Country Music Hall Of Famer Jerry Bradley Passes

Jerry Bradley. Photo: Tony Brown’s book Elvis, Strait to Jesus; courtesy of Melissa Core and Rick Caballo of Dead Horse Branding

Music industry titan and Country Music Hall of Fame member Jerry Bradley has passed away at age 83. He died peacefully on Monday (July 17) in Mt. Juliet, Tennessee.

His 40 years of success in the record and publishing industries are unique in the Nashville music business community.

Jerry Bradley and the CMHOF’s Kyle Young at Bradley’s induction into the Country Music Hall of Fame. Photo: Jason Kempin/Getty Images for Country Music Hall of Fame and Museum

As part of what is known as “The First Family of Music Row,” Jerry was the son of Nashville sound architect Owen Bradley as well as the nephew of the renowned A-Team guitarist Harold Bradley, who were both in the Hall of Fame. His late wife was the iconic Connie Bradley, who led ASCAP for three decades.

Other members of the Bradley dynasty include Jerry’s sister, longtime BMI executive Patsy Bradley, and his son, current BMI Nashville VP of Creative Clay Bradley, as well as other family members who made an impact on the music business.

Jerry Owen Bradley was born in Nashville on January 30, 1940. He was a practical jokester in his youth. When he decided to follow his dad and uncle Harold’s footsteps into the music business, after two years in the army, Jerry started working with his family’s music publishing company, Forrest Hills Music. He also started learning to engineer and produce records in his dad’s studio, Bradley’s Barn, after it was built in 1965.

Learning from his father, Jerry watched and often contributed to sessions with artists like Webb Pierce, Loretta Lynn, Brenda Lee, Gordon Lightfoot and more.

Jerry and Connie Bradley. Photo: Donn Jones/CMA

Coming up in the music business as Owen Bradley’s son made Jerry ache for a shot at building his own reputation. In order to make a name for himself, Jerry asked Head of RCA Nashville Chet Atkins—who was ironically Owen’s competition at the time—for a job.

Jerry came on as an assistant for Atkins in 1970, but soon found himself behind the sound board as a staff producer. A few short years later Jerry became Head of RCA Nashville in 1973.

If making a mark for himself was what Jerry yearned for, he did that and more. With Jerry at the helm from 1973 to 1983, RCA Nashville experienced its famed success with country hitmakers Alabama, Ronnie Milsap, Dolly Parton, Charley Pride and many more. The label was heralded Label of the Year by Billboard for ten consecutive years, and launched the careers of some of country music’s most legendary stars.

“When my daddy died, my mother told me he was proud of me. He never said that but he told her that. That touches me,” Jerry told MusicRow in a 2021 interview about his family’s legacy.

One of Jerry’s early signings was Alabama, a family band from Fort Payne, Alabama. Jerry helped design the artwork for their first RCA Nashville album My Home’s in Alabama, and started their iconic trademark of Alabama spelled with a capital “A” at both the beginning and ending of the word. The now Country Music Hall of Fame members would go on to celebrate multiple Platinum and multi-Platinum albums.

Jerry Bradley and Charley Pride attend the 2019 Country Music Hall of Fame Medallion Ceremony. Photo: Jason Kempin/Getty Images for Country Music Hall of Fame and Museum

Another stunning success of Jerry’s was his work with Ronnie Milsap, who recorded 35 No. 1 hits for RCA Nashville. Jerry produced many of Milsap’s hits, with publisher Tom Collins co-producing some as well.

He made history while working with Charley Pride, who became one of country music’s first Black superstars. Pride recorded hits such as “Someone Loves You Honey,” “Burgers and Fries” and “Where Do I Put Her Memory” under Jerry’s supervision.

During his time at RCA, Jerry was also the force behind the renowned 1976 album, Wanted: The Outlaws, from Waylon Jennings, Willie Nelson, Jessi Colter and Tompall Glaser. He was meticulously involved in the imagery for the project, modeling the cover after a vintage, western wanted poster. The album became the very first country album to achieve Platinum status.

