Owen joined Sony Music Nashville as Arista’s Mgr., Regional Promotion in 2016. Prior, Owen had been with Show Dog Nashville Records since 2005. Before joining Show Dog, she served as the Director of Promotion & Marketing for the West Coast at DreamWorks Records and as the Manager of Promotion, West Coast, for Giant-Reprise Records Nashville.

Grosser started as an intern at Sony Music Nashville. In 2021, he joined the team full time as Specialist, Promotion and Artist Development before being promoted to Manager.

Zach Bryan Enters Top Five On MusicRow Top Songwriter Chart

Zach Bryan. Photo: Trevor Pavlik

Zach Bryan has re-entered the top five on the MusicRow Top Songwriter Chart this week. Solo-penned “Blue Jean Baby” and “High Road” push the singer-songwriter to No. 4 this week.

Ashley Gorley remains in the No. 1 spot with “Fix What You Didn’t Break,” “I Am Not Okay,” “I Had Some Help,” “Liar,” “Love Somebody,” “Park” and “This Town’s Been Too Good To Us.” Chris Stapleton stays at No. 2 with solo written “Think I’m In Love With You.”

Taylor Phillips (No. 3) and Charlie Handsome (No. 5) round out this week’s top five.

The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.

Click here to view the full MusicRow Top Songwriter Chart.

Paramount ‘Pauses’ CMT Music Awards

Jelly Roll poses with his awards during the 2024 CMT Music Awards. Photo: Matt Winkelmeyer/Getty Images for CMT

Paramount Global has put a hold on several major events, including the 2025 CMT Music Awards, as it reassesses the production’s future. The news, first reported by The Hollywood Reporter, comes from an internal memo issued by Bruce Gillmer, Paramount’s President of Music, Music Talent, Programming & Events, Media Networks, and Chief Content Officer, Music, Paramount+. It was confirmed by MusicRow.

Other affected events include the MTV Europe Music Awards (EMAs), Nickelodeon Kids’ Choice Awards Mexico and the MTV MIAW.

“Our world-class events remain a key component of Paramount’s music offering as we continue to raise the bar in delivering iconic, unforgettable performances and moments that drive pop culture. We have the best team in the business, and we are grateful for your hard work and dedication in bringing these events to life,” Gillmer wrote in the memo.

The decision follows a series of organizational changes at Paramount, including layoffs that impacted CMT, notably affecting then-Senior Vice President of Music Strategy & Talent, Leslie Fram.

Old Dominion Gives Back During ‘7 For 7’ Finale

Old Dominion. Photo: Mason Allen

Last night (Feb. 6) at the Ryman Auditorium, Old Dominion took the stage for their final “7 for 7” residency show, an evening of music and philanthropy aimed at raising funds for various charities, while the band was also celebrating seven consecutive CMA Awards for Vocal Group of the Year. The energy in the venue was palpable, as fans of all ages packed in, eager to experience the band’s unique blend of country charm and rock-infused tunes that are normally played at arenas inside the intimate setting.

The band’s current radio single “Coming Home” kicked things off with frontman Matthew Ramsey setting the tone, playing a smooth harmonica solo that had the crowd swaying to the rhythm. The band quickly transitioned into “No Hard Feelings,” with Ramsey teasing the audience with a xylophone solo. The crowd loved it, and the playful sound added a flair to the already memorable track.

“This is the last show, show No. 7 baby,” Ramsey exclaimed during a roaring crowd applause. “And there’s only one show tonight, so that means we can do whatever we wanna do.” With that, the night turned into a “request line,” where fans were able to request songs via signs they brought in. The night kept rolling with “Make It Sweet,” followed by “Different About You,” both crowd favorites that got everyone singing along, their voices filling the venue. With the set list spanning all the fan-loved songs, “Be With Me” and “Beer Can In A Truck Bed” were instant highlights, and you could feel the crowd’s connection.

The War And Treaty and Matthew Ramsey. Photo: Mason Allen

The evening’s surprises didn’t stop there. As the band dove into Bill Withers’ “Lean On Me”, the room erupted in excitement when The War & Treaty joined them on stage for a powerhouse collaboration. Their harmonies filled the venue, adding an extra layer of soul to the classic anthem.

The excitement reached new heights as Ernest joined the band for “Flower Shops,” bringing a little more magic to the moment with his signature smoothness. The crowd soaked in every second, swaying in perfect harmony with the music.

The tempo picked up with “How Good Is That,” followed by the slowed down rock of “Some Horses,” two songs that had the crowd on their feet, hands in the air, and dancing lending to the band’s unstoppable momentum. As the night moved into “Snapback,” the vibe was pure fun, a shout-out to simpler times, with fans screaming every word.

Ernest and Matthew Ramsey. Photo: Mason Allen

During “Hotel Key,” the band passed around different hotel keys from the crowd, creating an intimate and spontaneous moment that tied everyone together.

The crowd roared with excitement as Ramsey invited a fan on stage during “All I Know About Girls.” The girl, attending her very first concert, was welcomed like an old friend, her wide-eyed excitement as palpable as the energy in the room. She took in the moment, singing along with the band and her family, her joy contagious to everyone around her.

After “Memory Lane,” Ramsey took a moment to address the crowd.

Old Dominion. Photo: Mason Allen

“Today we took a tour of part of this building that’s not really open to the public. We went up into the attic, and it’s pretty impressive and empty up there. But you can tell that’s where all the music that is played here, the songs make their way up there and they hang out there forever.” Ramsey then challenged the crowd to sing “One Man Band” as loud as possible to cement the song into the building’s history. Before the band played “Say You Do”, Ramsey shared the story of how it marked his first-ever No. 1 hit as a songwriter, and fellow band member Trevor Rosen’s second No. 1.

With “Song For Another Time” and “I Was On A Boat That Day,” the audience was singing along to every word, a massive sea of voices echoing throughout the Ryman.

“The fact that we officially formed this band in 2007 and spent years playing to no one,” frontman Ramsey reflected during “I Was On A Boat That Day.” “We had a blast doing it the whole time, knowing that we had something special. We have traveled the world and seen all different countries and we have so much to be proud of, but this right now is topping the list.”

Fans requesting songs during Old Dominion. Photo: Mason Allen

A truly incredible moment came with the final song “Goodnight Music City,” a brand new song they’d written just two weeks ago. The vulnerability in the performance, combined with the intimate feel of the Ryman (which gets a shoutout in the song), gave the song an emotional weight that resonated with the entire room. As the band wrapped up the night, there was no denying the sense of community and celebration. 

During the show, the band announced that throughout their seven nights, they were able to raise $1.25M for various charities. The band also celebrated their seven night run by releasing a brand new song today (Feb. 7), “Making Good Time.”