Like his father and uncle Harold, Jerry was very involved in the success of the Music Row community. He was President of the Country Music Association in 1974-1975, and was heavily involved in CMA’s annual Fan Fair (now CMA Fest).

Jerry was also known as a prankster on Music Row. Some of the many pranks he pulled were sticking spoons to his face during formal industry events while speeches were being given, and sneakily planting corn in the yards of his colleagues’ offices.

Connie and Jerry Bradley with Harold and Patsy Bradley at the Owen Bradley statue on Music Row. Photo: Courtesy of Jerry Bradley

“When country music was taking off in the Garth Brooks era, Soundscan came out and all of the sudden country music was selling more than anything else, dad grabbed me one day on a Sunday and we went and planted corn in everybody’s front lot,” Jerry’s son Clay remembers. “In about three weeks they all had corn stalks growing.”

“I took Kenny Chesney on his first ride up 16th Avenue going the wrong way telling him I was checking the corn stalks. He didn’t know what the hell I was talking about until we got up the street,” Jerry admitted.

Jerry married the late ASCAP executive, Connie Bradley, in 1979. The two were married for nearly 43 years, until Connie unexpectedly died in March of 2021. There’s no doubt the two were the ultimate Music Row power couple.

From another marriage, Jerry had two children, Leigh Jankiv and Clay Bradley, who also went on to work in the business. Jerry’s cousin Bobby Bradley Jr. is also a noted recording-studio engineer. Bobby got his start at Bradley’s Barn, and went on to work with Johnny Cash, George Jones, Loretta Lynn, Dolly Parton, Marty Stuart, Tammy Wynette, Trisha Yearwood and more at many different studios.

Jerry left RCA Nashville in 1983 and stepped into leading Opryland Music Group, which owned all the Acuff-Rose publishing catalogs. Opryland Music Group became the first Nashville publishing company to win ASCAP and BMI Song of the Year honors in 1990. Acuff-Rose has been a steady earner because of its catalog of old songs, which included the classics of Hank Williams, Roy Orbison, Don Gibson, John D. Loudermilk, the Everly Brothers and Dallas Frazier. With a fire in his belly to elevate the company, Jerry went to work acquiring new staff, song pluggers and hit songwriters such as Dean Dillon, Casey Beathard and Kenny Chesney. Soon the Opryland Music Group was battling with the multinational corporate giants like Warner Chappell, EMI, Polygram Music and BMG.

Jerry Bradley. Photo: Courtesy of the Country Music Hall of Fame and Museum

Jerry retired from the music business in 2003. He was inducted into the Country Music Hall of Fame in 2019 for his incredible impact on Music Row. Jerry has mentored such successful music industry professionals as his son Clay Bradley, Troy Tomlinson and Joe Galante.

“I never lost the fact that it was fun,” Jerry shared. “I had fun.”

Jerry Bradley is predeceased by his parents Owen Bradley and Katherine Bradley; his uncles Harold Bradley, Charlie Bradley and Bobby Bradley; his aunt Ruby Strange; his wife Connie Bradley; and the mother of his two children, Gwynn Hastings Kellam.

He is survived by his sister Patsy Bradley; his children Leigh Jankiv (Rob LeBlanc) and Clay Bradley (Sara); his grandchildren Josh Jankiv (Ashley), Eli Jankiv, Emma Jankiv (Matt Acott), John Bradley and Lillian Grace Bradley; and his five great grandchildren.

A Celebration of Life will be held at Cedar Creek Yacht Club on Sept. 10 at 4 p.m. This is the place Jerry enjoyed the most. He was a 60-year member and he spent his time on Old Hickory Lake with his family and friends on the “STUDIO A” houseboat.

In lieu of flowers, the family asks that you please make a donation to Music Health Alliance.

Kane Brown Tops The MusicRow Radio Chart With ‘Bury Me In Georgia’

Kane Brown‘s “Bury Me In Georgia” is at No. 1 on the MusicRow CountryBreakout Radio Chart this week.

Brown co-wrote the anthemic hit with Matt McGinn, Jordan Schmidt and Josh Hoge. It appears on his third studio album, Different Man, which also contains hits “Like I Love Country Music,” “One Mississippi” and “Thank God” with Katelyn Brown.

“Bury Me In Georgia” currently sits at No. 9 on the Billboard Country Airplay chart and No. 10 on the Mediabase chart.

Brown recently headlined Boston’s Fenway Park, becoming the first Black artist to headline the historic ball park solo.

Click here to view the latest edition of The MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.

DISClaimer Single Reviews: Hannah Dasher Creates A ‘Fabulous Sonic Slab’

Hannah Dasher. Photo: Jeremy Ryan

Is it just me, or is there more new blood in country music than ever these days?

Vying for our attention this week are such up-and-comers as Ashley Cooke, Warren Zeiders, Nate Smith, War Hippies, Hannah Dasher, Dylan Marlowe and Elvie Shane. The Disc of the Day contenders are Cooke, Shane, Chase Rice, Lukas Nelson & Lainey Wilson, Sam Hunt and our winner, Hannah Dasher.

We have no actual newcomers today, but I would like to point out the presence of at least three previous DisCovery Award winners—Nate Smith, War Hippies and Hannah Dasher.

CHASE RICE / “Bad Day to Be a Cold Beer”
Writers: Blake Pendergrass/Chase Rice/John Byron/Justin Thomas; Producer: Oscar Charles; Label: BBR
– Announcing THE drinking song of 2023. This rollicking romper is a working man’s anthem, a party-hearty banger and a kick-butt production all wrapped up in hillbilly delight. Turn it up.

NATE SMITH / “World On Fire”
Writers: Ashley Gorley/Lindsay Rimes/Nate Smith/Taylor Phillips; Producer: Lindsay Rimes; Label: Arista Nashville
– The metaphor doesn’t really work for me, but even if the lyrics are nonsense, this is a spectacularly charismatic vocal performance. The track is molten-rock hot.

HANNAH DASHER / “(I’m the One That Taught Him) That Thing You Like”
Writers: Hannah Dasher/Brandon Hood/Wynn Varble; Producers: none listed; Label: HD
– Witty, bluesy and twanging. She takes the new girlfriend aside to let her know just how intimately she knows the boy on this unreleased track. A fabulous sonic slab. I remain a massive fan.

DYLAN MARLOWE / “Dirt Road When I Die”
Writers: Dylan Marlowe/Joe Fox; Producer: Joe Fox; Label: Sony Music Nashville
– Downbeat, borderline depressing and a little confusing. Okay, after we take you down that dirt road, what do you want us to do with your body? Bury it? Burn it? Leave it out in the sun in the back of that pickup truck?

ASHLEY COOKE / “Your Place”
Writers: Ashley Cooke/Jordan Minton/Mark Trussell; Producer: Jimmy Robbins; Label: Big Loud Records/Back Blocks Music
– This lady sure can write ‘em and sing ‘em. This track from her forthcoming (July 21) debut album sets some definite boundaries for her ex. Her current situation is none of his damn bizness. This is an artist you need to be listening to.

WARREN ZEIDERS / “Pretty Little Poison”
Writers: Ryan Beaver/Jared Keim/Warren Zeiders; Producer: Ross Copperman; Label: Warner Records
– This is his upcoming album’s title tune and lead single. He sings it with passion, but the track drags and the song’s tone is unrelentingly monochromatic.

LUKAS NELSON & POTR WITH LAINEY WILSON / “More Than Friends”
Writer: Lukas Nelson; Producers: Lukas Nelson & Promise of the Real; Label: 6 Ace Records
– His Sticks and Stones album drops tomorrow and the record-release party is tonight at The Nashville Palace. This track from it is a boatload of pleasure—two great voices, one funky country band and a hearty, good-time song. What’s not to love? Lukas gets better and better with each release, and Lainey blends with him perfectly as the icing on this cake. A breezy summer outing.

DIAMOND RIO / “The Kick”
Writers: Carson McKee/Dana Williams/Daniel Thomas Truman/James W. Olander/Marty Roe/Micah Schweinsberg; Producer: James W. Olander; Label: Rio Hot Records
– An instrumental! This is a country category that seems to have died years ago, but leave it to Diamond Rio to revive it with this sizzling jam. Drummer Brian Prout and multi-instrumentalist Gene Johnson have retired after 33 years in the band. Their replacements, Micah Schweinsberg and Carson McKee, more than keep pace with group mainstays Dan Truman (keyboards), Jimmy Olander (lead guitar), Dana Williams (bass) and Marty Roe (rhythm guitar) on this lively outing. A welcome return.

GIRLS NEXT DOOR / “What’s This Thing You’ve Got About Leaving”
Writers: TW Hale/Roger Murrah; Producers: TW Hale/Tom Harding; Label: Girls Next Door Music
– After an absence of 30+ years, Cindy Nixon Psanos, Diane Williams Austin, Tammy Stephens Smith and Doris King Merritt have reunited as the Girls Next Door. The quartet initially made some noise with a flurry of singles on MTM Records in the late ‘80s. The group’s comeback single is a lively, bopping, good-vibes ditty that vividly shows that their creamy harmony blend is as flawless as ever. Nicely done, all around.

SAM HUNT / “Outskirts”
Writers: Sam Hunt/Zach Crowell/Jerry Flowers/Josh Osborne; Producers: Chris LaCorte/Shane McAnally/Sam Hunt; Label: MCA Nashville
– Regret, nostalgia, reflection and mourning for the love he threw away. Singing with the throttle wide open, Hunt has seldom sounded better. The song displays very classy craftsmanship. Totally a winner.

WAR HIPPIES / “The Hangman”
Writers: Donald E. Reis III/Scoot Edward Brown; Producer: Donnie Reis; Label: War Hippies
– This is a duo of military combat vets. The song is a haunting western-outlaw ballad about two lovers who are strung up, side-by-side. Complete with gunshot and galloping-horse sound effects. Imaginative, indeed.

ELVIE SHANE / “Baptized”
Writers: Elvie Shane/Dan Couch/Luke Preston/Oscar Charles; Producer: Oscar Charles; Label: Wheelhouse Records
– Simmering with gospel passion, this ode to a deep and sensuous love is downright riveting. Shane is one of our most talented and distinctive newcomers. Lend the “My Boy” singer your ears once again.

Bobby Karl Works The Room: Eric Church Exhibit Opens At Hall Of Fame

Eric Church attends the Country Music Hall of Fame and Museum’s new exhibit “Eric Church: Country Heart, Restless Soul.” Photo: Jason Kempin/Getty Images for the Country Music Hall of Fame and Museum

Chapter 674

You read it here first: Eric Church will be a member of the Country Music Hall of Fame.

The museum’s CEO Kyle Young said so last night (July 12): “He will be in here one day,” Kyle said while standing in the Hall of Fame Rotunda.

“I have immense respect for this room we’re in,” said Eric. “I’m honored to be here….The people I love and respect are here.”

Pictured (L-R): Gibson’s Cesar Gueikian, Museum’s Lisa Purcell, Brandon Schneeberger, Museum’s Michael Gray, Museum’s Kyle Young, Eric Church, Museum’s Angela Stefano Zimmer, John Peets and Marshall Alexander. Photo: Jason Kempin/Getty Images for the Country Music Hall of Fame and Museum

The occasion was the opening reception for the museum’s new exhibit “Eric Church: Country Heart, Restless Soul.” It is a career retrospective for one of country music’s most gifted contemporary artists. Church is one of the few of his generation who matches immense popularity with universal critical acclaim.

“Whenever I make a new record, I envision all my favorite albums on a wall. And I ask myself if this one I’ve just made is worthy to be hung there with them. If you look abound this room, a lot of those artists are here,” Church added, referring to the Hall of Fame plaques displayed in the Rotunda.

“This is an unbelievable honor for me.”

“It’s a pleasure to welcome you to this hallowed place,” said Kyle. “It’s a pleasure to introduce you to our latest exhibit….Eric Church has shown himself to be an artist of vision and of staying power.” He described Eric as, “uncompromising, bound and determined to do things his own way….going against the grain.” Oh, that’s when he also predicted again that Eric would one day be a Country Music Hall of Fame member. Which is indisputably the truth. I have been in the Church Choir.

The Rotunda was packed. Spotted in the throng working the room were Sarah Trahern, Tim Wipperman, Joanna Carter, Jim Horn, Jim Horner (I know, I know, they were even seated at the same table), Paul Kingsbury, Michael P. Heeney, Seab Tuck, Mike Dungan, Lisa Purcell, Mike Molinar, Derek Kupisch, Scott Perry and Walter Campbell.

Pictured (L-R): Manager John Peets and Eric Church view the Country Music Hall of Fame and Museum’s new exhibit. Photo: Jason Kempin/Getty Images for the Country Music Hall of Fame and Museum

Former Nashville Public Library chief Kent Oliver reported that he’s now working with the American Library Association on intellectual freedom issues. Manager Scott Adkins is pushing The Return of Tanya Tucker, a documentary out now on all platforms. Her upcoming induction into the Hall of Fame is also bound to be a busy time for him. Another client, Bill Anderson, will celebrate on July 22 when he becomes the longest tenured Grand Ole Opry cast member in history.

Meanwhile, attendee Tony Gottlieb is launching Melody Place Records with business partner Sandy McGraw. The label will likely be the home of an all-star duets project using vocal tracks left by the late Dan Seals. Its roster also includes Sara Evans and Jackie Evancho, the young America’s Got Talent alumnus.

The cocktail supper featured shots of, naturally, Eric Church’s spirit, Whiskey JYPSI. Which was quite excellent. Very smooth. We also had roast beef medallions with horseradish, kettle chips with pimento cheese (and Mt. Olive Relish), roasted squash and eggplant slices, blackened chicken on sweet-potato rounds with salsa verde and raw veggies with sour cream. The bread pudding with Krispy Creme Donut holes was a particular crowd pleaser. The wait staff circulated with shrimp & cream cheese skewers, watermelon & mozzarella spoonfuls and BBQ & slaw on corn cakes, plus the whiskey shots.

The schmoozing had reached fever pitch by the time Kyle and Eric welcomed everyone.

“Enjoy the exhibit,” said Eric. “I’m gonna come and hang out with you.” True to his word, the star toured the exhibit with the rest of us, patiently posing for photos with attendees.

“Eric Church: Country Heart, Restless Soul” officially opens today at the Country Music Hall of Fame & Museum.

UTA Promotes Brandi Brammer To Sr. VP, Global Music Operations

Brandi Brammer

UTA has elevated Nashville-based Brandi Brammer to Senior Vice President of Global Music Operations.

Rising from VP of People & Business Partnerships, Brammer will now lead the day-to-day operational work of UTA Music worldwide, spanning human resources, legal and business affairs, finance, facilities and technology initiatives, as the practice continues its expansion.

“I’m thrilled to take on this new leadership role during such a pivotal moment in the growth and evolution of UTA Music,” says Brammer. “This is such an incredible opportunity to foster synergy across so many integral parts of UTA Music on a global scale with the most talented people in the business.”

Brammer joined UTA in 2021 after serving at VP of Human Resources at WME and leading HR for its music division. Prior to that, she worked at CAA, helping triple the size of their Nashville office and eventually overseeing HR for the company’s music and sports divisions across the Southeast. Earlier in her career, Brammer worked at the Academy of Country Music as Director of Events.

“Brandi’s an exceptional leader who has played an integral role in growing our presence in Nashville and beyond. Her deep experience, proven track record and collaborative approach will be an invaluable asset as UTA Music continues to expand globally and scale our business on a global stage,” shares Scott Clayton, UTA Partner & Co-Head of Global Music.

UTA works with a wide range of established and emerging artists across all genres of the industry, including 21 Savage, Anitta, Ari Lennox, Bad Bunny, Bebe Rexha, Burna Boy, Cardi B, Central Cee, Common, Deadmau5, Demi Lovato, Florence + the Machine, Guns N’ Roses, Halsey, Illenium, J. Cole, James Blake, Jamey Johnson, Jason Derulo, Jimmy Eat World, Karol G, Kaskade, Latto, Lil Nas X, Lil Wayne, Lizzo, LL Cool J, Machine Gun Kelly, Marshmello, Michael Franti, Midland, Muse, My Morning Jacket, Offset, Paramore, Pitbull, Post Malone, Romeo Santos, Rosalía, Spoon, Sublime with Rome, The Jonas Brothers, The Kid Laroi, Toby Keith, Tori Kelly, Train, Tyler Hubbard, WizKid, YG and Young The Giant, among others.

Fred Rubenstein Joins Sony Music Nashville As VP, Digital Marketing

Fred Rubenstein. Photo: Rebecca Lader

Sony Music Nashville has appointed Fred Rubenstein as Vice President, Digital Marketing, effective immediately.

Rubenstein will be responsible for overseeing the digital marketing team and leading the strategy, execution and implementation of innovative social media and digital marketing campaigns across the Sony Music Nashville roster. He will also focus on exploring new partner/platform opportunities that will enable digital discovery, enhance artists’ brands and drive consumption.

Rubenstein will report to Jennifer Way (Senior Vice President, Marketing) and relocate to Nashville.

Way comments, “Fred is a highly respected digital marketing executive who isn’t afraid to break the mold to try something new. He is a natural leader and collaborator, and I’m looking forward to adding his fresh, innovative perspective and broad digital expertise into our marketing strategy as we continue to deliver unique, memorable campaigns that amplify our artists’ voices and their music.”

“I am very excited to join a team that is already is already pushing the boundaries for their artists in the digital space. The vision and outlook that Sony Music Nashville has for being at the forefront of this space is super exciting and I appreciate their trust in leading that. I look forward to continuing this mission by amplifying unique digital campaigns for and with, our artists,” Rubenstein adds.

Rubenstein was most recently Senior Manager, Creator Acquisitions & Development for Amazon’s live streaming service Twitch, where he managed deals and accounts with billion-dollar companies and on-boarded new talent from the music, gaming and sports spaces. Notable projects included WWE, The Needle Drop and Mike Shinoda. Prior to his role at Twitch, he was a member of digital marketing teams at Elektra Music Group and Roadrunner Records where he spearheaded digital campaigns for Slipknot, Sturgill Simpson, Turnstile, Trivium and more.

Rubenstein is a graduate of Monmouth University where he received a B.A. in marketing.

Ashley Gorley Spends 10th Week At No. 1 On MusicRow Top Songwriter Chart

Ashley Gorley

Ashley Gorley is the No. 1 songwriter on the MusicRow Top Songwriter Chart for the 10th consecutive week this week. He is a co-writer on Chris Janson’s “All I Need Is You,” Parmalee’s “Girl In Mine,” Russell Dickerson’s “God Gave Me A Girl,” Hardy’s “Truck Bed,” Nate Smith’s “World On Fire” and Morgan Wallen’s “Last Night,” “Cowgirls,” “Everything I Love,” “Thinkin’ Bout Me” and “You Proof.”

Tracy Chapman remains at No. 2 this week as Luke Combs’ cover of her solely-written “Fast Car” rises on the country charts. Zach Bryan keeps his position at No. 3 as his solely-written “Something In The Orange” continues to rack up streams.

The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.

Click here to view the full MusicRow Top Songwriter Chart.

Kevin ‘Chief’ Zaruk & Simon Tikhman Launch The Core Records With UMG

Kevin ‘Chief’ Zaruk, Sir Lucian Grainge, Simon Tikhman. Photo: Chris Ashlee

Kevin “Chief” Zaruk and Simon Tikhman, the Co-Founders of management company The Core Entertainment (TCE), have partnered with Universal Music Group (UMG) to launch The Core Records. The new global label venture will sign and develop new artists, working with UMG’s global network of labels.

Tikhman and Zaruk founded TCE in partnership with Live Nation in 2019 as an independent entertainment collective with offices in Nashville and Los Angeles. TCE’s current roster includes chart-topping, genre-bending breakout star Bailey Zimmerman, Diamond-certified rock band Nickelback, country breakout star Nate Smith, hit producer Austin Shawn, pop band Valley, rising UMG Nashville artists Dillion James and Josh Ross, country newcomer Rachel Wiggins and emerging songwriter Gavin Lucas. Along with its roster of musical talent, TCE also develops film and television projects and works with professional athletes.

“We love building upon our entrepreneurial culture, and are so pleased to welcome Chief and Simon who have a reputation for identifying some of the industry’s most promising artists. We look forward to helping them grow their roster and drive global success for their artists,” shares Sir Lucian Grainge, Chairman and CEO, UMG.

Tikhman says, “Our goal has always been to support artists on a global scale by creating new creative and commercial paths. We’d like to thank Sir Lucian for believing in our vision and for his commitment to developing and supporting artists and entrepreneurs.”

Zaruk adds, “We’re excited for this next evolution in The Core and honored to work with Sir Lucian and the team at UMG to help us continue to guide artists to develop their careers and brands. We’ve had a great time building The Core over the past few years and are excited to create a home for new artists with the incredible resources and support from UMG.”

Luke Combs Takes ‘Love You Anyway’ To No. 1 On MusicRow Chart

Two weeks after topping the MusicRow CountryBreakout Radio Chart with “Fast Car,” Luke Combs is back again with “Love You Anyway.”

Combs wrote the tune with Ray Fulcher and Dan Isbell and it appears on his fourth full-length album, Gettin’ Old.

“Love You Anyway” was chosen as a single by Combs’ fans. When given the choice between “Love You Anyway” and “5 Leaf Clover” going to radio, Combs’ fans voted for the former.

The tune currently sits at No. 9 on the Billboard Country Airplay chart and No. 9 on the Mediabase chart.

Click here to view the latest edition of The MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.

DISClaimer Single Reviews: David Nail & Jo Dee Messina Share The Disc Of The Day

David Nail, Jo Dee Messina

Summer has arrived in full force on the country music scene.

As the temperature soars, the songs are cool. Especially from Jon Langston, Restless Road, Maddie & Tae, Track 45 and Kameron Marlowe. Tuneful, talented veterans Jo Dee Messina and David Nail share the Disc of the Day award this week.

Teenage multi-instrumentalist New Yorker David J takes home a DISCovery Award. Not necessarily for his debut disc, but for what I believe will be more accomplished outings in the future.

KAMERON MARLOWE & ERIN KIRBY / “I Can Lie (The Truth Is)”
Writers: Jordan Fletcher/Kameron Marlowe/Shane Minor; Producer: Dann Huff; Label: Columbia Nashville
– Magnificently country. This hard-core power ballad showcases one of our best new honky-tonk baritones. In an emotionally complex lyric, Kirby harmonizes and keeps pace, but this is Kameron Marlowe’s show all the way.

JO DEE MESSINA / “Just To Be Loved”
Writers: Jess Cates/Jordan Mohilowski/Tim Nichols/Jo Dee Messina; Producer: Jordan Mohilowski; Label: JDM
– Messina is having a moment, thanks to the revival of “Heads Carolina Tails California.” Her comeback single is a beautifully produced bopper with rippling mandolin, burbling bass, stacked vocals, crisp percussion and a breezy summertime vibe. Her voice remains as hearty and warm as ever. The lyric’s message about being true to yourself is lovely, too. So delightful sounding that I didn’t want it to end.

TRACK 45 / “Grew Up On”
Writers: Ben Johnson/Jenna Johnson/KK Johnson/Ashley Gorley/Jonathan Singleton/Taylor Phillips; Producers; Track 45; Label: Stoney Creek Records
– The three Johnson siblings wax nostalgic for their rural upbringing on this harmony soaked outing. The lilting melody has a soft, airy, gentle caress. Their deft plucking on bass, fiddle and guitar are the icing on this delicious cake.

BILLY CURRINGTON / “City Don’t”
Writers: Scooter Carusoe/Joshua Miller/Chris LaCorte; Producer: Carson Chamberlain; Label: Mercury Nashville
– He contrasts high-rise city living with country dirt road pleasures, and guess which one comes out on top? The sluggish track plods, and there’s nothing memorable about his lackadaisical delivery.

JON LANGSTON / “Whiskey Does”
Writers: Jon Langston/Brad Wagner/Cole Taylor/Jordan Gray; Producers: Jody Stevens/Jacob Rice/Brad Wagner; Label: EMI Nashville
“She don’t love me anymore, but whiskey does.” There you have it. A broken heart, an empty glass, misery needs company, the whole hillbilly honky-tonk package. This guy has long been a favorite, and this old-school outing in a very imaginative production seals the deal. Play it again.

LAUREN ALAINA / “Just Wanna Know That You Love Me”
Writers: Brandy Clark/Joybeth Taylor/Sam Ellis; Producer: Joey Moi; Label: Big Loud
– The melodic ballad suits her style in that she repeats its title multiple times. She seems to specialize in this type of delivery—after all, it worked so well in that irritating, repetitive million seller “The Road Less Traveled.”

DAVID J / “Last Time”
Writers: Cate Downey/Danny Majic/David J; Producer: Danny Majic; Label: Sony Music Nashville/Grey Area Entertainment
– Paint-by-numbers, generic, forgettable, youthful country-pop. Surely he can do better.

MADDIE & TAE / “Heart They Didn’t Break”
Writers: Anna Vaus/Banjy Lashar Davis/Ryan Beaver; Producer: Corey Crowder; Label: Mercury Nashville
– Poignant and sweet/sad, with their gorgeous harmony blend front and center. A lilting steel solo and perfectly placed drum thumps support their pristine performance. Another gem from this steadfast team.

RESTLESS ROAD / “No Can Do “
Writers: Matt Jenkins/Jessi Alexander/Colton Pack/Garrett Nichols/Zachary Beeken/Jacob Rice; Producer: Jared Klein; Label: RCA Nashville/1021 Entertainment
– This is a dandy, upbeat summer jam. Why work when you can relax with a pop-top? A rollicking good time, complete with a mid-song “gang” vocal break.

KIDD G / “Lesson Learned”
Writers: Alex Maxwell/Jaxson Free/Jonathan Gabriel Horne; Producer: Dann Huff; Label: Rebel
– Acoustic, semi-spoken verses alternating with electric-guitar soaring choruses. Incongruous banjo plucking and thrashing percussion. It sounds like three different songs trying to mash together.

DAVID NAIL / “Silverado”
Writers: David Nail/Grant Vogel/Robyn Collins; Producer: Grant Vogel; Label: One Five Sound, LLC
– Let’s face it: The man was born to sing. And what woman could resist this come-on? He wants to take it slow, get to know her and ride off to unknown adventures in his truck. The echoey track takes on layer after lovely layer as this wafting, romantic ode unfurls.

DARRYL WORLEY / “Have We Forgotten”
Writers: Darryl Worley/Wynn Varble; Producer: Phil O’Donnell; Label: Valory Music Co.
– Worley’s update of his 9/11 hit “Have You Forgotten” addresses a politically divided nation. It asks us to remember when we could agree to disagree and work together for the common good. A timely call for togetherness. Its “united we stand” message is lighting up message boards.